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00:00:02I've always described the world in words people moments places all through
00:00:09metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:18almost there you excited for your first day she calls this a fresh start I call it terrifying
00:00:30you've got this just for yourself that's kind of the problem
00:01:02okay
00:01:05morning class
00:01:08and you're not seated because I don't have a seat
00:01:14ah a new transfer Alice Keaton right let's see
00:01:21no there's a spot next to Charles
00:01:26seriously a charity case sitting next to Charles
00:01:29God what is she quiet Charles
00:01:36I've always had words for everything but in that moment
00:01:43I forgot them all
00:01:53Charles move your things I'd rather not she'll be a distraction from what
00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive
00:02:05influence on you she was top of her class at a previous school with all due
00:02:10respect sir her previous school was American I highly doubt that that's
00:02:17that's enough she can sit here it's fine
00:02:24back to Goldie thank you you got it I'm Sherry Vaughan
00:02:28Alice Keaton it's very important that we look at what he's talking about their experience of the time
00:02:39wait you sat next to Charles she didn't you totally shut her down oh knew it don't take it personally
00:02:45he's impossible can everyone stop acting like the goal is getting into his pants
00:02:50what he's hot everyone kind of is
00:02:55I I've seen Connor he's not my type you're joking I don't find bullies attractive
00:03:02hey be careful you're talking about the king of Ashford the what his family
00:03:08basically own the school and the town maybe even the country yeah everyone's
00:03:13tried to get close no one can get past his ego you're not the first to get nice
00:03:17okay first of all I wasn't iced it's more like a mutual decision and second
00:03:23I think he's arrogant cold thinks he's untouchable but if you really look at
00:03:29Charles he just seems isolated like he's making out honestly I just think he's
00:03:34lonely and kind of what
00:03:40no go on
00:03:47you were saying I'm lonely and pathetic
00:03:53you next time read the room before opening your mouth American we're not
00:04:03Kansas anymore Alice
00:04:20hey how was your first day I good I think sighted cabin not really super uneventful
00:04:29really how's your new job yeah all right get this they said we can stay in the
00:04:34servants wing seriously mm-hmm apparently the young master won't mind the company the
00:04:40young master this is your boss's house yeah that's not credible I mean I wouldn't
00:04:49call it a house it's a museum with better landscaping
00:04:58wait here I'll talk to the butler
00:05:05wow rich people you've topped yourselves again
00:05:12Stephen King
00:05:14first edition
00:05:25breaking and entering now how American of you
00:05:50you can get up now I I'm trying wait are you serious
00:05:58well you said you were trying what is wrong with you funny I was about to ask
00:06:05you the same thing what are you doing in my house
00:06:10you wait your house my house my library and now apparently my unwanted guest
00:06:20oh master Charles must be miss Alice and daughter she said you'd be moving in today she what
00:06:27there there's been some kind of misunderstanding you see I'm not actually moving in that so yeah
00:06:35I'm not staying here like at all that's a shame you must seem quite pleased with the arrangement
00:06:39well I just don't think it's appropriate well for sure then absolutely not come on Alice
00:06:48you must stay it'll be fun my dear classmate I'm dead like mentally socially and actually dead
00:07:10just trying to figure out how exactly my life went off the rails get it together Alice Keaton
00:07:17you've been I'm sure I'd never find someone to make my head spin around
00:07:22actually no be the thing I need they all just let this is hell
00:07:26baby you saved me
00:07:29good morning
00:07:37wow
00:07:38wow
00:07:44so is that miss Keaton?
00:07:47whole thing doesn't know
00:07:48that stop's been closed for months
00:07:51she's going to be late
00:07:57okay how long is this thing gonna take maybe i'll just walk five miles to school
00:08:05okay if i sprint maybe i'll make it before first period or die of exhaustion on the way
00:08:18just trying to figure out how exactly my life went off the rails get it together alice keaton
00:08:25you've been through hell actually no this is hell
00:08:34but baby you saved me hey good morning
00:08:45wow
00:08:52so is that miss keaton one thing doesn't know that stops been closed for months she's going to be late
00:09:05okay how long is this thing gonna take maybe i'll just walk five miles to school
00:09:13okay if i sprint maybe i'll make it before first period or die of exhaustion on the way
00:09:23or die of exhaustion on the way what what are you doing here didn't you already leave
00:09:32wait did you come back for me relax i forgot my textbook don't flatter yourself wait
00:09:45since you're already here maybe you could be a decent person and give me a ride
00:09:54no seriously your car is huge
00:09:59yeah and i'm not a fan of sharing says the guy who forced me to live in his house
00:10:08that's unbelievable
00:10:19ashford institute please thank you
00:10:25who needs that entitled brat anyway sir you called the cab why don't just give miss keaton a lift
00:10:37Why not just give Miss Keaton a lift?
00:10:39And have the whole school go crazy
00:10:41She's new
00:10:43Everybody's already talking
00:10:44So you're worried about her?
00:10:46You're overthinking
00:10:48I just don't like drama
00:10:56Asshole
00:10:57Who?
00:10:59Morning, Klaus
00:11:01Back to Golding
00:11:02Remind me what he's saying through Lord of the Flies
00:11:10Mr Kenwood
00:11:11Care to share what you found so amusing?
00:11:14Not particularly
00:11:15Oh, I insist
00:11:17You seem very entertained by Golding
00:11:20I'm not entertained by Golding, sir
00:11:22On the contrary
00:11:24I think his ending is
00:11:27Weak
00:11:29Weak
00:11:29Wait
00:11:29You actually read it?
00:11:31Quiet
00:11:33That's an interesting take
00:11:35Explain
00:11:38He had the set up for something brutal
00:11:40Something honest
00:11:41But in the end
00:11:43He backed out
00:11:44He could have left the boys on the island
00:11:46Forced them to confront
00:11:47Collapsed of all morality
00:11:48Let them choose survival
00:11:50Or death
00:11:52But instead
00:11:53He gave them a rescue boat
00:11:54Slaps a happily ever after
00:11:56On a book about savagery
00:12:01It's a waste
00:12:02Don't you think?
00:12:03I'm delightfully surprised, Charles
00:12:05Didn't think you had such strong literary opinions
00:12:09I'm always a model student, sir
00:12:10Let's not get ahead of ourselves
00:12:14So
00:12:15A critique of Golding's mercy
00:12:17Anyone disagree?
