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00:09:59The Seven Little Fortunes and made his first film at the age of seven.
00:10:03When I was seven, I was on the school training in the daytime from five o'clock in the morning
00:10:09until at night.
00:10:11Very tough training.
00:10:12Suddenly, one day, there's a director who came to our school.
00:10:14He wanted to choose some child actor.
00:10:17Then he just pointed.
00:10:18One, two, three, four.
00:10:19I'm the one of them.
00:10:21So I became a child actor.
00:10:23And believe it or not, that's Jackie right there in the red circle as he appeared in his very first
00:10:27film.
00:10:30All the money I get, I give to the teacher.
00:10:34And this popular black and white film saw Jackie fight, take a fall, and hey, sing a song.
00:10:39At that time, I think, yes, movie good.
00:10:41When I'm making a movie, I don't have training anymore.
00:10:45Instead, Jackie got to appear as a supporting player in films at both Shaw Brothers and Golden Harvest,
00:10:50with absolutely no idea that he would become the industry's biggest star.
00:10:54Ayoo!
00:10:55How many did I talk?
00:11:02Probably the most frequently asked question about Jackie next to,
00:11:05Does he really do all his own stance?
00:11:07Or, how tall is he?
00:11:09Is, what kind of martial arts does Jackie practice?
00:11:12Well, the answer is, all of them.
00:11:17Then after 10 years, I learned northern style.
00:11:22Then I learned karate, judo, hapkido, boxing, even boxing.
00:11:29And just to prove it, here's Jackie duking it out with world kickboxing champion, Benny the Jet, Uki Dez.
00:11:35He's, ah, boxing is boom, boom, boom, boom, boom, quick.
00:11:42Like this?
00:11:42Yeah, shoulder, yeah.
00:11:45Which is, it's tonglong, we call it tonglong.
00:11:48And I learned tonglong, and also at the end, I like bak mei.
00:11:51Bak mei is more like a, uh, with a piece here.
00:11:57And just, uh, uh, uh, uh.
00:12:01All this martial arts training, together with the physical skills he had picked up at the Chinese opera school,
00:12:06prepared Jackie for his career as a unique kind of Hong Kong movie fall guy, known only as...
00:12:12Longfu武士 is like a stuntman.
00:12:14But, kind of like a stuntman, but translate to Chinese is not stuntman.
00:12:19It's a longfu武士.
00:12:20Wow.
00:12:21Dragon, tiger, something we call.
00:12:24We have to know these kind of things.
00:12:28And it was as a longfu mozi that Jackie worked on the classic Bruce Lee film called Fist of Fury,
00:12:33also known as the Chinese Connection.
00:12:35Yup, yup, yup, that's him right there,
00:12:36as he appears in the film as one of the students training at Bruce Lee's Kung Fu school.
00:12:40Hard to believe, huh?
00:12:45Being a stuntman at that time really earns a lot of money,
00:12:48because besides stuntman, I double for dangerous stunt.
00:12:52Dangerous stunt, different kind of pay.
00:12:58Jackie plays a Japanese fighter in the 1972 Kung Fu classic called Hapkido,
00:13:02and takes a serious beating from his Chinese opera school big brother, Sammo Hung,
00:13:06who was one of the film's stars.
00:13:08Yup, and there's Jackie coming up to your left,
00:13:10doing a nice-looking header.
00:13:13After, off the beam, off the balcony, headfirst down.
00:13:20Ouch.
00:13:26In the 1970s, everybody was Kung Fu fighting,
00:13:29and the reason those cats were fast as lightning was this guy, Bruce Lee.
00:13:32He was the first international Chinese action star.
00:13:35Naturally, people compared Jackie to him.
00:13:48Jackie performed the most spectacular stunt seen in these Vista Fury.
00:13:52They just want me to double for the Japanese guy.
00:14:01Outside of the window, at the time, I said,
00:14:03Oh, okay, I do it.
00:14:06Why, with no man, one shot, go down.
00:14:14Everybody, wow.
00:14:16Bruce Lee comes in, shit.
00:14:18Wow, Jackie, okay.
00:14:19I said, okay, okay.
00:14:21Jackie also worked as a stuntman on Lee's most famous film,
00:14:24and to the dragon.
00:14:26He was fighting with, like,
00:14:2820 people at the same time with a two stick.
00:14:30Pa, pa, pa, pa, pa, pa, pa.
00:14:31I'm the D-end.
00:14:32I'm the end one.
00:14:34Come out.
00:14:35Pa!
00:14:35Not that simple.
00:14:38Ooh, now that had to hurt.
00:14:41I runs in, I find him.
00:14:43He turns around.
00:14:45Boom, one stick.
00:14:46Right in here.
00:14:48Pa!
00:14:49They cut.
00:14:50He throw two stick, run away.
00:14:52Look, Jackie.
00:14:53Then they grabbed me.
00:14:54Oh, I'm sorry.
00:14:55I'm sorry.
00:14:56Bruce Lee may have killed Jackie on screen several times,
00:14:58but here is film Game of Death Saves Our Heroes Bacon.
00:15:02In this scene from City Hunter,
00:15:03Lee's duel with basketball player, Kareem Abdul-Jabbar,
00:15:06gives Jackie some tips on how to slam dunk his own opponents.
00:15:20Hey, thanks, Bruce.
00:15:22You are welcome.
00:15:32Even though Jackie no longer makes martial arts movies,
00:15:35the hand-to-hand, foot-to-foot, and fist-to-face fight scenes in his films
00:15:38constantly set new standards for the action movie industry.
00:15:42And his style has evolved from the old kung fu movies
00:15:44to a unique blend of acrobatic unarmed combat artistry.
00:15:48Jackie was shooting bashing-up video game fights before they were invented,
00:15:51and got his very first break as a choreographer
00:15:53thanks to another famous man.
00:15:57Then suddenly John Woo called.
00:16:00You know John Woo?
00:16:00Director of John Woo.
00:16:03Then I met, I know him before.
00:16:05Then he was a second director or something.
00:16:06Then he suddenly threw the first director of the film.
00:16:09Jackie, I want you to be my son coordinator.
00:16:12I said, okay.
00:16:14At that time, no problem.
00:16:16I think he liked me at that time.
00:16:20Because now at that time, I learned how to bullshit.
00:16:24I stay on the set like this.
00:16:27Then before the day coming,
00:16:31I go to the set first.
00:16:34Tomorrow's shooting, tonight I'm going to the set.
00:16:36Look at all the set.
00:16:38If the director says something,
00:16:41I'm going to fight him.
00:16:44Okay, I look around.
00:16:45Okay.
00:16:46Next morning, several o'clock,
00:16:47I'm on the set, sit down,
00:16:48to wait for the director.
00:16:50Director.
00:16:50Then I go to,
00:16:51hi, good morning, director.
00:16:52Then I learn how to speak loud.
00:16:55It's not like,
00:16:56director,
00:16:58what do you want?
00:17:00Then at that time,
00:17:01I learn how to smoke.
00:17:02I put a cigarette in my mouth.
