- 3 hours ago
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00:00:00You
00:00:05Our paymasters want us at the top table. We may have to stand on some heads to get there
00:00:11My investors chuck in what a few hundred million and in return they get a whole country copper oil lithium
00:00:17I mean, that's the golden goose, right?
00:00:19You told me you know Teddy
00:00:21Extradition to the UK and a life in prison will you get me on the inside if he finds out he will kill me
00:00:27My father died when I was six. I watched them dump him at the gates. Teddy's a cowboy
00:00:32He's not fit for civilized company. Danny is my only son in there
00:00:37What's the last of Alice del cargamento calling the head of Supreme Court absolutely has the authority to open the shipment
00:00:51Everything's wrong
00:00:53Yeah
00:00:55Okay, I want his picture
00:01:05Alex Goodwin
00:01:07Also known as Andrew Birch
00:01:11His name is Jonathan pine
00:01:16He's in Columbia and he's on to our arrangement
00:01:23What do you want me to do?
00:01:25You'll have support teams here and in London identify them and deal with them and
00:01:33Pine where is he now
00:01:38Leave him to me
00:01:53Sm Fifty
00:01:56A
00:02:10Then
00:02:11Third
00:02:12We're
00:02:12James
00:02:13See you
00:02:14Please
00:02:15Save me
00:02:17Dear
00:02:18Please
00:02:18Please
00:02:19Take me
00:03:20How much further?
00:03:27A couple hours.
00:03:29A couple hours.
00:03:41This was a cynical and brutal attack against Alejandro Gualteros.
00:03:45He fought for the justice of this country.
00:03:48And I have to say that we are at high risk.
00:03:50But we are going to increase...
00:03:54Did you receive the red flag?
00:03:59Yeah.
00:04:00Are you moving?
00:04:01Yeah, I'm just about there.
00:04:02Why haven't you gone already?
00:04:03Get to the airport now.
00:04:04Use the exit parcel provided.
00:04:06Okay.
00:04:07Yes, it's me.
00:04:08I'm afraid I'm going to have to cancel our appointment.
00:04:14I have guests.
00:04:15I'll leave you my findings.
00:04:16Postmarked, of course.
00:04:17On A4 line paper.
00:04:18On A4 line paper.
00:04:19I'll leave you my findings.
00:04:20Postmarked, of course.
00:04:21On A4 line paper.
00:04:26One.
00:04:27Okay.
00:04:28Yes, that's good.
00:04:29I'm afraid I'm going to have to cancel our appointment.
00:04:33I have guests.
00:04:33I will leave you my findings.
00:04:35Postmarked, of course.
00:04:37On A4 line paper.
00:04:40Bye-bye.
00:05:04Mr. Carapetion.
00:05:07Yes, how can I help?
00:05:19Can I help you?
00:05:20No, thanks.
00:05:36He had money that needed cleaning. He stole it from a Swiss family bank. It is what we needed.
00:05:54We need the son of a fucking money, right? Or you had a better idea, cabrón.
00:06:00Speak English!
00:06:02Let me tell you something about the man you've been dealing with. He's not a Swiss banker. He's not a Hong Kong investor. He doesn't play the piccolo in a colliery band. He is a British intelligence agent with an indecent habit of getting information people barely knew they had.
00:06:26Many have been susceptible to this gift. And I'd lay money that Roxana Bolaños could be added to that list.
00:06:37What about you, Teddy? Were you susceptible?
00:06:43What do you mean?
00:06:44Answer the question. Were you susceptible?
00:06:52I told Matthew Ellis nothing. And he has achieved nothing. The prosecutor is dead. We will release the cargo and deliver it to the Cabreras. So, everything's as we planned.
00:07:05No. The plan was no mistakes.
00:07:11No. The plan was no mistakes.
00:07:32Where are you, Jonathan?
00:07:34No. The plan was no mistakes.
00:07:35No. The plan was no mistakes.
