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هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
It is a digital library containing thousands of Arabic videos in all fields.
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
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LearningTranscript
00:00Dear viewers, welcome to a new episode of the program "Stars of Happiness and Critical Voices".
00:09With us and with you is the critic, Professor
00:12Dr.
00:14Engineer
00:15the world
00:16philosopher
00:17Distributor
00:19Al-Malham
00:19man
00:21father
00:21the mom
00:22son
00:24faithful husband
00:25The dutiful son and his parents
00:27Mr. Bascotta
00:28Professor Sayed, welcome.
00:30Welcome, sir, and dear listeners to the radio.
00:32And what they will see on television and on YouTube in the future, God willing.
00:36Professor Sayed, a young female singer appeared in the last room
00:40They call her Umm Kulsum
00:43We'd love to hear if you have any superficial preconceptions about it.
00:46In our first segment, Umm Kulsum, art or about us
00:50Firstly, ma'am, we can't call her a singer until she's officially registered with the syndicate.
00:55So you don't consider her a singer?
00:57What do you mean by making a song for three hours?
00:59Three hours only
01:00Back in our day, a song could cover an entire school.
01:04Not three hours
01:05During this period, I witnessed a clear tendency towards underestimating the abilities of the new generation of singers.
01:09honestly
01:10And what's the point of it anyway, when the singer is performing the song?
01:13Where are Beethoven's handwriting samples?
01:15Where is the music?
01:17Where are Noeni's tracks?
01:18But at least there's content in the song.
01:20Words all mean
01:22Meaning
01:23Silver inside
01:25Take this as an example
01:26She says
01:27You who wronged love
01:29And I said to him, I don't know what
01:32Yes, what?
01:34I said to him, "I don't know what?"
01:35yeah
01:36So what did you say to him?
01:37We need to understand
01:38This is a clear indication of the author's inaction.
01:41also
01:41I don't want to talk about entitlements
01:43You know
01:45That in her song
01:46on behalf of
01:47One Thousand and One Nights
01:48And one night?
01:49Is this the original song? Listen to it like this.
01:52I thought it was a remix
01:53imaginary
01:53The decline is unbelievable
01:55God
01:55What are we teaching young people in their fifties?
01:58The number itself is strange.
01:59It means a thousand nights wasn't enough for them.
02:00Are they adding another night to it?
02:02God
02:03I hear about a shameful reality
02:05I hit a young man on Agami beach
02:07Because he asked her to make him an autograph
02:10In the name of Umm Kalson
02:11Where am I in relation to her art?
02:13Her life outside of art
02:14For example, what's the song that touches me the most?
02:16You are my life song
02:17You mean my life
02:18Meaning her life condition
02:20and its artery
02:22And her heart
02:23The one who breathes grass
02:26Every second of her life
02:28It's really beautiful.
02:32I've never thought about it like that before.
02:35She blocks it in its foundations
02:36My friends, my words are about the decline of poetry.
02:40Can I have a tissue, guys?
02:41Dear viewers
02:50Owner and blessings
02:50Welcome to a new episode of Al-Daheeh program
02:52A slim ring, my dear, for the boomers
02:54I'm fine with it, Abu Hamid, and I'll listen to it.
02:56A weak episode, my dear, about Umm Kalson
02:58God bless you, Abu Hamid
02:58Not the great artist Amiri discovers this
03:00Let me take you, my dear, on November 13, 1967
03:04When he stands in front of the Olympia theater
03:06One of the most famous theaters in Paris
03:08Queues of people
03:09He means, my dear, that the queue of them is a whole kilometer long
03:12Imagine people standing at a kilometer
03:14Longer than the queues at a book fair
03:15All this just to cut
03:17The most expensive theater ticket
03:19What's up?
03:19In the history of the Olympia
03:21Dear ticket, the price starts from 120 up to 300 francs
03:24Which is expensive these days.
03:26This is for the lucky ones who have the tablet and actually find and study it.
03:28The two remaining employees are working on the fresh ticket for my ticket and are not booking appointments.
03:31In order to be able to buy it, they need to buy it at many times its price in black.
03:35The truth is that the singer of the concert was present; it happened in Paris.
03:39Although she wasn't French or even American
03:42But it's Egyptian
03:43six
03:43And precision
03:44The woman
03:45All those queues, my dear, were standing to hear the voice of the savior
03:48The truth, my dear, is that the French were presented with a mystery.
03:52He carried them and said, "What's going on here?"
03:54Why are there 100 million Arabs from dozens of countries with different dialects?
03:58And with their different cultures
03:59Their circumstances bring them together in the love of the sincere.
04:01The French, the day they entered this hall
04:03It's not just about listening to an exotic foreign singer.
04:06But rather to find a solution to the mystery coming from the Far East
04:09Why do people love this woman so much?
04:11And just like that, my dear, the window opens and the singing begins.
04:13Of course, after a long musical introduction, the six singers begin.
04:16And here the French will find themselves facing true magic
04:20Magic transcends the singer's Arabic language or her Egyptian nationality.
04:24Why, my dear, will Paris never be forgotten?
04:27Let's go back in time, my dear, one year before the party.
04:30Lama Drono Cockatrix, Director of the Olympia Authority
04:33He visited Cairo in 1966
04:35His goal, my dear, was to find a full-color band.
04:39So that Egypt may be represented at the folk arts festivals
04:42The one authorized by the Olympia hosts it every year
04:44We need some followers who represent Egyptian culture.
04:47And we say, look, French people, this is Egyptian culture.
04:49We want an Alexandrian woman who wears a turban and anklets and has a nice, masculine look.
04:53Three candlesticks, two skirts, and a magician
04:56And we'll make some jokes that express Egypt's place in the clowns.
04:58At that time, my dear Egyptian Minister of Culture, Sarwa and Kasha will invent a different kind of excuse for you.
05:02I'm telling you, you heard that there's a woman named Bumuklesom
05:04Here, Cocatrix asks him with newfound naiveté, "Who is this Mocclosom?"
05:07Is this an Eastern dance?
05:08Of course, my dear minister, he responded with two words, not the ones that are
05:11But in the end, I understand it in one way or another.
05:13It's almost like the greatest Arab demand
05:15Arabs from the Atlantic to the Gulf
05:17They gather on the first Thursday of every month
05:19They waited for her concert on the radio.
05:21This is the one who can't attend the party
05:23The lucky one is the one who attends the party
05:25The barrier to reminding her is from Cairo.
05:27How long before that? Two years.
05:28What? Why?
05:29At that moment, my dear man, when he was telling us
05:31Why was your ignorant friend saying this with such bitterness?
05:33The truth, my dear Cocatrex, is as you say.
05:35He doesn't believe the minister's words.
05:37He told you that was just an exaggeration and a compliment.
05:39You meet a fan of the singer and her music videos
05:41So he thanks her
05:42But my dear, I was surprised to find that everyone I meet in Cairo
05:46What is described as a normal claim is not a moccasin claim.
05:48But rather, Beitam described it as one of the artistic phenomena of the twentieth century.
05:53What will the Cockatrix say?
05:54What do you want, guys? Look at this woman.