00:17:05Yes, director, good morning.
00:17:06Yeah, what do you want later?
00:17:08Huh?
00:17:09Why I'm standing by?
00:17:10You call me?
00:17:11Okay, see you later.
00:17:12At that time, I was like 19.
00:17:15I prepared like a big,
00:17:17and the talking is more power.
00:17:20Confident.
00:17:21Let the director see.
00:17:22I'm confident.
00:17:24Yep, that's Jackie.
00:17:25And that behind him,
00:17:26believe it or not,
00:17:27is Mr. John Woo.
00:17:28Yep.
00:17:28And besides choreographing
00:17:29and directing Hand of Death,
00:17:31they both appear in it too.
00:17:32Suddenly, Jackie,
00:17:33hey, director calls you.
00:17:36Yes, I want to fight him.
00:17:39Did you create something?
00:17:40I said, yes.
00:17:47The glasses,
00:17:50and this guy look at,
00:17:52very angry,
00:17:52then turn around and go.
00:18:13And in the mid-70s,
00:18:14we saw the Hong Kong Kung Fu film business
00:18:16in decline.
00:18:17After Bruce Lee died,
00:18:18the whole movie industry going down.
00:18:23Everybody think the Bruce Lee is the best,
00:18:25some other action movie.
00:18:26Nobody could see it.
00:18:29And at that time,
00:18:30I was quite very disappointed.
00:18:32Nothing to do.
00:18:33Then, I go back to Australia.
00:18:36And back down under,
00:18:37Jackie washed dishes
00:18:38and worked at a building site.
00:18:39I find out that's a terrible time for me.
00:18:42Little did Jackie know
00:18:43that his return to the Hong Kong film industry
00:18:45was being prepared by this man,
00:18:47Willie Chen,
00:18:48who remains his manager
00:18:49and best friend to this day.
00:18:51Thank you very much.
00:18:53Both the bracelet and the ring.
00:18:56Thank you.
00:18:57Because the camera here,
00:18:58if there's no camera,
00:18:59I won't buy you.
00:19:08And it was Willie Chen
00:19:10who reintroduced Jackie
00:19:11to Fist of Fury director,
00:19:12Luo Wei.
00:19:13And Luo Wei wanted to remake
00:19:16Fist of Fury,
00:19:17actually Fist of Fury Part 2.
00:19:20But Luo Wei had to look for a newcomer,
00:19:22you know,
00:19:23to be the star.
00:19:25Then I talked about,
00:19:26gee, this guy in Australia,
00:19:31not good looking,
00:19:34but, you know,
00:19:35he can fight.
00:19:37The most charming thing about it,
00:19:39is that he has a very nice
00:19:43and warm smile,
00:19:44you know,
00:19:45that comes across the screen.
00:19:47Really good charisma,
00:19:49I think is the word,
00:19:50you know.
00:19:51It was a marriage made in hell.
00:19:54He didn't give me enough time
00:19:56to fighting.
00:19:59Everything quick.
00:20:00Low budget,
00:20:01quick,
00:20:02finished,
00:20:03yes.
00:20:05When the stunt fighting scene coming,
00:20:07then he said,
00:20:07Jackie,
00:20:08here,
00:20:08stunt fighting scene.
00:20:09No, no,
00:20:10fighting scene.
00:20:11Then, Luo Wei,
00:20:12with the cigar,
00:20:13they're sleeping.
00:20:14When he sleep,
00:20:15I just,
00:20:16I create everything I want.
00:20:19But when he gets up,
00:20:21God damn it,
00:20:22what time is it,
00:20:23he's still fighting?
00:20:26Well,
00:20:26the movie comes out,
00:20:27doesn't success.
00:20:29But the audience,
00:20:30they don't like me.
00:20:31In their time,
00:20:32they just don't accept me.
00:20:34never in the field of Kung Fu movie making
00:20:36did one man make so many films with one star
00:20:39without ever having a hit.
00:20:50Jackie finally got a chance to show his stuff
00:20:52when Luo Wei loaned him out to another company
00:20:54called Seasonal Films.
00:20:55His first movie for the company
00:20:56was called Snake in the Eagle's Shadow.
00:20:58and they saw Jackie define a new style of comedy Kung Fu
00:21:01and single-handedly revitalize
00:21:03the martial arts movie industry.
00:21:05And Snake in the Eagle's Shadow
00:21:06takes his title for the unique fighting style
00:21:08that Jackie designed for the movie.
00:21:10Snake.
00:21:11Okay.
00:21:11That's a snake head.
00:21:13That's a snake mouth.
00:21:14Now,
00:21:15what makes Jackie's approach different
00:21:16to that of the other martial art movie stars
00:21:18of the time?
00:21:18Well,
00:21:19he was more interested in entertaining the audience
00:21:21than simply just showing off his Kung Fu skills
00:21:23on camera.
00:21:26A snake mouth,
00:21:27I make the reason
00:21:28why you have to
00:21:30like this.
00:21:30Oh, okay.
00:21:31You just block somebody's arms.
00:21:33Okay.
00:21:34That's a snake mouth.
00:21:36And when you turn around,
00:21:38that's a snake tongue.
00:21:39You know?
00:21:41Then I go home,
00:21:43I look at the mirror.
00:21:44I just like this.
00:21:48Then when everybody sleep,
00:21:50I practice.
00:21:52Yeah.
00:21:52When I,
00:21:53when I,
00:21:55you know,
00:21:56you just,
00:21:56you just doing this.
00:21:58Look,
00:21:58good for the movie.
00:22:00That's a new style.
00:22:01It's not like,
00:22:01ah,
00:22:02ah,
00:22:03it's not coming.
00:22:04Ah.
00:22:06And do some comedy.
00:22:07You know?
00:22:08These kind of things.
00:22:09and pretty.
00:22:12It's like a dancing.
00:22:13Jackie's mix of Kung Fu comedy proved to be a huge success at the local box office.
00:22:18The second movie that Jackie made for seasonal films was called Drunken Master.
00:22:22And in it,
00:22:22Jackie performs a traditional form of Chinese martial arts in which the fighter pretends to be drunk.
00:22:27When as ever,
00:22:28he took this concept to a new extreme.
00:22:32Every time before I'm fighting,
00:22:35before rolling,
00:22:36then I just do this.
00:22:41then that's rolling.
00:22:48Cut.
00:22:50I get very dizzy.
00:22:51The fighting is,
00:22:52takes like a 20 tick,
00:22:5430 tick,
00:22:55every tick.
00:22:56You have to,
00:22:57I put my head down,
00:22:58let the blood comes out,
00:23:00the old face get red.
00:23:02Ben,
00:23:05tough,
00:23:07but worth.
00:23:09After the success of Snake in the Eagle's Shadow and Drunken Master,
00:23:12Jackie became,
00:23:13literally overnight,
00:23:14the biggest star in Hong Kong.
00:23:16And he soon realized that the only person he had to challenge was himself.
00:23:27I love cameras.
00:23:30Only the cameraman can watch the lens.
00:23:33Then I'm becoming the godson of the cameraman.
