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00:00:02Sous-titrage Société Radio-Canada
00:00:30Take this.
00:01:26Sous-titrage Société Radio-Canada
00:01:52Sous-titrage Société Radio-Canada
00:02:20Sous-titrage Société Radio-Canada
00:02:36Sous-titrage Société Radio-Canada
00:03:08Sous-titrage Société Radio-Canada
00:03:14Sous-titrage Société Radio-Canada
00:03:16Sous-titrage Société Radio-Canada
00:03:35Sous-titrage Société Radio-Canada
00:03:43Sous-titrage Société Radio-Canada
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00:22:57C'est une de ces radio-quiz shows, Raleigh.
00:23:00Ça fait une fortune.
00:23:01Je dis que c'est pas mal, mais je n'ai pas fait ça.
00:23:05Quelqu'un me a mis en tête derrière cette fenêtre.
00:23:07C'est le vent.
00:23:08Vous êtes sûr qu'il n'y a pas d'un six avec des coups et des coups ?
00:23:13Alors, je ne crois pas.
00:23:15Il devait m'a mis en tête.
00:23:16C'est trop difficile de sentir ça.
00:23:17Un moment, O'Dell.
00:23:19Vous étiez en train de partir du pays?
00:23:22Oui, mais il n'y a pas encore.
00:23:24Pas mal.
00:23:31Vous savez, Raleigh,
00:23:32de tous les mythes de la cinéma,
00:23:35le plus rapide est l'invincité de l'amateur detective.
00:23:43Pas mal.
00:23:45Tell Mr. MacMarray que je ne peux pas attendre.
00:23:49Non, pas mal, je peux aller.
00:23:51Oh, merci.
00:23:56Pas mal.
00:24:00Pas mal.
00:24:05Pas mal.
00:24:08...
00:24:38...
00:24:57What happened here?
00:25:00What's wrong?
00:25:02Danny, why...
00:25:04Did you...
00:25:06...
00:25:06...
00:25:07What about Danny?
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00:26:44Vous m'avez dit de cette autre femme,
00:26:46qu'il était en train de se marier.
00:26:49Je m'en ai dit que je m'aissé.
00:26:51Tu as ?
00:26:52Non, je m'en ai dit.
00:26:55Pourquoi vous m'avez dit ?
00:26:57C'est que Danny qui a mort l'année dernière.
00:26:59Il a été été dans la voiture dans la foule.
00:27:02Non !
00:27:03Non !
00:27:05Vous ne connaissez pas ?
00:27:08Je m'en suis désolé.
00:27:11Si nous viendrons maintenant ?
00:27:12Je m'en suis désolé si vous voulez.
00:27:15Je m'en suis désolé.
00:27:20Vous ne voulez pas faire quelque chose de nouveau ?
00:27:32C'est une fille.
00:27:37Je me demande si elle est très bonne.
00:27:40Vous pensez qu'elle pourrait être une fille ?
00:27:42C'est une bonne raison pour qu'elle est mort.
00:27:45C'est peut-être qu'elle est venu de l'autre pour faire une fille.
00:27:49Vous savez, elle est très vite.
00:27:53Qu'est-ce que c'est le nom de cette fille ?
00:27:55Christophe Hamden.
00:27:56Christophe Hamden.
00:28:00Je pense qu'il est en train d'être.
00:28:02Peut-être que je peux voir dans les films.
00:28:03C'est parti.
00:28:10202, take 14.
00:28:13All right, Mr. Boer.
00:28:14Action.
00:28:33Georges,
00:28:33C'est parti.
00:28:35C'est parti !
00:28:35C'est parti.
00:28:38C'est parti !
00:28:38C'est parti !
00:28:40C'est quoi ça ?
00:28:42Et je vais acheter un nouvel hat pour tous les deux heads !
00:28:46Et vous !
00:28:47Pourquoi vous allez faire une haute ?
00:28:54All right, Ed !
00:28:56C'est assez !
00:28:59Vous savez, Donna,
00:29:01parfois je pense que nous devons faire les bons scènes
00:29:03et que nous devons faire des bons scènes.
00:29:05Chris, c'est pas funny !
00:29:14Oui !
00:29:16Christopher Hampton ?
00:29:17C'est vrai !
00:29:18My name's Philip O'Dell.
