Saraswathi Movie Team Fun Chit Chat: డైరక్షన్ అంటే చాలా ఇంట్రస్ట్ | Priyamani

నటి & దర్శకురాలు వరలక్ష్మి శరత్‌కుమార్ ప్రధాన పాత్రలో నటించిన ‘సరస్వతి’ సినిమా టీమ్ సరదా చిట్ చాట్‌లో పాల్గొన్నారు. షూటింగ్ అనుభవాలు, సెట్స్‌లో జరిగిన ఫన్ మూమెంట్స్, సినిమా గురించి ఆసక్తికర విషయాలు పంచుకున్నారు.

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Transcript

00:00Hello, Namaskar. Welcome to Saraswati Promotion.

00:03I am the versatile actress Priya Monika.

00:06The versatile actor Kishore Garo.

00:08The versatile DOB Edmund Garo.

00:10And the versatile set director Mr. Sudhir Garo.

00:13The versatile director.

00:16So, I am an enthusiast.

00:18I am an enthusiast.

00:19Sir, tell me.

00:20What was her experience in Saraswati?

00:23Working with me.

00:24Working under her direction.

00:25It is nice.

00:28Very comfortable.

00:30Sir, you can tell me.

00:32I am going to tell you.

00:33What you mean by saying one word.

00:35I am not going to tell you.

00:37So, you can tell me a 10-month answer.

00:40Okay, an essay question, sir.

00:42We will extend it.

00:44You can tell me.

00:44Let's say one word and then, that's the last one.

00:47Done.

00:47So, if you tell us a paragraph answer,

00:48How is your experience working with us?

00:50Yeah, it was easy.

00:53I like the answer.

00:55Sir, it's not about a 10-month essay.

00:57That's why I failed at school.

01:02At least one more question together.

01:04That's why I'm mostly negative.

01:06Anyway, I'm moving on to Priya Manigaro.

01:09Yes.

01:09Tell me, you have worked with such many stars.

01:12Stars? Yes.

01:13So many stars.

01:14You have worked with Shahrukh Khan.

01:16Who I get hot for.

01:17Yes.

01:17But my husband will kill me from the left side.

01:19No, no, it's okay.

01:20Shahrukh Khan.

01:21Yes.

01:21So how do you feel working on sets of Saraswati?

01:24Fantastic.

01:25I'll punch both of you all.

01:27Yeah.

01:27If you tell, there's one word answers.

01:29Tell correctly quite late.

01:34No.

01:35With all due respect to all the directors and actors that I have worked with.

01:44Sir, please note the point.

01:46I'm giving 10 mark answers.

01:47Yeah, yeah.

01:48I'll also add in.

01:49I don't know.

01:50No copy.

01:51No, no, no.

01:53No copy.

01:54But when you come to this movie, I have to say that it was like a breeze.

02:03Yes.

02:03Because from the time the movie was conceptualized, from the time I have told the story.

02:09I went.

02:10I have to tell the time.

02:12I have to tell the time.

02:13From the time I am on set.

02:17From this presentation, I have to tell the story.

02:18So whatever was the update.

02:20What are the ideas that I want to do?

02:22What do you think?

02:27What do you think?

