- il y a 6 heures
Death In Paradise Season15 Episode6
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TVTranscription
00:00Sous-titrage Société Radio-Canada
00:30...placed by hostility.
00:32You're useless at this! That's enough!
00:34Sorry, darling.
00:35All trust has gone.
00:36For sake!
00:36Sorry! Sorry!
00:38It's okay. It's okay.
00:39Compounded by the fact that they seem unable to communicate in a meaningful and a reciprocal way.
00:45I feel unheard when I talk to you about how I'm feeling.
00:52Well, often when you do want to talk, I've got work on my mind and...
00:58...that's important, too.
01:02So it's just a case of bad timing, that's all.
01:05Their marriage doesn't make sense to them anymore.
01:08Over the course of the coming weeks, I'd like to see if we can retrace the steps that led to this situation.
01:14See if we can work out how they got here.
01:16Next, we have Luke and Stacey Warbur.
01:21I believe the fault lines don't run as deep with them.
01:24I'm grateful for how patient you are.
01:27And that you're here with me now, doing this.
01:30Because I know I'm not giving you what you need.
01:35That's so sweet, babe.
01:37On the surface, they have a loving marriage.
01:41But now can we try taking each other's hands, please?
01:45And maintaining that same eye contact.
01:48By their own admission, there are significant intimacy issues.
01:52Why can't you do this?
01:53Uh, I'm sorry.
01:58I'm sorry, sorry.
01:59Could we take five?
01:59It's okay.
02:00Of course.
02:01It's okay, Luke.
02:04Take your time.
02:06I mean, it's okay.
02:08It's all part of the process.
02:10It's Friday, it's the beginning of the weekend now.
02:13But Monday will be a big day.
02:15I have exciting plans.
02:16I think that there could be a real breakthrough.
02:22Hello.
02:23Darling.
02:26Wine's good.
02:28This looks nice, doesn't it?
02:30Yeah.
02:30Hi, everyone.
02:32Hi.
02:32I just wanted to say thank you very much for all your hard work and your commitment this week.
02:38You should be very proud of yourselves.
02:41There's more for us to do next week.
02:44But for now, enjoy your evening.
02:46Thank you.
02:47Thank you.
02:48Thank you.
02:49Right, bon appetit.
02:51Cheers, everyone.
02:52Cheers.
02:55Cheers.
02:56Cheers.
02:56I just feel like every single thing I say is wrong.
03:22Every word, every utterance.
03:26She pounces on it like a wild animal.
03:28Yeah.
03:29She certainly has a way with her words, your missus.
03:33I thought you'd never ask.
03:36It's only duty-free.
03:40It's Kira's stuff.
03:42Can't still be swimming, can she?
03:44It's Kira's stuff.
03:44It's Kira's stuff.
03:45It's Kira's stuff.
03:45It's Kira's stuff.
03:45It's Kira's stuff.
03:46It's Kira's stuff.
03:46It's Kira's stuff.
03:47It's Kira's stuff.
03:47It's Kira's stuff.
03:47It's Kira's stuff.
03:48It's Kira's stuff.
03:48It's Kira's stuff.
03:49It's Kira's stuff.
03:49It's Kira's stuff.
03:50It's Kira's stuff.
03:50It's Kira's stuff.
03:51It's Kira's stuff.
03:51It's Kira's stuff.
03:52It's Kira's stuff.
03:53It's Kira's stuff.
03:53It's Kira's stuff.
03:54It's Kira's stuff.
03:55It's Kira's stuff.
03:55It's Kira's stuff.
36:43So, je me suis dit qu'elle s'est dit qu'elle s'est resté dans le compénieur, je m'ai appelé à vous.
36:50Je ne peux pas avoir beaucoup d'elle.
36:53Mais, elle ne veut pas que je m'appelle son mari.
36:57Ah.
36:58Alors, c'est assez surprise.
37:01Ah, s'il vous plaît...
37:04Peut-être que je dois prendre celui-ci.
37:13Sous-titrage Société Radio-Canada
37:19Everyone knows, don't they?
37:21Only us.
37:22May I?
37:29Can you tell me when you found out, Mrs Warbur?
37:35Thursday night.
37:37I went to get some air on the beach and Kira was there.
37:40She'd been drinking.
37:42She'd not seen it like that.
37:44She'd always been so composed.
37:46She could hardly stand up, so...
37:48I helped her back to her bungalow.
37:50She was sort of rambling.
37:52Talking about some guy who had betrayed her back in England before she moved here.
