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00:00I have had the most difficult morning,
00:02so I need some R&R to lift my spirits.
00:05So I thought a calming, oh, thank you, mani-pedi.
00:07And then, oh, you do still do back massages with that, too.
00:10OK.
00:11Maybe a chamomile mask.
00:13You know, that might help me, because I
00:15need something to relieve this horrible, terrible, awful
00:17tension.
00:18Oh, thank you.
00:25Hi.
00:26I don't have an appointment, but I'm
00:27hoping somebody can squeeze me in for a manicure.
00:40Main character in your book is based on me, isn't he?
00:43Not entirely.
00:44Casey the stable boy.
00:46First Christina sends this to my agent without my permission.
00:48Now you read it without my permission.
00:49Nobody was supposed to read this.
00:51OK, look, maybe Christina shouldn't have done what she did,
00:54but that doesn't change what you wrote.
00:55And I can't unread what I read.
00:57OK, then can you at least read it in the spirit it was intended,
01:00please?
01:00Oh, as a joke?
01:01Yeah, sure.
01:02I'll just laugh it off and move on.
01:08Cody, hi.
01:09Did you call the farrier yet about Hades?
01:14Goodness.
01:15What?
01:16You're reading a book.
01:17I'm so glad this worked out.
01:18My nails are in desperate need of some love, and I am in desperate need of some sister time.
01:30Save it.
01:31I know that you submitted my book to my agent behind my back.
01:34Oh, so you really just want to know if I've heard back?
01:39Well, have you?
01:41There you are.
01:48Hi.
01:49Hi.
01:50Hi.
01:51Thanks for coming, Grandma.
01:52Oh, I would have come whether you texted me or not because I miss you.
01:56Oh, I've missed you, too.
01:57Yeah.
01:57So what's up?
01:58You said you needed my help with something?
02:00Yeah, yeah.
02:01I need to know all about the Cassidine family.
02:05I figured I'd go directly to the source, since you're one of them.
02:09Hey, babe, I am home.
02:17Pascal.
02:18Bonjour.
02:19You're back.
02:21Surprised.
02:22And if by babe, you're referring to Marco, he's unavailable.
02:27I was just texting with him like two seconds ago.
02:31Well, he has important business to attend to.
02:35What would you know about Marco's business?
02:37Well, perhaps Marco shares more with me than you know.
02:41Okay.
02:42This, this is crazy.
02:45What is your problem with me?
02:48Or is it simple and you're just plain jealous?
02:53Oh, good.
02:54I was hoping I could find you here.
02:56Your lunch?
02:57Oh, I wish.
02:58I'm so starving.
02:59But I didn't order anything.
03:00Really?
03:01No?
03:02Greek salad with extra olives?
03:03I didn't order anything.
03:04Isaiah did.
03:06Anything on the Anna front?
03:08I spoke to Felicia.
03:09Yeah?
03:10Turns out it's worse than we thought.
03:11I'm going to Windermere.
03:12You can't stop me.
03:13Wait, wait, wait.
03:14Valentin, you cannot go.
03:15And you know why.
03:16It has to be done.
03:17You're right.
03:18It does.
03:19That's why you're not going.
03:20I am.
03:21Damn, a guy can read a book every once in a while.
03:40Right?
03:41What's the big deal?
03:42It's no big deal.
03:43I, I just have never seen you read a book.
03:47Cause I'm dumb.
03:48Right?
03:49Big dumb joke who can't string together words.
03:51What has gotten into you?
03:53Now I am surprised.
03:58Expected it to be a comic book?
04:00No, but Jane Austen?
04:02Come on.
04:03Hemingway maybe, but not a Regency romance.
04:06Did you join a book club?
04:07Are you reading this under duress?
04:09You know, there's a lot more going on with me than people think.
04:12I'm not some bumbling idiot.
04:14Nobody thinks that, except apparently you.
04:19Mainly you.
04:20Mainly you do.
04:21One person in particular.
04:24You're not even sorry.
04:26Why would I be?
04:28You said I could read your book.
04:29I did.
04:30And I couldn't put it down.
04:31It was sexy, fun, polished.
04:33That thing was ready for submission.