05:56Let's see the living leggings.
05:57Here he will go with an official from the Ministry of Culture
06:05You won't agree with the principle.
06:06Then Cocatrix will ask her for money.
06:09Are you both of you, ma'am?
06:10What harm would it do to bring you both to me?
06:11The woman will tell him, "I really don't know."
06:13I was at a party in Kuwait in 1963
06:16About three years ago
06:17I received seven thousand pounds sterling for this party
06:19You want me at two parties?
06:21Multiply seven by two
06:22How did you take Fortin?
06:23Fourteen thousand pounds sterling
06:24Yes, my dear, that number might be low for someone like Moksol in our time.
06:29However, this was a very large and shocking number for Cocatrix.
06:33What a huge number!
06:34Is there no singer in the world I've dealt with who asked for this number?
06:36What is this "Saqah"?
06:37How can you be so sure of her position?
06:39He tried to get a little closer to him and go down to the roof.
06:41Oh, Mrs. Karimina
06:42Okay, so it's a thousand and one nights.
06:43Let them be nine hundred, you six
06:44We're fine
06:45We're fine
06:46tents
06:47It's not a day of industrial activity.
06:48The truth is, Mokslom didn't respond to him.
06:50And here, Kokatrix will go to the Minister of Culture.
06:52He complains to him about the obstinacy of the six Muksloos
06:54Here, dear Minister, he will tell him, "Andy, the contract, and you're the one who wins."
06:57Yola, Yola, this money will come back to you many times over, Yola.
07:00The Olympic will turn head upside down
07:02The truth, my dear
07:03Cockatrex seems to feel that the amount is too large.
07:05So he returns to Paris without finalizing his agreement with the Moxcombe.
07:08But he would have agreed with the famous Reda Troupe
07:10She's the one dancing on the stage at the folk arts festival.
07:13We'll spend it enjoying our beautiful sunshine and our country's palace.
07:15But despite that, my dear, this happened
07:16However, the moxus was still in his mind
07:18That's why he will exploit the presence of an Arab audience.
07:20He came to see the Reda band
07:21This is the audience of the Reda Troupe
07:23Fox Group Test is testing an idea within it
07:25Hey, I was thinking of bringing them to the Olympian to sing.
07:28What do you think of the idea?
07:30Antobowa fi mi mind zi deh he
07:32Here, my dear, the Arabs will be surprised, not just those who speak out.
07:35Why are you being serious?
07:36Of course, bring the Ms. Mokselson
07:37Yeah
07:38If you had brought us the Nice performance by Sayed Salem
07:40Hanzaqtat Saheb Ash'ar Khuruj Musikh 'an Nas Azizi
07:42Of course, the boomers are like them, they understand.
07:44Koka Tricks will surprise you; people might pay money to see them live.
07:48The pulse that Coca-Cola Trix did
07:50It'll start becoming gossip in the community, like the Arabs in Paris.
07:53It will start producing content from the communities and will reach the French newspapers.
07:56Now the man's phone keeps ringing and ringing and ringing, people are asking about the party.
08:01Thousands of requests from Arabs to book tickets
08:04The game has become too big for you, Hassin.
08:05And Coca-Cola replies, saying to them, "Brothers, we haven't even agreed yet!"
08:08That was just a casual question
08:09People say, "Hey worker, it's not important."
08:11So, what's the agreement?
08:12But we booked the ticket now.
08:13God willing, even if it takes years, we're coming.
08:15Coca-Cola Trix Yenbaier with Other Rich
08:16The one who reached him
08:17He will immediately revert to his old ways with the moccasin
08:20He will sign it up for two concerts in Desamp 66
08:23So that after ten months she can come and sing in Paris
08:25October 67
08:27Change it, my dear. The party's advertising campaign is set to begin in ten months.
08:30In a country that is not the singer's country
08:32And you meet all this madness
08:33Thousands want to buy tickets
08:35I want to tell you that the ticket price started from 30 or 50 francs
08:38Over time it will weaken and reach 120 and 300 francs
08:41The truth is, there was no one there at that time.
08:43I don't know what the muksolm is
08:45Nawal, what has appeared and what is possible up to this moment
08:47People like it and then break up with it.
08:48From my first grandparents
08:50Until Genzi started listening to it as Harimexat
08:52I can explain to you why this woman changed
08:55To the extent of his voice, Timeless
08:57Why is there always a look of superiority on your face when you're sitting at the coffee shop?
08:59When you hear her voice coming from a distance, very loud
09:00Even though she might not hear it at home
09:02But you really love her voice when she's far away and you're at the coffee shop
09:04Let the Moxlum Timeless remain as it is.
09:06Timeless
09:08How was she a classical singer in the 1960s?
09:10Arabs gathered around the radio
09:12And she makes demands of Paris
09:14The truth is that McKinson's talent began in her childhood.
09:17When her father chose her in the village of Tamay Al-Zahira
09:20She is very attached to him
09:22Religious chanting has much stricter rules than ordinary singing.
09:25So McKinson will learn singing, which requires understanding.
09:28For the science of Tajweed
09:29This is the kind of knowledge that forces you to master the articulation of words.
09:33Once you master it, you can control it.
09:35When will you improve your language?
09:37When will you magnify it, when will you extend it, and when will you affect it?
09:40This is dear, of course, and he does not feel it randomly or according to whims
09:42Rather, it follows the rules of extension and contraction in the language.
09:45When, for example, should you sweeten your voice and when should you pause at certain points?
09:48It's true that these are all rules any religious singer can know.
09:51However, one of the most important features of religious chanting
09:54Among all these rules, my dear, was improvisation.
09:57The singer does not rely on a fixed melody
10:00Or on the band of Asif and his followers
10:02For example, prove to him that his rhythm only depends on his voice and the choral sound behind it.
10:06The singer, as we said, can sometimes tremble
10:08It's possible to combine two melodies or songs into one.
10:11Depending on his mood and the mood of the audience, he has something in front of him.
10:13All these things, my dear, we can say that they pleased the McAleson.
10:16She has controlled the words she says and the tone since she was a little girl.
10:19Kat, my dear, is singing a song by her brother and father.
10:22But also when the Makalsons used to go and sing in the rural tent
10:32McAlison emphasized that she interacts with the audience intimately.
10:35And during that time, my dear, you know how to easily change their mood.
10:38Therefore, her improvisation reaches the heavens.
10:40And aside from improvisation, repetition emerges.
10:42When the audience likes a particular section, they ask the singer to repeat it.
10:45And of course, you, me, and almost the entire Arab world
10:48I know that the woman dies in the reruns
10:50Don't worry, my dear, she doesn't need to be there.
10:52I was going to tell you why people were so kind as to tell me again.
10:55The party's over, thank you. We'll save the material for next time, God willing.
10:58By God, my dear Marako, you're on GPS
11:00She's working, God bless her, where are you and where is love?
11:02And I'm Taya, I'm in Maadi, Taya
11:04She's obsessed with love, and I'm obsessed with the highway.
11:06If you pay close attention to her concerts, you'll find her repeating the same song.
