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“Seetha Payanam” మూవీ టీమ్‌ను నటుడు Jagapathi Babu ఫన్నీ ఇంటర్వ్యూ. ఈ ఇంటర్వ్యూలో Arjun, మరియు Aishwarya Arjun తమ పాత్రలు, సినిమా విశేషాలు మరియు అనుభవాలను పంచుకున్నారు.

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Transcript
00:00Hi, Natunjan. Hello, sir. I worked with your Chitappa Chinnana. Chinnana. Chinnana, Upendra.
00:05Generally, Kanadi guys are very sweet and very simple. Upendra also was like that.
00:09Really enjoyed and after meeting you, I felt really nice. Thank you, sir. I'm your big fan.
00:14Thank you. I'm not a fan. I'm very much here in Kanadans. Thank you.
00:19I've done three of these. Yes, sir. So, yeah, princess.
00:24Call me Babu or Uncle. Whatever you want.
00:27No, sir. No, sir. Please. I'm not texturing you.
00:32Princess. From the beginning, I used to call you princess if you remember.
00:36It's not a show, guys, right? Yes.
00:37Because she's posing. She's posing. She's posing.
00:40She's posing. She's posing. She's posing. She's posing. She's posing.
00:43She's posing. She's posing. She's posing. She's posing.
00:46She's posing. She's posing. She's posing.
00:49I mean, you have that poise kind of a thing which is beautiful and the whole family has a beautiful
00:54heart more than everything else.
00:55So, anyway, it's glad that we are doing this particular thing in Cheetah Payanam.
01:00Finally. Finally. Yeah, this is happening.
01:05And Anup. Sir.
01:07Really nice meeting you. And I think face-to-face.
01:09Oh, sir. Couple of times.
01:12I'm so happy, sir. First of all, meeting you.
01:14Because, Anup. See, if you have any talent, you don't have talent.
01:21Because it's known. You know your talents.
01:25But, if you go to Humanitarian grounds, you immediately react to organ donation.
01:31Someone in Cheetah. You chase patwa music and you said yes.
01:35You did not think twice about it.
01:37That is where I loved him. Wow.
01:39Nice. That was very sweet of him.
01:41That's where I loved him. Because, I don't know him.
01:43And I'm not a good talker or a manipulator or anything.
01:48Straight guy, you get a question. Straight guy, you get a question.
01:49That's where I fell in love with you and you're really good.
01:52So, that's why you will come up. The universe will bless you.
01:55Thank you, sir.
01:56Arjuna. Yes, boss.
01:58We started as enemies.
02:00We hated each other. Yeah.
02:02And we're best friends now. I have one question for you.
02:05One thing is, you're a super intelligent person.
02:08Creativity, yes, of course. But, other than that,
02:12I'm quite dumb.
02:13How are you that patient? How are you that understanding?
02:18That's what I'm doing. Because, okay,
02:21I was missing.
02:24You can't do it.
02:25You're a good friend.
02:26You're a good friend.
02:27You're a good friend.
02:28You're a good friend.
02:30You're a good friend.
02:30You're a good friend.
02:32You're a good friend.
02:33I don't care a shit about that.
02:36How do you take all that in spite of all this nonsense?
02:39Do you understand me or do you understand yourself too much or ain't he?
02:43No, instead of answering you this question, I will tell them.
02:47Basically, hypocrisy.
02:50Hypocrisy.
02:51Empowerment.
02:52Hypocrisy.
02:52Hypocrisy.
02:52Hypocrisy.
02:53Hypocrisy.
02:54Hypocrisy.
02:55Hypocrisy.
02:56Hypocrisy.
02:57Hypocrisy.
02:58Now, I'm also hypocrisy.
02:59Everyone has a little bit.
03:01A little bit.
03:01If someone's a little bit.
03:03If someone's a little bit,
03:04I'm not saying that the wrong thing is wrong.
03:06It's wrong.
03:06And it's wrong.
