- 2 days ago
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00:31Lord, I know the coming days are going to be hard for me.
00:35Yasmin, we've got two less for lunch.
00:37You give me the strength to face them.
00:40And Winston, well, Winston's not feeling...
00:43You're by my side.
00:44I still made as much green fig salad as usual.
00:47Always gets eaten.
00:48Oh, Sylvie sweetheart, I'm so sorry.
00:52We didn't disturb you, did we?
00:54No, just saying a quick prayer.
00:56Oh, please don't tell me you got the whole church ready on your own.
00:59I don't mind. I enjoy it.
01:01Yeah, but I told him to be here to help.
01:15So, I think I know what you're going to say.
01:18Despite me specifically asking you...
01:20To arrive early and help Mrs. Godwin with the church.
01:23Well, I'm sorry. I promise it will never happen again.
01:27It will.
01:27I mean, yes. It's very probable.
01:29So, are you going to make it to the service?
01:37Um...
01:37Well, I will try my best.
01:41Cha-cha.
01:55Yeah, I'll be here for you.
02:04Um...
02:23Go, go, go, go, go, go.
02:23Go, go, go, go, go, go, go.
02:23That was my best is my result.
02:39I'm going to nip home and grab the food.
02:42Is Seb still not here?
02:44You're going to be okay setting up for lunch?
02:46I'll be fine.
02:48Okay.
02:52Today's collection, Pastor.
02:55I'll go and finish tidy up in here, then I'll head over to your place.
02:58I'll see you soon, Sylvie.
03:05Hello?
03:24Is somebody there?
03:35Okay, everybody.
03:37Come and sit down.
03:40Oh, that boy has a six cents.
03:42You can't get him to come to church on time, but dish up some food, and there he is.
03:47What a feast.
03:48Looks like a time they just right.
03:50Can't wait to dig in.
03:51I'm dead for hungry.
03:53Miss Celie?
03:55Mama?
03:55You all good?
03:57Nice to see you, Sylvie.
03:58Right, come everybody, sit down.
04:03Whit, Sylvie's not here.
04:05Don't tell me she's still at the church.
04:09Yes, sir.
04:10You feel good?
04:10You feel good?
04:42Transcription by CastingWords
05:12Transcription by CastingWords
05:14Yeah, well, the Commissioner's been encouraging me to put myself out more, and you've got to do what the big
05:19man says, right?
05:20So I thought I'd try my hand with the Domino's crowd.
05:23Good for you. I'll introduce you.
05:28It's a lot noisier than how they play back up. I mean, back there, it's more sedate.
05:35Less, um...
05:36Passionate.
05:36Exactly that.
05:37So off in the way with the English.
05:42Everyone, this is Mervyn. He was looking to play.
05:48Oscar, maybe you could play with me.
05:51Sure.
05:52Yeah, nice to meet you, Oscar.
05:54Nice to meet you.
05:55Um, be gentle with me, yeah? It's been a while.
06:00Oh, Naomi, you're not working today.
06:02We are now, I'm afraid. Got an accidental death.
06:07Coroner's away at the moment, so we have to go and sign off on it.
06:10Mervyn's here. He was just about to play his first Domino's game on the island.
06:15There you go.
06:17What?
06:19Oh.
06:19That's it?
06:21Well, OK, then, uh...
06:24Nice one, mate.
06:26We should, uh, have a rematch sometime.
06:29You know, by the 12th or never.
06:30It's not over already.
06:32The man totally thrashed me.
06:34I was only gone a few moments.
06:36It's like a hurricane.
06:37I've never seen anything like it.
06:41Yes, Thomas, please tell me we've got a new case to deal with.
06:44Because that was genuinely humiliating.
06:46We have.
06:47By St Vincent's church, which is Seb's mother's church.
06:52He was the one that called it in.
06:57See you, Oscar.
07:00English.
07:03The victim's name is Sylvia Godwin.
07:05She was 85 years old.
07:07God bless her.
07:09I can't believe she's gone just like that.
07:11Did you know her well?
07:13Since I was a kid.
07:14She was like an auntie to me, you know?
07:17Sorry, mate.
07:19So, was she alone when it happened?
07:22She stayed behind after service to tidy up.
07:24Looks like she was dusting the cross and...
07:27Lost her footing and pulled it down with her.
07:29Poor woman.
07:30Paramedics reckon she banged her head when she landed.
07:33Caused an injury to the brain.
07:35And you found her body, Officer Rose?
07:38Mm-hmm.
07:39Me and my mama, Miss Seeley.
07:41She's the headmistress at the church pyramid school down the road.
07:44Miss Godwin!
07:46Something isn't right.
07:48It's not adding up.
07:49This whole scene in front of it, it's just not adding up for me.
07:55It's her shoes.
07:56What's wrong with her shoes?
07:58Well, there's nothing wrong with her shoes, per se.
08:00They're nice enough, Sunday best shoes.
08:03Got a bit of a heel on them.
08:05About two inches, I reckon.
08:07The thing is, most people, if they're going to climb up on a chair to do some dusting,
08:12and they're wearing heels, they're going to remove them beforehand.
08:15To be more sure-footed.
08:17Safety first and all that.
08:18And at 85 years old, I think Mrs. Godwin here will be even more likely to do that
08:24than anyone younger or more agile.
08:26So, what are you suggesting?
08:29That she didn't climb up on the chair?
08:33No, she didn't.
08:35And if she didn't climb up on the chair, she didn't fall from the chair.
08:38And if she didn't fall from the chair, she didn't bang her head from falling.
08:41And if she didn't bang her head from falling, then what did actually happen here?
08:46You think he's suspicious?
08:48I think we've been sold a lie.
08:50What? That's not possible.
08:51Why not?
08:53Because the church was all locked up from the inside.
08:55So nobody could get in or out.
09:00Show me.
09:01So, when we got here, we went to the back entrance.
09:05It's locked.
09:08Left won't go in.
09:11The key's in on the other side.
09:14So, we came round to the front entrance.
09:16Into the same situation.
09:18Let me see.
09:20There's a key in here too.
09:22So, I had to bust the door open.
09:27See?
09:28Whose key's that?
09:30Mrs. Godwin's.
09:30She usually locks the door and she's tidying up, so nobody bothers her.
09:34Show me the back door.
09:40Is this also the victim's key?
09:42No.
09:43That's from the hook over there, sir.
09:44I don't know how it got in this door.
