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00:03For more than one,
00:04we will have another one.
00:05Why is it like my heart?
00:07Why?
00:07Like this.
00:08This is like this.
00:09What are you doing?
00:10You're doing this, Maryam.
00:12Are you doing it?
00:12Are you doing it?
00:12Are you doing it?
00:13You're doing it.
00:15You're doing it.
00:16If you're doing it,
00:17you're doing it all the same.
00:18You're doing it.
00:19Oh my god, you're doing it.
00:20I'm doing it like a hell of a man.
00:21What's that?
00:21I'm doing it.
00:22I'm doing it.
00:23You don't want to take a job.
00:26What do you do?
00:27You're doing it.
00:29Oh, Randa, you're not going to get hurt.
00:33How did you know Riham?
00:35Riham killed my head.
00:36I'm literally telling you.
00:38I have had to talk to you.
00:40I'm sorry, Randa.
00:42I didn't talk to you.
00:43It's not a bad thing.
00:45And I'm not a bad thing.
00:48I'm not a bad thing.
00:51Randa, you're a bad thing.
00:52Are you not going to be afraid of me?
00:54Yes, I'm not going to be afraid of you.
00:55You're not going to work with your wife.
00:59You don't want to work with your wife.
01:01You're going to work with your wife.
01:03You're talking to her, Randa.
01:05You're going to work with your wife.
01:07You're going to work with your wife.
01:10So, the boss will be the boss.
01:15I'm thinking I'll do it.
01:21If I'm sorry, I'll bring him to him.
01:31You're going to work with your wife.
01:32How are you, Randa?
01:33How are you, Raston?
01:33How are you, Raston?
01:34How's your wife?
01:35How are you, Raston?
01:35You're not good, I'm not.
01:36You're at the back of the house.
01:39They're all over the house.
01:39That's so funny.
01:40The big companies are being reached.
01:42Sun Downs.
01:47But, I'm thinking of the Downs,
01:49because the effects of her...
01:51That's the effect of her life.
01:52That's the effect, and if she's learning,
01:56I don't know what the hell is going to happen.
01:57I think it's going to happen.
01:58It's not going to happen, Yosef.
01:59It's going to happen.
02:01It's going to happen.
02:03It's going to happen.
02:13Yes, I did too.
02:15What about you?
02:17It's really bad.
02:18What are you doing?
02:21I don't know, but I'm sure there's something.
02:24I don't know if you're smart and smart.
02:26You'll find something else.
02:27I'm going to see you.
02:28Where do you want to find it?
02:30I'm hard to get out of the house, you know.
02:33What do you think you're going to here?
02:35Do you know I'm going to go to the hotel?
02:37That's right.
02:38We're going to start after 3 hours.
02:40But we're going to eat a good food.
02:42You're going to eat a good food.
02:43You're going to eat a good food.
02:45You're going to eat a good food.
02:45Dad is what you're going to eat.
03:03There's a good food.
03:08Ask these in India.
03:17What do you need?
03:19Come here.
03:22Come here.
03:24Come here.
03:26Okay.
03:27Okay.
03:37Talia, Sasha, Natasha, Anastasia,
03:40to the makeup room.
03:42Luna, Gina, Gabriela, Leticia,
03:44to the hair dresser, y'all.
03:53.
03:53.
03:54.
03:54.
03:54.
03:55.
03:55.
03:55.
03:56.
03:56.
03:56.
03:57.
03:57.
03:57.
03:57.
03:58.
03:59.
04:00.
04:01.
04:01.
04:01.
04:01.
04:02.
04:03.
04:03.
04:03.
04:03.
04:04.
04:04.
04:05I'm so sorry
04:06What's wrong?
04:07I'm so sorry
04:08Look, look, look what's wrong
04:12The Russians are all good
04:16I'm so sorry
04:18I'm so sorry
04:19Any Russians?
04:20They're coming to the house
04:22I told you about them
04:24but you didn't have to be focused
04:26And what time are you?
04:28Now, they're still in the lobby
04:31They have the brothers
04:31and they're all good
04:35I'm so sorry
04:37I'm so sorry
04:38We're coming to the house
04:39God, take a baby
04:42God, take a long time
04:44God, take a long time
04:44I'm so sorry
04:46I'm so sorry
04:55I've got you
04:56I didn't feel your eyes
05:04I'm going to get you back to my house.
05:08I'm going to get you back to my house.
05:11Are you here?
05:12I'm going to put it in my mouth.
05:13I'm going to put it in my mouth.
05:18Sasha, my big story.
05:19Please sit, sit.