00:12:34I think Golding knew exactly what he was doing by ending the book that way
00:12:38It's not mercy
00:12:39It's irony
00:12:40How so?
00:12:44The rescue isn't a happy ending
00:12:46You don't just walk back into society and forget you're a monster
00:12:49Golding didn't save them
00:12:51He left us with the discomfort of pretending they could be saved
00:12:53That's an interesting take, Miss Keaton
00:12:56You still think it's a harsh critique?
00:12:58In some ways
00:12:59But not harsh enough
00:13:02Yes, it's a critique of toxic masculinity
00:13:05But still, Golding sympathized with them
00:13:07And the civilized world?
00:13:10Toxic, violent
00:13:11He didn't call that out nearly as much
00:13:12So yeah, I don't think Golding pushed far enough
00:13:15But I think it's unfair to call it a happy ending
00:13:21Thank you, Miss Keaton
00:13:22Well said
00:13:24Anyone else?
00:13:28Both opinions are valid
00:13:29Okay, that's kind of epic
00:13:31And let's not forget
00:13:32Golding faced major backlash when he first published the book
00:13:35Good literature will always divide opinion
00:13:41What's happening to me?
00:13:48Okay, what is going on?
00:13:49Why is everyone staring at me?
00:13:51Well, you're new
00:13:53And apparently had a thing with Charles
00:13:55A what now?
00:13:56You two are in the middle of the most epic feud
00:13:59Asher's teen in years
00:14:00We're not even fighting
00:14:02Well, according to everyone
00:14:03You confessed your love on day one
00:14:05Got rejected
00:14:06Begged to sit next to him
00:14:08Got rejected again
00:14:09And today in class
00:14:11You broke down crying about not believing in happy endings
00:14:14And stormed out in tears
00:14:17You were there, Sherry
00:14:19That is not what happened
00:14:21Doesn't matter
00:14:22People believe what they want to believe
00:14:24And they want Charles to be flawless
00:14:27Untouchable
00:14:28Wow
00:14:30Is massage only like a rich kid thing
00:14:31Or just a British specialty?
00:14:33Honestly, both
00:14:34But seriously, Alice
00:14:36Some people already see you as a threat
00:14:46Okay
00:14:48Loaded
00:14:49Looks like the new girl's in for a rough first semester
00:15:06Hello?
00:15:08Hello?
00:15:08Hello?
00:15:09Hello?
00:15:10Is somebody out there?
00:15:14Oh, come on!
00:15:28Fine
00:15:28Fine
00:15:29Fine
00:15:42Seriously?
00:15:46Oh, shit
00:15:51What the hell?
00:15:54Anne
00:15:55Anne
00:15:55I thought you were having dinner with Alice
00:15:57She hasn't come home
00:15:58Her phone is off
00:15:59Maybe you've seen her this evening?
00:16:04Yikes
00:16:04Looks like the new girl's in for a rough first semester
00:16:13Shit
00:16:14Shit
00:16:17I don't know
00:16:22I'm sorry
00:16:24But I'm trying to get room to show her
00:16:24Fine
00:16:24Okay
00:16:25Fine
00:16:26fuck
00:16:40Oh, shit
00:16:42What the hell?
00:16:47What the hell?
00:16:50Anne, I thought you were having dinner with Alice.
00:16:53She hasn't come home. Her phone is off.
00:16:55Maybe you've seen her this evening?
00:16:59Yikes.
00:17:00Looks like the new girl's in for a rough first semester.
00:17:09Shit.
00:17:14Alice! Alice!
00:17:16Mr Pelton, Charles Kenwood here.
00:17:18I was wondering if I could get the timetable for Alice Keaton.
00:17:21She hasn't come home.
00:17:22I'll have it sent over.
00:17:25Check the common room in the library. I'll take the rest.
00:17:30Alice!
00:17:44Come on, Alice.
00:17:46Close your eyes and jump.
00:17:48It's fine.
00:17:50You're fine.
00:18:24What...
00:18:25What are you doing here?
00:18:29Can you get off me first?
00:18:40You're welcome.
00:18:42I didn't say thank you.
00:18:44I figured saving your life might have made me basic manners.
00:18:46Someone just dumped swamp water on me.
00:18:49Excuse me if I'm not feeling very polite.
00:18:51You smell like a biology experiment.
00:18:53Wow.
00:18:55You should try falling out of a window into someone's arms and getting insulted for it.
00:18:59I wouldn't recommend it. You're heavier than you look.
00:19:03I hope you pull your shoulder.
00:19:10Are you okay?
00:19:12No.
00:19:13But I will be.
00:19:15Someone did this on purpose.
00:19:17What do you think, golden boy?
00:19:20Don't worry, I can handle it.
00:19:21You shouldn't have to.
00:19:25I'm...
00:19:26sorry.
00:19:38Did you just apologize to me?
00:19:42Don't get used to it.
00:19:42I wouldn't dream of it.
00:19:46Alice?
00:19:48Over here.
00:19:49Oh my god.
00:19:51You okay?
00:19:54Why are you drenched?
00:19:56Yeah, I just...
00:19:57took a weird shower.
00:19:59Top exploded.
00:20:02Come on.
00:20:03Let's go you home.
00:20:14Alice Keaton, right?
00:20:17I heard you stay to the whole thing for attention.
00:20:42I know how this place works.
00:20:44If you don't do anything about it, it's only going to get worse.
00:20:49I'll look into it.
00:20:51Charles.
00:20:54Good on you.
00:20:55How many here would speak up?
00:21:01I can't believe someone actually locked you in.
00:21:03That's insane.
00:21:04Where the hell was the school when this was happening?
00:21:07Busy protecting their golden boys and trust funds.
00:21:10Well, for what it's worth,
00:21:11I heard Charles looked pretty freaked out when he ran out last night.
00:21:16Please, he just didn't want a lawsuit.
00:21:34Being a scholarship student has its perks.
00:21:37Like saving a fortune on tuition and getting into schools that normally wouldn't even let you pass the gates.
00:21:45Hey, we miss you in Paris.
00:21:48Though there are enough Americans to remind us of you.
00:21:50But sometimes, being here means standing behind.