09:46Could someone have been hiding in here while you were in there?
09:50No way.
09:51As soon as I found her, I saw my phone had no juice.
09:55I came straight in here and called the ambulance.
09:57I'm telling you, both doors were locked on the inside.
09:59If someone killed Mrs. Godwin and staged a crime scene, then how did they manage to get out?
10:11No.
10:12That just can't be.
10:13There is no reason anybody would want to do that to Sylvie.
10:17She's right.
10:18It's crazy you think it is suspicious.
10:19Well, can you tell us a little more about her?
10:22Did Mrs. Godwin have any family?
10:24Was she married?
10:25Was, but he passed away.
10:27When was it now?
10:27It was 2017.
10:29I officiated the funeral.
10:31I mean, you want to know about Sylvie's life?
10:34It was this church.
10:35This church was her family.
10:38That's the truth.
10:40She had been coming to St. Vincent since before I was born.
10:44She was christened here.
10:45She got married here.
10:48And she never missed a single Sunday service in all of her life.
10:52Pastor, I came straight over.
10:54Thank you for coming, Hector.
10:56Oh.
10:59I called Hector and told him the news.
11:02He was very close to Sylvie.
11:04She was his schoolteacher many years ago.
11:06Hector, my eyes.
11:10D.R. Wilson.
11:11D.S. Thomas.
11:15So, Mrs. Godwin was a teacher?
11:17St. Vincent Primary School.
11:19I took over from her as headmistress when she retired.
11:23And you kept in touch with her?
11:25Always.
11:26The things she did for me as a kid?
11:28Above and beyond, you know?
11:34In what way?
11:37She kept an eye on me.
11:39Because my parents didn't.
11:41Sylvie and Walter, her husband, they never had kids themselves.
11:45Hector met the world to her.
11:47That's why this just can't be true.
11:49That woman had nothing but good in her.
11:56Well, if you think of anything, you let us know, yeah?
12:13You can go and rest your feet, man.
12:15I'll clear all this up.
12:17You want me to make your herbal tea?
12:18After a day like today, all I want is for you to pour me a rum.
12:23A large one.
12:24All right.
12:26The Christmas rum coming out early this year.
12:28Seb, your inspector.
12:33Is he usually right about this kind of thing?
12:3599.9% of the time.
12:38So someone did murder Sylvie.
12:42But who?
12:44I don't know.
12:45But couldn't have been anybody at the church, right?
12:48So maybe Sylvie had things going on in her life
12:52that we don't know about.
12:55But mum, I promise you, whatever it is, we'll figure it out.
13:00All right.
13:05I know this hasn't played out how we expected,
13:08but I had to do what I had to do.
13:11No, I'm not coming back yet.
13:13Not until I've got what I came for.
13:32Finish your breakfast.
13:41You're welcome.
13:54Commissioner, you made me jump.
13:56Good morning, Inspector.
13:57Good morning.
13:59This arrived for me in the morning post.
14:04It's from your victim.
14:09Mrs. Godwin saw me on the local news
14:13covering the recent police initiative event.
14:16She said she could tell I wanted to put things right.
14:20And that's what she also needed to do, right or wrong.
14:25But she didn't say what that was?
14:27Only that whatever it was,
14:29was of a criminal nature
14:30and had something to do with St. Vincent's Church.
14:34There is a dark secret that has been buried for too long,
14:37and it's time the truth came out.
14:42It was posted on Saturday morning.
14:47And 24 hours later, she was dead.
14:53Well, this gets more interesting by the minute.
14:56How much is it Mrs. Godwin's bank account?
14:58$2,463,000.
15:03What?
15:04You sure about that?
15:05Like, seriously?
15:07Seriously.
15:08Well, new primary school head teachers earn so much.
15:11I requested statements that go further back.
15:13All I have is the last five years,
15:15and the money was already in the account.
15:17The victim's husband, Walter, is it?
15:19What did he do for a living?
15:21Mr. Walter Godwin.
15:22He was a caretaker at the same school
15:24that Mrs. Godwin worked at.
15:25I think that's where they first met.
15:27So it's not only to be his money.
15:29Do we know anything about her family?
15:31Yeah.
15:31Mrs. Godwin told me once her parents were farmers.
15:33They definitely weren't rich.
15:35So she didn't inherit it?
15:37Could the money have something to do
15:38with the crime she talks about in this letter,
15:40the one connected to St. Vincent's?
15:42Officer Rose, give your mum a call.
15:44See if it sparks a memory or something, yeah?
15:46Cool.
15:47But all of this is a bit odd
15:49because it's nothing like Mrs. Godwin.
15:52I mean, $2 million?
15:54That's crazy.
15:55She wasn't that kind of person.
15:57Once we're done here,
15:58we're going to go and search Mrs. Godwin's house.
16:00Also, we've emailed everyone
16:02on the St. Vincent's weekly newsletter
16:04to see if any of the parishioners
16:05saw anything suspicious yesterday.
16:07Okay, thank you.
16:09Sir,
16:10that was the solicitor
16:12handling Sylvie Godwin's will.
16:14It seems Mrs. Godwin
16:16has left everything
16:18to Hector Moyse.
16:20Wow.
16:21So this guy's just become a millionaire?
16:24It appears so, sir.
16:26What do we know about him?
16:28He's a fisherman,
16:29or was,
16:30but he hasn't worked
16:31for the last 18 months or so
16:32due to an injury out at sea.
16:35So if he's had no income
16:38for almost two years,
16:39then $2 million
16:41is going to come in very handy.
16:47I don't know either.
16:48It's all a bit crazy right now.
16:50Mum,
16:51I'll speak to you later.
16:51I've got to go.
16:52I'll leave you to it, Inspector.
16:54No worries, Commissioner.
16:56Sir!
16:56I just got off the phone to my mother
16:58and she has no idea
16:59what Sylvie Godwin
17:00was talking about
17:01in that letter.
17:01Well,
17:02if anything else comes to mind,
17:03you'll let me know, yeah?
17:04All right.
17:06Where are they going?
17:07To interview Hector Moyse.
17:09He's a possible suspect now.
17:11Hector?
17:12A suspect?
17:13He's a good guy.
17:14He wouldn't kill anybody,
17:16let alone Sylvie Godwin.
17:17She was like a mother to him.
17:18Well,
17:18these are the questions
17:19we have to ask.
17:20It's what we do
17:22without fear or favour,
17:23remember?
17:29That used to be my boat.
