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Unaanu
L♡ve #gl #GL
Transcript
00:28Transcription by CastingWords
00:47CastingWords
01:11CastingWords
01:20It's a miracle, it's a miracle!
01:23They were all so wonderful.
01:26A santa!
01:28What did you have to be afraid of?
01:31I was just a kid who was maltracted.
01:35And happy.
01:38You're a bad person.
01:40You're a bad person.
01:41My sister was a different person.
01:43We didn't treat her well.
01:45I'm afraid!
01:46Stop!
01:48Stop!
01:48Stop!
01:50Stop!
01:50Stop!
01:53Stop!
01:54I didn't.
01:56But he lived like us.
02:00The ladies, instead,
02:03are ashamed.
02:05You're right!
02:06You're right, ladies and gentlemen.
02:08So gentle.
02:09So gentle.
02:11So gentle.
02:12So gentle.
02:13Oh, is it true that you're gentle?
02:17You forgot what I wanted to tell you.
02:20The princess wants to talk to you.
02:24Why are you still here?
02:25Why are you still here?
02:26Why are you still here?
02:27I don't know.
02:29I don't know.
02:32Maybe...
02:34Why are you still here?
02:36You're not here.
02:38You're not here.
02:45You're not here.
02:54Why are you still here?
02:56To see...
03:00With you, he's calm.
03:04Pietro told me that...
03:09He doesn't need to hang out.
03:12We agree.
03:15He's nice with me.
03:16He's curious, attentive.
03:19He learns a lot.
03:20What does he learn?
03:22Why doesn't he see himself as a person?
03:24Oh, for me, I don't see him.
03:27I don't see him anymore.
03:28I have a little bit of a day.
03:30I don't cry.
03:33I'm upset.
03:36For what I'm still here.
03:38I have written about her.
03:40I asked her if she could still stay in the house for a while.
03:45I haven't answered yet,
03:47but it will be as I say.
03:49I can keep taking care of her as much as she wants.
03:52It doesn't matter.
03:54There are many ways to do God.
03:56Even outside of the temple.
03:57And as a child,
03:59I've always done it with my sister.
04:01Your sister?
04:03You've never talked about it.
04:05She's dead.
04:07Look, she's in an incendio.
04:13She's so good.
04:14I don't remember her.
04:22He knew her.
04:35I didn't remember her.
04:38You're not so good.
04:38He's been able to see him before he was born to decide not to see him anymore.
04:42I don't know if I can say that he's my son.
04:48So, stay here for a few weeks?
04:52Give us a little bit of tranquility, Moji.
04:59So?
05:05He said that I can stay with you.
05:07Yes, that's beautiful.
05:11Come on, play with me.
05:13I don't want to play with you.
05:14Come on, play with me.
05:19How happy.
05:21How long have you been?
05:22I don't know, a week, a month, I haven't said anything.
05:28But it's not like that, ladies.
05:30It's not like the position.
05:33To you, position.
05:36Edoardo, wait.
05:39Attention.
05:41So, I can't move.
05:43I can't move.
05:43I can't move.
05:44The position of the hand under the scapula for the knight.
05:48Edoardo, altera.
05:51Chuchu, altera.
05:53Have you said to someone of us?
05:59Why don't we all say that?
06:01Not now.
06:02Oh, monsieur.
06:04Oh, monsieur.
06:04Invece di disturbare, dateci una mano.
06:07Non si trova un aitante cavaliere in tutto il regno a pagarlo oro.
06:11Sanno tutti al fronte, poverini.
06:14Su, su, non fate il timido.
06:16Venite.
06:16Così mostro la posizione a cavallina.
06:19Io fai la gran dame.
06:22E tu fai l'homme.
06:23E là?
06:24Sai far l'homme?
06:25E io bravo.
06:25Ma mano così.
06:27Edoardo, e un, due, tre.
06:30Un, due, tre.
06:31Un, due, tre, un, due.
06:33Un, due, tre.
06:34Un, due, tre.
06:35Un, due, tre.
06:35Un, due, tre.
06:36Un, due, tre.
06:39Swoom, yes?
06:47Basta!
06:48Ok, continue, you're brave.
06:50No, I don't like to dance.
06:57You're offended, little.
07:01You only said that you want to bring the prince.
07:03The prince?
07:04She told me.
07:05What did you tell?
07:06What's your son?
07:13This family loves secrets.
07:17Like this.
07:25Hello, lady.
07:39What's your son?
07:41What's your son?
07:43What's your son?
07:43It's just Carmine.
07:46I don't understand who he is.
07:48He's a baby.
07:49Do you see him?
07:51I don't support him.
07:54Do you want to know another secret?
08:00It's my father.
08:03What do you say?
08:05Is he the man who Eleonora couldn't marry?
08:08Of course.
08:10He's a man.
08:12For the people.
08:14Excuse me.
08:15He's a man.
08:16But your son?
08:18He didn't he kill you when he discovered that he was inciting?
08:21He loved him.
08:23He always said...
08:25...one thing is to lose a female girl, even a little sceptical.
08:29Another thing is to lose a beard like Carmine.