37:57I'd been cheating on her.
37:59I got her home and put her on the couch.
38:02And she looked me in the eyes and spoke to me.
38:05Like it really mattered.
38:07Don't be like me.
38:09Don't be, Stacey.
38:11There was just something in the way she'd said it.
38:14Then I knew she'd had a one-to-one session with Luke that day and maybe whatever he'd said had, like, triggered her.
38:21It reminded her of her own betrayal. That's why she was drunk.
38:24So when she was asleep, I saw her notebook.
38:29I felt sick.
38:34Couldn't even process it.
38:37Couldn't even breathe.
38:39So I just pretended I didn't know.
38:42Stacey, you've been through a lot in the last couple of days.
38:49If you were in denial, if Kira was pressing you to confront what you'd found out...
38:55No!
38:56No, I didn't.
38:57I admit there was all this pent-up stuff inside me, but I didn't kill Kira. I swear.
39:13All right.
39:14Well, thank you for talking with me, Mr. Shaw.
39:17What did the ex-boyfriend have to say for himself?
39:20The ex-fiancee?
39:22The affair he was having had been going on for three whole years behind Kira's back when she found out.
39:28Wow. That must have flawed her.
39:30I mean, her job is to provide relationship advice, and all the time she was blind to a three-year-long deception.
39:36Explains why she suddenly upped and left for another country.
39:39And why Luke's betrayal triggered her so much.
39:42And why she had one or three over the limit.
39:45But it still doesn't explain why she was murdered three nights ago.
39:50Inspector Diaz-Thomas, I think we got something.
39:58Patrick Campbell, therapist. Consultation fee, $150.
40:07He's based in Guadalupe. Specializes in hypnotherapy.
40:11Kira called him Friday afternoon, asking for advice.
40:15He offered to share their conversation as part of our investigation.
40:19On what?
40:21She said a client of hers, Margot Hartnell, had just opened up to her
40:25and was struggling with the memory of an event of her recent past.
40:28Because she had completely blocked it out.
40:30Which, apparently, is not uncommon for people dealing with traumatic experiences.
40:34And according to Mr. Campbell, it's a pretty unorthodox approach for Kira to resort to hypnotherapy so early on in the process.
40:41But she was convinced it was necessary.
40:44So this forgotten memory, do we know what it's to do with?
40:48The night their daughter was killed in a hit and run five years ago, Mrs. Hartnell does not remember a thing about it.
40:56But ever since, she's been growing this feeling of guilt, you know?
41:01Like, maybe she might have done something bad that night.
41:06Wait, you don't mean...
41:10All that was known was that it was a female driver.
41:14Well, Mrs. Hartnell wanted it all off the record.
41:17That's why there was nothing in her notes or recordings.
41:22Right, we need to talk to Mrs. Hartnell and that therapist.
41:25We need him here sharpish. Come on.
41:27Well, at first it was just guilt I felt.
41:32Our grief counsellor said it was normal as a parent to feel a sense of responsibility.
41:37Look, whatever I did five years ago, I want the truth to come out.
41:41If you think I killed Kira Mayhew because I wanted to stop that happening, you're wrong.
41:46She arranged for me to have hypnotherapy today.
41:49Well, that can still happen, Mrs. Hartnell.
41:52We've arranged for a hypnotherapist to speak with you, if you feel you're able.
41:58Inspector!
42:00If you wouldn't mind going with Sergeant Fletcher.
42:02Yeah.
42:08I guess all we can do now is wait.
42:16Ah, we're back to the bingo ball.
42:19Inspector!
42:20Sarge!
42:22Just got back from dusting off the bingo ball machine for prints.
42:25Unfortunately, nothing.
42:33What's up with the inspector?
42:35Am I alright?
42:39Inspector!
42:40Everything alright sir?
42:41You've got something?
42:44Sir, what are you doing?
42:49It's a little experiment.
42:50The bingo balls float.
42:51The bingo balls float.
43:07The bingo ball floats.
43:09Yeah.
43:10Okay, so, why take it out of the bingo ball cage thingy and bring it to the sea?
43:19To the water's edge?
43:21Was it just to see if it floats?
43:23Or, maybe it's to see where it goes?
43:26In which case...
43:27So, how did one of them manage to leave the dinner table, run down to the beach, somehow get themselves a hundred metres out to sea, drown Keira Mayhew?
43:40None of them left the table for more than two to three minutes at a time.
43:45And was that a regular thing, her going for a swim at that time?
43:50Like, most evenings.
43:52She said Keira seemed distracted.