17:32There.
17:33Spent more time together,
17:34Miannard,
17:35than anyone else.
17:38And then,
17:39some doctor,
17:40you don't even know,
17:42writes a certificate
17:43saying,
17:44you can do it
17:45no more.
17:46Well,
17:46how are your finances?
17:48Now you're not working.
17:50I'm struggling.
17:51All right.
17:51No one wants to employ a guy
17:53who only knows how to do
17:54one thing in his life.
17:56Yeah,
17:56but that will change us now,
17:58doesn't it?
17:59Excuse me?
18:00What?
18:00Mr Moyse,
18:01you inherit the bulk
18:03of Sylvie Godwin's estate
18:04and don't tell us
18:05you didn't know.
18:06Her solicitor told us
18:07Mrs Godwin informed you
18:09when she made the will
18:09a few years back.
18:10Yeah,
18:11I knew,
18:11but she got hardly
18:13nothing,
18:13just her house,
18:14which is a few
18:14tens of thousands.
18:16You think I'd kill for that?
18:17You're telling us
18:18she didn't let you know
18:18what was in her will?
18:19No.
18:21Why?
18:24It's more than
18:24just her house.
18:252.4 million dollars more.
18:29I'm sorry,
18:30what?
18:32Is this a joke?
18:33Funny how things turn out,
18:35eh?
18:35Yeah.
18:36I didn't know
18:36she had that kind of money.
18:37I swear to you,
18:38she never mentioned
18:39a word to me about it.
18:41Look,
18:41I get it.
18:42I get how it looks to you.
18:44I need money.
18:45Badly,
18:45I'm desperate,
18:46but
18:46I had no idea
18:48Sylvie was loaded
18:49like that.
18:51So why would I kill her?
18:58Sarge,
18:59found some kind of
19:00time machine
19:01in Mrs. Godwin's office.
19:04Oh,
19:05it's a computer.
19:07Have you done those yet?
19:09No,
19:09not yet.
19:10Okay,
19:10you do that
19:10and I'll do this.
19:11Cool.
19:13Cool.
19:14Cool.
19:15Cool.
19:17Well,
19:18it seems to be working.
19:20So,
19:21I noticed your dad
19:21wasn't around yesterday.
19:23If you don't mind me asking,
19:25is he...
19:26Yeah,
19:27he,
19:27um,
19:29he passed away.
19:30I'm so sorry.
19:32How old were you?
19:35Eleven.
19:36That's so young.
19:38It must have been hard.
19:41Really hard,
19:42you know?
19:43Yeah.
19:45My first lesson in PM.
19:48But,
19:48seeing my mother
19:49rise up
19:50every morning
19:51after that,
19:52that showed me
19:53what true love
19:54looks like,
19:55you know?
19:56Made us closer.
19:57A team.
19:59You can tell.
20:10The Belshazz diptyk?
20:12You know what a diptyk is?
20:14Yeah.
20:14It's, um,
20:16used to measure oil
20:16in the car.
20:17You know,
20:17you dip it in,
20:18take it out.
20:19I said diptyk.
20:21You're trying to say
20:21dipstick, right?
20:23Diptyk.
20:24A painting or a carving
20:25on two panels
20:26usually hinge like a book.
20:28Oh,
20:29you mean diptyk.
20:30Yeah,
20:31man,
20:31we know about diptyk
20:32and them thing,
20:32yeah.
20:33Well,
20:33apparently,
20:34this Belshazz diptyk
20:35is rare.
20:37Priceless,
20:37kind of rare.
20:38Yeah?
20:40Why was Sylvie
20:41interested in this?
20:45Let's check her
20:46search history.
20:52Why,
20:52watch her.
20:53She searched
20:54the hell out of it.
20:56This was three days ago.
20:58Friday,
20:58the day before
20:59she posted that letter
21:00to the commissioner.
21:06The Belshazz diptyk
21:07is a rare French panel
21:09painting from the
21:09Middle Ages.
21:11Each panel measures
21:1250 by 30 centimeters.
21:14Rare?
21:14So it's worth
21:15some coinage?
21:16It's worth
21:17major coinage.
21:18If anybody could find it,
21:20it went missing
21:20from France
21:21during the Second World War.
21:22And hear this.
21:24It's believed
21:24the diptyk
21:25was taken from
21:26a museum in Paris
21:27by a young German soldier
21:28called Joseph Krauss.
21:30They reckon
21:31he brought that
21:32same painting
21:33over here
21:33to the Caribbean.
21:34When the Vichy government
21:35sent a new governor
21:37to Martigny,
21:38Krauss
21:38and a couple
21:39of other German soldiers
21:40accompanied him.
21:42And what happened
21:43to it when he came here?
21:44Why,
21:45Janot.
21:46But Joseph Krauss,
21:47he fled the region
21:48when the war finished
21:49and the painting
21:51never resurfaced.
21:52And some historians
21:53believe that Krauss
21:54hid the Belshazz diptyk
21:55on one of the
21:56smaller neighboring islands
21:57like St. Marie.
22:00Right,
22:01so our victim
22:03was looking
22:03into this
22:04Belshazz diptyk
22:05and the next day
22:06sent a letter
22:07to the commissioner
22:08saying she wanted
22:08to put right
22:09a wrong
22:10that took place
22:10many years before
22:11at St. Vincent's Church.
22:13And 24 hours later,
22:15Sylvie was murdered
22:15in the church
22:16with both doors
22:17locked from the inside.
22:19She also had over
22:21two million dollars
22:22in her bank account
22:23and we've no idea
22:24how she got that money.
22:25But if she came
22:26into possession
22:27of this painting,
22:28then maybe that
22:29could explain
22:30why she ended up
22:32so rich.
22:35Okay,
22:36let's keep digging,
22:37yeah?
22:37And DS Thomas,
22:38get in touch
22:39with the commissioner
22:39because if there's
22:40any truth in it,
22:41this could be
22:42a big deal.
22:55Everything all right?
23:00It's just like
23:01first Hector,
23:03then Mrs. Godwin.
23:05It's all,
23:06it's all a bit
23:07much right now.
23:10Sylvie was all
23:11about doing
23:12the right thing.
23:13You should have
23:14said so.
23:15No,
23:15because it's like
23:16you said, right?
23:17Without fear
23:17or favor.
23:19So it's not right
23:20me defending her,
23:20is it?
23:21Even if I know
23:22it's the truth.