03:07And it's wrong.
03:09But 100% full from the heart.
03:12Everything from the heart.
03:14Thittetomo, Pogoletomo, everything from the heart.
03:17I haven't seen a person like him.
03:19He rose to the camera because I have to answer the question.
03:24So that is the reason, whatever, wherever, whenever he needs me, I'll be there.
03:29Wow.
03:29You were there always.
03:31A friend in need, you are the friend indeed.
03:33Oh.
03:34The same.
03:35You were there always, you were there.
03:37Nene apra pru missa yannu.
03:39Adhi, adhi chepta yannu.
03:40Mm-hmm.
03:41Coming to Sita Payaanam.
03:42He payaanani ki baildeerar mirandaro.
03:44First of all, my sincere apologies to everybody.
03:47I was supposed to be in this film.
03:48Nene leen hi cinema.
03:49No, no.
03:50You were busy.
03:51Your date was.
03:52No, no.
03:52Busy date.
03:55See what he's speaking.
03:57The reason, two reasons.
03:58One thing is, blind ga nirin cheshe suundali.
04:01And my, anyway, sweetheart princess is there in the film.
04:06Cheshe suundali kan cheshe suundali.
04:07Adhi cheshe suundali khan cheshe suundali.
04:08Nene nante.
04:09Nene apudu apudu kanchu.
04:10Theda.
04:11Edit, edit cheshe ndi ghan tha.
04:12No, no, no.
04:13Yonsan day.
04:13Please.
04:15So, what I am saying, second reason is,
04:19Ippudu cinema gunin chhi vinnnaka cinema songs vinnnaka anup especially.
04:23Songs vinnnaka whatever little I know about the film,
04:26Nene kawal na adakala ikku cinema gunin chhi.
04:28Because I don't want any, anything to be revealed ga abatti.
04:31Nake I wanted to be ignorant about the whole thing.
04:33But I have a very good feeling about the whole film.
04:36I also have seen the cinema gunin chhi vinnnaka anup manchis cinema gunin chhi vinnnaka anup.
04:40Nene kawal na adakala ikku cinema gunin chhi vinnnaka anup.
04:42I am telling you.
04:42Now, Sita Pai nam koosite,
04:43I am a producer of the film.
04:45I am a director of the film.
04:46Nene kawal na adakala ikku cinema gunin chhi vinnnaka anup.
04:52Sir, I will call you a vision sir.
04:54Sorry for the interruption.
04:55I have to call you a college.
04:57Edmistress anup sir.
04:59I am very fan of Ajun sir.
05:07Nene kawal na adakala ikku sari.
05:20It's a very good feeling to have that, it's a good feeling.
05:26In this particular cinema, I have two questions.
05:30Do you want to play Kuthur or do you want to play Kuthur?
05:34The answer is, first, we will start with Kuthur.
05:37We will start with Kuthur. As a director, we will have a great presentation of cinema.
05:43I expected both to equally, because the passion is also in cinema.
05:48Generally, in cinema, there is a direction in the direction.
05:51Aishu? Yes, uncle.
05:52You didn't have school for me. I didn't.
05:55You didn't have school for me. That's my father.
05:58That is the sweetest gesture of a father.
06:01So, he is leading all the way and I know how responsible you feel about it.
06:05And I know you would have given your best in the film.
06:09Okay? I have also seen you in a few frames. I know for sure.
06:14So, everything seems positive.
06:16You are in the energy, you are in the vibes.
06:19You are in the vibes.
06:20You are in the vibes. I like you.
06:22So, it is the vibes of anything.
06:25If you don't have the vibes, you don't have to talk.
06:26I like you, like you.
06:27You have two songs.
06:30I like you.
06:32I like you.
06:32I like you.
06:33I miss you.
06:34I miss you.
06:36You wait.
06:37You have to say,
06:37You have a song.
06:38I miss you.
06:38I miss you.
06:39You have 4 songs.
06:42I have no choice.
