- 10 hours ago
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TVTranscript
00:01She is so sad.
00:02What about the young man?
00:03What about the young man?
00:04What about the young man?
00:05What about the young man??
00:05He says that he needs to get to the house and he doesn't come to the house.
00:08He takes a voice notes or he doesn't come to the house.
00:10He takes a voice notes or he doesn't come to it.
00:13This is the beginning.
00:15I mean...
00:16I want to be like this.
00:18I'm saying about my own behavior.
00:20I'm not asking about you.
00:22I'm gonna sleep.
00:36Oh, my God.
00:51What the hell?
00:51Don't worry about it.
00:52That's right.
00:54That's right.
00:55That's right.
00:57Why didn't I say that?
00:58Do you want to talk to your eyes?
01:00Do you want to leave us with them?
01:02Where are you, Anastasia?
01:04Where are you, Anastasia?
01:06Why don't you stop us?
01:08Where did you go to the girl?
01:10Tell you before you get a trap, let me forget your name.
01:13I don't live with you.
01:14Why don't you tell me?
01:15Why don't you tell me?
01:16Why don't you tell me about her?
01:19Tell me where the girl is.
01:21I don't know anyone's name, Anastasia.
01:24Why don't you leave me?
01:25Why don't you leave me?
01:26Why don't you leave me?
01:26You want me to leave me in my life, Anastasia.
01:28After you left me, Anastasia, I left you.
01:31You broke my heart.
01:32You broke my heart.
01:33You broke my heart every time I live.
01:34No.
01:37You don't understand your mind.
01:41Anastasia, Anastasia.
01:43Tell me where you left me for the daughter of Anastasia?
01:46Where are you, Anastasia?
01:47Where are you, Anastasia?
01:48Why don't you leave me?
01:49I don't let you leave me.
01:50Don't let me leave you and leave you.
01:52Why don't you leave me in your head?
01:53Yeah, I'm in your head.
01:54You don't marca anyone's name.
01:56I'm in your head.
01:57You don't think so.
01:57The dirty one is fucking good.
02:00Because you're angry.
02:02You can try to kick your loved ones.
02:03You're right, Tarakai, you're right.
02:05I don't know what you're right now.
02:06I'm not aware of the difference.
02:07I have to leave his flag there.
02:10Let him him off my head up.
02:11And let him take a candy corner.
02:12I'm going to the husk.
02:13I'm going to my house.
02:14And let him close my head.
02:42is
02:46and they put them in the store and put them in the store.
02:50Oh my God!
02:52What?
02:54I'm not mistaken.
02:55Who is this?
02:56My name is Anastasia.
02:58What?
02:58They say that they are one of the most popular items for the Arab world.
03:02But I don't know.
03:04You don't want to know.
03:05I mean, how is the big items for the big items?
03:08That's what I mean.
03:10I'm not sure about the story.
03:11I'm not sure.
03:12And, my dear friend, I'm not sure about the things with my classmates.
03:16We don't know how much food they are.
03:18Let's go to my department.
03:21This is where it is and here's a girl.
03:23This is she, she's a girl, in Stalees.
03:26Rent-daw.
03:28Rent-daw.
03:29Rent-daw, jeffrey.
03:30What is she doing?
03:31She was dating in there.
03:34Who was dating?
03:34Oh, my mother.
03:36My mother, my daughter, my daughter!
03:38I'll try my eyes and make her look!
03:39I was rozpoc espa.
03:40I want you to give a call.
03:44How did you give birth to me,
03:45and you were like a teacher,
03:46you were a teacher,
03:47and you were a teacher.
03:49You were a teacher,
03:51and you were a teacher.
03:53Your daughter was a beautiful father,
03:58which was the beautiful mother.
03:59She was a child,
04:01the mother of the world,
04:02who had to talk to you.
04:03Your daughter was a child,
04:05but you didn't say that.
04:07No, no, I'm in the middle of it.
04:09You're not with me, you're with me.
04:11You're with me.
04:16What happened?
04:17Mother!
04:18Mother!
04:19Mother!
04:22What happened to you, Mother?
04:22What happened to you, Mother?
04:24What happened to you?
04:25And I have a good friend.
04:28She's coming between the wires.
04:31She's coming with a good friend.
04:33Let's go, I'm going to cook them.
04:35I have a lot of water.
04:37I have a lot of water.
04:38You can't get rid of the water.
04:41I'm going to get rid of the water.
04:43I'm going to get rid of the water.
