కార్తికేయ 2 సినిమాను పాన్ ఇండియా స్థాయిలో సక్సెస్ చేసిన తర్వాత, స్వయంభు సినిమాను ఎంతో జాగ్రత్తగా, బాధ్యతగా చేశామని వెల్లడించారు.
#Nikhil #Swayambhu #Karthikeya2 #PanIndia #Tollywood #NikhilSpeech #SwayambhuMovie #TeluguCinema #MovieUpdates #AsianetNewsTelugu #entertainment
Stay tuned for the latest Telugu News updates, Celebrity news, and political happenings from Andhra Pradesh, Telangana, and across India.
Stay updated with the latest news at 🌐 https://telugu.asianetnews.com🗞️
Download the Asianet News App now! Available on Android & iOS
👉 Android:
https://play.google.com/store/apps/details?id=com.vserv.asianet&hl=en_IN
👉 iOS:
https://apps.apple.com/in/app/asianet-news-official/id1093450032
Like and Subscribe:
WhatsApp ► https://whatsapp.com/channel/0029Va5bM8l2v1IpqGwjv30T
Website ► https://telugu.asianetnews.com/
YouTube ► https://www.youtube.com/@AsianetNewsTelugu
Facebook ► https://www.facebook.com/AsianetNewsTelugu/
Twitter ► https://x.com/asianetnewstl
Instagram ► https://www.instagram.com/asianetnews.telugu/
#Nikhil #Swayambhu #Karthikeya2 #PanIndia #Tollywood #NikhilSpeech #SwayambhuMovie #TeluguCinema #MovieUpdates #AsianetNewsTelugu #entertainment
Stay tuned for the latest Telugu News updates, Celebrity news, and political happenings from Andhra Pradesh, Telangana, and across India.
Stay updated with the latest news at 🌐 https://telugu.asianetnews.com🗞️
Download the Asianet News App now! Available on Android & iOS
👉 Android:
https://play.google.com/store/apps/details?id=com.vserv.asianet&hl=en_IN
👉 iOS:
https://apps.apple.com/in/app/asianet-news-official/id1093450032
Like and Subscribe:
WhatsApp ► https://whatsapp.com/channel/0029Va5bM8l2v1IpqGwjv30T
Website ► https://telugu.asianetnews.com/
YouTube ► https://www.youtube.com/@AsianetNewsTelugu
Facebook ► https://www.facebook.com/AsianetNewsTelugu/
Twitter ► https://x.com/asianetnewstl
Instagram ► https://www.instagram.com/asianetnews.telugu/
Category
🗞
NewsTranscript
00:00Good morning, Mr. Nikhil.
00:01Sir, sir. Hi, sir. How are you?
00:03I'm very fine and we are so much highly impressed with your dadgling spectacular teaser.
00:10Really, every frame has volumes to really speak.
00:14We are thoroughly impressed, thoroughly impressed.
00:17Thank you, sir.
00:17It's a big word, sir.
00:20So, it's a big thing, sir.
00:22So, it's a big thing, sir.
00:26This is a big thrilling thing for us.
00:27Thank you for really giving us.
00:29But after two years of relentless travel with the project, you are able to finally deliver a masterpiece.
00:37I am very happy.
00:37Hopefully, sir.
00:38Just as an introduction, we are going to show so much more in the next one, two months, sir.
00:43Okay.
00:44But as a hero, you take all the responsibility and the wellness of all the whole production.
00:49You are into every aspect.
00:50And you are responsible as a hero.
00:53You are a hero.
00:54You are a hero.
00:55Sir.
00:55Adugan, sir.
00:56So, Swayambhu was in fact scheduled to be released in this month.
01:01Yes, sir.
01:01Right?
01:01Yes, sir.
01:02But it shifted to April, it seems.
01:04Oh, sir.
01:04Right?
01:04Summer 2026.
01:05VFX, yes.
01:06Yes.
01:06Yes.
01:06Yes.
01:07Now, the strongest apparent reason is VFX later in the perfection of VFX and that is being widely heard.
01:18Sir.
01:18Where is this imbalances coming?
01:20I mean, director point of VFX, story conceptional, making, problem, lack of a lot of scenes, add out to add out to round of Valana.
01:30I mean, because many films are being really, I can use denigrated on the part of delay.
01:39Sir.
01:40Delay.