00:29:20I'm a magazine writer.
00:29:21Can I talk to you for a minute ?
00:29:22Of course !
00:29:25I think I've read some of your stuff.
00:29:27Publicity, isn't it ?
00:29:29No !
00:29:29As a matter of fact, this is a bit awkward.
00:29:32Go ahead !
00:29:33Well, to tell you the truth,
00:29:34I'm checking on someone who used to work for you.
00:29:36Danny McMara.
00:29:37Well ?
00:29:41There was a girl,
00:29:42and he promised her a screen test.
00:29:47I might have guessed it when you told me it was Danny.
00:29:51The girls generally came in person.
00:29:55Quite a boy, wasn't it ?
00:29:57You know, he's dead.
00:29:58Dead ?
00:30:00No, I didn't.
00:30:02I'm sorry.
00:30:04Oh, he was a lot of trouble, but I liked him.
00:30:06I'm sorry to have to fire him.
00:30:08How did it happen ?
00:30:10He was run down in the fog.
00:30:12Was it an accident ?
00:30:14Could be.
00:30:16You're not from the police, are you ?
00:30:18No, no.
00:30:20No, I'm purely amateur.
00:30:22Where did Danny go after he left you ?
00:30:24To a radio company.
00:30:26Trivac Radio.
00:30:27Yeah.
00:30:28I know, because he wrote himself a glowing reference
00:30:30and signed it with my name.
00:30:32Many helped you ?
00:30:33No, I'm afraid not.
00:30:35Like to see the rest of the scene ?
00:30:37Well, I only take a few minutes, you might get a kick out of it.
00:30:39All right, thanks.
00:30:40The truth is, I don't know a thing about making pictures.
00:30:43I have to look at the day's work, though, to make them all think I do.
00:30:46Well, how did you get into this, missus ?
00:30:48Just for a hobby.
00:30:49I'm still a mechanic at heart.
00:30:51I took a little flyer, made one picture,
00:30:54and for some reason, don't ask me why, it made money.
00:30:56So here I am.
00:30:58A great producer.
00:31:00All right, here we go.
00:31:03Cigar ?
00:31:03No, thank you.
00:31:13Boswell here.
00:31:15Hello.
00:31:15Odell again.
00:31:18Yes, Mr. Odell.
00:31:20Something told me it was you.
00:31:21Yeah, me.
00:31:23Well, what about it ?
00:31:24How soon do I leave ?
00:31:25Well, perhaps I'd better explain about that.
00:31:28Yes, you better head.
00:31:30You know, the weather's clear now.
00:31:31Yes, so it is.
00:31:32But it seems that now, they're having a little mechanical difficulty with the plane.
00:31:39What ?
00:31:39Here, so, have to replace an engine.
00:31:41It should really take a few hours.
00:31:43Well, what kind of an airline are you running, anyway ?
00:31:45Get me a seat on another plane.
00:31:46Uh, that's impossible, sir.
00:31:48The United Nations has all seats reserved.
00:31:50What kind of crisis is on America ?
00:31:51Well, there's gonna be some sort of a crisis in your life
00:31:54if you don't get me on some sort of a plane out of London today.
00:31:57I promise you.
00:31:58There might be a possibility of some alternative route, sir.
00:32:01Would you consider that ?
00:32:02Anything, as long as it's pointing in the right direction and it's got wings.
00:32:06I'll arrange what I can, Mr. Odell.
00:32:08But it may take a bit of doing.
00:32:10You see ?
00:32:10I'll do it.
00:32:11I'll phone you back in exactly an hour.
00:32:20Oh, that's that.
00:32:22I'll have to admit defeat.
00:32:24You are my last hope.
00:32:26I'm sorry, I can't help you more.
00:32:27But I told you I hardly knew Danny McMahon.
00:32:30He was just a customer here.
00:32:32A little more regular than some.
00:32:34And a little more persistent.
00:32:43Well, if I'm still here, do you mind if I drop around once in a while ?
00:32:46I'd like you to.
00:32:48Strictly business, of course.
00:32:50Of course.
00:32:51Well, excuse me.
00:33:00What are you doing here ?
00:33:05I need hardly ask the same of you.
00:33:08Found any new clues ?
00:33:14Now look, I've done the best I could.
00:33:16It's not my fault we only find blind alleys.
