Hermanas, Un Amor Compartido – Capítulo 11 (Episodio Completo)
En el capítulo 11 de Hermanas, Un Amor Compartido, los conflictos emocionales continúan intensificándose. Las diferencias entre las protagonistas se hacen más profundas mientras nuevos secretos amenazan con romper los lazos familiares.
Las decisiones tomadas en este episodio podrían cambiarlo todo, con momentos llenos de tensión, romance y enfrentamientos inesperados.
Disfruta el episodio completo en español y sigue cada giro impactante de esta apasionante historia.
Ideal para fans de:
✔ Drama familiar
✔ Romance intenso
✔ Rivalidades entre hermanas
✔ Series en español
#HermanasUnAmorCompartido #Capitulo11
#EpisodioCompleto #SerieEnEspañol #Drama
En el capítulo 11 de Hermanas, Un Amor Compartido, los conflictos emocionales continúan intensificándose. Las diferencias entre las protagonistas se hacen más profundas mientras nuevos secretos amenazan con romper los lazos familiares.
Las decisiones tomadas en este episodio podrían cambiarlo todo, con momentos llenos de tensión, romance y enfrentamientos inesperados.
Disfruta el episodio completo en español y sigue cada giro impactante de esta apasionante historia.
Ideal para fans de:
✔ Drama familiar
✔ Romance intenso
✔ Rivalidades entre hermanas
✔ Series en español
#HermanasUnAmorCompartido #Capitulo11
#EpisodioCompleto #SerieEnEspañol #Drama
Categoría
📺
TVTranscripción
00:25Subscribe to the channel!
00:30You already knew that Rebecca was released from prison.
00:36How did you find out?
00:37Well, how am I supposed to find out?
00:39Well, when I went to the prison, they told me that he had been released a few days ago.
00:44That's why you were being so mysterious, right?
00:46The day you brought me the package that your mom was going to take to him.
00:50And that's why you asked me not to tell him anything.
00:52Don't play dumb.
01:17Who?
01:21Who?
01:22It's me, godmother!
01:25No, please.
01:27Don't say anything to him.
01:29Please, godmother, I beg you.
01:30Rebeca doesn't want us to tell the family anything.
01:32Please.
01:34Godmother.
01:36Monica, think like your mom.
01:39Think about it: your mother hasn't seen Rebecca in 18 years.
01:4318 years without seeing his daughter.
01:49Please.
01:53Go!
01:56Oh!
01:58Godmother, I think you didn't want to open the door for me anymore.
02:01Oh, how could I not want to open it, man!
02:03I was just giving him some things.
02:05Please sit down.
02:06Hello my love.
02:07I brought you the bread.
02:09Oh, thank you.
02:10We'll all eat it together right now.
02:12Yes, seashells.
02:14So delicious.
02:15Oh, my love, you look beautiful.
02:18And now?
02:19Yes? Do you like it?
02:20You look beautiful.
02:21What a beard!
02:21Oh, well, he gave me some little blouses, sweetie.
02:24Oh, how beautiful!
02:25I thought I'd find her awake, but oh well.
02:28I was crying and crying until he fell asleep.
02:31Well, you can imagine.
02:34Oh, my little one.
02:38Oh, my love.
03:02Thank you, godmother.
03:03Hey, you can teach me how to shop online later.
03:05I find it very difficult.
03:06It's not funny at all.
03:07It's so easy it's scary.
03:09It's scary.
03:10Thank you.
03:15Are you okay, Mom?
03:17Yes I'm fine.
03:18Let's go.
03:20Bye, Conchita.
03:21Goodbye, my love.
03:23Goodbye, my love.
03:25Thank you.
03:28Thank you.
03:38Can?
03:40Hello.
03:41Yes, come on in.
03:42Thank you.
03:45So what's up?
03:46How's it going?
03:47How's everything going?
03:49Well, I haven't had a good day.
03:52A friend I love very much played a dirty trick on me.
03:56It doesn't feel very bad.
03:58If you like, we can go for a drink or dancing to help you unwind.
04:02I'll give you a taste of your own medicine, okay?
04:03It's just that, really, no, I don't feel like it.
04:06I'm even going to accept an invitation that a friend made me.
04:08With who?
04:10Someone.
04:11He helped me since I got out of jail.
04:14And is he handsome?
04:15Is he polite?
04:16Is he intelligent?
04:18Is he/she friendly?
04:18All, everything, everything, all of that.
04:21Oh.
04:22But, alas, no.
04:23No, no, no, sister.
04:24That man is a treasure.
04:25You can't afford to cancel him.
04:27There aren't men like that anymore, are there?
04:28They no longer exist.
04:29Honestly, I don't want to.
04:30You have to go.
04:31I don't feel like it, I don't want to.
04:32Besides, I don't feel like going out either.
04:35No, look, you're paying me.
04:37That's the least of it.
04:38Do you have a dress?
04:39Ah, I'll lend you one if you bring it, okay?