11:08But in more than one way
11:09And the listeners, God willing, my dear
11:12Hypnotized
11:13They're sitting there like donkeys, waiting to see how the next clip will be different.
11:17Are you going to say a new verse or repeat it? And if you're going to repeat it, how will you say it?
11:21Oh my love, oh my love, oh my love
11:25Every time she moves away
11:26All of this originated from the world of chanting, from which it came.
11:29As you said, my dear, audience interaction makes them a partner in composing the anthem.
11:33The audience is cheering me on
11:35That's why, my friend, there's a difference between listening to MacAson on the radio and being at the live concert.
11:39Not just because of the technology, sound, and stuff like that.
11:42But also because of euphoria, you participate in saying it harshly, Eid greetings.
11:47If you're coming, will you listen to me?
11:48At the peak of the session, you'll get used to performing for up to 7 or 8 continuous hours.
11:53This is because the themes of religious chants are related to supplications and praise of the prophets.
11:57Sufi themes can keep you entertained all night long.
12:00When you go into the world of wealth, you'll maintain the same ideas.
12:02She will keep her audience captivated by her art for hours.
12:05And it leaves meanings like love, abandonment, and sadness.
12:08Even if you go to your beloved this time, you are able to compel people as a spiritual experience.
12:12They never get tired of its decisions
12:13If you heard a song like "I'm waiting"
12:15The one I sang in 1949
12:17You'll find her lineage scandalous
12:19It is waiting for the beloved
12:20The performance of the one who transports her from the problem of a distant lover
12:23Because it represents a greater human experience
12:25Why does this happen?
12:26Because it uses the chanting of the Prophet
12:27The chanting of the group that was found
12:29Prolongation, repetition, and improvisation
12:31Now we take the buttocks of her audience and lead them to a state of confusion amidst the lovers of the Sultanate.
12:36It's a dear thing, my brothers, that we'll sit and listen to a woman standing on stage singing for over an hour about the injustice of a lover.
12:42And they live in a sultanate as if it were a song about the Sufi mystic.
12:45If I told you this without his name, you'd probably say, "This is definitely Naja, this is Abu Hamad, I know him."
12:48That six definitely turned out to be a nuisance for us.
12:50But if I told you that she left, I'd tell you more than once that I've been upset with you and wasted your time.
12:53And then I thought, my heart used to forgive you a lot, but your betrayal was greater.
12:57And then, four times, I'll throw them in your face, for patience, for patience, for patience, for patience.
13:01My love
13:02You are now in charge
13:03Mazukhi
13:04You'll find, my dear, that the most melodious artist you collaborate with is Al-Adwa Al-Sunbati.
13:07Because he magically brought closer the path of composing, embellishing, and chanting in a new musical style.
13:13All of this allowed the woman to seize any moment, cherish it, and transform a sentimental song into a spiritual experience.
13:18All these are important technical explanations that explain why the woman is still alive today.
13:21But there's also a scientific explanation that a foreigner who doesn't speak Arabic can be bewitched by it.
13:26That remains the secret to the uniqueness of Umm Kulthum's voice.
13:29If I were to explain it to you, my dear, using a unit called the shoulders
13:32This, my dear, if you don't know, is a space containing 8 notes on the musical scale.
13:37The average person's voice is usually one shoulder-length.
13:40The voice of the minstrel can now reach, my dear, 16 tonal degrees.
13:44It means 2 or 3 shoulders, put them in the average person.
13:46And this, my dear, makes it into a new chapter that moves between its lowest decision
13:49Which is the low-pitched sound of the upper answer
13:51Which is the high-pitched sound from the glacial range to the barrier range
13:53It does this so skillfully that the listener's ear doesn't perceive any change taking place.
13:57She can change the tones as she pleases
13:59Her voice, my dear, might explain why you, as a child, could sometimes get confused.
14:03Is that the voice of a woman or the voice of a man?
14:05Because, magically, it also mixes effeminacy and masculinity.
14:08He plays in exceptional musical spaces
14:10Here, my dear, we are in front of an artist who has learned something more difficult than singing.
14:13It is chanting
14:14It's a connection she's had since childhood; she interacts with the audience for hours.
14:17You know how to understand their taste and how to entertain them.
14:19The woman had five distinctive voices.
14:22Although, my dear, her voice is very similar
14:24But what's most important to her is her feeling.
14:26The woman is not just showing off with her voice and the shoulders that cover her
14:29As much as she lives by what she says
14:32The way you're speaking
14:33She conveys her feelings through the words she says.
14:36She can express her feelings in different ways.
14:38And in ways you can devise at the same moment on stage
14:41In short, as the great charlatan Abdul Waheeb says
14:43Every singer has strengths and weaknesses in their voice.
14:46And Makalsom, according to the words of the musician of generations
14:49It has no weaknesses, only strengths.
14:51If we go back, my dear, to our story
14:53We will find ourselves in front of her exceptional singer
14:55It won't just capture hearts with a romantic song.
14:57Rather, it was melted down as the voice of the Egyptian homeland.
14:59During a period that involves a lot of events
15:01July photos, the canal's restoration, and the Seljuk aggression
15:03And in Egypt, the battle against its enemy was being prepared.
15:06And here, my dear, Egyptian radio was always in the emergency field
15:10Every artist works 24 hours a day to transform the hardships of millions of Egyptians into music.
15:14To the point that the composer Zeina Hamoud Al-Sharif used to do, my dear, three funeral dirges in one day
15:18Which is because if we win, lose, or make changes
15:21So that we don't wait until the end of May 1967
15:23The radio station has recorded more than 60 songs.
15:26Among them, the people of Al-Maknoum sing songs like "God Be With You" and "We're Returning with the Power of Arms"
15:29But those like God, the Egyptians, are never satisfied, ever.
15:32Rather, it requires the powerful to deliver enthusiastic calls to the soldiers.
15:36Especially those on the front lines, to boost morale.
15:39Their enthusiasm will be enough to record the calls
15:41And you, my dear, will submit an official request to travel to the front.
15:45Imagine, you'll go to the sanctuary
15:47Now we'll find that the person who's able to do it is doing what they know best.
15:49It will transform here into an emotional experience capable of raising the morale of the soldiers in the sky.
15:53The truth is, of course, that the danger of the front makes carrying out the request of the powerful that she go to the front difficult.
15:58Up until this moment, my dear, we are talking about an inspiring voice for the Arabs.
16:01For dinner, the listeners, and the soldiers on the front lines
16:03Aziz's voice proved its worth in its place and in the area around it.
16:07The region around him is now ready to travel and dazzle the West in Paris.
16:11But my dear, all of this changes in 1967, on the 9th day.
16:15The radio broadcasts the resignation speech of Egyptian President Gamal Abdel Nasser, and the defeat is declared.
16:21Just a moment, my dear, the end of this speech is when the macalsum withdraws from the midst of its illness.
16:25And she goes to her villa in Zamalek
16:27This, my dear, is the place where the rehearsals for her songs were prepared.
16:30She will then be a defeated singer, a leader in silent seclusion.
16:33He said, "My dear, she'll be refusing for days to talk to anyone."