06:44So, this is the best song in the picture. Full melodious.
06:50One, two, three, four.
06:53Oh, that's right.
06:57I've also seen this story.
07:00First of all, you are a Patriot.
07:03You've also been put in August 15th.
07:06Why are you kidding?
07:07No, no, no.
07:08You've been put in August 15th.
07:12You've been put in August 15th.
07:12You've been put in control.
07:14You've been put in control.
07:16Okay, okay.
07:17So, first of all, you've done this particular cinema.
07:22Today, in this thankless world, this is a film about thanks.
07:25And one line, what I know.
07:27Gratitude.
07:27Gratitude.
07:28Yeah, gratitude.
07:30And all the thought of gratitude in this cinema is themed.
07:36Which is a beautiful thing nobody ever does.
07:40Nobody thinks of this concept.
07:41So, concept is good.
07:43So, making, I'm sure, it's a different range altogether.
07:47Because it's all updated.
07:49You are never...
07:51Like, in that day, you know that making, you know that making, you know that making, you know that making.
07:55Updated, I'm sure you've made a very good film.
07:58I'm expecting.
07:59You know that making it easy.
08:00You're not going to release it.
08:01You're not going to release it.
08:02You're not going to release it.
08:03You're going to be able to release it.
08:04How was it working with our princess?
08:06Oh!
08:07One thing is, she's always conscious before the shot.
08:10I know.
08:10You're still doing that.
08:11Yes!
08:13Oh!
08:14Everyone, Andri, she tells her.
08:16Oh, you're absurd, huh?
08:17She does this and this.
08:18I want to feel relaxed, uncle.
08:21Relaxed.
08:21And yeah, that blood rush also comes.
08:25Actually, that makes a difference.
08:26I learnt from you.
08:27I don't follow it.
08:30But I thought it's nice.
08:31Definitely, as graceful that she is, working with her was as blissful also.
08:36So, I never felt like I was, you know, working with a newcomer or something.
08:41She was like, well prepared.
08:43Anani prepared say si.
08:45And she gave me confidence to do more.
08:48And I think we complimented each other in that performance.
08:51That is cinema, yeah.
08:52That is healthy competition.
08:54Yes.
08:54And he was like, you know, dance avachu, fighting avachu, scenes avachu.
09:00He just knows what he's doing.
09:02So, when you work with someone like that, I think scenes also get enhanced.
09:06So, it was very comfortable.
09:08Arjuna.
09:09How?
09:10We also did a shoot in London with your Madrasi.
09:15There were a lot of rain, there were a lot of cancer in the shooting.
09:19There were a lot of double spots.
09:20So, what did you do with that?
09:23You didn't want to see the cinema.
09:25That was your concept.
09:26I am sure that there was a budget for this film.
09:29It is irrelevant, because what you want to do, it is not easy.
09:34It is not easy.
09:36Finally, you have to achieve what you want.
09:38Your aim is straight.
09:39Your arrow is straight.
09:40It is going straight.
09:41It is going straight.
09:41To compete with cinema today,
09:44we have the capacity of the budget for this film.
09:47How do you feel?
09:48I am correct.
09:49I am correct.
09:49Because we have 100 crores to 150 crores pictures.
09:53We have the stars pictures.
09:57We have to compete.
09:59I am correct.
10:16The quality of whatever the languages are.
10:20You can't find content.
10:22I believe in that content.
10:25Especially in this picture.
10:28So, that gave me lot of confidence.
10:31Say, okay, this cinema is guaranteed to be a separate track.
10:38Guarantee cinema is a separate track.
10:42I will do that.
10:44So I think that's what I'll say.
10:47The concept of the minimum and maximum is not a big thing.
10:55The minimum and maximum is a huge thing.
10:57If there is no return or success, it's a challenge.
11:06In the same cinema, I respect this one.
11:09Because one superstar is a mega star.
11:12Correct.
11:13That is the solid talent.