00:21:54And watching Ashford Elites go on a two-week enrichment program you can never afford.
00:22:00Have fun.
00:22:02Bring me something overpriced and unnecessary.
00:22:09The trip cost 20 grand in pounds,
00:22:12which translates to mom's salary for half a year.
00:22:15So, yeah, I didn't go.
00:22:38Being a scholarship student has its perks.
00:22:41Like saving a fortune on tuition
00:22:44and getting into schools that normally wouldn't even let you pass the gates.
00:22:49Hey, we miss you in Paris.
00:22:52Though there are enough Americans to remind us of you.
00:22:55But sometimes, being here means standing behind.
00:22:58And watching Ashford Elites go on a two-week enrichment program you can never afford.
00:23:05Have fun.
00:23:06Bring me something overpriced and unnecessary.
00:23:14The trip cost 20 grand in pounds,
00:23:16which translates to mom's salary for half a year.
00:23:19So, yeah, I didn't go.
00:23:42Uh, what are you doing here?
00:23:44Do you not believe in shirts?
00:23:45Do you not believe in dignity?
00:23:47It's comfortable.
00:23:48You look like a rejected Ewok.
00:23:51This, this is not even your kitchen.
00:23:53And this is not even your house.
00:23:55And yet, you're here, dressed like this.
00:23:58Just don't look.
00:23:59Go away.
00:24:00Hard not to, when you're walking around dressed like that.
00:24:03What do you guys call it?
00:24:05Um, buzzkill?
00:24:07Cockblock.
00:24:09You're insufferable.
00:24:10You're the one cosplaying at breakfast.
00:24:12You know what?
00:24:13I don't get it.
00:24:13Why didn't you go on that tour?
00:24:14I thought rich people live for that kind of thing.
00:24:17Why do you think?
00:24:23Where would I go?
00:24:25I could practically recite the itinerary in my sleep.
00:24:29Florence, walk in the great footsteps of Dante, Michelangelo, da Vinci, and Titian.
00:24:34Or Titian, if you want to sound extra pretentious.
00:24:39Then Venice, because everybody loves a good canal and gets lost in the most confusing city
00:24:43on earth.
00:24:45Next stop, Napoli.
00:24:46Marvel at Pompeii.
00:24:48Pretend you're shocked.
00:24:49Ancient people had plumbing.
00:24:51The final stop, Harry.
00:24:53The ultimate city of romance.
00:24:56And, naturally, Woody Allen's favourite city outside of New York.
00:25:04That's word for word.
00:25:06I told you.
00:25:07I've done this tour so many times I could run it.
00:25:10Okay, but still, it's Europe.
00:25:11Most people would kill for that chance.
00:25:13Most people haven't had their phones stolen in Paris.
00:25:16Twice.
00:25:18Also, I hate the accommodations.
00:25:20Aren't they all five-star hotels?
00:25:22Standard rooms in five-star hotels.
00:25:25No thank you.
00:25:27Wow.
00:25:28Some were born in Rome, huh?
00:25:30That's unfortunate.
00:25:31It's a very chaotic city.
00:25:33One word of advice?
00:25:34Shut up.
00:25:34It's two words.
00:25:37You're weird.
00:25:38You're loud.
00:25:39You're annoying.
00:25:40You're in my kitchen.
00:25:41You have three other kitchens.
00:25:42And I prefer this one.
00:25:44Just for today.
00:25:45Come back when you've got a shirt on.
00:25:47Come back with normal clothes on.
00:25:48You didn't have to come.
00:25:49Don't tell me what I have to do.
00:25:52Don't tell me what I have to do.
00:25:59Master Charles, roads are flooded.
00:26:01Staff won't make it tonight.
00:26:02Will you be alright sorting dinner?
00:26:07I've got it sorted.
00:26:20Jesus, what are you doing?
00:26:22Relax.
00:26:25I'm here to make a deal.
00:26:26What deal?
00:26:27You nearly gave me a heart attack.
00:26:33You'll survive.
00:26:34I'm not selling my body.
00:26:40I'm not selling my body.
00:26:46Wow.
00:26:47I am deeply offended.
00:26:50That thought disgusts me.
00:26:52Then what are you doing?
00:26:53The staff's off tonight.
00:26:55I'm buying dinner.
00:26:59Did you seriously think I'd spend a hundred pounds on...
00:27:01No, I'm...
00:27:03Jesus.
00:27:04Wait.
00:27:05You think I'm not worth one hundred pounds?
00:27:09I'm not spending one hundred pounds to snort you back up.
00:27:12You know what?
00:27:13Dinner's cancelled.
00:27:17Are you sure about that?
00:27:20I present to you.
00:27:22Meatball spaghetti, stir-fried veggies, and french fries.
00:27:25You're welcome.
00:27:26Interesting combo.
00:27:28Well, I know we're not in Italy or France, but this will do.
00:27:32It's...
00:27:33good.
00:27:40Was that a compliment?
00:27:42Although, I am obliged to inform you.
00:27:45Meatball spaghetti isn't Italian.
00:27:47It's American.
00:27:48And french fries, likely born in South America.
00:27:51You should read more.
00:27:54Put it down.
00:27:56I paid for it.
00:27:57You really just have to win every argument, don't you?
00:27:59To be fair, you make it very easy.
00:28:03It's only easy because it costs you a hundred pounds.
00:28:06You know, if you'd ask for more, I probably would have given it to you.
00:28:09I'll make sure that.
00:28:24Hey, Alice, it's fine.
00:28:27You're fine.
00:28:32You're fine.
00:28:34911, look for your emergency.
00:28:41Was that a compliment?
00:28:43Although, I am obliged to inform you.
00:28:46Meatball spaghetti isn't Italian.
00:28:48It's American.
00:28:49And french fries, likely born in South America.
00:28:52You should read more.
00:28:55Put it down.
00:28:57I paid for it.
00:28:58You really just have to win every argument, don't you?
00:29:00To be fair, you make it very easy.
00:29:05It's only easy because it costs you a hundred pounds.
00:29:08You know, if you'd ask for more, I probably would have given it to you.
00:29:10I'll make sure that it's fine.
00:29:26Okay, Alice.
00:29:27It's fine.
00:29:28You're fine.
00:29:29You're fine.
00:29:36911, what's for your emergency?
00:29:42911, what's for your emergency?