16:36Or even that it comes out of its place
16:38She was saying that she had a feeling that she described as a pen burning her heart and cutting it into a million pieces.
16:43Ammu Kalsum will sit and think of a way out; there must be a solution to Egypt's crisis after the setback.
16:48And the Ammu Kalsum crisis itself
16:49The setback was not just a defeat for her country.
16:51She saw it as a defeat for all the values she had sung about.
16:54The feelings I conveyed to the soldiers and the people before the war
16:57After a while, my dear, Umm Kalsum will emerge from her seclusion.
17:00She has an overwhelming sense of responsibility and only one notebook.
17:04The defeat of the Egyptian spirit is a hundred times more dangerous than a military defeat.
17:07It is an attempt to erase this defeat and win again.
17:10It will start from within and with regaining self-confidence.
17:12And Mo Calsum, according to her description, will dedicate her voice to one goal.
17:15It will transform Heizer's defeat into a spirit of victory.
17:18My dear, the routine of Mo Calsum is that she sings every month.
17:21And then she had a twin plan for parties
17:23All of this will change completely.
17:25Why? Because the situation in the country will change.
17:27But of course, my dear, you have a question.
17:28What can an artist do in a moment of defeat like this?
17:31Egypt suffered from economic bleeding after the war
17:33It reached approximately four hundred and sixty million dollars
17:36A large palace, my dear, in the tourism and shipping sector in the Suez Canal
17:39Besides, of course, the oil fields that Egypt failed to develop.
17:42My dear Egypt, you have been stripped of all sources of hard currency.
17:45Amo Kensoum, at that moment, knew very well that she was now in the truest sense of the word.
17:50Someone who influences people, do something, Hadiya
17:53Amo Kensoum knew that she was a powerful symbol, and that when she moved in her direction
17:56Everyone followed her lead on June 20, 1967, when she transferred a check for 20,000 pounds sterling to the Egyptian state treasury.
18:02The fact that Amoo Kensom did not announce this discontent
18:05However, one of the employees at the Ministry of Finance leaked this news to the press.
18:08And over time, this noble individual act from Ammu Kensum had to transform into an organized, collective, and public act.
18:14Over time, the National Gathering of Egyptian Mangoes will become a reality.
18:17The goal is to unite all Egyptian women to participate in the war effort.
18:21Her house, my dear, will begin to transform into an operations center for a university of donations and visits to war wounded in hospitals.
18:27Amo Kensoum will also participate in a popular campaign to collect gold donations for the university.
18:30Because gold doesn't stagnate.
18:32You will be offering, my dear, two thousand pounds worth of gold as a down payment.
18:35She will meet with major gold traders.
18:37To encourage them to donate
18:39Just having it on the carrier will not only encourage traders
18:41But rather millions of Egyptians from all walks of life
18:44From the lowest classes to society ladies and diplomats
18:47All countries will be encouraged to donate
18:49My dear, the first carrier will weigh 16 kilos of gold.
18:52But after two months
18:54Umm Qudsouma will be a university with 100 kilos of gold.
18:56God bless you, Egypt
18:57Umm Qudsouma, my dear, will consider her mission
18:59It doesn't have to be just by its symbol or by attending it.
19:01Not the woman's face, meaning the card
19:02She realizes that she also needs to soften her voice.
19:04The thing that distinguishes it
19:06Here, the woman will transform the donation goal into an inspiring journey.
19:08When you announce the million-pound trip
19:10Ghani's 24-concert tour in 24 Egyptian cities
19:13It's as if, my dear, her wealth requires her to travel the country.
19:16To remove the effects of defeat from every home
19:18Listen to me, Abu Ahmed, don't take it personally.
19:19But I've noticed that the situation is sensitive.
19:21You're going to tell me now
19:22This is a good time for people to listen to music.
19:24At the time of defeat, even the day had passed and sunset was approaching.
19:26Dear Sir, please, could you please provide a link?
19:28Second, Abu Ahmed, I'm here.
19:29He made me see Henlas, he really wanted to hear me sing.
19:31No, the first stop on the million-dollar journey was Dhamhour.
19:34On the land of the honorable king, Dhamhour
19:35And on an area of 8000 meters, a large, well-preserved building befitting the lady stands.
19:39Let me tell you that the average revenue from Umm Kulthum's concerts before the Nahda era was 14,000 Egyptian pounds.
19:44But this concert will be attended by 3,500 listeners.
19:47Uncle, my dear, is like the little cardamom pod when she used to sit with the teacher counting the students.
19:50We'll see how much each one pays, and what the teacher will add to that amount, and what percentage of the money they'll add.
19:53You'll find, my friend, that this party generated 38,000 Egyptian pounds in revenue.
19:57Before, it was 14
19:59That means almost three times the revenue of the old one.
20:02The highest will in its history, and this is a film in its collection.
20:05Not in Cairo, the capital
20:06People feel like they're not paying for the song.
20:08They pay money for the meaning that is hidden and comes with.
20:10Proving the idea that the Egyptian spirit has not been defeated
20:12Maknsum will surprise the people of Al-Buhayra before the party
20:15They've gathered, my dear, 30 kilos of gold plumbers
20:18They put it in the woman's hands for the war effort.
20:20McNum at this party was completely different
20:22She will reveal herself and her voice will be transformed into a cannon tonight.
20:25His voice was like a series of gunshots, and his band was like an entire army battalion.
20:29The party banner at the lake will be a banner that raised 75,000 Egyptian pounds for the war effort.
20:34McNum became Foundrys
20:36In McNum and the Years of the War Effort
20:38The writer Karim Gamali says that the million-dollar journey will be transformed into a national competition.
20:43Among provinces that were once suffering from determination, sadness, and defeat
20:48But this idea, my dear, I tried them for hope cells
20:50Every governorate is competing to go to the woman
20:53How much money does she pay for her country?
20:55Let me tell you that Maknoom will collect 100,000 Egyptian pounds in Alexandria alone for the war effort.
20:59After she finishes her local tour
21:01And Mukhlouma will inspire her concert throughout the Arab world, from the Atlantic to the Gulf, with the same idea.
21:06The song will be the security that can gather millions around it.
21:10If we go back, my dear, to the Paris concert, I'd go inside the Olympia, Mr. Cocatrexa sitting at his desk.
21:16Banjo Messir We We
21:18Lonxio
21:22My dear man, the first thing a man does when he hears news of the disaster is clutch his heart.
21:26Oh Abu Ahmed, this guy loves Egypt and is upset because they lost.
21:29Why don't you get angry? Why don't you get angry, my dear?
21:32No, of course not, we're not collecting tickets like that for the party.
21:34Cockatrex will be terrified that the Mickelsons will cancel the party.
21:37It's impossible for her to come and sing in France, which is home to the largest Jewish community in Europe.
21:42Its capital was Paris, where the influence of Zionist organizations was very strong after the defeat.
21:46And Dick, what did they do at the Olympics?
21:48Even if El Meklisson wanted to come, it's impossible for Zionist influence to allow an Arab icon of El Meklisson's stature to come and sing in Paris.