00:07:36No. The plan was no mistakes.
00:07:37No. The plan was no mistakes.
00:07:38I don't know what a happened.
00:07:48Daddy, Daddy Yankees came to us the Improvement Anadanaa a couple.
00:07:51The plan was no mistakes,chio.
00:07:52Are you sure it's safe here?
00:08:04Nobody's been here since my father was killed.
00:08:22I don't know.
00:08:52I don't know.
00:09:22I don't know.
00:09:52I don't know.
00:10:22I don't know.
00:10:24I don't know.
00:10:32I don't know.
00:10:34I don't know.
00:10:36I don't know.
00:10:38I don't know.
00:10:40I don't know.
00:10:42I don't know.
00:10:44I don't know.
00:10:46I don't know.
00:10:48I don't know.
00:10:52I don't know.
00:10:54I don't know.
00:10:56I don't know.
00:10:58I don't know.
00:11:00I don't know.
00:11:02I don't know.
00:11:04I don't know.
00:11:06I don't know.
00:11:12I don't know.
00:11:14I don't know.
00:11:16I don't know.
00:11:18I don't know.
00:11:20I don't know.
00:11:22I don't know.
00:11:24I don't know.
00:11:26I don't know.
00:11:28I don't know.
00:11:30I don't know.
00:11:32I don't know.
00:11:34I don't know.
00:11:36I've been here.
00:11:37And he and I have history.
00:11:40And now he knows I'm here.
00:11:42So I have to get to him before he gets to me.
00:11:50What about your team?
00:11:52Where are they?
00:11:53There is no team.
00:12:06you told me you had support well there's no one
00:12:14i'm alone
00:12:18what about the guarantees i asked for i can't give you any of those
00:12:26you played me i did what was necessary to get on the inside i trusted you in my life
00:12:35do you have any idea what teddy will do to me if he finds me which is why i need you to stay here
00:12:41keep your phone off make sure tavo stays out of sight they'll be looking for him
00:12:46he's wanted for murder roxana i'm serious it's tavo that we're worried about listen
00:12:51you chose to work with these people you knew what you were getting involved with now i will get you
00:12:57out of this but do not ask me to be grateful you planned this from the minute you approached me
00:13:00no you lied to me you deliberately compromised me and now i have nowhere to go i lied to you
00:13:07let me tell you about a man called waleed he was my friend he had three children he loved cricket and
00:13:14he bled out in my arms because you lied to me
00:13:17you helped me for one reason and one reason only which is to save your own skin
00:13:23i think you like my skin don't you
00:13:34Oh, my God.
00:14:04Oh, my God.
00:14:34Stay here.
00:14:41I'll come back.
00:14:45Do what you want.
00:14:51I will never ask anything of you ever again.
00:14:54I will never ask anything of you ever again.
00:15:24I will never ask anything of you ever again.
00:15:25What am I doing here?
00:15:39I want to talk to you about Alex Goodwin's whereabouts.
00:15:45Alex is dead.
00:15:47Yeah, you said.
00:15:49You were returning his body from Spain, what was left of it.
00:15:52That's right.
00:15:52Not much of it, was there?
00:15:59Taken just yesterday in Medellin.
00:16:02You've been secretly filming this house, Basil.
00:16:09And you met Adam Hollingwell and tricked him into giving you his phone.
00:16:14In the church after Rex's funeral, you promised me that you were loyal.
00:16:28Where's Jonathan Pine?
00:16:30Hmm?
00:16:31I have no idea what you're talking about.
00:16:33Oh, shit.
00:16:35Don't fucking lie to me.
00:16:38I'm going to ask you again.
00:16:41Where is Jonathan Pine?
00:16:43Charlie, let's see if we can jog his memory, shall we?
00:16:55No, no, no, no.
00:17:25I'm fine.
00:17:26For you, Chief.
00:17:27Batterball will show you the way.
00:17:28If you're lucky, you might get a bottle of beer out of it.