00:23:36So I have a chance to look at.
00:23:38He always teach me.
00:23:40I said,
00:23:40what's this 40?
00:23:41What's the 50?
00:23:43I love cameras.
00:23:45I have like nine cameras.
00:23:47Sometimes I do it myself.
00:23:50Sometimes the cameraman,
00:23:51they do know how to do it,
00:23:54but the fighting scene,
00:23:55they don't know.
00:23:56Boom, boom, boom.
00:23:56They don't know,
00:23:57so I do it myself.
00:24:00Criticism of Jackie's camera work,
00:24:01caused him to make one of the most expensive films of his career.
00:24:04I hear a lot of rumors.
00:24:06Jackie Chan,
00:24:06he know how to only make action films.
00:24:09No technician.
00:24:10all the fighting,
00:24:12the camera work,
00:24:13one, two, three,
00:24:14one, two, three.
00:24:15That makes me angry.
00:24:19Jackie's response
00:24:19was to dream of a film
00:24:21that would put his trademark action sequences
00:24:23in a setting that looked just like an old Hollywood classic,
00:24:25complete with extravagant sets
00:24:27and showy camera work.
00:24:33Miracle.
00:24:38Yeah, some people probably realize this,
00:24:40that Jackie based Miracles,
00:24:41otherwise known as Mr. Canton and Lady Rose,
00:24:43on two films by the American director, Frank Capra.
00:24:46One's called A Pocket Full of Miracles,
00:24:48and one's called Lady for a Day.
00:24:49And it features some great camera work,
00:24:51like the single shot that takes actress
00:24:53Adina Moi right through this elaborate set
00:24:55and out onto a balcony overlooking the scene.
00:25:15And thanks to those few critics,
00:25:17film fans got to see one of the most beautifully photographed
00:25:20Hong Kong action movies ever made.
00:25:25And thanks to those few critics,
00:25:26Hong Kong action movies ever made.
00:25:32And after the Drunken Master's success,
00:25:35then when I go back to Lawway's company,
00:25:39then I know that's my change.
00:25:42I cannot let Lawway's director,
00:25:48the director's own film,
00:25:51to destroy me.
00:25:53I don't know how to talk.
00:25:55And I said,
00:25:57Mr. Lawway,
00:25:58I don't like your director.
00:26:00How can I say that?
00:26:01The only thing I can,
00:26:03I run away.
00:26:04Middle of the night,
00:26:05in Korea,
00:26:07with my suitcase,
00:26:11two days later,
00:26:13suddenly,
00:26:14someone knocked on my door.
00:26:18Lawway's wife standing there.
00:26:20I call her,
00:26:22mother,
00:26:22mother,
00:26:23look,
00:26:24if he continues to make this kind of movie,
00:26:26he destroys me.
00:26:28I don't want that.
00:26:30So what do you want?
00:26:32I said,
00:26:33I want,
00:26:34I'm directing.
00:26:36So when Jackie took over the directing of Fearless Hyena,
00:26:39he soon developed his own unique filmmaking style.
00:26:41And amazingly,
00:26:42he had never studied film.
00:26:44Everything he learned,
00:26:45he learned simply through making movies.
00:26:47He said,
00:26:48OK,
00:26:49why didn't he say so?
00:26:58When Jackie first became a star,
00:27:00there were two major studios in Hong Kong.
00:27:02One was Shaw Brothers,
00:27:03which made kung fu movies with active director Liu Jialyang.
00:27:08And the other is called Golden Harvest,
00:27:10whose biggest star had been Bruce Lee,
00:27:12and they were desperately seeking someone to replace him.
00:27:15Shaw Brothers,
00:27:16they have many, many,
00:27:17like Lau Ga Liang,
00:27:19Liu Jialyang,
00:27:21Li Hanqiang,
00:27:23the director just died,
00:27:24Li Hanqiang.
00:27:25Some are,
00:27:26too many.
00:27:27But Golden Harvest,
00:27:29if I'm,
00:27:29I'm signed to Golden Harvest,
00:27:32they only have one Jackie Chan.
00:27:34Having made his decision,
00:27:35Jackie signed a contract with Golden Harvest
00:27:37and used his time and talent
00:27:38to develop his own style
00:27:40as both director and actor.
00:27:41In his first Golden Harvest film
00:27:43called The Young Masters,
00:27:44this fight sequence featured a move
00:27:46that required over 100 takes.
00:27:48And in his second film for the company,
00:27:49Dragon Lord,
00:27:50Jackie shifted the focus away from martial arts
00:27:52by staging a Qing Dynasty hacky sack match.
00:27:55The Police Story series
00:27:56created a whole new style of modern day action,
00:27:58it's more cop-sacky than chop-sacky.
00:28:03Jackie has soon put together his own stunt team,
00:28:06the members of which competed against each other
00:28:08to perform the most outrageous moves.
00:28:10And amazingly,
00:28:11none of them were ever killed
00:28:12or even seriously injured.
00:28:22Maybe it's no surprise
00:28:23that Jackie and his stuntman
00:28:25can't get any insurance,
00:28:26having been blacklisted
00:28:27by every insurance company
00:28:28in all of Asia.
00:28:39Golden Harvest were determined
00:28:40to launch Jackie worldwide.
00:28:42They hired the director of Bruce Lee's
00:28:43Enter the Dragon, Robert Klaus,
00:28:45to make Battle Creek Brawl,
00:28:46which is also known as
00:28:47The Big Brawl.
00:28:48It's an adventure film
00:28:49set in the 1930s.
00:28:50And as you can see,
00:28:51the action owed more to pro-wrestling
00:28:53than it did Jackie's own films.
00:28:59Jackie then shot a cameo
00:29:00for the star-studded Cannonball Run,
00:29:02but it was hard for him
00:29:03to make an impact
00:29:03among so many Hollywood heavyweights.
00:29:06He was later miscast
00:29:07as a tough New York cop
00:29:08in director James Glickenhaus'
00:29:10The Protector.
00:29:15Then finally,
00:29:16Jackie got back out on the highway
00:29:18for Cannonball Run 2.
00:29:20That I guess not in the movie.
00:29:22I hope the audience
00:29:23go to the theater
00:29:25to see
00:29:27Bird Runner.
00:29:28Oh,
00:29:28there's a little Chinese guy.
00:29:34Jackie,
00:29:35Chen Chen,
00:29:36Cannonball,
00:29:38but the movie comes out
00:29:39of course
00:29:40in the United States.
00:29:42Bird Reynolds,
00:29:44Jackie Chen.
00:29:45But in Asia,
00:29:46Jackie Chen,
00:29:47Bird Reynolds.
00:29:56But I'm only two minutes
00:29:58gone.
00:30:01And my image in Asia
00:30:03getting down,
00:30:05getting down,
00:30:06getting down,
00:30:07totally destroyed.
00:30:15Why I fail before,
00:30:18how can I continue my success?
00:30:21So this is why I know
00:30:22I have to work very hard.
