- 2 giorni fa
Zelig (1983) is a unique and imaginative comedy-drama that follows Leonard Zelig, a man who astonishingly adapts his personality to those around him, blending seamlessly into any social situation. The film explores identity, human behavior, and the quest to belong, all presented with humor, clever storytelling, and inventive cinematic techniques.
Featuring standout performances from Woody Allen and Mia Farrow, the film blends mockumentary-style visuals, period settings, and character-driven humor to create a creative and engaging experience. Its focus on adaptability, social observation, and human connection offers both thoughtful reflection and lighthearted entertainment.
Ideal for fans of inventive comedies, character-driven stories, and classic 1980s cinema, Zelig (1983) delivers a witty, engaging, and memorable film experience full of charm, humor, and clever insight into human nature.
Featuring standout performances from Woody Allen and Mia Farrow, the film blends mockumentary-style visuals, period settings, and character-driven humor to create a creative and engaging experience. Its focus on adaptability, social observation, and human connection offers both thoughtful reflection and lighthearted entertainment.
Ideal for fans of inventive comedies, character-driven stories, and classic 1980s cinema, Zelig (1983) delivers a witty, engaging, and memorable film experience full of charm, humor, and clever insight into human nature.
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00:00:00Grazie a tutti
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00:22:59in addition to the products and endorsements
00:23:03there are the endless exhibition
00:23:05in Hollywood
00:23:06he is a great favourite
00:23:07and is offered a film contract
00:23:09Clara Bow invites him for a private weekend
00:23:12and tells him to bring
00:23:13all his personalities
00:23:15in Chicago he meets
00:23:17heavyweight champion Jack Dempsey
00:23:19who clowns with Zelig at his training camp
00:23:22in Washington DC
00:23:24he is introduced to both Calvin Coolidge
00:23:26and Herbert Hoover
00:23:28in France he is hailed as Le Lézard
00:23:31he is the toast of the Parisian musicals
00:23:34his performance endears him as well
00:23:36to many leading French intellectuals
00:23:38who see in him a symbol for everything
00:23:41his transformation into a rabbi
00:23:45is so realistic
00:23:46that certain Frenchmen suggest
00:23:48he be sent to Devil's Island
00:23:49at the Fully Berger
00:23:55Josephine Baker does her version
00:23:57of the chameleon dance
00:23:58and later tells friends
00:24:00she finds Zelig amazing
00:24:01but a little lost
00:24:03everyone used to be at my place
00:24:06that is everyone
00:24:07what?
00:24:08someone
00:24:09and occasionally
00:24:12someone would bring
00:24:14Zelig in
00:24:16Leonard in
00:24:17Cole Porter was fascinated by
00:24:20Leonard
00:24:21and he once wrote a line in a song
00:24:25you're the tops
00:24:28you're Leonard Zelig
00:24:30but then he couldn't find anything
00:24:33to rhyme with Zelig
00:24:34I'm flying high
00:24:44because I've got a feeling I'm falling
00:24:47calling for nobody else
00:24:49but you
00:24:51you caught my eye
00:24:55now I've got a feeling of falling
00:24:58I'm falling for nobody else
00:25:11but you
00:25:12wow
00:25:13Zellig
00:25:43Zellig
00:26:13Zellig
00:26:15Zellig
00:26:23Zellig
00:26:37That summer, Geist has booked them in Spain.
00:26:43It is the last leg of a European tour that has been wildly successful.
00:26:48Relations between Martin Geist and Ruth Zellig have grown strained.
00:26:52They have become bored with one another and quarrel frequently.
00:26:58The situation grows worse when she meets Luis Martinez,
00:27:02a mediocre and cowardly bullfighter with whom she falls in love.
00:27:07Though he wishes to impress Ruth Zellig,
00:27:10Martinez displays his usual panic in the arena.
00:27:14Good fortune is with him, however, as the bull gives himself a brain concussion.
00:27:19Martinez takes credit for the kill and, cutting off the bull's ear,
00:27:23presents it to his lover with great bravado.
00:27:27That evening, in a jealous rage, Martin Geist returns to his hotel room
00:27:31and confronts Ruth Zellig.
00:27:33He demands that she give him the ear.
00:27:35She refuses.
00:27:37Geist insists upon possession of the ear.
00:27:40They quarrel furiously, and Martinez is discovered hiding in the closet.
00:27:45Geist pulls a revolver and shoots him.
00:27:47He turns the gun on Zellig's half-sister and kills her.
00:27:51Then he takes his own life.
00:27:53In an orgy of jealous violence, Leonard Zellig's life is turned upside down.
00:27:59At first, the news reverberates around the world.
00:28:19Then, just as quickly, the thrill-hungry public becomes apathetic.
00:28:23Fresh scandals appear and make headlines.
00:28:27Events in the jazz age move too rapidly, like Red Grange.
00:28:31A population, glutted with distractions, is quick to forget.
00:28:36The 20s come to a crashing climax,
00:28:38and still, Leonard Zellig is nowhere to be found.
00:28:47Dr. Eudora Fletcher searches in vain to locate him.
00:28:51When several leads prove disappointing, she gives up, discouraged.
00:28:56I felt it was a shame, because here was this unique case
00:29:00that I could make my reputation on.
00:29:02Not that I knew how to cure him,
00:29:05but if I could have him alone,
00:29:08and feel my way,
00:29:11and be innovative and creative,
00:29:14I felt that I could change his life if I only had the chance.
00:29:18300,000 of the faithful are waiting before St. Peter's
00:29:31for the appearance of Pope Pius XI.
00:29:34Born on the shoulders of 12 attendants,
00:29:36the seat of the Adjustatoria,
00:29:38carrying the Holy Father,
00:29:39is drawn out to the central balcony,
00:29:41where he bestows his blessing on Rome and all the world.
00:29:44This is the first time that this ritual
00:29:46has been performed in 63 years,
00:29:48and brings to a climax on Easter Sunday
00:29:50the religious ceremonies of Holy Week.
00:29:53Oh, but what's this?
00:29:54A commotion next to the Papal Father?
00:29:57Somebody doesn't belong up there.
00:29:59The guards are summoned amidst chaos,
00:30:01as his holiness Pope Pius XI
00:30:03tries to swap the intruder with a sacred decree.
00:30:06The faithful can't believe it.
00:30:08It is, of course, Zellig.
00:30:10He is returned to the United States by Italian authorities
00:30:13and readmitted to Manhattan Hospital.
00:30:18I welcome this opportunity to treat Leonard Zellig
00:30:22now that he's back as a ward of the hospital.
