- 2 days ago
Category
🎮️
GamingTranscript
00:01His name is Jonathan Pine.
00:04You'll have support teams.
00:06Identify them and deal with them.
00:08Yes, it's me.
00:09I have guests.
00:10I'll leave you my findings.
00:12Thank you for your hard work.
00:14Game over.
00:16What about the guarantees I asked for?
00:18I can't give you any of those.
00:20You played me.
00:21I wire Matthew Ellis 50 million dollars
00:24to be a free man.
00:27Tomorrow morning, you'll agree to hand yourself in.
00:30If you don't, I will destroy you.
00:32I know Roper's your father.
00:34Did Roper tell you about his other son?
00:36He's used you, Teddy!
00:38There's a coup being planned in your country, Consuelo,
00:40and you're gonna help me stop it.
00:41It's an electromagnetic weapon.
00:43Tomorrow the weapon will be dropped by parachute.
00:45It'll fly to Cabrera's camp.
00:47You have to stop it from getting there.
00:49Your English friend has been listening in on the house,
00:52which means he's inside the operation.
00:54I want Jonathan Pine.
01:24It's an apples sort of day!
01:25My hands in the mind...
01:26It'll fly to the next day!
01:27My hands in the world before drawing a flush.
01:29I couldn't possibly touch away from this upload anyway.
01:30I've seen the pool...
01:31I met us with the time that he's in the mirror
01:32I got wrapped up.
01:33I got to get the pool, out there.
01:34It's an arts in the Possession...
01:35I got to get the pool, out there.
01:36The pool is just teaching the park.
01:38How is it?
01:39It definitely takes notes from the pool toā Kim brown lång نажرة.
01:40The pool is just a much harder during the pool,
01:41until the pool of aramble roulette.
01:42The pool is going to be an absolute time.
01:44The pool is an الك Travis-man-like white man сначала.
01:47You can't touch the cow, you can't move the cow.
02:02Uh, can we run the cow over?
02:06Ah, here he is, in water.
02:10Sit down, have a pastry.
02:12I'm not hungry.
02:14So, what's going on?
02:16All is going to plan.
02:18I want you to go to the Cabreras and tell them.
02:21Deliveries tonight, bang on schedule.
02:24You leave in an hour.
02:25Take one with you.
02:27Okay, and you?
02:29I will follow in due course.
02:31I have a small matter that requires my attention.
02:37I'll call the Cabreras to let them know.
02:46Hi.
02:47How are you doing?
02:48I'm here with Mr. Gilberto.
02:49I need the Liga Cabreras, that everything goes according to plan.
02:52We're fine.
02:53Everything, everything.
02:54Be careful, Teddy.
02:55I'm going to go with Mr. Carrascal.
02:56We'll see you at the meeting point.
02:57Okay.
02:58Done.
02:59Okay, I called Consuelo and she told me there's an abandoned firing range about 25 miles east of the city.
03:14It's called San Marco.
03:15It's called San Marco.
03:16We can land the plane there.
03:17Okay, I called Consuelo and she told me there's an abandoned firing range about 25 miles east of the city.
03:28It's called San Marco.
03:29We can land the plane there.
03:31We can land the plane right here.
03:34We can land the plane and it'll go through.
03:37Brumple Seltzkin.
03:42Brumple Seltzkin.
03:56Brumpt as ever.
03:57So what do you say to my offer?
03:58Well, actually, I was more curious to know what you felt about mine.
04:02Fifty million.
04:04Join the party before it's too late.
04:08No deal.
04:10But I'll be seeing you.
04:12Soon, I hope.
04:14The sooner the better.
04:16I miss that smile.
04:28Yeah.
04:30Bye-bye.
04:32Bye-bye.
04:38Bye-bye.
04:40Bye-bye.
04:46Bye-bye.
04:56Oh
05:21Got it, yeah
05:26I'll be seeing you soon I hope sooner the better I miss that smile okay
05:34suddenly reopen the connection with London tell Basil we're diverting the
05:38plane then pick up Consuelo I want a reception committee on the ground
05:42Colombian and international I'm on it
05:48call you when to get to tell you
05:56how far is it in any normal country two hours in Colombia four
06:09are you there can you hear me yes yeah they found us I got out I'm on a bus headed towards
06:21someone to help me I need your help what do you mean where's Tom I don't know I don't know he he ran
06:26I gotta go I'll call you back what happened we need to make a detour
06:32I'm on it
06:40Oh
06:41I
06:41I
06:43I
06:44I
06:45I
06:45I
06:47I
06:49I
06:51I
06:53I
06:55I
06:55I
06:56I
06:57I
06:58I
06:59Where are you?
