- 1 day ago
فسيلة - transplant
هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
It is a digital library containing thousands of Arabic videos in all fields.
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
It is a digital library containing thousands of Arabic videos in all fields.
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
Category
📚
LearningTranscript
00:00What's this? What's this? Help me! Help this, you dog Shaybob!
00:07Shaybob the dog!
00:12Isn't that a nickname? Don't you like it? Honestly! Who likes being called Shayboob the dog?
00:17Is Adham the dog's father? My name is Shayboub, you Antarah! Just Shayboub!
00:21I don't understand why we're going to all this trouble when I'm already exhausted!
00:24Simply put! Because everything about you is like Antara loves Abla! Antara bought a dead man
00:30Naqa! Antara says a poet! Antara! Antara! Antara! Antara!
00:35There's nothing about Shayboob! Nothing at all! But you're always with Shayboob!
00:39Kasand! Another role! When will I finally be the hero!
00:43Maybe, my love, you'll be the hero! When you save me with these snakes!
00:47Hey, you black-skinned mare! You're raising your voice at me too!
00:50Oh my God! Oh my God! I'm sorry, I'm sorry! I was wrong! You're absolutely right, sir!
00:55I'm the one who never appreciated you! I don't know when I'll be with you! My friend! My brother!
01:12My love, Antara! I was sure you loved me! Of course I love you!
01:17Oh, you dog, Shayboub!!
01:19Oh, no!
01:20Not a dog!
01:23The dog forgets himself! And he's gone!
01:25It's impossible for me to die like this! I'm not going to die in ignorance!
01:29Oh, no!
01:31I've given you Arabic now, two of us!
01:33Oh, my dear Shayboub, what's wrong with the Arabic language?
01:35What a mess you've made, Antara!
01:37What a mess!
01:39music
01:46Dear viewers, may your viewing be healthy and blessed.
01:47Welcome to a new episode of Al-Daheeh program
01:49Come on, Huda, you've made us jealous, my dear. I'll give you a gift from your hand for the year 530 AD.
01:53We'll go, my dear, to the middle of the war island.
01:55We'll see a pregnant woman with two of her children sleeping beside her.
01:58The link to the birth can be observed
01:59These six reminded me of the two times I gave birth before.
02:02When she was surrounded by her family and people, before what happened to her happened.
02:05Perhaps in her imagination, she pictured herself leaving with a trade caravan, a scene that suddenly filled with dust and the scent of horses.
02:11Oh Lord, what's happening to my beloved?
02:13My dear, one day the caravan arrived and those six were taken prisoner.
02:16The six also remembered the eyes of Sayyid, one of the Arab leaders, as he looked at her and her admirers.
02:20And then, my dear, this tour through her memories led her to the enchanting matter.
02:24Why does the sky light up for the Arabian Peninsula?
02:26She placed her hands on her stomach as she thought about the future of the child who was about to arrive in the world.
02:35Didn't you know, my dear, that her son will live his whole life being shamed by her, called "son of a raisin," even though his mother, Zabiba, did nothing wrong to him?
02:42My dear boy, when he enters the world, a moment of hope is born in his mother's heart that this boy will be the one who brings her and his siblings together.
02:48And she takes the child's raisin and goes with him to his father, the master of Bani Abs.
02:52The father, my dear, saw the child in his mother's arms, understood him, and felt compassion for him, so he closed his eyes and did not blame this boy for his children.
02:59And despite the fact, my dear, that he is a leader among the Arab leaders, his tone was that of someone begging for their acceptance. Here, the boys are telling him, "You're lying! You're a sheikh and you've gone senile, claiming other people's children as your own," and they refuse to acknowledge the child as his.
03:11Under the strict authority of the social system, the father remained silent on the matter and decided that he, too, would not acknowledge the boy as his own.
03:17The Arabs at that time, when they had children with slave women, would banish them.
03:20Ah, Muhammad, they are expelling them just as they expelled Sayyid Ahmed Orabi, Sayyid Saad Zaghloul, and the friends of the newcomers.
03:24No, my dear, that's not the denial I meant. What happened here is that he's denying his lineage.
03:29They are not recognized as children; they are treated as slaves with no rights.
03:32Here the boy lived with his mother as an Abyssinian slave required to serve the masters of his people.
03:36Those who are actually his father, his sisters, and his mother
03:39A child here was deprived of his most basic rights as a child; he was denied his right to belong.
03:43When he grew a little older, his family told him to go to the sheepfold.
03:46This, my dear, was the first chapter in the life of one of the most important Arab knights, Antarah ibn Shaddad.
03:53Antarah set off, the shepherd, burdened with much pain.
03:57The dream of banishing the father and rejecting the brothers and the tribe
04:00Nobody wanted to pursue it professionally, but Steel Antarah saw himself as bigger than that.
04:04Not just because his lineage is noble and his son is supposed to be a leader from the Banu Abs tribe.
04:08But also because Antara sees himself as a knight, not a shepherd.
04:11And in pursuit of this, he will begin a secret and wondrous journey to become this knight.
04:16Antarah was trying to gather as much as he could.
04:18He managed to save the money little by little until he reached the amount he had in mind.
04:21With that money, he bought a sword, spear, and shield, and went with them to the sand dunes.
04:25And Abu Ahmad, in his limit, brings his weapon and hides it in the Bani Abs area and relieves them.
04:28My dear, the idea was that it wasn't common for people to see a slave with a weapon.
04:32Because the slave doesn't fight
04:34Antarah Azizi used to take advantage of the days when he didn't have anything to do with us.
04:37His leave as a slave means
04:38He would set off alone into the desert
04:39He takes out the weapon and practices with it, just like a samurai perfumer.
04:42Antara chose to make himself in secret
04:44He lived a double life
04:46In the morning he milks the cows and serves the masters
04:48And in the afternoon he trains with weapons and in the midst of war
04:50And in the midst of war, the people around him treat him like a slave.
04:53But deep down, he saw himself as a knight.
04:55Despite the oppression he was living under
04:56But I want the same body, those people.
04:58They didn't stop him from always trying.
05:00He makes his family acknowledge him.
05:02It's as if he's seeking appreciation from his own family.
05:04He is dear to his soul
05:05We will tell you a story
05:06One of the times he was courting Abu's wife, whose name was Sumaya
05:09Jayez was trying to get mercy and affection from her.
05:12The one that no one from his tribe would give me
05:14But Sumaya was angry with Antarah and considered this a nuisance.
05:16She accused him of harassing her and complained to Abu
05:18Here, Abu Antara grabbed the stick and started hitting and hitting severely.
05:22He hit me, my dear, with a very strong, pungent musk.
05:24Then he took the sword and was about to bring it down on Antara
05:27To the point, my dear, that Antara was a great man over Abu Sumaya's wife
05:30The one who complained about him is now the one protecting him.
05:32And I was overwhelmed by the severity of his father's actions.
05:34Stop using that pencil, my dear, as you say.
05:36He unleashed his poetic talent
05:38Antara, my dear, is asking incredulously.
05:40Amin Sumaya, tears of the eye are enclosed
05:42If I were this, my Aminky would have been known before today.
05:44So, Sumaya, what you're complaining about right now...
05:46But that little bit of tenderness and affection appeared early.
05:48It was a little early, he wasn't in his fourth year.
05:50If I had been a little more organized, he would have been like his father, who didn't congratulate me.
05:52And then my friend said to me, after that, he said
05:54The slave is your slave and the money is your money
05:56Your torment is averted from me today.
05:58It means I am your slave, you own me just like you own your money.
06:00Is it possible for you to take this torment away from me?
06:02Which means, in essence, like you own me
06:04Just like you own your money
06:06Just as you own everything
06:08Perhaps you could just possess the trait of forgiveness and tolerance.