04:48I'm going to get rid of your water.
04:50I'm going to remove your eyes and your eyes.
04:52And you'll have to take everything from the first place.
04:54Is it clear?
04:55Yes, it is.
05:11I don't understand why you have a lot of water.
05:13I'm going to get rid of the water.
05:14This is what you are going to do.
05:16You are going to get rid of it.
05:17Yes, yes, yes.
05:20I know what they are between them.
05:29Susan.
05:30What are you going to get rid of it?
05:32Why?
05:35What are you going to get rid of it?
05:41Is it clear?
05:43It's clear.
05:44It's clear.
05:45It's clear.
06:03You are going to get rid of it.
06:05Do you think you're going to die?
06:06I'm not going to die.
06:08I'm just going to die when I'm going to die.
06:10If you don't die, you're going to die.
06:12You're going to die in your head.
06:15Maryam, did you know that your sister
06:18has become a bad man with her?
06:21No, I didn't know my mother.
06:23Now, when you come to the house, you're going to tell us about it.
06:25Okay, I'm going to go to the house.
06:27If you want something, you'll be going to die.
06:30And you, dear, Maryam, you're going to die with your mother.
06:32And you're going to die.
06:33Let's go.
06:34Thank you, Randa.
06:36Let me give you a little.
06:40My mother, are you good?
06:41Yes, my mother, I'm good.
06:44Yes, I'm good.
06:45Because I'm going to die with us on dinner.
06:47I'm going to die with you.
06:48Where did you get to die with us on dinner today?
06:51Where did you get to die with us on dinner?
06:53It's not a bad man.
06:54The bad man is going to die with his bad man.
06:56Now, what do you want to do with us?
06:58You're going to die with him.
07:23I'm going to die with you.
07:24Okay, you guys are going to die, please.
07:29I're in the middle.
07:30You're out.
07:33Yes, the outside.
07:34You're the famous man,
07:35the great manager.
07:37Will you give me a beautiful beautiful one?
07:39Or what?
07:41Why are you doing it?
07:43I'm one of you who is on your own,
07:45and on your own, and on your own.
07:47The hotel is the main hotel
07:48that's the main hotel.
07:51He's one of the most famous ones.
07:54I'm going to give you a few.
07:56I'm going to give you a few.
07:57I'm going to give you a few more.
07:59I'll tell you again.
08:01I'll tell you again,
08:02how did you get a new hotel,
08:07and I'll tell you again.
08:14You're the only one at the same time.
08:18I'll tell you again.
08:18You're the only one at the same time.
08:20You're the only one at the same time.
08:21Why did you do it?
08:21I'm going to get away from you.
08:23I'm not the only one.
08:26Now, you'll see what's next?
08:27What's next?
08:28There's nothing else to do.
08:30Why don't you do it?
08:31What's your fault?
08:32The girl, I'm afraid of the girl.
08:35I'm not able to accept it.
08:36I have to do it.
08:37I have to do it.
08:38Tell me about this,
08:39the woman's husband.
08:40I'm not sure what the name is.
08:41Tell her to do it.
08:42Tell her to work with the company.
08:43Let her work with the responsibility.
08:45Okay, she's done.
08:45I'm going to let her work.
08:47I'm going to think about her.
08:48I know what I can find.
08:49I'm going to know who's behind her.
08:56I'm going to tell her to you what?
09:02Can I walk with her?
09:11What do you think about her?
09:12What is she doing?
09:13Are you dying?
09:14It's you?
09:14Are you dying?
09:15How's she doing?
09:15She's doing good for me.
09:16She's doing good for me.
09:17And my mum, her husband is good.
09:17She's doing good for me.
09:18I'm not doing great.
09:18She's doing good for you.
09:19She goes, father and I'm listening.
09:20Who are you?
09:22Ah, the model the way I want to know.
09:25I'm just like the other people.
09:27We know the news, and we're doing our job in the kitchen.
09:31Are you talking to me?
09:33What's your relationship with you, Faiz?
09:35What's your relationship with Faiz?
09:36He's talking about me?
09:37I don't think he's doing it.
09:39I mean, he's the one who's doing it.
09:41I didn't ask him for anything.
09:44I'm sorry if he's doing it.
09:45What's your relationship with you?
09:46He's the one who's doing it.
09:50He's talking about me and he's giving me a message.
09:52What's your relationship with Faiz?
09:56Why do you need a relationship with Faiz?