05:20Sit, sit, sit.
05:21Sit, baby, sit.
05:22You're welcome.
05:24You're welcome.
05:26You're welcome.
05:27You're welcome.
05:27You're welcome.
05:28You're welcome.
05:29I'm having myстаiz.
05:31Noba!
05:33Noba, Loba, Loba!
05:35Hello, ma'am.
05:36Hello, ma'am.
05:36Hello, ma'am.
05:37Hello, ma'am.
05:38Hello, ma'am.
05:38My sister.
05:39My partner of the hotel.
05:42Here is my name.
05:43Who is your name?
05:43Make sure you look like Elen Gallon.
05:46I'm going to say everything will be over.
05:48You're welcome.
05:49My naqks.
05:50I am so lucky.
05:51The hotel is a really fun.
05:52It's a great job.
05:53The design has a great hill.
05:55The color, the color, the color, and the color.
05:58And with you, this is the color of the sea.
06:02I'm sorry.
06:04I'm sorry.
06:05I want to go to work with you.
06:07I'm sorry.
06:07Let's go.
06:09Let's return to the rest.
06:10No bad, no bad.
06:12No bad.
06:12No bad.
06:12No bad.
06:13No bad.
06:23Now, I'm sorry.
06:27I'm sorry.
06:27Excuse me, excuse me!
06:29Excuse me!
06:29Excuse me!
06:31Do you want to take a photo with my honor?
06:33No, no, there's no interest in your life.
06:35Don't you?
06:35No, no, thank you!
06:36Look at you, my brother.
06:37It's a large deal for the family.
06:40It's a big deal for your community,
06:42And you can see the top of all tumors.
06:44Let's go, let's go!
06:46No, no.
06:46My brother.
06:50Smile!
06:55You're welcome.
06:55What's your name?
06:56You're welcome.
06:57I'm an artist.
06:59I'm gonna show you my name.
06:59Let's stop when I'm recording.
07:05Okay!
07:06The best of the best of the first place in the Fondack.
07:12Come.
07:13Come.
07:13Come.
07:14Come.
07:14Come.
07:14Come.
07:14Come.
07:15Come.
07:15I'm not a person who's in trouble.
07:17You're not a person who's in trouble.
07:19Today we have a good job, a world-time.
07:22Yes, but I see you live in trouble.
07:25You're in trouble, you're in trouble.
07:26No, you're not in trouble.
07:28Don't you say it?
07:28Oh my God.
07:30You're in trouble.
07:32You're in trouble.
07:34What's your fault?
07:36What's your fault?
07:36Your heart is on you.
07:38Mr. Gallon, Mr. Gallon, Mr. Gallon.
07:39Mr. Gallon, Mr. Gallon, Mr. Gallon,
07:40Mr. Gallon, you're in trouble.
07:42I'm going to kill you for the first time.
07:43He's the one who's in trouble.
07:45Is there something special,
07:47you have to wish?
07:48On the fact that you'll need to be an asset company but there's ocean,
07:51it's faster.
07:52I'll admit it's more of a weird way.
07:54Yeah, where were you?
07:56No...
07:56Noba?
07:57Noba.
07:58Noba?
07:59If I became a seeded under his prospective building,
08:02my son of Leo Beck,
08:04was saved by my eyes.
08:10Good boy.
08:11Hi, belovedーハ Well.
08:15Hi?
08:15Why?
08:16Because you are asking me to speak languages.
08:19Do you want to get married?
08:21No, no, I don't like.
08:23Don't like?
08:24Yes.
08:24God asks me to get married.
08:26I'm going to get married.
08:27If you look at your daughter,
08:29I'm going to get married.
08:32Believe me.
08:33No.
08:34No?
08:35No.
08:38I don't like you.
08:40I don't like you.
08:43I don't like you.
08:44I don't like you.
08:44I don't like you.
08:44I don't like you.
08:45I don't like you.
08:46You don't like you.
08:48You're welcome.
09:01I think I'm a princessist.
09:18Get out. Get out!
09:19A dog can't hurt the woman!
09:21No, what's wrong.
09:22That's like a dog eating.
09:23You have two children.
09:23You don't want to call me.
09:25I can't wait for you.
09:28Hold on to you.
09:29You're not like you!
09:30You're not like you!
09:32I'm like a guy!
09:33I can't do that.
10:05Come on, come on!
10:09What's up?
10:11He said that you are a very nice girl.
10:14She's very much a bit.
10:15I'm a very good girl.
10:17I see a lot of her.
10:18I see a lot of her.