06:10Wait, my dear, the verses will be finished soon.
06:12Then he begins to flirt with Sumaya
06:14What's wrong with his father? Wait, wait, Abu Ahmed, come here.
06:16Come here, YouTuber of the past, you come here
06:18What is Entry doing? Is he flirting with his stepmother?
06:20Honestly, my dear, I'm just as embarrassed as you are.
06:22But, oh, this genre of poetry is ignorant; it must be love poetry.
06:24He's my sweetheart, there are no other women in his life
06:26All day long, kissing and singing has no options.
06:28I will describe the method with flirtation
06:30The one who paid for him, he says
06:32It's as if she stopped speaking to me the day she turned away
06:34It's like she's trying to resist
06:36My attempts to befriend her
06:38Two descriptions of a man with a scorching eye
06:40It's as if, in her movement, she's pushing me away.
06:42She's dressed like a beautiful gazelle, her eyes are wandering.
06:44The gazelle, in its movement and its escape
06:46It increases tenderness and beauty
06:48He then continues with his poem, "You have enveloped me."
06:50For the first stick of my liver covered me with its body
06:52When the stick hit me, it was like an idol.
06:54And he gets used to it.
06:56She covered me like a statue that people come to.
06:58Time and again, my dear, he likened her to an idol.
07:00This idol is a carved object.
07:02Beautifully, it requires mastery.
07:04Do you see the flirting? After you hear this story, my dear
07:06Mokhf Sumaya understands
07:08The man didn't wrong anyone; it's clear that Antarah didn't wrong anyone.
07:10It's clear he wasn't going to demand his freedom, but
07:12Mohammad, I have a question
07:14What is Antara doing here?
07:16Man, you're going to reclaim your slavery from your father who doesn't even acknowledge you.
07:18Your appearance is so pitiful
07:20Once, instead of making things worse for your father, he was paying for you.
07:22So you're also flirting with her.
07:24You're being harassed by your father.
07:26Welcome, my dear, for all of Antarah's poetry
07:28Firstly, I didn't kill most of it, meaning it was in Abla.
07:30Between her, the one whose heart is attached to her
07:32Her father refused to let him marry her because he was a slave.
07:34Abla, my dear, was one of the most important reasons
07:36The one who made Antara die
07:38In order to gain his family's recognition and achieve status
07:40Those who deserve it in Bani Abs
07:42For example, you might find someone saying
07:44Were it not for love, I would not have strayed to their level.
07:46Nor did the intention of the desert submit to the world.
07:48My heart, my feelings, and my passion
07:50Your direction, Abla, was not my time.
07:52I humbled myself before my midwife
07:54He's talking about himself, my dear, like a wild lion.
07:56A little bit of arrogance
07:58And then, my dear, he surrounds himself with romantic talk and says to me
08:00I wish a vision of you, O Abla, would come knocking
08:02Fayda Jafni sees tears
08:04Al-Sawakibi
08:06Your copper is a modern imagination, with a knight who possesses pride, a slippery slope.
08:08No one can see him as weak
08:10But he wishes it was the ghost or apparition of his beloved.
08:12He is at his weakest in his most vulnerable moments.
08:14He takes a look at its liquefaction
08:16Maybe when his girlfriend finds out, she'll believe he truly loves her.
08:18Despite his chivalry and pride
08:20But inside, there's a limit to what's being torn apart.
08:22And he himself will gain her love
08:24And so that he sees Abla every day, even though he can't marry her.
08:26He even saw the speech saying it
08:28The speech, of course, is no less courageous than theirs.
08:30Neither strength nor power
08:32But they are masters and he is an uncle
08:34And among the gentlemen who were obliged to Abla
08:36One named Amara Ibn Ziyad
08:40Architecture of Ibn Ziyad Ibn Sufyan
08:42Ibn Abdullah Ibn Nashib Al-Abbasi
08:44This, my dear, is a rich and generous man.
08:46From the elders of Bani Abs, forget the picture
08:48His role in the movies opposite Farid Shawqi
08:50He was like that, and he kept saying, "Perfume, my son, perfume, my son."
08:52Amara Azizi was a rich and generous man.
08:54He said to himself, "He does not hear a sound."
08:56A prisoner calls out in the night
08:58Except for his death, meaning there is no prisoner to call upon for help.
09:00Except that he will go to him and free him.
09:02Amara Azizi had three sisters
09:04Spring, Qais, and Anas
09:06Each one of them was a military suffocator at some point in time.
09:08Each of them has a title that indicates his honor.
09:10Amara was nicknamed Al-Wahab
09:12And spring in full and measured by the horse
09:14And Anas, by Anas, the preserver
09:16He had a very strange nickname, my dear, they called him Dhalq
09:18Because he was being spit
09:20Anything that fell into my hands, I would throw it away.
09:22My dear, the tea isn't spilled here.
09:24This is launching a full-scale raid
09:26It means he attacks her seat quickly
09:28Their mother was called Umm al-Kamilah (Mother of the Complete One)
09:30Because her children are not dependent on God, they are complete people.
09:32The architecture of the mosque reflects everything the Arabs admire.
09:34Mansab in Russia, Ghani Sharaf
09:36And what exactly is Abu Abla greedy for?
09:38According to the distance of Sir Malik Abu Ablah and her brother Omar
09:40They accepted his proposal to Abla because of his lineage and social standing.
09:42And yet, my dear, if you were in Amara's place
09:44You'll be very secure, especially if you're a slave to yourself.
09:46However, Intra was the source of the building's threat.
09:48Honestly, Abu Ahmed, I feel that architecture is very logical.
09:50He feels jealous of Antarah
09:52This is a guy with nothing better to do, sitting around with the girls and the sheep.
09:54All day long, all night long, he flirts with my speech
09:56What is hidden and what is explicit?
09:58His nature is not like that of a threat.
10:00Especially when he discovers later
10:02He is one of the greatest poets of the pre-Islamic era.
10:04I was going to tell you that jealousy in love is normal.
10:06But the biggest source of jealousy was the war roles that Antarah began to acquire over time.
10:13These roles began in the war between the Banu Abs and the Banu Tayy
10:17The war in which Antarah participated and displayed strength and courage
10:20And skill helped the Bani Abs to be victorious and win a great deal of booty from the Tayy tribe.
10:25And of course, your uncle Antar never missed an opportunity to boast about his heroism and his role in the victory of Abs.
10:30What are they not acknowledging?
10:32Let me explain to them and tell them that the pastry made by people like me is what's benefiting them.
10:36I'm not waiting for you to put my name in the credits, I've already messed up the credits myself.
10:39Antarah stood with his people, the Bani Abs, whether on the day of Tayq or on other days.
10:42So you find him saying in one of the poems: My people will remember me when the horses roam among the tents, their riders among the warriors.
10:49My people will remember me on that day when they wake up and find the enemy horsemen among their tents.
10:53Antarah continues, saying, "If they forget me, then the swords and the shield will remind them of my actions and the reality of my battles."
10:59If they forget me, the enemy and the enemy's spear will remind them of my deeds and the deadly blows that once protected them from hostility.
11:06Antar's happy horse was a threat to the building, which once, when he heard people praising Antar, said, "You have mentioned me too much."
11:13By God, if I were to find them alone, I would tell you that he is a slave.
11:17What it means, my dear, is that I will explain in detail.
11:19Hey guys, what is this Antar you're all so happy about in the end?
11:22Hatta Abd
11:23You were vague in your words and discussions about him
11:25If it were up to me, I'd meet a real man.
11:26Even if it decreases, I won't solve the problem of the building's growth.
11:28He said, "I won't solve it, Abu Ahmed."