00:33:19No, Pat.
00:33:28Look, why don't you give it all up ?
00:33:30You'll only drive yourself crazy and you'll accomplish nothing.
00:33:33I can't.
00:33:34Well, I know I'm no detective, but even a professional can't find evidence of murder unless there's been one.
00:33:40You never did believe me, did you ?
00:33:43I wonder why you've been helping me.
00:33:49Don't you really know ?
00:33:59You'll call me before you leave.
00:34:01I sure will.
00:34:02Goodbye, Phil.
00:34:03No.
00:34:04No, no.
00:34:05Hasta la vista.
00:34:34You were lucky that time, Governor ?
00:34:37Yeah.
00:34:40That time.
00:35:00You were lucky that time, Governor ?
00:35:18Ardell speaking.
00:35:19Oh, good, sir.
00:35:20I'm so glad we got you in.
00:35:22This is airline reservations.
00:35:24We've done it, sir.
00:35:24We've done it, this isn't it.
00:35:25It couldn't be done, but we did it.
00:35:27Yes, it's the alternative route was the clincher.
00:35:29Now, listen carefully, sir, because it's a bit complicated.
00:35:33You take a helicopter to the naval airbase,
00:35:36and there'll be a jet fighter waiting to fly you from there
00:35:39to an aircraft carrier at sea.
00:35:41The carrier makes contact with a blimp for Lisbon,
00:35:45and there you'll catch a fast-flying boat for Malta.
00:35:48Now, this is the trickiest connection,
00:35:50because at 4 a.m. they're going to drop the Iron Curtain
00:35:54just long enough for you to fly over it.
00:35:56From Pakistan, you go non-stop to the Solomon Islands,
00:35:59where a converted Japanese bomber makes a once-a-month run
00:36:03to the Galapagos Islands.
00:36:04Well, at the Galapagos Islands, you're only a stone's throw
00:36:07from your revolution, and the plane leaves there at...
00:36:10Well, you'll have to cancel it.
00:36:15Cancel it?
00:36:24Hello?
00:36:30What's going on down there, Mr. Boswell?
00:36:33Mr. Boswell, did you hear me? I said cancel it.
00:36:40Hello?
00:36:45Would this happen to be one of your recordings?
00:36:47Sure, ma'am.
00:36:48Yes, this is one of ours.
00:36:50But if it isn't too much trouble, could I possibly run it?
00:36:52Certainly.
00:36:54Will you follow me?
00:36:59There you are, sir.
00:37:00Just switch on.
00:37:02When you're through, I'll rewind it for you.
00:37:04All right, thanks very much.
00:37:05Not at all, sir.
00:37:10Thank you.
00:37:15Benhaven, reference S-5-3.
00:37:19Go ahead, Mr. Thoroughby.
00:37:21What?
00:37:23What...
00:37:24What shall I say?
00:37:25Tell me what's worrying you.
00:37:27Tell me about the fire.
00:37:30The fire?
00:37:31That...
00:37:32That wasn't my fault.
00:37:34That was Margaret.
00:37:36She made me do it.
00:37:38It was Margaret made me do it.
00:37:41What did Margaret make you do?
00:37:44She didn't say George would be killed.
00:37:48I...
00:37:48I...
00:37:49I killed George.
00:37:51I burned him.
00:37:53They...
00:37:53They didn't say he'd be killed.
00:37:55They should have told me...
00:37:57All right.
00:37:58Quietly now.
00:37:59It's all right.
00:38:01Now,
00:38:02where was this fire?
00:38:05At...
00:38:06At the garage.
00:38:08George's garage at...
00:38:10At Gladstone.
00:38:12It...
00:38:13It all burned up.
00:38:15George's garage is burning.
00:38:17It's burning.
00:38:18It's burning.
00:38:19George is burning.
00:38:21Stephen, it's burning.
00:38:22It's burning.
00:38:24It's burning.
00:38:37At last,
00:38:37we have some real evidence.
00:38:39Wait till you hear this.
00:38:40Well,
00:38:40get a patent pencil
00:38:41and take it down.
00:38:45Well,
00:38:46here we go.
00:39:11The voice is on it
00:39:12when I played it in the shot.
00:39:13Well,
00:39:14they don't seem to be on it now.
00:39:16No?
00:39:17Must be the volume.