04:35But I wasn't.
04:36And I was never going to be.
04:38The only people I'd even told about the book were you and my dad.
04:42I hadn't even told mom yet.
04:43I just wanted to keep it mine.
04:45Well then why did you let me read it?
04:47So that you would give me your honest opinion.
04:49Not so that you would send it to my agent.
04:52Molly, I know you.
04:53You would have tinkered with that manuscript forever.
04:56Changing a period to a semicolon and back again and back again.
04:59Which would have been my right.
05:00Because, yeah, punctuation matters.
05:03Oh, come on.
05:04You would not be reacting this way if your agent passed.
05:07Admit it.
05:08She loved your book as much as I did, didn't she?
05:14Surprised to see you here.
05:15I thought you and Jens were having a picnic.
05:19And you brought that big old basket and everything.
05:21Well, I loved it at Windermere.
05:24Along with my relationship with Jens.
05:27Oh.
05:28Well, don't tell me there's trouble in paradise.
05:31It just dawned on me that I really deserve a lot more than being another mayor in Jens' stable.
05:36Something I just think you obviously couldn't possibly understand.
05:41I don't see Isaiah's name on this order.
05:46Trust me.
05:47I told him last night that this was my latest craving.
05:50Olives, huh?
05:51Is it too cliche?
05:52Too much like pickles?
05:54I couldn't get enough salt when I was pregnant either.
05:56And then I really want a watermelon and then it just got weird.
05:59Here.
06:00Enjoy.
06:02Yes, I will.
06:05That was very sweet of Isaiah.
06:07Not only to remember, but to actually place that order for you.
06:11Elizabeth, we've been having a really great time together.
06:15He's so helpful and patient and he's easy going.
06:20We've been taking him.
06:21Well, that's always a good sign.
06:24Yeah.
06:26We seem to just kind of fit together.
06:36But that could all change once I find out who the father of this baby is.
06:40Right.
06:41No.
06:42That's out of my family.
06:43I would not invite to a potluck dinner.
06:44But I do know the players.
06:45So.
06:46Let's.
06:47Let's.
06:48Let's.
06:49Let's go out.
06:50Okay.
06:51Kids.
06:52You kids.
06:53You just.
06:54You just walk around.
06:55I'm a lawyer.
06:56Look.
06:57Lawyers have legal paths.
06:58You can keep it.
06:59Oh, thank you.
07:00Yeah.
07:01All right.
07:02So we'll start with my.
07:03My father.
07:04With Helena.
07:05They were both.
07:06Legitimate.
07:07Wait.
07:08I wasn't.
07:09You were illegitimate.
07:10You were illegitimate.
07:11My mother and my father weren't married at the time he was married.
07:39Um.
07:40Where does Charlotte fall into all this?
07:49I don't know all the details yet.
07:51I just know Anna's family's in contact with the doctor about her treatment.
07:56She recognized?
07:57Yeah.
07:58That's a good sign?
08:00Yeah.
08:01But what's not a good sign is that Anna's insisting that she's sane and she was being held captive by Faison.
08:06Yeah.
08:07And she said that Peter August paid her a visit.
08:12So she believes they're both alive?
08:15And still a threat.
08:16So she has delusions and paranoia?
08:20I guess so.
08:21But according to Felicia, Anna believes that I'm the one who has to stop Faison.
08:28You're going.
08:29What's your point of entry?
08:30Oh.
08:31This top secret little known opening caught the front door.
08:35Why would Sidwell let you in?
08:36Why wouldn't he?
08:37Because he knows you hate his guts.
08:38He's already extended an invitation.
08:39Sidwell wants me to make peace with Lucas for Marco's sake.
08:41That could work.
08:42And if it does, it's because Sidwell is underestimating you.
08:43Let's hope he keeps doing that.
08:44It will work.
08:45But there is one reason not to do it.
08:46Really?
08:47Only one reason?
08:48Jocelyn is using my brother for her own agenda.
08:49You hate that?
08:50I hate it.
08:51And now I'm about to do the same thing.
08:53Jealous!
08:54Of you!
08:55Doesn't take a psych degree to figure out how you feel about Marco.
