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00:00:00Musique
00:00:30Musique
00:01:12Ladies and gentlemen
00:01:14Tonight Mr. Stenborg and I leave for our homes in Sweden
00:01:17And while in a few months I must start again on another tour
00:01:20Thomas has decided to settle down at home
00:01:22And to give to young artists the benefit of his
00:01:24His wisdom and his genius
00:01:28New York has always been kind to us
00:01:30And so I'm glad that New York is the scene
00:01:33Of my last concert with a man
00:01:35Who for many years has been for me more than an accompanist
00:01:38A man whom
00:01:40Whom I'm proud to claim
00:01:41As a friend and a teacher
00:01:43And whose loss I'm sure you'll regret
00:01:45As keenly as I do
00:01:48Thomas Stenborg
00:01:58Did you ever see an impresario cry?
00:02:01I never did Mr. Mullen
00:02:03Well watch me
00:02:17Well Thomas
00:02:18Here we are
00:02:19Home
00:02:21Yes
00:02:22Home
00:02:24Reporters are waiting in your cabin
00:02:25Get ready for the cameras
00:02:26Come on Thomas
00:02:27Let's stand on our heads for the press
00:02:28Step lightly
00:02:29Step lightly
00:02:37Hi mommy
00:02:38Where is he?
00:02:39Oh look Margaret
00:02:40Here is he
00:02:41There he is darling
00:02:43Daddy I remember him
00:02:45My baby
00:02:45My little Anne-Marie
00:02:47Hello darling
00:02:50Welcome home
00:02:51Welcome home
00:02:53Hello Margaret
00:02:54Darling
00:02:55Hello
00:02:56How are you?
00:02:58So nice
00:02:58So nice
00:03:00Dad
00:03:00Good heavens
00:03:01This is Eric
00:03:02I didn't recognise you
00:03:03Well
00:03:04I can't kiss you anymore
00:03:06What do we do?
00:03:06How do you do?
00:03:07It's good to have you home
00:03:08Well thanks very much old boy
00:03:09It's good to be home
00:03:15Hello Emma
00:03:16Emma here's our wanderer
00:03:18Well you've taken wonderful care of the memory
00:03:19It's good to have you back sir
00:03:21Thank you
00:03:23Well hello
00:03:24Who's this?
00:03:25His name is Angus daddy
00:03:27He's my daughter
00:03:28Well so you've known his bones since I've been away
00:03:30Well how are you Angus?
00:03:34Come on
00:03:34Come on
00:03:37Well I'm rarely home at last
00:03:39I can't believe I've ever been away
00:03:43Look at it
00:03:45Nothing's changed
00:03:46We have a game we play while you're away
00:03:48But you haven't really left us at all
00:03:51You know Margaret
00:03:52There's better air to breathe in this room
00:03:53Than anywhere else on earth
00:03:55It's the truth
00:03:56I play the piano daddy
00:03:58I take lessons
00:03:59Do you indeed?
00:04:00Yes I already play Mozart and Rachel
00:04:03That's wonderful Anne-Marie
00:04:04Who's your teacher?
00:04:05Miss Hoffman
00:04:06She's a very clever pianist
00:04:07Greater Stenberg wants Thomas to take her for a pupil
00:04:10She has talent
00:04:11She'll be lucky if Thomas will take her
00:04:12Do you want to hear me play daddy?
00:04:15I've been waiting to play for you so long
00:04:17Oh I'd love to hear you play
00:04:19Right now
00:04:22Margaret
00:04:23If you knew the times I thought of this moment
00:04:26Back home
00:04:27With you
00:04:42Daddy
00:04:43Daddy
00:04:45You played some wrong notes
00:04:46You mean this?
00:04:50Those are known as dissonant chords darling
00:04:52You'll learn to play them in time
00:04:54I don't want to
00:04:55Well tell me some piece you do like
00:04:56I will
00:05:00What is it?
00:05:02Wait
00:05:02You'll hear
00:05:03This one I like best of all
00:05:06We play it almost every evening
00:05:08When you're away
00:05:09This is a brand new record
00:05:12The other one wore out
00:05:13The
00:05:15Show me
00:05:16Wait
00:05:25Shh
00:05:26Shh daddy
00:05:26It's the beginning
00:05:30You made that music yourself
00:05:32Didn't you?
00:05:34Yes
00:05:34Daddy wrote that piece
00:05:36That's why I like it the best
00:05:53I know this so well
00:06:06Here comes the prettiest part
00:06:08Here comes the prettiest part
00:06:26It seeks
00:06:27Who's holding on?
00:06:27I don't want it
00:06:30They're doing
00:06:31I don't want it
00:06:45You know
00:06:46And they're going
00:06:46I don't want it
00:06:46I don't want it
00:06:49They're going
00:06:49They want it
00:06:50To me
00:06:51Pull me
00:06:52With that
00:06:53You can look
00:06:53You know
00:06:54I just want it
00:06:54Sous-titrage Société Radio-Canada
00:07:24Marie.
00:07:25He did play something funny, Miss Hoffman.
00:07:28Some notes all nice together.
00:07:30Oh, come along.
00:07:31Do your lesson well.
00:07:32I'll be listening outside.
