00:00You're an amazing actor, so I'm pretty sure you know how to compartmentalize, but I know
00:04different actors have different methods of the way that they prepare. But how did you prepare
00:09emotionally and vocally to step into a character with such a rich and dark legacy?
00:16It was a lot of watching Jeremy Irons, because that was the one that I resonated with at first,
00:22and watching his interviews. Because I think what happened with him was he's a fantastic actor,
00:29brilliant, brilliant, brilliant actor. And he brings a lot of his nuances and where he's from
00:39into that role. Jeremy sometimes sounds like that in interviews. And I was like, well,
00:46that's established already. And if I were to establish a character, and they hired me for
00:51some of the qualities and sensibilities that I had, and then they asked me just, I've done that before.
00:56A lot of people, actors do that. You bring some of your sensibilities to the role in the given
01:00circumstance. But now my job was to continue his legacy. So then I had to understand who was he
01:07as well. Who was Jeremy? Who was Scar? And then who was written on the page? In addition to that,
01:13I have a fantastic dialect coach named Jerome Butler that I've worked with since 2016, when I started
01:18working on Monster, where A$AP Rocky, Jennifer Hudson, and Jeffrey Wright. And he's been with me
01:26on every project since. And so I was like, let's build this guy. And we used some different references
01:32like Draco from Harry Potter at times, and then like Joffrey from Game of Thrones. And then to lighten it,
01:40we started using like Ron Weasley at moments, and then finding our own rhythm of it and playing with
01:46pacing. But the villainous aspect, I think, came from what is the intellectual processing of what
01:54that means. And to me, it was about finding a way to speak your truth without getting in trouble.
02:00You know, when people are starting to try to silence you, then that's when you come up with
02:04those sly, witty remarks to make your point known that you see it, you hear it, because you want to
02:09know that I know, you know, you're not gonna just play me like that. I know. And I think that's where
02:15the scar starts to come out and in the dragging and the drama and blah, blah, blah, blah, you know,
02:22whatever that is. And then, you know, talk guys, a little bit like, you know, you know, it's like not
02:29thinking too much. It's like, there's no worries in the world kind of thing. So that was how I
02:33compartmentalized it and kind of started to build a character.
02:39it's like, you know, I don't want to go out and have to answer it. And then, you know,
02:46the everyday 생ers trends, you know, through this earth kind of thing, the rhythm, you know,
02:50where's what kind of thing that呢-org-based test, or your Doher's Tast saddle and it's true.
02:56So, who'll let, do a lot of things go out and stop reading it. It's like, I hear,
03:01how you guys can understand it and learn how you can leverage it, do something that it's difficult to
03:05get to know and see that your name will see that y- herbs are going to Horace why do you not
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