08:56Whenever I'm affectionate with my boyfriend, you pop out of the woodwork to interrupt
09:00us.
09:01It's called doing my job.
09:02I'm the butler.
09:03Yeah, no, no.
09:04No.
09:05No.
09:06No.
09:07No.
09:08No.
09:09No.
09:10No.
09:11No.
09:12No.
09:13No.
09:14No.
09:15No.
09:16No.
09:17No.
09:18No.
09:19No.
09:20No.
09:21No.
09:22No.
09:23No.
09:24I don't think so.
09:25And I hadn't realized how bad it had gotten until you went away.
09:29It was like I could finally breathe again.
09:31So can you just acknowledge the elephant in the room?
09:34You want what I have and resent me for having him.
09:38Americans and their vanity.
09:41You are so consumed with your paltry romance that you are blind to what's really going on
09:48here.
09:49Pascal!
09:52Because it's the person I'm worried about most in this whole situation is Trina.
10:05It will be extremely difficult for her if Isaiah is the father.
10:08He's not afraid to follow my lead.
10:09And he trusts me too.
10:12The person I'm worried about most
10:13in this whole situation is Trina.
10:16It will be extremely difficult for her
10:19if Isaiah is the father.
10:21And I'm not saying that she will love the baby any less.
10:23No, of course that's not who she is.
10:24It's just gonna be an adjustment.
10:26It's gonna be a big adjustment.
10:28And she's already struggling
10:29with her parents splitting up.
10:32But if the baby is Curtis's?
10:34That will make things easier for Trina.
10:36But not for you.
10:38We had our reasons for not divorcing at one time.
10:41But the only thing that's holding up the divorce now
10:43is the question of paternity.
10:46If Curtis is the father, there are gonna be issues.
10:48Custody, parental rights.
10:52It's gonna be a nightmare.
10:53In order to get to Charlotte's branch of the family tree,
10:57you have to go back to Mikos's father.
11:01Nikolai Ivanovich.
11:03Okay, so Nikolai had three sons.
11:04Mikos, Anthony, and Victor.
11:07Yeah, I got that far, but wasn't Mikos Valentin's dad?
11:15No.
11:16No.
11:16And herein lies the difficulty in the construction
11:20of the Casavine family tree,
11:21in that we have a propensity to lie.
11:25It's in our genes.
11:28Valentin thought that Mikos was his father,
11:31but he wasn't. Victor was.
11:34So the only ancestor that you and Charlotte share is Nikolai.
11:40My great-great-grandfather.
11:43And Charlotte's great-grandfather.
11:46And he was...
11:48He was born in St. Petersburg, 1852.
11:52Ah, yes. Over a hundred years ago.
11:56I hope your teacher appreciates all of this.
11:58Yeah, yeah. No, I'll definitely be getting an A on this one.
12:02Thanks, Grandma.
12:04You bet, kiddo. Anytime.
12:06I've never been more disappointed in Jocelyn.
12:08She knew moving in with Marco would put Lucas in danger,
12:11yet she encouraged him to do it anyway.
12:12Under orders from the WSB, but...
12:14She better have been.
12:15Even still,
12:16Jocelyn's using her uncle,
12:18and now it makes me sick to think I'm about to do the same thing.
12:21So don't go.
12:23What are you talking about?
12:24You just said one of us has to go.
12:26I said it had to be done.
12:27I didn't say it had to be done poorly.
12:29You're hesitant.
12:30That's going to get you hurt at Windermere.
12:32I'm going.
12:34Okay. You sure?
12:37Yes! It's dangerous at Windermere.
12:40But the goal is to get Jocelyn out of the WSB,
12:42and if I can get Lucas off the island
12:43and get Jocelyn out of the WSB,
12:46I have no choice but to go.
12:51Is there a problem here?
12:53Just a simple misunderstanding.
12:55I was trying to explain to Lucas
12:57that you were occupied,
12:59and he did not take it well.
13:00Thank you, Pascal.
13:01We'd appreciate some privacy if you don't mind.
13:03Of course.
13:08That guy is a liar and a total loose cannon.
13:11You have no idea what he's really like.
13:13Perhaps you should have stayed in France.