00:17:29How are you doing?
00:17:30You look fit.
00:17:31You look fit.
00:17:32He's a rocky.
00:17:33Who are they?
00:17:34Friends from her.
00:17:35You're going to help us find you a boy.
00:17:39Who are they?
00:17:52Friends from her.
00:17:53They're going to help us find your boy.
00:17:58Let me do it.
00:18:00No, no.
00:18:01You focus on the shipment.
00:18:03Your prosecutor's going to release the cargo this morning,
00:18:06fly to Cartagena, get the cargo out of that port.
00:18:08That's transportation.
00:18:11I have boys who can do that.
00:18:12Teddy, listen to me.
00:18:17A man hell-bent on revenge guarantees only his own demise.
00:18:25You and I have to focus on the task at hand.
00:18:29Jose Cabrera, the anniversary.
00:18:33Kings of America.
00:18:35Remember?
00:18:38Answer it.
00:18:57Do you know me?
00:19:03Put him on.
00:19:06Well, you are trouble.
00:19:29The Hilltop Restaurant.
00:19:35I booked a table under the name of Andrew Birch.
00:19:391 p.m.
00:19:40Come alone.
00:19:41Come alone.
00:19:41Go home.
00:20:04Go home.
00:20:05Go home.
00:20:06!
00:20:07Oh, my God.
00:20:37Mr. Hanson, your friend's already here.
00:20:51I'm sorry I couldn't cleave the rest.
00:20:52No, no, no. Don't you worry, Santiago.
00:20:55Andrew's an old colleague from London, the top man.
00:20:58Yes, sir. Thank you.
00:21:07Andrew's.
00:21:11Gilberto.
00:21:17Been too long.
00:21:21Can I get you anything, sir?
00:21:24Two of your delicious juices.
00:21:27And don't bother with menus. We'll both have the steak.
00:21:29And I want to see blood.
00:21:30Yes, sir.
00:21:31Sangre.
00:21:31I should probably warn you
00:21:46that this place is owned by a pal,
00:21:49so if you try anything, you will come badly unstuck.
00:21:52That's why I chose it.
00:21:56I wanted you to feel safe.
00:22:00I, on the other hand, could have had a bullet
00:22:02put in your skull on the drive up here.
00:22:05But you didn't.
00:22:07It's always the drive down.
00:22:12Gracias.
00:22:12You look older.
00:22:21Ha, ha, ha.
00:22:22Yeah.
00:22:24Well, I'm certainly wiser.
00:22:27How's Jed?
00:22:29Glowing, is she?
00:22:32I haven't seen her since Cairo.
00:22:34Well, that's probably best for her health.
00:22:36And Angela Burr.
00:22:40You've spoken to her about all this?
00:22:41Angela Burr is a coward.
00:22:44That's a bit harsh.
00:22:47She made an informed choice.
00:22:49She lied to me.
00:22:51So who knows you're here?
00:22:54Nobody.
00:22:55Oh, bollocks.
00:22:57You always have support.
00:22:58Everyone wants to help Jonathan Pine.
00:23:00Not this time.
00:23:01I'm alone.
00:23:03It's just you and me.
00:23:06Well, if that's true, you're either very confident or rather desperate.
00:23:13I have the shipment list.
00:23:18I know who the arms are being sold to.
00:23:20I also know that you're using Aurora,
00:23:25Teddy's kind-hearted charity,
00:23:28as a front for the recruitment of young soldiers' children
00:23:32to start and fight a rebel war.
00:23:36And I have Roxana Bolanius,
00:23:40ready to turn state witness to save her skin.
00:23:43I'm not desperate.
00:23:46What do you want from me?
00:23:53I want you to hand yourself in.
00:23:56Bring your collaborators down with you.
00:24:00Myra Cavendish, the British funders, all of them.
00:24:02And why would I do that?
00:24:07Because I'm going to break this operation.
00:24:12And when I do,
00:24:15you will fail to repay your Syrian debt
00:24:17of $300 million.
