- 10 hours ago
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00:00But after you don't listen to me, it's a lot of stuff.
00:02I don't know how to listen to you.
00:04He doesn't listen to me.
00:06And when he doesn't listen to me?
00:08He doesn't listen to me.
00:11He doesn't listen to me.
00:14You're a young man, you're a young man.
00:17Come back.
00:22Marwan.
00:24Marwan.
00:31Mrs. Zad, how are you doing this?
00:34I was working on help.
00:37No, you're more than I am.
00:39You're helping me?
00:40It's about $5000.
00:41Why, Kermal?
00:42What's your opinion?
00:44Kermal is sweet.
00:47Why, I mean?
00:48What are you helping me?
00:50Why are you helping me?
00:51You're giving me a bad gift?
00:53You're giving me a great gift.
00:54Why?
00:55But if you're gonna leave me at the table and get rid of me?
00:58No, this is a lot.
00:59No, not a lot.
01:00I spoke to my husband and my heart, I didn't know how to sleep all the time.
01:04And then I'm with you and I'm able to sleep.
01:05And you know what the matter is?
01:07I have to be happy and say,
01:09alhamdulillah, the baby is still alive.
01:11Suzan, if you don't want me, I don't want to go into my own life.
01:13I'm going to tell you.
01:15You want me to explain?
01:17I want you to think you're my friend.
01:19And more.
01:20I mean, you come to me, you tell me, you tell me.
01:24I don't know how.
01:39I'll tell you how you're my friend.
01:43I'm going to add a minute.
01:44I'm going to leave you at the moment.
01:49You're willing to listen?
01:50You know what I'm coming to you.
01:57Who can I tell?
01:59My friend, if I ever wanted you to give it one well and let me tell you.
02:01Give me your phone, are you listening?
02:05My friend is doing mistake, and don't destroy the choses.
02:07Give me my phone.
02:08My friend, you're leaving your life.
02:09Send me.
02:10Give me your life.
02:11Give me my phone, and you can speak.
02:17Thank you for the service.
02:194-0.
02:22This storm, I didn't be afraid to see you in my hand.
02:25You're an amazing person.
02:26Your life is the best.
02:29Are you ever when you were in the time of life?
02:34I'm calling it to be a pilot,
02:36and I ask you to see your life in your life.
02:38What's that?
02:39And you're going to let your love you.
02:42I'm calling it to be a pilot.
02:45I'm calling you!
02:50I'm calling you to be a pilot,
02:52and I'm calling it to be a pilot in your head.
02:54What do you understand?
02:55Come here, come here, come here.
02:57Come here, you're up!
03:08Everybody are going to get them.
03:12What's the male man? What's the male man?
03:14He says he wants to get out, he doesn't get out.
03:16He's not going to get out.
03:18They're going to get out voice notes, they're going to get them.
03:24This is the beginning, I mean?
03:26I mean?
03:27I mean, what's happening like this?
03:29I'm talking about something.
03:31God, I'm not going to ask you about it.
03:33And I'm going to sleep.
03:46Oh my God!
04:01You're not going to sleep?
04:03No!
04:04You're going to sleep.
04:08Don't get me tired!
04:08You're not going to sleep.
04:09I'm going to sleep.
04:09I'll know you guys!
04:10Do you even know what your children are doing?
04:10Why don't you get mad?
04:11Are you going to sleep?
04:11why don't you leave us we're not doing the situation?
04:12Where are you from?
04:15Where are you from?
04:15Where am I from?
04:16Where am I from?
04:17Why am I from?
04:17Where are you from?
04:19Where did you go to the baby?
04:20Tell me before you run your recognized
04:22and let you forget your name
04:23You don't actually live like a kid
04:24is not anymore
04:25Why aren't you talking about a man
04:27or why don't you leave your relationship
04:27on a messenger
04:29and you get to tell them
04:30and you try to communicate
04:31Tell them where you get
04:31Say look, where you get
04:32Don't know who you call him
04:34I'm an insta
04:34Don't leave me
04:35You're the one who go
04:36You want me to transform my life
04:38when I leave you
04:39after you left you
04:39I think you're a good boy
04:41and you were to catch me
04:41I'm a good boy
04:42You're a good boy
04:43when I live
04:45No
04:47You're the one that you understand
04:48What is that?