11:16And that kind of talent should be shown in this particular film.
11:20Because you are going minimum, you are not depending on anybody.
11:23If there is a lot of fruit, there is a lot of fruit and a lot of fruit.
11:29If there is a fruit, it will be a fruit.
11:31It will be easy.
11:33If there is a fruit and a fruit, it will be a fruit.
11:37This is my minimum and maximum.
11:40Nice.
11:41You are going to Hanuman Junction 2.
11:44You are going to direct them, right?
11:45To get the fruit for me, right?
11:46My producer is me, right?
11:50When do we see you guys next?
11:52Actually, it's a good thought.
11:54It's not a good idea.
11:55I can guarantee I am just looking for the right subject.
11:59If I get the right subject, the guarantee will start.
12:01Hanuman Junction is part.
12:03I think that Hanuman Junction is a bit of a comedy movie.
12:07It's not only a comedy movie.
12:09Oh, it was a masterpiece film.
12:11but even when you see these people, I will read. I will read it from you.
12:14I will never read it from you.
12:16Okay.
12:17If you see them, you will read it from me.
12:23I am.
12:24I am.
12:24If you see them, I will read it from you.
12:25You are amazing.
12:27He has a script on the music in a bit.
12:31If you are writing the song, you will be singing the song.
12:33If you are singing the song, you will be singing the song that you play.
12:37So, if you want to make it 200%, you can make it super.
12:42You can make it 14th month.
12:45This is the love story.
12:46Not only love story, there are 4 fights.
12:50It has been treated in a commercial format.
12:53If you want to make it a soul, you can make it an additional bonus.
12:57You can't do anything.
12:59If you want to fight or fight or fight or fight, you can't do anything.
13:05You can't do anything.
13:09You just want to do a cameo, right?
13:11You will give it to you.
13:12You are the only one.
13:15You can't do anything.
13:16Not all.
13:17I don't want to be full.
13:18I am the only one who is playing.
13:19I am the only one who is playing.
13:21It is great.
13:22Don't worry about it.
13:26Don't worry about it.
13:28These artists are all...
13:30Okay.
13:32Prakash Raj.
13:33Sathiraj.
13:35And Khoi Surala.
13:38Okay, good. So it's a big casting actually.
13:41It's a big comedy.
13:42So it's a big casting.
13:44It's a good cinema, but it's a big casting.
13:46I'm doing a cinema and I'm doing a director.
13:48This is Shivakashi.
13:50Okay.
13:50We came from Tamil to Madrasi.
13:52We came from Shivakashi.
13:54That's why I'm going to show you.
13:57I'm going to show you.
13:59I'm going to dance on YouTube.
14:01What is this? What is this?
14:02Who is this?
14:03Who is this?
14:05Who is this?
14:06Who is this?
14:08Who is this?
14:10Who is this?
14:18Who is this?
14:22Am I the one?
14:37Who is this?
14:41That's why I kicked it.
14:42After three days, I kicked it.
14:44I kicked it.
14:45I kicked it in the pub.
14:47It's very fun.
14:51So, after the casino,
14:53finally, I was playing blackjack.
14:55Whatever.
14:55The original is a chappan.
14:58It's a duplicate.
15:00But actually, it's a chappan.
15:03Okay.
15:06So,
15:07I used to be like this.
15:10Blackjack wouldn't have put it.
15:12Appadipode, poode, poode.
15:13Out the poode, poode.
15:16I'll let you swear.
15:18You cannot do this. This is a casino floor.
15:22Appadipode, poode, poode.
15:26I love that song.
15:27No, no, no. Always when he's high,
15:29he sings the same song.
15:31It's one of my favorite songs.
15:33He's a film low.
15:35Okay.
15:36That's a team.
15:37That's a challenge.
15:38Next year is Appadipode.
15:40Appadipode, it's a different size.
15:42That's also a great size.
15:44And then,
15:45the room broke up.
15:48The room broke up.
15:49The room broke up.