00:30:26I'm grateful that the board has given me this chance.
00:30:29I sincerely hope to return him to society,
00:30:33a useful, self-possessed citizen,
00:30:35no longer a curiosity with no life of his own.
00:30:38Dr. Fletcher has no time now to think of marriage.
00:30:42All her attention must be devoted to Leonard Zellig.
00:30:46Her plan is to bring him to her country home.
00:30:50She will set up a neutral environment,
00:30:52away from society.
00:30:54Here she will begin searching for some new way to treat him,
00:30:57in the hopes of penetrating his unique malady.
00:31:00Aware of the significance of her work,
00:31:04Eudora Fletcher arranges to keep a filmed record of the proceedings.
00:31:08For this, she contacts her first cousin,
00:31:11Paul DeGay, an inventor and part-time photographer.
00:31:15And she said,
00:31:18I want to make a record of this case
00:31:19for future generations and the world of science.
00:31:24And I want you to keep the camera very quiet.
00:31:26And I said,
00:31:28why don't you just take notes and write it up?
00:31:31And she said,
00:31:31Paul, when a man changes his physical appearance,
00:31:34you want to see it.
00:31:36You can't read about it.
00:31:38Besides which,
00:31:39I am planning to make history.
00:31:41The white room is carefully arranged for maximum serenity.
00:31:47It is a small study in Dr. Fletcher's house,
00:31:51sparsely furnished.
00:31:53Clumsy photographic lights are nailed to the wall
00:31:56to provide sufficient illumination.
00:32:00Microphones are hidden in specially selected places.
00:32:04The camera shoots through a pane of glass,
00:32:06which renders it relatively unobtrusive.
00:32:08Only the noise of the motor is a problem,
00:32:12but this is muffled with a blanket
00:32:13and anything else handy.
00:32:16From this cramped vantage point,
00:32:18photographer Paul DeGay
00:32:19will record the famous white room sessions,
00:32:23a remarkable document
00:32:24in the history of psychotherapy.
00:32:26By today's standards,
00:32:28the white room sessions would seem very primitive.
00:32:33And yes,
00:32:34they were really quite effective
00:32:35in developing a very strong personal relation
00:32:39between doctor and patient.
00:32:42The question whether Zalick was psychotic
00:32:45or merely extremely neurotic
00:32:48was a question that was endlessly discussed
00:32:51among us doctors.
00:32:52Now, I myself felt that his feelings
00:32:58were really not all that different
00:33:00from the normal, maybe,
00:33:02what one would call the well-adjusted normal person,
00:33:06only carried to an extreme degree,
00:33:08to an extreme extent.
00:33:11I myself felt that one could really think of him
00:33:14as an ultimate conformist.
00:33:15Leonard, do you know why you're here?
00:33:26To discuss psychotherapy, right?
00:33:28You're a doctor?
00:33:31Yes, I am.
00:33:32I am.
00:33:32Perhaps you read my latest paper
00:33:34on delusional paranoia.
00:33:37Turns out the entire thing is mental.
00:33:40No, suppose I tell you you're not a doctor.
00:33:42Well, I don't say that you're making a joke.
00:33:51Until is it always so bright in here?
00:33:53Oh, I'm recording these sessions on film,
00:33:55if you don't mind.
00:33:57No, there's somebody behind there, right?
00:33:58That's right.
00:33:59That's a camera.
00:34:00Mm-hmm.
00:34:01Leonard, Leonard,
00:34:03why don't we start with simple reality?
00:34:06Leonard, you're not a doctor.
00:34:08No?
00:34:09No.
00:34:10You're a patient, and I'm the doctor.
00:34:13Well, I wouldn't tell it to too many people
00:34:16if I were you.
00:34:18Leonard, you're not a doctor.
00:34:23Is she going to be all right?
00:34:24Because, you know, I've got to get back to town.
00:34:27Really, I have an interesting case
00:34:28treating two sets of Siamese twins
00:34:31with split personalities,
00:34:32getting paid by eight people.
00:34:34The first week's sessions did not go too well,
00:34:39writes Dr. Fletcher in her diary.
00:34:42Leonard identifies with me
00:34:43and is convinced that he is a doctor.
00:34:46He is guarded and suspicious.
00:34:48There is something very appealing about him, too.
00:34:51He is quick-witted and energetic.
00:34:53Perhaps it is his very helplessness that moves me.
00:34:57I must keep flexible
00:34:58and play the situation by ear.
00:35:00How are you today, Leonard?
00:35:07Fine.
00:35:07I, uh...
00:35:10I've got to get back to town soon.
00:35:12You know, I teach a course
00:35:13at the Psychiatric Institute
00:35:14and masturbation.
00:35:17I see.
00:35:17Doctor, you know.
00:35:18I see.
00:35:19Guilt-related masturbation.
00:35:22No, no, no, not guilt-related.
00:35:24I teach advanced.
00:35:27Quite a respected doctor there, you know.
00:35:28Leonard, I'd like you to see your eyes follow this pen
00:35:31and just let yourself breathe deeply.
00:35:33Why?
00:35:34What?
00:35:34Relax.
00:35:36No, you're trying to hypnotize me, obviously.
00:35:39Do you mind?
00:35:39Yes, of course I mind.
00:35:40I'm a doctor.
00:35:41I'm...
00:35:42Leonard, you're not a doctor.
00:35:43I am a doctor.
00:35:43Just relax.
00:35:44No, I can't.
00:35:45I'm due back in town.
00:35:47I have this masturbation class, you know.
00:35:51If I'm not there, they start without me.
00:35:52As the weeks go by,
00:35:56Dr. Fletcher grows more and more frustrated.
00:35:59Leonard continues to insist he is a doctor
00:36:02and even refuses to let me hypnotize him, she writes.
00:36:06I believe his experiences of the past year
00:36:08have made him more defensive than ever.
00:36:11It is discouraging.
00:36:13She was under great pressure.
00:36:15You could tell.
00:36:16She was moody and nervous.
00:36:17He was fine.
00:36:20Napping.
00:36:21Sitting in his chair, reading.
00:36:22He used to refer to himself as Dr. Selig.
00:36:25He was reading books on psychiatry.
00:36:28I told her, you'd better get away for a day and relax.
00:36:31The strain is becoming too much for you.
00:36:34Leaving Selig alone,
00:36:36Dr. Fletcher takes Paul DeGay's advice
00:36:38and she and her fiancé spend some hours off relaxing.
00:36:42They go to Broadway.
00:36:44Then to a well-known nightclub where,
00:36:46despite a lively stage show,
00:36:49Dr. Fletcher is distracted and uneasy.