00:39:19No wonder it doesn't play.
00:39:21Burning!
00:39:21Joseph's burning!
00:39:22Stephen, it's burning!
00:39:23That was the end of it.
00:39:24Let's wind it back
00:39:25and play the beginning.
00:39:26You're never going to hear
00:39:27the beginning.
00:39:28Why not?
00:39:29It's gone.
00:39:31It's gone?
00:39:31Where?
00:39:32You have the machine on a race
00:39:33and wiped the recording
00:39:35right off the wire.
00:39:36Well,
00:39:37can't we put it back on?
00:39:39Afraid not.
00:39:41Oh, no!
00:39:47Why don't they
00:39:48perfect these things?
00:39:49We can't put the recording back.
00:39:51You can try and remember
00:39:52what they were saying.
00:39:53I'll take it down.
00:39:56Well,
00:39:56all I remember is that
00:39:58there was something
00:39:59about a fire.
00:40:01A fire?
00:40:04and I think
00:40:07they were talking
00:40:07about some place
00:40:08or other.
00:40:10A place?
00:40:12And something
00:40:14about somebody
00:40:17making somebody
00:40:18do something.
00:40:19Something they didn't
00:40:20want to do.
00:40:21How do I put that
00:40:22down?
00:40:22And something
00:40:23about a fire.
00:40:24You said that.
00:40:42I give up.
00:40:44That's all
00:40:45I can remember.
00:40:46A fire
00:40:47and a place.
00:40:49Does it add up
00:40:50to anything?
00:40:50Yes.
00:40:52Exactly nothing.
00:40:53Oh.
00:40:57First piece
00:40:57of real evidence
00:40:58we've had.
00:40:59and I'll louse it up.
00:41:00Maybe Rigby
00:41:01was right
00:41:02about amateur
00:41:02detectives.
00:41:04Maybe you should
00:41:04pack your bag
00:41:05and go home.
00:41:08Bag!
00:41:09Who, me?
00:41:10Yes!
00:41:10No, no, no.
00:41:11The name of the place.
00:41:12It was...
00:41:12Bag?
00:41:13No, something
00:41:14to do with bag.
00:41:15Bag, bag.
00:41:17Gladstone,
00:41:17that's the name
00:41:18of the place.
00:41:19Gladstone,
00:41:19of course.
00:41:20Where is it?
00:41:21It's about
00:41:2140 miles from here.
00:41:22Take my car.
00:41:23Where's my car?
00:41:35There weren't
00:41:36no other way.
00:41:37Do you really
00:41:38want a local fire
00:41:38to write about?
00:41:39Yeah.
00:41:41This one happened
00:41:41some years back.
00:41:42Biggest fire
00:41:43we ever had.
00:41:47There it is.
00:41:48Reliance Garage,
00:41:501939.
00:41:51There was a fire.
00:41:52I used three hoses
00:41:54on that
00:41:54and had the new
00:41:55model 12 nozzle
00:41:56on mine.
00:41:56Crew of 15
00:41:57helping me.
00:42:02I call it
00:42:03my big birther.
00:42:04Every minute
00:42:05it closed...
00:42:05Did you save
00:42:05the building?
00:42:07Burnt to the ground.
00:42:08I got a medal
00:42:09for it, though.
00:42:10That news clipping
00:42:11on the wall there
00:42:12tells all about it.
00:42:16How did you
00:42:17get the medal?
00:42:18For saving
00:42:19some of their
00:42:19plans and drawings.
00:42:20I tried to save
00:42:21George, too.
00:42:22Only it was all
00:42:23finished by the
00:42:23time I got.
00:42:25Did you say
00:42:25George?
00:42:26Yes.
00:42:27One of the
00:42:27three young
00:42:28fellows that
00:42:28ran the garage.
00:42:29George Maybrick.
00:42:30He got killed
00:42:31in the fire.
00:42:32Who were the
00:42:32other two?
00:42:33Martin Sorobey
00:42:34and Christopher
00:42:35Hamden.
00:42:35The left-air-right-after
00:42:37with Mrs. Maybrick.
00:42:38Who was she?
00:42:39Well, George
00:42:40Maybrick's wife,
00:42:41Margaret.
00:42:42Pretty young
00:42:42thing she was.
00:42:43Did you read
00:42:44about my medal?