13:23Is it possible?
13:24Could Faison be alive?
13:26Felicia thinks that Anna is suffering from PTSD.
13:29What do you think?
13:30I don't believe that Faison is still alive,
13:34but I was the one who talked to Anna
13:36before she even showed up in France.
13:38And she was saying then that she was afraid
13:40that Faison could be alive,
13:41but I thought I got her to consider
13:42that maybe somebody was using Faison against her.
13:44Could Anna have these symptoms that long ago?
13:49I mean, it could have been.
13:51She was really...
13:52She was really worried that she wasn't being rational.
13:57I mean, what if she was on the edge and I missed it?
14:00I could have helped,
14:01and it never would have even gotten to this point.
14:03You can't blame yourself.
14:04Come on, Sonny.
14:05I know the signs.
14:06You know the signs when it comes to me.
14:07You and Carly always knew
14:08when I was going through a manic episode.
14:12But with Anna,
14:13you didn't know what to look for.
14:14How could you?
14:14I just...
14:15I feel like I could have done more.
14:20And I chose not to.
14:24Getting the McDonald's you love
14:25about the book's chances?
14:28Positive.
14:30The phrase,
14:31multi-book deal,
14:32may have been uttered.
14:33Molly!
14:34She's already got an editor on the hook.
14:36That's amazing.
14:37No, no, it's not.
14:39Okay.
14:40I am sorry I rushed your timeline.
14:42Okay, but that's the thing.
14:43There was no timeline.
14:44I wrote this book
14:45as a way to decompress,
14:47as a creative outlet for me.
14:49Some people do needlepoint.
14:51I wrote a novel.
14:53Bull.
14:55You wrote that book to sell.
14:57You just needed a push
14:58to get it out into the world.
15:00You're welcome, by the way.
15:01Yes, Christina.
15:02Thank you so much
15:03for tanking my relationship with Cody.
15:07Molly wrote a romance novel,
15:09and she clearly based
15:10one of her main characters on me.
15:12How flattering.
15:14Casey, stable hand.
15:16He's rude.
15:17He's untrustworthy.
15:18He's dumb.
15:20Okay, maybe not.
15:21Mm-hmm.
15:21Did you talk to Molly about him?
15:23Yeah, she said that
15:24she never intended anyone
15:25to read the book,
15:26especially not me.
15:28It just makes it worse.
15:29How?
15:30Well, because now I know
15:31exactly what she thinks of me.
15:33And how does Jane Austen
15:34fit into this?
15:35Well, Molly and I got into it,
15:37and she said that Casey,
15:39a stable hand,
15:39is exactly like Mr. Darcy,
15:41which is totally confusing,
15:42because Darcy's just this
15:43rich, arrogant guy.
15:45That's definitely not me.
15:47How much of Molly's book
15:49have you read?
15:51Two chapters.
15:52How much of Pride and Prejudice
15:54have you read?
15:55Not that much.
15:57Okay, so let me suggest
15:58that you find a really
15:59comfortable spot,
16:01and you hunker down,
16:02because you've got
16:03a lot of reading to do.
16:05You know, Jens does think
16:07that he can divide his attention
16:09between women,
16:09and maybe he can't.
16:10You know, good for him.
16:11But he needs them
16:13to accept such treatment,
16:16perhaps for financial incentive.
16:19Jens is my client.
16:21Mm.
16:22A fantastically generous one.
16:25I have to give you props.
16:28Come on.
16:28Most women would hate
16:29being bought and sold.
16:32Okay.
16:33Real estate commission.
16:35Remind me,
16:35how much did you make
16:36off the sale of Windamerican?
16:38Hmm.
16:38I was worth every penny,
16:39and then some.
16:40You, on the other hand,
16:41you really are
16:42taking Jens for a ride.
16:44Come on.
16:45All that artwork.
16:46You're talking him into buying.
16:49What about it?
16:50Hmm.
16:51I don't know.
16:51Let me think.
16:52What's the word?
16:52Let me describe it.
16:54Oh, yeah.
16:55Hideous.
16:58You know,
16:59it wouldn't be fair
17:00to expect you
17:01to appreciate
17:02such sophisticated pieces.