02:38that whatever we thought

02:40about it like

02:41what do you think

02:44so my suggestions

02:45and I think she was very

02:48gracious enough to accept it or say

02:50I think this is what I think

02:52and personally if we felt because

02:54I have one of the scenes

02:55that I have seen

02:58maybe we discussed

02:59we said this is what I think

03:02this is what I think

03:03this is what I think

03:04so we used to go and tell Varu also

03:06that personally I feel

03:07about it or expression

03:10about it or if we felt

03:12that this scene

03:13we want we as actors

03:15want 100% enough

03:17to make it obviously

03:20to make it more convincing

03:21and to make it as real as possible

03:23and as a director she was like

03:25I'm okay but you don't have to do it

03:28but as such I'm okay with this take

03:31so she said no I think

03:34the previous one was better

03:35or she used to say no this was better

03:36so she had

03:38she was very open to suggestions

03:40very comfortable director

03:43to work with

03:44and being an actor herself

03:46I'm sure she understands

03:47every actor's position

03:49what is required of the scene

03:53and everything was pre-planned

03:56and everything was pre-planned

03:57props

03:58camera

03:59all the shots

04:01we have to do the lighting

04:02all the shots

04:04are ready

04:05so we wouldn't have to waste

04:06a lot of time

04:09from one place to the other

04:10or one spot to the other

04:12so I think everything

04:13was so perfectly planned

04:14and I think we had a blast

04:16we had a breeze shooting

04:18because

04:18very openly she used to say

04:20you only have this scene

04:23and then I was shooting

04:24so you have only about maximum

04:27about 2 hours of work

04:28so then you know

04:30you're scared

04:30so we were like

04:31you're scared

04:31so by 5.15

04:335.30

04:34I think day 1

04:35we wrapped up at

04:36at about 3.34 or something

04:38and we were so happy

04:39like shooting

04:41the main reason why

04:43I'm saying that

04:44is because

04:44everything was

04:45as planned

04:46in this location

04:49it's the scene

04:50shoot

04:50it's the scene

04:52it's the scene

04:53so I think

04:55it was a breeze

04:56when we shot

04:57for Saraswati

04:58and like I said

05:00in the pre-release event

05:02also

05:02onward and upward

05:03from here

05:05this should not be

05:06the be all end all

05:07of it

05:08because you have

05:11all the capabilities

05:12of being a fabulous director

05:14Kishu sir

05:14what's your answer?

05:16you're getting one more

05:17answer

05:18sir

05:18okay

05:18ask you sir

05:19ask you sir

05:20ask you sir

05:21fantastic

05:22what she said

05:24she understood

05:25everybody's position

05:26so

05:26why I'm doing this

05:27anchor

05:28is

05:28the producer

05:29is the assistant

05:30one anchor

05:31is the one

05:33anchor

05:34so

05:34coming to you

05:35Edwin sir

05:35this is like

05:36this also

05:36during shoot

05:38so

05:38Edwin sir

05:39tell you

05:40talk about it

05:40Tamil

05:41okay

05:42let us go

05:42I tell you

05:43tell you

05:43talk about it

05:44Tamil

05:44yeah

05:45okay

05:45I don't know

05:46that I will ask you

05:48I will tell you

05:49I will tell you

05:50if you have a story

05:51you have a script

05:53you have a script

05:54you have a script

05:55you have a script

05:55did you have a script

05:55I will tell you

05:57what made you

05:58choose Saraswati

05:59and what made you

06:00accept the story

06:03first time

06:04first time

06:05female director

06:05work

06:06first time

06:07you have a story

06:08narrative

06:09you have a script

06:10I told you

06:11first time

06:11I told you

06:11this is not a head

06:12actually

06:12that it is not a female

06:14director

06:14no

06:15this is a narration

06:17one

06:19ten directors

06:19so

06:20narrative

06:21two hours

06:22If you don't want to stop it, you can't say it and accept it and accept it.

06:30That's why I accept it.

06:32This is paragraph answer.

06:33No, no.

06:34Yes, paragraph answer.

06:35Correct.

06:36Four lines.

06:37Yeah, paragraph answer.

06:38I'm not a student.

06:39I'm not a student.

06:41Very good.

06:42Mr. Chilli, I mean Mr. Sudhir Gavro.

06:44Tell me.

06:44Chilli?

06:45Yeah, I should call him Chilli.

06:46Because he looks like a Chilli.

06:49Mr. Chilli, tell me.

06:50So, what was your experience working on this Saraswathi set?

06:54And what was your most difficult task that you had?

06:59Think properly and tell properly, Sudhir. Otherwise, everyone will give you payment.

07:03Tell correctly.

07:04Mr. Chilli, I'm out.

07:06Mr. Chilli.

07:07Mr. Chilli.

07:08The best part was?

07:10Mr. Chilli.

07:12The best part was Telugu?

07:13Mr. Chilli.

07:14No, the best part was Telugu.

07:15Mr. Chilli.

07:17Mr. Chilli.

07:18The whole journey, that single schedule.

07:20Mr. Chilli.

07:21Now, you see why you call him Chilli?

07:21Mr. Chilli.

07:22Can you hear what you are saying?

07:24Mr. Chilli.

07:24I can't hear too.

07:26Mr. Chilli.