11:29My dear friend, Mashouh Amara will always be jealous of Antar and carry that burden within him.
11:33Someone will one day hear Antar binshi, who says, "When the spears protect us with it..."
11:37My brave knights are all taking cover from the spears and the attack coming upon us.
11:43He then completed his verse and said, "I did not hide from them," meaning he was not a coward and protected them from the spears that were coming at them.
11:48But I was bothered by the introduction; on the contrary, I was attacking and advancing on an enemy, even though the place I was moving in was cramped.
11:54Of course, my dear Amara, when he heard this, he became very angry.
11:57Is he going to Antar? He grabbed the spear and raised it in his face, and they are his family.
12:00When did we ever fear the rooster of spears, you son of a black woman?
12:03Today, Abu Ahmed, Antar will look Amara in the eye and say to him
12:05Why should I forgive her?
12:06He's a good Antar, Abu Ahmed, and this isn't the kind of harsh, violent poetry you'd expect.
12:09He said to him, "That's how it is, my dear."
12:10He told him, "Forgive me for the word I said."
12:12What can I say, Abu Ahmad, about Antarah ibn Shaddad?
12:14The one who has a chance now is in the ascendant
12:16He who is humiliating his people with his battles, his power, and his strength
12:19He gives up that easily
12:21Even after the man came, he told him this was polite.
12:23He insulted his mother
12:24Come on, my dear, you're not the only one surprised by this, even Antarah!
12:27People were very surprised at the time
12:28Antar went and got his weapon, mounted his horse, and stopped again.
12:31In the same situation, in front of the building
12:32What did they do?
12:33He was told the same two lines of poetry again
12:35For, O my strength, I did not shy away from the spears.
12:38But my mind is bothered
12:40I arrived, and I won't tell you, Tan'a, a ghost.
12:42Antar, my dear, with this gesture, he was saying to Amara, "I mounted my horse."
12:45If words fail me, come and confront me with a sword.
12:47Of course, my dear, Amara retreated before Antar.
12:51Well, that's sweet, Antar, and he, Ya Bahmad, surely lived comfortably.
12:53And nobody knows how to chew the tribe's twigs anymore.
12:55He knew how to get his rights and respond to her word for word.
12:57Even if he was in front of a building himself
12:59Antara, my dear, is a brave knight who triumphs with his strength
13:03And Bird responds to Amara and says some crazy things
13:05But Antara's contempt, despite his bravery
13:07It was not a favor to Amara ibn Ziyad
13:09Ammarah ibn Ziyad is not alone
13:11Antar's greeting, with his color and his mother, didn't stop when Nasr's strength was restored.
13:15Meaning, on the day of the war of Bani Abs against the tribe of Al-Tayyib
13:17I was telling you about it a little while ago
13:19After Antar was the reason for many sheep, they found him
13:21Ghanem found a lot
13:23And that's it, my dear, the embarrassed ones' stance, you know, those who are waiting for the approval
13:25Which is
13:27So what is it? A windfall or something like that?
13:29I actually killed a lot of people in this war and fixed things up
13:31They understood, my dear, they told him
13:33We will not allocate you a share like our own.
13:35Because you are a slave
13:37At that time, my dear, the relationship between them was proceeding like this.
13:39In times of war, you are one of us and our beloved, and the army cannot function without you.
13:41And what could possibly stop the spears except for Antara?
13:43The war and its aftermath end at the hour of spoils.
13:45You're with us, my son. I'm built on a foundation of resilience. You're neither lost nor confused.
13:47Don't be a prisoner
13:49Oh God, Abd, why don't you have a share like me?
13:51They treat Africans like that, my dear, in the French region, on the streets of Paris.
13:53We despise them and discriminate against them.
13:55We insult them and call them thieves.
13:57We encourage them to be lazy and dreamy.
13:59We say, "We are a diverse country."
14:01The governor is leaving here
14:03We only know Griezmann from this country
14:05No, my dear, the months are ungrateful for this favor.
14:07He was very upset with Antara
14:09No, my dear, exactly what Antara described in a famous poet's verse.
14:11Yona Dionani in the peace, son of a raisin
14:13And when the horses clash, O sons of Qataba
14:15It means that during times of peace they don't need me.
14:17They taunt me with their words
14:19During wartime, when they console me, they call me "Father".
14:21They attribute me to the noble Banu Abs tribe.
14:23Meaning, my dear, no matter what we do, it's a work ethic.
14:25From wars and victories
14:27And the pride of his tribe will remain ahead
14:29A three-letter barrier is stronger than any enemy.
14:31Before him
14:32Hellensip
14:33My dear, if I asked you what the difference is
14:35Between family and household
14:37You'll tell me, "This family is me."
14:39And my father, my mother, and my sisters
14:41This family is now the sum total of our family.
14:43My uncles, aunts, maternal uncles, and maternal aunts are prisoners
14:45In two ways
14:47That's right, my dear. We're talking about, as you might say, two layers.
14:49One small, one bigger
14:51It contains small layers
14:53They didn't stop at these two classes for the most suitable option.
14:55No, their issue has six layers.
14:57So, for example, if we want to inquire about the Prophet's lineage
14:59We will find that his grandfather was Abdul Muttalib
15:01He had sons like Abdullah
15:03Abu Talib, Hamza, and Al-Abbas
15:05Each of these countries has a family first.
15:07You went to the first layer, my dear
15:09These families come together in a broader social stratum called the clan.
15:11The sons of Abdul Muttalib gathered
15:13These factions are part of a larger one.
15:15Her name is thighs
15:17Next, the abdominal layer
15:19The buildings then the front
15:21Then the largest class, which is called the people.
15:23In its current form, dear Quraish is not a tribe
15:25No, this is one of the branches of a large tribe.
15:27Her name is Kenana and Kenana
15:29And other tribes make up the Adnanite Arabs
15:31Adnanites and Qahtanites
15:33These countries together form the origin of the Arabs
15:35My dear Arabs, they greatly valued lineage and its importance.
15:37To the point that the historian Abu al-Hasan al-Bayhaqi says
15:39The Romans had medical sciences
15:41The Greeks possessed wisdom and logic.
15:43India has astrology and mathematics.
15:45The Greeks possessed wisdom and logic.
15:47India has astrology and mathematics.
15:49For the Persians, literature is blind, encompassing the refinement of the soul and morals.
15:51And for the people of China, the craftsmen
15:53The Arabs have proverbs and genealogy.
15:55My dear Muslim, he did not deny the knowledge of genealogy.
15:57Then you find a hadith that says
15:59Learn from your lineage what you can pray
16:01I have mercy on you, but only in the days of ignorance.
16:03Lineage was primarily intended for boasting.
16:05And people's arrogance towards each other
16:07You will find that many Arab tribes used to call themselves
16:09We are the origin of the Arabs, and others are a branch.
16:11Each group phrases this differently.
16:13For example, Fakhreesh says
16:15We are the sons of Al-Nazar, the son of Kinanah
16:17He neither denies our origins nor acknowledges our honor.
16:19While for example, you say
16:21We are the kings of the Arabs and their swords
16:23Whoever speaks our name, his memory will be forever linked to us.
16:25I'm going to Bani Tamim, so the Lions will close the gym.
16:27And they say, "We are the ones who, if people claim lineage..."
16:29It means people are speaking ill of the Prophet like that.
16:31When they start talking about their lineage
16:33Tamim, so they remained silent.
16:35You're not going to explain, I'm Tamim.
16:37They despised Islam, my dear.
16:39All of this is said to be aimed at denying Antara's lineage to his father.
16:41And that courage and chivalry in this society were not enough
16:45So that Antara could gain the people's recognition
16:47In one way or another, my dear, I became
16:49Antara confronts the enemy
16:51Easier than facing his community
16:53From confronting a culture he encountered
16:55Facing the sword and spear is much easier for him.