17:04Just face it, Lucy.
17:06Jens wanted an upgrade,
17:08and he got it.
17:09I overheard your altercation
17:14with Lucas.
17:15I would hardly call it
17:16an altercation.
17:17However you describe it.
17:18If you can't keep it together
17:20without arousing suspicion,
17:21I will have to ask you to go.
17:24Your son's boyfriend
17:26has it in for me.
17:28And why are we trusting him anyway?
17:30He's too close.
17:31One misstep,
17:32and Lucas could discover
17:34something he shouldn't.
17:34Do we really need
17:36another person
17:37running around here?
17:39We have been over this.
17:41And it annoys
17:43to go over it again.
17:45But
17:46if Lucas
17:48is important
17:49to Marco,
17:49then...
17:50Then Lucas
17:51is important to you.
17:52Then...
17:53Then Lucas
17:54is important to you.
17:56So are we clear?
17:58We are.
17:59Good.
18:02Very good.
18:03Now tell me.
18:04How did it go in France?
18:06Yeah.
18:07My clockwork.
18:08Anna believes
18:09she has made
18:10her great escape.
18:13When Anna first resurfaced,
18:16insisting that she
18:16had escaped Faison,
18:17Dante was going to go to France,
18:18but I told him I would go.
18:20But you didn't go?
18:20No, I didn't go
18:21because Britain needed me,
18:22and I promised
18:22that I would stay here and help.
18:23You stood by your word.
18:25Abandoning Anna
18:26in the process.
18:27You can't save everybody, Jason.
18:29You just got Brit
18:30to trust you again.
18:33You figured out
18:33it was Cullum
18:34who started the fire,
18:35that bird Michael.
18:36You had a choice,
18:37and you took it.
18:39What if it was
18:39the wrong one?
18:42There's no guarantee
18:42if you went to France
18:43that you were going
18:44to be able to help Anna.
18:46And right now
18:47she has her family,
18:49right?
18:50So she's getting
18:50the help she needs.
18:51Yeah, I know,
18:51but I just cannot shake
18:53this feeling
18:54that something isn't right.
18:57Anna sent Felicia to me
18:58for a reason,
18:59even if the message
19:00didn't make any sense.
19:01I would never tell you
19:03to ignore your instincts,
19:05but in this situation,
19:06it could just be
19:07something simple like
19:09she's very sick
19:10and she needs medical care.
19:16Yeah, maybe.
19:16It's Alexis.
19:26Something's up with Danny.
19:29See if you can orchestrate
19:30a trip to the wine cellar.
19:32The entrance to the catacombs
19:33from the living room
19:33has been sealed off,
19:34but there used to be one
19:35from the wine cellar.
19:36We need to know
19:36if that's still open.
19:37Okay, I'll give it a shot.
19:39I could say that I'm looking
19:40to expand the Metro Court's
19:42wine list.
19:43That's good.
19:43Or I could say
19:44I just got lost
19:45going to the bathroom.
19:46I mean, I wonder if they would.
19:47This isn't a game.
19:49Do not give these people
19:50reason to be suspicious.
19:51I was just kidding.
19:53I...
19:53If you get caught,
19:54it'll be a bad day for Lucas,
19:57and it'll be a worse day for you.
19:59More importantly,
20:00it'll be a bad day for me.
20:02So just play it straight.
20:03Play it smart.
20:05I will.
20:06If you can get into the wine cellar,
20:08that's excellent.
20:08But the next best thing
20:10is for you to get out safely
20:11with an invitation
20:13to come back.
20:14The only way you can do that
20:16is to wear my brother's dressed.
20:23Ned, for me and Jens,
20:25what we had was
20:26ours and real.
20:29Real convenient, maybe.
20:32You're a real estate agent.
20:34He used you
20:35to get a good deal
20:36on Windermere
20:37and quickly found you
20:39and all your
20:39loosey-ness
20:41quite tedious.
20:45Right.
20:46And he actually told you that.
20:47Didn't have to.
20:49Well, it's very obvious
20:50to everyone.
20:53Everyone but you,
20:54I suppose.
20:56You poor thing.