00:24:20And given the kind of people they are,
00:24:23I don't think you want that.
00:24:28Tell you why I think you're here.
00:24:31Go ahead.
00:24:32You've got nothing on me.
00:24:36Nothing.
00:24:38I've never even met this Roxana Bolanius.
00:24:42You can't connect me with Barcaro
00:24:44or the Cabrera operation.
00:24:46All I am is a name.
00:24:48And not even the right one.
00:24:51What about Myra Cavendish,
00:24:53the British government?
00:24:54No.
00:24:55What do you really have on there?
00:24:56You've got a piece of paper.
00:24:58There's no namespension.
00:24:59Page seven in the Guardian, if you're lucky.
00:25:01As for me, you'll never get close.
00:25:05Gracias.
00:25:07I'm in Fortress Columbia now, Jonathan.
00:25:10And as of yesterday,
00:25:11the walls just got a little bit thicker.
00:25:14If you're so confident,
00:25:25why do you bother to come?
00:25:27I hate mess.
00:25:29I want this clear, though.
00:25:32I also have inexplicable affection for you.
00:25:36Now, look here.
00:25:40I'm going to make you an offer.
00:25:43It's a little different to yours,
00:25:44but in my opinion, it's more achievable.
00:25:47Alejandro Galteros is dead.
00:25:49The impoundment order will be lifted within the hour.
00:25:54In a few days, the ship will reach its final destination.
00:25:58And in a few weeks,
00:26:00the first guns will fire.
00:26:03Chaos and carnage will ensue.
00:26:06More guns will be needed.
00:26:08More money.
00:26:09More young flesh.
00:26:12You can't prevent it.
00:26:14So stop trying.
00:26:16Instead, you leave this restaurant
00:26:18after our delightful lunch together.
00:26:20You drive to your safe house.
00:26:23You pick up the Blanias girl.
00:26:26You bring her and the document you have in your possession to me.
00:26:30And then you disappear.
00:26:33In exchange, I wire Matthew Ellis 50 million dollars.
00:26:40For real.
00:26:42Singapore, Zurich, wherever you want.
00:26:45No one knows you're here.
00:26:46Start your life again.
00:26:50Why would I do that?
00:26:54To be a free man.
00:26:59Jonathan,
00:27:01you can't tell me
00:27:02that you've forgotten the beach in Mallorca.
00:27:05I told you then what it takes
00:27:07to see the chaos and grab your chance.
00:27:09I saw the fire in your eyes.
00:27:11I was playing a role.
00:27:12Well, you're always doing that, aren't you?
00:27:15Andrew Birch books the table.
00:27:16Thomas Quince eats the steak.
00:27:18Matthew Ellis downs the wine.
00:27:19No, no, no.
00:27:20I-I struck a chord in you that day.
00:27:23You crave danger.
00:27:25You need the kick.
00:27:27Sex with another man's girl.
00:27:30The smell of death in your nostrils
00:27:32like napalm in a Turkish valley.
00:27:34And above all, you need me.
00:27:44If you came here to win my soul,
00:27:47you could forget it.
00:27:51I came here to offer you the world.
00:27:55It's at your feet.
00:27:56Just bend down and pick it up.
00:27:58You can't offer me the world.
00:28:02You're just a con man.
00:28:05Even when you're stretched out stone-cold dead
00:28:08on a slab of Syrian concrete,
00:28:11you're lying.
00:28:12Why should I believe a word you say?
00:28:16Because you dream of me every night,
00:28:21just as I dream of you.
00:28:23Yesterday, a good man was murdered
00:28:26in a Medellin wasteland with a bullet in his skull,
00:28:29and I failed to stop it.
00:28:30I won't fail again.
00:28:32Conscience and shame,
00:28:33the shackles of slaves.
00:28:35Conscience is what makes us human.
00:28:37Did your father teach you that?
00:28:38Yes, he did.