21:56This, my dear, was not just Cocatrix's opinion, but the opinion of many Egyptian journalists.
22:00Those who will demand the cancellation of the concert in Paris
22:03Because, my dear, two months after the setback, the Olympia is scheduled to host an Israeli band.
22:07This group mocked and defeated the Arabs to such an extent that even the French newspapers themselves condemned this performance.
22:15My dear friend, the Olympia has become a boycott of France, and therefore, my dear friend, for the Arabs, the Olympia, in one way or another, remains a boycott.
22:19The rich man in the hangars, oh lady of the journalists, asked her not to go on the bus.
22:23She writes a strongly worded letter to the French Minister of Culture.
22:26Here, Mickelson considered herself a soldier in an artistic and moral battle against an enemy whose greatest wish was that his opponent would withdraw.
22:32You feel, my dear, that her singing in the heart of Paris, amidst the influence of her enemies, is an opportunity for her to convey a message to the Western public.
22:38My dear friend, those who heard their people's cause from only one side, the Zionist side, and this wasn't just during the setback, but over many, many years.
22:44Umm Kansoum discovered that the Egyptian voice, even in the most difficult circumstances, can very well express its cause through song.
22:49He presents art that shakes the world, even if that world doesn't speak the same language.
22:53Umm Kinsoum will say that the newspapers will report that she will sing in Europe.
22:56She decided to hold a concert in Paris for her country's cause, but instead of doing it in October, she will do it in October because she first needs to finish her fundraising efforts in Egypt.
23:03And McNum will make this party an extension of the million-dollar journey.
23:07The one that started in the villages of Egypt, passed through Egypt, went all over the Arab world, and will reach Paris
23:12Mohammed, the foreign influence you mentioned that exists in France is specifically in Paris.
23:17Is he swimming? Is he singing in it? Will the Zionist lobby in France let Mr. Tartash perform on the stages of Paris?
23:23All this is more we will know after the destruction of time and return with the goodness of the earth.
23:26Happy birthday! May we know what's in your bag?
23:29But my dear, let me remind you that the contract for this party was signed before the war.
23:32From a legal standpoint, this facilitated all procedures.
23:35The French government was also not very happy about the war; on the contrary
23:38On the contrary, President Charles de Gaulle declared Israel to be the aggressor and warned against selling weapons to it.
23:43The decision of the divided party was a historic one.
23:45To the point, my dear, that even the Arab communities themselves didn't believe you.
23:48People in France said they were scamming us over the tickets.
23:50The Arabs were certain that the six would be saved at the last moment.
23:59Yes, all of Cocatrix's attempts to market tickets involved touring areas with Arab communities to reassure them
24:04He assures them, "By God, by God, the Almighty, she's coming from Calcium, sign a contract, I'll imprison her."
24:09And one of the six serious ones is Laja
24:11Nor is it the same as what happens in the waterwheel.
24:12But my dear, there's no way you can believe it.
24:14Dear friend, the sales process has completely stopped.
24:17Here, of course, is Cocatrix, on a daytime basis. The man is making a deal for this amount on a star for the first time in his life.
24:23He didn't think she could get that number, so she got that number.
24:27Then a crisis occurs and the tickets don't sell because there's a rumor saying that the six won't come.
24:32Here, Cocatrix finds himself forced to pay the highest amount ever paid to an artist.
24:36The audience themselves can't believe he's coming
24:38Here, my dear, the second one is completely out of control; no one can stand it anymore.
24:40Cockatriox workers are showing off at the party and hoping for sponsored posts.
24:43The press is ablaze
24:44Six, you'll go, you won't go, what will you do?
24:46The one who is in the health sector and is working covertly
24:48However, my dear, the whole situation is changing, and what's known as the "bellow twist" drama is happening.
24:53Which in Arabic is plot twist
24:55The plot twists
24:56Why did the Arab airline, on November 9th, instead of announcing the departure of flight number 517?
25:01The flight to Paris announces that the McKinson plane
25:05Where are you going, Abu Hamad?
25:06Going to France, my dear
25:08Are you sure that the plane is a McNum?
25:09Oh, my dear
25:10They sat for three hours before the show, playing music.
25:11The plane was on board the McNum aircraft, and with it was a media delegation to cover the flight.
25:15So that people will believe that the Maknoum is going to Paris
25:18The flight is supposed to land at Rome airport before Paris.
25:20But she has to land in a small, remote town.
25:23It is a city called Al-Burjiyah
25:24Because the gao was foggy
25:26Of course, my dear, he was waiting for the plane.
25:28So that the audience can actually believe that the "McConsom" came to Paris
25:31And this is not a rumor, I swear to God.
25:33My Coca-Cola Trix Olympia
25:35Those who were stuck on the plane went even crazier with him, he went crazy
25:37Because she landed at a small airport
25:39Because if Umm Consum had landed at a large airport
25:41This meant a huge reception and even bigger publicity.
25:44We brought in little kids holding a bag and throwing it at them like that.
25:47And with that, we tell the Arabs that, O Arabs
25:49Um Consum actually came to Paris
25:51And the ticket sales are limited to a specific number of people.
25:53Koka Trix or was he with a media team from French television?
25:56Go to me and take a picture of the moment the lady arrives
25:58And yet, my dear, time was melting away
26:00But when the news spread
26:01The quiet, stable airport for the little ones
26:04Citron
26:05Not just from journalists
26:06No, it's hundreds of Arabs who are going to receive her.
26:08The woman will be surprised by the large mosque.
26:10And you have to hold a quick press conference for her.
26:12She's showing off two permits, quick quick quick
26:14The debate becomes a suspension
26:15Her presence, dear Yaza, at the conference will enchant the French.
26:18One of the French journalists will comment and say to me
26:20There is something strangely captivating about his voice.
26:22She's just talking
26:23So, what do you think when you sing?
26:24Of course, my dear, the first thing French television broadcasts is the airport's gifts.
26:27Coca-Cola Trix is surprised by the queue for tickets.
26:30I'm right
26:31Bongo Messio
26:32Wei Wei Wei
26:33Tickets for the fantasy novel, the queue is standing
26:36More than half a million Arabs in France
26:38They will be on high alert.
26:40Let me tell you that Arab women are all over Europe
26:42Not just in France
26:43She's flying to Paris for the party.
26:44For the first time in the history of tourism companies
26:46Employees remain in companies
26:48They are there to buy tickets for the theatrical performance.
26:50And this offer is placed
26:51Within the Wind Fly blog
26:52This is simply
26:53I found almost all the requests
26:54I connected the plane's barrier to the Olympia ticket barrier.
26:57Otherwise, the journey would remain a necessary ordeal.
26:59I mean, one second and you're not coming to Paris to see the Eiffel Tower and tourist attractions.
27:02No, I heard love
27:03Is this what love is, or is it all about love?
27:04All love
27:05Everything, sir, everything.
27:06Here, my dear Cocktrix, he finds himself in a new kind of predicament.
27:09Its theater seats only 1200 people.
27:11How will he appeal to the audience?
27:13Which is no longer just an Egyptian audience or even an Arab audience
27:16All people, my dear, are seven-headed.