20:59You'd worn out your welcome
21:00and you didn't even notice.
21:03Tammy,
21:04I am so sorry.
21:05I'm going to have to reschedule,
21:07okay?
21:08No, no, that's okay.
21:08I'll get my own shoes.
21:09I really thought this would be
21:11a very relaxing,
21:11stress-free experience.
21:12It's not.
21:13So I'll call you.
21:16Oh, yeah, yeah, yeah.
21:17Please keep in mind,
21:19you know,
21:19just remember that
21:20Jen's love of all things
21:22really only extends
21:23to Greek sculptures,
21:25not his vendors.
21:29Cody found a hard copy
21:31of my manuscript
21:32and he was furious.
21:33He immediately realized
21:35he's the inspiration
21:36for Casey.
21:37Okay, but Casey
21:38is a great character.
21:40Cody should be flattered,
21:41especially with those love scenes.
21:43Congratulations, by the way.
21:44You two have a lot of fun.
21:46Thank God
21:47he did not read that far.
21:49Well,
21:49when he does,
21:51he can take notes.
21:52No, Cody's not going to read
21:53the rest of my book.
21:54He'll probably never read
21:55another word that I write,
21:57not after the way
21:58I depicted him.
21:58Sorry.
22:02I just,
22:03I had to do that.
22:05Yeah, it's a little weird,
22:06but I'm not complaining.
22:08So,
22:09do you want to tell me
22:10what was going on
22:11with you and Pascal?
22:12Well, he was being
22:13outwardly hostile,
22:14so I asked him
22:15what his problem was.
22:16Not that he loved that.
22:17But he
22:18definitely
22:19didn't love
22:29was me suggesting
22:30that he had feelings
22:31for you.
22:34Maybe I went too far.
22:35I don't know.
22:37Pascal had it coming.
22:38And
22:38I just,
22:49I had to do that.
22:51Yeah,
22:51it's a little weird,
22:53but
22:53I'm not complaining.
22:55So,
22:55do you want to tell me
22:56what was going on
22:57with you and Pascal?
22:58Well,
22:59he was being
22:59outwardly hostile,
23:00so I asked him
23:01what his problem was.
23:02Not that he loved that.
23:04But he definitely
23:04didn't love
23:05was me suggesting
23:06that he had feelings.
23:08for you.
23:10Maybe I went too far.
23:11I don't know.
23:12Pascal had it coming.
23:14And Pascal's problem.
23:15I may not be able
23:16to get rid of him entirely.
23:17He's
23:18very loyal to my father,
23:19but
23:19maybe he can move
23:21to another property.
23:21No, no.
23:22Don't do that.
23:23I don't want to trash
23:24the guy's life.
23:24Not yet.
23:26Marco.
23:38Marco.
23:53Pascal had it coming, and Pascal was a problem.
23:56I may not be able to get rid of him entirely.
23:58He's very loyal to my father,
24:00but maybe he can move to another property.
24:02No, no, don't do that.
24:03I don't want to trash the guy's life.
24:05Not yet, Marco.
24:09I'm not going anywhere.
24:15From the second Curtis found out that I was pregnant,
24:18it seems like it's impossible, but I get both sides.
24:22I totally understand why you want to put off knowing,
24:26but you also seem pretty stressed by not knowing too.
24:29Because I was arrested, why?
24:42I'm not going anywhere.
24:47It seems like it's impossible, but I get both sides.
24:50I totally understand why you want to put off knowing,
24:55but you also seem pretty stressed by not knowing too.
24:58Because I was arrested, why?
25:00Because Danny asked me to decipher
25:03the Cassidine family tree for him.
25:06Well, that's not an easy task.
25:07What do you want that for?
25:09This school project is in ruin,
25:11and the only thing that Danny seemed to be interested in is...
25:14if he was related to Charlotte.
25:18Oh.
25:20So, I'm, you know...
25:22Molly refers to Mr. Darcy.
25:25She doesn't mean that you're like him.
25:28Then what does she mean?
25:29That her hero, Casey, is functioning like Mr. Darcy for the sake of the novel.
25:39Look, in the beginning, the leading lady finds Casey deeply unlikable, right?
25:47Very.