00:42:45What happened
00:42:46to Margaret
00:42:46and the two men?
00:42:48Margaret
00:42:48disappeared.
00:42:49Nobody's heard
00:42:50from her since.
00:42:51Sorobey
00:42:51and Christopher
00:42:52Hamden.
00:42:52Well, they went
00:42:53up to London.
00:42:54Set up in the
00:42:54motor trade.
00:42:55Did well, too.
00:42:56Is he still
00:42:57in the motor trade?
00:42:58No.
00:42:59I did hear
00:43:00that they'd
00:43:00sold out.
00:43:01Gone into
00:43:02theatricals
00:43:03of some
00:43:03such nonsense.
00:43:05Funny you
00:43:06wanting to know
00:43:06about that fire.
00:43:08Why?
00:43:09Well, there was
00:43:10another young
00:43:10fellow.
00:43:11He was a writer,
00:43:11too, asking
00:43:12exactly the same
00:43:13questions as you
00:43:14are a little
00:43:15while back.
00:43:17was his name
00:43:19Danny McMurray?
00:43:32What do you think
00:43:32of the rails,
00:43:33Will Chris?
00:43:33All right with you.
00:43:34Looks all right
00:43:35to me, John,
00:43:35but I don't know
00:43:37a thing about
00:43:38making a picture,
00:43:39you know that?
00:43:39All right.
00:43:40When we finish
00:43:41lighting,
00:43:41we'll shoot it
00:43:41that way.
00:43:42Oh, John.
00:43:43these young
00:43:44ladies are
00:43:45actresses.
00:43:46Think you can
00:43:46find parts
00:43:47for them
00:43:47in the picture?
00:43:48All right.
00:43:49Take a bow
00:43:49to water
00:43:49and make-up.
00:43:50We'll figure
00:43:50out.
00:43:51Right over there.
00:43:52Thank you,
00:43:52thank you,
00:43:54Tim.
00:43:54Thank you.
00:43:55Oh, dear.
00:43:58Well, Mr.
00:43:58O'Dell,
00:43:59want to see
00:44:00how we make
00:44:00movies?
00:44:02Well,
00:44:02what can we
00:44:02do for you?
00:44:03Always cooperate
00:44:04with the press,
00:44:05no rule of mine.
00:44:06Mr. Hampton,
00:44:07I'd like to
00:44:07ask you a question.
00:44:09You, uh,
00:44:10probably won't
00:44:11like it.
00:44:11Go ahead,
00:44:12shoot.
00:44:13Was Danny
00:44:14McMarrow
00:44:14blackmailing you?
00:44:18You're not
00:44:19serious.
00:44:21Now,
00:44:21what ever gave
00:44:22you such a
00:44:22wild notion
00:44:23as that?
00:44:23Maybe not
00:44:24so wild.
00:44:25It explains
00:44:26a lot of
00:44:26things,
00:44:26things that
00:44:27don't make
00:44:27sense otherwise.
00:44:28You see,
00:44:29I've just
00:44:29come back
00:44:30from Gladstone.
00:44:31And?
00:44:32I found
00:44:32out about
00:44:33the fire
00:44:33and George.
00:44:35Public
00:44:35knowledge.
00:44:36Nothing there
00:44:37to...
00:44:37I also learned
00:44:38that Danny
00:44:38McMarrow
00:44:38had been there
00:44:39checking on
00:44:40the fire.
00:44:41Now, a man
00:44:41like Danny
00:44:42doesn't follow
00:44:42fire engines,
00:44:43you know.
00:44:44There's just one
00:44:44thing wrong
00:44:45with that picture.
00:44:46To blackmail me,
00:44:47Danny would need
00:44:48evidence.
00:44:49And he didn't
00:44:49have any.
00:44:51Did he?
00:44:53I don't know.
00:44:55what about Margaret
00:44:56and Martin
00:44:57Sorrowby?
00:44:58Margaret,
00:44:58I haven't
00:44:58heard from her
00:44:59in years.
00:45:00I suppose
00:45:00they told you
00:45:01about poor
00:45:01Martin.
00:45:02During the war,
00:45:03we were bombed
00:45:03out.
00:45:04He cracked up.
00:45:06We took him to
00:45:06Glenhaven.
00:45:07What's that?
00:45:09Mental hub.