16:57From the fact that he is facing a culture he encountered
17:03In one of the debates between Bani Tayq and Bani Abs
17:05The army raided the lands of Abs
17:07Instead of Antara fleeing and defending his people
17:09Or she wore very ordinary clothes
17:11And he left if he camel
17:13Very calmly
17:15My father calls out to him, "Help us, Antara!"
17:17We're wasting it, he told him, "Qurr ya Antara" (a Sudanese expression meaning "Be quiet, Antara"
17:19Did Antara refrain from understanding, or was he told?
17:21The slave's calmness does not improve his ability to fight.
17:23But milking and squeezing are better
17:25I am a slave, and as you know, a slave
17:27He can't hold a weapon
17:28He doesn't know how to fight
17:29He's not like the masters
17:30The slave milks the goats
17:31Go to battle
17:32I'll make you a cup of tea with goat's milk
17:34Distance that you cover in battle
17:35I'll make a tea and milk set for the people who will survive.
17:37slave
17:38So here, my dear
17:39Abu Antara says a word to him
17:40Those who have wanted to hear it for a long time
17:42The word that Antara lived his whole life
17:44He wants to hear it
17:45He told him, "Go away, and you are free."
17:46Here, my dear Antara
17:47It's not about an hour, it's about immense energy.
17:50And Abu Aziz, you're not expecting that
17:51Contact via
17:52And they returned everything they had taken from the Banu Abs.
17:54Her father, Aziz, actually acknowledged it and said
17:56This is my son, and whoever doesn't acknowledge him
17:59He is not from me
18:00Oh, Abu Hamid, how sweet!
18:01Is this a happy ending or not?
18:03Her danger remained free
18:04Life, my dear
18:05Contrary to what you expect
18:06What happened didn't change anything
18:08For example, on one occasion
18:09Bani Abs attacked Bani Tamim
18:11They were the leaders of the Banu Abs tribe.
18:13A man named Zuhair ibn Jathima
18:14So they became defeated and fled.
18:16In this case, my dear, the other tribe will run away with their own greed.
18:18They lure them and kill them easily, and the mother runs ahead of them.
18:20But what happened
18:21It is on the side of Hajj Alf
18:22And with her were a number of knights
18:23Very large number
18:24Fadl Yaqahim in Bani Tamim
18:25Until I'm sure
18:26That all the sons of Abs
18:27They returned safely
18:28And that none of them
18:29Injury
18:30Everyone was talking and talking
18:41Of all people except the son of a black woman
18:42We have no other option but to protect ourselves.
18:44Well, my dear, I'll wait. When I heard this, I won't be silent.
18:46And Haley, my dear
18:47I am a man of the best lineage of Abs.
18:49I am a man from the noble Bani Abs tribe.
18:51But that's the first half.
18:53He says in the second line
18:54I will divide myself and protect the rest with my sword.
18:56My second text means
18:58If I'm a man, I'll protect my position with my own two hands.
19:00And he, my dear friend, spoke extensively about the story of Hantar.
19:02He completes his honor and glory with his arm
19:04He also says that Akraf will follow him
19:06If someone brings them and kicks them out, attack him.
19:09And if he seeks to reunite with it, he will renew it.
19:10That means if the enemy catches up with them and surrounds them, I will intensify my attack even more.
19:13And if they wrap themselves around you, come down
19:15It means if he knows this, I'll go inside and save them from him.
19:18After he had secured his position, which he had achieved in the battle
19:21They will insult Zuhair and taunt him about his cheese.
19:23He will say that when they descend, they will be like us.
19:26I mean, my sweet darling
19:27Oh my sweet darling
19:28Why go down to battle with the utmost courage, like me?
19:31Every misguided person flees.
19:33The one who's doing this to my brother is someone like you, a coward and a fearful person.
19:36Through my dear friend, he will complete
19:37They were kept awake and kept in darkness
19:39It means I'll endure hunger and eat only the finest food.
19:42So that I may obtain from it the finest food.
19:44Here, my dear, he meant Zuhair
19:46He is famous for eating their food.
19:48And despite my dear friend who comes with this annoying thing
19:50My dear, you can't imagine that Zuhair is anyone but
19:53A useless limit
19:54He was one of the leaders of the Ghatafan tribe.
19:56Those among them are the Bani Abs
19:57And it is said to him, my dear, that he is like a scale
19:59If he speaks, he listens; if he commands, he obeys.
20:02And the one who is a liar, I said about him
20:03Zuhair was the father of ten and the aunt of ten.
20:05Her brother is ten and her maternal uncle is ten
20:07This, my dear, is a figurative expression, not a literal one.
20:09On power and influence
20:10Therefore, the position that he took in Zuhair
20:12He let him escape, and his face was covered in thorns.
20:13So, my dear, it's a position of Biddle's relationship with Antara.
20:15Not because of Zuhair's weakness
20:17Many people can attest to this man's character.
20:18Apart from Zuhair and this whole battle
20:21History will still give Antarah a biography that it cares about.
20:23The companion and Omar, from among the visitors, made it easy for her.
20:26News of the War of Dahis and Ghabra
20:30My dear friend, the war broke out between the Banu Abs and the Banu Dhubyan.
20:32Abs and Dhubyan were originally brothers.
20:34And their sons were pharaohs incarnate.
20:36From the branches of another tribe called Ghatafan
20:38There was competition between Al-Azizi and them, but this competition was under control.
20:41My dear, no one ever decides to hold a race between two horses.
20:43Absi horse and Dhubyani horse
20:45The first horse, my dear, is Dahis.
20:47A horse belonging to a man named Qais ibn Zuhair al-Absi
20:49The second horse is Al-Ghabra
20:51A horse belonging to a man named Hudhayfah ibn Badr al-Dhubyani
20:53The agreement was simple
20:54The horse that wins takes the prize and everyone is happy
20:57It was possible, my dear, the matter is not normal.
20:59However, Hudhayfah ibn Badr had a different opinion.
21:01Hudhayfah, to ensure that his mare, Al-Ghabra, would win.
21:05The people who set a trap for Dahis in the race
21:08Indeed, my dear horse, Dahis, was ambushed and became disabled and ran away.
21:12The two prisons, my dear, when they discovered this trick
21:14The world is on fire
21:15Qays ibn Zuhayr considered her cheek a matter of honor.
21:17The two tribes engaged in a war that lasted forty years.
21:20Look, my dear, all the pre-Islamic Arab wars originated in the Arabian Peninsula.
21:22All factories
21:24Of course, my dear, as we all know very well from our previous episode.
21:27The topic of the camel, horse, or mare
21:29This was the spark that ignited a war that was about to break out.
21:32The truth is that the rivalry between Abs and Dhubyan was at its fiercest.
21:35And right before this incident, Al-Nu'man ibn Al-Mundhir was the king of the Lakhmids.
21:38He extracted an agreement to protect his caravans from the Dhubyanites
21:41Who is Waldal?
21:42The Absi Dal
21:43This means the owner chose the Absians to remain the caravan guards.
21:46This battle is the one that witnessed the peace treaty on the horse of Antarah
21:49This appeared on many days, such as the day of Al-Farough, the day of Qattan, and the day of Al-Maraiqib.
21:52This, my dear, is what Antarah led to the victory of Abs over Dhubyan.
21:56Antarah was one of the few knights in this war
21:59And in the Book of Songs by Abu al-Faraj al-Isfahani
22:01A dialogue between Omar Ibn Al-Khattab and Al-Hutayqa was narrated.
22:03This guy, my dear, was a well-known poet from the Banu Abs tribe.