07:21I'm almost there.
07:22When you get off the bus, walk over to the parking lot.
07:25I'll be able to see you.
07:29Matthew Ellis.
07:33¿Cierto?
07:35Qué puta lo va a haber matado cuando pude sapo de mierda.
07:38Ya, fíjate eso.
07:39Todo se está solucionando.
07:41¿Y cómo se está solucionando, Juan?
07:42Dime.
07:43Relájate.
07:53Esta operación es mía, Juan.
07:56Yo la inventé.
07:57Y me merezco saber qué mierda está pasando.
08:01Así es que me vas diciendo, ¿no?
08:04Nuestra princesita de Miami ha vuelto al juego.
08:07Eso es todo lo que tienes que saber.
08:08Dale.
08:09¿Y Gilberto confía en esa puta, de verdad?
08:11Pues sí, fíjate que tú también deberías estar agradecido con ella.
08:14¿Y por qué, Juan?
08:15¿Cómo que por qué?
08:18Tu papacito inglés te controla con un solo dedo.
08:22Dale.
08:23Dale.
08:23Dale.
08:27Dale.
08:29¡Vamos!
08:29¡Vamos!
08:33¡Vamos!
09:03I'm going to call Cabrera and tell them that we've arrived.
09:18Let's go.
09:33Shall I get her? No, I'll go.
09:51Yeah.
09:55Okay, I'm delayed picking up Roxana.
10:02Don't lose your time.
10:27Okay, I'm here.
10:29I can see you.
10:31Where are you?
10:34Matthew, where are you?
10:37Hello?
10:38I'm in the blue car to the left, about 30 yards from here.
10:42He's in the blue Opal Astra at the end of the car, but we'll go.
10:49Goodbye Roxana, and good luck.
11:02You're going to need it.
11:04Here we go.
11:05I'm in the car!
11:17Yes!
11:18No, no.
11:22No
11:30No.
11:31All right, Juan.
11:37What happened?
11:39Matthew Ellis escaped.
11:42And I think someone told you.
11:44Who, Juan?
11:47How long have you been to Los Cabrera?
11:49How do you know?
11:51But they're coming, right?
11:52Of course, yes, Juan.
11:55Eduardo,
11:56do you really call Los Cabrera?
11:58No, I can't believe it.
11:59No, I can't believe it.
12:01Muéstrame tu teléfono.
12:02Por supuesto que no.
12:03Tu teléfono.
12:03Que no.
12:06¿Qué haces?
12:08Pues como que me toca llamar a mí, ¿no?
12:10Venga, Juan, no es necesario.
12:12No confías en mí, de verdad.
12:15Toma.
12:17Tómalo.
12:20Malpario.
12:27Levántate.
12:28Es una mierda, Juan.
12:31Malparido yo.
12:32¿Eh?
12:33Tú sabías el plan de Roper, ¿no?
12:35De ir a Inglaterra sin decirme nada y dejarme aquí.
12:38¡Mierda!
12:39Por supuesto que lo sabía.
12:41Es una mierda.
12:42Tú eras el único huevón que no tenía ni puta idea.
12:44Pero, por favor, por favor, escúchame.
12:47Te dije.
12:48No vales nada, mierda.
12:49Te lo suplico.
12:50¿Qué suplicas, Juan?
12:52No lo hagas, por favor.
12:52No te quiero matar.
12:53No lo hagas.
12:54Es que tranquilo se me mete al carro.
12:56Está aquí, por favor.
12:57Gracias.
12:58Tranquilo.
12:59Oh, my God.
13:29Oh, my God.
13:59My own way.
14:02You've been kind to me, Martin.
14:05You didn't have to be.
14:09You've been kind to our people.
14:13So anything I can do?
14:16Just find Tavo, okay?
14:18Okay.
14:19And let me know where you are.
14:20We have to postpone.
14:43Nothing is being postponed.
14:45I have a deadline and I intend to meet it.
14:47It's too risky.
14:49Until you find him, I'm pulling the operation.
14:52What did you say?
14:53You heard.
14:54Myra, darling, I wonder if you know how to cook a frog.
15:01If you chuck him into boiling water, the little bugger just jumps right back out again.