00:28:39Is that what led him to a pointless death
00:28:40on a street in Belfast,
00:28:42blown to bits by his selfless commitment to service?
00:28:45That's it.
00:28:46That's it.
00:28:46There.
00:28:47That's the hot blood of truth.
00:28:49Go on, Jonathan.
00:28:50Do it.
00:28:50Stick it right through my heart.
00:28:52But before you do that, know this.
00:28:54Your father's values are dying.
00:28:57Mine are in the Ascendant.
00:29:02My father loved me.
00:29:06What about yours?
00:29:07Eight o'clock tomorrow morning.
00:29:25I'm going to call you on this phone.
00:29:30You'll agree to hand yourself in.
00:29:32If you don't,
00:29:36I will destroy you.
00:29:41Thanks for the steak.
00:29:52You are at a fork in the road, my pilgrim.
00:29:56Choose carefully.
00:29:57What's in?
00:30:24Two men in a black fort.
00:30:26To your left.
00:30:30Did you get it all?
00:30:32I think so.
00:30:34To our meeting point.
00:30:36Take the scenic route.
00:30:37I need some time.
00:30:38Okay.
00:30:39Okay.
00:30:39Okay.
00:30:39He's alone.
00:31:08Easy to say goodbye?
00:31:11No.
00:31:13Follow him.
00:31:14Find out where he's keeping the girl.
00:31:38Find out where he's keeping the girl.
00:32:04Your friend Jane called me.
00:32:16She's still in Medellin.
00:32:18She's trying to contact Chief Justice Consuelo Ardenes.
00:32:23She should have left.
00:32:26She should be in Europe by now.
00:32:29It seems you inspire loyalty, Mr. Robinson.
00:32:36Go back to La Estancia.
00:32:38Keep listening.
00:32:39I see you, Medellin, okay?
00:32:41Okay.
00:32:43Where the fuck are you going?
00:32:58Where the fuck are you going?
00:33:11No.
00:33:12Ah, fuck this.
00:33:17Yeah, fuck off.
00:33:33Run it back.
00:33:34He's gone out the window.
00:33:36I see you, Medellin.
00:34:05Consuelo Arbenz.
00:34:07My name is Jane.
00:34:09I'm a friend of Alejandro Guterres.
00:34:13He was killed because he was trying to meet with you, Chief Justice.
00:34:17I know who killed him and I know why.
00:34:31Yeah, I can see.
00:34:33Because there's a coup being planned in your country, Consuelo.
00:34:35And you're going to help me stop it.
00:34:47Open up.
00:35:03It's all here.
00:35:11What if?
00:35:13Who's talking?
00:35:15Who's talking?
00:35:17Who's talking?
00:35:19Who's talking?
00:35:21Who's talking?
00:35:23Who's talking?
00:35:25Who's talking?
00:35:29Who's talking?
00:35:33You look anxious.
00:35:37Meet me where we took the boat trip.
00:35:39Twenty minutes.
00:35:40Come alone.
00:35:41And I'll tell you the truth about Richard on Zoroper.
00:35:43And I'll tell you the truth about Richard on Zoroper.
00:35:45Who's talking?
00:35:57Yeah.
00:35:59No.
00:36:31A fellow called Eduardo dos Santos. Where'd you find him?
00:36:36Just picked him up along the way.
00:36:39Wild past.
00:36:42Not loyal.
00:36:45Like one of these.
00:36:47Does he know the game?
00:36:50He knows as much as he needs to.
00:36:53And when all this is over,
00:36:56what we do, you're gonna bring it back with you.
00:36:58Teddy and the Athenaeum.
00:37:02I dread to think.
00:37:05No, Teddy's a cowboy.
00:37:08You should see him on a horse.
00:37:11A thing of beauty.
00:37:14And he's not fit for civilized company.
00:37:18Then we can get rid of him.
00:37:20It's easily done, I imagine.
00:37:21Well, let's jump that fence when we come to a joint.