07:27The whole process of the shoot, no?

07:30Mr. Chilli.

07:30The single schedule, we planned.

07:32Mr. Chilli.

07:33Firstly, that was a scary part for me.

07:35Mr. Chilli.

07:35Even to think about.

07:37Mr. Chilli.

07:37But at the same time, you were so planned and you were so clear with what you want.

07:42Mr. Chilli.

07:42So, every day, we never had any hiccups.

07:45Mr. Chilli.

07:45That is a good side of it.

07:46Let me tell you the bad side of it.

07:48Mr. Chilli.

07:48This is very sweetly he is talking.

07:50Mr. Chilli.

07:50Does he actually talk this sweetly?

07:52Mr. Chilli.

07:52Yeah, yeah.

07:52Mr. Chilli.

07:53He is always like this only.

07:54Mr. Chilli.

07:54That's why he got me to do the work like that.

07:55Mr. Chilli.

07:56Mr. Chilli.

07:58Mr. Chilli.

07:58He will do this.

07:59Mr. Chilli.

08:00But I say, he actually had a very difficult task.

08:02Mr. Chilli.

08:03Mr. Chilli.

08:04Mr. Chilli.

08:06Mr. Chilli.

08:07Mr. Chilli.

08:08Mr. Chilli.

08:09Mr. Chilli.

08:10Mr. Chilli.

08:11Mr. Chilli.

08:12Mr. Chilli.

08:13Mr. Chilli.

08:14Mr. Chilli.

08:15Mr. Chilli.

08:16Mr. Chilli.

08:18Mr. Chilli.

08:23Mr. Chilli.

08:26Mr. Chilli.

08:36we will shoot this side of the room after night we will get the room ready so like that there

08:40was a

08:40lot of sync i think in three of us in order to you know right create the film and it

08:45was i think

08:45that was what i think uh i is cinema not to finish this film because there was a lot of

08:51planning

08:51you know my question right yeah i don't know

08:55in the multi-star cast you direct sir who's your favorite actor in the multi-star cast

09:07one chapali i i like everybody any diplomatic no no i'll tell you there is there is a who was

09:13the most favorite myself person yourself no sir it's a bit paper no i think oh who are you

09:24most comfortable no come directing there are three different questions in that comfortable

09:29whose role role until i liked as a character what drove me and what moved me as a performance

09:36there are three categories to it i think most comfortable was almost everybody on set because

09:44everybody was friends i'll tell you that's the reason and whether it was nazi sir that was you

09:48whether it was kisho sir all of us had a pre-relationship until we already know each other

09:53company as a character as a character because naku uh sar kai the air relationship

10:01auntie yes hunt up the actor name to see we have grown up yeah i and then obviously he knows

10:07who i am

10:08not i don't know about my body of work but he definitely knows who i am but when we were

10:12on set

10:13to see ramanujam's character come alive because ever i think he's cinema and tisko valedum

10:18that's the responsibility that is prakashas's character so that i think drove me as a performance

10:24because when i used to see him bring out ramanujam's character adhi naku chala kick

10:28emotional ga what i had in mind there were certain episodes which you and sir did yeah

10:33like for example on the karni shot yeah like that was a very it's very intense like it's in my

10:38head

10:38but adhi ok actor to chepinchi adhi that is a very big task because sometimes

10:44nane anko nadi me katham ayutnana lezhani tell you but to see that come alive that episode come

10:52alive you know that particular part come alive was again it was so moving because i was so jealous

10:56that i wasn't in that episode nejika chepalante i remember telling you guys you told me yeah i said

11:01because my story parallel in the kapatti i said you a episode nak dork lezhani chepinchi adhi jelis kona

11:05as an actor ga yeah like nejika a you a i episode nak dorkin te anta ok ok ok ok

11:10happy so that for me to

11:12let go of that episode was a big uh yeah task for me to give it to someone else to

11:16perform it but

11:17at the same time a episode ok ok live ga which is haruki it brought so much life into those

11:23characters

11:24when you were watching you know i think that was uh that was my three answers to the three actors

11:32that i did understand sir question so no like sir said yeah i want to tell uh that uh first

11:45thing

11:45when you asked me to play that role i would have done it whatever the role was because hey for