43:54Of course!
43:55That's why you were there, you little beauty!
44:00Okay, I need to speak to a fisherman, or an oceanographer, ologist type of person.
44:13Basically anyone who knows the currents in this bay.
44:15DS Thomas, I need a toxicology report done on Keira Mayhew.
44:19Officer Rose, I need you to collect some evidence from her office.
44:21But, you know who did it?
44:24I do. And I know how they managed to drown Keira Mayhew a hundred metres out of sea, without even stepping a foot in the water!
44:32Come on!
44:37For those wondering why Margot Hartnell isn't here with us, it's because she's currently with a hypnotherapist.
44:43Doing what she was always supposed to be doing today.
44:46Trying to recover a buried memory of what really happened five years ago.
44:51The night her daughter died.
44:54Why am I telling you this?
44:56Because Margot's therapy sessions were meant to be conducted by Keira Mayhew.
45:02Until somebody tried to stop the truth from coming out.
45:05By murdering her.
45:07Mr Hartnell.
45:08Me? I did no such thing.
45:15Oh, but you did. I know you did.
45:18But how? I was at dinner when it happened. On dry bloody land.
45:21Yeah, you were. Which is why it was so clever of you.
45:24But now that I've got a better understanding of what's gone on, I believe you created a small window of opportunity in which to commit murder.
45:33But not a hundred metres out at sea. You drowned Keira Mayhew right outside your own bungalow.
45:39Because from the very start of this case, we've worked on the assumption that as Miss Mayhew's body was discovered 100 metres out at sea in a straight line from where she swam, that's where she was drowned.
45:53But what if actually, when Miss Mayhew went for her evening dip, she preferred to swim along the shore rather than out from it?
46:04That would mean she'd have to swim past your bungalow farther along the beach.
46:11And that would give you opportunity to commit murder.
46:14But when? I told you I was at dinner when it happened.
46:19Yeah, we have security camera footage that shows you leaving the dinner table to get your glasses at 18 minutes past seven.
46:28I was gone, what, a couple of minutes? Three minutes at the most.
46:32You're not seriously suggesting I was able to physically drown a fit and healthy woman in that time without getting soaked in water?
46:40Yeah. Sounds impossible, right?
46:42But I don't think Miss Mayhew was as fit and healthy as she might normally be.
46:46I believe you sedated her.
46:51We know that your wife uses sleeping pills.
46:55None of us been to bed.
46:56None of us took a sleeping pill.
46:58And we also know that you are the last person to have a one-to-one session with Miss Mayhew that day at 5pm.
47:05One-to-one sessions in the afternoon with Stacey Warbur, then Alistair Hartnell.
47:09And while there, we believe you spiked her drink when she wasn't looking.
47:20We didn't believe Kira was drugged because the finger marks on her neck suggested she was held down by force and drowned.
47:25We're awaiting the toxicology report and results from the glass Kira drank from.
47:31And I've no doubt we'll get confirmation that there were significant traces of sleeping pills in her system.
47:36And so, while Miss Mayhew was swimming, she suddenly felt drowsy and swam ashore.
47:45When you returned to your bungalow under the pretense of getting your glasses, you ran down to the beach where Miss Mayhew was lying unconscious on the sand.
47:55And then you did two things. First, you grabbed her neck and shoulders, making sure to leave bruises so it would look like someone had strangled her and forced her under the water.
48:10Before moving her into the sea for her to be carried away, making sure that she was face down so they're still unconscious, her lungs would fill with water.
48:20It took less than a minute. All you had to do now was hurry back to the dinner table and leave Kira to drown and let the sea do the rest of the work for you.
48:33We checked with a local oceanologist at the university and the current in this bay moves in a north westerly direction, which means it would have carried Miss Mayhew's body diagonally,
48:46taking her from your bungalow here to where her body was discovered here. And with her clothes being left on the beach here, we'd all assume she swam in a straight line.
49:00Now, you had no idea where the currents would take Kira's body. So, you had to test it first, didn't you?
49:07You went and found this. And you threw it into the sea to observe which route it took, which was conveniently in a north westerly direction, from your bungalow directly to where Kira began her nightly swim.
49:21Kira began her nightly swim. And that's when your plan finally came together. Kira's body was found still at sea, not long after she drowned. But this ball, left overnight, ended up washing up ashore. And that was your undoing.
49:36But, why would he do this to her? Because he didn't want Kira to help his wife remember. Well, remember what? What he did.