25:48Okay.
25:49Deeply, deeply unlikable.
25:50And then, over time, she falls in love with him.
25:54It's a tale as old as time.
25:55Look at Beauty and the Beast.
25:56Mm.
25:57So now, now I'm a repellent beast?
26:00Oh, no.
26:01Casey becomes irresistible to the leading lady.
26:07But not before they have their misunderstandings and their arguments, which just serves to
26:11ramp up the sexual tension.
26:12Well, we're not talking about ramping our tension.
26:15Okay.
26:16I'm just saying, you should be flattered.
26:21Molly has been working on that novel for months, she has been thinking about you for months,
26:25and she fashioned her hero after you.
26:28Okay.
26:29Now I get what you're saying.
26:32Hallelujah.
26:33Okay.
26:34What happens though, if you're right, Casey isn't what he seems, but with me, what you
26:41see is what you get.
26:42So what happens when Molly realizes that she's right, and I'm just a heel?
26:45The book is fiction.
26:48Cody will get over it.
26:50I don't think so.
26:51He's taking it really personally, and I hate that I've heard his feelings.
26:56You don't actually feel bad, do you?
26:59He was not supposed to read it.
27:01And you were never supposed to send it, but here we are.
27:06Honestly, the more I think about it, the more I realize why he got the wrong idea.
27:12Because if I had ever intended to publish that book, I would have made so many changes
27:17to make it less obvious that the character was based on him.
27:20You never had a chance to make those revisions.
27:23Thanks to you.
27:24I just want you to know that what you and Rick put together for Michael's kids is the best.
27:36Is Carly in agreement?
27:37She's not in agreement like I am, but Amelia and Wiley need their mother.
27:43There's no perfect solution.
27:46I just want an arrangement that everyone can live with.
27:48Yeah, me too.
27:50And, you know, those kids won't be used as a bargaining chip like Scout.
27:54How's she doing?
27:56Good.
27:57I mean, she's worried about her father.
27:59And I am going to have to take her to visit him.
28:02She's relaxing, I think.
28:05She's settling in.
28:06Settling in.
28:07It's good.
28:08So she's having a great time with the Davis girls, huh?
28:11It's the best.
28:12Yeah, I'm glad to hear it.
28:14The next step will be to get Willow to allow Scout and Danny to see each other again.
28:20You might want to hold off on that.
28:23Colum had Anna sedated and shipped to France, where I was waiting with a car from which she could make her escape.
28:30And she bought it?
28:32Very much so.
28:33She had an altercation with the gendarme, was arrested, and admitted to a mental institution.
28:40Ah.
28:41Do we still have access to her?
28:43I'm not certain, but I can try.
28:45Don't.
28:46It all went as common I intended.
28:49Let's let Anna cook until we need her.
28:55I think you've done enough for today.
28:57Why don't you go to your quarters?
28:59I'll handle this.
29:10Huh.
29:13Okay, you may have some heelish qualities, but there's so much more you're capable of.
29:20Thanks, I think.
29:22For instance, would a true heel go to the trouble of reading Jane Austen just to understand his girlfriend's intentions instead of watching an adaptation?
29:35There's a movie?
29:36Yeah.
29:37Yes, there's several.
29:39Would you like to return the book?
29:41Nah.
29:42I think I'll hold onto it for a little bit.
29:44I got a bad feeling about this Wickham guy.
29:46Molly knows that there is so much more to you than meets the eye.
29:51Why else would she spend all that time in the Stables?
29:54Boredom.
29:56You don't believe that.
29:57Cody, what happens to Molly's characters is up to Molly.
30:05But what happens in real life is up to you.
30:07You can still make changes to the Casey character.
30:12It's your book.
30:13You can make it whatever you want it to be.
30:14My agent doesn't want me to change a thing.
30:17She thinks Casey is a major selling point and that readers will fall in love with him.
30:22Well, I agree.
30:24Cody should be thanking you for making him look so good.
30:27Yeah, gratitude was not the vibe I got from him.
30:31Trust me.
30:33Just give him a chance to finish the book.
30:35He's gonna get it.
30:37And when he sees it on the shelves, he's gonna be so proud of you.