00:07:34I will.
00:07:38Now we must begin.
00:07:42And one, two, three, four.
00:07:47Watch those fingers.
00:07:50Three, four, one, two...
00:07:53Eric, where are you going?
00:07:55Oh, never mind.
00:07:57I'm going to school and then do a football game.
00:07:59Football?
00:08:00Isn't he stupid?
00:08:02Oh, but he's a boy.
00:08:03What's that to be so stuck up about?
00:08:06Come, come.
00:08:09Marcus, you know what I'm going to do?
00:08:10I'm going to do what Thomas has done.
00:08:12I'm going to settle down.
00:08:13When you're ready for that, you won't say it so desperately.
00:08:16With that determined look in your eye.
00:08:20All right, then you're coming with me.
00:08:21Yes, that's it.
00:08:22We're going away together.
00:08:24And everything will be just as it was in the beginning.
00:08:26Do you remember the first time we went away like that?
00:08:28It was winter when we left here.
00:08:30We crossed the Alps.
00:08:31Suddenly it was spring.
00:08:32You said that the blossoming locust in Kapri was what made everybody sing there.
00:08:36Do you remember?
00:08:37It's as if you were telling me a fairy tale.
00:08:39Once upon a time.
00:08:41Once upon a time.
00:08:43Yes.
00:08:46Things are different now, Holger.
00:08:48How?
00:08:50We have a home.
00:08:51Well, I won't run away.
00:08:53When we come back, we'll be all the more appreciative of it.
00:08:55Children?
00:08:57They can get along without you for a while.
00:08:59Besides, it does children good to take care of themselves.
00:09:01Take care of themselves.
00:09:03Anne-Marie's only sick.
00:09:06Well, you'll take them with us.
00:09:07That's it.
00:09:08Why didn't I think of that before?
00:09:10Eric could lose a year at school.
00:09:12Oh, well, darling.
00:09:13Of course, if you're going to make all kinds of difficulties...
00:09:16Oh, no, please.
00:09:18Please, you'll know how I'd love to come with you.
00:09:22But, darling, you must realize that our home is my responsibility.
00:09:26Just as concerts and practice are yours.
00:09:30Yes, I suppose you're right.
00:09:33And that spring you spoke of?
00:09:35That sort of happiness could only come once in one's life.
00:09:41Mommy?
00:09:43Mommy?
00:09:44I've just thought of something.
00:09:46Anne-Marie.
00:09:47Something important, Mommy.
00:09:49What is it, sweet?
00:09:50May I invite Miss Hoffman to my birthday party?
00:09:53But, Anne-Marie...
00:09:53Tell Miss Hoffman she'll be very welcome to come to your party.
00:09:57Thank you.
00:09:58Miss Hoffman, you're very welcome to come to my birthday party.
00:10:02We're going to have ice cream and cake.
00:10:04Oh, but really, Mrs. Fanta, I didn't mean to...
00:10:07Anne-Marie will be very disappointed if you don't come.
00:10:10And so will we.
00:10:12Won't we, darling?
00:10:13Hm?
00:10:13Yes, yes, you must come, Miss Hoffman.
00:10:15How many candles are there?
00:10:17Seven.
00:10:17No, eight.
00:10:18One to grow on.
00:10:19Take a deep, deep breath now.
00:10:21No, no, no, wait.
00:10:22Did you make a wish first?
00:10:24All right, then blow.
00:10:27Keep going, keep going.
00:10:28Keep going, right down.
00:10:30Come on, come on.
00:10:32He gets a wish.
00:10:33You must cut the first piece, darling.
00:10:38Don't watch.
00:10:39Help her, Charles.
00:10:40Who's the engineer in the family?
00:10:49Who gets this?
00:10:50Daddy.
00:10:51The first piece is for Daddy.
00:10:53No, no, darling.
00:10:54Mother must have it.
00:10:54It's your birthday.
00:10:56Keep it yourself, silly.
00:10:57I'll cut the rest.
00:10:58All right.
00:10:59You know what?
00:11:00Not so long ago, your Daddy and I went to a birthday party in China.
00:11:03In China?
00:11:04Mm-hmm.
00:11:04At the Mandarin's house.
00:11:06His name was Chu-ching-chang-chip-chop.
00:11:10Did you have ice cream?
00:11:11Oh, no, indeed.
00:11:13We had swallows' nests, some roasted silkworms, snake soup, and, uh, cricket eggs.
00:11:21Oh, who didn't eat that?
00:11:23Oh, we had to take a double helping of everything, or the Mandarin would have murdered us.
00:11:29Oh, well, Uncle Charles, nobody will murder you here.
00:11:37Please, may I have your attention for a moment?
00:11:39I have a wonderful surprise for you tonight.
00:11:42You've all sat enraptured by the music of Rachmaninoff or Paderewski.
00:11:46And now you're going to be thrilled by being present at the very first recital of someone
00:11:51I'm convinced is going to join that distinguished company.
00:11:54I trust you'll extend an appropriate welcome.
00:12:00Miss Brandt?
00:12:01Will you do me the honor?
00:12:03Ha!
00:12:03I will sign her up immediately.
00:12:05I can't wait to hear.