49:46I remember, Alistair. I remember all of it. All the horror of it. You rushing in and telling me someone had hurt her little girl.
50:08And I remember the ambulance. And the police. And the shock and the pain.
50:19And I remember you coming in. And holding me in tears shaking. Both of us heartbroken.
50:33And I remember in that moment. The smell of alcohol on your breath. And I remember coming back inside. And seeing you.
50:54I checked the original case file, Mr Hartnell. And the phone call to the police, in which the hit and run driver was described as female, came from an anonymous caller.
51:10That was you, wasn't it? Trying to direct suspicion away from yourself.
51:14I would have lost everything.
51:23Alistair Hartnell, I'm arresting you on suspicion of the murder of Kira Mayhew. You do not have to say anything, but it may harm your defence if you do not mention when questioned something you later rely on in court.
51:42I never want to see you ever again.
51:58Well, well, well, well. Good evening to you both. Good evening.
52:18Catherine, we spoke at Marianne Edwards' charity barbecue, I think.
52:23I don't remember.
52:25I certainly enjoyed our little chat.
52:30Commissioner, can I get you a rum?
52:32That won't be necessary. This won't take that long.
52:35I think I'll have one, Catherine, if you wouldn't mind.
52:39I appreciate you giving me an advance copy of the article. Here is my written statement in response.
52:46Saying...
52:47I agree with every single word you've written.
52:58Sorry?
52:59After receiving some sage advice from my good friend here, as I say in my statement, it hurt to think that the bond I had forged with this island had been broken.
53:12But the circumstances were of my own making. So I will be the one to fix it.
53:19And how will you do that?
53:21As of tomorrow, I will be commencing an initiative with my team and with a little help from the island's mayor.
53:28An initiative to strengthen our relationship with the community.
53:34So, if you'll excuse me, I have work to do. Good evening.
53:42Well, he just killed my article, didn't he? With one single shot.
53:51I think he maybe just has. Enjoy your evening.
54:04Sorry, mate. That's my hat.
54:32Yeah, that's my hat.
54:53Hey, so. Look, I just got home and I saw you brought all my stuff back.
54:59Oh, you know. Worked the old Solomon Clark magic.
55:04Yeah, well, I just wanted to say thank you.
55:06Did you have to give Myrtle her money back? I mean, you're not in debt still, are you?
55:10Ah, don't worry yourself.
55:12Anyway, man. Got to get the board back to Antigua.
55:16Got some business over there that needs attending to us.
55:18Of course you have.
55:19I mean, there's always something going on in Solomonland, right?
55:22You said it.
55:27Um, look.
55:31What about us now?
55:33I mean, what do we do next?
55:37I don't know, man.
55:39Like you said, I am troubled.
55:40The detective doesn't need that in his life.
55:43Look, so, I didn't mean...
55:45Maybe I shouldn't have...
55:47Said Dan...
55:48No disrespect to you, bro, but...
55:51Ain't much good to me having a police officer around.
55:55Got a reputation to keep.
55:56Yeah, yeah, no, I totally understand.
56:02Look, man.
56:04We tried this and...
56:06Maybe it just wasn't meant to be here, no?
56:09Look after yourself, brother.
56:11Yeah, you too.
56:13Look, Solomon, I...
56:26Hey, hey, hey, hey!
56:38Hey!
56:39Ooh!
56:40Maybe every morning...
56:43To do your longing, your loner.
56:46If what you doin' is rounder...
56:50I saw you passing by...
56:56C'est bon, Nava !
56:58C'est bon, c'est bon !
56:59C'est bon !
57:00Henri Ashby, qui m'a fait à Saint Marie 10 ans.
57:03Henri était déjà un peu plus en quelque chose de mur.
57:05La copie de la copie de la copie de ce livre
57:06était de l'enquête de son livre,
57:08donc, où est-ce que c'est ?
57:09J'ai besoin de vous réassurer que cette île
57:12toujours m'intéresse à moi.
57:15Pourquoi a detective not mother showing up ?
57:17Pourquoi was-t-il moped seen outside the victim's villa,
57:20up in the hills ?
57:21Did-you ever catch them, Inspector ?
57:23I sleep much better knowing you did.
57:24It wasn't me !
57:31And Death in Paradise returns on Monday 16th February.
57:36Silent Witness is back for a new series,
57:38Nicky and Jack relocated to Birmingham.
57:41Watch on BBC iPlayer.
57:44Or enter the world of high-stakes finance,
57:46cutthroat politics.
57:48Hit drama industry.
57:49Press red to watch now.
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