00:30:32Much of the impact
00:30:33of Jackie's films
00:30:34come from the fact
00:30:34the audience
00:30:35is seeing someone
00:30:36genuinely risking their life
00:30:37for their art.
00:30:38Having once seen
00:30:39leading players
00:30:40take the credit
00:30:40for the stunts
00:30:41that he had performed
00:30:41for them,
00:30:42Jackie decided that
00:30:43when he became a star,
00:30:44he'd take his own
00:30:45hard knocks.
00:30:51Whole audiences
00:30:52started shouting,
00:30:52Run, Jackie, run!
00:30:54During the scene
00:30:54from City Hunter,
00:30:55in which he almost becomes
00:30:56extra crispy fried champs,
00:31:05Jackie's leaps of faith
00:31:06have taken him
00:31:06out of Asia
00:31:07and onto the world stage.
00:31:21that's me.
00:31:24That's me.
00:31:25That's me.
00:31:35because we can tell
00:31:36before the older movies,
00:31:39Chinese movies,
00:31:40every movie,
00:31:40when you see the double,
00:31:41you can tell.
00:31:43Everybody do
00:31:44like this.
00:31:47When you look at Jackie's movie,
00:31:48when I'm doing the stunts,
00:31:52that's me.
00:32:05Of course,
00:32:07we're talking about
00:32:08big stunts.
00:32:09I think American
00:32:11is the best.
00:32:12American stuntman
00:32:12is the best.
00:32:13What I want to do
00:32:14is I want to totally do
00:32:15different than
00:32:16American movies.
00:32:17What I'm doing
00:32:18is a traditional,
00:32:19like a silent movie.
00:32:20Buster Keaton,
00:32:22Haralloy,
00:32:23what they're doing,
00:32:24I just follow them
00:32:25to do it.
00:32:39Right now,
00:32:40getting,
00:32:41getting,
00:32:42what?
00:32:42More difficult,
00:32:44difficult,
00:32:44difficult.
00:32:45It's not falling down
00:32:46anymore.
00:32:46It's jump off the building,
00:32:47jump off the cars.
00:32:48We find a different
00:32:49location,
00:32:50a different trick.
00:33:18one of Jackie's
00:33:19most famous stunts
00:33:20is the fall
00:33:21from the clock tower
00:33:22in Project A.
00:33:23It was inspired
00:33:24by a scene
00:33:24in the Harold Lloyd film
00:33:25Safety Last.
00:33:29You see me hanging there,
00:33:31you know how long?
00:33:33Seven days
00:33:34to do that shot.
00:33:37Rolling.
00:33:39No, no, no, no, no.
00:33:41Look,
00:33:41that's not ready.
00:33:42So seven days later,
00:33:43Saturday,
00:33:43you know,
00:33:45you're still hanging there.
00:33:47You know,
00:33:48come on.
00:33:49Let's do it,
00:33:50let's do it.
00:33:51Come on, come on.
00:33:51Camera ready.
00:33:52Now,
00:33:53the sun's good.
00:33:54Everything's perfect.
00:33:55Do it.
00:33:57Then I tell the stunt guy,
00:33:58you know what?
00:33:59Let me hand him there.
00:34:01Don't let me in
00:34:02until I really
00:34:03can't hand anymore.
00:34:05I fall myself.
00:34:06Then,
00:34:06because I cannot hand anymore,
00:34:09then,
00:34:09then,
00:34:09then,
00:34:10then,
00:34:10then,
00:34:10then,
00:34:11go.
00:34:13In the finished film,
00:34:15Jackie shows
00:34:15different takes
00:34:16of the same stunt.
00:34:17Logically,
00:34:17it should work,
00:34:18but dramatically,
00:34:19it does.
00:34:25Well,
00:34:47but I am
00:34:48very,靭
00:34:49a well,
00:34:49Sous-titrage Société Radio-Canada
00:35:19were on hand to make sure that all this flying heavy metal action was captured on film.
00:35:24Jackie's own stuntmen were deployed throughout the village
00:35:26and given the fun job of jumping out of the way just in time to avoid being killed.
00:35:31When police story opened, one critic wrote that this scene alone was worth the price of admission.
00:35:58Looking at the shopping mall showdown that ends the film,
00:36:00it's easy to see why Jackie's stuntmen referred to it as glass door.
00:36:03And especially this movie,
00:36:06I do a purpose for everything glasses.
00:36:17Where's the glasses?
00:36:19You have to know how quick you have to do it.
00:36:22You cannot go in right away.
00:36:23Boom.
00:36:24You have just boom.
00:36:25Bam.
00:36:26Bam.
00:36:45Yeah, so this stuff we've just done,
00:36:46Jackie had two choices.
00:36:48Either the fall would kill him,
00:36:49or else the high voltage would.
00:36:51Fun, huh?
00:36:51Eight story, seven story, I cannot remember.
00:36:54I'll count later.
00:36:55That one's 75 feet high.
00:36:59Look.
00:36:59Going down, I just...
00:37:00More I look down, more you're scared.
00:37:02Then, okay, don't look down.
00:37:04I just like this.
00:37:06I just like this move.
00:37:08Then I...
00:37:09Go on, huh?
00:37:10Then you just stuntmen.
00:37:12Yeah!
00:37:12And more.
00:37:13Ah!
00:37:14As it turned out,
00:37:15Jackie burned all the skin off his hands
00:37:16as he slid down the pole
00:37:17and injured his back.
00:37:34In Police Story 2,
00:37:35Jackie offered a new approach
00:37:36to making your way
00:37:37through the busy Hong Kong traffic.
00:37:39It's done sequences like this
00:37:40that have earned Jackie his reputation
00:37:42as the world's bravest action actor.
00:37:44Though he survived ducking
00:37:45and diving over
00:37:46and none of these signs,
00:37:48Jackie sustained yet another serious injury
00:37:49when he crashed headlong
00:37:51through the signboard.
00:37:53When you look in a real action movie,
00:37:56Jackie Chan.
00:37:57When you look for some other action movie,
00:37:59many.
00:38:00Many.
00:38:05To provide a suitably explosive ending
00:38:07for Police Story 2,
00:38:08Jackie brought in
00:38:09pyrotechnics experts from America.
00:38:11The biggest in Asia explosion.
00:38:14Look.
00:38:15Having located a factory to demolish,
00:38:17Jackie, realizing that this was a one-take deal,
00:38:19hired an army of cameramen
00:38:20to make sure that his escape
00:38:21was captured on film.
00:38:23Boom!
00:38:24Look at this.
00:38:31The blaze caused by the explosion
00:38:32raced out of control
00:38:33and the fire service was called in.
00:38:35But luckily,
00:38:36no one was injured.
00:38:42The stud that almost killed Jackie
00:38:44was one that seemed,
00:38:45by Jackie's standards,
00:38:46to be a very simple one.
00:38:48A lot of people said,
00:38:49Jackie, did you break every bone?
00:38:53Not every bone,
00:38:55but I can say,
00:38:58every my body,
00:38:59every inch,
00:39:00I get cut,
00:39:01I get burned,
00:39:02I get twisted.
00:39:03Yes, I do.