01:40I will answer, sir.
01:41I will answer, sir.
01:42You know, you know, cut the difference, sir.
01:43I mean, this is not a problem, it is not a problem, it is not a problem, not just for Telugu films, it is happening all across international films.
01:52What is your reason?
01:53Sir, I am talking about my reason.
01:55It is because nowadays, perfection is happening, sir.
01:57If I have a date, I will reach out to the end of that, but there is a snowball effect, if you have a VFX, you have a delay, if you have a sound, you have a delay, you have a sound.
02:08It is snowball effect, sir.
02:09And definitely post-production is happening.
02:11In this video, I am talking about the details, no producer, no producer, no producer, no producer, no producer.
02:17It is because we want hit film.
02:19It is because it is not a problem.
02:21You have to be aware of the audience, sir.
02:23If you have a name, but you have a name, you have a name, you have a name, you have a lot of CG shots, but you have to do it, sir.
02:30What is your opinion?
02:31It is because you have to be aware of the most important thing, sir.
02:33So, if you have a delay, you have to be aware of the perfect thing, sir.
02:38So, check and check, check and check, definitely there.
02:41In this video, you will be able to answer more.
02:44In this video, there are CG shots, sir, and the day he works, and the rest of the day, and the day he works, and he has come back here.
02:53So, I will be able to answer your question, see, there are delays in this video in so many ways.
03:00Like, if we shoot the story, if we change the story,
03:05like, see, for an audience, it doesn't matter.
03:08For an audience, it doesn't matter.
03:10If you don't like cinema, it doesn't matter.
03:14If you don't like the audience, it doesn't matter.
03:18Finally, the result is very important.
03:20So, we are trying to give you a best possible product.
03:22So, for example, like,
03:24like, edit changes, like, VFX changes,
03:28like, sound effects changes.
03:30So, which we are trying to be careful.
03:32So, we are trying to...
03:36No, no, you are mistaken about my question.
03:39Your question was that way.
03:41No, not that way.
03:42Not that way.
03:43Because, off late,
03:45there was an episodic series,
03:49the producer got terribly indemnified.
03:55There are a lot of people who are interested in this industry.
03:59Yeah, yeah, yeah.
04:00So, that's the angle.
04:02No, no.
04:03If Tagur Madhuru is...
04:05Of course, it's a strong producer.
04:06Yeah, yeah.
04:07That's a separate thing.
04:08Yeah.
04:09It's strong...
04:10See, and the delay, like,
04:11reason intended,
04:12only a good product.
04:14So, our producer is supporting us in the best possible way.
04:19So, you only can judge it, like, what kind of a project we are coming up with.
04:23Of course.
04:24Of course.
04:25Of course.
04:26Of course.
04:27Of course.
04:28So, like, that you should respect.
04:30We are respecting.
04:31No, no.
04:32Not that way.
04:33Not that way.
04:34And, director.
04:35Director, sir.
04:36Which language are you comfortable with?
04:37Sir.
04:38English?
04:39Telugu.
04:40Telugu.
04:41Telugu.
04:42Telugu.
04:43Telugu.
04:44I don't want to grammatical errors.
04:47Telugu.
04:48Tamil.
04:49Yeah.
04:50Yeah.
04:51No, no.
04:52It is only attributed to the God.
04:54Ultimate incarnation of external, what you call, universal soul called God.
05:00Correct, sir.
05:01It is the protagonist of the story.
05:03Absolutely.
05:04Is it correct?
05:05It is the protagonist of the story.
05:06Protagonist.
05:07Yeah.
05:08Sir.
05:09Swaiyambu ante Swaiyam ga the person who actually.
05:10I know.
05:11I understand.
05:12Swaiyam ga ochena waadu.
05:13Okay.
05:14He actually, the character is somebody who is left alone.
05:15He is not touched by anybody.
05:17He has to raise up na yaap.
05:18Of course.
05:19So, Alanti waadu ki andke Swaiyambu ante.
05:20He has to raise up na yaap.
05:21Of course.
05:22So, Alanti waadu ki andke Swaiyambu ante.
05:23But Ratiq in a question a card we may answer.
05:24Definitely starting now we choose Senegal.
05:25Yes.
05:26That place is a very major part of the film.
05:27I know.
05:28I know.
05:29I know.
05:30It is.
05:31It is a very major part of the film.