04:41No, wait, are you sure?
04:42No, really, let's get you fixed up.
04:43You can't cancel it, you can't afford that luxury.
04:45Also, I have some really nice little boots.
04:47Okay, now explain it to me, please.
04:49What's this about me having a granddaughter?
04:52It turns out that before I went to London,
04:54There was a party, one night, the night before.
04:57And I met a girl there and we got pregnant that night.
05:02But I didn't know.
05:04What do you mean you didn't know?
05:06That?
05:06Did he never tell you?
05:07In other words, she looked for me, she looked for me,
05:10But he didn't find me.
05:11He went to my dad and told him,
05:15And then he's my dad.
05:16the one who has been hiding all this for years.
05:21And now where is she or what?
05:23No, I don't know.
05:25Oh, son, what if you're sure it's yours?
05:29I don't want to swim, I'm tired.
05:31That?
05:34I don't like it, Mom, I don't want to.
05:38Mother!
05:40No, Mom, I don't like it!
05:47What happened?
05:55Come here, no, I'm walking, Dad.
05:59Mom, I'd better not tell you what I think.
06:00because I don't sleep like that.
06:14Thank you.
06:20Hello.
06:28Hello.
06:33Camilo?
06:35You look beautiful.
06:40Let me help you.
06:45Thank you.
06:52Wine.
06:54Yes, of course, yes.
06:56Thank you.
06:57Thank you.
07:07Did you see her being beautiful?
07:09I'm not going to get tired of saying it.
07:12I'm not going to lie to you.
07:14I was in a really bad mood and almost cancelled on you.
07:17But fixing myself up did help, yes.
07:21It lifted my spirits.
07:24Why did you almost cancel?
07:25Did something happen to you?
07:26Did someone do something to you?
07:27Tell me, I can fix it, okay?
07:28There's no problem.
07:29Just tell me who it is and...
07:30You...
07:32It's a problem I have with Marcela.
07:35because I discovered that he betrayed me.
07:39He gave information to my worst enemies,
07:43to my daughter's father and grandfather.
07:45And now I think they can find it.
07:48I thought I was your best friend.
07:49But I also thought she was my best friend.
07:52And can you believe all those years in prison?
07:54that I paid to defend her?
07:56Hey, you can come live at our house.
07:59There's no problem.
07:59You'll be safe there.
08:00No, no, no, no.
08:01Camila.
08:02Camila.
08:03If we are going to work together,
08:06Our relationship will only be that of boss and employee.
08:09Please.
08:10Well, but first we're friends, right?
08:12Yes, but the thing is, I wasn't your employee before.
08:16Please, Camila, accept your limits.
08:19As long as I work with you, that will be my first condition.
08:24Alright.
08:25Alright.
08:25I accept it.
08:26Yeah.
08:29All good.
08:30Good evening, Camilo.
08:33Cardigan.
08:33Excuse me.
08:34Good night.
08:35Good night.
08:36I prepared a salmon nun with fine herbs for them
08:39with a slight hint of citrus
08:42and as a side dish, sweet potato puree with butter.
08:46A little bit of pickled asparagus.
08:48I hope you enjoy it.
08:51Thank you, thank you.
08:52I think this is going to be very difficult to overcome, Humberto.
08:55Yes I know.
08:57Yeah.
08:57Permission.
09:01I want you to know that while you work here at the restaurant
09:04You'll be safe.
09:06Nothing will happen to you, ever.
09:10Thank you.
09:11I promise I won't let you down.
09:16Cheers to that.
09:21Health.
09:29I really don't like the grandfather's foolish attitude.
09:32And I feel awful when you talk to Grandma.
09:35Oh, my love, what can I say?
09:36I know.
09:37But if she doesn't do anything, what are we supposed to do?
09:40Well yes.
09:44Ma, were you serious when you said
09:45If my grandfather doesn't let me go to university,
09:47Are we going to leave the house?
09:48Yes of course.
09:50All we have to do is save
09:52to be able to have a good place.
09:54Okay, then let me help you.
09:56Can I charge Sara for writing her biography?
10:00Look, you just focus on studying,
10:02in doing what you have to do.
10:04And I'll take care of the rest, okay?
10:07AND...
10:09I'm very sorry to tell you,
10:11But the truth is...
10:13I don't have a good feeling about Sara.
10:17Okay, don't worry about it.
10:19I don't want to stress you out any more.
10:20You should rest and then we'll talk about it, okay?
10:34I have an 18-year-old daughter,
10:35I just found out, I just...
10:37And they told me he lives here.
10:49The empty house, the coldness of the room,
10:54the bed was made up and nobody was in the armchair.
10:59And now life forces me to lose.
11:11I have to let you go, and it hurts to understand.
11:20And even if I cry and cry again,
11:27It will never be enough, nor will it ever be.
11:33And although time may pass,
11:44because there are souls that will never be let go.
11:52Because there are souls that will never be let go.