00:29:44It's my dad.
00:29:45He needs help.
00:29:46He just had a stroke.
00:29:47Okay, miss.
00:29:48The hurricane's called for traffic shutdown.
00:29:49We'll get to you as soon as we can.
00:29:51Please, he's not well.
00:29:52I understand.
00:29:53Can you confirm your address?
00:29:57Dad, yes, I'm right here.
00:29:59Hi.
00:30:01My daughter.
00:30:02Please stay with me, Dad.
00:30:04Please.
00:30:08No.
00:30:10Please wake up.
00:30:16Dad, please.
00:30:17Please don't leave me.
00:30:20Please.
00:30:51What are you doing here?
00:30:56You were crying.
00:30:59Loudly.
00:31:01Kind of hard to ignore.
00:31:03Right.
00:31:04Sorry for the night.
00:31:06Wait.
00:31:07You know Snarky come back?
00:31:09Not tonight.
00:31:10I'm too tired.
00:31:11If you're here to argue, knock yourself out.
00:31:15You were calling for your dad, right?
00:31:18A hurricane hit New York.
00:31:21Power went down.
00:31:23Traffic froze.
00:31:25Dad had a stroke.
00:31:26But he couldn't get help in time.
00:31:30I sat there with a candle.
00:31:34While he laid there.
00:31:37Peaceful.
00:31:39But he was asleep.
00:31:41But he wasn't.
00:31:46So that's why you and your mum moved here?
00:31:49This used to be our hometown.
00:31:52After Dad left,
00:31:55we had nowhere else to go.
00:32:01What are you doing?
00:32:07Come on.
00:32:08Come on.
00:32:10Come on.
00:32:10Come on.
00:32:11Come on.
00:32:12Come on.
00:32:12Come on.
00:32:13Come on.
00:32:22Wait.
00:32:24I thought the power was out.
00:32:26It is.
00:32:27We have our own generator.
00:32:28Wow.
00:32:29Rich people houses her.
00:32:31Just for tonight,
00:32:33I'll allow it.
00:32:35Allow what?
00:32:37You can call this place your house.
00:32:39So enjoy it.
00:32:40Stephen King's first edition.
00:32:41Alan Gisberg's handwritten letters.
00:32:44Jane Austen's notes.
00:32:46All yours.
00:32:50This is your home.
00:32:54Alice Keaton.
00:32:59Careful.
00:33:01Almost sounded sweet.
00:33:03Don't push it.
00:33:04Okay then.
00:33:07I have one request.
00:33:13What is it?
00:33:21Are you ever going to make a move?
00:33:23Wait.
00:33:23Give me a second.
00:33:25I'm thinking.
00:33:26You had one wish.
00:33:28Anything in the world.
00:33:30And in the middle of a thunderstorm,
00:33:32inside a literal mansion,
00:33:34you chose chess.
00:33:36Yeah.
00:33:37Got a problem?
00:33:38It's just so cool.
00:33:39Like, spies or genius villains in movies.
00:33:42It's literally a board game.
00:33:44Says the guy who owns a custom set.
00:33:47Wait.
00:33:48Does the knight go diagonally?
00:33:50For the tenth time,
00:33:51it moves in an L shape.
00:33:54One,
00:33:55two,
00:33:56then turn.
00:33:58There.
00:33:59Happy?
00:34:00Exciting.
00:34:03You know,
00:34:04that's a suicide.
00:34:05Or a brilliant long-term sacrifice.
00:34:07You are playing checkers at a chessboard.
00:34:09Still beating you in sarcasm.
00:34:11You literally haven't won any past arguments.
00:34:13Golding disagrees.
00:34:14It's going to be a long night.
00:34:16Oh my,
00:34:17no.
00:34:18Why?
00:34:18What's going on with that?
00:34:18You can't do that.
00:34:20Can I do that?
00:34:21Can I not do that?
00:34:22Can I not do that?
00:34:22Oh my God.
00:34:23You had to shop a trip and about it all wrong.
00:34:26Had to pull you in close as we're locked on your phone.
00:34:30All yourself work as I'm moving on.
00:34:33Oh, you're showing up at my door.
00:34:38Holding your heart there inside your hands.
00:34:42Maybe he's not so awful after all.
00:34:52Um,
00:34:53who are you?
00:34:59What are you doing here?
00:35:00Well,
00:35:00your parents said you were still at home.
00:35:02Thank God you skipped that boring grand tour.
00:35:05Who needs Italy and France again,
00:35:06right?
00:35:07When did you get back?
00:35:09Last night.
00:35:09From Zurich.
00:35:10You didn't answer my messages.
00:35:14I missed you.
00:35:15Anyway,
00:35:16thought I'd come surprise you.
00:35:18Apparently,
00:35:18I'm transferring to Ashford.
00:35:21Your parents were so thrilled.
00:35:22They didn't tell me about this.
00:35:24I wanted to deliver the happy news myself.
00:35:26They said it'd be lovely for us to
00:35:28reconnect.
00:35:29You know,
00:35:30considering the engagement
00:35:32and all.
00:35:33Engagement.
00:35:41I didn't agree to that.
00:35:43I didn't agree to that.
00:35:43You didn't have to.
00:35:44It's never up to us.
00:35:46Where did you find this little toy?
00:35:49Serena?
00:35:50I can hear you, you know.
00:35:52Oh,
00:35:52an American.
00:35:55How refreshing.
00:35:59Goodbye.
00:36:01Wait.
00:36:16What are you doing here?
00:36:17Well,
00:36:18your parents said you were still at home.
00:36:19Thank God you skipped that boring grand tour.
00:36:22Who needs Italy and France again,
00:36:24right?
00:36:24When did you get back?
00:36:26Last night.
00:36:27From Zurich.
00:36:27You didn't answer my messages.
00:36:31I missed you.
00:36:32Anyway,
00:36:33thought I'd come surprise you.
00:36:35Apparently,
00:36:35I'm transferring to Ashford.
00:36:38Your parents were so thrilled.
00:36:39They didn't tell me about this.
00:36:41I wanted to deliver the happy news myself.
00:36:43They said it'd be lovely for us to
00:36:45reconnect.
00:36:46You know,
00:36:47considering the engagement
00:36:49and all.
00:36:50Engagement.