15:51Finally, armed people broke up.
15:55The room broke up.
15:55You have to leave the place.
15:57You have to leave the place.
15:59The room broke up.
16:00Finally,
16:01we broke up.
16:02We broke up.
16:04We broke up.
16:05Really?
16:05We were smoked out of the room.
16:07Oh my goodness.
16:08Oh my god.
16:09We broke up.
16:11We broke up.
16:11We broke up.
16:12We broke up.
16:13What's your reason?
16:14No way.
16:15No way.
16:17No way.
16:19No way.
16:21We broke up.
16:21the reason is friendship.
16:23That is the reason this is happening.
16:25That's why we are enjoying the whole thing.
16:27Actually,
16:27we read the video as well.
16:28We can't think about the video,
16:29but finally it is Sita Painam only we are talking about.
16:32Okay.
16:33So,
16:33this journey is my journey.
16:35This journey is a life journey.
16:38I'm also part of it.
16:39I'm part of you all.
16:41I'm not concluding.
16:43I'm just telling that
16:44I wanted to be a part of this
16:45and I'm a part of this.
16:46No, that is what I am trying to say.
16:48You are already boss.
16:48Yes.
16:49That's what I am saying.
16:50So, how can you do this, how can you do it?
16:54Let us wait, because, but ultimately, that good feeling is,
16:59and I want to conclude in the good feeling, 100% sure, short-term.
17:02That is what, that is why I feel it's definitely going to hit the bullseye.
17:09So, what is your advice to this, to youngsters?
17:13Because, because you are very, very, as I told you,
17:18you are the right person to give them, because,
17:25you are the right person to give them, because,
17:30there are so many tomorrows for them.
17:32I will give you advice.
17:34I will give you advice completely.
17:39One thing is, life is simple.
17:41Let us not make it complicated.
17:43If you look at cinema, life is not a problem.
17:45Every problem is not a problem at all.
17:49It is an experience.
17:50Any problem is not a problem, unless you lose somebody.
17:53Till then, that is not a problem.
17:56What is it?
17:56What is it that, that is the case of cinema?
17:58If you look at the incident, generally I was talking,
18:00I had an interview, that I had told them about suicide.
18:05I had told them that I should come to shoot.
18:08I have said, sir, I would say,
18:09you did not get hurt.
18:10What is it?
18:10I had to contemplate suicide for three days.
18:13I had to make a main off.
18:14I had to make an off.
18:15I had to make suicide.
18:16I had to make a fan,
18:17and I had to make a fan on TV.
18:19You have to tell them on TV.
18:24So, I am saying, when you are alive, you can do anything.
18:29Sachindra Ramadhan, you don't even know where you are, you can do whatever you want.
18:35And I am telling you, life is very very simple.
18:38When I walk on stage, I have problems, problems, problems, and it was fun for me.
18:43I started enjoying it.
18:45I have seen his problems.
18:48But, if you ask a few things, you will say, okay, Arjuna, this two will pass.
18:56And it is not a problem, no.
18:58It will pass, no, it passed, no.
18:59It passed, and the other people are not going to be able to do anything.
19:04Okay, a character artist is not going to be able to do anything.
19:07But I am working with the best directors, with the best productions, with the best artists.
19:11What else do I want?
19:12See, it is not going to be able to do anything.
19:14So, there is always a way.
19:15Yeah.
19:15There is nothing to be disappointed.
19:17Whatever it is.
19:18I am going to see.
19:18Whatever, we will think big.
19:20If it happens, great.
19:22If it doesn't happen, also great.
19:23Yeah.
19:23That is what, that is the way I take it.
19:26I think it is an Aquarius treat, uncle.
19:28Yes, it is an Aquarius.
19:30Your birthday, by the way.
19:31Your birthday.
19:32Happy birthday.
19:33No.
19:34The thing is, it is such a difference between two days.
19:36Oh, no.
19:37So, there is a difference between me.