05:32I know.
05:33I know.
05:34I know.
05:35I know.
05:36But I know.
05:37So, I know.
05:38I know.
05:39I know.
05:40You have to find that.
05:41You can find that.
05:42I know.
05:43I know.
05:44I know.
05:45I know.
05:46I know.
05:47I know.
05:48I know.
05:49I know.
05:50I know.
05:51I know.
05:52It's a periodic historical drama with an action backdrop, but it's a mystical element.
05:59God bless.
06:01Thank you, sir.
06:03How are you, sir?
06:05Fine, sir.
06:07Sir, your fan following is amazing, sir.
06:10God bless.
06:11God bless.
06:13All media people have tweets in the chat, but BV is following you.
06:19Thank you, sir.
06:20Thank you, sir.
06:21Sir.
06:22Sir.
06:23Sir.
06:24Sir.
06:25Sir.
06:26But.
06:27Karthikeya Tu, Swaiyambhu, India House.
06:30Sir.
06:31Sir.
06:32Sir.
06:33Sir.
06:34Sir.
06:35Sir.
06:36Sir.
06:37Sir.
06:38Sir.
06:39Sir.
06:40Oh, no.
06:41Sir.
06:42Sir.
06:43Sir.
06:44Sir.
06:45Yes.
06:46Sir.
06:47For the other one, Karthikeya Tu, Swaiyambhu, India House.
06:49Sir.
06:50Yes.
06:51How do you start the video about it, sir?
06:52From here...
06:53You're in which Karthikeya Tu, he could also?
06:54Yeah.
06:55What was the video about it, and I'll see you.
06:56Yes.
06:57Really?
06:58Sir.
06:59What's the end?
07:00If you're finding it, get a point where you're saying that?
07:03Sir.
07:04I'm telling you what you're saying in an answer.
07:06But...
07:07But my opinion is that two types of movies are really doing well, sir.
07:13One is also trend and people taste.
07:15It's costing 2.95 rupees minimum per ticket, which is pretty large money.
07:22So, my opinion is that people want to have a larger than life experience.
07:26We don't want to see good cinema or bad cinema, sir.
07:29We don't want to see many OTTs, sir.
07:31That's true.
07:32We don't want to talk about it, but it's a fact, sir.
07:39When I do a guy next door cinema, there's a limited theatrical release,
07:43because we don't want to see a product for the distributors.
07:49I feel that there's a limited audience, a guy next door, a small cinema,
07:54and I will definitely do it.
07:58I will definitely do it for a web series, sir.
08:00Director, sir.
08:02Sir, Namaste, sir.
08:03One ayatam, one yodudu, one samasya.
08:08This story is like this.
08:11No, sir.
08:12Actually, it is too simplistic, sir.
08:14You can tell me, sir.
08:16I can tell you, sir.
08:17No, sir.
08:18That's right, sir.
08:19That's right, sir.
08:20You can tell me, sir.
08:21You can tell me, sir.
08:22You can tell me, sir.
08:23Correct, sir.
08:24If you tell me, sir, boy meets girl, fall in love, what happened?
08:30Alante, see, if you simplistically say, it is that, sir.
08:35If that love story happens in Jubilee Hills, that's how it is, sir.
08:40That's how it is, sir.
08:49It's a small village boy who wanted to become a warrior.
08:54So, at that time, everyone was doing it.
08:57They were able to get an IPS.
09:03So, Alante, you have a story, sir.
09:04So, which platform do you want to go to that time?
09:08Do you want to go to that time?
09:10No, sir.
09:11No, sir.
09:12No, sir.
09:13So, sir, I want to go to Pan-India.
09:15This is South India, and the Tamil market also targets us, sir.
09:18Because, sir, humbly, I would like to say only one thing, sir.
09:23The demarcations of the states were just from 1950.
09:27Yes, yes.
09:28OK.
09:28So, we are one of the people.
09:33Yes.
09:33OK.
09:34So, South India or India, we don't see Gandhi as a Gujarati.
09:40Yes.
09:41Sir, Bose is not a Bengali.
09:44Bose is Indian.
09:45Yes.
09:46OK, sir.
09:46Alante, these lines of demarcation between states,
09:50it is a recent phenomenon.
09:51And we are talking about a film that happened 1,000 years ago, sir.
09:55So, at that time, we are all the same.