00:36:52Oh,
00:36:53did no one tell you?
00:36:55He's promised.
00:36:57Old money stuff.
00:36:58Very retro.
00:36:59I didn't agree to that.
00:37:00You didn't have to.
00:37:01It's never up to us.
00:37:04Where did you find this little
00:37:05toy?
00:37:06Serena?
00:37:07I didn't hear you, you know.
00:37:08Oh,
00:37:09an American.
00:37:11How...
00:37:12refreshing.
00:37:16Goodbye.
00:37:18Wait.
00:37:34Where are you going?
00:37:35You still owe me breakfast.
00:37:37You only paid for dinner.
00:37:39I had homework.
00:37:41Goodbye.
00:37:44Your little toy has quite the temper.
00:37:46Serena, can you please just stop?
00:37:48What?
00:37:49Teasing the help?
00:37:56That's her.
00:37:57That's the one from Kenwood's house.
00:38:00Was she like the maid or something?
00:38:17Oh my god, what's wrong with people?
00:38:20They're saying you live with Charles.
00:38:22Oh and Serena.
00:38:23What about her?
00:38:24Well apparently she told everyone you were caught sneaking into his room.
00:38:28Of course she did.
00:38:42Careful Alice, you're starting to look desperate.
00:38:56Yeah.
00:38:56Can you help me?
00:38:57What's that?
00:38:57I know it's...
00:38:581066.
00:39:00Come to the music room.
00:39:01Urgent.
00:39:02Uh...
00:39:02I just remembered I need to check something.
00:39:04You guys go ahead.
00:39:06Yeah, okay.
00:39:12Hello! Is someone there?
00:39:15Seriously!
00:39:16This is getting old!
00:39:29Wait.
00:39:31Music room? What?
00:39:34James?
00:39:35Is anybody in here earlier?
00:39:37Just Miss Serena.
00:39:38Said she was waiting for you.
00:39:41Sir?
00:39:43Sir, it's raining!
00:39:54Come on, Alice. You're fine.
00:39:58You're not that girl again.
00:40:06Wait, can you remind me one more time?
00:40:09Okay.
00:40:10Rooks move in straight lines.
00:40:12Yeah.
00:40:13Bishops move diagonally.
00:40:15And knights...
00:40:16The knight's the weird one.
00:40:22Rooks.
00:40:24Straight lines.
00:40:26Bishops.
00:40:28Diagonally.
00:40:29Hello?
00:40:49The text.
00:40:51Are you okay?
00:40:52Are you hurt?
00:40:54I...
00:40:54I'm okay.
00:40:55I saw the text and I thought...
00:40:58I... I didn't see the message.
00:41:00Serena took my phone.
00:41:01I... I didn't know.
00:41:02I'm sorry.
00:41:03I'm...
00:41:03Okay.
00:41:05You're gonna catch a cold.
00:41:07You're freezing.
00:41:08You didn't have to come.
00:41:11Don't tell me what I have to do.
00:41:14Give me hope that feels like hope...
00:41:36That wasn't a mistake.
00:41:38If that's what you're about to say.
00:41:40I...
00:41:42Wasn't going to.
00:41:54I'm really bad at this, you know.
00:41:58What? Kissing?
00:41:59Hiding feelings.
00:42:00No, I...
00:42:11Don't tell me what you want to do.
00:42:12Don't tell me how to do.
00:42:17Don't tell me how to do.
00:42:22Dump those Ewok pyjamas.
00:42:24Oh, you wish.
00:42:27Seriously.
00:42:28It's a cock block.
00:42:30You kissed me.
00:42:33That's basically consent to everything.
00:42:41Dangerous words, Keaton.
00:42:42I might hold you to that.
00:43:08That wasn't a mistake.
00:43:09If that's what you're about to say.
00:43:12I...
00:43:13Wasn't going to.
00:43:25I'm really bad at this, you know.
00:43:29What? Kissing?
00:43:30Hiding feelings.
00:43:31All right, but I...
00:43:53Dump those Ewok pyjamas.
00:43:56Oh, you wish.
00:43:59Seriously.
00:44:00It's a cock block.
00:44:02You kissed me.
00:44:04That's basically consent to everything.
00:44:12Dangerous words, Keaton.
00:44:14I might hold you to that.
00:44:25You'll be working in pairs on your comparative essays.
00:44:28The list is on the board.
00:44:31One, two, three, four.
00:44:34Paper planes
00:44:36Are you okay?
00:44:37Fly me to outer space
00:44:42That's where I'll see your face
00:44:46And have you with me
00:44:57You're distracting.
00:45:07You're welcome.
00:45:10They're either enemies or secretly married.
00:45:14Honestly?
00:45:16Both.
00:45:19I was sure I'd never find someone
00:45:21To make my head spin around
00:45:23No one's ever gonna be the thing I need
00:45:25They all just let me down
00:45:27But baby, you saved me
00:45:31Time brand new
00:45:33Everything's so different now
00:45:37So...
00:45:38The night goes in an L shape, right?
00:45:40Why is that the only one you remember?
00:45:43Because it's weird
00:45:45And I like weird
00:45:54It's weird
00:45:54Check!
00:46:00You're cheating
00:46:01I'm winning
00:46:02There's a difference
00:46:04You are very distracting
00:46:06And you like it
00:46:08I will be the falling young day
00:46:11I'll be the night of the darkest days
00:46:16I'll hold you in my arms
00:46:18Charles!
00:46:19We need to talk
00:46:28I expected poor judgement
00:46:30But this in my house?
00:46:33It isn't what it looks like
00:46:34No?
00:46:35Kissing a servant's daughter in the family library
00:46:39Enlighten me then, Charles
00:46:40We came back tonight after speaking with Serena
00:46:43Imagine our surprise walking in on this
00:46:47She isn't just...
00:46:49You have no right to barge in
00:46:51On my property
00:46:55I care about her
00:46:57I'm not ashamed of her
00:46:58That's enough!
00:47:01Why do you care?
00:47:03We're protecting our son's future
00:47:06And our name
00:47:07You think this protects me?
00:47:09We think she does not belong in your world
00:47:15Then maybe I don't either
00:47:19You're ready to give up everything
00:47:21For a girl you barely know?
00:47:25Yes
00:47:27Then...
00:47:28Are you sure...