12:04Because there are souls that will never be let go.
12:25What happened, Mom?
12:26Hello, my love. Am I interrupting you?
12:29No, man, no, you're not interrupting.
12:30Yes, I'm finishing composing a song here.
12:33I'm going to grade some exams later, but tell me.
12:35Oh, you have no idea how happy that makes me.
12:37Knowing that you are rediscovering your passions, my love.
12:40I just wanted to ask you
12:42the possibility that you might go tomorrow
12:44to the foundation in the morning,
12:46Because, you know, I need to talk to you, my love.
12:50I'm very worried about Alonso.
12:52Hey, but the Azul thing is still on.
12:54No, not until that day, nor how to help her, my love.
12:57He filled his entire afternoon with classes.
12:59He doesn't have a single free minute, imagine.
13:03I'll talk to you later.
13:04Don't go, Silberio.
13:05We need to talk about Alonso.
13:08Your son is selfish.
13:10He doesn't think about what's going to happen
13:11if Lia finds out she has another daughter.
13:14Explain to me why in so many years
13:16You never told me we have another granddaughter.
13:19Because I didn't know anything either.
13:21Alonso told me that the only one who was
13:23You are aware of its existence.
13:25I thought I hadn't been born.
13:28I only recently learned that it existed.
13:31Don't ask anymore, woman.
13:33It was just a youthful accident for Alonso.
13:36What should concern us is that they want to get a divorce.
13:38Look, don't change the subject, Silberio.
13:41And just answer me, why didn't you tell me?
13:45All I tried to do was protect us all,
13:47starting with Alonso.
13:49I don't want to hurt you,
13:52But I don't want to keep lying to you either.
13:55What are you taking about?
13:56Silberio no...
13:58Even though it hurts.
13:58Even though it hurts.
13:59It's better that you know the truth.
14:01Look.
14:02You are scaring me.
14:03Sit down, sit down.
14:05Let me explain.
14:05Okay, explain it to me.
14:07Yeah.
14:08That woman, Rebecca,
14:11Alonso's daughter's mother,
14:15She is Francisca's murderer.
14:17She ran over your children's nanny.
14:20What are you saying?
14:22Ah, yes.
14:23That day he came to tell me
14:24that she was pregnant with Alonso's child.
14:26I explained to him that he had gone to London
14:28and I asked him to wait so I could talk to him about it.
14:31He didn't believe me.
14:32He thought she was hiding it.
14:34She went crazy.
14:35He started shouting that he was going to get revenge.
14:38And when I saw Francisca,
14:40That savage woman ran him over with her car.
14:43That's all.
14:44And why didn't you ever tell me, Silberio?
14:46Why don't you act like that, love?
14:49The law did justice.
14:51That woman ended up in jail.
14:53When I went to see her
14:54to try to verify
14:55if he was telling the truth about the baby
14:57and take responsibility.
15:01Told me
15:03that had terminated the pregnancy.
15:06Serious?
15:07Yeah.
15:08Clear.
15:10That's why we cannot allow
15:11that he approaches Alonso.
15:13Exact.
15:14Exactly, but...
15:17I don't know if that creature is alive,
15:19Well, it's not her fault.
15:21Yeah.
15:21Oh, how Silberio has grown!
15:24Poor.
15:24I do what I think is best
15:25for everyone.
15:29And if to keep safe
15:30to my children
15:31The price is that he moves away.
15:33I accept it.
15:38Yes, yes, yes, Alonso.
15:40Alonso has to stay
15:42away from that woman.
15:43Yeah.
15:44But I do want to help Alonso
15:46to find his daughter.
15:48Well, if you suggest,
15:49We will do it that way.
15:49But please, leave it to me.
15:53We'll find the right time.
15:55to tell him
15:56Who kills poor Panchita?
16:00Oh, my love.
16:11I want you to know
16:12that while you work here
16:13at the restaurant
16:15You'll be safe.
16:16Nothing will happen to you.
16:17Never.
16:29After a crazy day
16:30I was able to submit my essay
16:31for the call
16:32to meet with students
16:33of Hispanic letters
16:34in Madrid.
16:35I confess
16:36I'm dying to go.
16:38But it's a dream
16:39almost impossible.
16:55And so I grabbed it,
16:57I put it on a bracelet
16:58Because, I don't know,
16:59It gave me like something
17:00And now it's my lucky charm
17:01lucky.
17:02It's all the same to me.
17:03For me too
17:04This has always been
17:05very special.
17:06He can't,
17:07I can't believe it.
17:10Hello my love.
17:11Good morning.
17:12Good morning, ma.
17:13How are you?
17:14Good.
17:14Did you talk to my dad?
17:16Hey,
17:17We'll talk about that later.
17:18No, here's the important thing
17:19Do you know what it is?
17:20understand
17:21that everything he does
17:21your dad
17:22It's for your own good,
17:23for the good of the family.