23:24Seb,
23:24if this case
23:25is too close to home,
23:27it's okay
23:27to take a step back.
23:29No,
23:29it's cool, Sarge.
23:30It's cool.
23:30I really want
23:32to help get
23:32to the bottom of this.
23:34For Sylvie.
23:35Yeah, sure?
23:36Yeah.
23:37Good.
23:37All right,
23:38then I'll see you
23:39tomorrow morning,
23:39yeah?
23:41All right.
23:41Take care of yourself.
23:47All right,
23:48thanks for letting me know,
23:49Mrs. Martell.
23:49You have yourself
23:50a good evening.
23:53Sir,
23:55that was one
23:56of the parishioners
23:57from St. Vincent's
23:58received the email
23:59we sent out
24:00asking if anyone
24:01saw anything
24:01suspicious yesterday.
24:03Mm-hmm.
24:03Says she saw
24:04a woman outside
24:05the church
24:06yesterday morning
24:06parked up
24:07in a hire car.
24:08Never seen her
24:09at St. Vincent's
24:10before.
24:10Description?
24:11It was a silver vehicle
24:12with logos
24:14for Kariba car hire.
24:16The woman looked
24:16in her 50s
24:18with shoulder-length
24:19blonde hair.
24:20Not much of a tan,
24:22apparently.
24:22So,
24:23with the hire car,
24:24maybe not a local.
24:26Yeah,
24:27it's me again.
24:28So,
24:28who is she?
24:29I'm telling you,
24:29the police
24:30haven't found it yet.
24:31I watched two officers
24:32leaving her house,
24:33both of them
24:33carrying evidence,
24:34and they didn't
24:34have it with them.
24:37So,
24:38where's it got to?
24:39I know a little
24:40of the history
24:41of the Belshow
24:42diptyque,
24:43but how or why
24:44that connects
24:45to Sylvie Godwin,
24:47I don't know.
24:49But,
24:50I shall ask her own.
24:52Evening all.
24:53Um,
24:54sorry I'm late.
24:56I had a prior
24:57arrangement
24:57with a bloke
24:58called Barry.
24:59Who,
25:00might I ask,
25:01is Barry?
25:02It's funny
25:02you should ask that.
25:03Well,
25:04Barry is a retired
25:05expat who's
25:05returning to the UK
25:06to be with his
25:07grandchildren.
25:08So,
25:08he's selling off
25:09a bunch of stuff
25:09online.
25:10So,
25:11I got myself
25:12this beauty.
25:13And what is
25:14that,
25:15sir?
25:16This is the answer
25:17to Catherine's prayers,
25:18not that she knows yet.
25:19What is the answer
25:20to my prayers?
25:22Oh,
25:22Catherine,
25:23well,
25:24it's the one thing
25:25that's missing
25:26from your place.
25:27Hmm.
25:35Oh.
25:37It's a dark boy.
25:38I can see that.
25:40You see,
25:40the thing is,
25:41Domino's is all
25:42well and good,
25:42but for a boozer
25:43to be a proper boozer...
25:45Pardon,
25:45but this is not
25:46a boozer.
25:47A pub.
25:49Or a pub.
25:50But,
25:50whatever this
25:50establishment
25:51wants to call itself,
25:52with this on your wall,
25:54it can only
25:54enhance the communal vibe.
25:57No,
25:57we're not
25:58an English-themed
25:59sports bar.
26:01It's not
26:02going up.
26:03Yeah,
26:03but,
26:03Catherine...
26:04I said no.
26:05Just imagine...
26:05Mervyn,
26:06my final word.
26:07No!
26:09No!
26:10No!
26:20It seems you are now
26:23the proud owner
26:24of your very own
26:25dad bod.
26:36I'll have it much
26:37to me right now
26:38in the moment,
26:38you know?
26:39I know it is,
26:39my love.
26:40I know.
26:45Whoa!
26:46Mum,
26:46what's this?
26:48What?
26:49Seb,
26:50sweetheart,
26:51this isn't...
26:52Seb,
26:53you weren't
26:54supposed to...
26:55Good evening,
26:56Sebastien.
26:56You all right?
26:58Me?
26:58Are you all right?
26:59What's this?
27:00Huh?
27:01What's going on?
27:01Because it look like...
27:02Are you...
27:03I...
27:05I guess you could say
27:06we've been getting close,
27:08the two of us.
27:08Right.
27:09Since when?
27:10Well,
27:11um,
27:12since,
27:13I suppose,
27:14since,
27:15um,
27:16what would you say,
27:17Lorette?
27:18How long's it been?
27:19I suppose we could say,
27:20um,
27:20it's been
27:22a year.
27:23A year?
27:25A year,
27:26Ma,
27:26and you never once thought
27:26to mention it to me.
27:28Um,
27:28Hector,
27:29I'm so sorry.
27:30Could you,
27:31could you give us a moment,
27:32please?
27:32Actually,
27:33I need to be getting home
27:34anyway, sir.
27:36Sorry you had to find out
27:37like this,
27:38Sebastien.
27:39I should have,
27:41we should have too.
27:45Sorry.
27:46Sorry.
27:47Oh,
27:57I wanted to tell you,
27:59but I,
28:00I was too scared.
28:02Of how I'd react?
28:03No.
28:04So then what?
28:07See?
28:08It is cause of that.
28:10No,
28:10no,
28:10really,
28:11it's not that.
28:11A whole year,
28:12Ma.
28:14A whole year,
28:15you've been lying to me.
28:18You know,
28:20in the last 24 hours,
28:22it turns out,
28:24not one person
28:26is who I thought they were.
28:30But I never thought
28:31you would be one of them.
28:35I need some air.
28:55good morning,
28:56inspector.
28:57Here's Thomas.
28:58Inheritance?
28:59Oh,
28:59well,
29:00I mean,
29:01okay,
29:02that's interesting.
29:04All right,
29:04well,
29:05thanks.
29:05And also,
29:05I wanted to know,
29:06so,
29:08when was,
29:09what the,
29:09oh,
29:10oh,
29:10one second,
29:11sir.
29:13Good morning,
29:14inspector,
29:15Sarge,
29:15Sarge.
29:16What's going on,
29:17sir?
29:18Well,
29:18I went on a walk last night,
29:20and I ended up here.
29:21So I thought I'd come and start on the case.
29:24Can we,
29:24oh,
29:25sure,
29:25sorry,
29:26sorry.