00:47:30She's ready?
00:47:36I'm asking you
00:47:37Do you think she's ready?
00:47:39To lose everything
00:47:40Regardless of how little that is
00:47:42Just to be with you?
00:47:44What are you talking about?
00:47:46You left us no choice son
00:47:47You shouldn't disobey your father
00:47:52Pelton
00:47:53It's Frederick Kenwood
00:47:54Ah, Mr Kenwood
00:47:56How can I help?
00:47:57If a scholarship student
00:47:59Were to violate our behavioural code
00:48:02In a public setting
00:48:03With photographic evidence
00:48:05Would that warrant a review?
00:48:07Yes sir
00:48:11So...
00:48:12Answer me again
00:48:13Do you think she's ready to lose everything
00:48:17Just to be with you?
00:48:28Charles
00:48:29Charles
00:48:29What happened?
00:48:30Did your parents say something?
00:48:31Are they mad?
00:48:32Is everything okay?
00:48:34Pack your things
00:48:36You can't stay here anymore
00:48:38What?
00:48:41My parents fired your mother
00:48:42She's leaving
00:48:44So are you
00:48:44Wait, why?
00:48:46Is it because of us?
00:48:48We can fix this
00:48:49I'll get a job
00:48:49Anything
00:48:50Stop, stop it
00:48:50You don't get it
00:48:52If I don't walk away from this
00:48:53They'll cut me off
00:48:55Okay?
00:48:56No card
00:48:57No trust
00:48:58No support
00:49:00Nothing
00:49:02Then...
00:49:02Then we'll figure it out
00:49:04We don't need all that
00:49:05Do you really think I'm going to live like that?
00:49:11So that's what this was?
00:49:13Just fun until it got inconvenient
00:49:17What did they promise you?
00:49:22Nothing
00:49:25They just reminded me of what's real
00:49:31Charles, I'm not stupid
00:49:33You don't just turn into a cold stranger because of one conversation
00:49:36What did they threaten you with?
00:49:43What did they threaten you with?
00:49:45This is the difference between me and you
00:49:47What?
00:49:48You think you know me
00:49:50Or what I have
00:49:51You don't, Alice
00:49:54You're still lying
00:49:55I'm not, Alice
00:49:56Look around you
00:49:58This mansion you thought was a museum
00:50:00It's my house
00:50:03My world
00:50:04I was bored into this
00:50:07I am not choosing
00:50:08Between this
00:50:11And something I picked up for a moment of fun
00:50:17Don't do this, Charles
00:50:18You don't mean it
00:50:20It was fun
00:50:21But you
00:50:24You don't compare to what I own
00:50:27I'll survive the loss
00:50:31Right
00:50:34I should have known
00:50:37Guys like you don't end up with girls like me
00:50:42You play with them, then you throw them away
00:50:46Go to sleep, Alice
00:50:47You jailish
00:50:48And we are suffering
00:50:54This fall is a little more than I expected
00:51:04In so deep I can barely see myself
00:51:10Yeah, around me feels so heavy but depleted
00:51:17But I find that's the place to test myself
00:51:29Oops
00:51:46Oh, sorry, didn't see that
00:51:49Then again, nobody does
00:51:51Move, please
00:51:53Hmm, try begging
00:52:01You know what, keep it
00:52:07Poor thing, so dramatic
00:52:11Don't
00:52:12Excuse me
00:52:13I warned you, walk away Serena
00:52:37Last week's group assignments were mostly forgettable
00:52:40But one pair surprised me, in a good way
00:52:44Charles Kenwood and Alice Keating
00:52:47Would you mind giving us a short summary?
00:52:50She loves the sound of her own voice
00:52:52Better have it
00:53:00Our essay explored what happens when two fundamentally different voices meet
00:53:05Like logic and chaos, or silence and noise
00:53:09Different worlds, different rules
00:53:14At first glance, they clash
00:53:16But what makes the story interesting is what happens next
00:53:20Confusion, curiosity
00:53:23But in the end, some stories aren't about staying
00:53:26And yes, there is no such thing as a happy ending
00:53:38And yes, there is no such thing as a happy ending
00:53:42Is she still talking about the essay?
00:53:47Miss Keaton
00:53:50Dramatic as always
00:53:51All right, thank you Alice
00:53:53That was
00:53:55Laid
00:53:57Are you okay?
00:53:58A reminder
00:53:59That good literature
00:54:01Always stirs something
00:54:05Hello?
00:54:06Hi, this is Alice Keaton
00:54:07This is Whitmore Press
00:54:08We've been following your work
00:54:10We'd like to offer you a long-term publishing contract
00:54:12Name your price
00:54:13We'll, we'll make it work
00:54:14Sorry, what?
00:54:19That's
00:54:20Kind of
00:54:21Insane
00:54:22Who's behind this?
00:54:23Your sponsor wishes to remain anonymous
00:54:25Can
00:54:27Can I meet them?
00:54:30I want to
00:54:31Please
00:54:32Or at least tell me a name
00:54:37Sorry, they wish to stay in office
00:54:39So they're only interested in work
00:54:41Not the person
00:54:41I'd really like to meet them
00:54:43I'm sorry, Miss Keaton
00:54:44They were very good
00:54:45I think the most jealous of
00:54:46We've ever given an interview right now
00:54:49I see
00:54:49Congratulations again
00:54:55You got the interview
00:54:56It's just an interview
00:54:57I haven't gotten in yet
00:54:58Still
00:54:59Alice Keaton at Oxford
00:55:01That's iconic
00:55:11You okay?
00:55:13Yeah
00:55:14I'm so excited
00:55:28It's done, Mr. Kenwood
00:55:29Miss Keaton signed the contract
00:55:33Good
00:55:34It's a generous deal
00:55:35You sure you don't want it to know?
00:55:38No
00:55:39No, it's better if I stay out of her life
00:55:51Congratulations, Alice Keaton
00:55:54Go live the life you were always meant to
00:56:01Your engagement and announcement
00:56:03Should align perfectly with the Foundation Gala
00:56:06And the Browns already offered to host the London reception
00:56:11It's all coming together beautifully
00:56:16I've lost my appetite
00:56:21I'll go check on him
00:56:28What's your problem, Charles?