04:49You need to leave it for me,
04:51I'm going to leave it for you.
04:52Where is it?
04:54Where is it going from?
04:56you son of a child.
04:57Where is it, my wife?
04:58Because no.
04:59I'm not going to leave it at all.
05:01Do you want to leave it at all?
05:01Don't let me leave it at all and leave it at all.
05:03Oh my gosh,
05:05I don't know anyone's name is Anastasia.
05:07I don't see any of it in my life.
05:08And I'm going to leave it at all.
05:10So,
05:11please,
05:12please,
05:12leave it.
05:14This is the right way,
05:15I'm going to know.
05:29You're you're you you're you you're you you.
05:32You're you you I'm you you're you you you you.
05:32You You're you you.
05:33You call me them you look.
05:36Your mind I was you you.
05:37I'm good.
05:38You're this webinar.
05:43You're gonna sunlight.
05:44you know that I said,
05:44I'll show you how you do this.
05:47Get to the people who see him around you.
05:49I'll take it to you.
05:51What about the news?
05:53You see that girl with the baby who is looking for her
05:55and who is looking for her at home?
05:56She's going to try to put her in the bathroom.
05:59She's going to put her in the bathroom.
06:01She's going to stay in the bathroom.
06:03What?
06:04You got me to put her in the bathroom.
06:07My name is Anastasia.
06:08What?
06:08They say that they are one of the most famous items for the Arab world.
06:12You're sweet.
06:13But you don't see anything, Randa.
06:15You don't want to worry about it.
06:16How do you think a large item, a large item,
06:19will get rid of the hotel?
06:21I'm not sure about the story.
06:22That's what I'll see.
06:23I'll tell you, dear friend.
06:24These items are the most important items.
06:26They don't know how to buy them.
06:28Every hour.
06:32This is Shams.
06:33This is Shams.
06:35This is Shams.
06:36This is Shams.
06:36This is Shams.
06:37Eh, Randa?
06:39Randa!
06:40Randa!
06:40I'm not sure you have any idea.
06:41How are you doing?
06:42You've been married from behind her.
06:44Who married?
06:45This is my mom.
06:47My mother is missing your hair.
06:48They're always made my hair.
06:50Where are you certain?
06:51And I'll be dehors of her!
06:55Get out the material.
06:55You're like a act like you were right into school.
06:58You're a child.
06:59You're a god until you know, you're good.
07:00I'm looking for you again.
07:01I'm looking for you.
07:03What are you saying?
07:04I'm not a woman.
07:05You're a liar.
07:06What the is?
07:06Your daughter is the light of the professionals, the beautiful light of an ancient pub.
07:10It's going to be a gay person
07:12charity of all theers of all theers of theers of allers.
07:14Your daughter is a puke, no one can't trust me.
07:17You don't get married.
07:18Wait, I'm in the middle.
07:19What do you want to say?
07:22Your daughter is the people of allers with allers of theers.
07:27What did she happen?
07:28My mom!
07:29My mom!
07:30My mom?
07:32What happened to you?
07:33My mom!
07:34What did she happen to you?
07:34What did she happen to you?
07:35What did she happen to you?
07:36Him
07:55I want you to remove your eyes and tell me everything you can do.
08:05Is it clear?
08:06Yes, it is.
08:40Susanne, what are you going to give to Tala and why?
08:46Tala, what are you going to give to Tala?
08:49Tala, what are you going to give to Tala?
08:52Is it clear?
08:53Yes, clear.
08:55Yes, clear.
09:13Tala, what are you going to give to Tala?
09:17I'm not going to give to Tala.
09:18I'm only going to give to Tala.
09:21If Tala doesn't give to Tala, I'm going to give to Tala.
09:27Mariam, did you know that your sister has become a shame?
09:30No, I didn't know your sister.
09:33Now she's coming to Tala, she's going to tell us about her.
09:36Tala, I'm going to go to the house.
09:37If you want something, you're going to give me.
09:40And you, my friend, are you going to give her to your sister?
09:43And you're going to give her to her.
09:44Let's go.
09:45Thank you, Randa.
09:46Let me give you.
09:51My sister, are you good?
09:52Yes, my sister, it's good.
09:54Yes, I'm good, I'm good.