22:06The dialogue, my dear, was as follows:
22:07Omar al-Khattab asks the poet of Bani Abs, "How were you in your war?"
22:11The poet says, "We were a thousand determined knights."
22:14Omar asked how they could be.
22:16Al-Hutayqa said, "Qays ibn Zuhayr was among us."
22:18He was firm, so we did not disobey him.
22:20Our knight was Antarah, and we would carry him when he carried him.
22:23And we will refrain if he refrains
22:24And among us was Rabi' ibn Ziyad
22:26He was a wise man, so we consulted him and did not contradict him.
22:29Urwah ibn al-Ward was among us, and we used to follow his poetry.
22:32If Talha, my dear, is assigning roles, what is this "Antarah" thing? It's chivalry.
22:36Hengi Al-Ishhadah also from someone named Omar bin Ma'dikarib
22:39My dear, he was a contemporary of Al-Antarah and he says
22:41If I were alone in my village, surrounded by all the waters of Ma'ad, I wouldn't be afraid.
22:45I was not afraid that I would be overcome by her unless her heat or her cloak met me.
22:49As for the two free men, they are Amer bin Al-Tufayl and Atiba bin Al-Harith.
22:52As for the 'Abban, they are the black ones of Banu 'Abs.
22:55Someone we know very well
22:56And the Salaik bin Salaka, we also know him.
22:58In the episode of Al-Sa'alik, if you remember
23:00The Slaik, the Salik, the Salik, all of them I have found
23:02Before they all get up
23:03And Habib De Aizizi is talking about the superpower of each one of them.
23:05Amir ibn al-Tufayl was quick to criticize the voice.
23:08As for 'Atiba, he is the first of the horses when they raid.
23:11And lastly, if it is established
23:13That means he's the first one to attack and the last one to retreat.
23:16As for Antarah, he rarely stumbles but is very generous.
23:19It means he is fierce against his enemies, and his attacks are few.
23:22As for the Slaik, he is far-reaching in his raids, like the lion of the desert.
23:24Begin was in his raid like a lion in the battle of Dahis, my dear, and Al-Ghabra.
23:28It wasn't the only event that created the legend of Antarah
23:31What makes us talk about it now?
23:32But with time, with battles, and with poetry
23:35The character of the knight is reflected in everything that distinguishes the knights of the Arabs.
23:39For example, a man who rises above pettiness and doesn't chase after the spoils of war.
23:43So, my dear, he used to say about himself
23:45It means that in battle I will charge forward with all boldness
23:52My right hand
23:53But when the spoils are being distributed, I will be chaste.
23:55He threw himself at the money
23:56Also, my dear, he used to say about himself
23:57So, if my neighbor passes by like that, is that how it is?
24:00Lower your gaze
24:01Until she enters her house and her stronghold
24:03Why is that?
24:04He'll tell me, my dear, in the next house
24:06And I am a kind, generous, and generous person.
24:08I do not imprint the stubborn soul with its desires.
24:10My dear, I am inside her, her forgiveness and strength.
24:12It makes me overcome any desire within her
24:14I'm not just following her whims.
24:16Ask him, Sumaya
24:17Of course, my dear, if you compare this statement to Qais's broth
24:19You'll find this is a respectable horse.
24:21If you compare this statement to Qais's broth
24:23You'll find this is a respectable horse.
24:25And the second one, excuse me, was collecting the girls' clothes
24:27They are taking a bath so that he can come and humiliate them.
24:29He stops them, flashes his light in front of them, and gives them the clothes.
24:31And on top of all that, he started boasting about ways to do so.
24:34With all the things that people used to criticize him for
24:36The text of the Abyssinian that they used to taunt
24:38He can't hide from him anymore.
24:39He no longer takes pride in it.
24:41He says about himself, "I am the one who escapes by way of..."
24:43The entire esophagus protects against burns.
24:45I'm Aziz, this is a new way of thinking, unlike the Arabs who are proud of it.
24:47They are proud of their origins
24:49He's telling you, "I'm originally from here, and I'm a mixed-race person from here."
24:51I am a migrant, and I am truly in this luxury.
24:53He also says about himself that he is presented by a boy
24:55His father and mother were from the Absin family.
24:57From the Al Hamin family
24:59He was also proud of his mother's lineage.
25:01Which is from the family of Hamin bin Noah
25:03My dear, I was exposed to various methods
25:05I didn't let him be reckless and rash in the fight.
25:07He wasn't at all like Farid Shawky in the movie.
25:15They didn't understand, my dear, they were surprised
25:17You say you're not brave, so why are you being called brave?
25:19So, what methods were I using?
25:21I saw the courage, the resolve, and the hesitation.
25:23If you see reluctance, be firm
25:25I mean, I'll attack if attacking is an act of courage and manliness.
25:27I would return if returning were a wise and rational thing to do.
25:29He also said, "I will not enter a place."
25:31I see no way out for them.
25:33I mean, I don't go anywhere unless I know
25:35My vacation strategy is something I need to know
25:37I'm not from a place like this, I'm not in a bad situation.
25:39He says, "I used to rely on the weak and cowardly."
25:41So I struck him a tremendous blow.
25:43They fly to her, the heart of the brave
25:45So I sinned against him and killed him.
25:47This is my dear, with Egyptian workers.
25:49Strike the bound one so the free one will fear
25:51My dear Antarah, he used to start by hitting the weak and cowardly.
25:53So, the people I tried to intimidate, it became easier for me to defeat them.
25:55This is a strategy, my dear.
25:57If he were naive, he would have gone looking for the area's leader.
25:59He tried to hit him, and because of the long march of Antarah
26:01It presents scenes depicting chivalric virtues.
26:09That means, my dear, according to this account
26:11The Prophet was not eager to see a Bedouin
26:13His excitement was immense; he was watching.
26:15Antarah ibn Shaddad
26:17This is a big deal!
26:19Hey, my dear, we know today that Antara wasn't necessarily a warrior.
26:21But as a poet, and especially as a lover
26:23Antarah, my dear, is one of the authors of the seven great Mu'allaqat.
26:27Pre-Islamic Odes
26:29What are these hanging poems?
26:31These Mu'allaqat are poems that the Arabs greatly revered.
26:33And they wrote it in gold ink
26:35They hung them on the walls of the Kaaba
26:37The Mu'allaqat were named
26:39But the only one named after Antarah is the one named by the Arabs.
26:41Golden or gilded
26:43And after the dots, my dear, they considered it the greatest poem ever written.
26:45It could even be greater than a poem by Qays himself.
26:51It is said, my dear, that Antarah's talent in poetry did not begin at a young age.
26:55Not like Ibn Zaydun, Al-Farasdaq, or Al-Mutanabbi
26:57And no one like Ali ibn Abi Talib
26:59But my dear, I started their month when they were still young.
27:01It is said that one of the people mocked him because he was the one who recited poetry.
27:05Good news, my dear, there's someone mocking Antarah ibn Shaddad.
27:07There was a period in his life when he didn't recite poetry, it was all coming, coming.
27:09I was worried, my dear, that someone might criticize another for not reciting poetry that resembles an insult.
27:13Which is, come on, Yadia, you don't know how to recite poetry
27:15And you, Hala, what you're saying is poetry, oh Ala
27:17You're a tailor of nonsense, you're always separating words from one another.
27:19My dear, he could have been finished off with an insult too.
27:21I'm telling you, I can compose poems, I can arrange rhymes, I don't care.
27:24And my gender, his life was never a word, also literature, I put it in your stomach, I'll get the meaning out
27:28Of course, my dear, it's clear that Antara didn't say the disgusting things I said.
27:30Antara responded to the man who taunted him for not reciting poetry, and he recited it.
27:33He will say, "By God, people don't refuse food; they invite each other to eat."