00:56:33Disengagement
00:56:35It's not happening
00:56:36It's not up to you
00:56:37You know that
00:56:37Serena, we're not doing this
00:56:41You've changed
00:56:45Or maybe I finally just stopped pretending
00:57:14Tulls!
00:57:15You're the sponsor
00:57:17You've been funding Alice Keaton this whole time
00:57:22So?
00:57:23You lied to everyone
00:57:25Including her
00:57:26I protected her
00:57:30You loved her
00:57:32Still do
00:57:35Let it go, Serena
00:57:38There's no point
00:57:48I need a favour
00:57:49Find out when the Oxford interview is
00:57:52And make sure Alice Keaton won't show up
00:57:59Anything with Lyra?
00:58:02She's not answering
00:58:03The interview's almost over
00:58:05Well, she won't just not show up
00:58:07Something's wrong
00:58:09Where's Alice?
00:58:11When was the last time you heard from her?
00:58:13Last night
00:58:14She said she was prepping all evening
00:58:20James, track someone for me
00:58:23Wait, where are you going?
00:58:29Hey
00:58:31No!
00:58:32No!
00:58:32Chill, okay?
00:58:33It won't hurt you
00:58:34Yeah, you're just supposed to keep you away from the interview
00:58:38That's it
00:58:38No!
00:58:43No!
00:58:46No!
00:58:47No!
00:58:47No!
00:58:47Come back!
00:58:48No!
00:58:50No!
00:58:50No!
00:58:50No!
00:58:51No!
00:58:52No!
00:58:55No!
00:58:56No!
00:58:57No!
00:58:58No!
00:58:59No!
00:59:00No!
00:59:17No!poquets
00:59:20You need a second guess
00:59:25Hey, hey, hey, Alice, Alice
00:59:28Alice, hey, hey, stay with me
00:59:29Stay with me, Alice
00:59:38You're awake?
00:59:40Where, where am I?
00:59:42A local clinic. Passer-by brought you in
00:59:45Passer-by?
00:59:47He found you on the side of the road
00:59:49He had to leave, he didn't leave a name
00:59:52Oh
00:59:55The interview, what time is it?
00:59:57Easy, it's okay
00:59:58Someone already contacted the university
01:00:00And sent in your writing samples
01:00:03They've rescheduled your interview for tomorrow
01:00:05Wait, what, who?
01:00:06No idea, but it's all taken care of
01:00:12What did you say?
01:00:13Nothing
01:00:15I just
01:00:17Had a dream
01:00:24Did you?
01:00:28I got him!
01:00:32Oh, I knew it!
01:00:35Too bad Charles isn't here to watch you crush it
01:00:38He's not here
01:00:40Oh, you didn't know
01:00:42Know what?
01:00:44He left
01:00:45A few days ago, yeah, everyone doesn't really know where he went
01:00:48Honestly, Ashford's been quieter without him
01:00:51It's probably for the best, come on
01:00:53Oh
01:00:59Alice
01:01:03The summer I met Charles Kenwood was loud
01:01:07Chaotic
01:01:08Unexpected
01:01:11And with his absence
01:01:13Come on
01:01:15It ended quietly
01:01:17It ended quietly
01:01:19Like summers always do
01:01:21It's something from a fantasy
01:01:22Did you feel it from across the room?
01:01:27Did you feel a little enchanted
01:01:30You
01:01:33And joining us today
01:01:35The Dake's most unexpected literary phenomenon
01:01:38Alice Keaton
01:01:39Thank you for having me
01:01:41No, your words moved millions
01:01:43They say your stories feel real
01:01:47Especially the ones about love
01:01:48Thank you
01:01:49Which brings us to the most obvious question
01:01:52How's your dating life like these days?
01:01:54No comment
01:01:55A little bird told me that the past four years
01:01:58Has been just writing and working
01:02:00Not even a single date
01:02:02Let me guess a bird named Sherry
01:02:03She caught me
01:02:04Still no comment
01:02:06All right, all right
01:02:07No matter what you say
01:02:08You write love like someone who's lived it
01:02:12If you're so real
01:02:14Because once I did
01:02:15With someone who felt like chaos and clarity
01:02:18And no one ever quite matched the light after that
01:02:22And let's give it up for Alice Keaton one more time
01:02:36Congratulations Alice
01:02:37The numbers just came in
01:02:39You broke your own record
01:02:42That's incredible
01:02:44We're thinking celebration, press, photos, maybe tonight
01:02:47Actually, there's something I'd rather do
01:02:52I'd like to meet with the person who believed in me first
01:02:56My sponsor
01:02:57You're sure?
01:02:59Yeah
01:02:59Just once
01:03:01Tonight, 7pm
01:03:14Good evening
01:03:18And joining us today
01:03:20The decade's most unexpected literary phenomenon, Alice Keaton
01:03:25Thank you for having me
01:03:26No, your words moved millions
01:03:29They say your stories feel real
01:03:32Especially the ones about love
01:03:34Thank you
01:03:34Which brings us to the most obvious question
01:03:37How's your dating life like these days?
01:03:40No comment
01:03:41A little bird told me that the past four years has been just writing and working
01:03:46Not even a single date
01:03:47Let me guess a bird named Sherry
01:03:49She caught me
01:03:50Still no comment
01:03:51Alright, alright
01:03:52No matter what you say
01:03:54You write love like someone who's lived it
01:03:58If you're so real
01:03:59Because once I did
01:04:01That's why today we're here sharing the story behind Alice Keaton's love
01:04:06No one ever quite matched the light after that
01:04:08And let's give it up for Alice Keaton one more time
01:04:22Congratulations Alice
01:04:23The numbers just came in
01:04:24You broke your own record
01:04:28That's incredible
01:04:29We're thinking celebration, press, photos, maybe tonight
01:04:33Actually
01:04:34There's something I'd rather do
01:04:38I'd like to meet with the person who believed in me first
01:04:42My sponsor
01:04:43You're sure?
01:04:44Yeah
01:04:44Just once
01:04:47Tonight
01:04:487pm
01:04:59Good evening
01:05:07May I sit?