00:12:16Taylor Ch aikmaninoff
00:12:19Thank you very much, thank you.
00:12:28To take a look for your treasure for lots of Christmas.
00:12:29And if you would like to come back, I'll take a look for your treasure.
00:12:30All the same treasure.
00:12:37If my wish was found in paradise until an hour, the island went into love.
00:12:39I saw stocks and flowers gig
00:23:25Oui, peut-être.
00:23:59Sous-titrage Société Radio-Canada
00:24:12Aren't you giving it too much importance?
00:24:15What? What do you mean?
00:24:17You were going at it as if it were the climax of a tremendous symphony.
00:24:22You'll frighten my neighbours.
00:24:24Oh, I wasn't conscious of it.
00:24:29Mr. Stenboer, I'm thinking of going away.
00:24:34Are you? For long?
00:24:39I, um...
00:24:41I've been invited to visit relatives in Denmark.
00:24:44I can stay as long as I want.
00:24:46Oh, I see.
00:24:48They won't divert you too much. You'll be able to study still.
00:24:52If I like.
00:24:53Well, don't talk as if that weren't important.
00:24:56You've applied for that scholarship in Paris.
00:24:59Yes.
00:25:00Yes, of course.
00:25:02If I get it, I'll...
00:25:03I'll just go on straight to Paris.
00:25:06I'll try to study by myself.
00:25:12I will.
00:25:12I shall miss your help.
00:25:16But...
00:25:17You're running away from it all.
00:25:20Well, perhaps it's best that way for both of you.
00:25:25I've been watching Holger suffer too.
00:25:29I thought I was going straight to my goal.
00:25:32Thinking of nothing but my work.
00:25:38And now...
00:25:39Will this be our last lesson?
00:25:47If you'll excuse me, I...
00:25:49I think I ought to go and see Mrs. Brandt.
00:25:54Certainly.
00:25:56Certainly do that.
00:26:01You're waiting for me to say something very wise and helpful at this point.
00:26:06Well, I'll say to you what I've always said to myself when things seem too difficult.
00:26:12Courage, my friend.
00:26:15Courage.
00:26:26Courage.
00:26:27Good morning, Miss Hoffman.
00:26:29Good morning, Emma.
00:26:30You're very early today.
00:26:32I'll call Anne-Marie.
00:26:33No, please don't.
00:26:34May I see Mrs. Brandt?
00:26:36I think she's upstairs.
00:26:37I'll go and see.
00:26:38Thank you.
00:26:55Thank you.
00:27:26Sous-titrage Société Radio-Canada
00:27:46...I've been called to Denmark by relatives.
00:27:50But your own studies?
00:27:52Your work with Mr. Stenborg seems such a shame not to continue with him.
00:27:56Yes, I know, Mrs. Brandt.
00:27:58I'm not happy about it.
00:28:00We were all very impressed the night you played for us here...
00:28:05...with my husband.
00:28:10I'm afraid I had no choice.
00:28:17I see.
00:28:21I'm sorry.
00:28:22Little Anne-Marie has come to mean so much to me.
00:28:25Yes.
00:28:26And you mean a great deal to her.
00:28:29I'm afraid she'll be very upset.
00:28:32Will you tell her for me, please?
00:28:34Of course.
00:28:35I'll try to explain.
00:28:40Goodbye, Mrs. Brandt.
00:28:43Good-bye, Miss Hoffman.
00:28:45I'm sure you're doing what's right.
00:28:48I hope all goes well with you.
00:28:53You're very kind.
00:29:19I thought you were never coming.
00:29:21What's wrong?
00:29:22Oh, nothing.
00:29:23Nothing.
00:29:24Never mind.
00:29:24May I have a glass of wine?
00:29:26Mm-hmm.
00:29:30There is something wrong.
00:29:33Tell me.
00:29:33All along I've been hating this kind of thing.
00:29:37Always meeting you like this.
00:29:38In out-of-the-way places.
00:29:40Little dark corners.
00:29:42Sneaking about in fear of being seen.
00:29:45It's not the way I'd like you to be, either.
00:29:48Oh, I'm ashamed.
00:29:50And I hate being ashamed.
00:29:53Ashamed?
00:29:55Look in the mirror.
00:29:58How do we look?
00:30:00To you.
00:30:03Don't be so dramatic.
00:30:05No, you don't like it any more than I do.
00:30:10We look what we feel.
00:30:12Two guilty people.
00:30:13Why?
00:30:14Because we're in love?
00:30:18I haven't any right to be happy the way I am, Mac.
00:30:21With you.
00:30:22Anita, please, listen to me.
00:30:23No.
00:30:24No, I can't.
00:30:26I'm fighting to be sensible.
00:30:28Sensible?
00:30:30That's a strange word from those lips.
00:30:32Love isn't sensible.
00:30:38There are some things I can't bring myself to say.
00:30:41Yes, I know.
00:30:42I know.
00:30:43I have a home.
00:30:44I have children.
00:30:45I'm a respected, responsible man.
00:30:49When I sit here and look at you, I only know one thing.
00:30:55We must end it.
00:30:58We've got to stop seeing each other.
00:31:00I see.
00:31:01We just say goodbye and never see each other again.