00:39:04But I think the most serious one
00:39:06is in Yugoslavia,
00:39:08when I'm making a film,
00:39:10Armor of God.
00:39:12What I remember is,
00:39:14the tree from here,
00:39:15about 20 feet,
00:39:1620 something,
00:39:17I can't remember,
00:39:1820 feet.
00:39:18There's a camera below,
00:39:20the Yugoslavia cameraman,
00:39:21below.
00:39:22There's another camera here,
00:39:23another camera here.
00:39:25Then I think,
00:39:27I'm very safe,
00:39:27from the castle,
00:39:29to the castle.
00:39:30But it's not very dangerous,
00:39:31here.
00:39:32It's about like 100 feet.
00:39:34If I missed it,
00:39:36then I jump,
00:39:36then I die.
00:39:37The second time when I jump,
00:39:40I just,
00:39:41after I jump,
00:39:42I just fell asleep.
00:39:45I think,
00:39:46a landing,
00:39:47the first time,
00:39:48the water come out,
00:39:51from the trees,
00:39:52something like that.
00:39:53Then I grab it,
00:39:55I just fell.
00:39:56But at that time,
00:39:57I just hear a lot of,
00:39:59you know,
00:39:59the sound,
00:40:01and breaking,
00:40:02on the tree.
00:40:03Boom.
00:40:06I think I land,
00:40:07my back first.
00:40:08That's the head.
00:40:09Back,
00:40:10and the head.
00:40:10So this,
00:40:11I think I'm lucky,
00:40:13if the,
00:40:15then gone.
00:40:16I try to get up,
00:40:17but a lot of people just,
00:40:19push me down again.
00:40:21Don't move.
00:40:21I say,
00:40:22what,
00:40:22what,
00:40:22what?
00:40:23Don't move.
00:40:24Get the medical,
00:40:25you know,
00:40:25everything,
00:40:26I don't know what happened.
00:40:27Then suddenly,
00:40:27they have a lot of things,
00:40:28put in my ear.
00:40:30Then,
00:40:30as soon as they put it in my ear,
00:40:32then I hear something.
00:40:33Blah, blah, blah, blah, blah, blah, blah, blah, blah.
00:40:36I say,
00:40:36what the hell is that?
00:40:37Look at,
00:40:38wow,
00:40:38all the blood,
00:40:39just from the ear,
00:40:40boom, boom, boom,
00:40:41comes out.
00:40:43I admit,
00:40:44you know,
00:40:44I was very panicky at that time.
00:40:46You know how lucky Jackie is?
00:40:49The doctor who operated on Jackie
00:40:51was exactly the person
00:40:53that Raymond asked me to contact.
00:40:56You know,
00:40:57and he,
00:40:57and it just so happens,
00:40:58he was in Yugoslavia.
00:41:00There's this specialist
00:41:01that we wanted to look for,
00:41:03and he had already operated on Jackie
00:41:05before we found him.
00:41:08Jackie was lying in the hospital room.
00:41:11A westerner came up to me,
00:41:12and he said,
00:41:15you know,
00:41:15your son
00:41:15is made of steel.
00:41:37A lot of people say,
00:41:38Jackie,
00:41:38you doing this done?
00:41:39Do you scare?
00:41:39No,
00:41:39of course I'm scared.
00:41:40I'm not a superman.
00:41:41I'm the normal people like you.
00:41:43I just have the guts to do it.
00:41:46And I just know,
00:41:47because I treat movies,
00:41:48my son,
00:41:49I treat movies,
00:41:49I love movies.
00:41:51But I know,
00:41:52after I do the stunt,
00:41:54I make the movie,
00:41:54the movie can keep very long,
00:41:57especially right now,
00:41:58the technologies are that good.
00:41:59They have a city room,
00:42:00LD,
00:42:01everything,
00:42:01they can keep along as possible.
00:42:03And I know,
00:42:04when I watch the movies,
00:42:05I can tell my friend,
00:42:06I can,
00:42:06oh,
00:42:0780 years old,
00:42:08I can tell my children,
00:42:09I can tell my grandchildren,
00:42:09hey,
00:42:11that's your grandfather,
00:42:12that's your father.
00:42:13If I'm not doing this way,
00:42:15I let somebody do it.
00:42:16If I say,
00:42:17that's me,
00:42:18I feel I'm cheating.
00:42:25The whole world
00:42:26have a different language,
00:42:28but my personal thing,
00:42:30the real international language
00:42:33is action.
00:42:36Jackie has defined
00:42:37his own unique style
00:42:38of international action moviemaking
00:42:39with films like
00:42:40Wheels Are Meals,
00:42:41which was shot in Barcelona,
00:42:43and a big hit
00:42:44with audiences
00:42:44all over the world.
00:42:52You can see my older film,
00:42:54there's a lot of
00:42:55unnatural comedy.
00:42:57Unnatural comedy
00:42:58is like,
00:43:00even after you,
00:43:02somebody put your,
00:43:03your,
00:43:03your leg,
00:43:08it's passing,
00:43:10it's gone.
00:43:11So,
00:43:11later on,
00:43:13you see all my
00:43:13Rumble in the Browns,
00:43:16even the Drunken Master 1,
00:43:18Drunken Master 2,
00:43:19totally different.
00:43:20Drunken Master 1,
00:43:22but Drunken Master 2
00:43:24already becoming
00:43:25natural comedy.
00:43:27It's a situation comedy.
00:43:44You can tell from the young master's beginning,
00:43:46I'm still doing
00:43:58then when I look at some other movie,
00:44:00everybody do the same thing.
00:44:02At the end,
00:44:02I said,
00:44:03no,
00:44:03I have to change.
00:44:05So from the bad guy comes out,
00:44:07you can see the difference.
00:44:21so my movie always lead
00:44:23for all the action movies.
00:44:26So in the whole Asian,
00:44:28everybody just look at Jackie.
00:44:29What is he doing?
00:44:30What Jackie is usually doing
00:44:32is trying to stay one jump,
00:44:33one slide,
00:44:34or one flip
00:44:35ahead of both himself
00:44:35and the audience.
00:44:36and the soul of his style
00:44:38is spontaneity.
00:44:39And the bicycle chase scene
00:44:41of Project A
00:44:41remains a fan favorite.
00:44:43Then suddenly,
00:44:44when I've gone location scout,
00:44:46good,
00:44:46that's the thing.
00:44:47When I,
00:44:48as soon as I see
00:44:48all the locations,
00:44:50all my picture
00:44:52in my,
00:44:53in my,
00:44:53in my mind already.
00:44:55Okay.
00:45:00I still shooting,
00:45:01one day,
00:45:02one of my stunt guys,
00:45:04Jackie,
00:45:05you know what,
00:45:05Steven Spielberg,
00:45:06I'm ready to do
00:45:07the bicycle scene.
00:45:08God!
00:45:12You know what?
00:45:13I immediately,
00:45:14I stopped filming.
00:45:16We rap.
00:45:17All my stunt guys,
00:45:19everybody went,
00:45:20went to the theater
00:45:21to see E.T.