00:37:26Whoa, whoa, whoa.
00:37:27Let me explain.
00:37:28What the fuck is this?
00:37:29I recorded this conversation yesterday afternoon.
00:37:32Roper is talking to his confidant,
00:37:34Lord Alexander Langborn.
00:37:35Fucking lying.
00:37:36Langborn gave Roper a British passport
00:37:38and a brochure for a house in the heart of England.
00:37:41Extremely beautiful.
00:37:42But it's not for you.
00:37:46Did Roper tell you who I am?
00:37:48I'm a British intelligence agent.
00:37:50I infiltrated an arms operation.
00:37:51He was running in Cairo in Egypt nine years ago.
00:37:54I betrayed him to his captors.
00:37:55I took his money.
00:37:56That's the money you've been paying back.
00:37:58Okay, from the moment he arrived in Colombia,
00:38:00he's had one aim,
00:38:01to settle his debts and get home.
00:38:04And he's used you to do it.
00:38:06I'm not lying.
00:38:07Shut the fuck up!
00:38:08Stop playing with me!
00:38:09What did he tell you?
00:38:10That Barquero was just the beginning of something bigger?
00:38:13That you'd rule this continent together?
00:38:16Is that what he told you?
00:38:18I know Roper's your father.
00:38:21I went to your mother's grave.
00:38:23Don't talk about my mother, cabrón.
00:38:24I brought up the flower you paid
00:38:25if you placed on it every month.
00:38:26I spoke to your sister, Clara.
00:38:28I've been to the monastery where you were brought up.
00:38:33Every year you waited for him in the black car.
00:38:35You lived for that visit
00:38:36just as you've lived for him ever since.
00:38:39What the fuck do you want from me?
00:38:48Play the last file.
00:38:49There's something I want you to do when you get back.
00:39:06Sure.
00:39:06Anything in my mouth.
00:39:08It's Danny.
00:39:10I want him back.
00:39:11We'll be at the Oxfordshire house.
00:39:13I've lost ten years of my boy's life.
00:39:15He's away at boarding school.
00:39:17Then take him out.
00:39:19Danny is my family.
00:39:22He's my only son and heir.
00:39:24He's mine.
00:39:27Danny Onslow Roper.
00:39:30Did Roper tell you about him?
00:39:32His other son?
00:39:34Did he?
00:39:35Did he?
00:39:37Did Roper tell you about Danny Teddy?
00:39:39Teddy.
00:39:40Teddy.
00:39:41Listen.
00:39:42Who the fuck are you?
00:39:43Listen, listen.
00:39:44The son he prizes
00:39:44is sitting in an English schoolroom right now.
00:39:48He's used you, Teddy.
00:39:49Your love and your devotion
00:39:51use you like a dog.
00:39:52Because it's not worth the risk
00:39:54to keep your life.
00:39:55It's the truth.
00:39:56This is who he is.
00:39:57You don't deserve this, Teddy.
00:39:58Don't.
00:39:59It's okay.
00:40:22It's okay.
00:40:22It's okay.
00:40:25It's okay.
00:40:26When did you last see your sister?
00:40:40She's been waiting for you.
00:40:44She's here.
00:40:44She's been waiting for you.
00:41:14She's been waiting for you.
00:41:34Ay, Eduardo.
00:41:37Eres tú, de verdad.
00:41:39Ay, mi hermanito.
00:41:40Ay, mi hermanito.
00:41:43¿Clara?
00:41:46Yo pensé que no te iba a volver a ver.
00:41:49¿Dónde estaba?
00:41:51Perdón.
00:41:55Perdón.
00:41:56Ya, ya, ya, ya.
00:41:59Perdóname.
00:42:05Perdón.
00:42:05Perdóname.
00:42:20Perdóname.
00:42:28Perdóname.
00:42:28Perdóname.
00:42:30What does he have, Juan, besides the girl?
00:42:41What have I not seen?