17:25I'm going to the foundation
17:27to see Patrick
17:27to talk about the book.
17:28Do you want to come?
17:29So, he didn't tell you
17:30Something very important?
17:33Very important,
17:34as well as very important,
17:35Like what?
17:37No, well, he didn't tell you.
17:39Hello,
17:39Excuse me for interrupting,
17:41But it's because Azul
17:41He doesn't want to wake up.
17:43As?
17:43I think it's
17:44very tired
17:45by all classes
17:46which he had yesterday.
17:47Which classes?
17:48Ah,
17:49I thought that already
17:50I told you, Lia,
17:51that put
17:52Blue to class C,
17:53swimming,
17:54riding,
17:55He doesn't have a free minute,
17:57poor thing,
17:57That's why it's sold out.
17:59I'm going to talk to Lia.
18:01Well, let it be missing
18:02to school one day,
18:02no problem,
18:03Rest well.
18:04Well.
18:05Look,
18:06Here it comes.
18:07Chiquilingua!
18:08My love.
18:10What happened?
18:12I'm sleepy.
18:13Dream?
18:14But if you run out
18:14of waking up.
18:16Okay, okay.
18:19Venita,
18:20juice and fruit
18:20to his room,
18:21please.
18:22Yeah.
18:29Up Ju,
18:29Up Ju,
18:30The little song has already sung.
18:32Oh no, Mom,
18:33Oh no, Mom,
18:34It's very early.
18:36Already.
18:37Let's see,
18:37no, no, no.
18:38No, not anymore.
18:39Get up,
18:40You have to go to university.
18:41That?
18:42Am I in your way?
18:43No no,
18:43You're not in my way.
18:44Let's see,
18:45Didn't you tell me?
18:45that you wanted to know
18:46to rich boys
18:47and handsome
18:48like the one you told me about
18:49the other day?
18:50Saul?
18:51Oh, I would stay
18:52because a millionaire
18:53I got in his car
18:55and take me for a walk.
18:56The last time
18:57that I went
18:58It was on a trajinera (a type of boat).
19:00Okay, that's enough, girl.
19:01Really, now,
19:02You're getting late.
19:03Okay, let's go,
19:04come on.
19:12Are you sleepy?
19:14Yes, a little bit.
19:15I was left
19:15all night
19:16doing the rehearsal
19:17from Madrid.
19:18But I know that
19:20even if I win
19:20I'm not going.
19:21Why not?
19:22No, Mom,
19:23because it's extremely expensive,
19:25very expensive.
19:27Unless
19:29ask him
19:29a loan
19:31to
19:33your boss
19:34who is very friendly,
19:37loving,
19:37good person,
19:38gentlemanly,
19:40Or do you have no opinion?
19:41same as me.
19:44Okay, fine.
19:45Alright,
19:45it's a joke.
19:46I know what you're going to say.
19:47I know he has a wife
19:48And I know she has a daughter,
19:48But please,
19:49for my mental health,
19:51Let me know if you're interested.
19:51Or do you like it?
19:52whatever.
19:55Let's go have breakfast.
19:57Tell me one thing,
19:58of the classes
19:58the ones you went to yesterday,
20:01Which one did you like?
20:04The truth,
20:05none.
20:07But you have to exercise,
20:09That's really good.
20:10Let's see,
20:11What sport
20:12You're craving it
20:14practice?
20:15Karate,
20:16as my friend
20:17She was Miss.
20:18Karate,
20:19Okay,
20:19noted.
20:21Very good.
20:22I have a plan for you.
20:25Do you want to come with me?
20:26to work?
20:27Yeah.
20:28Well,
20:29What do you think?
20:30Let's go to the office
20:31a little while
20:31and then we look
20:32Karate classes
20:33around there
20:33and maybe
20:34Shall we go into one?
20:35Yes, yes, yes, yes, yes.
20:36You're going,
20:37perfect.
20:38Let's do that.
20:39Ah, look, exactly.
20:40So we can start preparing,
20:42Let's get ready.
20:43Thank you, Benita.
20:44What did you bring?
20:45You?
20:46Well,
20:46I want to introduce you
20:47to the new assistant head chef,
20:49Miss Rebeca Olmos.
20:52Rebecca is going to work
20:53directly with Humberto,
20:54So please,
20:55Support her in every way you can,
20:56Yeah?
20:57Thank you.
21:00Well,
21:02hello,
21:02I hope to be
21:03a good companion.
21:05When I make a mistake,
21:06whatever,
21:07please,
21:08Have complete confidence
21:09to tell me
21:10whatever they want.
21:12I'm a little nervous,
21:14Sorry, me.
21:14But I'm very happy,
21:16This is my passion
21:17And it's the first time
21:19What do I have to tell you?
21:20what a job
21:20in a kitchen
21:21so big
21:21and so important,
21:22But I'm here for all of you.
21:25Welcome, chef.
21:26I'm Esteban.
21:27Welcome, chef.
21:28I am Flor.