00:36:52She is unable to think of anything but her patient.
00:36:55The atmosphere with her fiancé, Coslow,
00:36:57is awkward and strained.
00:36:59He is put off by her total obsession with Selig.
00:37:03Ironically, it is in the noisy
00:37:05and smoke-filled atmosphere of the nightclub
00:37:07that Eudora Fletcher is struck
00:37:09by a brilliant and innovative plan
00:37:12that will create a major breakthrough in the case.
00:37:14In the meantime, in between time,
00:37:17ain't we got fun?
00:37:18Dr. Zellig.
00:37:25Yes?
00:37:26I wonder if you could help me with the problem.
00:37:30Well, I'd certainly try.
00:37:33Of course, we can't promise anything.
00:37:35You see, last week, I was with a group of fairly erudite people
00:37:40who were discussing the novel Moby Dick,
00:37:42and I was afraid to admit that I hadn't read it,
00:37:45so I lied.
00:37:49Uh-huh.
00:37:50You see, I want so badly to be liked,
00:37:55to be like other people,
00:37:56so that I don't stand out.
00:38:02That's natural.
00:38:04Well, I go to such extreme lengths to blend in.
00:38:07You're a doctor.
00:38:13You know, you should know how to handle that.
00:38:16Well, the truth of the matter is,
00:38:20I'm not an actual doctor.
00:38:25You're not?
00:38:27No, doctor.
00:38:28No, I've been pretending to be a doctor,
00:38:32to fit in with my friends.
00:38:35You see, they're doctors.
00:38:42That's something.
00:38:45But you're a doctor,
00:38:47and you can help me.
00:38:48You have to help me.
00:38:51I don't feel that well, actually.
00:38:53My whole life's just been a lie.
00:38:58I've been posing as one thing after another.
00:39:03You need help, lady.
00:39:05Last night.
00:39:06Last night, I dreamt that I was falling into fire.
00:39:10What does that mean?
00:39:11It's terrible.
00:39:12I don't know.
00:39:14Please, doctor.
00:39:15I know I'm a very complicated patient.
00:39:17Jesus, I don't feel that well.
00:39:19What am I suffering from?
00:39:20Who should I know?
00:39:21I'm not a doctor.
00:39:23You're not?
00:39:23No, am I?
00:39:25Who are you?
00:39:26What do you mean, who am I?
00:39:27I don't know.
00:39:29Leonard Zellig?
00:39:30Yes, definitely.
00:39:32Who is he?
00:39:33You.
00:39:34No, I'm nobody.
00:39:35I'm nothing.
00:39:37Catch me.
00:39:38I'm falling.
00:39:40Playing on Zellig's identity disorder,
00:39:43Dr. Fletcher has manipulated him
00:39:45into momentary disorientation.
00:39:47With his guard lowered,
00:39:48she quickly puts him under hypnosis.
00:39:50Using post-hypnotic suggestion,
00:39:52she will now be able
00:39:53to induce a trance at will.
00:39:56My brother beat me.
00:39:59My sister beat my brother.
00:40:03My father beat my sister
00:40:06and my brother and me.
00:40:08My mother beat my father and my sister and me and my brother.
00:40:16The neighbors beat our family.
00:40:20People down the block beat the neighbors and our family.
00:40:25I'm 12 years old.
00:40:29I run into a synagogue.
00:40:32I ask the rabbi the meaning of life.
00:40:37He tells me the meaning of life.
00:40:40But he tells it to me in Hebrew.
00:40:42I don't understand Hebrew.
00:40:45Then he wants to charge me $600 for Hebrew lessons.
00:40:53Dr. Fletcher's therapy consists of a two-pronged attack.
00:40:57In the trance state,
00:40:59the personality will be deeply probed
00:41:01and then restructured.
00:41:03In the conscious state,
00:41:04she will provide love and affection,
00:41:07unconditional positive regard.
00:41:09You will be completely honest.
00:41:36You're in a deep trance.
00:41:38You will become
00:41:39not who you think I want you to be,
00:41:42but you'll be yourself.
00:41:44Now, how do you feel about it here?
00:41:50It's the worst.
00:41:52I hate the country.
00:41:55I hate the grass and the mosquitoes.
00:41:59When I'm cooking,
00:42:01your cooking is terrible.
00:42:04Your pancakes,
00:42:05I dump them in the garbage
00:42:08when you're not looking.
00:42:10Uh-huh.
00:42:10And the jokes you try and tell
00:42:12when you think you're amusing,
00:42:15the long and pointless,
00:42:18there's no end to it.
00:42:20I see.
00:42:22And what else?
00:42:27I want to go to bed with you.
00:42:32Well, that surprises me.
00:42:35I didn't think you liked me very much.
00:42:38I love you.
00:42:39because you're not as clever
00:42:49as you think you are.
00:42:51You're all mixed up
00:42:52and nervous.
00:42:55And you're the worst cook
00:42:57for those pancakes.
00:42:59I love you.
00:43:03I want to take care of you.
00:43:06I want all my pancakes.
00:43:07I started out
00:43:18by trying to use Leonard
00:43:21to make my reputation.
00:43:22And then I found
00:43:23that I had very strong feelings for him.
00:43:26I never thought I was attractive.
00:43:28I never had a real romance.
00:43:31Charles Koslow
00:43:31was the type of man
00:43:32my mother felt I should marry.
00:43:34Feeling more confident
00:43:42every day with her patient,
00:43:43Dr. Fletcher takes him
00:43:44for a cautious outing,
00:43:46an afternoon
00:43:47at her sister's house
00:43:48in nearby Teaneck.
00:43:50Meryl Fletcher
00:43:51is an aviatrix,
00:43:52a fine, professional pilot.
00:43:55Eudora Fletcher
00:43:56is an amateur pilot,
00:43:58and the afternoon
00:43:58is spent relaxing
00:44:00and retelling
00:44:01old flying experiences.
00:44:04As the weeks pass,
00:44:07Zellig is encouraged
00:44:07to open up more and more
00:44:09to give his own opinions.
00:44:11What was guarded at first
00:44:13soon becomes expansive.
00:44:15I hated my stepmother,
00:44:18and I don't care
00:44:18who knows it.
00:44:22I love baseball.
00:44:24You know,
00:44:25it doesn't have to mean anything.
00:44:26It's just very beautiful to watch.
00:44:28I'm a Democrat.
00:44:33I always was a Democrat.
00:44:36Is it okay
00:44:37if I don't agree with you
00:44:38about that recording?
00:44:39Of course.