09:56What do you want from a guy like me?
09:58This is the one who's doing good for me.
10:01Like Abou Sleiman, God's giving you a message.
10:03I'm all right.
10:04I'm all right.
10:05What's your relationship with Faiz?
10:08What's your relationship with Faiz?
10:09I'm sorry, I'm sorry.
10:13I'm sorry.
10:14I'm sorry.
10:14He didn't ask you something against this?
10:17What's your relationship with Faiz?
10:19We don't have a relationship with Faiz.
10:23I didn't ask you anything about Faiz.
10:23No, I didn't ask you so much.
10:23You want a money for me?
10:25I'm not.
10:26I'm looking for you.
10:28You're going for your job.
10:29You're going to pay me for money now.
10:31You're going to pay me if you want money for you.
10:32You are not.
10:33You're an Israeli for you.
10:36You're your king.
10:37You're my brother.
10:37If you want something, you're going to tell.
10:39And I'll send you all the bills immediately.
10:40We can see what you can do.
10:41Thank you very much for your grace.
10:43Dear God, I'm going to give you a great opportunity.
10:45We have a great lesson.
10:46You're welcome.
10:50My friend, I'm sure you are.
10:53I'm in the middle of my heart.
10:54What's your favorite part of you?
10:55I'm going to get you over the next few years.
10:58But I'll be in a few days when I'm going to get you
11:00and I'm going to get you in the next place.
11:03You want to get you the rich man who doesn't get hurt,
11:06and you'll get hurt again?
11:07And I'll keep up with nothing.
11:08What did you do?
11:09Hello.
11:11Hello, Mrs. Beatty.
11:14What's that? Where is my mom's son?
11:16She's under my mom's father.
11:18Listen, what do you think?
11:20If you want to go to my mom's house,
11:20I'll tell you that he's going to make his face.
11:23If you want to go to your house,
11:24I'll do something in your house.
11:26I'll tell you about my mom's house.
11:28What's my mom's house?
11:31Beatty, you're good.
11:33I'll give you 100 dollars for the last month.
11:35I'm sorry, my mom's in India.
11:37I'm sorry.
11:3950.
11:4120.
11:4320.
11:4550.
11:4620.
11:4720.
11:4720.
11:4720.
11:4820.
11:5820.
11:5920.
12:0120.
12:0121.
12:1721.
12:1821.
12:1822.こと
12:18You can't stop your child, I'm scared to live.
12:22It's a dream you're a dream man, not only if you're a dreamer, you're a dreamer.
12:25It's not the dream you played the dream.
12:27Wait for the other side of you, I know how you gonna do it.
12:29And I made your dream you a dream, I said you're a dreamer.
12:31No, I'm a dream, youוב� I'm a little tired.
12:35But this one won't be a dreamer and he'll be a grown-up.
12:38other than one's a dreamer, he's a traitor, not an unfortunately.
12:41You have to fight a while, you hate yourself, doesn't it?
12:45I'm a
12:45I was not so scared, but I was way back to God.
12:47I was blown away from this country, because of your actions.
12:50Because of your actions, and my parents.
12:52You told me, my mom is within your family and my wife.
12:55I was going to tell you about it!
12:56I was going to tell you about it?
12:57No, I'm not going to hear your voice!
13:00I'm calling you a little bit.
13:02I'm sorry.
13:03I was going to hear your voice.
13:08My mom? My mom?
13:11Mom, come back, dear. I love you very much. Mom, come back to me.
13:18Bajid! Bajid!
13:22One day. One day. One day. One day. One day.
13:26Let's go. Now I'll tell you, but I'll tell you.
13:31He's making a block. He's coming from his head.
13:34Block.
13:35And he's coming back and telling me, why didn't I tell you?
13:38I'll tell you, Shams. Let's go.
13:43Let's go.
13:44Let's go. Let's go.
13:45The picture and the picture.
13:47My life.
13:49Why are you playing with me?
13:52Why are you playing with me?
13:53Why are you playing with me?
13:55But I thought you were playing with me.
13:56I was playing with you.
13:57Every time I went to the podium, I said,
13:59I'll tell you about it.
14:00I'll tell you about it.
14:01No, no, no, no, no, no.
14:02Never, never.
14:05Let's go.
14:06Let's go.
14:09Let's go.
14:10Let's go.
14:21Let's go.
14:41Let's go.
14:45Let's go.
14:45Let's go.
14:47Let's go.
14:47Let's go.