01:05:12Hey Mr. Nonchalant
01:05:17Hi
01:05:19Hi
01:05:20Hi
01:05:22You look well
01:05:25And you look like you just stepped out of a GQ cover
01:05:29You always did
01:05:31You were expecting someone else
01:05:33I was
01:05:36Hoping
01:05:38But I guess I always knew
01:05:40I didn't come here to confuse you
01:05:42Or to reopen anything
01:05:46I just wanted to say congratulations
01:05:49Oh
01:05:50Thank you
01:05:53I didn't know you're still reading
01:05:55You're rich enough not to do so
01:05:59Always
01:06:00Either way
01:06:01Your sponsorship started my career
01:06:04So
01:06:04No
01:06:05No
01:06:06You've earned everything
01:06:10Every word
01:06:11Every page
01:06:14Every reader
01:06:16That's what I came to say
01:06:22It was good to see you again
01:06:23I hope
01:06:24Charles
01:06:26Can you just
01:06:29Wait a little longer
01:06:37I think I knew it was you
01:06:38I think I knew it was you
01:06:40There was one email
01:06:42You said something
01:06:44Felt familiar
01:06:45Really?
01:06:46Kinda had that
01:06:47Rich asshole with a conscience energy
01:06:50Very on brand
01:06:52I should have anonymized my grammar
01:06:54No, too late
01:06:54Your semicolon usage gave you away
01:06:57Still the only girl I know
01:06:59Who flirts through punctuation
01:07:00Still the only guy I know
01:07:02Who uses wilds unironically
01:07:06You've changed
01:07:08But
01:07:10Not really
01:07:12You haven't changed
01:07:15But
01:07:15Maybe you've grown into who you really were
01:07:20Anyway
01:07:21I wanted to say
01:07:23Thank you
01:07:25And
01:07:27Thanks for being here tonight
01:07:29You didn't have to come
01:07:31Don't tell me what I have to do
01:07:33You didn't have to come
01:07:38Don't tell me
01:07:39What I have to do
01:07:46No
01:08:00If you could go back
01:08:02If you had the chance to do it all again
01:08:04Would you do anything differently?
01:08:11No
01:08:16No
01:08:21I see
01:08:25I know my answer now
01:08:26I didn't have the power back then
01:08:29Not enough to protect you
01:08:31I couldn't watch you get crushed because of me
01:08:34Because of my name
01:08:36My family
01:08:38I didn't want to be the reason you lost everything
01:08:41So you just disappeared
01:08:43Without a word
01:08:47If you had the chance to see the world
01:08:49Without me weighing you down
01:08:52If you still chose me after that
01:08:57You keep saying you wanted to give me a choice
01:09:01But you made a choice for me
01:09:05Did it ever cross your mind that maybe
01:09:09I would have chosen you anyway?
01:09:16I didn't think I was the smart choice
01:09:19You weren't
01:09:22But I never claimed to be that smart
01:09:33This is me
01:09:35Right
01:09:43I'm still mad at you, you know
01:09:47I'm still in love with you, you know
01:09:56Do you want to come in for a bit?
01:10:00You're asking your ex
01:10:02Who you haven't seen in four years
01:10:04To come into your hotel
01:10:06At approximately 11pm
01:10:10You were right
01:10:11You never were that smart
01:10:13You don't have to come
01:10:15Don't tell me what I have to do
01:10:18It's almost like you say
01:10:22Where's things going to go?
01:10:31Stop quoting yourself
01:10:33I recycle
01:10:33It saves energy
01:10:36This feels wildly irresponsible
01:10:38You sound like a disclaimer
01:10:39You're the one who once called romance a distraction
01:10:42I said that?
01:10:43Yeah, before calling Wuthering Heights overrated
01:10:46Still is
01:10:48You're lucky you're a good kisser
01:10:53That is cute to me
01:10:55Don't you dare quote poetry
01:10:57I wasn't going to
01:10:58I forgot all of it the day you left
01:11:01Then shut up
01:11:03And prove it
01:11:12Stop quoting yourself
01:11:13I recycle
01:11:14It saves energy
01:11:17This feels wildly irresponsible
01:11:19This feels wildly irresponsible
01:11:19You sound like a disclaimer
01:11:20You're the one who once called romance a distraction
01:11:23I said that?
01:11:24Yeah, before calling Wuthering Heights overrated
01:11:27Still is
01:11:29You're lucky you're a good kisser
01:11:34That is cute to me
01:11:36Don't you dare quote poetry
01:11:38I wasn't going to
01:11:39I forgot all of it the day you left
01:11:42Then shut up
01:11:44And prove it
01:11:50I still can't believe this is happening
01:11:52I told you
01:11:53They're either worst enemies
01:11:55Or secretly married
01:11:56And I told you
01:11:56They're both
01:12:19You're in my side
01:12:21In my mind
01:12:24I vow to always
01:12:25Tell you the truth
01:12:27Except for when you ask how your cooking was
01:12:29Then I lie
01:12:32Respectfully
01:12:34I vow to keep choosing you
01:12:37Loudly
01:12:38Quietly
01:12:40Always
01:12:42Even when you forget to do the laundry
01:12:46Is he actually good at this?
01:12:48I mean
01:12:48You did beat her at sarcasm
01:12:53I vow to argue with you at least twice a week
01:12:56Especially over Shakespeare
01:12:59I vow to write you into every story
01:13:01Even when I say I didn't
01:13:03You will always be a part of my life
01:13:07If she quotes Austen in this toast
01:13:08I'm out
01:13:09No you're not
01:13:10You're going to cry harder
01:13:18I swear to you
01:13:34I can't believe you picked Paris
01:13:37Such a cliché honeymoon destination
01:13:40Guard your phone
01:13:42Relax
01:13:42Just don't dress like a walking inheritance and you'll be fine.
01:13:48You are not wearing that on our honeymoon.
01:13:51Please, Alice, go change.
01:13:54Don't tell me what I have to do.
01:13:59No.
01:14:01No, no, no, no, that is not an invitation to-
01:14:03Do not take off these clothes!
01:14:05Overruled.
01:14:06You look much better without them.
01:14:13To the ones who loved in silence, in chaos, in chapters,
01:14:18you will find your way home.
01:14:25This is very good.
01:14:27No!
01:14:41Oopsie!
01:14:43My king!
01:14:47Okay!
01:14:55It's up to us to make sure that we can gain what's been passed through these books.
01:15:01Help us develop, learn, and grow.
01:15:03No matter more.
01:15:10Wow! That's fantastic!
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