00:44:41I mean,
00:44:41I promise
00:44:42it's just always
00:44:43too melodramatic for me.
00:44:46You have to be your own person
00:44:50and make your own moral choices
00:44:53even when they do
00:44:54acquire real courage.
00:44:55Otherwise,
00:44:56you're like a robot
00:44:57or a lizard.
00:45:01Are you really
00:45:01going to get married
00:45:02to that lawyer?
00:45:03I would much rather you didn't.
00:45:07No, I don't agree.
00:45:08I think this guy
00:45:09Mussolini
00:45:09is a loser.
00:45:11It has been three months
00:45:18and the board wishes
00:45:19to examine the patient.
00:45:21Dr. Fletcher says
00:45:22Zelig is not ready
00:45:23to leave the premises.
00:45:25The doctors agree
00:45:25to visit him there.
00:45:27The date is set.
00:45:29Four days hence.
00:45:30If progress is insufficient,
00:45:33she will be removed
00:45:34from the case.
00:45:37I was very nervous
00:45:38because in his waking state,
00:45:41he never remembered anything
00:45:42from his trance state.
00:45:44And I wondered
00:45:45if there could be some way
00:45:46of locking
00:45:47these two things together.
00:45:49And then I also was worried
00:45:50that if he was
00:45:52with strong personalities,
00:45:54he might lose
00:45:55his personality.
00:45:57Sunday at noon,
00:45:59the doctors arrive.
00:46:00They are greeted
00:46:01by Eudora Fletcher
00:46:02and Leonard Zelig
00:46:04and are shown
00:46:05around the grounds.
00:46:06Though Dr. Fletcher
00:46:07is tense and alert,
00:46:09Leonard Zelig
00:46:09seems calm.
00:46:11and at ease.
00:46:12Despite the fact
00:46:13that he is surrounded
00:46:14by physicians,
00:46:15he does not turn into one.
00:46:17The encounter
00:46:18appears to be
00:46:19a resounding success
00:46:21when Dr. Henry Meyerson
00:46:22comments innocently
00:46:24about the weather,
00:46:25saying that it is
00:46:26a nice day.
00:46:28Zelig tells Dr. Meyerson
00:46:29that he does not agree
00:46:31that it is a nice day.
00:46:33Dr. Meyerson
00:46:34is taken aback
00:46:35to look at the firmness
00:46:36of Zelig's conviction.
00:46:38He points out
00:46:39that the sun is shining
00:46:40and that it is mild.
00:46:43Zelig, trained to voice
00:46:45his own personal opinions
00:46:46fearlessly,
00:46:47is too aggressive.
00:46:49He has been molded
00:46:50too far
00:46:50in the other direction.
00:46:52He has become
00:46:52over-opinionated
00:46:53and cannot brook
00:46:54any disagreement
00:46:55with his own views.
00:46:56I had taken him
00:46:59too far
00:46:59in the other direction.
00:47:01He had struck
00:47:02Dr. Meyerson
00:47:02and several board members
00:47:04with a rake.
00:47:05This was not
00:47:06what we wanted.
00:47:07And yet I felt
00:47:08that I had accomplished
00:47:09something.
00:47:10I felt if I could have him
00:47:12for two more weeks,
00:47:13I could do some fine-tuning
00:47:15and turn Leonard Zelig
00:47:17back into his own man.
00:47:26Dr. Eudora Nesbitt Fletcher,
00:47:32the hero,
00:47:33or should we say
00:47:34heroine,
00:47:34of the hour.
00:47:36The beautiful
00:47:36and brilliant
00:47:37young psychiatrist
00:47:38never lost faith
00:47:39in her conviction
00:47:39that Leonard Zelig,
00:47:41the human chameleon,
00:47:42was suffering
00:47:42from a mental disorder.
00:47:44Working with her cousin,
00:47:45cameraman Paul DeGay,
00:47:47the doctor managed
00:47:47to keep a vital record
00:47:49of the proceedings,
00:47:50including rare footage
00:47:51of Zelig hypnotized.
00:47:53The patient
00:47:54and his healer
00:47:55have become fast friends
00:47:56in the process
00:47:56and enjoy
00:47:57one another's company
00:47:58even when she's
00:47:59not working on him.
00:48:01Result of maintaining
00:48:02a courageous minority opinion
00:48:04is a resounding success
00:48:05for psychiatry,
00:48:07who says women
00:48:08are just good for joy.
00:48:10Now it's on to City Hall,
00:48:12where the town's
00:48:13newest celebrities
00:48:13are given the key
00:48:14to the city.
00:48:16We're honored
00:48:17to be sent this key
00:48:18to New York City
00:48:18to the two of you.
00:48:23And Jimmy Walker
00:48:25did want to be here
00:48:25this afternoon
00:48:26and sing Leonard the Lizard,
00:48:28but he was just too busy.
00:48:33After City Hall,
00:48:34Eudora Fletcher,
00:48:35the beautiful genius
00:48:36who cured Zelig
00:48:37of his science-defying condition,
00:48:39is honored by fellow scientists
00:48:40at New York's Waldorf Astoria.
00:48:43Present are luminaries
00:48:44from all over the world,
00:48:45not just in the field
00:48:46of psychiatry,
00:48:47but physics,
00:48:48biology,
00:48:49mathematics,
00:48:49and you name it.
00:48:51Here she is exchanging theories
00:48:53with Nils Anderson,
00:48:54the father of modern blood disease.
00:48:58Later in the week,
00:48:58Dr. Fletcher is again honored
00:49:00by the greatest city
00:49:01in the world
00:49:01as she gets to christen
00:49:03her first ship.
00:49:04Quite a success story
00:49:05for a little girl
00:49:06from the backwoods.
00:49:07I'm speaking to you
00:49:13from the home
00:49:13of Mrs. Catherine Fletcher.
00:49:15She's the mother
00:49:17of Dr. Eudora Fletcher,
00:49:19the famous psychiatrist
00:49:20so much in the news
00:49:21these days.
00:49:22And I'm going to be
00:49:23asking Mrs. Fletcher
00:49:24to begin with
00:49:26to tell us something
00:49:28about what it's like
00:49:29to raise a medical genius.
00:49:31and I might ask you
00:49:33about the many sacrifices
00:49:35that you've made
00:49:36to put your daughter
00:49:37through medical school.
00:49:38And could you speak
00:49:39right into the microphones,
00:49:40please?
00:49:41Sacrifices,
00:49:42we had none.
00:49:43John was a stockbroker,
00:49:45he had plenty of money,
00:49:46and I came from
00:49:47a wealthy Philadelphia family,
00:49:48so...