21:29Hello, Flor.
21:30Hello.
21:31Welcome, chef.
21:32Welcome.
21:32Welcome.
21:33Welcome, chef.
21:35How are you?
21:37Hello good.
21:39Kitchen,
21:40We're seven minutes late,
21:41Get to work.
21:43Okay.
21:43Yes, chef.
21:44Chef, Rebecca,
21:45Will you accompany me?
21:45to deliver a report to them,
21:46please?
21:47Humberto.
21:49I noticed you were hard yesterday.
21:51with Rebecca.
21:52I want you to understand this clearly.
21:53that nobody can treat Mari.
21:56Any problem?
21:58None.
22:00And do you have a problem?
22:03Great care.
22:14Good morning love.
22:16Not even aware that Azul
22:18He didn't go to school, did he?
22:19No, not really.
22:21But that's what Benita is for.
22:22I'm depressed,
22:23I don't want to get out of bed
22:25Why do you want to leave me?
22:27Of all the activities
22:28the ones you took her to,
22:30She's not going to any of them.
22:31By?
22:31Because he didn't like them.
22:33But it is extremely important
22:34that he exercises
22:35And you're going to take care of her
22:36In the afternoons, or what?
22:37It's not about
22:37to keep her entertained,
22:39It's about him doing
22:40something he likes
22:40And that's karate.
22:42That?
22:43Let's see,
22:44karate is for the child,
22:45How does my daughter do karate?
22:46Yes, so that he can defend himself.
22:47of people
22:48that they mistreat her.
22:49Oh, ridiculous.
22:51So,
22:53Are you going to karate?
22:54No.
22:54Okay?
22:54And since he didn't go to school today,
22:56He's going to be with me.
22:57Do whatever you want.
22:58Hey,
22:59A favor, wouldn't it?
23:01Just don't go.
23:01to take with your lover,
23:02please.
23:11Aura,
23:12Can you come here for a little while?
23:13Yeah.
23:14I'll wait for you.
23:15Yeah.
23:19Tell me.
23:20I didn't know your mom
23:21I worked at my publishing house.
23:23Ah, yes,
23:23I already knew.
23:26In fact,
23:26You're the owner, aren't you?
23:27of Deep Blue.
23:29It's my favorite publisher.
23:30Oh, really?
23:31Yeah,
23:31I just didn't want to tell you anything.
23:33because I didn't want you to think
23:35I wanted to give you a shave.
23:37or something like that.
23:38No,
23:38in fact,
23:38The owners are Alonso,
23:40my brother and I.
23:41I'm sure you already knew that.
23:42Yeah,
23:43Alonso is a great guy.
23:44I'm raising him well.
23:46How's the rehearsal going?
23:47Good,
23:48I finished it last night.
23:49Do you want to read it?
23:50I'd love to.
23:51Can't.
23:52Remember that I'm on the evaluation committee.
23:53Well,
23:54But promise me that as soon as it's over
23:56Are you going to give me your honest opinion?
23:58Yeah,
23:58that's what it will be like.
23:59I hope he selects you.
24:01Really,
24:02Going to that event will be useful to you
24:03for your training as a writer.
24:06Oh,
24:06I'd love to,
24:07But even if he won,
24:08I don't think I can go.
24:10My mom doesn't have enough money for that.
24:13We'll have to give him a raise.
24:16Okay.
24:18See you later.
24:19Careful.
24:19Come on.
24:20Come on.
24:28Hello.
24:29Hello,
24:30lovely.
24:31How are you?
24:32Good.
24:33Didn't you have school today?
24:34No,
24:35because it's a father and daughter day.
24:37Oh,
24:38how beautiful.
24:39Let's check pending items
24:40And I'm leaving quickly.
24:41to make the most of the day with me.
24:43Of course.
24:44Of course, sir.
24:45Hello,
24:45good morning.
24:47Oh,
24:47Who is this pretty girl?
24:49I am Azul Bernstein,
24:51Alonso's daughter,
24:53the director of this office
24:54and its director.
24:56Yeah?
24:57Is my dad also your boss?
24:59Yeah,
24:59He's also my boss.
25:01And what are you doing here?
25:02Here I am a designer.
25:04And what do the designers do?
25:07The designers.
25:08Shall we draw?
25:09Do you like to draw?
25:10Yeah.
25:11Yeah?
25:11Oh ok,
25:12Well, if you want, you can come with me.
25:13to the office and we drew.
25:14What do you think?
25:15Yeah.
25:16Yeah?
25:17Well,
25:18come on.
25:19Super,
25:19thank you.
25:21We checked pending items,
25:22No?
25:22Can you give me two minutes?
25:23please?
25:24Yeah.
25:24Yeah?
25:25Thank you,
25:25thank you.
25:26I'll give you good.
25:34Lady?
25:34Hello, Dulce.
25:35What's new for me?
25:37Yeah.