29:27Yes,
29:28sorry,
29:28sorry.
29:29Oh,
29:29sorry.
29:31No,
29:31sir.
29:32Oh,
29:32sorry.
29:33Yes,
29:33yes,
29:33come on,
29:34yes.
29:34So,
29:35um,
29:35I'm just on the phone with,
29:36uh,
29:37Sylvie Godwin's bank manager,
29:38and interestingly,
29:39the 2.4 million in her account,
29:41she inherited it from her husband,
29:43Walter Godwin.
29:44Uh,
29:44the bank manager says she don't know where he got it from,
29:47or how Walter got so rich.
29:49It was Walter's money.
29:50Yeah,
29:50and unfortunately,
29:51the liar who was handling Walter's will,
29:53it's no longer around.
29:55So,
29:56that's all I got.
29:57Why is there a post-it with post-mortem exclamation mark written on it?
30:00Oh,
30:01the post-mortem just came in.
30:02It's here somewhere.
30:03Got it.
30:04Under the takeaway.
30:06I will clear that up for you as soon as possible,
30:08Sarge.
30:08Sorry about that.
30:09Why is there a pack of toilet roll on my desk?
30:11That's why I went for the walk in the first place.
30:14My new hostmate was like,
30:15don't forget the toilet roll.
30:17PM says the victim became unconscious and died of hypoxia,
30:21and reckon she was hit with something with a sharp edge,
30:25rather than banging her head on the floor.
30:28So,
30:28we're right.
30:29It was murder.
30:30What are all these printouts on the floor,
30:32Sarge?
30:32Oh,
30:33that's from Kariba car hire.
30:35It's in the details of the woman who was seen outside St. Vincent Church,
30:38the morning of the murder.
30:40Selina Bascombe,
30:4154 years old,
30:43from the UK,
30:43Berkshire,
30:44arrived here Friday,
30:46and is staying at the Golden Bay Hotel.
30:48Yeah,
30:48I think she's just a tourist.
30:50There's nothing interesting about her yet.
30:52Well,
30:52then you didn't look properly,
30:53Seb,
30:54because on her passport,
30:55she uses her maiden name.
30:59Godwin.
31:01As in Sylvie and Walter Godwin.
31:03Oh,
31:04did I miss that,
31:05sir?
31:05We need to talk to her right away,
31:08so I can Fletcher.
31:10Yeah,
31:11sorry about that.
31:11Hello?
31:13Hello?
31:15Hello?
31:29Seb,
31:30this is cool.
31:31You're trying to move the case on,
31:32but your head is pinging around all over the place.
31:35It's close to chaos in there.
31:37I understand what it looks like,
31:38Sarge,
31:39but I've been up all night doing a lot of work,
31:41and I feel like I'm very close to...
31:42You should go home,
31:44okay?
31:45Have a shower.
31:46Get yourself straight.
31:47But, Sarge,
31:47I need to finish...
31:48I know,
31:49but you're not helping right now.
31:51We can't work like this.
31:56All right, Sarge.
31:57All well.
32:06Thanks for coming in,
32:07Miss Bascombe.
32:08Please,
32:09take a seat.
32:09Walter Godwin was my grandfather.
32:13He was stationed on St. Marie
32:15during the Second World War.
32:16When the war ended,
32:18he wrote to my grandmother,
32:21who was pregnant with my father at the time,
32:23saying that he wasn't coming home,
32:26that it was over between them.
32:28And he knew she was pregnant?
32:30Yes,
32:31except I don't think it was him
32:33who wrote that letter.
32:34I think it was someone else.
32:37I found this
32:38on the St. Vincent's Church website.
32:41It's the day
32:42that Walter Godwin got married
32:44to Sylvie.
32:46Well,
32:47that's Sylvie.
32:48But that's not Walter Godwin.
32:51That's not my grandfather, see?
32:53That's not the same man.
33:01So you realised
33:03that someone
33:04might have stolen
33:05your grandfather's identity?
33:07I know they did.
33:09And you came here
33:10to St. Marie
33:10to find out
33:11who this
33:11other Walter Godwin was.
33:14That's why you were
33:15at the church Sunday morning,
33:16to speak with Sylvie Godwin.
33:22Mrs. Godwin?
33:27So,
33:28how did she react
33:29when you suggested
33:29that the man
33:30who she'd been married to
33:31for 60-odd years
33:32may not be
33:33who she thought he was?
33:34She already knew.
33:38She said that
33:39she'd only just
33:40found out herself
33:41that week.
33:43How?
33:43Well,
33:44her plumber
33:45had found a box
33:46hidden under the floorboards
33:47when he was fixing a pipe.
33:49I'll find out
33:50which plumber.
33:51Sylvie said
33:52it had the true identity
33:54of her husband in it,
33:56all his personal documents,
33:57making clear
33:58what happened
33:59to my grandfather.
34:01Which was what?
34:03She wouldn't tell me.
34:05She said that
34:06she wasn't ready yet
34:08and that she wanted
34:09to do it
34:09in her own time
34:10and
34:11in her own way,
34:13whatever that meant.
34:16I think it meant
34:17she wanted to go
34:18to the police first
34:19about it.
34:20Which must have
34:21frustrated you,
34:22coming all this way
34:22to be denied the truth.
34:24It is my family!
34:25You have no right
34:26to keep this to yourself!
34:28Sorry.
34:29I can't help you.
34:33And in that moment,
34:34caught up in it all,
34:35that's when you must have
34:36decided...
34:36No, I wouldn't,
34:38really, I wouldn't.
34:40I just left.
34:41I was angry,
34:42but I didn't want
34:43to hurt her.
34:44I just wanted to know
34:45what was in that box.
34:47And now she's dead
34:48and I don't know
34:49where it is.
34:59So, if Sylvie
35:00had this box
35:01she talked about,
35:03where is it?
35:04Because it wasn't
35:05at the crime scene
35:06and it wasn't
35:07at her house.
35:08And if someone
35:08did steal
35:09Water Godwin's identity,
35:10who?
35:12And what happened
35:13to the real
35:13Water Godwin?
35:14I just got off
35:15the phone with
35:15the plumber
35:15who was over
35:16at the victim's house
35:17last Friday.
35:18Said Sylvie
35:19looked haunted
35:19after she looked
35:20inside that box.
35:26About an hour later,
35:27she was getting
35:28inside a taxi
35:29saying she needed
35:30to go to
35:30St Vincent's Primary School.