00:49:49Well,
00:49:49I'm sure that your daughter
00:49:50always wanted to be a doctor
00:49:52ever since she could remember.
00:49:56I don't think so.
00:49:58I always thought
00:49:59she wanted to be a flyer
00:50:00like her sister Merrill
00:50:01and raise a family.
00:50:03But she was a very moody child.
00:50:05But still,
00:50:06a mother always dreams
00:50:07for her child
00:50:08to have the kind of success
00:50:10that your daughter has.
00:50:11She was a very difficult girl.
00:50:13Well, tell me about your husband.
00:50:14I understand that he is
00:50:15a simple businessman.
00:50:17He must be so thrilled
00:50:18and pleased
00:50:19to have his daughter
00:50:20achieve such recognition.
00:50:22John had problems.
00:50:25Depression.
00:50:26He drank.
00:50:27Well, Mrs. Fletcher,
00:50:29thank you so much
00:50:30for speaking with us today.
00:50:40Here at San Simeon,
00:50:42glorious dreamland
00:50:43of newspaper mogul
00:50:44William Randolph Hearst,
00:50:45celebrities from all walks
00:50:47of society,
00:50:48sun or play.
00:50:50There's Marie Dressler
00:50:51with Mr. Hearst.
00:50:53Always a popular guest
00:50:54at San Simeon,
00:50:55Miss Dressler accepts a flower
00:50:57from an ardent admirer.
00:51:00Along with her
00:51:00is Marion Davies.
00:51:02When she works,
00:51:03Miss Davies is always
00:51:05dead serious.
00:51:06But here,
00:51:06at this fabulous playground,
00:51:08she shows us
00:51:09her fun side.
00:51:12There she is
00:51:12with you-know-who,
00:51:13Charlie Chaplin.
00:51:15Always kidding.
00:51:17Although New York
00:51:18is 3,000 miles away,
00:51:20Jimmy Walker
00:51:21somehow appears
00:51:22through Mr. Hearst's
00:51:23Enchanted Gateway.
00:51:25Another New Yorker
00:51:26is Leonard Zellig,
00:51:28here shown clowning
00:51:29with everybody's
00:51:30favorite cowboy,
00:51:31Tom Mix.
00:51:32Won't Tony be jealous?
00:51:34Tony is Tom's horse,
00:51:36and we always thought
00:51:37they went everywhere together.
00:51:40There's that fellow
00:51:41Chaplin again,
00:51:42this time
00:51:43with Adolph Mongeau.
00:51:44There's Claire Windsor
00:51:47and Dolores Del Rio,
00:51:49and a very charming
00:51:50Eudora Fletcher,
00:51:52chatting with Hollywood's
00:51:53newest dancing sensation,
00:51:55James Cagney.
00:51:57Oh, and what have we here?
00:51:59Only a beautiful lady
00:52:01named Carol Lombard.
00:52:03And there's Dr. Fletcher
00:52:05and Leonard Zellig,
00:52:06hitting a few
00:52:07with Bobby Jones
00:52:08on Mr. Hearst's
00:52:09golf course.
00:52:11Unless Leonard can go back
00:52:12to his old chameleon personality
00:52:14and turn into a golf pro,
00:52:16I'd bet my money on Bobby.
00:52:18But who cares
00:52:19if they're having fun?
00:52:28Leonard Zellig,
00:52:29do you want to give
00:52:30the kids of this country
00:52:31some advice?
00:52:32I sure do.
00:52:33Kids, you gotta be yourself.
00:52:35You know, you can't act
00:52:36like anybody else
00:52:37just because you think
00:52:38that they have all the answers
00:52:39and you don't.
00:52:40You have to be your own man
00:52:41and learn to speak up
00:52:43and say what's on your mind.
00:52:44Now, maybe they're not free
00:52:45to do that in foreign countries,
00:52:47but that's the American way.
00:52:49You can take it from me
00:52:50because I used to be a member
00:52:52of the reptile family,
00:52:53but I'm not anymore.
00:52:54I'm sitting on top of the world
00:53:03I'm rolling along
00:53:06Just rolling along
00:53:08Oh boy, I'm with
00:53:10the fools of the world
00:53:13I'm singing a song
00:53:16Just singing a song
00:53:18Glory, hallelujah
00:53:20I told Leonard Zellig
00:53:22Hey, Lynn, get ready to call
00:53:24Just like I'm the donkey
00:53:26I'm ready to fall
00:53:29I'm sitting on top of the world
00:53:32My, my, my
00:53:34Rolling along
00:53:35Rolling along
00:53:38Zellig, no longer a chameleon
00:53:42Is at last his own man
00:53:44His point of view on politics, art, life and love
00:53:48Is honest and direct
00:53:50Though his taste is described by many as lowbrow
00:53:54It is his own
00:53:56He is finally an individual
00:53:58A human being
00:53:59He no longer gives up his own identity
00:54:02To be a safe and invisible part of his surroundings
00:54:05Well, his taste wasn't terrible
00:54:07He was the kind of man
00:54:08Who preferred watching baseball
00:54:10To reading Moby Dick
00:54:12And that got him off on the wrong foot
00:54:15Or so the legend goes
00:54:16It was much more a matter of symbolism
00:54:19To the Marxists, he was one thing
00:54:22The Catholic Church never forgave him
00:54:26For the Vatican incident
00:54:27The American people
00:54:30In the throes of the Depression
00:54:31As they were
00:54:32Found in him a symbol
00:54:35Of possibility
00:54:35Of self-improvement
00:54:37And self-fulfillment
00:54:38And of course
00:54:39The Freudians had a ball
00:54:40They could
00:54:41They could interpret him
00:54:42In any way they pleased
00:54:44It was all symbolism
00:54:45But there were no two intellectuals
00:54:47Who agreed about what it meant
00:54:49I don't know if you could call it
00:54:52A triumph of psychotherapy
00:54:53It seems more like
00:54:54A triumph of aesthetic instincts
00:54:56Because Dr. Fletcher's techniques
00:54:58Didn't know anything
00:54:59To then current schools of therapy
00:55:01But she sensed what was needed
00:55:03And she provided it
00:55:04And that was in its way
00:55:05A remarkable creative accomplishment
00:55:08When I think about it
00:55:10It seems to me that his story
00:55:11Reflected a lot of the Jewish experience
00:55:14In America
00:55:15The great urge to push in
00:55:17And to find one's place
00:55:18And then to assimilate
00:55:20Into the culture
00:55:21I mean he wanted to assimilate
00:55:23Like crazy
00:55:24Eudora Fletcher's life