00:45:22Because I have the idea
00:45:23they already shoot it.
00:45:26But I said,
00:45:27if they similar like me,
00:45:29I'm not gonna shoot.
00:45:30I changed the style
00:45:31because I've been prepared
00:45:32for a long time.
00:45:34Then until the movie,
00:45:35at the end,
00:45:35I'm like,
00:45:36ah,
00:45:36bicycle,
00:45:36go to the mountain,
00:45:37go down the mountain,
00:45:38chasing on the street,
00:45:39suddenly go to the sky.
00:45:40Then,
00:45:41ha, ha, ha,
00:45:42I'm very happy.
00:45:43Oh,
00:45:43not the same goal.
00:45:46We go back to the set,
00:45:47we film again.
00:45:50The kind of
00:45:51no-holds-barred fight sequences
00:45:53seen in Jackie's films
00:45:54have been a cause of concern
00:45:55for some overly sensitive critics
00:45:57and surprisingly
00:45:58for Jackie himself.
00:46:02I'm really honest.
00:46:03I, I, I hate violence.
00:46:06Yes, I do.
00:46:07It's a kind of a dilemma, huh?
00:46:10As a result,
00:46:11Jackie has laid down
00:46:12his own code of conduct,
00:46:13a moral framework
00:46:14that encompasses
00:46:15all his films.
00:46:16I like action,
00:46:18but I hate violence.
00:46:19So this is why,
00:46:19when I make action films,
00:46:21it's less violent
00:46:22as possible.
00:46:23Everybody thinks
00:46:23action is violent.
00:46:24But okay,
00:46:25if it is violent,
00:46:26my, my movie
00:46:28is a good violent.
00:46:29That's no dirty words.
00:46:31No dirty jokes.
00:46:33No, no sex.
00:46:36I tell you what,
00:46:37if the company
00:46:39give me the same amount
00:46:41the money,
00:46:44it just,
00:46:44don't find,
00:46:45kiss,
00:46:46and make love.
00:46:47I do it.
00:46:51I always say
00:46:52I learn from
00:46:53Buster Kitten
00:46:54and Hero Lloyd.
00:46:55when I see
00:46:56the clock tower,
00:46:57I watch
00:46:58the
00:46:59caralloy.
00:47:00He just
00:47:00do the clock tower.
00:47:01Ah!
00:47:02My whole thing
00:47:03comes up.
00:47:06I see the clock tower,
00:47:08then I know
00:47:09how to,
00:47:10the bicycle scene,
00:47:11to the pool,
00:47:12jump to the clock tower,
00:47:14fight to the clock tower,
00:47:15then...
00:47:16and I'll see the clock tower.
00:47:24Jackie's films
00:47:24owe more to
00:47:25the great silent comedians
00:47:26than they do
00:47:27the kung fu stars
00:47:27of the 70s.
00:47:28And Jackie himself
00:47:29is also a fan
00:47:30of the American
00:47:31Masters of Rhythm,
00:47:32the dancers
00:47:32of the golden age
00:47:33of Hollywood.
00:47:36You can see
00:47:37the freshest stare,
00:47:39Gene Kelly,
00:47:39five minutes,
00:47:40no carotting.
00:47:47That's something.
00:47:49That's something.
00:47:50Not everybody
00:47:51can do that.
00:47:53Jackie is someone
00:47:54who can,
00:47:55as it proves
00:47:56in this very impressive
00:47:56one-take sword fight.
00:47:59If tie shot,
00:48:00you put the tie shot,
00:48:02put the tie shot.
00:48:04You don't know
00:48:05what I'm doing.
00:48:06You just,
00:48:11when I'm making
00:48:12an action film,
00:48:15I'm going to make
00:48:16a wide shot.
00:48:17I'll see them.
00:48:18It's all done.
00:48:19It's all done.
00:48:21It's all done.
00:48:28It's all done.
00:48:31Jackie's commitment
00:48:32to excellence
00:48:32extends from the location
00:48:34to the post-production
00:48:34of his films.
00:48:35Every step of which
00:48:36he supervises personally.
00:48:41Editing part
00:48:42is very important.
00:48:43Because you know
00:48:44editing,
00:48:45then you can be,
00:48:46you will become
00:48:47a very good director
00:48:48or martial art director.
00:48:52As a director,
00:48:54Jackie has pioneered
00:48:54a number of editing techniques
00:48:56that have since been copied
00:48:57by actual filmmakers
00:48:58from around the world.
00:49:00For example,
00:49:01Double cut.
00:49:02Bam, bam, bam, bam.
00:49:03Bam, bam, bam, bam.
00:49:05Bam, bam, bam, bam.
00:49:07Now, a lot of people
00:49:08learn from me.
00:49:08Bam, bam, bam, bam, bam, bam, bam.
00:49:12A lot of people ask me, high school, please Jackie, come to say something about the movie.
00:49:17I say, I have nothing to say because I don't have this kind of philosophy.
00:49:24My emotion, the shot, the feels, I don't know how to say these kind of things.
00:49:34If you ask me, why you do the double shot, I don't know, I just want to.
00:49:40Why do you want the double shot, I don't know.
00:49:49I have no fear.
00:49:52We may be able to get some insights into Jackie's style by comparing the two different versions of his film,
00:49:57The Protector.
00:49:58This cop, they're going to cast Jackie against type as a Clint Eastwood style American lawman.
00:50:02Police, give me the keys.
00:50:04Get the hell out of here, what are you doing?
00:50:05Give me the fucking keys.
00:50:09The first version was shot by this American director, James Glickenhaus.
00:50:18Although Jackie initially went along with Glickenhaus, agreeing to change his style of action to suit the American market,
00:50:24he was horrified when he saw Ruff cut off The Protector and threatened to reshoot the fight sequences.
00:50:28That's not a threat, that's a promise.
00:50:32They just think, my punch, my kicking is not power enough.
00:50:37Look at Bruce Lee, boom, one kick, out.
00:50:40Bam, one punch, out.
00:50:42Look at Clint Eastwood, John Wing, boom, that's power.
00:50:47They, what they like it.
00:50:49But I said, if a one kick, one punch, it's easy.
00:50:54My type of action is not easy.
00:51:02Here we see the two versions side by side.
00:51:09Notice that in the American print, the fight between Jackie and karate champion Bill Superfoot Wallace
00:51:14looks much darker and sees the two perform much more slowly.
00:51:24When in Jackie's cut, he enhances the action by using various tricks of the trade,
00:51:28like Fuller's Earth, or they call him Power Powder,
00:51:31sprinkled on the clothing to enhance the impact of a blow.
00:51:34Then an arm has a trouser leg and shoe put onto it to simulate a full power kick to the
00:51:38face.
00:52:06And Jackie's jerked back by an invisible wire
00:52:08to highlight the strength of Wallace's sidekick.
00:52:13Ah!
00:52:16Ah!
00:52:31Ah!
00:52:34Ah!
00:52:35Ah!
00:52:35Ah!
00:52:35Ah!
00:52:35Ah!
00:52:36Ah!