27:18According to the French press
27:27They were impressed by the enthusiasm of the Arabs
27:29They are curious to explore the miracle that every Arab is waiting for.
27:32Not just France, it's everywhere in Europe.
27:34To the point that Cocktrix will start inventing something called parking tickets.
27:38Tickets you can buy for just five gentine pounds
27:40Please stand like that
27:41And although my dear, her frustrating name is that you'll come and fall short
27:43At their party in Klosom, may God bless them
27:46She's taking her time, meaning at the party, when, when, when
27:49But my dear, these tickets will sell out in the blink of an eye.
27:52Because the price of a black ticket reached 100 million pounds
27:56And McNum will stand at the press conference in the George V Hotel
27:59This, my dear, is one of the most luxurious hotels in Paris.
28:01And she will get up and say something without any evasion.
28:03I am coming to Paris for a national duty
28:05I'm here to support the Egyptian soldiers in their battle against the aggression.
28:08Tonight, my dear, the first party is at half past the hour.
28:11Paris will experience traffic congestion around the Egyptian Olympics.
28:14This is in addition to the Arab shrines located in the heart of the suburbs of Paris.
28:17And it closed after its interface got faulty.
28:19Large images of the pyramids and Kenson
28:21This crowd is unbearable, my dear.
28:23A thousand undercover agents are on standby.
28:25For any activity that takes place between Arabs and Zionists
28:27Especially after propaganda from Swedish organizations
28:29Against foreigners attending a concert featuring an Arab singer
28:33To support her country's war effort
28:35Are you listening, side? Are you listening, Wass?
28:37Platinum ticket, Deha Van Deha, ticket badge
28:39It will turn into a weapon
28:41If we go, my dear, to the theater, we will find next to
28:43Taxis that transport thousands of Arabs and French people
28:45Diplomatic Arabs
28:47We'll see, my dear, 13 Arab ambassadors
28:49And figures of the stature of the Jordanian king
28:51Hussein bin Talal attended the party
28:53Disguised with Akhol now
28:55I celebrated with them together
28:57If we, my dear, were to enter the theater and go backstage
28:59Specifically behind the curtain
29:01I'll find Malcolm reciting the Quran in secret.
29:03As she used to before every party
29:05But she knows that this is a party unlike any other.
29:07The door opens, my dear, and before you step on it, we're all one.
29:10Applause of acceptance erupts
29:12For a medium duration of 8 minutes, my dear.
29:14The audience will continue to educate themselves and keep their feet on the ground for more joy.
29:18Imagine, folks, we're sitting here in France, seeing and hearing the lady from the backstage area right in front of us.
29:25This is one thing; to book a party for her in her country, you need to book two years in advance.
29:29As a reinforcement, every time the elite try to return to their behind-the-scenes ways, the masses bring them back again to continue the greeting.
29:34Okay, brothers, thank you with the sultana
29:36No, there's an overwhelming sense of joy and disbelief that this is happening.
29:41The woman whose voice we are so impressed and captivated by, the one we and our team loved, is coming in front of us in its entirety, with her songwriter behind her.
29:49Suddenly, my dear Antoush, you'll be silent about something now, the one that's made
29:52Music You Are My Life
29:53The music that begins with a melody, barley as a dowry, all of it is permissible.
29:57Before the Coca-Cola Trix party, he went to her from Qudsun and asked her when her party would end.
30:01She told him she would sing three songs and then see how people felt
30:04Of course, my dear Coca-Cola Trix is used to short songs, they are three long ones
30:08Remember that crazy woman who paid 14,000 pounds worth of live meat?
30:12And there's concern here, and Bank Atax is worried here because she might not come, and we'll receive her at a small airport, transport her, and bring in journalists from French television to cover it so that people will be convinced she's coming.
30:22She tells me she's going to sing three songs and see the audience's mood
30:25I'm telling you, I want to record all your singing productions now, my dear.
30:28Of course, my dear, the man didn't know that "ten curses" in a song by Al-Maknoum doesn't mean anything.
30:33Ten calamities, she's still ironing a handkerchief at home
30:35So, my dear, I returned for a full hour of the song "Enta Omri" (You Are My Life), the hour when the man begins to understand the woman's intention.
30:40God, you're calling those four tons a song?
30:43Shabo
30:44An hour later, my dear, the entire audience, both Arab and French, was under the spell of the Macintosh.
30:49The French press described him as a miracle.
30:51The Eastern Jews, whom the Sufi groups warned about the party
30:54Because it was simply a fundraising event to arm Egypt against Israel
30:57However, if the party minutes are present, and also if she's given a gift in Makalsoom and with her voice, Cocktrix
31:01When one of them asked how he could glorify her so much when she was against his people
31:04A man told him, "It doesn't matter, she's the best singer in the world."
31:07After the first frankness, my dear, the media personality Sal and Hijazi will be filmed by Al-Arabiya TV.
31:10You go to the French and ask them specifically
31:13How are you able to pronounce it in the voice of the old woman?
31:15How do you feel euphoric despite the language barrier and the type of music?
31:18The French singer Marie Lavoigt will tell her
31:21She sensed when she heard his voice, that she was in a sacred temple.
31:24I was amazed by her ability to color a single musical phrase within the same section.
31:28A different method or tool each time
31:30In the second middle, my dear, you are singing the ruins.
31:33But this time he's in a better mood.
31:35The stage is over, and the accounts outside the stage are gone.
31:38And with the spirit of the singer within her, she realized that people were happy.
31:40Here, the woman was freed from all machinery and emotion.
31:43And you will reach the peak of mood and the height of power
31:46The phrase "Give me my freedoms" is a leadership statement.
31:49The French press, my dear, will say at this moment
31:51They were like a bunch of people screaming in the west.
31:53She is demanding freedom for her country.
31:55The repetition of this particular passage impressed the French actor Gérard de Bardillon
31:59Gerrard will recall the moment he attended this party in an interview that took place in 2015
32:03During my dear, after half a century, he is able to recall the feeling of that time.
32:07And my dear, if he's surprised by himself, he'll cry.
32:09At the time this clip was playing, the French guy cried.
32:11He ignited the enthusiasm of the Arab attendees
32:13Those who ran towards the stage and bypassed the security barriers
32:16Some of them were able to climb onto the Olympia stage
32:19So that he could kiss his calcified hand
32:21Wissam Ben Mahmoud, one of those present, will tell a French program
32:24The party has a much bigger dimension than just being a casual party.
32:27Because with McLussoum, the Arab sense of dignity and unity returns to us.
32:31After the devastating shock of defeat
32:33At 2:30, the six of them will conclude their concert with a song far removed from her own.
32:36My dear, the party is over, but what happens after that?
32:39Five hours after McLussom
32:41Five hours, my dear
32:44Koka Trixie, my dear, will be surprised by the greatest and most successful party the Olympia has ever held.
32:50The French woman, Nam Al-Saaf, is trying to explain the mystery to the party that they do not understand
32:53The people at McLussom's party were in a state of blissful merriment.