00:31:05It's very simple, isn't it?
00:31:06We must.
00:31:07We can't go on lying to ourselves and to people who trust us.
00:31:11It's impossible, unbearable.
00:31:20You're right.
00:31:23Goodbye, Anita.
00:31:29Not...
00:31:31Not sitting here like this.
00:31:35Let's go.
00:31:37Let's walk.
00:31:40Oh, no.
00:31:41Someone may see us.
00:31:43Does it matter now?
00:31:45They won't see us together ever again.
00:31:57There are so many people in the world.
00:31:59Anita.
00:32:02Days are long enough.
00:32:06There used to be a shop near here.
00:32:12I always sort of look in.
00:32:17all kinds of funny lost things in the window.
00:32:23Oh.
00:32:25Here it is.
00:32:29What a strange collection of things.
00:32:34Anita, look.
00:32:36Look at that curious clock.
00:32:38Holger.
00:32:39I'm going.
00:32:42I'm going now.
00:32:43Quickly, as if it didn't matter.
00:32:51Don't touch me.
00:32:53Don't touch me.
00:32:54Or say anything.
00:32:56Don't turn around.
00:33:27Don't touch me.
00:33:27Why, that's 750.
00:33:28You've beaten me.
00:33:29Did I?
00:33:31Don't feel bad about it, Mommy.
00:33:36Isn't it time for Daddy to come home?
00:33:38Mommy.
00:33:40What?
00:33:41Isn't it time for Daddy to come home?
00:33:44Yes.
00:33:45Come on, let's play another game.
00:33:46Yes.
00:33:47Let's keep on playing until Daddy comes home.
00:33:52Well, isn't it something in bed time?
00:33:54Hello, Daddy.
00:33:56Hello, my funny little monkey.
00:33:58Good evening, Margaret.
00:33:59Good evening.
00:34:00Daddy.
00:34:01What is it?
00:34:02Why are we looking like a thunderstorm?
00:34:04Daddy, Miss Hoffman.
00:34:05Yes?
00:34:06She's never going to give me piano lessons again.
00:34:09What does she mean?
00:34:10She came this morning and went right away.
00:34:12I'll tell Daddy, darling, about how we have to find a new music teacher.
00:34:17But why is Miss Hoffman going away?
00:34:20Come along, darling.
00:34:22It's bedtime.
00:34:23Just what did Miss Hoffman say?
00:34:25Miss Hoffman has to go and visit relatives in Denmark.
00:34:28She came to tell me that.
00:34:32We've had difficulty all day.
00:34:34Say good night to Daddy, darling.
00:34:36Yes, that's right.
00:34:38Good night.
00:34:40Come along.
00:34:44Come along, darling.
00:34:45Emma's waiting for you.
00:34:52Is there anything you'd like, Holger?
00:34:54Coffee, brandy?
00:34:55No, thank you, no.
00:34:58The thing's going along well.
00:35:00With the tour, I mean.
00:35:02Is everything settled?
00:35:04No, no, not yet, no.
00:35:07You haven't found an accompanist.
00:35:10No, it's all, it's, it's not definite yet.
00:35:16I'll go.
00:35:18Will you be away long this time?
00:35:22I don't know. I can't say.
00:35:25It depends on how Charles has arranged the bookings.
00:35:29I hope it won't be a long tour.
00:35:32Well, I've been home longer than I usually stay.
00:35:34For that very reason.
00:35:36The days are going to seem so much emptier.
00:35:39Oh, Margaret, you...
00:35:40You know, you have your own busy life.
00:35:43You've mentioned it so often.
00:35:45Yes, I know I have.
00:35:48I know.
00:35:48Holger.
00:35:53You think I'm getting old?
00:35:55Old? What an idea.
00:35:57What a thing to say.
00:36:00Of course, I suppose we're, for all of us, a few months.
00:36:04Days, weeks, older than we have been.
00:36:07Holger.
00:36:08I want to go with you this time.
00:36:12We will go back.
00:36:14We'll have some of those lovely, gay, irresponsible days.
00:36:18We'll be together in strange places as we used to be.
00:36:22I still want something of life. I don't want to be left behind.
00:36:26Does that sound very vain and frivolous coming from me?
00:36:35I see.
00:36:39You're answering me.
00:36:43You might just as well be saying it.
00:36:48I know what it is.
00:36:49Oh, Margaret, I must talk to you.
00:36:52No, it's nothing.
00:36:53Forget what I've said.
00:36:54No, no, no, Margaret. We must talk.
00:36:56Hello, Dad.
00:37:01Did you ask him for me, Mother?
00:37:03No, I... I forgot.
00:37:06Eric wants to know whether he can go and see a picture this evening.
00:37:09What? Yes, yes, yes. Go ahead.
00:37:12Thanks, Dad.
00:37:18Margaret, I must talk to you.
00:37:24Excuse me, Eric.
00:37:43Anita.
00:37:44But, Margaret.
00:37:45Anita, you can't. You mustn't go.
00:37:47How could you do this?
00:37:48I couldn't face it.
00:37:50I couldn't face being without you.
00:37:51But we promised each other.
00:37:53Yes, I know you did.
00:37:54Is it as easy as that?