00:52:36Ah!
00:52:37Ah!
00:52:38Ah!
00:52:42And when he reshot Wallace's chainsaw attack, Jackie placed himself in much greater danger
00:52:46by getting closer and closer to the blade to add further impact to the sequence.
00:52:54Interestingly, it was Jackie's style of filming fights that actually appealed to American audiences
00:52:58when he finally broke into the U.S. market with Rumble in the Bronx.
00:53:02Ah!
00:53:04Ah!
00:53:05Ah!
00:53:06Ah!
00:53:07Ah!
00:53:16Ah!
00:53:20Ah!
00:53:23Ah!
00:53:24Ah!
00:53:27Ah!
00:53:30Ah!
00:53:32Ah!
00:54:00Ah!
00:54:01Ah!
00:54:02Sous-titrage Société Radio-Canada
00:54:33Sous-titrage Société Radio-Canada
00:55:02Sous-titrage Société Radio-Canada
00:55:321, 2, 1
00:55:381, 2, 1
00:55:56C'est parti !
00:56:20If you subject your body to the kind of stuff that Jackie Chan's have thrown at him over the years,
00:56:25you need a body that's built to last, buddy.
00:56:27See, since childhood, Jackie has maintained the heavy-duty daily training routine.
00:56:46Jackie's workout involves high repetitions of basic exercises, such as sit-ups, 2002, 2003, 2004, and of course, fast combinations
00:56:59of his trademark martial arts moves.
00:57:05And I think that's a part of my secret.
00:57:08Right now, I'm 43, but I move like a 25.
00:57:11When I fight, when I fight, like a 25.
00:57:19And I think the exercise, especially for me, is very important because in my movie, I always do my own
00:57:28stun and own fighting scene or chasing, jumping around.
00:57:32I have to train to the best and prepare to the movies.
00:57:38I have the training very hard, and of course, training very difficult.
00:57:44Punching.
00:57:51Punching, kicking.
00:57:53Punching.
00:57:54Punching.
00:57:55Punching.
00:57:56Punching.
00:57:57We need flexible body.
00:57:58You know, we do somersault, you know.
00:58:00Punching.
00:58:02Punching.
00:58:03Punching.
00:58:05Punching.
00:58:05It's a tough time.
00:58:08But I think even you are not the movie style, you have to exercise because exercise is real good for
00:58:16your health.
00:58:16En Jackie's case, it's definitely paid off,
00:58:19keeping them alive and kicking
00:58:21after a quarter century's worth of physical abuse.
00:58:37No film going on.
00:58:40In between films, Jackie devotes his time and energy
00:58:43to the Jackie Chan Foundation.
00:58:44This charitable organization raises money for charity
00:58:46by staging a variety of different events.
00:58:49At this fundraiser in Canada,
00:58:50a backflip can earn $300 for the foundation
00:58:53and a display of drunken boxing even more.
00:58:58Jackie is not only a superstar,
00:59:02but he's also super generous.
00:59:04And I've had so much pleasure working with Jackie
00:59:08on the foundation and so much fun.
00:59:13But also a lot of hard work.
00:59:15Right now, all the fans, they know,
00:59:18all around the world,
00:59:19they send me a different kind of money.
00:59:24Then later on, I will give to the charity foundation.
00:59:28And also some other things like a T-shirt and sweater.
00:59:33Then, because, honest, I already have a lot already,
00:59:36no matter shoes or T-shirt.
00:59:38Yeah, Jackie keeps a lot of odd things around them.
00:59:41That's from the airplane.
00:59:43I never use any time.
00:59:44I just keep them.
00:59:46I believe all the children, they like it.
00:59:48And then you take all the stuff
00:59:50and kind of divides up which is suitable for the kids
00:59:52and whatever's suitable for adults, okay?
00:59:54Like T-shirts.
00:59:55Hey, big one, huh?
00:59:57I collect for myself.
00:59:59I keep it because that's for my name.
01:00:01And of course, all the gifts are kept
01:00:03in the storeroom right next to his office.
01:00:05Here we go.
01:00:05There's a photo, charity, charity, charity.
01:00:08And donate.
01:00:10Charity, charity, charity, charity.
01:00:12Then I'll keep it until the end,
01:00:15end of the year of Christmas.
01:00:21I can't help falling in love with you.
01:00:28And besides movies,
01:00:29Jackie has one other great passion in life.
01:00:31I love cars.
01:00:48I'm happy.
01:00:50I love you.
01:00:52I love you.
01:00:53I love you.
01:00:54That's Jackie Chan day on September 2nd in 1980
01:01:00Sous-titrage Société Radio-Canada
01:01:48Jackie himself admits that he's had to make sacrifices in terms of his personal life in order to maintain his
01:01:53position as the undisputed king of international action cinema.
01:02:01So this is what I tell you. First, movie. Second, I don't know family or either friends or either business
01:02:09or either money. I don't know. Don't understand? I just don't understand. And also, I don't have time to learn.
01:02:16Ah, action, who's the best?
01:02:19At least 80% of people say, Jackie Chan. Right? Why? Because all those years, I've been into it. Really
01:02:28into it. Love, no love. In, in, in, in. Friend, no friend. In, no eat.
01:02:32Then I become a professor. If I learn action, love, action, then who's the best? He's the guy who knows
01:02:43everything, but none of the one good. Right?
01:02:46I will conjure. Movie is too much. Actress, actors, extras, stuntmen. I will, in a set, take care of everybody.
01:02:55Girlfriend, you sit home. Just you. If I'm not conjuring in here, always girlfriend, girlfriend, girlfriend, girlfriend, girlfriend. Then my
01:03:02movie can turn out becoming a chef. Really.
01:03:06You know, I often tease him. I say, I'm glad I'm your manager and not your wife or your girlfriend.
01:03:17You know, because I think Jackie can be a very good friend. But I think he, he's certainly not a
01:03:25good husband.
01:03:26I have family, but just not always together. I just keep traveling. But they understand. They understand.
01:03:33And, uh, she take care of my father, mother, or, uh, because my job is six months in Australia, five
01:03:41months in South Africa, two months in America, one month. How, you just keep traveling, traveling, traveling, traveling. I'm tired.
01:03:49I'm not a person. Perfect person. I'm good for something. Bad for a lot of things.
01:03:55I know. I feel sorry. Yes. But what can I do?
01:04:16And everything happened so fast.
01:04:20And when Rumble in the Bronx was picked up a theatrical distribution in the U.S., it gave Jackie a
01:04:24second crack at the American market.
01:04:26I hope, I hope Rumble doing well. Then I can come back.
01:04:31Rumble was a hit. And come back Jackie did with the U.S. theatrical release of Super Cop, directed by
01:04:37Stanley Tom.
01:04:45He's, he's very stubborn. But that's good. In a good way, you know, because, like, making movie, you have to
01:04:51be stubborn.
01:04:53Usually when we think of something, some idea that we like, right away, oh, yeah, it turns out we'll be
01:04:59good. But then when it comes to production, then the producer, production manager, location managers start to convince you, you
01:05:08know. And, but I think Jackie is, like, he will insist.