11:52you

11:52oh but doing this film and doing this role if i say that i did it for you it'll be

11:58injustice to the

11:59script so now i though uh personally this kaga pandray uh sorry yeah english yeah yeah too much coffee

12:13so ala chapputte it'll be injustice to the script so i love the script also uh because we don't uh

12:21often get such scripts to work on so very very long and if you're when you're doing a script which

12:29you

12:30believe in that actually is a higher level of satisfaction this is that kind of a script

12:36and that kind of a role and actually thanks to you for giving this role that's a real thanks

12:42actually uh it's actually really uh a really satisfying moment to be a part of uh such a film and

12:55being uh being uh in such a role thank you it's so emotionally so intense

13:02correct

13:11we both i think we've always played only husband and wife two films we have done together

13:18I was saying, the pairing on screen, something about it sits, sometimes you don't get that

13:26with sometimes when you have to pay a pair, sometimes it doesn't sit, but it just sat beautifully

13:34and really whether it was the height or whether you all just come together and add so much

13:39of value to the screen.

13:40So thank you for that.

13:42Thanks.

13:43For giving me an opportunity to work with her again.

13:45I'm such a fantastic actor, I usually go around telling that I'm not an actor, I'm just

13:51a re-actor.

13:53That's actually correct.

13:54When you have a wonderful actor in front of you, it is actually so easy to just be there,

14:01just be the reflection of the actor in front of you.

14:04Was there any difficult scene that you thought in the film, something which at one point,

14:11can you do something, how you portrayed a particular scene?

14:16No, it's not difficult, but I would say, I love doing emotional scenes.

14:31Because you get to explore a different side, you get to show a different side that probably

14:39you might react the same way, you might not, given the situation obviously, but especially when it comes to our

14:53character arc in the film.

14:56If you look at this situation, how does one react?

15:01And I would definitely want to say this, especially the room portion.

15:06I thought the way you are conceptualized, I thought the way you are conceptualized and I think that is one

15:18plus point.

15:18Because if you think about the angle or point, especially with the eye shot and the room shot that you

15:29planned.

15:29And after that, the scene with Radhika ma'am also, the way you said, you know, I am planning it

15:38this way, so it's like a…

15:40The character shift that happened between both of us.

15:42Exactly. So, this is something quite interesting and how can I bring out the emotional side of this person?

16:00How best I can bring it forward and how convincing I can do it.

16:04So, I hope I have, I have given my best and I hope people like it.

16:09No, no, I am sure.

16:10So, these emotional scenes… See, because normal scenes, I am in a way of doing it.

16:15Correct.

16:16But if there are any scenes, it stays with you, that scene stays with you.

16:20So, you want to say that I am the best.

16:23I want to say that this is how…

16:26For example, if there is a personal situation, maybe I would react the same way.

16:31Maybe I may react more louder or this.

16:34So, I really like the fact how you…

16:37And even with, especially the room scene with Kishore sir's…

16:39You know, the expressions and my expressions and…

16:43I think that was…

16:44It was fabulous and especially the lighting, sir.

16:47Brilliant.

16:48And it will add…

16:49It adds to the scene, Gada.

16:51It will, sir.

16:52Tell me, sir.

16:53What was your most difficult shot in the movie?

16:57I think it's a 7-minute thing, sir.

16:59It's a short because…

17:00We have to plan a lot.

17:02We have to go to location two, three times.

17:05We have to practice.

17:06We have to practice.

17:07We have to practice.

17:07We have to plan a lot.

17:08But we have to do it.

17:09So, we have to do it.

17:11We have to do it.

17:12We have to do it.

17:13We have to do it.

17:14We have to do it.

17:15And they got a personal shot actually.

17:16That single shot, I must say.

17:17About 7 minutes, 42 seconds, we did a single shot in the movie.

17:20But, okay.

17:20Before that, I want to ask.

17:25So, when I was doing the narration itself.

17:32In my mind, I think it was that.

17:34I want to choose a courtroom drama.

17:37Correct.

17:38So, there is a pattern.

17:40Cut to cut.

17:42Cut to cut.

17:42Yeah.

17:43Cut to cut.

17:43So, now, what is a director's touch.

17:48So, my point of view is that I am very influenced by English cinema.

17:53A lot.