32:56Darwish, sitting motionless in their chairs
32:58It's as if my dear Umm Maklasoum is a witch who came from Sharjah
33:01She's coming to hypnotize thousands of listeners with her sedatives
33:04Le Monde described it as a sacred giant
33:07The sixty-year-old woman alone is capable of inspiring people, whether they speak of her or not.
33:12She conveyed her feelings to the listeners and made them feel the strength of will.
33:15She did this with the strength and pride that were in her gaze and in her voice.
33:18The sentence is simple but powerful.
33:20Give me my freedoms, let me be a leader
33:22The magazine L'Ovo Garo published an article titled
33:24After midnight, Umm McLusum didn't ask, "I'm singing."
33:27The grocery store is talking about construction workers.
33:29Those who sacrificed their money from the few to attend Mickelson's party
33:32Those who were at the party, my dear, were there next to the dining table and the food.
33:35It was as if everyone was equally susceptible to his charm, like Mickelson.
33:38It's as if the Arab world, from the minister to the lowest-ranking official, could unite.
33:42No one but Mickelson could make him one of those.
33:44Mickelson herself, my dear, will be affected, and this will be one of the few times
33:47The one who will be seen while she is being harassed
33:48Not just because she was honored as an artist, but because of her feelings
33:50Her message was received
33:51And that country she saw
33:53It is not possible for Tani to be defeated.
33:54Dear, after everything you tell me, let's remind you of something very important: you are definitely a friend.
33:57Hey Abu Hamid?
33:58We're talking about the first party
33:59The six of us have spent two parties
34:00Oh my God, is there any hope left after five hours?
34:03You'll do it again, Abu Hamid.
34:05Let me tell you, after five hours
34:07From French people who are corrupt, ambassadors, and people who have abandoned their work
34:11Five hours of fun and sitting glued to the chairs
34:15And all the international reactions you've heard about, these
34:17Everyone said, "Yalla, I'm done with you."
34:20So they went to the second party to see what this woman was saying.
34:23The turnout at the second party was even more insane.
34:25In the class that made Coca-Cola add five hundred tickets
34:28It allows its owners to stand at the edges of the hall.
34:30The edges of the hall leave Aziz Nas, who bought the ticket for this nosy person, for five hours.
34:33She stands at the edges of the hall just to listen
34:35Would you prefer to look away from me like that?
34:41Tickets barely let you hear the hour of love from afar, you hear a whisper
34:44Coca-Cola Trix, my dear, raised the ticket price from five to eight. (This last part is unclear and likely a misinterpretation of the original Arabic.)
34:48This is the one standing at the edges of the hall
34:49Despite all this, he still couldn't grasp the scale of the demand.
34:52The only problem, my dear Coca-Cola Trix, is with this topic.
34:54It's divided by the statement she made that turned the party into a political revolution.
34:59In the memoirs of the writer Hamis Al-Alawi, we learn that Coca-Cola Trix objected to the performance.
35:03When the presenter Jalal Muawad said the first thousand
35:05Today you will find the Star of the East in the capital of Enlightenment, Paris.
35:08And tomorrow, God willing, you will find it in liberated Jerusalem.
35:11Coca-Cola Trix saw that, guys, it was a form of political maneuvering.
35:13This is a concert, not a political rally, please.
35:16Don't bring politics into music.
35:18Coca-Cola Trix, my dear, was in the hands of Mrs. Umm
35:20And she thought, my dear, that Coca-Cola Trix was her father.
35:22Coca-Cola Trix, my dear, was just like Salmoy.
35:24He doesn't know that Coca-Cola Trix boils in Wansia
35:26Abu Ahmad said, "The six women are suspicious."
35:28And Maka Trix, my dear, speaks French well.
35:31Then you put it on, my dear, and say in French, "It's onions, by the Prophet, like that."
35:34She came to France to contribute to her country's war effort.
35:37By God, if he's not satisfied with the deal, then I consider the agreement null and void, and that's it for Nopolitics.
35:40And you went, my dear, to the musicians' entourage
35:42She told them, "Get the tools, my children."
35:44Of course, Coca Trixie was going to faint.
35:46No, ma'am, we don't talk like that.
35:47She says to me, my dear
35:49And you'll come back better than before.
35:50And we will all cross over, God willing.
35:52And then, my dear, his pleading cries
35:54Please, ma'am, consider me a flute in your band.
35:56And the Prophet completed the party
35:57After, my dear, negotiations
35:58Al-Maklusoum agreed that she would continue the party.
36:00The truth is that the Paris parties were not for me
36:02immense moral value
36:04But also a financial benefit in the 14,000 pounds sterling
36:06The six contract fees will be allocated to the war effort.
36:08And she will also hold a public auction for photos she signs.
36:11She will also display a necklace from her jewelry collection.
36:13To earn more money
36:14The French newspaper will say
36:16Al-Maklosom is the most expensive singer in the world
36:18It generated the highest revenue in the Olympia Theatre's long history.
36:22A singer who earned 19 million francs
36:24The Associated Press will write that McLussoum led a political demonstration in Paris.
36:28Here, my dear friend, I realized that she had achieved her goal for the visit.
36:31Because of the extent of Western media interest in it
36:33And the Western citizen heard for the first time from the other side of the battle
36:37And what form can most influence an artistic person?
36:40As for McLussoum, she returns from Paris and continues her million-pound journey with a party in Mansoura or in her home country.
36:45To open, my dear, it's as if she's returning from international to her roots
36:48To the origin from which everything began
36:50Umm McKelsom's voice will turn into an instrument
36:52Politics can resolve conflicts that it cannot.
36:55For example, her famous concert in Morocco in 1968
36:58Which came after political tension between Egypt and Morocco
37:00Umm McLussom is here, my dear Ktrams
37:02The Moroccan people welcomed her warmly.
37:04Whether at the popular level or at the official level of the government
37:07Let me tell you, my dear, that this is Wydad Casablanca.
37:09Named after the art of Wadad
37:10Which was produced in 1936
37:12His unemployment was like that of Umm McKelsom
37:14McLussom has become a global icon
37:16The world's stars search for it every time they hear it.
37:18For example, Robert Plan, a member of the famous rock band Zeppelin
37:21When he heard Umm McKelsom at the Moroccan party for the first time
37:24He will say that it shifted the answer to the concept of wealth.
37:26McLussoum will also increase Tunisia
37:28Despite the close relationship between Egypt and Tunisia at that time
37:30On an official level, it means
37:31You'll be surprised, Maklasoum, the Tunisians will welcome her with ululations.
37:34Tunisia names one of its streets "Maklasoum".
37:36From Tunisia you go to Sudan
37:38Here, my dear, hangs the inhaler Davis Johnson Davis
37:41It's after seeing the Sudanese people's response to McKelsom
37:43I realized that the six of them revealed a vitality that was ruined
37:46A vitality present in the Arab people
37:48Oh people, the determined people are now bewildered
37:50Defeat is coupled with despair.
37:52But in the Maklasoum carriers, he sees a different people.
37:54The Malian people are energetic, capable, and passionate.
37:56He interacts with speech, educates, and sings.
37:58And he feels victorious over all of this.