15:05But if you ease him in at room temperature and gradually crank up the heat, he doesn't notice a thing.
15:11Until his brain is gently boiling in its own juice.
15:16You're the frog in this analogy because you hadn't figured that out.
15:21You're going to regret speaking to me like that.
15:24Is that a threat, Myra?
15:27Are you pondering a spot of treachery?
15:30Well, then remember this.
15:31You ordered the killing of Rex Mayhew in his Surrey home.
15:35If I go down, I'll happily take you with me.
15:54Where is he?
16:18Help me.
16:24What is going to happen to him if all this works?
16:51You know what?
16:54I was there in the office that night in Cartagena.
17:07I saw you when you were alone, hurting yourself.
17:17You shouldn't have seen that.
17:19You don't have to be that person, Teddy.
17:20You can disappear into those hills.
17:25Back to your sister.
17:28Be Eduardo Vidal again.
17:33No one will ever know he can be free.
17:41But not with him alive.
17:42When did you fall in love with him?
18:06Was it in London, first encounter, or was it when he pulled his Lazarus act here in Colombia?
18:16You fell into his arms and in his arms you stay.
18:18I didn't tip him off.
18:20Well, then how did he know?
18:22Who told him?
18:23Is there a plan?
18:24Is he coming here on his white charger?
18:28Is that the lure?
18:29See, Frisky and I have some experience in this area.
18:33If we want someone to share their secrets, we tend to find a way.
18:36I didn't tip him off.
18:39I warned you.
18:40I made it perfectly clear.
18:42Don't touch me.
18:42Let me make something clear.
18:44You're right about Matthew Ellis.
18:46He is so easy to fall in love with, but I chose not to.
18:50Maybe I was wise to his true intentions, or maybe I'm just not capable of love.
18:55But either way, I didn't lose my heart to him.
18:59And if someone did, it wasn't me.
19:13Take it back to the house.
19:20Oh, you beauty.
19:25Oh, you beauty.
19:25Oh, you beauty.
19:50My pre citations, I already came.
19:53Hey, hey.
19:54Nee.
19:56Hang on, Let's play at the absence.
19:59Find that information.
20:02Bechlagen.
20:04Hey, draws.
20:05No.
20:15You don't have to wait.
20:18All right, all right?
20:22Carlos.
20:25Carrascal?
20:27I have to teach you, Jose.
20:28What?
20:30What's going on?
20:36Out.
20:38Out!
20:40What's going on?
20:44Who is this?
20:48Who is this?
20:50This gonorrhea.
20:51He's called Matthew Elvis.
20:53He's wrong.
20:54He told us that he was an investor.
20:56He put two days in an avion to Paris.
20:58What I don't understand, Jose,
21:00is how a mierda was ayer desayunating with Rupert.
21:04He said that he followed us.
21:06The imbecile drove up to this hotel near the street.
21:10In the way, Mr. Carrascal tried to call.
21:12He took a gun.
21:14And?
21:15And that's why he's not with us.
21:17Let's go.
21:19Let's go.
21:21Let's go.
21:23Let's go.
21:25Let's go.
21:27Let's go.
21:29Let's go.
21:31Let's go.
21:33Let's go.
21:35Let's go.
21:37This is Jane. It's happening. You need to come now.
22:07I'm at the rear exit. Orange Kia, now.
22:23Yes. How's it going?
22:27Good, good.
22:41I'll tie my hands down.
22:43Who are you, hmm? What's your name?
22:49You never mind. It's Matthew Ellis.
22:51Sorry?
22:52Matthew Ellis.
22:55What's your name?
22:58It's Matthew Ellis.
23:00Not according to this, Mr. Birch.
23:03Liar. You're supposed to be in Paris, Matthew.
23:07With your ex-wife and your beautiful little daughter.
23:10What the heck were you doing yesterday, eh?
23:13Having lunch with this man?
23:14Preservation under Andrew Birch?
23:17Who is he?
23:19Answer! Who is he?
23:21It's just an old friend. His name's Giles Merriman.
23:25I promise you it's just...
23:30Wrong answer.
23:32Who the hell is he, eh?
23:34Answer!
23:36Okay.
23:38One last chance.
23:40Who is he?
23:44His name is Richard Onslow.
23:49Roper.
23:50And why did you meet him?
23:52Just business.
23:53Ah, business.
23:54When you came here, you called him from the hotel phone.
23:57Didn't you?
23:58Escucha esto.