00:55:34Has also changed
00:55:36From this experience
00:55:37For her
00:55:38Fame and recognition
00:55:40Are empty rewards
00:55:41And do not live up
00:55:42To the adolescent fantasies
00:55:44That prompted her ambition
00:55:45She and her patient
00:55:47Have fallen in love
00:55:49And it is no surprise
00:55:50When she forsakes
00:55:51The upwardly mobile attorney
00:55:53Coslow
00:55:53And announces wedding plans
00:55:56With Zelig
00:55:56Now there's one thing
00:56:00To think of when you're blue
00:56:01There are others
00:56:04Much worse off than you
00:56:06If a load of trouble
00:56:08Should arrive
00:56:10Laugh and say
00:56:12It's great to be alive
00:56:14Keep your sunny side up
00:56:17Up
00:56:18Hide the side that gets blue
00:56:21If you have nine sons
00:56:25In a row
00:56:26Baseball teams
00:56:29Make money
00:56:30You know
00:56:30Keep your funny side up
00:56:34Up
00:56:35Let your laughter
00:56:37Come through
00:56:38Do
00:56:39Stand upon your legs
00:56:41Be like two fried eggs
00:56:43Keep your sunny side up
00:56:46Up
00:56:47Keep your sunny side up
00:56:51It was wonderful
00:56:53To see my sister
00:56:54And Leonard together
00:56:55She drew strength
00:56:57From him
00:56:58They were so much
00:57:02In love with each other
00:57:03And she looked happier
00:57:06Than she had in years
00:57:08I remember they decided
00:57:11To get married
00:57:12In the spring
00:57:13And then of course
00:57:16The roof fell in
00:57:17Two weeks
00:57:20Before the wedding
00:57:21An ex-showgirl
00:57:22Named Lita Fox
00:57:24Comes forth
00:57:25And claims
00:57:26That she is married
00:57:27To Zelig
00:57:28She also claims
00:57:30To have had his child
00:57:31It is
00:57:32An immediate scandal
00:57:34We were married
00:57:38A year ago
00:57:39He said he was an actor
00:57:41He sounded just like one
00:57:43And I'm in show business too
00:57:45So we drove to Baltimore
00:57:48And we were married
00:57:49And I have a license
00:57:51To prove it
00:57:51He had married her
00:57:53While under a different personality
00:57:55When she read of the plans
00:57:57For his forthcoming wedding
00:57:59To Eudora Fletcher
00:58:00She was mortified
00:58:01And decided to take legal action
00:58:03Zelig says he will fight it in court
00:58:06But public opinion begins
00:58:08Subtly to shift away from him
00:58:10Clever attorneys portray Lita Fox
00:58:13As an abandoned woman
00:58:15The child is neglected
00:58:17Poor and fatherless
00:58:19Zelig has sold his life story
00:58:22To Hollywood
00:58:22For a large sum of money
00:58:23When the scandal breaks
00:58:25The studio demands its money back
00:58:28Zelig can only return half
00:58:30As the rest has already been spent
00:58:32Outraged
00:58:34The studio gives him
00:58:35Half his life back
00:58:37They keep the best moments
00:58:38And he is left with only
00:58:40His sleeping hours
00:58:41And mealtimes
00:58:42Zelig is shaken by the scandal
00:58:45But it is only the beginning
00:58:47Now another woman steps forward
00:58:50Helen Gray
00:58:51A sales girl
00:58:52From a Wisconsin gift shop
00:58:53Claims that Zelig
00:58:55Is the father of her twins
00:58:56She tells her lawyers
00:58:58That he passed himself off
00:58:59As a fur trapper
00:59:01Zelig has no recollection
00:59:03But admits it could have happened
00:59:05When he was under one of his spells
00:59:07It is the signal
00:59:09For the floodgates to open
00:59:10He married me up
00:59:12At the first church of Holland
00:59:14He told me
00:59:15He was the brother
00:59:16Of Duke Ellington
00:59:16He was the guy
00:59:18Who smashed my car up
00:59:20It was brand new
00:59:22Then he backed up
00:59:24Over my mother's wrist
00:59:26She's elderly
00:59:27And uses her wrist a lot
00:59:30He painted my house
00:59:32A disgusting colour
00:59:33He said he was a painter
00:59:36I couldn't believe the results
00:59:39Then he disappeared
00:59:41That Zelig could be responsible
00:59:43For the behaviour
00:59:44Of each of the personalities
00:59:46He assumed
00:59:46Means dozens of lawsuits
00:59:49He is sued for bigamy
00:59:50Adultery
00:59:52Automobile accidents
00:59:53Plagiarism
00:59:54Household damages
00:59:55Negligence
00:59:56Property damages
00:59:57And performing unnecessary
00:59:59Dental extractions
01:00:00I would like to apologize
01:00:03To everyone
01:00:03I'm awfully sorry
01:00:05For marrying all those women
01:00:07It just
01:00:08I don't know
01:00:09It just seemed like
01:00:09The thing to do
01:00:10And to the gentleman
01:00:12Whose appendix I took out
01:00:14I don't know what to say
01:00:17If it's any consolation
01:00:18I may still have it
01:00:20Somewhere around the house
01:00:21My deepest apology
01:00:24Goes to the Trokman family
01:00:25In Detroit
01:00:26I never delivered a baby
01:00:29Before in my life
01:00:30And I just thought
01:00:32That ice tongs
01:00:34Was the way to do it
01:00:35Thriving mercilessly
01:00:38On loopholes
01:00:38And technicalities
01:00:39The American legal profession
01:00:41Has a field day
01:00:42Zelig
01:00:44Is branded a criminal
01:00:45Despite Dr. Fletcher's
01:00:47Insistence
01:00:47That he cannot be held
01:00:48Responsible for his actions
01:00:50While in his chameleon state
01:00:51It is no use
01:00:53Leonard Selig sets a bad
01:00:56Moral influence
01:00:57America is a moral country
01:01:00It's a God-fearing country
01:01:03We don't condone scandals
01:01:06Scandals of fraud
01:01:08And polygamy
01:01:10In keeping with a pure society
01:01:14I say
01:01:15Lynch the little hebe
01:01:18Throughout the humiliating ordeal
01:01:21Eudora Fletcher stands by
01:01:23The man she loves
01:01:24Valiantly
01:01:25Privately
01:01:27She tells friends
01:01:28That she is worried
01:01:29About Zelig's
01:01:30Emotional condition
01:01:31Which seems to her