08:33Well, no.
08:34With the fork.
08:35These are the wings.
08:37They make a little bit of a bruise.
08:38But the princess liked it.
08:40Because they're splattered.
08:41With the orange and the scallop.
08:43And the scallop.
08:44And the scallop.
08:46What?
08:58George.
09:01Close.
09:01He burned within the shoe.
09:09He was a man.
09:13I didn't see a wall.
09:15I'm a man.
09:16He was a man.
09:24He was a man.
09:27He did a guy.
09:29He was a man.
09:30I looked at a man.
09:31I was a man.
09:31But he was a man.
09:42The result is optimal princess. We were able to save the salt, the flour, the oil, the crust that Antonio
09:48l'ha left.
09:49Good, good.
09:53Good morning princess, did you want to talk to me?
09:55Carmen, come on.
09:58Good morning.
09:58Good morning.
10:01I'd like to introduce Modesta, the girl who is here for a little while.
10:05Yes, I've already had the honor to meet her. I remember her the last time.
10:10Ah, yes. Sit down, sit down.
10:14I decided to bring her to work for a little bit.
10:20What do you think?
10:25Then?
10:27With all respect, I'm a little young.
10:30Well, young. I was 17 years old and I was born with my first son.
10:36Anyway, young or young, I decided. I don't know.
10:39Are you convinced?
10:41Can I not answer?
10:45Excuse me, when I was in Caruso, who taught you?
10:48I'm a little young girl, how old are you?
10:52You're the one that you have taught me.
10:53You're a little young girl.
10:54Why don't you allow me to respond to the girl?
10:58Because I can't answer.
11:01Why don't you allow me to respond to the girl?
11:01But how are you doing?
11:03Let me ask you!
11:03My mother!
11:04My mother!
11:06It seems like you need help.
11:08And now you lament.
11:10Muddy knows how to deal with it.
11:13She's ready, awake.
11:15She's also taking care of the expenses.
11:17Yes, but the thing is to take care of the expenses.
11:19The other thing is to take care of all the expenses.
11:21I can do well.
11:22I can do well.
11:25Of all my trust.
11:27And this must be enough.
11:30Anyway, I'm annoyed.
11:31We've already talked too much.
11:33So Muddy, I'll be here every Monday.
11:37Do you listen?
11:39Yes.
11:40And I'll teach you how to deal with lawyers, notaries.
11:45And you, Carmine, will be on the land and on the land.
11:49And from today, in my presence...
11:53...Padrona.
11:54I'll call her.
11:58You can call her Padrona?
12:00Exactly.
12:01Yes, exactly.
12:04In fact, tell her immediately.
12:05So you're ready.
12:15You're ready.
12:16Sorry, I didn't hear it.
12:18I didn't hear it.
12:19I didn't hear it because I haven't talked yet.
12:20Ah, then talk.
12:21You're ready.
12:23You're ready.
12:24Yes.
12:29You're ready to call her.
12:29You've heard of Caruso.
12:30You can call me a Padrona.
12:32Okay.
12:32Thank you, Carmine.
12:34We've done.
12:34You're in service.
12:38Pasone e Pasoncine.
12:40Arrivederci.
12:45Have you understood everything?
12:48I think so.
12:50If you're a girl is awake,
12:53our small income guarantees you a worthy position.
12:58If you learn to manage, to treat,
13:02you can aspire to become a superior mother.
13:04Like my mother.
13:05I will support you, I promise you.
13:21What do you mean?
13:25What?
13:28You went out in the car without having a word.
13:33I'm not sure if you're an autist.
13:35You're right, sorry.
13:37We've passed a week.
13:40We've already had to say it to everyone.
13:43I'm committed, you know.
13:46You're going to have to do that.
13:47You're a monster.
13:48Oh, he's not a monster.
13:54Stop here.
13:55We've arrived.
14:01Listen to me.
14:03We'll talk later.
14:04Okay?
14:05I promise.
14:07Have patience.
14:08I'm alone.
14:10Come on?
14:10Come on?
14:20Come on.
14:21Come on.
14:22Come on?
14:24Come on?
14:25Come on?
14:27Come on?
14:35Come on?
14:36It doesn't have to be difficult.
14:40We're going to take a break.
14:43Don Peppe, we'll talk another time.
14:46Good morning, Don Carmelo.
14:48Good morning, Don Carmelo.
14:50Good morning, Don Carmelo.
14:52Good morning.
14:52Good morning.
14:55How are you?
14:57Carmela, signorina.
14:58Modesta.
15:00And how are we going?
15:01To the house.
15:03We're going.
15:06But all women are you?
15:09The men are in war.
15:11And the other women have helped us.
15:15And this, the signorina knows well.
15:22What was it?
15:29Do you want to talk?
15:30Don Carmelo,
15:32I'm going to take a break.
15:33I'm going to take a break.
15:36And this, let's get a break.
15:38We're going to take a break.
15:40Are we going to talk?
15:42And the other women will take a break.
15:43They'll sit down and the men are just missing.
15:46We'll explain a little bit more.
15:48We'll burn the ground.
15:48so, who you're?