23:59Listen to this, hmm?
24:01When we meet again, the Carreras will be dead.
24:04You and I will be on British soil.
24:07Not a mosquito or Colombian in sight.
24:10And Jose Cabrera?
24:12Their regrets?
24:14Jose Cabrera is a cowboy.
24:16And he's not fit for Silo's company.
24:18I'll be seeing you.
24:19Soon, I hope.
24:20Sooner the better.
24:21I miss that smile.
24:22I miss that smile.
24:37Who is that asshole mosquito?
24:39Who is that asshole mosquito?
24:42Speak!
24:43Come on.
24:44Come on.
24:45Come on.
24:46Come on.
24:51All right.
24:54Okay.
24:55I work for British intelligence.
24:57How do you know Roper?
25:00Egypt.
25:01Nine years ago, I infiltrated an operation of his.
25:04I recruited him out of the counter.
25:06I've been working there ever since.
25:07What are you doing here?
25:10If I tell you, I want guarantees, I'll walk away with a Sistana.
25:14Fly back to London.
25:15Huh?
25:16What a fuck.
25:17Fuck.
25:18Fuck, I do it.
25:19Fuck, I...
25:28Talk.
25:33You've been running weapons deals for the last two years.
25:36Six shipments.
25:38Just a poor rebel army.
25:40There's a military plane coming here tonight, you think it's gonna airdrop the last shipment, an electrical weapon, to ignite your war, but there will be no weapon.
25:55What the fuck do you mean?
25:59It's a trap. It's Roper's idea. The plane will parachute in 50 combat paratroopers, Special Forces Brigade La Hungla.
26:08What will they do?
26:13They'll kill every single one of you.
26:20We have to stop that plane.
26:32It's important that the plane lands somewhere totally secure.
26:36No one knows about this place, right?
26:38No.
26:40It hasn't been used for decades.
26:45Okay.
26:46Call your team. Tell them to bring cameras and we're gonna make this a show.
27:01It's a show.
27:10Yo, Trujillo.
27:11Soy yo.
27:12Venga.
27:13Págame un favor.
27:14Venga separa San Marco.
27:15Ustedes uno de los primeros.
27:17Yeah, yeah.
27:18No, no, no.
27:19No, no, no.
27:20No, no.
27:21No, no.
27:22I can't even wait.
27:23No.
27:25Venga, semechara.
27:27Venga, semecha.
27:28Lápida, lápida.
27:29Lápida, lápida.
27:31Come on, Basil.
27:32Don't let me down.
27:33Fuck.
27:35Fuck.
27:37Fuck.
27:39Fuck.
27:41One okay?
28:00Yeah, all good.
28:05Yeah, I just go back and I am absolutely knackered.
28:11Being taken to a flat they've got for me.
28:13Some bloody warehouse conversion and sodding batter, see?
28:18I could come over and help you settle in.
28:20I would love that, but not tonight, my love.
28:24I am getting up at the crack house for sparrows tomorrow
28:26to go up to Oxfordshire and...
28:29helping out an old friend.
28:31Well, how about I come over tomorrow instead?
28:34We can have dinner.
28:35Darling, I'll call you back. Excuse me, where the hell is this?
28:38The dress-all was given.
28:39That's why head office gave me.
28:41Well, clearly head office is balled up.
28:49Oh, for goodness sake.
28:51Hold on.
28:52We'll just go and find out.
29:08Jesus Christ!
29:10Evening, Your Lordship.
29:15Oh, God.
29:16Oh, I wouldn't bother trying to call Myra Cavendish if I were you.
29:19We've got half an army out there.
29:27What do you want?
29:28Well, first I've got something to show you,
29:31and then you and I can have a chat.
29:45Confirm chief cargo's in the air.
29:46Fine.
29:50Victor, get the jeep ready.
29:52Five minutes.
29:53Yes, sir.
29:54Juan Miguel, would you be kind enough to book me a car
29:57to Bogota Airport tomorrow morning, 11 a.m.?
29:59Si, senor.
30:00Gracias.
30:01My mother was open in a great economy, and my father's auction house was struggling,
30:12as it often was in times of recession.
30:14She could change our lifestyle overnight.
30:19My mother was open in a great economy, and my father's auction house was struggling,
30:25as it often was in times of recession.
30:28She could change our lifestyle overnight.
30:31Out went the champagne,
30:32in came the cheap stuff from Italy.