35:36She went to see
35:36Yasmin Seeley.
35:40OK, I'm going to lay
35:43it out, Miss Seeley.
35:44I believe it's you
35:45who has the missing
35:45box.
35:47Sylvie's.
35:48We could get
35:49a search warrant
35:56or...
36:07It's a German
36:08passport.
36:11From the Second World War,
36:12it looks like.
36:13Belonged to...
36:14Joseph Krauss.
36:15It's believed
36:16the diptych
36:17was taken
36:18from a museum
36:18in Paris
36:19by a young
36:20German soldier
36:21called Joseph Krauss.
36:22The last visa stamp
36:24showed he left
36:24Martinique
36:25at the end of the war
36:26and came to
36:26St Marie.
36:31St Marie Times,
36:32September 27th, 1945.
36:36It's a report
36:37about an unnamed
36:38British soldier
36:39getting into
36:40a fight
36:40with a group
36:41of German
36:42naval officers
36:43and left for dead
36:44near St Vincent's
36:45church.
36:46His body
36:47was never found.
36:48I believe
36:48that soldier
36:49was Walter Godwin
36:50and I think
36:51Joseph Krauss
36:52came across
36:52his body.
36:55Joseph realised
36:56he could steal
36:57his identity
36:58if he could dispose
36:59of the body
37:00without it being found.
37:03a map
37:04of the
37:04St Vincent
37:05churchyard.
37:06That must be
37:07where the real
37:08Walter Godwin
37:09was buried.
37:10He took
37:11Walter's uniform
37:12and papers
37:13and buried him
37:14there
37:14in this grave
37:16so no one
37:17would ever find it.
37:18From that moment on
37:19Joseph Krauss
37:20was...
37:21Walter Godwin.
37:22I guess he
37:22softened his accent
37:23as much as he could
37:24and by the time
37:25he and Sylvie
37:26met
37:26about 15 years later
37:28and he seemed
37:29like the Englishman
37:30she thought he was.
37:31We need to get
37:31a forensic victim
37:32over from Guadalupe.
37:38I'm assuming
37:39Mr Krauss
37:40went to all these
37:41lengths because of this?
37:44The Belshaw diptych.
37:45I mean if the authorities
37:46worked out he stole it
37:48and came looking for him
37:49then with a new identity
37:51they wouldn't find him.
37:52From what I know
37:53he lived a simple life
37:54working as a caretaker
37:56for this school
37:57and when he and Sylvie
37:58met
37:59everyone always said
38:01they truly loved
38:02each other.
38:04That was the day
38:05she retired.
38:07Handed the baton
38:07over to me.
38:11Why have you
38:11got this box
38:12Miss Sylvie?
38:15Sylvie brought it
38:16with her
38:16when she came here
38:17on Friday.
38:18I asked her
38:18if I could keep it
38:19so I could look
38:20into it some more
38:20that's all.
38:21It's entirely innocent.
38:23Not if you didn't
38:24tell us about it
38:24it isn't.
38:25Actually that's suspicious.
38:27Why did you choose
38:28to keep it to yourself?
38:34This school is
38:35everything to me.
38:38And I can't risk
38:39its reputation
38:40being damaged.
38:42It's struggling
38:43enough as it is
38:44financially.
38:46All we have
38:47to keep going
38:47is donations
38:48people's goodwill.
38:49And if it ever
38:50got out that we
38:51had a caretaker
38:52working here
38:52that wasn't
38:53who we thought
38:53he was.
38:55Was a Nazi
38:56soldier who
38:57covered up
38:58a murder.
39:01So you killed
39:02Miss Godwin
39:03to stop all this?
39:04No, no, no.
39:05I'm very sorry.
39:06I should have
39:07told you about it
39:07I know
39:08but
39:10I didn't
39:11kill her.
39:19So if
39:20Joseph Krauss
39:21sold the
39:22Belshazzar
39:22diptych
39:23and had
39:23all that
39:24money
39:24then
39:25why
39:26he never
39:26do nothing
39:27with it?
39:28Never
39:28spend it
39:29nothing?
39:30Perhaps he
39:30kept it
39:31just in case.
39:32I mean
39:32if the truth
39:33ever caught
39:33up with him
39:34then he
39:34had the
39:34means to
39:35change
39:36his identity
39:37again.
39:39Afternoon
39:40Sergeant Thomas.
39:43The trouble
39:44is we're
39:44still no
39:45closer to
39:45working out
39:46who murdered
39:46Sylvie Godwin
39:47and then
39:48managed to
39:49exit the
39:50building
39:50when both
39:51the front
39:51and back
39:52door were
39:52locked
39:53from the
39:53inside
39:54with keys
39:55inside the
39:55lock.
39:59He's
39:59buried here.
40:01My
40:01grandfather.
40:03We believe
40:04so, yes.
40:22Officer Rhodes.
40:24Inspector.
40:25Hey.
40:26Um.
40:28Sorry, I'll just, uh,
40:29take in a moment, you know.
40:33I'll give you some space.
40:34No, no, no.
40:34No, you're all right.
40:36I was just coming in
40:37to see if I could
40:38make any more sense
40:39of it all.
40:40Me too, I guess.
40:42And?
40:44Not much.
40:47Usually,
40:48I find
40:49it
40:50levels me out.
40:52I can feel
40:53peace
40:53here.
40:57Sorry I haven't
40:58been much use
40:58in this investigation.
40:59It's just been
41:00a lot for me, you know.
41:01I mean, look,
41:01we all have cases
41:03that, um,
41:04throw us off balance
41:04from time to time.
41:05When I've had more
41:06than my fair share,
41:07trust me.
41:08Right.
41:09See,
41:09when I'm thrown
41:10by a case,
41:12my brain just
41:14starts
41:15jumping around
41:16like some
41:19itchy-footed
41:20grasshopper,
41:20you know.
41:22Well,
41:24maybe
41:25that is
41:26your
41:26unique
41:27selling point.
41:27So I'd say
41:29embrace it.
41:31Own it.
41:32Don't let it
41:33own you.
41:34In fact,
41:35you know what?
41:36Let's try it.
41:37Let's try it
41:38right now, yeah?
41:39Oh.
41:40We visualise it.
41:41Only this time,
41:42you
41:43are taking the lead.
41:44Okay, come on.
41:45Up you get.
41:46That's it.
41:49Okay.
41:51This
41:51is the
41:52crime scene.