01:05:13Those shots several years earlier, Super Cop's stunning stunt scenes soon won an appreciative American audience.
01:05:22This one, very scared. You know what? Because you really don't know how high, how low. The driver, the helipilot
01:05:33up there, he really don't know. He's just scared.
01:05:39I never tried this before. When you go in, wow, you really feel the smoke. And you're not doing one
01:05:50time, like three times, four times. Every time, it's special to do it. When you go there, you push everything.
01:05:56They mix the comedy.
01:05:59You don't have an experience. Then you go, go, go, go, go. Then you think it's safe. You let go.
01:06:05When you let go from here, you just boom. Yeah. Like a mess, your face.
01:06:15The film saw Jackie teaming up with Michelle Yeoh, the queen of Hong Kong action movies. Michelle played the tough
01:06:21mainland Chinese lady cop. And she would then go on to partner James Bond in the film Tomorrow Never Dies.
01:06:31He was the very first person I worked with in Hong Kong, our 30-second romance.
01:06:38Jackie and Michelle first encountered each other when they shot this TV commercial on location in Australia.
01:06:44It's almost like he challenges you. It's like, okay, you think you can do that? Try this. And then it's
01:06:49good because then you learn a lot.
01:06:51When we did Super Pop, there were so many rumors running around that, you know, we were competitors and we
01:06:56were, you know, trying to outdo one another.
01:06:58We both know that our biggest competitor is us, you know, it's with us. It's not with anybody else.
01:07:04So we had a good working relationship in that way.
01:07:08Jackie's generosity gave Michelle a chance to win her own fan following and to pursue her own Hollywood career.
01:07:25Jackie Chan!
01:07:27After the success of Super Cop, Jackie made an unexpected appearance on a hit American comedy series.
01:07:35Happy concert. I'm looking for Sheneene.
01:07:39Jackie's walk-on role in The Martin Lawrence Show occurred because one of its producers was a fan.
01:07:43Oh, sorry.
01:07:46I'm his number one fan.
01:07:47In this fan club, I watch all of his movies. I've been a fan for at least 10 years.
01:07:53Happy concert. I'm looking for Sheneene.
01:07:56What's my concert?
01:07:58Very nice man. Very nice man. Gentleman.
01:08:01You know, very polite, very patient, you know, and, you know, fun.
01:08:05Good spirit. It got a good sense of humor, which is good.
01:08:11Jackie made his next Hollywood appearance alongside superstars Sylvester Stallone and Whoopi Goldberg
01:08:16in a movie within a movie in a movie called an Alan Smithy film.
01:08:21I'm convinced that if someone becomes as big a star as Jackie is,
01:08:25you have to have the combination of the charisma, the explosiveness, and the warmth.
01:08:32The movie offers three times more bang for your butt.
01:08:37Now! Don't fuck over us!
01:08:43You just give me a hot tag. The long dialogue.
01:08:46Listen, I never...
01:08:48Re-in-ca... Re-incarnation.
01:08:50I never...
01:08:51Re-in-ca... Re-in...
01:08:52Let me say this. I never...
01:08:54I never want to do re-writes.
01:08:56But for Jackie Chan, I will.
01:08:59In the film, Jackie plays a comic version of himself.
01:09:03No time, no time, no time.
01:09:07Got it?
01:09:08Hey, please, this is Chuck D.
01:09:09With the man, Jackie Chan.
01:09:11In the house. Turn it out.
01:09:13Word, no doubt.
01:09:15Ha ha ha.
01:09:17On the film, Jackie was directed by veteran Hollywood filmmaker Arthur Hiller,
01:09:21who soon became an enthusiastic Jackie Chan fan.
01:09:24No doubt. No doubt.
01:09:26Good. No doubt.
01:09:27Because you see a wonderful actor with this just innocence and charm,
01:09:33and suddenly this wonderful physical activity going on,
01:09:38and how many people can do that?
01:09:41It's interesting, because there are also people who can do, let's say, karate,
01:09:45or can do stunts, but that doesn't make them actors.
01:09:49Jackie is an actor.
01:09:51That's the wonderful difference, that you can say to Jackie,
01:09:54I want just a little stronger, or humor,
01:09:56or what if we do this? Won't that be funny?
01:09:59Or he says, what if I do this?
01:10:01You know, you can work with somebody like that.
01:10:05The film revolves around the theft of the world's greatest action film,
01:10:08and two of its stars have plans to make a movie in real life.
01:10:11I think definitely Jackie and I will be working together in the future.
01:10:15We've been talking about it for years.
01:10:17Of course, I really want to work with him.
01:10:20But right now, we are looking for the right script.
01:10:23With a little more drama in it, and something a little more special,
01:10:27and the two different cultures could come together.
01:10:29So it's difficult.
01:10:31It's very difficult for the two action stars in the same movies.
01:10:35But we'll get there.
01:10:36Okay, everybody.
01:10:37Thank you.
01:10:38You bet.
01:10:38Thank you.
01:10:39You got it.
01:10:40Now go home and get some sleep.
01:10:44Martin Luther King.
01:10:45I think everybody have a dream.
01:10:50I have a dream.
01:10:51I only know when I'm growing up.
01:10:54My first dream is by my own car.
01:10:57Another dream is I hope one day my name and my fingerprints, footplains,
01:11:03I can on this start road.
01:11:07This is my second dream coming true.
01:11:11Here's Jackie.
01:11:13And in 1997, Jackie was invited to contribute his hand, foot, and nose prints
01:11:18to a cement square on Hollywood's Walk of Fame.
01:11:22The second dream, I want to get in the American market.
01:11:27The third dream, I want to get in the whole world market.
01:11:32But right now, the people ask me,
01:11:35Jackie, what's your four dreams or last dream?
01:11:42Right now, my last dream, really, honest, the bottom from my heart,
01:11:50my last dream is peace.
01:11:53We do need peace right now.
01:11:56That's my last dream.
01:12:09I'm working on it, and I will work very hard.
01:12:12Oops.
01:12:13Sorry.
01:12:16That's an outtake.
01:12:17Yes, I made a time.
01:12:20I made it this time before.
01:12:25Wow, the bow is coming.
01:12:31Stop me right now, stop you.
01:12:33Stop me.
01:12:33Yes, baby.
01:12:37Stop me.
01:12:38I'm making one right now.
01:12:42This abatto�리 book is so important.
01:12:45See, there's a difference.
01:12:46Look.
01:12:53Do you understand?
01:12:54It was a true sound of physical ingrained?
01:12:54I'm being a fit.
01:12:56Give esto.
01:12:56As a matter of mouth, I love you.
01:12:56Les gens qui ont fait peur.
01:13:04C'est une histoire de Jackie Chan.
01:13:07Donc, restez-vous à la question.
01:13:11Une histoire de mon histoire.
01:13:13Une histoire de ma vie.
01:13:35Un contact hospital avec la police secournier de Troyes.
01:13:38Oh non !
01:13:41On vous couvrez.
01:13:43Au revoir.
01:14:26...
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