27:38He says to the man in front of him, "Neither you, nor your father, nor your grandfather were present at the gathering of the people."
27:43This is the food, my dear.
27:45You mean you're so stingy, you're making people invite each other over for a meal?
27:48Neither you, nor your father, nor your grandfather, have ever been able to invite anyone.
27:50Naos Azizi used to say, "The free man enters your house and leaves." Naos is a word.
27:53He will continue and say that the people invited us in the raids, so they recognize us by their branding.
27:58It means that when people set out on a raid, they make a bargain.
28:01This, my dear, is horse preparation.
28:02On a day when I least saw you among the first of the people in the horses of Al-Mughira
28:06You, my love, are not worthy of a horse's prize, nor have I ever seen you in a service.
28:10And the confusion, meaning the disagreement and problems, will be between us.
28:13Neither you, your father, nor your grandfather had a detailed plan in place.
28:17It means you've never found a solution to a dispute or problem.
28:19Then, my dear, through my mother's methods, gather these virtues of his and mix them together.
28:23He says, "I do not attend to the clothing, I fulfill the spoils, and I abstain from asking."
28:28And I will give it to the best of what I possess.
28:30Because I resolve disputes, and I am chaste, generous, and the most important poet, you will know.
28:34After that, he disappears for a while and then resumes his activity.
28:37Those who haven't produced it are asking, "Have the poets left any trace of their ruins?"
28:40From the head of my dear Arab friend, they didn't give titles to poems.
28:43The poem was named after its first line.
28:45My dear, you think that during the situation, he insulted this man in various ways.
28:49This poet man is harsh on the foreheads
28:51When he takes out a spoon, it will all be gathered against the adversaries.
28:53And excessive pride in himself, like, for example, the poem of Amr ibn Karthum
28:56He was arrogant towards both his enemies and his allies.
28:59Anyone who doesn't use a pronoun, I insult them.
29:01But in our case, it remained suspended because of methods that were one of the readers of the Mu'allaqat.
29:05Although it contains everything that distinguishes Arabic poetry
29:08For example, you have a wide variety of situations
29:10Love poetry, dwelling on ruins, descriptions of camels and horses, and expressions of pride and boasting.
29:15determination and pride
29:16As you know, my dear, it's in school books.
29:18It also contains what distinguishes Arabic poetry.
29:20From the unit of emotional state
29:22The school office uniform, if you remember how many it holds for you
29:24The source of beauty is the emotional state.
29:25What is poetry?
29:26So he felt like he was making her hair
29:27Kari, you're still dear to me, let me explain.
29:29What is the emotional state?
29:30The ancient Arabic poem from the roof
29:32It may seem disjointed and lacking a specific theme.
29:34But when you work in it
29:36You will find that there is a certain feeling
29:38Controlling all its parts
29:39Even if it's from outside
29:40They seem unrelated
29:41For example, let's take one of the most famous poems.
29:43Praise of the Prophet
29:44The poem by Ka'b ibn Zuhayl
29:45The one who was a master before Islam
29:47The Prophet's need
29:48Therefore, the Prophet shed his blood
29:49What happened after the conquest of Mecca
29:50Ka'b found himself having lost everything.
29:52He owned it in this world
29:53No one is taking him in.
29:54Or he protects him
29:55His money is worthless now
29:56His social life is gone
29:57He remained a fugitive
29:58He's trying to save his life.
29:59To the point that the only louse
30:01It remains for the Prophet to protect him and stand by him.
30:03So he went and asked him for this
30:04The important thing, my dear, is if we look at Ka'b ibn Zuhayl's poem
30:06We will find that he begins his poem with love poetry.
30:08He's flirting with a girl named Suad
30:10Beautiful and ours
30:11Just like his old life
30:12But she remained steadfast and left him.
30:14And I was overwhelmed by it
30:15And I was overwhelmed by it
30:16Then he gives a classic piece
30:17Then he describes the camel
30:19It tells of her difficult journey in the heat
30:21Her journey in the desert
30:22And the sun revealed the earth
30:23And there's nowhere left to stand.
30:25He wore his new life for the time
30:26The one who is unable to protect himself in anything
30:28After that
30:29When he begins praising the Prophet
30:30First attribute
30:31He mentions her among the virtues of the Prophet
30:32It is forgiveness
30:33Then you find him saying
30:34Be in his environment, for the Messenger of God promised me
30:36Forgiveness from the Messenger of God is hoped for.
30:38Even in the very first verse of the entire poem, he praises the Prophet.
30:40You'll find that the first part contains thinking.
30:42That the Prophet promised him
30:43Any threat of punishment
30:45Here, my dear, you are no longer able to say
30:46This house has a unique purpose
30:48His purpose is not to seek forgiveness
30:49The people who tell you this is my dear
30:50You will find it contains a spoonful of Qais
30:52Feelings of the king of Bigri and Wars Tardad of his kingdom
30:55And how is it that the nature of the world is change?
30:57and different circumstances
30:58You will find that the Mu'allaqa of Zuhair ibn Abi Salama
31:00In all its parts, it is a call for peace and a rejection of war.
31:03What I'm trying to tell you, my dear
31:04Every pendant has a key
31:06Now let me tell you what the key is
31:08The Mu'allaqa of Antarah ibn Shaddad
31:10Antarah's poem can be viewed as an interrogation of virtue.
31:13You have a very proud knight
31:15But he feels bitter
31:16He feels a lack of the appreciation he deserves.
31:18He speaks to his people about his virtue
31:20It's as if, my dear, he's trying to put words in their mouths.
31:22The words he sees as his right
31:23You will find this meaning throughout the entire poem.
31:25Even when I talk about a horse, my dear
31:26So you find my dear saying
31:27I'm still throwing stones at them, their throats slits open.
31:30And his gum until it became saturated with blood
31:32I enter and fight on my horse, the atmosphere of the battle
31:34Until the horse's chest was completely wounded
31:36And filled with blood
31:37Fazur from the impact of the canal with his breast
31:40He complained to me with a sob and a cough
31:42My dear horse, you can no longer bear the wounds of the spears.
31:45Fahimel Ali and it is
31:47And since it's an animal, it can't complain to its tongue.
31:49Fahadubak will complain with a sob and a cough
31:52He will complain with tears streaming from his eyes.
31:54And a sad neighing came from his mouth
31:56He completes on one side
31:57If Yadri had known, he would have complained.
31:59If the dumb, helpless horse
32:01He could talk, he tried to talk to me like a normal person and complained
32:04And if the speaker knew the language
32:06If he knew how to speak, he would have written about himself and spoken.
32:09This beautiful image is of a wounded, speechless, heroic horse.
32:13The horse is standing on its side while people celebrate and collect the spoils.
32:16Those who carried them in the war, but they left him to hide with his wounds
32:19If you think about it, my dear, you'll find that it's a distortion of his own arrogance.
32:22Perhaps the Arabs who appreciate horses and identify with their beauty
32:25They can understand this image
32:27They appreciate the horse's courage and sacrifice.
32:29Here they understand the courage of the person who saw him and his sacrifice
32:31Now, my dear friend, compare this horse to the horse of Imru' al-Qais.
32:35The one I would describe in the famous house
32:37Makram Mafram Muqbali Madram Ma'a Kajlamudi Sakhr Hatah Al-Saylon Ali
32:41Here, my dear, you will find that Imru' al-Qais's horse creates a different poetic effect.
32:45A strong horse fights, advances, retreats
32:48But it's a huge rock that's thrown off a mountain.
32:51It's true, it's powerful and destructive, and if it hits someone, it will destroy them.
32:55But she is a captive, a captive of the Min, O Abu Hamad
32:57Captive to gravity and the circumstances that forced her
33:00This, my dear, is the poetic state found in Imru' al-Qais's poem.