41:53The murder
41:53of Sylvie Godwin.
41:55That door,
41:56the front door,
41:57is locked
41:58from the inside.
41:59The key's in the door.
42:04Sylvie's body
42:05is here.
42:08This big wooden cross
42:09is on top of her.
42:13Now,
42:14come on.
42:15Just freestyle it, yeah?
42:17Just say whatever
42:17your brain wants to say.
42:19Um,
42:20I'm thinking about
42:21when I busted
42:22the door open.
42:24I hurt my arm,
42:25you know?
42:26When I got home,
42:27it was all bruised up,
42:27so I drank some rum
42:29to numb the pain.
42:33what not awesome
42:35means
42:35it was definitely
42:37locked.
42:40Okay, okay.
42:41What else?
42:42Well then,
42:43if you were the killer,
42:45you'd probably prefer
42:46to leave the scene
42:47at the back.
42:49Yeah, yeah,
42:49keep going,
42:50keep going.
42:50So that way
42:51you're less likely
42:51to be seen by others.
42:52So, um,
42:53maybe
42:55we're in the wrong room.
42:57The back room.
42:59Come on.
43:07So what's he saying to you?
43:10This room,
43:11what's it telling you?
43:15Hmm.
43:16What?
43:17Collection box.
43:19It's just,
43:20usually,
43:20it sits right there
43:21under the shelf.
43:23Now it looks like
43:24it's been pulled out
43:25of the COVID.
43:32There's a kind in it.
43:33And that's odd
43:34because?
43:35Because Miss Godwin
43:36empties the collection box
43:38every Sunday
43:39after the service.
43:41Today's collection
43:42passed down.
43:43And she gives
43:43the money to my mum.
43:48So,
43:49this must have been
43:50put in there
43:51after she was murdered.
43:53Which means
43:53well then
43:54the killer
43:55must have put it there.
43:57That won't go in.
44:01The key's in
44:02on the other side.
44:06PM says
44:07the victim
44:08became unconscious
44:09and reckoned
44:10she was hit
44:11by something
44:11with a sharp edge.
44:13Niptych.
44:14A painting
44:14or a carving
44:15on two panels
44:16usually hinge
44:16like a book.
44:18Local art historians
44:19generally leave.
44:21It was brought
44:22to Saint Marie.
44:29Bingo!
44:32Have you solved
44:33the case?
44:33It was actually
44:34Officer Rose
44:35and his
44:36itchy footy
44:36grass upper brain
44:37that solved it.
44:38I did.
44:39That coin
44:40explains everything.
44:42OK,
44:43let's move people.
44:44There's still
44:44some things
44:45we need to do
44:45like
44:46get hold of
44:47a search warrant
44:47and we need
44:48the luminol.
44:49Oh,
44:50and we need
44:50a tape measure.
44:51Why do we need
44:52a tape measure?
44:53To measure something.
45:02Way back in 1945,
45:04a young British soldier
45:05by the name
45:06of Walter Godwin
45:07was killed
45:08here on Saint Marie.
45:10His identity
45:11was stolen
45:12and his body
45:13was hidden
45:14in someone
45:15else's grave.
45:16Now,
45:17finally,
45:18thanks to
45:19Sylvie Godwin
45:19and the discovery
45:21of this box,
45:22that young man
45:23can get the proper
45:25burial he deserves.
45:28Which brings us
45:29to the crime
45:30in the present.
45:31Sylvie Godwin's
45:32murder
45:33at St. Vincent's
45:33church on Sunday.
45:35And although
45:35it occurred
45:36many years
45:37after Walter Godwin's
45:38murder,
45:39this little wooden
45:39box in its contents
45:40helped solve
45:41this murder as well.
45:45We know
45:45from the post-mortem
45:46that Sylvie
45:47was hit
45:47with a sharp object.
45:48This spray,
45:49luminal,
45:50it takes traces
45:51of blood.
45:52And this proves
45:53that there was
45:53blood on the box
45:54recently,
45:55as you can see here.
46:00Now,
46:01we have another time
46:03to carry out
46:03the relevant tests.
46:05But when our lab
46:05compares this blood
46:06with Sylvie's,
46:08I'm confident
46:09they'll match.
46:10And as this box
46:11has only been
46:11in one person's
46:12possession since
46:13the murder,
46:13it has led me
46:14to believe
46:15that Sylvie Godwin's
46:16killer was
46:18Yasmin Seeley.
46:23What have you done?
46:26That's not true.
46:29Someone else
46:30must have taken it
46:30alone.
46:32Don't worry,
46:33Miss Seeley.
46:33We'll be coming
46:34to this in a minute.
46:38Throughout this case,
46:39we've worked
46:40on the assumption
46:41that Sylvie Godwin's
46:42husband,
46:43real name
46:43Joseph Krauss,
46:45had sold the painting
46:46he had stolen,
46:47which explains
46:48why he had
46:49so much money
46:49in his bank account.
46:51Well,
46:51it's half the truth
46:53because
46:53the unique
46:54defining thing
46:55about a diptych
46:57is that there are
46:57two halves to it.
46:59diptych.
47:00A painting
47:01or a carving
47:01on two panels
47:02usually hinge
47:03like a book.
47:03And we now know
47:05that Joseph Krauss
47:07sold only one half
47:09of the Belshaw diptych
47:10and he kept
47:12and he kept
47:12the other half.
47:20Witness me.
47:23Now,
47:24we'll never fully know
47:25why Joseph
47:26separated the two panels.
47:28My sense is that
47:29he was someone
47:29who liked to hedge
47:30his bets,
47:31be prepared
47:32for all eventualities.
47:33I think that's partly
47:35why he never
47:36spent any of the money.
47:37Plus,
47:38having to explain
47:39to his wife-to-be
47:40how he came into
47:41such major coinage
47:43would mean
47:44admitting to the
47:45theft of this
47:45famous piece of art
47:47and also being
47:48an imposter.
47:49So,
47:50Joseph held on
47:51to the money
47:52and the picture.
47:54So,
47:55where has it been
47:56the last 80 odd
47:58years and so?
47:58Hanging on the wall
47:59of the headmistress's
48:01office
48:01at the St. Vincent's
48:03Primary School,
48:04which is now
48:06your office,
48:07Miss Seeley.
48:12Joseph Krauss
48:13must have put it there
48:14during his years
48:15as caretaker.
48:16And no one ever
48:17thought anything of it.