14:53Let's go.
14:54Let's go.
14:55Let's go.
14:56There are many different parts.
14:56Let's go.
14:58There are many, Yulia.
15:11There are many different parts.
15:11Let's go.
15:12It's Jungie.
15:14What is it?
15:18It's a great idea.
15:19I'm happy to have you here.
15:21What is it?
15:22It's a great idea.
15:25It's a great idea.
15:27A great idea to get a hotel.
15:30The hotel owner of the hotel
15:32is a secret.
15:33I mean,
15:33I'm related to the family
15:36who was a secret
15:38the world's famous
15:44who was
15:44What do you think?
15:45What do you think?
15:49What do you think?
15:51Five!
15:52Five!
15:53The social media
15:55has a thousand words on their friends
15:57We're going to find anastasia
16:01and we're going to do a meeting
16:02and we're going to kill everything
16:03and God will love the good ones
16:06Oh, don't care
16:07I don't care
16:08But you're going to do a meeting
16:09but no one's grup
16:10and that's what's responsible for
16:13and that's why you're paying you
16:16and that's why you owe me
16:19That's why you're paying me
16:19and that's why
16:20we're paying you
16:21and that's why
16:22it's just the plans
16:23on our friends
16:24at the outside
16:26and we're paying you
16:28And I'm paying you
16:29That's why I'm paying you
16:32I'm paying you
16:39I'm sorry.
16:46I'm sorry.
16:46Hey, Shams.
16:47How are you?
16:48I know that I had a complaint from you.
16:50I had to talk to you.
16:52I'm sorry.
16:55I'm sorry.
16:57I'm sorry.
16:59You're fine, you're fine.
17:00Okay, I'm sorry.
17:08Okay.
17:18You're so sorry.
17:19You're so sorry.
17:20You're sorry.
17:22You're sorry.
17:24You're sorry.
17:37You're sorry.
17:40You're sorry.
17:43You're sorry.
17:47You're sorry.
17:59You're sorry.
18:02I'm sorry.
18:04Wow.
18:05Can I hear you?
18:12I'm sorry.
18:14I'll be right here.
18:16that you talk to them, because you know a lot of money.
18:19When you talk about the government, what happens?
18:21So, you talk to them, you're going to give them a chance.
18:26I'm sorry.
18:27I'm sorry.
18:29God let me with you.
18:53You're going to give them some advice.
18:55You're going to give them some advice.
18:56My mom.
18:56Who is my mom?
18:57I'm the first one.
18:59My mom and my mom.
19:00Okay?
19:01She's going to give them a snack.
19:05Why did she have to eat them?
19:06I'm sorry.
19:07She was eating some food.
19:07She's a little girl and a little girl.
19:09She's not a little girl.
19:10My mom.
19:11They don't tell her my mom.
19:18BAMIA AND RIZZ
19:19I'm going to die with BAMIA
19:22and everyone who loves BAMIA
19:23I don't want BAMIA
19:25and I don't want to eat BAMIA
19:28so you're better to eat with your health
19:36Where are you from?
19:40I'm going to see a lot of you
19:41I'm going to stay with you
19:42My name is Rotum
19:45Rotum
19:47Itosom is my friend of the hotel
19:48I can't eyes at the hotel
19:51but it's bad for everyone
19:51I know that I'm coming to preheat the hotel
19:53I can turn my miles away
19:55It's okay
19:58Because she auräคheroid for the hotel
20:01It's okay
20:01It's not okay
20:02it's on the hotel
20:06It's on the hotel
20:101000 in the hotel
20:12Good, good, good.
20:14Good, good.
20:15Good, good.
20:16Good, good.
20:16Don't get sick.
20:18How many of you eat?
20:19How many of you eat?
20:20How many of you talk about?
20:22Tell me about your family and your family.
20:24They are a lot of friends.
20:26At first, they weren't friends.
20:27They weren't friends.
20:28They were like this.
20:29But now there's a lot of friends.
20:31They're working with their friends.
20:32They're complaining and complaining.
20:34Oh, my God.
20:35I don't want to teach you.
20:37I want to eat your food.
20:38Why?
20:39Why?
20:40What do you want with me?
20:41Focus with me.
20:42Because now I want to understand everything
20:43from the
21:09I want to know everything.
21:10Why?
21:11Why?
21:12Why?
21:13Why?
21:14What?
21:14Why do you want to tell her?
21:16Why?
21:17Why do you want to know everything?
21:17Why?