00:45:11You think
00:45:12I could talk
00:45:12to him?
00:45:13That's impossible.
00:45:15You see,
00:45:15Martin died
00:45:16two years ago.
00:45:20Well,
00:45:21thanks very
00:45:22much.
00:45:23Come back
00:45:24any time.
00:45:25It must be
00:45:25frustrating
00:45:26playing detective.
00:45:27It is.
00:45:30Connors.
00:45:38Connors.
00:46:06Is that
00:46:07Glenhaven?
00:46:09I want to
00:46:09talk to Dr.
00:46:10Campbell.
00:46:10Is she in?
00:46:29Visitor?
00:46:30Yeah.
00:46:34Remember my face,
00:46:35will you?
00:46:36I'm coming out
00:46:36again.
00:46:37Suddenly, sir.
00:46:56I, I never
00:46:58seem to belong.
00:46:59You know?
00:47:00everybody else
00:47:01had lots of
00:47:01friends, but I
00:47:03was always
00:47:03alone.
00:47:05Oh, can I
00:47:06help you?
00:47:07Well, I hope so.
00:47:08You see, I'm a
00:47:09writer, and I'm
00:47:10doing a piece for
00:47:11an American
00:47:12engineering magazine
00:47:13about famous
00:47:13engineers.
00:47:14Yes.
00:47:15Well, we heard
00:47:15that Martin
00:47:16Sowerby was
00:47:17brought here
00:47:17after he, as we
00:47:19put it, went
00:47:19off his rocker.
00:47:20That's true.
00:47:21Well, could you
00:47:22tell me something
00:47:22about his death?
00:47:23Was it natural?
00:47:24His death?
00:47:25I'm afraid you've
00:47:26made a mistake.
00:47:27Mr. Sowerby was-
00:47:28Mr. Sowerby's been
00:47:29dead for two years.
00:47:33Well, the young
00:47:34lady just told me
00:47:35that-
00:47:35I've been in charge
00:47:36of Glenhaven since
00:47:37it was opened,
00:47:37several years ago.
00:47:39Miss Andrews has
00:47:40been with us for
00:47:41six weeks.
00:47:42I know what I'm
00:47:43talking about.
00:47:44Mr. Sowerby's dead.
00:47:47Well, didn't you
00:47:48just say-
00:47:48I say he's dead.
00:47:54Well, I guess he's
00:47:55dead.
00:48:15He's dead.
00:48:21And
00:48:31C'est parti.
00:48:52...
00:49:22Oh, nurse. I'm Dr. Jones from St. Thomas'.
00:49:25Have they moved Mr. Soroby yet?
00:49:28Moved? Why, no. He's still in 3-11.
00:49:31Oh, thank you.
00:50:10Yes?
00:50:16Martin Soroby?
00:50:18What can I do for you?
00:50:21I'm not disturbing you.
00:50:23Oh, no, no. Not at all, no.
00:50:25I have plenty of time to finish this.
00:50:27It's a device for the future anyway.
00:50:29Car radar.
00:50:31Mr. Soroby, I'm checking into the death of George Maybrick.
00:50:35Ah, yes.
00:50:37Poor George.
00:50:39Interesting detail, that, I think.
00:50:42There was something funny about it, wasn't there?
00:50:45Something funny?
00:50:46No, I don't think so.
00:50:49We murdered him.
00:50:53Uh, observe how the car headlights here serve as antennae for the radar transmitter.
00:50:59You murdered him?
00:51:01Who did?
00:51:02Chris and Margaret and I.
00:51:05Margaret made us do it.
00:51:10But why?
00:51:13Oh, well, you see, George, her husband, invented a wonderful new supercharged carburettor.
00:51:19It was going to make us all rich.
00:51:21Margaret always wanted that, you know, to be rich.
00:51:24Well, was she going to steal it from her husband, or what?
00:51:27Oh, no, no. You see, George was very patriotic.
00:51:31The war had just begun, and he wanted to give the carburettor to the government, you see.
00:51:35That drove Margaret wild.
00:51:39Oh, this is a new television tube I'm working on.
00:51:42Do you like it?
00:51:43Well, then she persuaded you to help her kill him, and then set the fire to make it look accidental.
00:51:49Well, I didn't know that she meant to kill George that night, you see.