30:36She once persuaded the local picker,
30:40who never drank champagne in his life, poor chap,
30:43but a glass of Bulma's cider was actually Dom Perignon.
30:51She would start washing the sheets once a month.
30:55At boarding school I got sandwiches instead of the roast beef.
31:00I pride myself on being an adaptable man.
31:04When circumstances demand,
31:07I shed a skin and pick up a new one.
31:10No regrets.
31:12No nostalgia for the past.
31:16Nothing is so precious that it can't be sacrificed.
31:19Nothing and no one.
31:23My father was sentimental.
31:25But you're not.
31:28No.
31:30No, his death cured me of that.
31:35I'm shedding a skin now.
31:38Next to you.
31:41Hmm.
31:43What did I do?
31:44What have you got yourself involved with, Sandy?
31:56What have you got yourself involved with, Sandy?
32:10Regime change on foreign soil?
32:12British diplomat being murdered in his own back garden?
32:16What's the parole board going to say?
32:17I have no idea what you're talking about.
32:24Oh, how was the Columbia trip?
32:27Flying visit, I hear.
32:28Was it seeing the old man?
32:29You see, I already know about the coup.
32:37I know there are arms being smuggled.
32:39I know there's British money involved.
32:40But what I still haven't got is, uh, hard evidence connecting Richard Roper with Myra Cavendish and the Columbian plot.
32:48But you get me that.
32:50And you can walk away.
32:51Squeaky clean.
32:52You might even get to see your kids again.
32:54But you fail me on this.
32:56I will put you away for the rest of your fertile fucking life.
33:03Stop taking the bullet for Richard Roper, Sandy.
33:06Because I tell you this for free.
33:08He will never take one for you.
33:18Night-night.
33:26Cardo.
33:41Dame un segundo con este malparido.
33:46Personal, Cardo.
33:49Ok.
33:56Roper's on his way.
34:04Let me see.
34:19We're going too far.
34:21It was necessary.
34:26Eddie, listen to me, okay?
34:30Deceiving Jose is one thing.
34:32Lying to Roper is another.
34:35When you're with him, you have to make him believe that you still love him.
34:42He's the man in the black car.
34:45The father you've always adored.
34:47You show him nothing less than the devotion he deserves.
34:51Like a dog.
34:58Like a dog.
35:07Just have faith.
35:13Goodbye, Matthew.
35:19Have faith.
35:21Okay.
35:26It's good.
35:36Carlos!
35:36Let's go!
36:06No, no, no, no, no, no, no, no, no.
36:36No, no, no, no.
37:06No, no, no, no, no, no, no, no, no.
37:36No, no, no, no, no, no, no, no.
38:06No, no, no, no, no, no, no, no, no.
38:36No, no, no, no, no, no, no, no.
38:38No, no, no, no, no, no, no, no, no.
38:40No, no, no, no, no, no, no, no.
38:47Now look at that, bang on time.
39:00Why don't you do the honors, Jose?
39:06This is Stout Cortez.
39:08Over.
39:17How's that? How's that, eh?
39:39Shall we?
39:47It's Suela, come here.
39:51The plane's standing east. He's heading our way.
39:55Okay.
39:56Vamos, señores.
39:57We need one of these over here.
39:58Let's make sure we get everything, please.
40:00Let's make it happen.
40:01Vamos a la zona de entrega.
40:05All right, Tibby.
40:07You still angry with me?
40:08No.
40:13I was doing some thinking.
40:17I made a mistake with Matthew Elvis, and I'm sorry.
40:21Well, we've all done that sometimes, haven't we?
40:26All I ever wanted was to please you.
40:28And you do.
40:31We're here now. That's what matters.
40:34Let's take the dupe.
40:35Well, why not?
40:37No sky like a jungle sky.
40:47Up. Let's go.
40:49Up. Let's go.
41:02I hope you come along.
41:08I do have insurance policies in place.
41:10Where did you get that photograph?
41:16Oh, I've been busy, madam.
41:18Do you want to see what else I've got?
41:21The case for the prosecution.
41:24I've got emails from you to Adam Hollywell.
41:27I've got texts to Miami, Medellin.
41:30I've got phone records, alms lists,
41:33and a handwritten note from your luxurious London address
41:39connecting you to Roper's Dirty Plot.
41:42All I need now is the shipment itself.
41:45And that's on its way, isn't it?
41:46There's a plane in the Columbia night sky right now,
42:05with a shiny British weapon for Roper's Rebel Army,
42:10a shiny British weapon for Roper's rebel army,
42:14but Jonathan Pyne's sending it to me.