15:50Let's go.
15:51Let's go.
15:56Let's go.
15:57Do you want to explain to me what's going on?
15:59What do you want to know?
16:00You have destroyed the olive trees and the vignette to not come.
16:03It's because of these shepherds.
16:05There's nothing in the north.
16:06The world is in flames.
16:09There's a lot of smoke in the palace.
16:12It will come.
16:14What do you want to know?
16:17I don't know about this world.
16:21I'm afraid.
16:23I'm afraid.
16:24I'm afraid you'll find someone who wants to teach you.
16:28Come on.
16:32When you come back to the temple,
16:35you'll be destroyed.
16:47What are you doing?
16:49Why did you stop here?
16:51I have enough.
16:53I want to know what intentions have you.
16:55You know my intentions, Rocco.
16:58But I want you to take care of your children
17:01instead of those of the others.
17:05Do you want a child?
17:10Yes.
17:12Yes.
17:13Yes, I want you.
17:15Yes.
17:16Yes, I want you.
17:16Yes, I want you.
17:16You have no fear, modest.
17:18Yes.
17:19Look, I know why you hesitate.
17:22Yes.
17:23You want you to take care of it.
17:24You know what happened to your children's children.
17:25What happened to you before the temple?
17:27You know what happened to me.
17:42You know what happened to me.
17:48Where are you?
17:49I'm going to go to my house.
17:53No one will know your past.
17:55And not where to go.
17:59I'll keep you.
18:03We'll think about it.
18:06Bring me home now.
18:10What's going on?
18:11Mine.
18:13So beautiful.
18:27Come on.
18:29Come on.
18:31Come on.
18:33Come on.
18:34Come on.
18:36Come on.
18:37Come on.
18:39Come on.
18:39Come on.
18:40I know you want my attention.
18:42I'm going to study the penal code.
18:48Come on.
19:06Come on.
19:11Come on.
19:12Come on.
19:14Come on.
19:15Ippolito.
19:17Finiscila.
19:18Basta.
19:21Pietro.
19:22Basta.
19:24Ippolito.
19:25Finiscila.
19:43Ippolito.
19:45Ippolito.
19:48Ippolito.
19:56Ippolito.
19:58Can you wait?
20:01Please.
20:01Ippolito.
20:03Ippolito.
20:04Ippolito.
20:05Ippolito.
20:07Ippolito.
20:08It's a mess of a coffee, see if it's a mess.
20:10I don't know, but I'm fine.
20:13It's not a bad thing.
20:15What happened?
20:17Nothing.
20:18Let's do a comedy now, please.
20:21This is the coffee.
20:22No, the Chinese one.
20:24See if it's a mess of a mess.
20:26Nothing happened.
20:28That's a mess of a soup.
20:30It's a mess of a soup.
20:37It's a mess.
20:38Is it like this?
20:40Yes.
20:40You have to see when it arrived.
20:43It was already dead.
20:56Wait a moment.
20:59He doesn't have a soup.
21:01Please, choose the good one.
21:03Choose the red one.
21:05Choose the red one.
21:06I'm not the red one.
21:08You're not the red one.
21:09You're the red one.
21:11You're the red one.
21:15You're the red one.
21:16You're the red one.
21:17What do I do?
21:19It's the princess who asked me.
21:21Maybe I didn't explain to you.
21:24You don't go anymore.
21:26You're the red one.
21:27You're the red one.
21:28You're the red one.
21:31Is that clear?
21:34Of course.
21:39Tell me what you've ever understood.
21:44I understood.
21:47Can I go now?
22:00Good one.
22:02Good one.
22:07Good one.
22:08Good one.
22:16Good one.
22:18It's a helfen.
22:19Good one.
22:25It's for the urgency of the Prince.
22:27It seems to be fun.
22:32It's the worst thing that the Prince knows.
22:37He's calling me.
22:39Let's go.
22:42Sorry.
22:44I'm sorry.
22:48This poor prince has been years ago.
22:51How do you do it?
22:55I didn't ask this.
22:58You can love a man, a woman, a tree,
23:02and maybe even a tree,
23:03who doesn't know.
23:04You've spent your time
23:05between a monster and a prince
23:07who is a horse.
23:09You're never with me.
23:11You see, I'm full of things to do.
23:13I'm taking care of the workers.
23:15I don't care about the workers.
23:25I feel alone.
23:30I feel alone.
23:32Yes.
23:32Yes.
23:36Pure amando Beatrice,
23:38I knew that I didn't understand anything.
23:45Now it's not good with you.
23:47If I had been more intelligent,
23:49I would have made my accomplice.
23:52It's hard to fight alone.
23:54But I didn't do anything.
23:55I hated everything that brought me away from her.
23:58And above all,
24:00without having ever seen it,
24:01I hated him.
24:02My brother,
24:03who was becoming a prince,
24:05I couldn't be able to lose it.
24:07I had to unite the useful
24:08to the evil.
24:09And I had to do it more and more.
24:11But how?
24:19.
24:21.
24:25.
24:27.
24:27Let's go.
24:57Let's go.
25:55Let's go.
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