09:55Because I had to pay to Yosif for dinner.
09:57I had to pay for it.
09:58Where did you say to Yosif's daughter today?
10:01How did you say to Yosif's daughter?
10:03She's not a blower.
10:04She is being able to feed her to her.
10:07Now, what do you really want to do with her?
10:09You have different parts of your sister with her relatives.
10:13Hi.
10:20Oh
10:34Shams
10:44Hello?
10:44Mrs. Roussoum,
10:46Mr. Jenaebel, the great manager.
10:48Will you give me a friend of mine, or what?
10:51Who are you doing? Why are you doing it?
10:54I'm one of those who are on your own and on your own, and on your own, and on your
10:57own, and on your own.
10:58The name of the hotel is the Roussoum Slyman Baik,
11:01who is from one of those who are one of the most famous models of the Russians.
11:05I'm going to give you a couple of dollars.
11:07No, I want you to bring them.
11:09I'm going to talk about it and I'm going to talk to you once again.
11:11I'm going to talk to you once again, and you're going to be happy.
11:20Fadal!
11:22The other side, you're going to be fast.
11:25Are you ready?
11:26Are you ready?
11:28You're ready to go here.
11:29You're in the house.
11:30Why? Why?
11:32I'm not ready to go.
11:34I'm not ready to go.
11:36You're not ready to go.
11:37Then what's next?
11:38What's next?
11:38There's a thing that's not a big deal.
11:41What do you do?
11:41Why do you have to go there?
11:42What are you for?
11:43You're done.
11:44You have to pick me up here.
11:46I don't think I was able to go ahead.
11:47I must go ahead.
11:48I'm talking to you with this baklant,
11:50what's next?
11:51I'm not sure what's next.
11:52I'm talking to you with the man of the family.
11:53Let them work with it.
11:55Go ahead.
11:56Let me explain, let me wait for you.
11:58I'm going to think of what I can find you.
12:00I'm going to know the truth.
12:01I'm going to know who's in the middle of the office.
12:06What's your name?
12:21How can you be here?
12:23How are you, Shahrour?
12:24Good, sir.
12:25Shahrour is asking you one question.
12:27He answers to me in a conversation.
12:30Where is your name?
12:31Who is this?
12:32Yes, the model is the same.
12:35And I'm from where I want to know.
12:36I mean, like the other people.
12:38We know the story and we're doing our job at the table.
12:41Did you get your name?
12:44What's your relationship with your aunt?
12:45Your relationship with your aunt?
12:47He's a good friend?
12:48He's a good friend?
12:48I didn't think he was a good friend.
12:50I mean, he's the one who was a good friend.
12:52I didn't ask him, but when I got a bad friend, I got a bad friend.
12:55I'm sorry if I got a bad friend.
12:56What's your name?
12:57Mr. Reston, he's the one who was a good friend.
13:01He's never a bad friend.
13:02Yeah, I didn't ask him about the change.
13:03What was that, Farimi?
13:05What do you mean?
13:06What do you want, Farimi?
13:06What's your relative friend?
13:07Whatever you want from a poster?
13:08What do you expect from someone like you?
13:09It's like a god.
13:11It's like a boy, sonat.
13:13Like my brother, he's giving you this.
13:15What's your relative?
13:29That's it, Shahrour, that's it.
13:31I forgot what I told you.
13:32But I have a lot of information.
13:33Once again, if you want something, you can ask me.
13:36I don't know.
13:37I'm looking for you.
13:37I'm looking for you today.
13:40I'm looking for you if you want something.
13:42You're not from me, Shahrour.
13:45You're a man from this hotel.
13:46You're my son.
13:47Once again, if you want something, I'll tell you.
13:49I'll send you all the money to see what we can do.
13:52Thank you very much.
13:54Let's go.
13:54We have a lot of requests.
13:56We have a lot of requests.
14:01You're a man.
14:02I'm sure you're a man.
14:03I'm a man.
14:04I'm a man.
14:04You're a man.
14:05You're going to be the only one last year.
14:07I'll tell you a few days.
14:09I'll tell you when you're a man.
14:10I'll tell you something about you.
14:13You don't want the entire house.
14:16I'm scared of you.
14:17I've hurt you.
14:17I haven't had anything done before.