17:53Yeah.

17:54Very influenced by it.

17:55In terms of making the creation.

17:57And recent times, I had watched this series called Adolescence.

18:00And that is the first episode of the single shot.

18:04Yeah.

18:04So, I said, okay.

18:05Maybe we can't achieve that kind of perfection yet.

18:10Yeah.

18:10Let me say that.

18:11Perfection yet.

18:12But, at least, this courtroom.

18:13Because, this is a great revelation point in the cinema.

18:18So, I said, if we manage to do it, it will be magic on screen.

18:24So, I said, I want to say the narration.

18:26I said, sir.

18:28I want it in a single shot, sir.

18:30In this courtroom drama, I want it in a single shot.

18:31But, he said, okay.

18:32And, again, all the actors, nobody took prompt.

18:36Oh, wow.

18:37Nobody took prompt.

18:38And, I was sitting behind with Edwin, sir, under the crane.

18:42Just to tell him who to pan to.

18:44Because, I knew the dialogues.

18:46And, he caught it flawlessly.

18:49And, the actors also performed it flawlessly.

18:51It was, I think, maximum four to five takes.

18:53Because, of certain.

18:54Like, sometimes.

18:54Like, one takes, Prakash, sir, and inverted a dialogue.

18:58So, when I was reading through the paper, I assumed that that was the end dialogue.

19:02And, I turned.

19:02The last minute.

19:03Right.

19:03So, he was very gracious to do it again.

19:05You know, the whole thing.

19:06Then, one time, somebody else fumbled.

19:08Then, it was steady came over.

19:09But, what is the final film?

19:11What is the final film?

19:15It was the fact that, if you choose one shot, then, it was a single shot.

19:19Yes.

19:20So, that was the, I think, the magic.

19:22Nice.

19:22The success of the shot.

19:24So, that was the, I think, the magic.

19:26The success of the shot.

19:26Yes.

19:27You rehearsed it with the.

19:28Yes.

19:29In the morning, we rehearsed it.

19:30Because, who was that?

19:31Because, actually.

19:31Morning, we rehearsed it with steady cam.

19:33With steady cam.

19:33Oh, okay.

19:34But, somehow, it didn't work.

19:36Yeah.

19:37So, again, we did it with the crane.

19:39With normal crane.

19:40But, we did it.

19:40That's the custom, sir.

19:42Crane.

19:42Get everybody with you.

19:44No, no.

19:44Crane department.

19:45Fabulous.

19:46Fabulous.

19:47That was the main thing.

19:50Because, in a single shot, somewhere, you lose focus.

19:52Yeah.

19:52It's fine.

19:53It's fine.

19:54Even for your shots, when we were trying to get the close, eye shots also, you can't.

19:58Okay, intense scene, you can't keep on performing.

20:00Okay.

20:01I'm tired of acting.

20:02So, I think, because I was an actor, and this, I was able to understand both sides of the problems

20:09that we can face.

20:11So, that shot, particularly, was.

20:12No.

20:12If you're acting in the shots, you can use the shots.

20:15Yes.

20:16You can use the crew.

20:17Yes.

20:17It's fine.

20:18You can use the shots.

20:21You can use the shots.

20:22Correct.

20:23But, in the shots, you can use the crew.

20:25How sweet.

20:25That's the first time in the life.

20:27But, I think, that was superb.

20:29It was a very interesting shot.

20:30No.

20:30Because, it is difficult.

20:32And, to pull it off, fabulous.

20:34In fact, I wanted to do all the courtroom scenes with a single shot.

20:37But, then, we said, some things required a little more drama.

20:41Right.

20:41Like, for example, the climax.

20:42All that had a little more drama to it.

20:44So, I said, okay.

20:45Maybe not everything.

20:45But, this, for sure, we can.

20:47All the actors.

20:47Whether it was Prakashat, sir.

20:49Radhika Ma'am.

20:49Shaptigiri, sir.

20:50Rao Ramesh, sir.

20:51Shrikanth Ayer.

20:52All of them had massive lines.

20:54There were very intense lines.

20:56So, there were lines every single time.

20:59And, they all did it very, you know, flawlessly.

21:02And, there was a great episode.

21:05There was a great episode.

21:05In this episode, it was our Red Room performance.