25:38Well,
25:38sirs,
25:39as a main course
25:40We're going to make a lentil stew
25:41with small hallucinogenic juices.
25:43Can I make a suggestion?
25:46Something,
25:46I don't know,
25:46a little more Mexican.
25:48Something more Mexican
25:49than lentils.
25:50Good.
25:50That?
25:51Well,
25:51I thought it might be
25:53a broad bean cream
25:54with pasilla chili powder
25:55and prickly pear cactus,
25:56For example.
25:58That's a great idea.
26:00No.
26:01Furthermore,
26:01Go to the refrigerators,
26:02Let's see if we have
26:03all the ingredients
26:04for salads.
26:05Around there.
26:05Let's get to work!
26:06boys.
26:07Hey,
26:07about what?
26:13Felipe,
26:14need
26:14help me
26:15namely
26:16every movement.
26:17I already sent it to you
26:18to your cell phone
26:18where do the mornings go,
26:20where do the afternoons go,
26:21so that,
26:21please,
26:22Don't stop following him.
26:23Count on it,
26:24I'm sending you photos.
26:25But it would help me a lot.
26:26know what you are looking for
26:28exactly.
26:30Yeah,
26:30He is unfaithful to me.
26:31And I'm sure
26:33what does that have to do with it
26:33with someone from the office,
26:34so there
26:35is where we have
26:36to put less.
26:37Alright,
26:38That's what I do for a living.
26:39But so what?
26:41I already transferred you
26:42in the morning.
26:43Ah.
26:46Very good.
26:48Well, let's get to work.
26:49Excuse me.
26:50Thank you.
26:58Hey,
26:59turns around very discreetly,
27:00But here it comes
27:01your cousin Julia
27:02with Saul,
27:03very huggable.
27:05Bring my dress,
27:06my refusal.
27:07She's the one who won me over.
27:08Hi!
27:08Hi!
27:09Hi!
27:11And what are you doing here?
27:12Nothing,
27:13I came to talk
27:13with the director
27:14to see if it lets me
27:15enter as a listener.
27:16Oh, how wonderful!
27:17Do you have an appointment?
27:18Yes, yes,
27:19I have an appointment.
27:19Oh, congratulations!
27:21Hey, listen,
27:21What are you?
27:22so studious?
27:23Why don't you see them?
27:24learning
27:24in the stain
27:25or something like that?
27:25Or the capitals.
27:27The thing is?
27:28The capital cities.
27:30Ah,
27:31And do you know them?
27:32Obviously.
27:33Uh-huh.
27:34Let's see, Spain.
27:35Madrid.
27:36USA.
27:37Las Vegas, baby.
27:38Italy.
27:39Milan.
27:40Canada?
27:41Niagara Falls.
27:43No.
27:43No, no, no,
27:44How intelligent you are.
27:46Wow, Saul.
27:49Hey, Julia,
27:49I love your top.
27:51Oh, thank you so much,
27:52It was given to me as a gift.
27:53You look divine,
27:55but divine.
27:56Hey, do you think I can
27:56steal a second?
27:58Oh, of course, cousin,
27:59My time is everything.
28:00Oh, how beautiful.
28:02Neni, I'm going with my pack,
28:03Hey?
28:03Yes, yes, yes.
28:04Come, just for a little while.
28:05My pack.
28:06Oh, come here,
28:07I want to talk.
28:08Julia,
28:10Why did you grab my blouse?
28:12Oh, now,
28:13Don't make things up.
28:14How long has it been?
28:15Can we lend each other clothes?
28:15From the age of three?
28:16Don't start
28:17with your generation thing
28:18glass,
28:19creating drama.
28:20Oh no, no, please.
28:21Okay, fine.
28:22It doesn't matter, use it.
28:24Just go with the director,
28:25Talk to him,
28:26Give them the listening privileges
28:28And please,
28:29Do something good for yourself.
28:31Me too, cousin.
28:38Let's see,
28:39I have serious doubts
28:40that Alonso is a womanizer.
28:42And if in the last
28:43of the cases
28:44He is unfaithful.
28:45for your dignity
28:46You should quit already.
28:48Divorcee,
28:49You put it in.
28:51Abandoned and cuckolded,
28:53first dead.
28:54Let's see,
28:55What's it to you?
28:55what people say
28:56or what I think?
28:58Hey?
28:59Living with someone without love,
29:00Believe me, it's torture.
29:02And furthermore,
29:02I think you're
29:03harming your daughter a lot.
29:04You don't think about that.
29:06Look how ugly it is!
29:07How awful that your best friend
29:08be incapable
29:09to support you,
29:10to understand you.
29:11How awful.
29:12Let's see,
29:13I understand you
29:14And I adore you.
29:15And because I'm your friend,
29:16I'm telling you things as they are.
29:18Wait, wait, wait.
29:21Hi friend.
29:22A coffee?
29:29What a beautiful visit!
29:30have.
29:31Hello,
29:32I am Blue,
29:33Alonso's daughter.