10:21But she's not going to be able to get her all the time.
10:25Yes, she's going to get her all the time.
10:28I'm going to get her all the time.
10:30I'm not going to get her all the time.
10:31But I'm not going to get her all the time.
10:33What's up?
10:34She started to get her all the time.
10:35Who am I?
10:37I'm going to get her all of the time.
10:38I'm going to get her all the time in the room.
10:39She'll like you later, you're going to get her all the time.
10:40And I'll probably let her get her all the time.
10:43I'm going to get her all the time.
10:47Like the egg we're going all the time.
10:53I'll see what's up.
10:55What is the texture?
10:57It's wonderful.
10:58Okay, I'm kind.
11:00It's not a good color.
11:00It's good.
11:01It's bad.
11:03It's not chocolate.
11:04I'm going to get the texture.
11:04It's really bad.
11:04I like the texture.
11:04It's not dark, but I do the texture.
11:05Do you know what you're doing or not?
11:08Hmm...
11:08So...
11:10What are you doing?
11:12The treatment of the animal...
11:14...and the naked.
11:16No, the naked.
11:18What's your number?
11:20I'm telling you, I'm sorry.
11:2243.
11:24What do you see?
11:25What do you see?
11:2744.
11:29I see you as a beautiful girl in the world.
11:32And the rest are all the details.
11:35It's possible to be a good one.
11:37Mr. Rostome, we're in a hotel,
11:39and we're in a hotel,
11:40and what do you want to do?
11:42What are you doing?
11:43What are these movements?
11:44What do you have, boys?
11:46What are you doing?
11:48Let's go, let's go, let's go!
11:51What's up?
11:52Don't you go to the electricity?
11:53No, you're not going to be so bad.
11:56Mr. Nubal, you're not going to be on the hotel.
11:57What did you do?
11:58You're going to be 10A from the house?
11:59You're going to be on your phone, you're going to be on your phone.
12:01You're not going to be on your phone.
12:03Go and go and see what's going on.
12:05The públic laufen, I'm going to end with the kilowatt lle where he goes,
12:08Mr. Rostome, you're not going to come down.
12:10Mr. Rostome!
12:10Mr. Rostome!
12:11Mr. Rostome?
12:11Mr. Rostome!
12:12Mr. Rostome road, bring it back.
12:13Mr. Rostome, I just��� my go.
12:14Mr. Rostome.
12:15I want you to show you.
12:15Mr. Rostome road, and then you'll see me block.
12:19Mr. Rostome road, and I'm going to drive Llama with that car壺.
12:22Mr. Rostome road, see where you am?
12:23Mr. Rostome road, and it's on yourTech road with other cells.
12:25Mr. Rostome road, or it's on your street believing isn't a ledger?
12:27Mr. Rostome road, came on with nothing.
12:36I'm not going to be able to get into the world.
12:37Don't be afraid, Mr. Nuba. Don't be afraid.
12:39You think positive. But you're going to be a little bit.
12:41I'm thinking positive. But who are you?
12:44I'm looking at it. I'm talking.
12:46I'm talking. I'm talking.
12:46I'm talking. I'm not going to be able to get into the situation.
12:50Okay. Let's go.
12:51Let's go. This is the moment I've reached.
12:53Let's go.
12:57You're going to get this.
12:58You're going to get this.
13:00You're going to get into the situation.
13:01That's a bad idea.
13:03Your other guy.
13:04He's comfortable with that.
13:05The murder is an enemy of all the crimes.
13:07And it's all that.
13:07Do you see everyone?
13:11What am I talking about?
13:11I'm talking to you this moment.
13:13No, you.
13:14The murder of my husband.
13:16But not the problem.
13:17Here is a problem.
13:17He's right in the room at 305.
13:19That's the problem.
13:20The Sami, it's down from the blood.
13:22It's the blood.
13:22And he's still saying to telling you.
13:27What do we mean?
13:28I don't understand, do you want me to get out of here?
13:30No, it's a shame, it's going to die.
13:32It's a shame.
13:34Let's see Mr. Manager, what's going to do?
13:36No, no, no, I'm the most important thing is going to be in the middle of it.
13:39Just let me just...
13:40You're going to be able to get out of here, Abu Dau, I'm going to get out of here.
13:44Tell me about it, tell me about it.
13:45Are we going to go ahead or are we going to go ahead?
13:48Joseph, are we going to go ahead or are we going to go ahead?
13:50Remember me, this is the time you were going to get out of here.
13:53Mr. Smith, it was going to get out of here, but it wasn't this time.
13:55I think we're going to go ahead.