14:20I'm sorry.
14:21Good morning, Mr. Baety.
14:24What's your name?
14:26Where is my mom's son?
14:26You're in the house.
14:28Listen, what's your name?
14:31He's a man who's a man who's a man who's a man who's a man who's a man who's a
14:33man who's a man.
14:34If you want to stay at your home, you'll do something like that.
14:36Are you a little girl or you're a little girl who's a girl?
14:39Don't you have a girl?
14:40What? She's a girl? She's a girl.
14:42My daughter is a great girl.
14:44I'll have you 100 dollars in the last month.
14:46I'm not a girl. I'm a girl.
14:48You're all about 50?
14:51No, I'm not a girl.
14:5225?
14:53No, I'm not a girl.
14:57No, yes, no.
14:59No, no.
15:00No, no, mister.
15:01You're not a girl.
15:02I don't want to be a girl.
15:02Yeah, I'm a girl.
15:03I don't want to be a girl.
15:04I'm a girl here.
15:04Okay, I'm not going to be a girl.
15:07There's no problem.
15:07I'll put a meal in the sauce and eat it and I'll bring it to you.
15:10No, mister. No, I'll go out.
15:12No, ma'am.온
15:13the food. Get
15:14me out of bed. Why
15:17did you get a girl? Why
15:17did you get a girl from your room? I'm
15:18in my hair. I'm
15:21not a adult. Do you
15:22hear your hair?
15:23ιαريت!ياريت!ياريت!ياريت!الولاد الصغر بيضعموا اكتر منك!بك
15:27انا الحق عليّي رجعت عيش بيناتكم!كنت نفكرك اشتقتيلي انت
15:30رجعت لانك مفلث!ماما عك تمشي مو كرم علي!روقي
15:33يا نجمي روقي! بش هيك تنحل الامور!ليكي
15:36ورد ما بتدخلي بترباية ابني واقفي ع جنب!انا بعرف كيف رد بيابني! والنعم
15:40متربايتك والله يا ست نجمي!ليك مالا منظر سافقب! انا برايية
15:44اتعلمي منها شوين!
15:45But I'm not going to die by men and everyone will be
15:48But I'm not going to die, but trying to die
15:50But I'm not going to die
15:51I'm going to die
15:51I'm not going to die
15:54I'm going to die
16:06Don't get me out of your way!
16:08Don't you!
16:09Don't get me out of your voice!
16:10I won't get you out of your voice!
16:12Don't you?
16:13I'm not going to hear you.
16:19Miceyid!
16:20Miceyid!
16:21Miceyid, dear.
16:22Mom, come back!
16:24I love you a lot, mom!
16:26Come back to me!
16:27Miceyid!
16:29Miceyid!
16:33Oh, my God.
16:34Oh, my God.
16:36Oh, my God.
16:36Oh, my God.
16:36Let's go.
16:37You're going to tell me.
16:42You're going to make a block.
16:43You're going to get out of his head.
16:45And you're going to say,
16:46why did you say it after you said it?
16:48You're going to let it go.
16:54I'm going to let you see.
16:56The picture and the text.
16:58I don't have to.
17:00I'm going to make a block.
17:03Oh, everybody.
17:03The block was the same.
17:06The block was on the podium.
17:09Everybody made a block.
17:10Go ahead and walk back.
17:11Yes, you are.
17:11No, no, no, no.
17:12That's also a block of collection.
17:17It's a beautiful collection.
17:22But it's a best friend.
17:24And we have most of you.
17:31There you go, there you go, there you go.
17:36What do you want to talk about?
17:39You have a friend of mine.
17:44What are you doing?
17:45You're right, darling.
17:47You're right.
17:48You're right.
17:48You're right.
17:48You're right.
17:52You're right.
17:53...
17:53...
17:53You're right.
17:55You're right.
17:56You should have eaten food.
18:00If you want to kill them, you should have eaten a few minutes.
18:09He hit the fire.
18:11He hit the fire.
18:14He said to me
18:16...
18:17What's your opinion? What's your opinion?
18:19Get out of my opinion!
18:22Thank you, I'm not mistaken.
18:25And if you don't have any confidence in me...
18:28It's a shame.
18:30It's a shame that I had you in the picture.
18:32What's your opinion?