10:00Sindhilgaru.
10:02Sindhilgaru.
10:03Yes, sir.
10:05Sir, teaser work is very good, sir.
10:10Sir, Rajmori, Landa, Goppa Director, Pettipedda Director, Pettipedda Director, Pettipedda Director, Pettipedda,
10:13and the production house,
10:15and the production house,
10:163D and the 3D and the way we are looking for it.
10:18Yes.
10:193D and the way we are looking for it is a good thing.
10:21But if you have a project, you can talk about 3D,
10:25you can talk about your ideas.
10:28You can talk about 3D.
10:30You can talk about 3D.
10:32You can talk about 3D.
10:35You can talk about 3D.
10:38What is your question?
10:40There are two ways of shooting 3D.
10:43One is to shoot 3D and to convert 3D.
10:47There are two ways of doing it.
10:49So, we felt because like 3D is a very expensive offer
10:54and there are many limitations technically.
10:57But we took the other way around.
10:59So, we shot it in 2D, regular.
11:01So, we got a great team from Race 3D.
11:06So, it is like we did not try.
11:12But only when we are doing the 3D conversion,
11:15at that time, we tried to do whatever is in 3D.
11:18So, there are some depth.
11:19There are some depth in 3D.
11:20There are some depth in 3D.
11:22We were constantly discussing about them.
11:25So, there are a lot of limitations.
11:29If we shoot 3D, we can shoot the camera fast.
11:32We can shoot the camera in particular.
11:34There are some limitations.
11:36So, we took the other way around.
11:38We shot it in regular format and converted it to 3D.
11:41And we did for RRR also convert ASM.
11:44So, which was good.
11:45So, then we like and Nikhil and the producer and director
11:49were very very excited to do this film in 3D.
11:52So, then we took a step and did it.
11:55Nikhil Garg.
11:56Nikhil Garg.
11:57Nikhil Garg.
11:58Hi, sir.
11:59Hello, sir.
12:00Hi, good morning.
12:01Hi, Andy.
12:02Good morning.
12:03Sir.
12:04Sir, I don't want to talk about it.
12:05My passion is hard work on the screen.
12:06Thank you, sir.
12:07Thank you, sir.
12:08I am happy about that.
12:10Sir.
12:11Thank you very much.
12:14Thank you very much.
12:16I have all the hitл of the press.
12:17My passion is for the peer-release in 4-5 languages,
12:23but it is also such a success.
12:27At the post, I don't want to release close time on the screen,
12:30but if I do not want to release that all time,
12:33you will do a delayed release or unnoticed.
12:36It may not happen.
12:39You have to expand the spectrum of Spanish, Chinese, Arabic, etc.
12:46That's exactly what your plan is.
12:48My producer is Bhuvan and Madhukar.
12:53Actually, we have a very nice deal from China, sir.
12:56We got a fantastic offer.
12:59Why not?
13:02Because, you know, I also have a lot of people in Karthika two times.
13:07But my point is connected.
13:10Every point is connected, sir.
13:11But at some point, they can go to different images.
13:14We are looking at Netflix, or Chinese, or Squid Games, or Kingdom.
13:20We are looking at a lot of series, sir.
13:22Which are Chinese and Japanese, which are working here.
13:24We are looking at it.
13:25Our culture is already all about Bahubali.
13:29That's almost ten years ago, sir.
13:31So, I thought, we thought,
13:33we would like to choose our cinema, sir.
13:35And already, we are showcasing our film to all the distributors very open.
13:40Because we are very confident about the film.
13:43So, we did like to choose our film.
13:44Then, it was available in Arabic and Chinese.
13:49Srinivas Mohan Garb.
13:52I've been playing in English, sir.
13:55I haven't been mentioning it, but I haven't mentioned it.
13:56Thanks, good point.
13:57But English subtitles also couldn't play.
14:01Meiru, what did you say about the cinema announcement, Srinivas Mohan Ghar, VFX, Shasnaran J.P.
14:06Announce, sir.
14:07But I could not find his name.
14:09Yes.
14:10You want to answer?
14:12Yeah.
14:13Sir.
14:14Sir got busy with bigger projects, sir.
14:16Okay, okay.
14:17See, basically, sir, one thing, sir.
14:19Just kidding.
14:20The point is, sir, Srinivas Mohan, sir, actually I have a pretty decent relationship with him
14:25because I worked with him previously.