48:19This faded
48:21religious icon
48:22hanging on the wall
48:23of a church school
48:24surrounded by
48:25other religious images.
48:28Earlier today,
48:29Miss Seeley,
48:29when we talked
48:30in your office,
48:31That was the day
48:32she retired.
48:33I saw that framed
48:34photo on the wall
48:35of Sylvie and Walter
48:37and I happened
48:38to notice
48:38the outline
48:39of a larger rectangle
48:41around that frame
48:42where the paint
48:42hadn't faded.
48:44Clearly,
48:44another picture
48:45had previously
48:46hung there
48:46for some time.
48:47I didn't think
48:48much of it at first
48:50but I had it measured
48:52and guess what?
48:53It was 50 centimetres
48:55by 30 centimetres.
48:58The exact same dimensions
49:00as one half
49:01of the Belshaw diptyn.
49:02Each panel measures
49:0350 by 30 centimetres.
49:06That's why
49:07Mrs Godwin
49:08came to see you
49:08when she found
49:09the box
49:10and realised
49:11what was hanging
49:12on her old office wall.
49:15We can't keep it.
49:17I'm going to let
49:18the police know.
49:19But you didn't agree,
49:21did you?
49:22You told us
49:23your school
49:24was struggling
49:25for money
49:25but we had
49:26a bit of a dig
49:27and it's
49:28worse than that.
49:31You've not drawn
49:32a salary
49:33in the last
49:33six months
49:34to keep it going.
49:36You said yourself
49:37the place
49:37meant so much
49:38to you
49:39and so the prospect
49:40of getting millions
49:42of dollars
49:42just landing
49:43in your lap,
49:45well,
49:46you just weren't
49:47willing to give
49:47that up.
49:49And so,
49:50after driving home
49:51to pick up food
49:53for Lorette's
49:54lunch gathering,
49:55you returned
49:55to the church
49:56to plead with Sylvie
49:57one more time.
49:59Please don't do it.
50:01That money,
50:02it could help
50:03the school so much.
50:04It could help
50:05me!
50:06Sylvie wasn't
50:06for turning,
50:07was she?
50:08I'm desperate!
50:09As Officer Rose said,
50:11she always tried
50:12to do good in life
50:13and she wasn't
50:14about to stop now.
50:15Sorry.
50:17So in that moment,
50:18desire for the money
50:19got the better of you
50:20and you decided
50:21you were going
50:21to stop her.
50:22I assume Sylvie
50:23had that box
50:24with her in the church
50:24that day
50:26and this box
50:28was your weapon
50:29of choice.
50:32And once you used
50:33it to kill her,
50:34you made it look
50:34like there'd been
50:35some tragic accident.
50:44How could you?
50:48Now,
50:49knowing that the
50:50front door of the church
50:51had already been locked
50:52by Mrs. Godwin,
50:53you made your escape
50:54via the rear
50:55using the church's
50:57spare backdoor key
50:58that you took
50:59from the back room
51:00to lock the door
51:01from the outside
51:03and placing
51:05this little coin
51:06in the lock.
51:14It's locked.
51:15So that when you returned
51:17with Officer Rose
51:18and Lorette...
51:19That won't go in.
51:20...and with the little
51:20play acting,
51:21it would seem
51:22like the door
51:23was locked
51:23from the inside.
51:25The key's in
51:26on the other side.
51:27Then when Officer Rose
51:28and his mum
51:29headed round to the front,
51:30you lingered briefly
51:32and proceeded
51:33to open the door
51:34with the church's
51:35spare key,
51:36pushing this coin
51:37out in the process
51:38and then inserting
51:39that key
51:41inside.
51:44All you had to do
51:45was find a moment
51:46to actually lock it.
51:48OK, thank you.
51:50Ambulance is hard to speak.
51:53Seeing the coin
51:54on the floor,
51:55you picked it up
51:58and without
51:59your bag
52:01or purse,
52:03you disposed
52:04of it
52:04in the collection box.
52:09And then actually
52:10locked the back door
52:11with the key.
52:15It was very clever
52:16of you,
52:17making it look like
52:18Sylvie was on her own
52:19in the church
52:20when she had
52:20that fatal fall.
52:22One might say
52:24devilishly so.
52:26But you see,
52:27Sylvie was so determined
52:28that the truth
52:29would come out
52:30that even after her death,
52:31her desire to
52:32put right
52:33a decades-old wrong
52:35finally won out.
52:36this arrived
52:38for me
52:38in the morning post.
52:44Officer Rose,
52:46I think Mr. Rest
52:47has your name on it.
52:53Get up.
52:56He has me, Sylvie.
52:58I'm arresting you
52:59for the murder
52:59of Sylvie Godwin.
53:01You don't need to say anything.
53:03You don't need to say anything.
53:04So you don't want to make sure
53:04you're going to show it.
53:05Christian's one thing.
53:06I'm going to show it your heart.
53:11I'm out of course.
53:12Excuse me, Serge.
53:13I'll do a second.
53:16Sylvie, I'll do a second.
53:33poor sylvie and just for money i'm sorry for getting it wrong no you haven't seen me at my
53:44best on this case that's not what your inspector told me he said it was because of you that it
53:51all
53:51got solved which is even more impressive considering you had other things to deal with
53:58like your mother keeping secrets and honestly mom i think it's helping you moving on i don't think
54:06you should be getting old and lonely and just focusing on me and the church you know you deserve
54:12happiness too you all right yes i so you like him
54:27then i'm pleased for you but you do know that all that money he inherited from the stolen painting
54:34you won't be getting none of that you know i'm not asking for his money
54:38well seriously though i mean he seems like a good guy with him shiny head
54:48see you sunday we won't be late this time try my best
54:57love you love you
54:59all right that's the hockey this is where you throw from
55:16you get three throws each and then it's the next player's turn all right let's get it started
55:23game on round one
55:30shut you i thought you were supposed to hit the board inspector yeah yeah i think there's something
55:35off with the flyer it's all right not to worry we got this sir
55:42sir you are really bad at this no it's not me honestly it's it's the dance you know you're giving
55:48off some real bad loser vibes right now maybe you should let the commissioner take the last
55:52role it's not his turn yet with respect now if you just stop talking then i can throw properly all
56:06all right
56:06there you go so
56:10so so that's two points is it
56:20just two points for our team wow just a bit rusty that's all you want to join our team commissioner
56:28i mean i don't think any of us are going to be
56:58so
56:59you
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