00:51:53She said that we were only to scare him.
00:51:55Yes, but the fire chief in Gladstone said that you all left town.
00:51:59Yes, well, Chris and I started in business to manufacture the carburettor.
00:52:03We gave Margaret her share.
00:52:06Then the Nazi bomb hit us, wiped us out.
00:52:30Look, Mr. Sorrowby, I know they're holding you here.
00:52:33If I can bring Inspector Rigby of Scotland Yard, he can get you out.
00:52:36Get me out.
00:52:37Whatever for?
00:52:39Because you don't belong here.
00:52:41You're no more insane.
00:52:43Of course I belong here.
00:52:44I'm hopelessly insane.
00:52:49Are you serious?
00:52:51Of course.
00:52:52You see, my condition is peculiar.
00:52:55I can no longer distinguish between fantasy and fact.
00:53:01That drawing.
00:53:02Perhaps it means something.
00:53:04Or probably it doesn't.
00:53:08Let's try upstairs.
00:53:12Yes, you see, the things I've told you, perhaps they're true.
00:53:17I don't know.
00:53:18I don't know.
00:53:19But the way my mind is, you see, it's impossible to be certain.
00:53:24Most sane people feel the same way.
00:53:31Let's go.
00:53:47Unicipated.
00:53:47delegated.
00:53:52Let's go.
00:53:53In the leatherIVX.
00:53:56You can keep in mind lines lines lines.
00:53:56You can fly up you.
00:53:56That's fine.
00:53:58What's your name?
00:53:58Hey, dog.
00:53:59Look, man.
00:54:01Sous-titrage Société Radio-Canada
00:54:31Sous-titrage Société Radio-Canada
00:55:02Sous-titrage Société Radio-Canada
00:55:04Sous-titrage Société Radio-Canada
00:55:15Sous-titrage Société Radio-Canada
00:55:17Sous-titrage Société Radio-Canada
00:55:20Sous-titrage Société Radio-Canada
00:55:22Sous-titrage Société Radio-Canada
00:55:26Sous-titrage Société Radio-Canada
00:56:51Looks like an accident.
00:56:56Sous-titrage Société Radio-Canada
00:56:59Sous-titrage Société Radio-Canada
00:57:00Sous-titrage Société Radio-Canada
00:57:35Sous-titrage Société Radio-Canada
00:57:35Sous-titrage Société Radio-Canada
00:57:36Sous-titrage Société Radio-Canada
00:57:40Sous-titrage Société Radio-Canada
00:57:44Sous-titrage Société Radio-Canada
00:57:45Sous-titrage Société Radio-Canada
00:57:48Sous-titrage Société Radio-Canada
00:58:15Sous-titrage Société Radio-Canada
00:58:16Sous-titrage Société Radio-Canada
00:58:29Sous-titrage Société Radio-Canada
00:58:32Sous-titrage Société Radio-Canada
00:58:33Sous-titrage Société Radio-Canada
00:58:45Sous-titrage Société Radio-Canada
00:58:48Sous-titrage Société Radio-Canada
00:58:50Sous-titrage Société Radio-Canada
00:58:54Sous-titrage Société Radio-Canada
00:58:55Sous-titrage Société Radio-Canada
00:58:58Sous-titrage Société Radio-Canada
00:59:00Sous-titrage Société Radio-Canada
00:59:02Sous-titrage Société Radio-Canada
00:59:05Sous-titrage Société Radio-Canada
00:59:08Sous-titrage Société Radio-Canada
00:59:09Sous-titrage Société Radio-Canada
00:59:10Sous-titrage Société Radio-Canada
00:59:12Sous-titrage Société Radio-Canada
00:59:13Sous-titrage Société Radio-Canada
00:59:15Sous-titrage Société Radio-Canada
00:59:20Vous savez, il y a une expression que les Américains usent pour une situation comme ça.
00:59:23C'est très apprécié.
00:59:25C'est un peu.
00:59:30Je pense que c'est ça.
00:59:31Je vais y aller.
00:59:34Si je suis toujours libre de go.
00:59:36Vous êtes libre de go, bien sûr.
00:59:37Je comprends que vous avez eu un peu de problème avec un déjeuner.
00:59:41Oui.
00:59:42Alors, vos déjeuners sont terminés.