21:20Why do you want to know everything?
21:21Why?
21:25Why?
21:25Why?
21:26I don't know how to say it.
21:29It's a speaker.
21:32What are you doing?
21:33I'm sorry I'm going to tell you.
21:35I know that I'm not too close.
21:37But I'm not going to tell you more.
21:39I'm going to tell you that I'm going to tell you
21:40and I'm going to tell you a lot.
21:41Is he good?
21:43No, I don't understand.
21:45I'm going to tell you this.
21:46Or what?
21:47Or what?
21:48I'm going to tell you.
21:48I'm going to tell you,
21:49because you've been with your life
21:51and you've been living with us.
21:53But you're not going to tell me
21:55you've been holding you a little bit.
21:58You're listening to me.
21:59I'm feeling good.
21:59You're not going to tell me that
22:00you'll understand my way.
22:00I don't know.
22:02I'm actually going to tell you why
22:03you were at your store.
22:04This is the specialman.
22:05But I have got you to tell me
22:07and I'm going to tell you
22:08that the between me and between the store
22:09is finally.
22:11At this point, we're two.
22:12He's doing everything.
22:13I'm not going to tell you anything.
22:15I'm not going to tell you anything.
22:16I've seen you in a row
22:17and I have to say you and you're really good.
22:18I'm going to tell you everything.
22:20You ask me first,
22:21I don't know.
22:21I have to keep a lesson.
22:25You're not saying anything.
22:27You're saying you're saying to me.
22:29What's your saying?
22:30My friend is saying to you.
22:31He's saying to you.
22:32He's saying to you.
22:32He's wrong.
22:33God, he's not saying to you.
22:37But I'm going to get to know what you're doing.
22:40Is there anything?
22:42No, my friend.
22:43There's nothing.
22:44The only thing is that they're going to get angry with me.
22:47And I'm going to get to the end of my life.
22:48I'm going to go.
22:51And I'm going to take care of you.
22:54No, Jacob.
22:58He's anيد.
22:59He's going toette me out of your hand.
23:00He's saying no.
23:01I don't get you married.
23:02He's going to have a nurse.
23:04I only understand you.
23:06How do you feel you?
23:07If you're sorry.
23:08In my dear Gosh, there's hatred around them.
23:13Yes, we'll show you like your concern.
23:16His eyes are negative.
23:16You get from here to him and through her arms.
23:19I came!
23:25What are you doing here?
23:27I'm not sure I can see anyone from this.
23:31The hotel.
23:37The man, did you talk to him?
23:39I told you about love.
23:42Let's go to the hotel.
23:59Moneroon .
24:00You, it's what you want to go to the hotel.
24:02How about to travel?
24:04Leave me, let me.
24:05I will!
24:06It's nowhere to me!
24:06You can't hold ya, dearie.
24:11Do you need to go to the hotel?
24:16What is it? What is it?
24:19Do you have to cut off my head?
24:29What's going on?
24:32The sun!
24:34The sun!
24:36The sun!
24:38I'm sorry, I'm sorry.
24:42I need you to see you.
24:44I'm trying to get you.
24:45I'm thinking about this.
24:48I'm telling you about you.
24:48I'm telling you about this.
24:49I'm telling you about this.
24:51Are there anything you need to do with me?
24:52I'm sorry, I'm sorry.
24:54I'm sorry, I'm sorry.
24:55I'm sorry I'm sorry.
24:56I'm trying to kill you.
25:00What's wrong?
25:01Like what I did.
25:05Good God, I'm sorry.
25:07I'm going to stop this.
25:09Do not worry.
25:10Do not try to do anything.
25:12Do not try to do anything.
25:12Yes, you can.
25:13Do not try to do anything.
25:14Do not try to do anything.
25:15What do you do with me?
25:15What do you do?
25:16Give me a few seconds.
25:18I think I'm going to feel that love and love.
25:20Do you mean you're kidding me?
25:23I am also saying to you.
25:25I am also saying that you are not allowed to do anything like that.
25:29I was going to do anything like that.
25:30Yes, do you have to do it with you?
25:34What did I do with you?
25:34She is going to do it with you.
25:36I am going to say to you.
25:38and you understand it and you understand it.
25:40Are you talking about it?
25:41We're talking about it.
25:42What are you doing?
25:42Don't let me go back to your brother.
25:43No, no.
25:44It's not your brother.
25:45It's your brother.
25:45Yes.
25:48You're welcome.