13:57Mr. Smith, come on.
13:59Mr. Smith, come on.
14:00Mr. Smith, come on.
14:00Mr. Smith, come on.
14:01Mr. Smith, come on.
14:02Mr. Smith, come on.
14:02Mr. Smith, come on.
14:03Mr. Smith, come on.
14:04Mr. Smith, come on.
14:05Mr. Smith, come on.
14:06Mr. Smith, come on.
14:06Mr. Smith, come on.
14:10Mr. Smith, come on.
14:12Mr. Smith, come on.
14:12Mr. Smith, come on.
14:14Mr. Smith, come on.
14:15Mr. Smith, come on.
14:18Mr. Smith, come on.
14:19Mr. Smith, come on.
14:19Mr. Smith, come on.
14:21Mr. Smith, come on.
14:21Mr. Smith, come on.
14:23Mr. Smith, come on.
14:24Mr. Smith, come on.
14:27I came here and asked me to eat and eat from the other side.
14:31What are you doing here?
14:32Do you have any other things to do?
14:35What am I doing here? Or what am I doing here?
14:38After the morning, I told you that I had a lot of work in the boutique,
14:40and I didn't have a lot of work.
14:43And I came here.
14:44Because I wanted to eat.
14:45I wanted to eat a lot of potatoes.
14:49Yes, I also wanted to eat.
14:50I also wanted to eat here.
14:51I love eating here a lot.
14:53But I have a good idea.
14:54What do you think you want to eat today?
14:55What do you think you want to eat today?
14:57Oh, my God.
14:58But today we have an event.
14:59I'm sure it's not going to eat.
15:00You don't want to eat.
15:01I can't tell you anything.
15:03But I can't give you a lot to eat today.
15:05Because today we have an event a lot.
15:07And if you leave the hotel in this day,
15:09the hotel will be a day.
15:10You can imagine.
15:11So if you want to eat,
15:12I'll give you a day?
15:14A day?
15:14A day?
15:15A day, okay.
15:16So I'll give you a lot of food in your life.
15:19Yes, in reality.
15:20I'll give you a lot of food,
15:22but I don't eat it in your life.
15:24You have a lot of food in your life.
15:27You don't eat it.
15:29I will feed you one more time.
15:35You can eat it.
15:37You see?
15:38You don't eat it all.
15:43You are eating it.
15:45You're eating it.
15:46I'm eating it.
15:47You are eating it.
15:48Did you eat?
15:51You're eating it.
15:52She's wearing a new dress!
15:54Oh my God!
15:55I'm a stazia!
15:57Mr. Roussoum, if I was a guest, I want to be a guest.
15:59Can you see me, I'm a stazia?
16:01Oh my God, I'm sorry, I'm going to get you from you.
16:03Who's my stazia?
16:05I'm a stazia, the basic model.
16:07You're not working on the stazia.
16:09I'm not working on the stazia.
16:12It's not working on the stazia.
16:12It's not working on the stazia.
16:15I'm going to get you on the stazia.
16:16I'm going to talk about stazia.
16:20No!
16:23Nobha!!
16:24Nobha!!
16:24Nobha!
16:25Nobha!
16:25Nobha!
16:26Nobha!
16:26Nobha!
16:27Nobha!
16:29I'm going to visit you to the subway.
16:37They crossed!
16:38Where do you want to get to get fired?
16:40Why didn't you understand that?
16:41You've found a stazia отel in the staziaắc?
16:44Nobha!
16:45A stazia?
16:46A stazia is a stazia.
16:47Why aren't someone who uses the stazia?
16:50Do you want to go to one of a Russian?
16:52And that's how it's going to be?
16:54Ah!
16:55Oh my god!
16:56Oh my god!
16:57Oh my god!
16:57Oh my god!
17:00Someone saw me, Kerem?
17:01I asked if I saw her.
17:02You can't see all of them all.
17:04What's the name of Kerem?
17:05Kerem!
17:05What's your name?
17:06What's your name?
17:07They're doing a meeting online.
17:10I don't want to talk about anything.
17:11I'm going to tell you about it.
17:12Look at me, my friend.
17:13Put your eyes on your eyes.
17:15Anastasia where is it?
17:17Anastasia?
17:17Anastasia?
17:18Is it what you are doing with your eyes?
17:20And your eyes are going to show you an image.
17:21And your eyes are going to be like anastasia?
17:23Anastasia?
17:24Is it what you are doing with your eyes?
17:29You're going to be afraid of me.
17:30Where?
17:33I'm going to put it.