01:01:32To be deteriorating
01:01:33Under the weight
01:01:34Of conservative
01:01:35Moral opinion
01:01:36In public
01:01:38He tries to keep up
01:01:39An appearance of composure
01:01:40But it is increasingly difficult
01:01:42It is clear
01:01:44That he is coming apart
01:01:45When he and Eudora Fletcher
01:01:47Dine at a Greek restaurant
01:01:48And in the midst of the meal
01:01:50Zelig begins to turn Greek
01:01:52He longs desperately
01:02:00To be liked once again
01:02:02To be accepted
01:02:03To fit in
01:02:04Public clamour
01:02:06Over his morality
01:02:07Reaches a fever pitch
01:02:08And on the eve
01:02:09Of his sentencing
01:02:10Leonard Selig
01:02:12Vanishes
01:02:13This is Chief Inspector of Police
01:02:23Thomas Dowd
01:02:24With a national broadcasting news break
01:02:26Leonard Selig is missing
01:02:27On the eve of his sentencing
01:02:29For an assortment of crimes
01:02:31And misdemeanies
01:02:33Ranging from polygamy
01:02:34To fraud
01:02:35He has disappeared
01:02:37We are searching for clues
01:02:39I would appreciate speaking
01:02:40With anyone
01:02:41Who might have any information
01:02:43Leading to his apprehension
01:02:44My sister was just shattered
01:02:49She tried to keep up
01:02:52A calm front
01:02:53But she was just too upset
01:02:54And she wasn't a person
01:02:57Who usually displayed emotion easily
01:03:00Except where Leonard was concerned
01:03:03Dr. Fletcher and the police
01:03:09Confer daily
01:03:10Together they make public appeals
01:03:12To anyone who might know
01:03:13Of his whereabouts
01:03:14Apart from several
01:03:16Crank telephone calls
01:03:17There is little response
01:03:19Months go by
01:03:20And Zelig is not heard from
01:03:22Cars are searched
01:03:24False leads pour in
01:03:26From everywhere
01:03:26His jacket is recovered in Texas
01:03:29A manhunt in that state
01:03:31Proves futile
01:03:32He is reported seen in Chicago
01:03:34In California
01:03:36This still photo
01:03:38Appears to have a man
01:03:39Resembling him
01:03:40With a mariachi band
01:03:41In Mexico
01:03:42Dr. Fletcher continues
01:03:48To search for Zelig
01:03:49But hopes fade
01:03:50With each passing day
01:03:52All I could think of
01:03:54Was Leonard
01:03:54And how much I missed him
01:03:56And loved him
01:03:57And of all the terrific times
01:04:00We'd spent together
01:04:01It was really a very painful time
01:04:04For me
01:04:04The year ends
01:04:07And Zelig is still missing
01:04:09I just moped around
01:04:14And wept
01:04:15And one night
01:04:16After a very bad time
01:04:18My sister Meryl
01:04:20Said to me
01:04:20Come on
01:04:21Let's go out for dinner
01:04:22Let's go to a concert
01:04:24And I said
01:04:24No
01:04:25I can't do it
01:04:26But she insisted
01:04:27And we went out
01:04:29And finally ended up
01:04:30In a movie
01:04:30We saw Grand Hotel
01:04:32And with it
01:04:33There was a newsreel
01:04:34Adolf Hitler
01:04:45Adolf Hitler
01:04:45And the National Socialist Party
01:04:47Continue to consolidate gains
01:04:49In depression-ridden Berlin
01:04:50Denouncing the Treaty of Versailles
01:04:53The Nazis make fervent appeals
01:04:55To German patriotism
01:04:56Promising to rebuild
01:04:57Eudora Fletcher
01:04:58Is stunned
01:04:59By what she sees
01:05:00Amongst the brown shirts
01:05:02She spots a figure
01:05:04Who could be Zelig
01:05:05Yes, but then it really made sense
01:05:08It made all the sense
01:05:09In the world
01:05:09Because although he wanted
01:05:11To be loved
01:05:12Craved to be loved
01:05:14There was also something in him
01:05:16That desired immersion
01:05:19In the mass
01:05:20And anonymity
01:05:21And fascism
01:05:22Offered Zelig
01:05:23That kind of opportunity
01:05:25So that he could
01:05:26Make something anonymous
01:05:28Of himself
01:05:29By belonging to this
01:05:31Vast movement
01:05:32She sails for Europe
01:05:35The following week
01:05:36Ten days later
01:05:38She arrives in Berlin
01:05:40Germany is a country
01:05:42Deep in the throes
01:05:43Of the Depression
01:05:43Militarism and unrest
01:05:46Are in the air
01:05:47She searches everywhere
01:05:49And makes inquiries
01:05:50But it is impossible
01:05:51After three weeks
01:05:54The authorities begin
01:05:55To get suspicious
01:05:56They watch her
01:05:57While she is out
01:05:58They search her hotel room
01:06:00A fourth week goes by
01:06:02And she is about to give up
01:06:04And go home
01:06:05When news of a large rally
01:06:07At Munich
01:06:07Catches her attention
01:06:09It is rumoured
01:06:11That it will be
01:06:12The largest gathering
01:06:13To date
01:06:13Of Nazi personnel
01:06:14Eudora Fletcher
01:06:17Is counting on the hope
01:06:18That Zelig
01:06:19May also attend
01:06:20And that if she can
01:06:21Confront him
01:06:22The strong feeling
01:06:23He has always had
01:06:24For her
01:06:25Can be awakened
01:06:26At first
01:06:28All appears hopeless
01:06:30The crowd
01:06:31Is huge
01:06:32And it seems impossible
01:06:33To locate any one
01:06:34Particular face
01:06:35Then suddenly
01:06:52A figure flanking
01:06:53The chancellor
01:06:54Captures her attention
01:06:55Behind
01:06:56And to the right
01:06:57Of Hitler
01:06:57She spots
01:06:58Zelig
01:06:59Struggling
01:07:00To make contact
01:07:01She manages
01:07:02To catch his eye
01:07:03Like a man
01:07:05Emerging from a dream
01:07:07Zelig notices her
01:07:08In a matter of seconds
01:07:10Everything comes back to him
01:07:12We will niemals
01:07:13An fremde Hilfe
01:07:16Niemals
01:07:17An Hilfe
01:07:19Die außerhalb
01:07:20Unserer eigenen Nation
01:07:22Unseres eigenen Volkes
01:07:24Liegt
01:07:24Deutschland nicht
01:07:29Gestank erhielten
01:07:31Sondern
01:07:31Selbst
01:07:31Schaffen mussten
01:07:33Schaffen mussten
01:08:03There was nothing like what happened in the movie.