19:39You are too wild, mad, you are too sober.
19:42How is that possible?
19:43No, uncle.
19:45I think it is not a hypocrisy.
19:47I feel even I am a little devoid of hypocrisy.
19:50And that I see it in you also, to a great extent.
19:53So, I think we have similar treats.
19:54And we have to have somewhere.
19:56Oh, no.
19:57Aquarians, Aquarians.
19:57Yes.
19:58My mother is Aquarians.
20:00Tell us.
20:00But I haven't seen,
20:02what is the hypocrisy?
20:03Yeah.
20:04Yeah.
20:05That is what I am trying to say.
20:08That is.
20:08Correct.
20:08No, no.
20:10And because of that, you both should listen.
20:12Because of that, people respect him more.
20:14Yeah.
20:15Because he is what he is.
20:18The right kind of people will understand.
20:21Yeah.
20:21Very few people.
20:22Yeah.
20:22I like to break rules.
20:27Rules are meant to be broken.
20:29Super.
20:30No, no.
20:32No.
20:32So, let's talk about the cinema.
20:34Arjuna, when we are connected to the cinema,
20:39we will release the cinema.
20:40Now, we will release the cinema.
20:44When we outsource it,
20:46how do we actually take it to the audience?
20:50How do we make a lot of noise?
20:52It is a good thing.
21:00So, you all have been doing all the while.
21:05But now, it is the real challenge.
21:08So, you guys are clear with the theatres and all the exhibitors.
21:13How do you make a lot of noise?
21:15How do you make a lot of noise?
21:18Of course, as you rightly said, it is a very big challenge.
21:21So, I am very proud to be able to make a lot of noise.
21:25I am very proud to be able to make a lot of noise.
21:34But, fortunately, I have got fantastic distributors.
21:38I am very proud to be able to make a lot of noise.
21:43Super.
21:43So, they are top.
21:45And again, we have made my three films.
21:52Very good.
21:52So, we have very good people to take care of the presentation of the picture.
21:58And there are very good theatres.
22:01And that is all.
22:02We have done our work.
22:03I am very proud to be able to make a lot of noise.
22:06And there is a guarantee that there is something to talk about a cinema.
22:11But, it is not true.
22:13It is not true.
22:14It is not true.
22:15It is not true.
22:17It is not true.
22:20It is not true.
22:23It is true.
22:23It is true.
22:24It is true.
22:25It is true.
22:27So, it is not true.
22:29It is not true.
22:29It is true.
22:30I am trying to…
22:30You know,
22:32be consistent with the Pratman.
22:37Because of myself.
22:39Because of myself.
22:39And, even my artist, they have done their level best.
22:43I am sure.
22:43I am sure.
22:54At that time, they were set up for the artists, so they have done a very good job.
23:09They are not a hero or hero.
23:13There are layers to perform.
23:17They are not a hero.
23:20They are not a hero.
23:26They are not a hero.
23:34They have done their job very nicely.
23:37I am very confident.
23:39They are not a hero.
23:42First of all, your intention is solid.
23:45By default, your intention is perfect.
23:49The content is solid.
23:53I am sure this boy has done a great job.
23:55So, overall, there is a completeness.
23:59The completeness is already set up.
24:01You said that you are already in the distributors.
24:03Theatres are not a problem.
24:06People have to see it.
24:07After that, how you made it, we will have to leave it to the public.
24:12That I am totally open.
24:15If the movie deserves,
24:16Theatres are guaranteed pictures.
24:19And now,
24:22In the years,
24:23we have to meet each other.
24:26Even if you have a cake cut,
24:30I am not sure.
24:31When you call me,
24:32I am happy birthday.
24:34What is your answer?
24:35What is your answer?
24:36What's your answer?
24:37What should I say?
24:38Thanks.
24:40How are you?
24:41What should I say?
24:43What's your answer?
24:44I am a message.
24:46I am a message.
24:46A message.
24:48Good morning.