14:27Virtual Production Kossam, we used to, I used to learn from him more than that.
14:33Apudu, I requested him that, you know, he helps us.
14:36So, starting low, he came and he started helping us.
14:39And then, unfortunately, date's issues.
14:43See, and multiple projects, VFX producer, supervisor, handling is not very easy, sir.
14:49So, and the scale of projects is very important, sir, because the responsibility is extremely
14:54huge.
14:55You know, there are lots of technicians like that who actually shoulder the project.
15:00They are not, you know, generally they don't come to the stages.
15:03But the VFX, even sound department, he is in a very extremely important position, sir.
15:12So, we just couldn't get him in and get his time.
15:15That was the only reason.
15:16Thank you, Andy.
15:17All the best.
15:18Thank you, sir.
15:19Thank you, sir.
15:20Hi, Bharat Garu.
15:21Hi, Andy.
15:22Namaste, sir.
15:23Namaste.
15:24All the very best, Andy.
15:27All the very best.
15:31Thank you, sir.
15:32You can see, as they have said, I'm already toxic and busy.
15:37So, sir, Ravi Basroor Garu is like, he, you know, he's like a, what do you call a waterfall.
15:46Okay. You ask him something and it flows. Bucket particularly, we'll have to take it
15:52and then whatever we bring, Elantiva. He's a fantastic guy and I would actually suggest
15:58people like you to visit his studio in Basro. And sometimes actually we would love to invite
16:04you guys during the background score and all. And he has created his own studio there and
16:10then with respect to Toxic and Swyambu working at the same time, most of the times what happens
16:15is like during the day times he would be working in Toxic, night he would be working for Swyambu.
16:21Or if it is daytime Swyambu, it is night Toxic. Or two days Toxic, two days Swyambu. Elantiva.
16:27So it's like he's handling multiple projects. See he's top and with respect to background
16:31score and all, he's almost, you can say he's one of the top guys in India. So it's obvious.
16:37So Adi sir. All the best Andy, teaser looks good. Thank you very much.
16:41Nikhil Gar, hi Andy. Hello, hi, hi, how are you?
16:45I'm good, I'm good and congratulations. Thank you, thank you. Thank you, thank you.
16:51Thank you, thank you. Thank you, thank you. So what exactly is Swyambu is to you and
17:00the end of the end of the day, every year two two films are now, but the year one film
17:05I got the first time I did a lot of films that I didn't see, I did a lot of films that I
17:07don't know about it. Oh, sorry.
17:09But if that's the end of the day, all of my other films, I called the audience to me,
17:11the audience to me. So, I was like, I'm afraid of being the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one.
17:19I'm afraid that I'm going to be a Swamera.
17:25I'm going to be able to do a lot of films.
17:27I'm not talking to many people.
17:29I've done other films like previous films, backlogs.
17:36I realized that we can't do quality films in any film.
17:41And sometimes when you see somebody like Prabhas Bhai, Rana Ghani,
17:46how they've contributed years and years.
17:48Ramacharangaru, Tharakanna, how they have contributed years.
17:51They have been a little bit inspired.
17:53Like, you know, he's given three, four years.
17:56So, I also thought, why can't a young guy like me also, you know, try the best?
18:06And one of the things that you can see is a bad missile.
18:10I'm not a bad missile.
18:11I'm in a very Indian house look.
18:13But I wanted to be in that look, a warrior feel.
18:16Our training, 45 days, spent years.
18:18And my brother, you know, I know his demand worldwide.
18:24I know, I know his demand worldwide.
18:25I know, I know, I know.
18:26You know, I know his demand worldwide.
18:27I know, I know.
18:28I know.
18:29I know.
18:30I know.
18:31So, you wanted to be a producer from a long time.
18:34I know.
18:35I know.
18:36I know.
18:37I know.
18:38I know.
18:39Hopefully, it's a positive.
18:41Take care.
18:47Take care.
18:48I want to try something new.
19:18You know, different characters, that's my wish to be, and I love that journey in cinema.
19:25In Kote, when the film has good technicians, you know, I'm talking about the director, cameraman, right, all the technicians, then they make sure that you're shown in the right way, and you do the right thing, and absolutely full safety measures.
19:40I'm not denying that thirty-four, you know, how many feet? I don't remember, sixty feet or something.