21:07Yeah.

21:08Whether it was your performance or yours.

21:10When we saw it on screen, our hearts melted.

21:14And, we went into that scene.

21:16It wasn't.

21:16Like, what I had thought.

21:18Because, that was very important.

21:22Because, when the story is going parallelly, one is going in an action base.

21:27One is going in an emotion base.

21:28You have to take both equally.

21:30Yeah.

21:30And, if the balance doesn't happen.

21:32Then, you are not able to pull off a good script.

21:34And, that's why, it was so nice to watch that thing.

21:41And, to direct.

21:41When I got to direct, you guys.

21:43I think, it was just absolutely fantastic.

21:46So, you're good.

21:47You're good.

21:49You're good.

21:52What was the most difficult part of the sets that you fought?

21:56Or, which was the best?

21:58Which was the best set that we had to?

21:59Set up that's the end.

22:02I like the main code drama portion.

22:06And, apart from that, the difficult part was.

22:09A little.

22:11A little.

22:12A little.

22:13A little.

22:14A little.

22:16Apart from that.

22:17Bold.

22:18Loud.

22:19The wind pinches are not too loud.

22:21You don't have to tell me.

22:23Okay.

22:23The difficult part was.

22:24That's the reason for that.

22:27When Premani ma'am's schedule started, it was a running race.

22:32What was running?

22:32When your schedule started, there would be multiple things at the same time.

22:36Cool.

22:38Yeah.

22:38Lawyer would be there.

22:39Lawyer would be there, yeah.

22:40And that whole schedule of you was chaotic.

22:44Because at the end of the day, there was a lot of house locations.

22:47Yeah.

22:48And I was very stubborn on the house.

22:51That was a beautiful house.

22:53But at the end of the day, what happened was when we planned it the first few times,

22:56it all got interchanged because of some election happening.

22:59Then they didn't give the house.

23:00There was some drama of that happening, but they wanted to change the location.

23:03I said, no, we can't.

23:04We'll interchange the thing, but I want that location.

23:07So, planning that location, getting the house was nice.

23:09So, I have a question for Priyamani Garu.

23:12So, did you ever feel well?

23:14The first time you are calling me Priyamani Garu.

23:16When?

23:17When?

23:19That is for the question.

23:21That is for the question.

23:21Yes sir.

23:22Yes sir.

23:23The way I got used to sir, sir, sir, Kishore sir.

23:25Yes sir.

23:26Whenever I introduce myself to someone else also, I say, Kishore sir.

23:29Hi, I am Kishore sir.

23:31No, I am going to.

23:32Sorry.

23:34Did you ever feel like directing a film?

23:39Interesting question.

23:41I do have an interest sir.

23:44Oh.

23:46I have a lot of interest in the direction.

23:49But again, that requires a lot of focus, attention and lot of prep and everything which I am probably I

23:57will.

23:58Eventually.

23:59Eventually get there.

24:00Okay.

24:01So, yes sir.

24:02There is interest.

24:03There is interest.

24:04So, let's see.

24:05Fingers crossed.

24:06We will be looking forward to it.

24:07Yes sir.

24:09Yes sir.

24:09You are watching Varu directing.

24:11Yes.

24:11Okay.

24:13Are you thinking it's very tough to be a director or easy?

24:17Sir.

24:18If I have to be really honest, I feel being a director is the toughest job.

24:23Sure.

24:24You have to handle the whole unit.

24:26You have to handle all the artists and everything.

24:29But Bar Lakshmin chose in Taravata with the ease that she has handled everything.

24:34I know it's not as easy as it looks.

24:36But if you want to bite it, it seemed as a breeze.

24:42It seemed quite easy.

24:43But I think I can also somewhere pull it off.

24:48I can.

24:48If I.

24:49Definitely I am sure if I put my mind into it, I will definitely do it.

24:53I agree.

24:53The conviction with which she did it and consistently doing something like that.

24:57Yeah, yeah, yeah.

24:58Definitely.

24:59See, you should do this.

25:00You should do this.

25:01You should do this.

25:03You should do this.

25:04You should do this.

25:04Anything you do.

25:05Even if it is a normal 9 to 5 job also, sir.

25:07If you love.

25:08If you have that passion with what you do.