00:37:55Can you just get on a train and ride away from life?
00:37:58Oh, please, Holger.
00:37:59What you'd leave behind would haunt you.
00:38:01Haunt us both the rest of our days.
00:38:02Oh, you are not being fair.
00:38:03It's no easier for me.
00:38:05All aboard.
00:38:06Goodbye, Holger.
00:38:08At this very moment, my fate's being decided.
00:38:11A life with you or a life alone.
00:38:13You are not alone.
00:38:14It's I who am alone.
00:38:15Oh, yes.
00:38:16Now we're both alone.
00:38:17Anita, I've broken with my past, with everything.
00:38:21I have no home any longer.
00:38:22All aboard.
00:38:24Holger, you couldn't have.
00:38:27What did you say to her?
00:38:28He couldn't have borne the lies any more than we could.
00:38:31I know her.
00:38:32Besides, she knew the truth already.
00:38:34She told me first.
00:38:37How could you hurt her like that?
00:38:38The train's leaving, miss.
00:38:49It's a hard ghost.
00:38:52What will happen now?
00:39:13The train's leaving.
00:39:32The train's leaving, miss.
00:39:33Is this a great time to be afraid?
00:39:33No.
00:39:40You are not alone.
00:39:40The crowd doesn't stop and pay for the beautiful child.
00:39:42Even the crowd doesn't stop and applaud…
00:39:42Only the crowd doesn't stop,
00:39:42Et maintenant, le concert de M. Brant est terminé.
00:39:46Le concert est terminé.
00:39:48Vous allez bien dormir maintenant ?
00:39:51Non, non, laissez-le un moment.
00:39:53Peut-être qu'il va jouer un autre encore.
00:39:55Il a joué trois.
00:39:57Il n'a pas encore joué intermezzo.
00:40:10Intermezzo, intermezzo !
00:40:11Vous voyez ?
00:40:45Il n'a pas encore joué.
00:40:50Vous devriez avoir dormi longtemps.
00:40:53Il y a des parents qui jouent depuis le Cairn.
00:40:57Please, darling.
00:41:00Emma, Emma, tu vas dormir.
00:41:29Sous-titrage MFP.
00:41:35You were super, super. Thank you.
00:41:38Oh, well. Well, what did you think?
00:41:43It's true. You played better than I've ever heard you play.
00:41:48And you played wonderfully yourself, wonderfully.
00:41:50Do you really think so?
00:41:53Oh, I hope it's true that I've helped you a little.
00:41:58I hope it's not only that.
00:42:00Only what?
00:42:01Oh, what am I?
00:42:04You're a shadow.
00:42:06I don't exist without you.
00:42:08You're not a shadow.
00:42:10How can you talk? It's nonsense.
00:42:13But it's enough.
00:42:15Let me be with you like this.
00:42:17Always.
00:42:19And will that be enough?
00:42:20Always?
00:42:28Well, the tour is over.
00:42:31Now we can rest a while.
00:42:34It has been the greatest happiness I've ever known.
00:42:37and the greatest I'll ever know.
00:42:40That such happiness couldn't come more than once in one's life.
00:42:46I know it couldn't.
00:42:50Could it?
00:42:53Well, let's not speculate about happiness.
00:42:59We're here and work's over for a while.
00:43:02Come on, O.
00:43:20How lovely it is.
00:43:22So peaceful and unreal.
00:43:26Like a place in a dream.
00:43:27C'est incroyable.
00:43:31Oh, regarde, Holger.
00:43:34Mon amour dure après la mort.
00:43:36Mon amour endures...
00:43:39après la mort.
00:43:41C'est écrit pour nous...
00:43:42et pour tous les gens qui vont toujours sentir...
00:43:46comme nous faisons maintenant.
00:44:06...
00:44:06Monsieur a deux violins.
00:44:08Et on n'a pas encore une.
00:44:10Oui, je n'ai pas l'ai ici, mais maintenant je me fais.
00:44:13Je m'as dramatique.
00:44:14The zither ?
00:44:15Oh, c'est magnifique !
00:44:20C'est votre fille ?
00:44:22Oui, elle est mon fille.
00:44:23Qu'est-ce que c'est?
00:44:26C'est Anne-Marie.
00:44:28Anne-Marie.
00:44:29C'est bon.
00:44:32C'est Marie-Anne.
00:44:34C'est un bon nom.
00:44:35Aujourd'hui est ma petite fille.
00:44:37C'est vraiment ?
00:44:39Et vous êtes loin ?
00:44:40Elle ne sera pas malheureux.
00:44:42Je ne sais pas.
00:44:44Je ne sais pas que je n'ai pas loin.
00:44:48Je ne sais pas.
00:44:51Paul Gareth.
00:44:53Je ne sais pas.
00:44:54Je ne sais pas.
00:44:56Il n'y a pas de piano.
00:44:57Il n'y a pas d'organ.
00:44:59C'est bon.
00:45:01Vous n'êtes pas à travailler.
00:45:02Madame, j'ai l'air pour vous.
00:45:04J'ai l'air pour moi ?
00:45:07Oui.
00:45:09Voilà.
00:45:37Il n'y a pas d'organ.
00:45:42Il n'y a pas d'organ.