18:34What's your opinion?
18:34Listen. Listen to the news that you've got on your head.
18:38It's a strange feeling that you're looking at the tail of the Fendi.
18:41The owner of the Fendi, he's looking at the tail?
18:44I mean, I...
18:44The owner of the Fendi, the Fendi, the Fendi,
19:14who was
19:14And God will love the good people
19:18But, you're a baby
19:19But the baby is a sad
19:21Sad Sad Sad Sad
19:23And the baby is a bad thing
19:25Now he's gonna give it
19:25He's gonna give it
19:27And he's gonna give it
19:28That's it
19:29We'll give it the bad thing
19:31And we'll return to the baby
19:32And that's how it'll be
19:33A nice deal for the baby
19:36With the ugly
19:37And the baby
19:39No, you're a baby
19:40No, you're a baby
19:41No, you're a baby
19:41No, you're a baby
19:56Hi Shenz! How you doing?
19:59I'm an extraordinary person, my son.
20:01I mean, what's your fault?
20:01I know what I was trying to tell you.
20:02I couldn't text you.
20:02But you're not feeling any of my memories on my head.
20:06When...
20:08Buzza!
20:10How come?
20:11Good boy, I'm going back to you.
20:12I'm sorry for you.
20:19It's fine.
20:29Take this one.
20:31You can buy it.
20:32You can put it on your feet.
20:35Is this your father's father?
20:37God bless you.
20:39If you live, God bless you.
20:41I didn't say that you will do it with me.
20:43It's more than what you did.
20:45God let me eat.
20:51You're a son of a son.
20:53Take the son of a son.
20:55No, no.
20:57I'm not going to take the son of a mother.
21:01I'll give you a son.
21:03I'll give you a son.
21:06Finally
21:06time the traitor's father and my father
21:09Generation
21:10Listen.
21:11This woman, I wasn't sure if you don't want to.
21:14I would nevericism her without giving her.
21:16Does it affect you with yourbro?
21:18Because she never says you will come here with your head
21:19and she talks to them with their paisible friend.
21:23If you were not talking,
21:25then I will say.
21:26Because, you must say,
21:29it's funny.
21:30When all the liars you speak,
21:31What's going to happen?
21:31So, tell me about you.
21:34I'm going to give up.
21:36No.
21:37No.
21:37No.
21:38No.
21:39No.
21:40God let me with you.
22:04What are you doing?
22:05I tell you, grandma.
22:06Who are you doing, my friend?
22:08His first time, my friend.
22:10Okay?
22:12I tell you, grandma.
22:13You're getting some food, you're hurting.
22:15She knows it's a fancy.
22:18She doesn't know what to eat.
22:21She knows what to eat.
22:22They don't know what to eat.
22:23I don't know what to eat.
22:24Mm-hmm.
22:29Bamiya, riz.
22:30Let's go.
22:31I'm going to die.
22:33And everyone who loves the bamiya.
22:34She doesn't have a bamiya.
22:36And she doesn't have a bamiya.
22:37Yeah.
22:38So you're better to eat with your health.
22:46Mm-hmm.
22:49Do you see the sun?
22:50Where are you?
22:51I'm going to see a lot of you.
22:52I'm going to stay with you.
22:55You don't have to be bored.
22:57Yes.
22:58I'm sorry, my lord.
22:59My unfortunate as one of them is Sorry.
23:01I know when you're here to meet Marium,
23:04you get the opportunity for me.
23:06Oh.
23:08That's why she's being disappointed in the hotel.
23:12Yes.
23:12She's not disappointed.
23:13She's sleeping in the hotel.
23:16Ah, sleeping in the hotel?
23:20A thousand pounds!
23:22Oh, good!
23:24Are you fizzles?
23:24Yes, fizzles.
23:25Yes, fizzles.
23:26Yes, fizzles.
23:27Don't eat a little.
23:28Now, tell me how many of you eat.
23:30Don't hurt.
23:31You can't talk.
23:32So, tell me about your stomach and your stomach.
23:35Now, I'm a lot of friends.
23:36First of all, they weren't friends.
23:38They weren't friends.
23:39They were like this.
23:40But now, there's a fizzle.
23:42There's a lot of fun.
23:43There's a lot of confusion.
23:43There's a lot of confusion.