24:48Have a wonderful healthy day.
24:51I am very healthy.
24:52I don't like them.
24:53You have to call me on the birthday.
24:55Good morning.
24:56I am not sure.
24:58You are happy.
25:01Completely stop.
25:02So, now this year, I want to see you cutting the cake.
25:08Break the cake, Guru.
25:09Uncle, I heard you didn't want to cut a cake yesterday.
25:12Cake, not a cake.
25:14And I wish to say funny.
25:15Oh, no?
25:16And then, you don't put anything.
25:18No, we will, you know, celebrate.
25:20Okay, now I don't have a choice.
25:23Happy birthday.
25:27Happy birthday to you.
25:29Happy birthday to you.
25:34Happy birthday, happy birthday.
25:38Happy birthday to you.
25:41To me, only to me.
25:42May God bless you.
25:45May God bless you.
25:49Happy birthday, happy birthday, happy birthday to you.
25:57Happy birthday to you.
25:59Happy birthday.
26:00Wow.
26:02Super.
26:04Very nice.
26:05Fantastic.
26:06Sir, actually, I have a connection with you, sir.
26:13Because I have a video of Susano.
26:15My mother, how you take care of your mother.
26:18And, like, I miss my mother, actually.
26:25So, I lost her a couple of years back.
26:29But, so, heart-touching.
26:30I was, like, feeling very emotional when I saw the video, sir.
26:49She is one of the greatest person I have ever met.
27:02She is one of the greatest person I have ever met.
27:06So, my mother...
27:08I have a phone, I can't use my voice.
27:11I can't breathe I am the voice.
27:14I can't breathe I can breathe.
27:15I can't breathe.
27:16You have to understand what you like.
27:20Why am I?
27:21My mother, she has the brother, the brother of Susano who has the daughter of Susano.
27:26She is the daughter of Susano, and she is the daughter of Susano.
27:32He is the daughter of Susano.
27:34I am a Feminist. That is because
27:36I am a Feminist, and I am a Feminist.
27:42But my mother is different for me. That's all.
27:46And she is special for a lot of people.
27:48Because everyone is here and she is here and she is here.
27:50She is here and she is here and she is here.
27:52She is here and she is here and she is here and she is here.
27:57Such a simple. Simplicity is another name.
28:04So, anyway, we will meet her. I want to meet her.
28:07Yes, sir. How old are you, sir? Sorry.
28:10She is 86. She is 86 years old.
28:15She is 86 years old.
28:16Yeah.
28:18She was actually, imagine she was sick, but she felt sick.
28:22Sorry, she was 86 years old and she was sick.
28:29She is a darling, actually.
28:51She is 86 years old.
28:51Okay, Guru.
28:52Okay, Pa.
28:54Then...
28:54Let us get ready for...
28:58Let us get ready for...
29:00Next, Manasinema.
29:02Part 2.
29:02Anuman Junction.
29:03Yeah, waiting, sir.
29:04Anuman Junction.
29:05That's what happens, sir.
29:06Get up.
29:08Anuman Junction.
29:08So, you won't watch all that?
29:11That I won't.
29:12Okay, see that.
29:15That's what happens.
29:16Then we will all watch together.
29:18Surely, of course.
29:19Okay, Guru.
29:20And Valentine's Day.
29:21Sorry?
29:22Need your blessings on us, sir.
29:23Blessings?
29:27The universe will bless you all.
29:28By default, it has to bless you all.
29:31You deserve it.
29:32Your long-awaited thing should happen this Valentine's.
29:37All the best to everybody.
29:38Thank you, sir.
29:38Okay, guys.
29:39Let's have dinner.
29:40Thank you, sir.
29:41Thank you, sir.
29:41Thank you, sir.
29:41Thank you, sir.
29:42Thank you, sir.
29:42Thank you, sir.
29:43Thank you, sir.
29:43Thank you, sir.
29:44Thank you, sir.
29:45Thank you, sir.
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