00:45:44Il n'y a pas d'organ.
00:45:46Il n'y a pas d'organ.
00:45:50Il n'y a pas d'organ.
00:45:53Il n'y a pas d'organ.
00:45:55Il n'y a pas d'organ.
00:45:58Il n'y a pas d'organ.
00:46:00Il n'y a pas d'organ.
00:46:04Il n'y a pas d'organ.
00:46:06Il n'y a pas d'organ.
00:46:06Il n'y a pas d'organ.
00:46:08Merci.
00:46:10Oh, by the way, your letter.
00:46:12What was it about ?
00:46:14I don't want to make you jealous.
00:46:16Jealous ?
00:46:19It was from Mr. Sternborg.
00:46:21From Thomas ?
00:46:23What did Thomas have to say ?
00:46:25It's only that I was awarded a scholarship.
00:46:27Only ?
00:46:28And you weren't even going to mention it ?
00:46:31That's extraordinary.
00:46:33But I don't want it now, Olga.
00:46:35No, I'm not.
00:46:36I'm not taking it.
00:46:39I see.
00:46:41And what did Thomas advise in the matter ?
00:46:43Oh, let's forget it.
00:46:46It's so pleasant out here.
00:46:50What's that fragrance ?
00:46:51Mimosa ?
00:46:53Anita ?
00:46:56Yes ?
00:46:58What did you do with the letter ?
00:47:04This is how I feel about the letter.
00:47:07About anything that could come between us.
00:47:35What are you thinking of, Olga ?
00:47:37Oh, nothing, nothing. Just...
00:47:41Well, I was thinking we should have brought Anne-Marie with us.
00:47:44She'd have loved this.
00:47:46What's the matter ?
00:47:49You said Anne-Marie.
00:47:52Did I ?
00:47:53Why, I... I meant Marianne, of course.
00:47:57How stupid of you.
00:48:00Well, Skipper, let's make for home.
00:48:02Oh, no, I don't want to go home.
00:48:04Oh, not yet, please.
00:48:06What's the matter, Anita ?
00:48:09I'm afraid.
00:48:12I don't know why, but...
00:48:14I am afraid.
00:48:16I wish we could stay out here forever.
00:48:19Oh, you're just imagining things.
00:48:21Here, come here.
00:48:22Sit down.
00:48:26Come here.
00:48:29What a wonderful day this has been.
00:48:31Yes, a day to remember always.
00:48:36I can't bear to see it end.
00:48:40We'll have others, darling.
00:48:43Millions of them.
00:48:46Hold me close, Olga.
00:48:50Oh, let's do something wonderful tomorrow again, Olga.
00:48:57All right, darling.
00:48:57What shall it be ?
00:48:58I don't know.
00:49:00We might watch the sunrise on the mountains.
00:49:02All right, yes.
00:49:03We can have a picnic.
00:49:04Yes.
00:49:06I'm game for that.
00:49:07I'll go and buy things now.
00:49:09What would you like to have ?
00:49:10Well, now, let me think.
00:49:11I'd like some of that wonderful bread.
00:49:12Yes.
00:49:12A bottle of Provencal wine.
00:49:14Some sardines.
00:49:15Anything you like.
00:49:16Good-bye, darling.
00:49:17Good-bye.
00:49:17Good-bye.
00:49:17Good-bye.
00:49:18Well, now, let me think.
00:49:20Holger.
00:49:22Thomas.
00:49:23Well, where'd you come from?
00:49:25I took the chance of finding you.
00:49:26Greta wanted a little holiday.
00:49:27I'm joining her at Antille.
00:49:29Well.
00:49:30Well, this is a surprise.
00:49:32I traced you through Charles.
00:49:33Oh, yes.
00:49:34Well, it's good to see you, Thomas.
00:49:36Come here.
00:49:37You'll be comfortable at this little inn, Thomas.
00:49:40Mind you, it's very simple.
00:49:41Well, it'll be very pleasant for overnight, I'm sure.
00:49:43Overnight?
00:49:44You're not gonna run away like that.
00:49:47We're planning a picnic on the mountain tomorrow.
00:49:49You're gonna join us.
00:49:50It's lovely, isn't it?
00:49:51You enjoying it here?
00:49:53It's perfect.
00:49:54Cut off from the world.
00:49:55The kind of life I thought I'd never have.
00:49:59What news of my family, Thomas?
00:50:02I have a message for you from Anne-Marie.
00:50:07Nothing wrong?
00:50:08Oh, no, no, no.
00:50:09Now, she'd like you to bring her a camera when you come home.
00:50:12Would she?
00:50:13Yeah.
00:50:14Ha-ha.
00:50:16Camry.
00:50:30Oh, Holger.
00:50:32Yes, Thomas?
00:50:33I have some papers with me.
00:50:35Papers?
00:50:36Yes.
00:50:36Divorce papers.
00:50:38Oh, yes, of course.
00:50:40Yes.
00:50:40I asked Margaret to let me bring them.
00:50:42I thought perhaps I might be able to persuade you to sign them without delay.
00:50:46Yes.
00:50:47Yes, indeed.
00:50:48Well, put them down.
00:50:49Put them down, Thomas.
00:50:50I'll sign them later.