00:59:44Je suis sûr que je peux vous aller en un déjeuner et en un déjeuner
00:59:47et en un déjeuner très vite que vous pourrez vous placer.
00:59:51Merci.
00:59:55Et la prochaine fois que vous passez à la butchers' shop,
00:59:57vous allez en avoir un déjeuner.
01:00:03Et je suis sûr que votre frère était en train de blocker de Hampton
01:00:06et que Hampton est un déjeuner.
01:00:08Vous savez ce que ça prend vous en?
01:00:11Qu'est-ce que tu veux?
01:00:12Les policiers ne peuvent pas vous aider.
01:00:14Vous n'avez pas d'évidence.
01:00:15Mais Hampton pensez que vous avez.
01:00:17Il pensez que vous avez des événements de blackmail
01:00:18d'un déjeuner dans le déjeuner.
01:00:20Le recording.
01:00:21Ils ont parlé de Sourby.
01:00:22C'est pourquoi il est mort.
01:00:23Vous voyez, si vous restez en Angleterre,
01:00:25vous êtes en danger.
01:00:26Si vous allez en retour,
01:00:28Hampton pensez qu'il est en danger.
01:00:29Tu me dis que vous allez.
01:00:31Je vous promets.
01:00:33Après avoir fait une autre chose.
01:00:34Oui ?
01:00:35Il y a un endroit que je veux voir.
01:00:38Il ne va probablement pas d'un endroit où.
01:00:40Vous êtes careful.
01:00:41Sous-titrage Société Radio-Canada.
01:01:19C'est parti.
01:01:52C'est parti.
01:02:21C'est parti.
01:02:53C'est parti.
01:03:20C'est parti.
01:04:17C'est parti.
01:04:18C'est parti.
01:04:18C'est parti.
01:04:18C'est parti.
01:04:19C'est parti.
01:04:21C'est parti.
01:04:21C'est parti.
01:04:22C'est parti.
01:05:10C'est parti.
01:05:23C'est parti.
01:05:26C'est parti.
01:05:26C'est parti.
01:05:38C'est parti.
01:05:59C'est parti.
01:06:02C'est parti.
01:06:03C'est parti.
01:06:05C'est parti.
01:06:07C'est parti.
01:06:21C'est parti.
01:06:28C'est parti.
01:06:29C'est parti.
01:07:00C'est parti.
01:07:03C'est parti.
01:07:03C'est parti.
01:07:09C'est parti.
01:07:40qui.
01:07:54C'est parti.
01:08:20C'est parti.
01:08:35C'est parti.
01:08:45?
01:09:03C'est parti.
01:09:04C'est parti.
01:09:05C'est parti.
01:09:07C'est parti.
01:09:08C'est parti.
01:09:23C'est parti.
01:09:32C'est parti.
01:10:02Margot, pourquoi est-ce qu'il est venu ici ?
01:10:06Margot !
01:10:10Juste un moment, chère.
01:10:13Vous avez l'air.
01:10:14Pourquoi ne vous s'arrêtez-vous ?
01:10:26Je répète, pourquoi ne vous s'arrêtez-vous ?
01:10:28Et pourquoi elle ?
01:10:29Pourquoi ne pas une femme visite la femme ?
01:10:32Une femme ?
01:10:35Surprised, chère ?
01:10:36L'aise votre ami blunder sur ce petit peu de information ?
01:10:40C'est pourquoi je ne pouvais pas laisser votre frère blackmailer.
01:10:44Pourquoi ne pas lui ?
01:10:45Qu'est-ce que ça va ?
01:10:48Mais sans Odelle ?
01:10:49Odelle est sûre à suivre.
01:10:51Elle est sûre.
01:10:51Elle est sûre.
01:10:54Nous avons beaucoup de temps.
01:10:56Qu'est-ce qu'il y a des evidence que Danny avait ?
01:10:59Il n'y a pas ?
01:11:00Non.
01:11:01Alors, je vous propose que vous faites un peu de réfléchir.
01:11:03Margot, ne fais pas quelque chose de fou.
01:11:06C'est bon.
01:11:30Il y en a.
01:11:34Il y en a.
01:11:38Buvez-vous d''.
01:11:41Qu'est-ce qu'il y a?
01:11:43Mais quelle zat-ce qu'il y a ?
01:11:50Tenez-vous, àouter.
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