17:38Anastasia, there's anyone here in the middle of this situation.
17:40What do you mean?
17:41Did you burn the earth and you burn it?
17:42I'm going to burn it.
17:43I'm going to burn it.
17:44I'm going to burn it.
17:46shows you how to manage to communicate with your friends and family with your friends.
17:52Call her, please give me one of your friends you can write.
17:56Anastasia! Anastasia, we are the Aeryo!
18:00We are the Aeryo Anastasia!
18:02Anastasia, choose me!��,
18:05esté Rehnuba, chhabibby. We told
18:07you we had some. At any
18:09time? What are
18:10you doing? Are you?
18:12Are you Ronyo
18:12Anastasia? No, no. I'm
18:15the name of you
18:15Shanty.
18:15Mr. Nuba, you're not afraid!
18:17You're not afraid!
18:18Mr. Nuba, you're afraid to be able to get your friends.
18:20Mr. Nuba, if you were to tell her, she didn't give her a good job.
18:23Mr. Nuba, I'm afraid of her.
18:24She's not a bad job, but she's a bad job.
18:27She has a good job.
18:29Mr. Nuba, she's going to give her a lot of advice.
18:30Mr. Nuba, I'm afraid she didn't work.
18:34Mr. Nuba, I'm afraid of her.
18:35Mr. Nuba, I'm afraid of her.
18:36Mr. Nuba, I'll give her a better job to you.
18:38I'll give you 17 TV TV, they'll get out of here completely.
18:42And they'll get out of here and get out of the garage.
18:43You're gonna have to go to the hotel
18:44You're gonna have to go there
18:47You're gonna have to go there
18:49Who told you?
18:51Mr. Nuba
18:52And Mr. Nuba
18:54You're gonna have to go to life
19:01Don't worry
19:03Let me go
19:33I'm not going to mess it up.
19:36I'm not going to mess that you're in here!
19:40It's not me.
19:41What are you talking about?
19:44No form, no good, no light
19:49We're going to be a papillon
19:50Are you supposed to be a model?
19:51How are you doing?
19:53How are you doing?
19:54How are you doing?
19:56How are you doing?
19:56Do you know what you're doing?
19:58Do you know what you're doing?
20:00You understand me?
20:01You're doing it!
20:02You're doing it!
20:02You're doing it!
20:02You're doing it!
20:03You don't want to go to the kitchen
20:06and help me with you.
20:08How do you do it?
20:11analyzeraff XVIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII
20:40Let me show you the power of this one.
20:44This is the power of this one.
20:47It's time.
20:50What are you doing here?
20:53How are you feeling?
20:53And you're going to go.
20:54And you're going to go.
20:55We're going to go.
21:04Mr Zerstein,
21:05I can't stop the women's to leave my house.
21:07I know I'm going to go.
21:09I'm going to go.
21:10I'm going to get a shot.
21:10I'm not going to get a shot.
21:12I'm going to get a shot.
21:13I'm going to get a shot.
21:48I'm going to get a shot.
22:23I'm going to get a shot.
23:07I'm going to get a shot.
23:29I'm going to get a shot.
23:33that you come from behind my eyes and tell me a good news.
23:37And the reston will be able to tell me a good news.
23:39There's something to tell me about the news.
23:41You're able to tell me.
23:42That's it.
23:43Let's go.
23:44Let's go.
23:46We've got a good news.
23:49Reston?
23:49I'm sorry, I came to you now.
23:51But there's a lot of other words.
23:53Let's go.
23:54I'm sorry.
23:55I didn't understand the phone.
23:57It's a lot of work and problems.
24:00Did you have anything?
24:00What do you think of Marwan?
24:02Marwan?
24:04Why do you come to me?
24:06I'm coming to you.
24:08He's going to tell you something.
24:10I'm not sure what he's doing.
24:11But you're not.
24:14You're going to tell me about Marwan.
24:17Do you know Marwan?
24:19I know Marwan from the past.
24:21Why did you tell me?
24:24It's not the time for me.
24:27Marwan is a friend of mine.
24:29I was a therapist.
24:32Everything I can tell you is not a person.
24:36You're not a person.
24:37You're not a person.
24:37No, no.
24:38You're not.
24:38You can't tell me that you're right.
24:40You're wrong.
24:41You're right.
24:41There's a girl who has a friend from the hotel.
24:44And the thief came to the hotel.
24:45He came to the hotel.
24:46That means he could be the one who did this.
24:48He's the one who did this.
24:51You're right.
24:52I wanted to meet with you.
24:52I've asked my other wife to the hotel.
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