00:50:52Well, why not sign them now, Holger, and get it over with?
00:50:55Why this extraordinary rush?
00:50:57Oh, now, Holger, you really must try to think a little of Margaret.
00:51:01Margaret?
00:51:02You don't mean to say that she wants to marry again?
00:51:05Oh, no, no, not she.
00:51:07But I imagine she feels it'll be better for all of you, including the children, if she's
00:51:12legally separated from a man who, well, I needn't say.
00:51:17Thomas, I suppose you think I've behaved disgracefully.
00:51:22It's easy to criticize, Holger.
00:51:24I don't pretend to account for someone else's feelings.
00:51:28Won't you sign these now?
00:51:33Do you think it's as easy as that, Thomas?
00:51:36To cut out the best part of one's life?
00:51:39Tear up the last roots?
00:51:41I thought you had done that long ago.
00:51:43Monsieur Brown?
00:51:45Yes, my dear, what is it?
00:51:47Are we going to have our lessons today?
00:51:49I'm coming right down.
00:51:50Who is that?
00:51:52It's a little girl who lives here.
00:51:53We play together every afternoon.
00:51:55Have you been giving lessons during your vacation?
00:51:58No, no, she's teaching me.
00:51:59I'm waiting for you.
00:52:01You must excuse me, Thomas, but like all ladies, she hates to be kept waiting.
00:52:05She's eight years old, and her name is Marianne.
00:52:10Excuse me.
00:52:22But Mr. Steinbark!
00:52:24Why, hello, Miss Hartmann.
00:52:24Oh, but this is wonderful.
00:52:26When did you get here?
00:52:27Have you seen Holger?
00:52:28Oh, yes, yes.
00:52:28He just left me.
00:52:29How well you're looking.
00:52:31How are you, my dear?
00:52:32Happy?
00:52:33Oh, but of course.
00:52:34I'm divinely happy.
00:52:39This country is very beautiful.
00:52:42Yes.
00:52:43Oh, you must come with us tomorrow and see the sunrise.
00:52:46Holger and I...
00:52:50Perhaps we'll bring Marianne.
00:52:54She's a little girl Holger has grown fond of.
00:52:56I know.
00:52:57I've been watching him with her.
00:53:03He misses Anne-Marie.
00:53:05Did you think that he wouldn't?
00:53:14I've tried not to think of it at all.
00:53:19I've tried to pretend there was no past.
00:53:22And no future.
00:53:26By the way, let me congratulate you on your scholarship.
00:53:29You must be very happy about it.
00:53:31But I don't want it.
00:53:32It means nothing to me now.
00:53:34Really, it meant everything to you once.
00:53:51Anita, my dear, you have great talent.
00:53:54It saddens me to think that it'll be wasted.
00:53:58If I can only be with Holger.
00:54:01Nothing else matters.
00:54:02Yes.
00:54:03And Holger.
00:54:03Does he feel the same way?
00:54:08He loves me.
00:54:11I know we can be happy.
00:54:14I wonder if anyone has ever built happiness on the unhappiness of others.
00:54:32What shall I do?
00:54:34Oh, what shall I do?
00:54:37That's not for me to say.
00:54:38You must make your own decision.
00:54:41And whatever it may be, I know that it'll be the...
00:54:45the right decision.
00:55:04Holger.
00:55:07Anita.
00:55:17What is it?
00:55:21You don't look real in this light.
00:55:41I'm ready.
00:55:43Go and call the others.
00:55:44Yes.
00:55:46Mum's there.
00:55:47It is morning.
00:55:48Are you ready?
00:55:48Yes.
00:55:49I'm coming.
00:55:52Good morning, Maria.
00:55:54Good morning, Monsieur Brandt.
00:55:55Is Miss Hoffman ready?
00:55:56She'll be coming right away.
00:55:58And where's the picnic basket?
00:55:59It's downstairs.
00:56:00Everything's ready.
00:56:01Come on.
00:56:13Mr. Stenborg, you must help me.
00:56:16There is a train leaving in an hour.
00:56:18My dear.
00:56:19When you and Hall will come back, I shall be gone.
00:56:22Have you really made up your mind?
00:56:24Yes.
00:56:25And you're not doing this just because of what I said?
00:56:27Oh, no. No.
00:56:31We both know where Holger belongs.
00:56:36I'm...
00:56:37Well, say I have been an intermezzo in his life.
00:56:40Promise.
00:56:44You gave me a good word once.
00:56:47Courage.
00:56:49Oh, I'm...
00:56:50I'm trying to remember it.
00:56:52I'm trying.
00:56:54Anita.
00:57:02Come on, hurry up.
00:57:03The sun's rising.
00:57:05Holger, I'm not coming.
00:57:06Not coming?
00:57:10Why not?
00:57:11Oh, I didn't sleep very well.
00:57:13I think I have a cold coming on.
00:57:16Well, shall we postpone it?
00:57:17Oh, no.
00:57:18You go without me.
00:57:20Marianne has been looking forward to it so much.
00:57:23And Mr. Stenborg will be here such a short time.
00:57:26You sure you'll be all right?
00:57:28Oh, quite sure.
00:57:29Really, Holger?
00:57:30Go along.