29:34Hello,
29:35I am Norma.
29:38My dad
29:38Is he your boss too?
29:39Yeah,
29:40And Patricio too.
29:41And you're the same.
29:42more beautiful than them.
29:43Thank you.
29:45Can I go with my dad?
29:46Yes of course,
29:47my love,
29:47I'll go with you.
29:49No, thanks,
29:50I'm going alone.
29:51Ah.
29:52Bye.
29:52Bye.
29:56It's been great.
29:58Could be,
29:58how beautiful she is.
30:00Hey,
30:01I already saw that they wear them
30:02very good.
30:04Imagine
30:05What a lovely family!
30:06would do,
30:06you and Alonso
30:07And now it's Blue.
30:08That would be incredible.
30:10Rule,
30:10you want everyone
30:11in this office
30:12we fell in love.
30:12Clear,
30:13well yes.
30:15Oh.
30:17Think about yourself.
30:19That's not going to happen.
30:29Sit down.
30:30Ah.
30:32Sit down.
30:36Do you know what I think?
30:37of the aggression
30:38What did you do to Azul?
30:39You shouldn't have cut him off
30:40the hair.
30:42It was wrong.
30:43How are they exaggerated?
30:45I did it for their own good,
30:46Poor thing.
30:47Every time they comb her hair
30:48The pulling motions hurt him.
30:49And why didn't you take her?
30:50to an aesthetic?
30:51Of course I took her,
30:52Ask Germán.
30:53It turned out beautiful
30:54with her hair looking divine.
30:58Me.
31:04Dad,
31:06Alonso wants to leave
31:07of the house
31:07and he wants to take Azul with him.
31:09I will not allow that.
31:11I'm sure
31:11that he is deceiving me
31:12with another woman.
31:14I'm going to talk to the mother.
31:15No, no, no, pa.
31:16No no.
31:17So, yes,
31:17But not right now.
31:18I think we can
31:19to make things worse.
31:20I'll tell you later, okay?
31:23Thank you.
31:25Keep me informed.
31:27I leave you.
31:28I have an appointment
31:28on the other side
31:29of the city.
31:35Let's see, Humberto,
31:37I don't think you understood
31:38when I told you
31:38that you couldn't
31:38treat no one badly.
31:40You already are
31:40like these new ones
31:41generations of crystal.
31:43Really
31:44I can't tell you
31:44Let's see, let's see,
31:45one thing is a comment
31:46and one other thing
31:47It's an attack.
31:49Did Rebecca come
31:49with the gossip?
31:51I have cameras.
31:52I saw you
31:53And I heard you.
31:55Next time
31:55that you treat badly
31:56to anyone
31:56of the employees,
31:57You're leaving.
32:00Humberto,
32:01faceless.
32:09Nice to meet you,
32:10straight.
32:10I am Julia Olmos.
32:11Ah, director.
32:13Look,
32:13I explain the situation to him.
32:15My family decided
32:16move to
32:16to New York
32:17a few months
32:17And that's why
32:19I couldn't register
32:19at the beginning of the year,
32:20I just got back.
32:21Do you have your certificate?
32:22high school
32:23in order?
32:24Ah, yes,
32:24Look,
32:25Here it is.
32:26I know
32:27which is complicated
32:29because I already started
32:30the semester,
32:30But I don't want to lose.
32:31time
32:31And I would like to,
32:32although I know,
32:33enter as a listener.
32:35Your average
32:36in high school
32:36It was very low.
32:38You barely passed.
32:39I know
32:40And I understand.
32:41And I know that you
32:42He's not a psychologist
32:42or anything
32:43so that it comes
32:43to tell
32:44all the problems
32:44of my life,
32:46but my dad
32:47died
32:48And it was a time
32:50very complicated
32:50for me.
32:51Oh.
32:52No no,
32:53Don't worry.
32:54You can enter
32:55as a listener
32:56what remains
32:56of the semester
32:57and you will pay
32:58only
32:5850%
32:59of the tuition.
33:01For the next one
33:02You have to register
33:03from the beginning,
33:05Okay?
33:05Only if you go down
33:06your average
33:06of 8,
33:07I'm suspending you.
33:08Don't worry.
33:10Thanks a lot
33:10for the opportunity
33:11And I'm not going to listen
33:12Not a single complaint from me.
33:14Well.
33:14Thank you so much.
33:15You are welcome.
33:16Ah,
33:16Can I take it?
33:17My grades?
33:18They're just pathetic.
33:21Thank you.
33:23Aren't you excited?
33:25Let's see who they choose
33:26to go to Spain?
33:27Well, there are only two spots.
33:29Yes, I'm excited.
33:30but also nervous.
33:32They accepted me!
33:33Oh really?
33:33Yeah!
33:35Congratulations!
33:37I told you
33:38that they were going to accept you,
33:39I told you.
33:40It's just that you're a little bit
33:41worse.