23:44Oh, yeah.
23:46I don't want to know about you.
23:47I'll try to make you all the recipes you want.
23:50Why?
23:50What do you want with me?
23:51Focus with me.
23:52Because now I'm going to understand everything.
23:54I'm going to talk to you.
23:56Okay?
23:56So, you're not eating.
23:58Don't hurt me.
23:58Don't hurt me.
24:00Don't hurt me.
24:00Don't hurt me.
24:01Don't hurt me.
24:02Don't hurt me.
24:02Don't hurt me.
24:03Mom.
24:04Mom.
24:05Mom.
24:09Mom.
24:09Mom.
24:09Mom.
24:10Mom.
24:19Mom.
24:42Mom.
24:43Mom.
24:43Mom.
24:44Mom.
24:45Mom.
24:48Mom.
24:49Mom.
24:49Mom.
24:49Mom.
24:52I don't think it's a problem.
24:52Is he good?
24:54No, I don't understand.
24:55Is this a problem?
24:57Or is it a problem?
24:58I don't know why you're with me.
25:00There's a lot of life in my life.
25:03But do you feel like you're doing it a little bit?
25:07I don't understand your nerves.
25:09And the story is not like you understand me.
25:11I don't know how to explain why you were with Rustom.
25:15This is a particular disease.
25:16But I'm sure to get back to you
25:18that the one between me and Rustom is finished.
25:21From the other side of us, we're two.
25:23Do you think that everyone is not a problem?
25:25I don't understand you.
25:27I've seen you before,
25:28and you're done with me.
25:29I've seen you before,
25:30and you're done with me.
25:30And you're done with me.
25:30But ask me, I'm not a problem.
25:32I have to be careful with you.
25:36What are you doing?
25:39What are you doing now?
25:41Your friend is telling her.
25:42He's telling her.
25:42He's telling her.
25:43He's telling her.
25:43God, he's telling her.
25:47I who are.
25:49What are you doing now?
25:51Yes, I'm on my hand.
25:55You're telling me.
25:57You're telling me.
25:58I didn't know.
25:58And that's what she's doing.
25:59She's telling her.
25:59She's telling me,
26:09she's telling me.
26:11And her phone is telling me.
26:12I chose her,
26:13she's telling you.
26:14I just want to understand you.
26:17What do you feel?
26:18I feel like.
26:19When you look at the chest and the chest,
26:21you feel like there's a skin in your eyes.
26:24Yes, there's a skin in your eyes.
26:25You feel like there's a skin in your eyes.
26:26It's like you're in your eyes and you're in your eyes.
26:28Oh, God, you're in your eyes.
26:30I came!
26:35What are you doing here?
26:38I don't want to see anyone from this.
26:41The hotel.
26:48What do you want to see?
26:50What do you want?
26:52Let's go.
26:56You're the home.
26:57What are you doing here?
27:10I'm not going to leave a house.
27:10You're the one who's holding me.
27:11You, my mother.
27:11You're not gonna go back to the hotel.
27:13Let me get you.
27:14Where do you want to get me?
27:15After we go to the house.
27:16There's no room.
27:17You understand?
27:18There's no room.
27:18Let's go to the hotel.
27:20You have to go to the hotel.
27:22Bye!
27:27What?
27:28What?
27:29What?
27:30You don't have to go to the hotel room?
27:40This is the hotel room.
27:43Recap?
27:45Are you serious?
27:49Depending on me,ördene?
27:51What do you want to get married?
27:52I'm sorry.
27:52I'm sorry.
27:53I won't judge you during your life.
27:54I will hurry up for your work to get married.
27:57Let's go to your fault.
27:59I'm living in комна Around By Ik 36,
27:59put my screaming on you.
28:00Tell me that's true.
28:01Why do you want me to beat me?
28:03I'm any means,
28:04I'mline to me very much.
28:06She came to my funeral room
28:08and exig neutron me from the room.
28:09Mr. Warnway made her Opening it.
28:11What?
28:11What?
28:12But I didn't do it.
28:16Thank you, thank you.
28:18You're going to stop your heart.
28:20Don't you worry.
28:21You're not able to do anything.
28:22You're not able to do anything.
28:23You're not able to do anything.
28:24You're not able to do anything.
28:25What's happening with you?