00:57:31Oh, it seems such a pity.
00:57:33Well, perhaps you're all right.
00:57:34Au revoir.
00:57:37Goodbye, Holger.
00:57:38Goodbye?
00:57:39Don't you like my French?
00:57:41Holger!
00:57:52What's the matter?
00:57:53Yes.
00:57:55I hope you have a good time.
00:57:58See you soon.
00:58:00See you.
00:58:00Yes.
00:58:29Yum.
00:58:32Aw.
00:58:42Keep watching.
00:58:43Arlinda, that shit's coming.
00:58:48Have you seen seculetra version?
00:58:49No.
00:58:49Look at Pepper.
00:58:50Oh, God.
00:58:51irritate her.
00:58:51Oh.
00:58:51No.
00:58:52Joel.
00:58:52All.
00:58:52Well, unless I'm so suddating,
00:58:52Oh, earlier.
00:59:22Thomas, you're right. I mislet her go.
00:59:27What could I do but spoil her life?
00:59:30Just as I've spoiled the lives of all those dear to me.
00:59:34I know you'll always think kindly of her.
00:59:37Kindly?
00:59:39I think my feelings will go a little deeper than that, Thomas.
00:59:43As time goes on,
00:59:45I suppose the memory of her will grow vague in my mind.
00:59:50But always in my heart,
00:59:52it will remain the image of her loveliness.
00:59:56And now you'll come back home with me, won't you?
00:59:59Home?
01:00:01I have no home, Thomas.
01:00:04How can I go crawling back home
01:00:07just because I'm alone?
01:00:08But Holger...
01:00:09Have you got those papers you wanted me to sign?
01:00:12There's no need for them now.
01:00:14Give me those papers, Thomas.
01:00:15Please.
01:00:15Give them to me.
01:00:16Please, old friend, don't argue with me.
01:00:23Thanks.
01:00:24Thanks.
01:00:52Sous-titrage MFP.
01:00:55Sous-titrage MFP.
01:01:25Well, thank you. It's nice to see you again, old man.
01:01:27Here. Where's your baggage check?
01:01:30Here. I know. I know. In the usual place.
01:01:33Oh, yes. Where do they go, sir?
01:01:35Well, let's see. I think...
01:01:38Well, to my place, of course.
01:01:401.24 million.
01:01:42Thank you, Thomas. It's good of you, but I...
01:01:44Just take them to the baggage room. I'll check them there.
01:01:46Yes, sir.
01:01:46You see, I've decided to leave again tonight.
01:01:52But... Oh.
01:01:53I only came back just to bring this.
01:01:55You remember the camera for Anne-Marie?
01:01:57Yes.
01:01:59Thomas, I wonder if you'd do me just one more favor.
01:02:02Why, of course, Holger. Anything.
01:02:05Well, if you wouldn't mind,
01:02:07I'd like to drive out to the school alone.
01:02:09I'll see you later.
01:02:26Daddy!
01:02:29I'm so afraid!
01:02:31I'm so afraid!
01:02:34Daddy!
01:02:37I'm so afraid!
01:02:38Daddy!
01:02:42Oh, I told them never to cross here! I told them!
01:02:51Send the doctor to my house. I'm her father, Holger Brent.
01:02:54Hurry.
01:02:54Oh.
01:03:10Le Président.
01:03:11Monsieur le Président.
01:03:11C'est ma femme.
01:03:12C'est ma femme.
01:03:14Emma.
01:03:15Je vais retourner.
01:03:21C'est un accident dans le garage.
01:03:24C'est à la maison. Le docteur est venu immédiatement.
01:03:28Anne-Marie !
01:03:37Est-ce qu'il y a quelque chose qu'on peut faire pour aider ?
01:03:41Est-ce qu'il y a quelque chose, Holger ?
01:03:44Je pense que j'aimerais qu'il soit resté.
01:03:47Merci.
01:04:02C'est parti.
01:04:53Sous-titrage Société Radio-Canada
01:04:53...
01:04:59...
01:05:36Éric, vous n'êtes pas venu?
01:05:49Éric, vous n'êtes pas venu?
01:06:01Éric, vous n'êtes pas venu?
01:06:05Nous n'avons pas venu.
01:06:06Éric, vous n'êtes pas venu.
01:06:14Éric, écoute.
01:06:18Éric, écoute me.
01:06:21Vous savez, quand nous sommes jeunes, nous nous attendons que les gens nous amés de behave comme les gods.
01:06:30En plus, je suppose, les parents.
01:06:33Et puis, en plus, nous nous rendons plus grand, nous nous rendons que nous ne sommes pas des gods.
01:06:40Nous sommes tous humains.
01:06:43Tragiquement humains.
01:06:45Et que nous, tous, nous faisons des erreurs jusqu'à la fin de notre vie.
01:06:52Vous allez comprendre ce jour.
01:06:55Et quand vous le savez,
01:06:58vous allez comprendre ce qu'il est de pardonner.
01:07:04Peut-être...
01:07:06Peut-être même votre père.
01:07:13Vous voyez, Éric,
01:07:16même si vous n'avez pas besoin de moi,
01:07:20maintenant, c'est moi qui ai besoin de vous.
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