42:16And when it arrives, there's going to be an international scandal.
42:19Your operation will be exposed,
42:21your investors will be publicly shamed,
42:23and Richard Roper will be no more.
42:25And as for you, you ordered the execution of Rex Mayhew,
42:29one of the gentlest men to ever grace this earth.
42:32For my choice, you'd be home-drawn and courted
42:34on Westminster Bridge for all to see.
42:37But the service wouldn't survive that.
42:40So, tomorrow morning, I want you out.
42:43Resignation letter on the desk.
42:45You can piss off.
42:55Well, let's go.
42:57I despise your kind, you know that.
43:11It's mutual.
43:12I've nothing to apologize for.
43:14I serve my country.
43:17I do the job asked of me,
43:19and I would happily do it again.
43:21Seriously, where the fuck is Carrasco?
43:24On the hill?
43:25He will be the first one to see the plane.
43:27No, you do the honors, Richard.
43:28Like to work on fires.
43:30Richard Roper is not a job you do.
43:33He's a choice you make.
43:34You get into bed with Roper,
43:35you get into bed with weapons of death,
43:37poison, gas,
43:38the murder of children who barely breathe God's air.
43:40You have condemned yourself to the lowest circle of hell,
43:43and I will take fucking pleasure in hearing you scream.
43:47You have condemned yourself to the lowest circle of hell,
43:49and I will take fucking pleasure in hearing you scream.
43:53Oh, you'll want to hear this, it'll be good.
44:14This is London.
44:16This is Consuelo Arbenz.
44:19Head of the Colombian Supreme Court.
44:22I have a visual on the plane,
44:25and we're ready to document the arrival of your British weapon.
44:32The plane's late.
44:34Maybe there's a headwind.
44:37There's no wind.
44:39He should be here.
44:41Maybe it won't come at all.
44:44What do you mean by that?
44:46Jose, if that's a joke, your timing is fucking awful.
44:49I wish it was.
44:51What did you just say?
45:01What Englishman?
45:03Frank Andrew Birch.
45:05I'm sorry, Richard.
45:06They were watching us at the restaurant.
45:12They followed me here.
45:15They know everything.
45:17No second plane to another location.
45:20You are making a very big mistake.
45:22I don't know what this man has told you, but he is a British intelligence agent.
45:26I know who he is.
45:27No, you don't.
45:28I'm telling you, this is a trap.
45:30I know.
45:31You don't know anything.
45:32I know that if I allowed that plane to drop its cargo, I'd be a dead man.
45:38But you wouldn't care, would you?
45:40I'm just another Colombian mosquito.
45:46Give up, Dickie.
45:47Game's over.
45:48Shut the fuck up.
45:49Shut the fuck up.
45:50All right, Jose.
45:51I'll give you that one.
45:52You're not to blame.
45:53But I want you to listen to me very carefully.
45:56That plane's cargo contains exactly what I promised.
45:59A state-of-the-art British electromagnetic pulse weapon.
46:03Took off from a military airfield this afternoon on its way here.
46:06Teddy, tell them.
46:12Teddy, tell them!
46:13What?
46:16What do you want me to say?
46:19That you lied to me about everything?
46:22That you've been using me?
46:26That you always plan to go back to England
46:30to your only son, Danny?
46:36The one that you love so much?
46:39Let me tell you something, Dad.
46:42You will never see that kid ever again.
46:45You die tonight
46:47under my Colombian sky.
46:51And I will bury you myself.
46:53You are very good.
47:11Well, come on then, Teddy.
47:13Let's not disappoint Mr. Birch.
47:14He's come a long way for this.
47:16Show him what you're made of.
47:17Show him the blood you come from.
47:19No problem.
47:20If it were done when tis done, then twere well it were done quickly.
47:24Teddy what?
47:25Why don't I count you down?
47:28One thousand!
47:30Teddy!
47:31Come on!
47:32Nine hundred and...
47:38I do believe that's mine.
47:40Don't.
47:41Hey, hey, hey!
47:42Don't move!
47:43Don't fucking move!
47:44Don't move!
47:46Trust me, Jose.
47:47This is a call you want me to take.
47:54Evening, Frisky.
47:57You're fucking late!
47:58Sorry, Chief.
47:59Bring her in, will you?
48:05Now, where were we?
48:16What's that?