25:51You're welcome.
25:53You're welcome.
25:54Yes.
25:54Let me go.
25:55Okay, let me go.
25:56No, no, no.
25:58It's right.
25:58I have a lot of work.
25:59But it's not a lot.
26:00Let me go.
26:00Okay.
26:03Good morning.
26:04Good morning.
26:04Good morning.
26:05Good morning.
26:06What's up from the morning?
26:06We got an alarm.
26:10Is this him?
26:11I'm sure he's a man.
26:13No, no, no.
26:14I don't want to talk about it.
26:15It's a symbol.
26:19Hello?
26:20What's up, sir?
26:21Did you get the money?
26:24We're ready, God.
26:2550,000 dollars.
26:27I'll put them in a black bag and you'll be able to put them in a black bag
26:30and you'll be able to put them in a black bag
26:31which I'm going to send you.
26:32You're ready for the location.
26:33I'm going to have a second.
26:33It's ten minute.
26:34If you have a second,
26:36the Zemblement machine will be in a black bag.
26:39What?
26:39What do you want to send us to Anastasia?
26:41When you've got the money, you'll know.
26:44I'm sorry.
26:45What's wrong with that?
26:46We don't have to send you.
26:48We don't send you to send you.
26:49No, no, no, don't send you to send them.
26:51Don't send you to send you.
26:52Don't send them to send you to send them.
26:53Oh, no, don't send them.
26:54No, don't send them to send you.
26:55No, no, I'm going to send you to the police.
26:56I have a phobia from them.
26:58What do you think you're going to pay for the bill and finish the issue?
27:01What? I'm sorry, I didn't understand.
27:03Oh, I didn't understand why the bill is going to pay for you.
27:06Do you hear your voice?
27:07I'm not ready to pay for the bill between us.
27:10If you're 30-50, it's better than if you're 30-50.
27:13I'm sorry.
27:14My friend, I have a number of times in a row.
27:17I'm not going to play with you.
27:18I'm going to play with you.
27:20I'm going to play with you.
27:21Are you going to play with you?
27:23I'm going to play with you.
27:23I'm going to play with you.
27:24But no police.
27:26I'm not going to play with you.
27:28You're not going to play with me.
27:29I'm not going to play with you.
27:29You don't know what's going to play with me.
27:31I'm going to leave a third place.
27:34Of course.
27:35Let's do it.
27:37Don't be outraged!
27:40I will.
27:41I'm going to get out of the bus, and I will get out of the bus.
27:45Go ahead.
27:48Yeah, My life.
27:50Yeah, I'm going to do it again.
27:52No, I'm not!
27:54Hello and welcome, Mrs. Suzanne.
27:55You're welcome.
27:58What's your life?
27:59But my mother loved me.
28:01What's your life?
28:01Every time you bring me good news,
28:04you're gonna love you more.
28:05I'm sorry.
28:06This is my life.
28:07This is my life.
28:08This is my life.
28:10Where are you?
28:12My life doesn't show you this view.
28:17The meeting appeared in a newspaper
28:19after the meeting of the meeting,
28:22and the meeting was sent to Mr. Alwaseem,
28:26Mr. Alwaseem,
28:26Mr. Alwaseem,
28:27the owner of the building,
28:29and he said that he didn't have to stop
28:31from trying to save it,
28:32but that he was afraid of himself
28:34and gave up for the money.
28:36Yes.
28:37He's the king of the king.
28:39I'm sorry.
28:40I'm sorry.
28:41I'm sorry.
28:41I'm sorry.
28:42There's a lot of original.
28:45Good.
28:46This is when one of the newspapers asked
28:48if there was a process,
28:50a relationship between her
28:51and between Rostum and Salmane.
28:53The response was...
28:54The response was that Rostum
28:56was great and he wanted to transform
28:58any woman.
28:59But currently,
29:00she currently focuses on
29:01on the most important things
29:02in her life.
29:04She's not yet.
29:05She's asking her to plan
29:05what she wants.
29:06I'm not sure.
29:07dreaming of any woman.
29:09That's what she might know
29:10between my youth is so sweet.
29:12You are so sweet.
29:12You are so sweet.
29:13And you've been so sweet.
29:15I'm so sweet.
29:16No, I don't understand how you know the door.
29:18What did you see earlier?
29:19I didn't even put the door in the story.
29:21But it's all on your own.
29:23Oh, you're good, and you?
29:25Now, I'll tell you the wrong person.
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