19:49Kind of just, you are afraid. But the moment you hear action, you don't have a choice.
19:53Yes. So, we have to see what else we can do.
20:00So, three things. One thing is, either I'll say Shambhu Mahadeva or some, you know, Jay Hanuman or Jay Shriram, something else.
20:08And I won.
20:12Yeah, I won.
20:13Yeah, I won.
20:14Yeah, I won.
20:15And...
20:16And...
20:17Rajvai, hi.
20:18Rajvai, hi.
20:19How are you?
20:21I know, I'm sorry.
20:22If we have something, we can't do anything with our Heidelah's Release date, we can't get a good release date.
20:28Do we have a hold of it?
20:30That's right. That's the thing.
20:31Because, you know, 100% release, we can't release 2000-3 months now.
20:36And CG also, we want to give a good output.
20:39But we can't do 100%..
20:41If we don't have any indie indie film.
20:42Sankranti is like Sankranti, that's a very typical indie indie film.
20:45So, we thought, well, we have two or three months already.
20:48We have for introduction.
20:49Yes, this is a promotion, next 2000 years.
20:50Next two three months we are going to rock it and then give me support from a cover for the number of action plans
20:55Anthony next under another two three to three days of promotion plan. Yeah one second never got some
20:59I'll just answer your question
21:01Next film is India wasn't already 30% shooting there again the guys are good up
21:05We have to you know it's coming out really well and in the blue Japan to Karthika 3, but like Bob Ali tarwata
21:10Every hero key occurred remundi sendil got same lot of scholar own so make even pitching the first frame low
21:16I need in the one me are the meaning of this are the name in an hour which is it but
21:20Yes, I'm exactly and then hit. I felt very very happy and
21:26He chose that number one last question at birth girl. Yes, actually eat this kind of film so Japanese like
21:33viewership on together so Japanese and a little end of miss and Japanese before
21:38after release even apply those decisions are in progress
21:43Actually, I say it depends on the production are they
21:46based on the office as how hero said yes
21:52I'll give it to Napa
21:54Napa girl? Hi
21:56Yes, yes, yes. Hi, good to see you. Hi, hi. Good to see you too.
21:58I'm starting a career choose from a regular heroines to maintain a x-factor
22:05Yeah
22:06So, it is a peak for characterizations to get up
22:10Thank you
22:11What experience or what experience do you change this character?
22:15When I tell you, I feel like it is different from me
22:22And not just the looks, but also the emotional resonance
22:27I think is very important for me
22:29I think I have a look for a scene like this
22:32The kind of emotional hold this character has, Sundaravalli, has in the story.
22:53So, yeah, and even the look is going to be different.
23:00Every guy next door has one woman behind, you know, always, for his success.
23:07Yeah.
23:08Every guy behind one.
23:13Fights are not.
23:15Just...
23:16Part two.
23:17Part two.
23:18Got to see.
23:19Yes.
23:21Nikhil Garu.
23:22Sir, where is he?
23:24I am.
23:25Hi, sir.
23:26How are you?
23:27Thank you, sir.
23:28Thank you, sir.
23:29I am very, very large scale.
23:32Don't expect that, sir.
23:34It's a compliment for us because it's a crazy film and he made sure.
23:40It's a...
23:41It's a...
23:42It's a...
23:43Realistic count, sir.
23:44And it'll be nicer here.
23:45Comparison, sir.
23:46Comparison, sir.
23:47And then?
23:48Nothing more.
23:49And then?
23:50Periodic film, yes, sir.
23:51Yeah.
23:52I would love, sir.
23:53I would love to.
23:54I would love to.
23:55That's...
23:56Many things.
23:57It's a multi-star, sir.
23:58We are all there.
23:59We are all there.
24:00This is a lady multi-star, sir.
24:01We are all there.
24:02It's a lady multi-star.
24:03It's a lady multi-star.
24:04You are all there.
24:05The lady, sir.
24:06We are going to have a press meet there.
24:08We are going to have a press meet there.
24:10Hopefully, we are going to have a press meet in 3D.
24:12Hopefully, we are doing well.
24:14We are doing well.
24:16We are going to have a long part.
24:18Do you expect a multi-star?
24:20I would love to.
24:22I would love to.
24:24Many things.
24:26We are all there.
24:28This is a lady multi-star.