33:03The case of the misguided king who is indeed powerful but is under the dominion of fate
33:07He is also the person most like Fursa.
33:09My dear, you'll find this interrogation technique in every Antarah poem.
33:12Which makes the one who has immunity or his tribe or Tifler
33:16He says things he wants to say, things he feels, or things he wants people to say about him.
33:20You will find it in all of Antarah's Mu'allaqat, from its very first wondrous opening.
33:23My dear friend, you and I both know that poetry begins its ode with lamenting ruins.
33:27Good morning, ruins! I am a pre-Islamic poet, and I have two friends with me.
33:29What's happening here, my dear, is that Antara started by asking me a question.
33:32So the ruins told you, "What is this? What is this? What is this? What is this? What is this?"
33:36Is there anyone who enters ruins without crying?
33:38God, Antara begins his poem with a strange question.
33:40Have the poets left any trace of their ruins?
33:42Does that mean that poets left nothing untouched?
33:44It's as if he's saying, even though people before us have said almost everything.
33:46So I will also recite my poetry as if it is trying to alert the listener that it is about to say something difficult.
33:50Therefore, the listener becomes aware that there is a poet, a poet who exists, just like those who came before him.
33:55A poet who has a place among them
33:57And then when Antara reaches the point of weeping over the ruins
34:00Here, the interrogation technique we discussed earlier becomes apparent again.
34:03He says, "You are tired, O drawing of the house, for it has not spoken."
34:06He described the ruins as a silent witness, unable to speak.
34:10Until he speaks like a deaf-mute
34:12These silent ruins, one day they spoke a language we couldn't understand.
34:17The deaf and mute person who doesn't speak our language
34:19That means if there's a possibility he'll speak in the future, he won't understand us.
34:23And if there's a possibility that one of us might be deaf and mute, someone who isn't from here and can't hear
34:26Also, Antara directly interrogates the house of Abla.
34:29He says, "O house of 'Abla in Al-Jawa, speak, and my eyes are on the morning, O house of 'Abla, and my peace."
34:35The house speaks to me, my dear, as if it were a human being greeting me and wishing me peace.
34:39Of course, this isn't for the sake of the walls.
34:41But my dear, if only Hentri knew how to speak for himself in any case
34:44His most beautiful image will be when he speaks of his situation in the war.
34:48How? I'll tell you.
34:49Let me tell you, my dear, about the most beautiful verses of this poem.
34:52I kept my uncle's will during the war.
34:57EL but not m geschrieben
35:03The mouth, my dear, is the teeth.
35:08The meaning is that it shrank as if it had been begged upon.
35:10Like a monster ready for war
35:12Andara continues in the war helicopter that does not complain, Sollinki
35:16I, Antara, am telling you that you won't find me on the battlefront.
35:17You'll find me in the war helicopter
35:19War zone
35:19The place where death hovers
35:21Here you find Antara in the thick of war, whose depths she does not complain about.
35:25The heroes don't mumble.
35:27A place that can't tolerate the presence of a normal human being without them screaming
35:31But heroes like Antarah stand firm and nothing bothers them.
35:34When they shield themselves with spears, I did not fear.
35:37I didn't lie about it, but my presenter was annoyed.
35:40All the heroes and knights seek refuge in me and protect themselves with the bodies of spears.
35:44I'm not a coward, nor am I afraid.
35:46I am here to protect them
35:46On the contrary, I am more advanced towards my enemies.
35:48But I am annoyed by the presenter
35:50That's all that bothers me
35:51The only thing that bothers me in all this war
35:54All these spears, all this terror, and the fear of death
35:57This is the road ahead of me.
35:58Here, my dear Antarah, the image takes us visually.
36:01We see death coming for him in it
36:03He said, "When I saw the people approaching, their gathering was conspiring."
36:07I decided not to be a criminal
36:08When I saw the enemy coming towards me at the terrible university
36:11I found them plotting
36:12Our tears, my dear, are because they are encouraging themselves.
36:14They say to themselves slogans that strengthen their resolve in times of war
36:17Because in the end they are also afraid
36:18They are ultimately heading towards death.
36:20But Antara Bird says
36:21I decided not to be a criminal
36:23Meaning, you are a group and I am one individual.
36:25However, I am entering upon you with my courage
36:28Without any fanfare, I'll just shout.
36:30And strengthen my resolve with any words
36:31Here, my dear, we find that despite Antara's bravery
36:34The tribe of Abs was terrified and worried about the death that was coming for them.
36:37Antara says, on their behalf
36:38They call Antarah and the spears as if they
36:40ropes of a well in the frankincense of Adhami
36:43The word "ashtan" (plural of "shatan") is "ashtan" (plural of "shatan").
36:45This is the long rope you extend into the well to get water.
36:47Antara, here, my dear, is a beautiful visual image in our hands.
36:50All the spears are coming from the enemy camp.
36:52Ali and the Banu Abs
36:53thrown sharply and for a long time
36:55Like long well ropes
36:57But he says
36:58ropes of a well in the frankincense of Adhami
37:00This, my dear, is the horse of Antarah.
37:02Because Antara is in the lead
37:03And he outpaced his people with their blindness
37:05The Adhami horse's chest, or the horse's breast, is like a well.
37:08And the spears inside it were like ropes
37:10His horse is bleeding from enemy spears
37:12Why? Because Antarah was the first one to enter their territory.
37:16Here, my dear, after this epic, we arrive at the great house.
37:20He says
37:20He has healed my soul and cured its illness.
37:23The inheritance of the heirs
37:24Hey Antar, come forward!
37:26What I saw myself
37:27It's not like just anyone who doesn't deserve it has to come and thank me.
37:29But the masters and heirs of the Bani Abs tribe
37:32They are the ones who call on me for help in these circumstances.
37:34This, my dear, is the scope
37:35They left them in this epic
37:38They speak to those who wished to hear them
37:39Hey Antar, come forward!
37:41Come, Antar, save us!
37:42To understand, my dear, that in the novel
37:43It will be said that this word
37:45Hey Antar, come forward!
37:46The one his father said
37:47The origin of his hatred
37:48And the most important person who denied him and wronged him
37:50That's how it is, my dear.
37:51Antar is a destiny that speaks to all the circumstances of wartime.
37:54The hardest time
37:55There's nothing left, my dear
37:56This situation is important to you, to her, and to the whole world.
38:00This is the state of love
38:01What makes her weakness
38:03She is the one who speaks what he wants to hear.
38:06After all the wars that were fought over the proposal, my dear
38:09And the cruelty of the world towards him
38:10We will find that they spun yarn in Abla.
38:12He was very unique in his lungs and tormented him
38:14You will find that he arrives at a meaning that is perhaps unprecedented in this era.
38:16But my dear, the epic I described to you
38:18And his role in the war and all that
38:20about the tip of his hair
38:21He will remember his beloved in the heart of the epic
38:23At the time of the death wave
38:24He says the famous verse
38:26And I remembered you while the spears were aimed at me.
38:29I remembered you as the spears loomed over me
38:31And the Indian eggs are close to my blood.
38:34Swords are embedded in my body and my blood is flowing
38:37A very bloody scene, my dear.
38:39But in a moment
38:40Just one moment and he'll turn it into a romantic scene
38:43And he says to me, my dear, gently, listening to this sweetness
38:45audio
38:46I longed to kiss the swords because they shone.
38:49But it shone like the lightning of your smiling lips
38:52The swords that fight
38:53And it is tearing at my body and the bodies of those I meet.
38:56And I see death in it
38:57When it shone
38:59If this war reminds you of your intentions
39:01To the point that he hears D
39:03If I had my way, I would kiss the swords that kill me.