28:26What do you do?
28:27I'm going to do it a little bit.
28:28I'm going to think of this love and the love.
28:30I mean, you're right.
28:34I'm sorry.
28:35I'm sorry.
28:36I'm sorry.
28:37I'm sorry.
28:39I'm sorry.
28:39Do you want to talk to me about this?
28:41You've been to a guest with us.
28:44Do you want to do anything with you?
28:46She's back.
28:47I'm going to talk to her and understand her.
28:50Do you want to talk?
28:51Let me talk to her with you.
28:53Don't let me go to their brother.
28:54No, no, I'm just with your brother.
28:56You're welcome.
28:58Come on.
29:02I'm from the help and my pastor.
29:04Yes, let me move you.
29:06I'm going to move you.
29:07No, no, no, don't leave me, I have a lot of work, but I don't have a lot of work,
29:10leave me.
29:11Okay.
29:13It's morning and morning.
29:15It's good, it's good.
29:16Okay, what's up from the morning when we came here?
29:20Is this him?
29:22I'm sure he is.
29:23No?
29:24No, I don't want to say anything.
29:26It's a symbol.
29:30Hello?
29:30What's up, sir?
29:32Did you get the money?
29:34We're ready, God.
29:3550,000 dollar cash.
29:38We're going to put them in a bag of silver and silver and silver.
29:41I'm going to bring you the location of it.
29:43It's about 10 minutes.
29:45If you've got an example of a second,
29:47it's going to be in your mind.
29:49And when you're going to send us anastasia?
29:51When you get the money, you'll know.
29:54I'm sorry.
29:56What's up?
29:57We're not going to send it to you.
29:59No, no, no, don't leave me.
30:00Don't leave me.
30:01Don't leave me.
30:02Don't leave me.
30:02I'm going to take it to you.
30:04No, no.
30:04I'm going to take it.
30:05No, I'm going to take it to you.
30:06I'm a phobia from them.
30:09Mr. R'som, what do you think you're going to give them a deal?
30:11What?
30:12No, I didn't understand.
30:13Oh.
30:14I didn't understand why R'som is going to give them a deal?
30:16I didn't understand why R'som is going to give them a deal.
30:17You're not even in the darkness?
30:18I have to deal with the problem between us.
30:20I'm going to give them a deal.
30:21If you're going to be 3-50, it's better than you're going to be anastasia.
30:23Excuse me, my friend, I have a number of times in a year,
30:27with the numbers I'm playing with.
30:29Three or three.
30:30I'm paying for three.
30:32Are you paying for three?
30:33God bless you, Lord.
30:34Let's get three.
30:35But we're not police.
30:37We're not police.
30:39But we're not police.
30:40But we're not police.
30:40We're not police.
30:40We're not police.
30:42We're not police.
30:43I'm going to get a third of the money.
30:45Let's get it.
30:46Let's get it.
30:50I'm not a lie.
30:51I'll give a quote.
30:52I'll give a quote.
30:55I'll give a quote for you.
30:58Yeah, my wife.
31:00How are you looking for me?
31:02Oh, my brother.
31:03I'm not a lie.
31:04Hello and I'll talk to you with her.
31:07I'll show you with my heart.
31:08No, I didn't.
31:09In the name of your mother?
31:10I love you.
31:11Yes.
31:12And when you bring me news about the world,
31:15you'll always love you.
31:16Don't love me.
31:16Give me an image of my tree.
31:19I was behind you.
31:19What are you doing?
31:20Where are you?
31:23I don't want you to see this.
31:50Go ahead, go ahead, go ahead
31:52There's a lot of original
31:55Good
31:56This is when asked one of the newspapers if there was a marriage between her and Rustom Sleyman
32:03The answer is that
32:04The answer is that Rustom is a great man and a woman who wants to be a woman
32:10But she is currently focused on the most important things in her life
32:14You can't focus on what you want
32:16You can't focus on what you want
32:19You know, there's a lot of people in your eyes
32:22You know, there's a lot of people in your eyes
32:23And you're going to be caught by the thief and the thief
32:26But I don't know how you know the thief
32:28What do you see, I don't know the thief
32:31But everyone is on your own
32:33Oh, you're so good
32:35Now, tell you the thief
32:37The thief
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