24:30Do you expect a multi-star?
24:32Sir.
24:34I will do it.
24:36I will do it.
24:38I will do it.
24:40Hopefully, it will be someday.
24:42Hopefully, it will be someday.
24:44Okay, sir.
24:46Do you expect your body transformation?
24:50Sir, it was a 45-day training session and all that, sir.
24:54Two years, I was in that thing.
24:56Not just me, even Samiktha.
24:58All of us were in that periodic zone.
25:02We are going to have some control.
25:04Samiktha,
25:05Yes, sir.
25:06Do you have a fight?
25:08Yes, sir.
25:10Next one, next cinema also.
25:12Fights?
25:13Yes.
25:14Okay.
25:15Do you have a producer?
25:16This is Pan-India movie.
25:18Do you want to choose budget?
25:20What do you expect?
25:22Do you expect?
25:24Yes, sir.
25:25Yes, sir.
25:26Yes, sir.
25:27In 2023, Baba is not.
25:28Next Sankranti will release.
25:30This is 2026.
25:32So, it's a big budget.
25:34We are not regretting it.
25:35It's a very well spent budget.
25:36So, we are not regretting it.
25:40It's a very well spent budget.
25:41Do you have collections too?
25:42Yes, sir.
25:43Yes, sir.
25:44Yes, sir.
25:45Bharat,
25:47So, now, visual effects,
25:49whatever you guys showed to us in the teaser.
25:53Yeah, thanks, sir.
25:54So,
25:55Can you let us know about visual effects?
25:58Sir.
25:59Phantom.
26:00Phantom, yeah.
26:01As I,
26:02when I was thanking everybody,
26:04as I told that, you know.
26:05Phantom effects has been a very good company
26:08who has supported us right from the start.
26:10So, visual effects, Elanti, Ravalante,
26:12it's not an overnight processor.
26:13It is like they are working with us for close to a year.
26:15And Inka,
26:16full film law, around 2,000 shots.
26:19Another 400, 500 shots pending online.
26:22Like they are still working on it.
26:24And then, you know,
26:25we are trying to improve it.
26:27Yeah.
26:28As Sandil, sir, said,
26:30it's not,
26:31it's just a one day ka game, sir.
26:34One Friday ka game.
26:35And one Friday lo, one show ka game.
26:37And even in that,
26:38first half,
26:39game kill chases tharo.
26:41So,
26:42in that case,
26:43we have to be as much careful as possible.
26:45So, for that,
26:46Phantom has been extremely helpful for us
26:48and they are working really hard for us.
26:50Sam Yukta.
26:51Hi.
26:52Hi.
26:53Hello.
26:54from the audience.
26:55I am sure
26:56you are writing
26:57A good mouthful.
26:58I am sure
26:59you are writing it up.
27:01You are writing it up.
27:02No, no.
27:03I don't know.
27:04You are writing the way you are aggressive.
27:06So much aggressiveness.
27:08So,
27:09cinema is all about the most miserable.
27:11Why do you look up like this?
27:13Full. Yeah, full aggressive. There is no softness at all.
27:19But this is a short return, right?
27:22That's not it. My mother also plays a comedy. By the way, it's entertainment.
27:25My mother also plays a complete teaser. So, it's all about it.
27:31No, no, that comedy is very situational.
27:34And this is a song in two shots.
27:38When I was happy to smile, director sir, I don't know.
27:45I don't know.
27:55Last question.
27:57You said you wanted to take a break.
28:01Wasn't this exhausting as well for you?
28:07No, like exhausting. Yeah, any film is exhausting.
28:13It doesn't matter whether it's a small film, big film.
28:15Every film has its own challenges.
28:20So, but the challenges time low, how you do your work, how you enjoy yourself.
28:26So, working with a very, very excited team always gives you lots of energy and all.
28:32And Bharat had a great vision. So, I am really happy to support him.
28:37So, and as you have seen like the kind of contribution all the actors have given.
28:42So, obviously like it is a very happy challenge to be a part of this.
28:49And I am really, really like very happy to have done this film only.
28:55Okay. Also, you push your boundaries as well technically.
28:58Yeah.
28:59Cameras, technicalities.
29:00So, what are the boundaries you pushed for Swayambu?
29:03This, to the maximum like, see like we had a certain constraints in which we have to pull off this one.