30:42Just like I am.
30:45Molly, you are gonna sell the book, right?
30:48I'm absolutely fine if I stay focused on work and stay focused on Isaiah.
30:56But once my mind starts to drip, you start to picture one awful scenario after another.
31:02Yeah.
31:03Fun stuff, right?
31:04Yeah.
31:05But maybe you wouldn't feel so helpless if you had a little more information.
31:11Portia, I know you're nervous.
31:13But the stress of not knowing who the father is isn't going away.
31:16If anything, it's just gonna get worse.
31:19I know.
31:20Yeah, so maybe now is the perfect time to just take that leap before you get any further along in your pregnancy.
31:27And then you can start to focus on all the good stuff like nesting and getting ready for this new incredible chapter.
31:37I'd rather be doing that than spending time with my divorce lawyer.
31:40It's up to you.
31:41As hard as it will be, it's better to take the test now.
31:46I need to know the truth so that I can finally move forward.
31:49Hey, Dad.
31:50Hey.
31:51You're home early.
31:52Yeah, I was just with Alexis, actually.
31:54She said she was helping you with the school project.
31:56Uh, yeah.
31:57Yeah, yeah.
31:58I was making a family tree and the casted iron side was all over the place.
32:02Oh, well, I'm pretty spotty when it comes to the quarter main family tree, but I'm sure Tracy can fill in all those blanks for you.
32:08That's okay.
32:09I can figure that out myself.
32:10Yeah?
32:11Yeah.
32:12All right.
32:13Well, if you need help with anything, anything that you feel like you want to, you know, talk about, I just hope you know that I'm here.
32:21You can ask anytime.
32:22You know, there's no project, don't you?
32:23Alexis had her suspicions.
32:24Yeah, I would just...
32:25I wanted to know more about the...
32:26I don't know.
32:27I'm sure Tracy can fill in all those blanks for you.
32:28I'm sure Tracy can fill in all those blanks for you.
32:29That's okay.
32:30I can figure that out myself.
32:31Yeah?
32:32Yeah.
32:33All right.
32:34Well, if you need help with anything, anything that you feel like you want to, you know, talk about, I just hope you know that I'm here.
32:37You can ask anytime.
32:39You know, there's no project, don't you?
32:42Alexis had her suspicions.
32:45Yeah, I just...
32:50I wanted to know more about the Cassine family.
32:54Okay.
32:55Well, I appreciate you telling me the truth, but...
32:58I'm just curious why you thought you had to lie in the first place.
33:01Are you really that interested in your family's history?
33:07Not just mine.
33:10Charlotte's too.
33:12If Scout needs stability and routine, Danny may not be the person to get it from.
33:22Especially, you know, he's focused on Charlotte.
33:24You know how teenage boys are.
33:26Well, I have daughters, so yeah, I kind of know how teenage boys are.
33:29Charlotte is a good match for Danny and the thrill-seeking department.
33:33You're taking the porn.
33:34Great!
33:35Which is why I wanted Jason to talk to him, because God only knows what kind of trouble the two of them could get into together.
33:42I hope this isn't a bad time.
33:44You said I should stop by.
33:46Oh, I remember that invitation very well.
33:49I'm so glad you took me up on it.
33:52Why don't you come in?
33:54I assume you're here to see your brother.
33:59That's the plan.
34:00Well, he's in the living room.
34:12Carly.
34:14Hi.
34:16What are you doing here?
34:19I came to apologize.
34:24Hey, just the man I wanted to see.
34:30I hope so, since you're at my house.
34:32Oh, geez.
34:33Hi.
34:34Hi.
34:35Alexis, hi.
34:36Hi.
34:37Lucy.
34:38I'm sorry that I just barged in like this, but I really need to talk to you in private.
34:43Yeah, but we were just having an appointment.
34:44It's fine.
34:45It's fine.
34:46I have an appointment anyway.
34:47Lucy, it's so nice to see you.
34:49And we'll talk soon.
34:51Okay, talk.
34:52Hi.
34:53Tata.
34:58What can I do for you, Lucy?
35:00You can clean Sidwell's clock.
35:03That's what.
35:08They put him up.
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