33:41Listen, listen,
33:42We have to go and celebrate.
33:43Let's celebrate.
33:44I have one.
33:45You will be admitted.
33:46Tábol, can you give me a ride?
33:48Another day?
33:48Me too?
33:49No, it's the same, Lee.
33:50I'm sorry.
33:51Neni, congratulations!
33:52Thank you.
33:55I quoted you
33:56Because I want to talk to you.
33:58of something very delicate.
33:59Lia assures
34:00that Alonso is unfaithful to her.
34:04For God's sake,
34:05That's the most absurd thing.
34:07that I have heard
34:07in a long time.
34:09That's all.
34:10Let me tell you something.
34:11If all this
34:11It turns out to be true,
34:14our relationship
34:15It's going to change.
34:16Lia
34:17It's out of control.
34:19Alonso will be whatever he is,
34:20But he is incapable of that.
34:21I know my son.
34:24Are you saying
34:24Is Lia lying?
34:26Don't you dare
34:27to find faults in it.
34:28I ask the same of you
34:29by Alonso.
34:30Me too
34:31I'm very worried.
34:32by Lia.
34:32I love her like a daughter.
34:34But before accusing him
34:35of something so serious,
34:37I hope he has proof
34:37to prove what he says.
34:45And Angelia
34:46and another lady
34:46They already accepted
34:47to be interviewed,
34:48so I
34:49the only thing I would ask
34:50It's about whoever does it
34:51be a woman.
34:52Yeah.
34:53Yeah?
34:53Yes, in fact,
34:54I have a very good proposal.
34:55She is one of my students.
34:57Okay.
34:58Now?
34:59Yes, yes, well,
35:01Now he has...
35:02The truth is that it's going up
35:03Very good written content,
35:05He also makes videos.
35:06Do you remember?
35:07I told you about her.
35:08Perfect,
35:08I remember it perfectly.
35:10And it turns out that,
35:12well,
35:12is the daughter
35:13from one of the designers
35:14from the publisher.
35:15Okay.
35:16Well, then,
35:17come to an agreement
35:18between you.
35:20And changing the subject,
35:22sonny,
35:23I have all the time
35:24in the world
35:26so we can talk
35:27of your daughter.
35:28So you can explain it to me
35:30Why was it me?
35:31the last person
35:32of this world
35:33that was handed over.
35:34Oh, which last one?
35:35Well, from this...
35:36Mom, no, you know?
35:38I just found out.
35:39We are here
35:40those of us who know
35:41and God alone,
35:43but...
35:44Oh, let's see, let's see,
35:45sonny,
35:45I don't understand anything you're saying.
35:48Specifically,
35:49How did you find out?
35:50So far?
35:51Who told you?
35:51Let's see.
35:52That's it,
35:53That's something.
35:54that my dad
35:55I would have to explain.
35:58By?
36:03What do I have to say?
36:05No, great.
36:06Besides,
36:09There is a woman
36:11whose name is Marcela
36:13that says
36:14who is the bride
36:15from my dad.
36:42Marcela,
36:45Marcela
36:48Can you give me Rebecca's phone number?
36:53Don't have
36:54Don't you have it?
36:58Will you make me a coffee?
37:02Yes, my love, I'll go
37:03Come on, come on, come on
37:05Come on, come on
37:07Go on, go, go, go
37:08Come on, come on, yes, yes
37:24Did you know this?
37:27That's not how it is, it's that
37:30My dad should have told you a long time ago.
37:33And he's playing dumb
37:35And that's it.
37:37I'm sorry, I'm sorry, you need to know.
37:39You don't deserve to be deceived like this.
37:44Are you sure about what you're telling me?
37:55Well, then
37:56either way
38:00Explain to me what your dad has to do with this
38:03With your daughter
38:04Well, it turns out that this woman, Marcela
38:07He was in jail
38:08With
38:08With
38:09My daughter's biological mother
38:11And so those two are the ones who
38:14They know
38:14Those that could tell us
38:16That's just how it is.
38:19You need to talk to my dad
38:21Really, Mom
38:22If you don't do it, I'll do it.
38:24No, of course I'm going to do it.
38:30Anything else?
38:34Thank you
38:35I want to be alone
38:58No, of course I do it myself
39:01No, of course I do it myself
39:24Friend, what happened?
39:27Godmother found out that Rebecca was released from jail
39:29And he's asking me why I don't...
39:31I don't tell my mom.
39:33That's going to blow up very soon if you don't tell him.
39:36My daughter doesn't even know she has a sister.
39:38How am I going to tell him?
39:40And if I tell my mom,
39:42Then the truth will come out everywhere.
39:45I swear I don't know what to do, I'm desperate.
39:47No, and here I am.
39:48Look, eat.
39:52No.
40:03Marcela.
40:14Marcela.
40:18Marcela.
40:32And now life forces me to lose.
40:44I have to let you go, and it hurts to understand.
40:55And even if he cries and comes back...
Comentarios
1