29:10So, what best I can do at every point of time, I have been pushing in that.
29:14Technically like storytelling wise, we are trying to do whatever best, whatever experience I have gained.
29:20And in the cinema experience, I have contributed better to try to do.
29:25So, in that way, like I have contributed from my side rather than technically to do something.
29:32Storytelling is very important.
29:34So, whatever presently we have capabilities, so this film needed a certain kind of approach.
29:45Which you will see in the film, how the approach was.
29:49I don't want to talk at this point of time.
29:51Understood.
29:52Also, Krishnamacharya might also answer this.
29:56Sir, AA uses echoed.
29:59So, Swayambu, are you focusing on CGI or is there any usage of AA?
30:05No.
30:06No AA.
30:07It is not living up to it.
30:09It is not living up to it.
30:11So, it is not the promotion material, but the poster's ads.
30:15So, you will not…
30:16No you will.
30:17No you will.
30:18Yes.
30:19So, first of all, thank you so much.
30:20You are a lot of artist-ease.
30:23Like, when you talk about this, I am a king or a child.
30:28Yes.
30:29I mean, you are a little too young.
30:31It is a true story.
30:36true story. We stayed true to physics and true to logic.
30:45Done. Thank you. Nikhilgarh?
30:47Yes, I am. I am. I am. I am. I am.
30:50This is a story story.
30:52This is a story story.
30:53But the story is a big problem.
30:57So that is what is a movie.
30:58Done. Thank you so much.
30:59Thank you. Nikhilgarh. Hi.
31:00Hello.
31:01I think we will distribute it. I am going for a fan tour.
31:26We are releasing a song. My introduction song. Me and Nabha's song.
31:30We are going to distribute it in a lot of places. That is the plan.
31:35We are going to be free.
31:37So it is free for us. If you want, maybe there is a company.
31:40We will put a tag of that.
31:42Ok.
31:43And promotion.
31:44We are going to make sure that you are in the theatre.
31:50Hi.
31:51Hi.
31:52Hi.
31:53Hi.
31:54Yes.
31:55Hi.
31:56Hi.
31:57Hi.
31:58Hi.
31:59Hi.
32:00Hi.
32:01Hi.
32:02Hi.
32:03Hi.
32:04Hi.
32:05Hi.
32:06Hi.
32:07Hi.
32:08Hi.
32:09Hi.
32:10Hi.
32:11Hi.
32:12Hi.
32:13Hi.
32:14Hi.
32:15Hi.
32:16Hi.
32:17Hi.
32:18Hi.
32:19Hi.
32:20Hi.
32:21Hi.
32:22Hi.
32:23Hi.
32:24Hi.
32:25Hi.
32:26Hi.
32:27Hi.
32:28Hi.
32:29Hi.
32:30Hi.
32:31Hi.
32:32Hi.
32:33Hi.
32:34Hi.
32:35Hi.
32:36Hi.
32:37Hi.
32:38Hi.
32:39Hi.
32:40Hi.
32:41Hi.
32:42Hi.
32:43Periodic and historic
32:45The emotional arc
32:47and even the
32:49progression of characters are completely different
32:51Cinema
32:53and
32:55also
32:57these movies are reaching
32:59the larger
33:01audience
33:03I think that's probably the reason
33:05but I'm very happy about it
33:07I'm very happy about it
33:09I'm very happy about it
33:11Thank you
33:13Thank you so much to all our media friends
33:15Thank you guys
33:17Thank you so much
33:19We are going to Mumbai
33:21We all want to meet up and take photographs
33:23I'm going to separate plan A
33:25You all like a lot of supporters are here
33:27We are all here
33:29We are all here
33:31One minute
33:33I'm going to
33:3521st and 25th
33:37I'm doing a fan tour
33:39We are going to have a photo session
33:41We are all here
33:43I'm going to spend one day every place
33:45So the 21st and 22nd
33:47We are all here
33:49Please come and take a picture with me
33:51We will have a good time
33:53Now we are promoting
33:55So please guys forgive us
33:57We are all here
33:59Please forgive us
34:05Suzanne
34:07Is
34:09Why
34:10Monthly
34:11He
34:19Has
34:20He
34:21Matty
34:22He
34:23Walt
34:25He
34:26another
34:27He
34:28That
34:29He
34:30Had
34:31The
34:32The
34:33The
Comments