25:10I think everything else will just.

25:12Everything will fall into place.

25:13All the best.

25:14Thank you, sir.

25:15Sir.

25:16Recommendation.

25:16No.

25:17All the best.

25:19Edwin sir.

25:20Me took a question.

25:21Yeah.

25:24With the experience of.

25:26If I can add with the experience of these many films that I have done.

25:30General ga.

25:31Ouk director ki.

25:32Ouk DOP ki.

25:34Ekkadai na.

25:35Throughout the project.

25:36Epppudai na.

25:37Ekkadai na.

25:38Konchokka clash.

25:39Oustundi.

25:40And it is normal.

25:41Because.

25:42Obviously you have your point of view.

25:44And you know.

25:44Director has their point of view.

25:46Creative differences untuundi.

25:47Epppudai na.

25:48Throughout the film lo.

25:49Meedra madja.

25:52Creative clashes ochchinda.

25:53Disagreements ochchinda.

25:55And if yes.

25:56How did you guys solve it.

25:58First of all ochchinda.

25:59Illa.

26:00Illa.

26:01Oh.

26:01Discussions la.

26:02Konchonchom.

26:03Narei discuss po no.

26:04Maybe now.

26:0515 days.

26:05I feel that.

26:07I know.

26:08We have discussed it a lot.

26:10Yeah.

26:12kaçTa actually is it.sy

26:14lra Talashima, where

26:15can you do any sleep? So

26:16there was a clarity. So.

26:18That's

26:18what I thought. I can

26:20tell her everything. I feel

26:21like there is a distinct experience in shooting. Even though

26:22you have to think there is a extra shot. You kind

26:25of can we deal with any shot at that time? You can

26:28do any dry side and you can take any shot at that stage? Has she

26:32said yes? Or no?

26:33What the heck

26:33sir?

26:34because first day when we were doing the school thing,

26:40I remember sometimes Varu asking you,

26:43you used to say no,

26:47or vice versa.

26:49I have seen this,

26:51so that's why I'm asking,

26:52because maybe for example,

26:54like the emotional scene,

26:56what we did,

26:57do we need,

27:01will it add an extra,

27:03you know,

27:04extra point to the thing?

27:06No, no.

27:06If you complete the shots,

27:09you can get a shot,

27:10you can get an extra shot.

27:12If you want to go to Shwara,

27:14you can ask a question,

27:15if you want to go to Shwara,

27:16sure, I want it.

27:18Then you say,

27:18okay,

27:19I can't get it.

27:20If you want to go to Shwara,

27:22I can't get it.

27:24If you want to go to Shwara,

27:25you can work out emotionally.

27:28If you want to go to Shwara,

27:30then you can accept it.

27:31Right.

27:32No, I think it was very,

27:33I also like,

27:35I'll tell you what I've said.

27:37I've talked about gender too.

27:38Even I've worked in a couple of films

27:39where automatically,

27:40you tend to,

27:41you will,

27:42it's not,

27:43it's not negative,

27:45but we'll have a discussion.

27:46Yeah, yeah.

27:47At the end,

27:47first to the day,

27:48both of us were in sync.

27:50Because I think we discussed so much

27:52as a team,

27:53all of us were in sync.

27:54Naresh, Naresh.

27:55Naresh, the co-director,

27:56and our,

27:57even our online editor,

27:59everybody,

27:59like,

28:00you know it is,

28:00every one of the directors

28:01and the co-director,

28:02I don't know anything.

28:04Correct.

28:05But I said,

28:06no,

28:06I want everybody to know everything.

28:07So everybody heard the narration.

28:09The first thing that,

28:10okay, said to me,

28:11more office question,

28:12I said,

28:12I'll see everyone's narration.

28:15Understand what is happening.

28:17I don't want any confusion.

28:18Including the short?

28:19Including whatever I wanted.

28:21I had narrated.

28:22Short by short,

28:23I had narrated.

28:23Right.

28:24So,

28:24that is first to the end.

28:25With Edwin Sir and me,

28:26it was very easy,

28:27because we used to go before.

28:28Many of us went to the location,

28:30all the choreographed,

28:31and he said,

28:32he called the phone,

28:33and he said,

28:34I'll give you a shot.

28:36So, there was never a discussion.