48:18That, my friends, is an aeroplane.
48:24The refuerzos, Carlos!
48:27The refuerzos, Carlos!
48:28You fucking stay still!
48:30There are no soldiers, Jose.
48:32What are they doing here?
48:35I got lost.
48:36See?
48:37There are two sides to every story.
48:39Just as there are sometimes two aeroplanes
48:42with two very different cargoes.
48:47Watch the cops, Jonathan.
48:48Watch the cops, Jonathan.
48:49Oh, shit!
48:51All right, now,ks�ans!
48:52Let us fight!
48:53To get your present!
48:58Hey!
48:59Hey!
49:09Move!
49:11Move!
49:12Er, this way!
49:13We have to go.
49:14Oh, shit, let's go!
49:16We have to go.
49:17Don't you go and open your present, Jose?
49:34You'll never doubt me again.
49:37Don't go there.
49:40Don't go there.
49:44Don't go there.
50:10As I promised.
50:20He sent us a fucking red rose.
50:40Case dismissed.
50:46Guess I'll see you around.
50:48Must visit you in France one day.
50:56You're a real big game hunter, aren't you, Jonathan?
51:01First my American sweetheart in Mallorca.
51:05Now my very own son.
51:08I'm always the prize trophy.
51:11Just like you're hell bent on plunging a stake into my fucking heart.
51:17You demand love by tyranny, Richard.
51:23It'll only get you so far.
51:26Well, we'll see how far it gets me.
51:32As for you, Eduardo, when you were a baby, you had the face of an angel.
51:47I'm sorry.
51:50I'm sorry.
51:52I forgive your immortal soul.
51:56But not your mortal one.
52:02No!
52:03No!
52:04Come on!
52:05No!
52:07No!
52:09No!
52:10No!
52:11No!
52:12Just so you know, Jonathan,
52:40Jonathan, my outfit was real.
52:47We could have done so much together.
52:51Richard, leave that piece of shit to you.
53:04Find him!
53:08Let's go.
53:11Get in!
53:24They're all I see.
53:25I can lose them.
53:26Hold on!
53:28Get in!
53:30Get in!
53:31Get in!
53:32Get in!
53:33Get in!
53:34Go!
53:35Go!
53:36Go!
53:38Go!
53:39Go!
53:40Go!
53:41Let's go, let's go, let's go!
54:11Nothing is so precious that it can't be sacrificed
54:28Nothing and no one
54:30I'm shedding a skin now
54:34Next to you
54:41I've dug deep into the Hollywood fires and there's something else
54:49There's something beyond Roper
54:50There's a bigger game, mum
54:52And I haven't
55:11There's something beyond Roper
55:18There's something beyond Roper
55:22There's something beyond Roper
55:26There's something beyond Roper
55:33There's something beyond Roper
55:37There's something beyond Roper
55:38There's something beyond Roper
55:39There's something beyond Roper
55:40There's something beyond Roper
55:41There's something beyond Roper
55:44There's something beyond Roper
55:46There's something beyond Roper
55:48There's something beyond Roper
55:50There's something beyond Roper
55:52There's something beyond Roper
55:54There's something beyond Roper
55:56Oh, my God.
56:26Hello, Danny.
56:44Hi.
56:48Miss your old man.
56:56Christ, look at you.
57:07What are they feeding you?
57:11Ready?
57:13Where are we going?
57:14I thought I'd bust you out of jail for the weekend.
57:17Give you a tour of the new place at Oxfordshire.
57:20Sandy, show you the pictures?
57:21Yeah.
57:24It looks cool.
57:26There's a tennis court at the back.
57:29Well, I should warn you, I've been practicing.
57:35Seatbelt.
57:39Oh, Danny, there was something I wanted to ask you.
57:41How would you feel about us getting some dogs?
57:48Sounds good.
57:51In Colombia, the death toll has risen to 600 overnight
57:55as civil war rages following Monday's sudden power cut.
57:59As thousands flee Medellin in panic,
58:02the army...
58:02Now, you masters of war
58:16You that build all other guns
58:23You that build the dead plains
58:30You that build the big bombs
58:37You that hide behind walls
58:44You that hide behind
58:49You that hide behind
58:49You that hide behind
58:49You that hide behind
58:49You that hide behind
58:50You that hide behind
58:50You that hide behind
58:51You that hide behind
58:51You that hide behind
58:52You that hide behind
58:53You that hide behind behind
58:54You that hide behind behind
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