39:05Here, my dear, the flirting itself is not without the theme of interrogation.
39:08You'll find him saying in the poetry of Al-Abla
39:10She asks about his heroics
39:11Hello, hello, the horses have come, O daughter of Malik
39:14Here, if you are ignorant of what you do not know
39:16Those who witnessed my battle will tell you that I fear war and abstain from spoils.
39:21In the poetry of Antra Azizi
39:22If you met a horse, or even someone who was in a war with it
39:25Each one will jump up and tell her about his heroic deeds.
39:28How do you know this man?
39:29This is awful
39:30Until the poem itself makes her the one who plays this role.
39:34He tells her to praise him for what she knows
39:36I will forgive your association with me if I do not wrong you.
39:39He tells her to talk about him based on what she knows about him and his true nature.
39:42My dear, it was about someone saying goodbye to the truth about me that no one believes.
39:46Everyone denies it
39:47Whose is it?
39:48At his only hump
39:49The only person who knows really well
39:51His generosity and nobility, and the fact that he is dear to me, is usually and naturally a fragile person.
39:56And the need that strengthened him, hardened him, and made him the way we know him today
40:02It is the injustice and oppression that befell him
40:04God, what a side
40:05God
40:06How progressive you are
40:08Masculinity is showing off her hashish
40:10The truth, my dear
40:11The poem was the only place or location
40:13Which is possible for one party to express their feelings in this way.
40:16Because Arab culture greatly respected the idea of the tenth
40:19The one who is affectionate towards me, his beloved, and I even heard that it was acceptable for a man to humble himself in seeking love.
40:25We saw this, if you recall, in Qais's passage when he said
40:28You were deceived by me, for your love is killing me, and whatever you command, my heart will do.
40:33The caliphs also used to ask Umar ibn Abi Rabi'ah to praise them.
40:36Al-Azizi would respond to them, saying, "I only praise women."
40:39I do not seek power, but I seek lust.
40:42Wonderful, wonderful
40:43In the case of my dear Abla, she was not a beloved one.
40:46Abla, my dear, in her stories of Amtra, it's as if she's a reward for the whole world.
40:49Obtaining or winning it is like finally gaining recognition from the world.
40:54The world acknowledges that Amtra is a perfect human being.
40:57And the question, my dear, that we all ask, that we all want to know the answer to after hearing this beautiful poem.
41:03Will the story end with Amtra marrying Abla, or does fate have other plans?
41:08Will Amtarah ultimately succeed in marrying Abla?
41:12Legend, my dear, says that Abu Abla Malik demanded a historic dowry from Antara if he wanted to marry Abla.
41:18A thousand camels from the camels of Al-Asfir
41:20This, my dear, is a type of camel that only the king of Hira owned.
41:24Al-Nu'man ibn al-Mundhir
41:25And indeed, Antara is trying to go and capture these kisses.
41:27But he falls into the hands of the king's guards and is imprisoned.
41:30After that, either Nu'man was impressed by his bravery and actually gave him a kiss so that he would return to his family
41:35It is true that this story is more of an Arab legend than a historical one, because, like many ancient stories, it was not recorded at the time the events took place.
41:41You'll find history intertwined with literature, and both intertwined with myth.
41:45The myth is developed and enhanced by the imagination of the people.
41:48So that the story, over time, crystallizes and takes a specific form.
41:51Therefore, my dear, we can consider the ending to be the image that people decided to imagine in order to conclude this man's life in their minds.
41:58The person who is willing to give everything and go to the ends of the earth to obtain one of his rights
42:04He is my dear Qadi, and historians have differed on the issue of Antarah's marriage to Abla.
42:09Some, like Abu Hilal al-Askari and Imam al-Suyuti, reported the news of their marriage, while others said the opposite.
42:14And there are those who didn't say anything at all.
42:15But what's important here is the popular imagination; what did it choose from the things it heard to create the hero archetype it needed to see?
42:21He rewards him with an epic ending because he believes he deserves it; Antara deserves a sweet ending, so popular imagination begins to search for news that matches the image it desires.
42:30And if he doesn't find it, he creates it, he makes it, and this is what is described in one of the scenarios that Antarah's baskets tell about from Al-Shaddad.
42:36One of these scenarios says that Antarah, after he grew old and reached the age of 80, despite his age, was still fighting with the Bani Abs, so Zir bin Jabir al-Nabhani shot him in the plain.
42:45He said to him, "Take it from me, O brave Arab, and I am the son of Salma Antarah, my dear, who endured the pain of the wound and the bleeding until he reached his family and made a strange request of them."
42:55Put me on my horse and let them leave. Where are you, Antarah, my dear? Even in his dying moments, he leaned proudly on his spear so that when the enemies came again and saw him, they might slow their movements or be afraid. Perhaps, just perhaps, he would win over his people by the time they had escaped safely.
43:10So, my dear Antarah, on his horse, mounted on his spear, looking at his enemies, and his enemies were looking at him, afraid he would attack.
43:16Until the people of Antarah were crossing and reached safety, and I, my dear Antarah, fell from the horse dead.
43:22It's as if even in his final moments, he leaves behind a memory that compels people to speak of their grievances and to speak of his intense love for his family, who loved him but whom he didn't love in return.
43:31They said, my dear, those who were questioned, but they didn't speak until, my dear, the moment of death of Antarah, this, my dear, is an epic end for a hero, a legend in the imagination of the Arab people.
43:40And this, by the way, coincides with one of Antarah's most beautiful poems, in which he says: "And if the coward forbids you on a hateful day, out of fear for you from the crowding of the Jafri."
43:49If a coward comes to you and warns you against entering a war, claiming he's afraid for you because of the crowds, the strength of the armies, and the risk of death, then disobey his words and pay no heed to them. Go against what he says and don't take refuge in him.
43:59And if the first encounter is truly fitting, face your destiny with courage and choose for yourself a home that will elevate you, or a dignified death under the shadow of the Castilian.
44:08If you fight bravely, you will either live and reach a high position and rise in status, or you will die honorably amidst the dust of battle. It may seem to you, my dear, that this is a short life, but the saying goes, "Do not give me the water of life with humiliation, do not give me water to live a life of degradation, but rather give me the cup of bitterness with honor." Meaning, if what you are giving me to drink is honor, then I will take it even if it is bitter as colocynth. The water of life with humiliation is like hell, and hell is like hell itself, while with honor it is the best abode.
44:36God, if I were given the elixir of life or the water of life that gives me life but makes me live in humiliation, it would be as if I lived in hell. Yet, if I were sitting in hell because of my courage and pride, it would be as good a home for me.
44:48My dear friend, you lived a life full of danger, saw death a thousand times, and carried wars on your shoulders. You encountered those, as we've heard in poems, who sought refuge in you when spears were thrust and death threatened. My dear friend, you could have lived a more peaceful life, one where you saw no battles and would only face death once at the end of your life. But that life would be described in one word: slave.
45:07That's it, my friend. In the end, if you're healthy, look back at your past life. If you have energy, look ahead to your future life. If your back is okay, go check out the resources. And if you're still alive, subscribe to the channel; there are some new posts.
45:17Let me tell you, my dear, a slightly strange cinematic fact: all three films you made about Antarah starred the actress Kouka as Ablaha. Even in the fourth film, titled "Bint Antarah" (Antarah's Daughter), she played Antarah's sister. She, my dear, was very dedicated to Bedouin roles.
45:30Look, my dear, at the film's graphics. She's the Sultana of the Desert, the dark-skinned beauty of Sinai, the black mare. Even when she started working in a religious field, she did "Sayyid al-Badawi" because he was a Bedouin, nothing more. Anyway, my dear, may God have mercy on her and on us all.