38:00Although he is coming out of defeat
38:02The episodes of Aziz and Makhlosom will transform her into an ambassador
38:04Diplomatic representative of Egypt
38:06At its most difficult time, she confirmed her support.
38:08The Arab people support the Egyptian cause
38:10Against the colonizer despite any political differences
38:12The role of the diplomatic corps
38:14It wasn't just a concept for Arabs and the West
38:16But the most important thing is that he's a skilled worker in Egypt at this time.
38:18It is the Soviet Union
38:20The person who will extend an invitation to the Muklisom to perform at a concert in Moscow
38:22In September 1970
38:24The Soviets understood the value of obfuscation.
38:26And the priest said, "The name of the priest is al-Maklusum."
38:28To the point that the newspaper I'll call the Communist Party
38:30I didn't have any press interviews with anyone in Egypt.
38:32Besides the two Egyptian presidents, Nasser's group
38:40The one who was with the media delegation that was
38:42Accompanies the calcium, so, my dear
38:44I received the news from the Egyptian leader, Jabal.
38:46Abdul Nasser was disgusted and said, "My dear..."
38:48The person who is crying will have a crying fit.
38:50According to some accounts, it will reach
38:5248 hours and he pledged
38:54She's canceling her concerts in Moscow and returning to Cairo.
38:56She isolates herself in her basement, in her house.
38:58During this period, you will think about retiring for the first time.
39:00Why, my dear masses?
39:02You can smell this news
39:04To my dear, I sent her more than half a million messages
39:06She rejects the retirement decision
39:08Not up to you
39:10You won't retire by choice.
39:12People couldn't believe he could live without the Mocksoom parties.
39:14This moment, my dear, is very important in our story.
39:16Because she confirmed to Al-Maklus that she was an artist
39:18It is considered a forced human symbol
39:20He completes his mission regardless of the era.
39:22A very important political figure in the history of Egypt
39:24It ends, and it still shows that her talent
39:26It is not tied to a specific time, but rather it is an eternal talent.
39:28It didn't end with the departure of King Farouk.
39:30Nor with the death of Gamal Abdel Nasser
39:32Rather, the talent of the healer lies in his ability to bear responsibility.
39:34Towards not just the country, but
39:36The entire nation, especially in the Zarf Zay Zarf of defeat
39:38The spirit of the one who is being crushed cannot be broken.
39:40After inspiring millions and restoring their spirit
39:42And here, dear Al-Maklasoum, submits
39:44Faced with immense humanitarian pressure
39:46And she returns to her singing season
39:48After an 18-month break
39:50Fundraising tour for the war effort
39:52Moksom also allocates a portion of the proceeds from her new concerts.
39:54Part of the war effort
39:56As if she wasn't satisfied with the successes achieved by the Million Journey.
39:58The journey wasn't just about raising funds for the war effort.
40:00However, she appreciated the progress of the Arab world in the form of a strong people.
40:04Not just for the West, but also for itself
40:06Mokselsoum also had a great conversation.
40:08Obour 6 October
40:10Mokselsoum will feel after the October War that her question has been answered
40:12And the effort she put in was not in vain
40:14After my dear October War
40:16Two years to be exact, April 1975
40:18And the East proposed
40:20Mokselson, after establishing a timeless legacy
40:22Although the setback occurred
40:24And Moxlum is approaching seventy
40:26However, she did not deal with the event
40:28With the spirit of an elderly person
40:30She didn't stay at home and was content with her past, which remained constant.
40:32And that, by the way, was more than enough for her to become
40:34The most important artist in the history of Egypt
40:36Her history was enough to immortalize her as the greatest singer of her era.
40:38Journalist Mahmoud Awad
40:40He conveys this in his expression that Mockelsum
40:42She was supposed to be only 6 years old.
40:44Her journey in life has come to an end.
40:46However, at the age of theoretical decline
40:48Her personality developed in the dark in a completely different way
40:50It came from the heart of the seventies
40:52A new person has been born who will not only sing in 24 governorates
41:02No, she will also continue with her mission.
41:04Even after collecting the required amount
41:06We, Mom, are young women full of hope.
41:08For a broken, defeated nation
41:10She is capable of simplifying it with her art.
41:12It makes its people forget some of the pain of the past
41:14A new future can be created.
41:16Karen, my dear, I'll surprise you with the final result.
41:18For the million-dollar journey that I started from Mokselsum
41:20The woman succeeded in her later years
41:22It will benefit the country.
41:24It's not the million pounds that we were hoping for that would make them happen.
41:26But 3 million Egyptian pounds
41:28Plus half a million in hard currency
41:30And that's besides, my dear, don't forget
41:32It is surrounded by the movement of collecting gold bullion.
41:34For the benefit of rebuilding the Egyptian army
41:36After the defeat
41:38This epic will transform Moksom from a singer
41:40To an icon of the popular imagination
41:42Only one person can convert
41:44A moment of despair and defeat
41:46For a moment of inspiration and richness
41:48We are dealing with an artist, a manager, and an influencer.
41:54I also turned it into myths, like the myth of the white dove.
41:56The one who stopped to listen to her singing
41:58Ruins in Morocco or the descent of rain
42:00After years of drought, the moment she landed by plane
42:02In Tunisia
42:04But my dear, what's not a legend?
42:06And the real epic happened there
42:08Funeral of Umm Kulsum, the popular funeral
42:10The one who left on February 5th
42:121975
42:14Six, my dear, will lead to 4 million Egyptians taking to the streets.
42:16He will be at the head of the procession
42:18A majestic image of her wearing a shawl
42:20The one on whom I write "Martyr of Divine Love"
42:22This is the same title given by historians of Sufism.
42:24On a quarter of the Adawiya
42:26A moment that captivated the world-renowned singer and placed him on the Nobel Prize committee.
42:28Bob Dylan himself described it as impressive.
42:30After you die, people want to remember you.
42:32One of the largest funerals in history
42:34There was a singer named Umm Kulsum
42:36Despite the passage of three decades
42:38Despite her death, she is still months old
42:40A singer in the Arab world whose funeral was attended
42:42More than four million mourners
42:44The mourners who left the Omar Mosque near
42:46They carried the body of the six for more
42:48Three hours in the streets of Cairo
42:502023 Rolling Stone Magazine
42:52American media announces list of greatest
42:54200 singers in history, you're putting them in there, my dear.
42:56The only Arab singer of value
42:58She is Umm Kulsum, who came to the center
43:00Sixty-one, and you describe it as a unit
43:02One of the most unparalleled singers in the West
43:04Or, in the words of musician Dennis Gray
43:06The germinate is the heart of Eastern civilization
43:08It is the spirit of the Arab world
43:10And that's it, my dear
43:12Goodness, and may God grant us goodness. Let's look at the past freedoms.
43:14We'll look at the upcoming events, we'll examine the sources.
43:16If we're on YouTube, we'll subscribe to the channel.
43:18For example, when Umm and Kulsum said, "Fadalia, Umm and Kulsum"
43:20Fadalia, it's not the time for music, you're going to enter in the morning with a picture of a man.
43:22Shame on you, nerd!
43:24I am not for the nights of joy in Vienna
43:26okay