01:08:14When Leonard came down from the podium, they didn't know what to think.
01:08:18We couldn't believe our eyes.
01:08:21Hitler's speech was ruined.
01:08:23He wanted to make a good joke about Poland.
01:08:26but just then
01:08:28Selig interfered
01:08:30and
01:08:32Hitler was extremely upset
01:08:35the SS
01:08:36wanted to
01:08:38grab Selig
01:08:40but if they would have grabbed him
01:08:43they probably would have
01:08:44tortured him
01:08:47or maybe even shot him
01:08:49so in the confusion
01:08:51Fletcher and Selig
01:08:52got out of the building
01:08:54through a side door
01:08:55they grabbed the car, they sped away
01:08:58in the car and the SS
01:09:00after them, shot them
01:09:02in rare
01:09:05German newsreel footage
01:09:06a quick glimpse of the escape was recorded
01:09:08I was flying
01:09:24it was wonderful
01:09:26and then suddenly something happened
01:09:28I was frightened
01:09:30I lost control
01:09:31we went into a dive
01:09:33Leonard was so terrified
01:09:35that he changed his personality
01:09:37and before my eyes
01:09:39because I was a pilot
01:09:41he turned into one too
01:09:42Selig takes control
01:09:45of the airplane
01:09:46acting the role of pilot
01:09:48he struggles valiantly
01:09:50with the aircraft
01:09:50the Germans
01:09:51who are stunned
01:09:52take a full 15 minutes
01:09:54before they follow
01:09:55in hot pursuit
01:09:55of their quarry
01:09:56with Eudora Fletcher unconscious
01:09:59Selig
01:10:00who had never flown before
01:10:02in his life
01:10:02not only escapes
01:10:04the German pilots
01:10:05but sets a record
01:10:06for flying non-stop
01:10:07across the Atlantic
01:10:08upside down
01:10:09with a storm of cheers
01:10:33and a blizzard of ticker tape
01:10:34New York welcomes back
01:10:36Eudora Fletcher
01:10:37and Leonard Selig
01:10:38the human chameleon
01:10:39his remarkable feat of aviation
01:10:41fills the nation with pride
01:10:43and earns him
01:10:44a full presidential pardon
01:10:45forgiving multitudes
01:10:47flock to see him
01:10:48as he sits by the side
01:10:49of his plucky pride to beat
01:10:51their journey of triumph
01:10:52leads to City Hall
01:10:53New York's greatest honor
01:10:55the Medal of Valor
01:10:56is bestowed on Selig
01:10:57by Carter Dean
01:10:58you are a great inspiration
01:11:01to the young of this nation
01:11:04who will one day grow up
01:11:06and be great doctors
01:11:08and great patients
01:11:09and great patients
01:11:10this is a great thrill
01:11:19I'm glad we lived to see this thing
01:11:23and I've never flown before in my life
01:11:25and it shows exactly what you can do
01:11:27if you're a total psychotic
01:11:29the thing was paradoxical
01:11:38because what enabled him to perform this astounding feat
01:11:42was his ability to transform himself
01:11:45therefore his sickness was also at the root of his salvation
01:11:50and I think it's interesting to view the thing that way
01:11:54that it was his very disorder that made a hero of him
01:12:00it was really absurd in a way
01:12:03I mean he had this curious quirk
01:12:07this strange characteristic
01:12:08and for a time everyone loved him
01:12:12and then people stopped loving him
01:12:14and then he did this stunt
01:12:17you know with the airplane
01:12:18and then everybody loved him again
01:12:20and that was what the 20s were like
01:12:22and you know when you think about it
01:12:24has America changed so much?
01:12:26I don't think so
01:12:26after untangling countless legal details
01:12:32Leonard Zellig and Eudora Fletcher marry
01:12:35it is a simple ceremony
01:12:38captured on home movies
01:12:40wanting only to be liked
01:13:01he distorted himself beyond measure
01:13:03wrote Scott Fitzgerald
01:13:05one wonders what would have happened
01:13:08if right at the outset
01:13:09he had had the courage
01:13:10to speak his mind
01:13:11and not pretend
01:13:12in the end
01:13:14it was after all
01:13:16not the approbation of many
01:13:17but the love of one woman
01:13:20that changed his life
01:13:21as long as I have you
01:13:25though there be rain
01:13:30and darkness too
01:13:33I'll not complain
01:13:36I'll laugh it through
01:13:40poverty may come to me
01:13:47that's true
01:13:49but what care what you say
01:13:54I'll get by
01:13:57as long as I have you
01:14:02I'll get by
01:14:04and I'll be here
01:14:06and I'll be here
01:14:07to see you
01:14:08I'll be here
01:14:08and I'll be here
01:14:09and I'll be here
01:14:10and I'll be here
01:14:11A presto.
01:14:41A presto.
01:15:11A presto.
01:15:41A presto.
01:15:43A presto.
01:15:45A presto.
01:15:47A presto.
01:15:49A presto.
01:15:51A presto.
01:15:53A presto.
01:15:55A presto.
01:15:57A presto.
01:15:59A presto.
01:16:01A presto.
01:16:03A presto.
01:16:05A presto.
01:16:07A presto.
01:16:09A presto.
01:16:11A presto.
01:16:13A presto.
01:16:15A presto.
01:16:17A presto.
01:16:19A presto.
01:16:21A presto.
01:16:23A presto.
01:16:25A presto.
01:16:27A presto.
01:16:29A presto.
01:16:31A presto.
01:16:33A presto.
01:16:34A presto.
01:16:35A presto.
01:16:37A presto.
01:16:39A presto.
01:16:41A presto.
01:16:43A presto.
01:16:44A presto.
01:16:45A presto.
01:16:46A presto.
01:16:47A presto.
01:16:48A presto.
01:16:49A presto.
01:16:50A presto.
01:16:51A presto.
01:16:52A presto.
01:16:53A presto.
01:16:54A presto.
01:16:55A presto.
01:16:56A presto.
01:16:57A presto.
01:16:58A presto.
01:16:59A presto.
01:17:00A presto.
01:17:01A presto.
01:17:02A presto.
01:17:03A presto.
01:17:04A presto.
01:17:05A presto.
01:17:06A presto.
01:17:07A presto.
01:17:08A presto.
01:17:09A presto.
01:17:10A presto.
01:17:11A presto.
01:17:12A presto.
01:17:13La Chameleon
01:17:43La Chameleon
01:18:13La Chameleon
01:18:43La Chameleon
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