28:38And also,

28:39it was very, very easy,

28:40because I had told him,

28:41I remember in the beginning of the film,

28:43I said,

28:45Sir, forgive me,

28:47sometimes I'll ask for some mental shots.

28:49But,

28:49if you do the mental shots,

28:51I'm telling you,

28:52you'll get the best name.

28:53And he did that.

28:54He delivered.

28:55Yeah.

28:55Because I had asked him for such difficult shots,

28:57with,

28:58there was certain like,

28:59Appa said,

29:00for a revolving shot,

29:01to do that.

29:02So,

29:02we'll have to plan it later.

29:04But,

29:04we had a technical difficulty,

29:06sorry,

29:07technical difficulty,

29:08because the ceiling was low.

29:09Very low.

29:10But,

29:11we had to do a rotation shot,

29:13that was the main title shot.

29:16So,

29:16but he managed it.

29:17I said,

29:18because,

29:18I just said,

29:19sad,

29:21irritate.

29:22So,

29:22I keep irritating him throughout the thing,

29:24but,

29:24he never once said,

29:26no.

29:27If he had a shot,

29:28he said it.

29:29That was the,

29:30I think,

29:30beauty of the whole thing.

29:32So,

29:32that I think,

29:33went on very,

29:34very easily.

29:35Because,

29:36I think,

29:36I had that,

29:37and the cooperation of the actors,

29:39I think,

29:41this.

29:41It went absolutely flawless. I was just in fact having a conversation and thinking that

29:48there were no fights.

29:50Did it happen with the actors? Because this is the person person actually.

29:55Being an actor, how did you feel? Because just like the technicians, we come with our own versions of the

30:02character.

30:02Being an actor, when you script itself, when you write the script itself, you would have imagined, you would have

30:07performed all those roles.

30:08So, definitely there will be a difference between your performance and our performance, whatever we do.

30:13So, we come with our own baggages and all those things.

30:16So, it is a very tough thing to accept what we are giving.

30:19So, how was that? How interesting was it and how tough was it?

30:23I should always tell Edwin sir, this is the choreography.

30:27If you are an actor, you can do anything.

30:29If you want to do anything, this is what I should keep telling you.

30:34How about you?

30:35Me?

30:36How did you see that?

30:37No, but that's what I think, I was very open to the fact of what my particular cast of actors

30:44bought.

30:45Let me not put it in a very wide way.

30:46It's just that equality of actors that I chose, I knew what they will bring to the set.

30:53Right?

30:53Like for example, like a very small thing.

30:55With her, it was very simple.

30:57What do you say?

30:57One meter will pin and one meter will pin.

30:59She won't do it.

31:01So, she was able to deliver what I wanted without any conversation.

31:04With you also, I used to give you the meter.

31:07You used to pick it up.

31:08Prakashar sir has, we don't have to tell him anything.

31:11He's just, I think he's an OG in terms of his performances.

31:14I'm just talking about his craft.

31:16He's just, he's a phenomenal actor.

31:18So, and even with Prakashar sir, I said, sir, if you say something,

31:21if you say something, if you say something, okay.

31:23He used to never fuss about it.

31:25He never once said, this is not possible.

31:28He was not possible.

31:29If we discuss it, we can't do it.

31:32Yes.

31:32We can't do it.

31:33We can't do it.

31:34We can't do it.

31:35It's okay.

31:35This one, this one, he went in heels to say.

31:38If I focus on the topic, we can't do it.

31:39One more thing.

31:41Yeah, so that was very easy.

31:43I think also, all the actors, because nobody made a fuss.

31:45And I think everybody helped and contributed to our well-being of the whole film.

31:50So that I think I got.

31:52Your clarity, I think helped us a lot.

31:54Yeah.

31:55You deliver whatever we did.

31:56Yeah.

31:56You were very clear how much was required.

31:59What was required.

32:00Yes.

32:00That was very nice actually.

32:02On that note.

32:03Yes, we will finish.

32:04Since the producer is not giving us any more time.

32:06Thank you for watching us on Saraswati.org.

Saraswathi Movie Team Fun Chit Chat: డైరక్షన్ అంటే చాలా ఇంట్రస్ట్ | Priyamani | Asianet News Telugu

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