00:42:43Nothing, he's bluffing.
00:42:47Revisit every place he's been.
00:42:48Come on, Richard.
00:42:50We've done it.
00:42:51We'll do it again.
00:42:53Every hotel, shop, restaurant.
00:42:57Okay.
00:43:00All right, let's come in, Lucas.
00:43:04Come on.
00:43:06Come here.
00:43:07Good girl.
00:43:08Good girl, yes.
00:43:11I know, I know.
00:43:13Good girl.
00:43:31Good girl.
00:43:33I don't know.
00:44:03I don't know.
00:44:33I don't know.
00:44:34I don't know.
00:44:35I don't know.
00:44:36I don't know.
00:44:37I don't know.
00:44:38I don't know.
00:44:39I don't know.
00:44:40I don't know.
00:44:41I don't know.
00:44:42I don't know.
00:44:43I don't know.
00:44:44I don't know.
00:44:45I don't know.
00:44:46I don't know.
00:44:47I don't know.
00:44:48I don't know.
00:44:49I don't know.
00:44:50I don't know.
00:44:51I don't know.
00:44:52I don't know.
00:44:53I don't know.
00:44:54I don't know.
00:44:55I don't know.
00:44:56I don't know.
00:44:57I don't know.
00:44:58I don't know.
00:44:59I don't know.
00:45:00I don't know.
00:45:01I don't know.
00:45:02I don't know.
00:45:03I don't know.
00:45:04I don't know.
00:45:05I don't know.
00:45:06I don't know.
00:45:07I don't know.
00:45:08I don't know.
00:45:09Let's go!
00:45:10Let's go!
00:45:11Let's go!
00:45:13Alright!
00:45:14Let's go cold, let's go eat it!
00:45:35It's an electromagnetic weapon, British made.
00:45:44Jose Cabrera's men will drive the weapon into the middle of Medellin
00:45:47during the celebrations of the anniversary of the peace.
00:45:55When it detonates, it will plunge the city into darkness, chaos.
00:46:02Homes and hospitals without power.
00:46:05People will die.
00:46:07The thing will break out, and the government will be blamed.
00:46:12And then, we will send our army to restore security in the country.
00:46:21How will you get the weapon to Jose Cabrera?
00:46:23There is a military base a few hours from here.
00:46:26I drive the truck there now.
00:46:28Tomorrow, the weapon will be dropped by parachute in Cabrera's camp in the jungle.
00:46:35I need to find a way to divert that plane.
00:46:41Only Cabrera can do that.
00:46:43Okay, well, I need the planes, details, anything you can get.
00:46:47Edwardo, be careful.
00:46:59Be careful.
00:47:03You too.
00:47:04All good?
00:47:05Yeah, yeah.
00:47:06How it goes?
00:47:07All good?
00:47:08Yeah, yeah.
00:47:09How it goes?
00:47:11All good?
00:47:12Yeah, yeah.
00:47:13All good?
00:47:14All good?
00:47:15Yeah, yeah.
00:47:16All good?
00:47:17...
00:47:27How it goes?
00:47:30Yeah, yeah.
00:47:31All good?
00:47:32You good?
00:47:34You good?
00:47:36Let's go, hágale!
00:47:54Richard!
00:47:56.
00:48:03.
00:48:07.
00:48:11.
00:48:12.
00:48:13.
00:48:14.
00:48:15.
00:48:16.
00:48:17.
00:48:18.
00:48:19Leave me alone.
00:48:42Do you not understand plain fucking English?
00:48:44I said alone!
00:48:49Is that Teddy?
00:48:53Answer it.
00:49:03What the fuck do you want, Roxanna?
00:49:09You okay?
00:49:14You okay?
00:49:30Yeah, it was a close call, but I needed the exercise.
00:49:43He shouldn't be here, he should have left.
00:49:45Yeah, but I told you I'm just not the leaving type.
00:49:49Where's Teddy?
00:49:52Teddy's with the cargo.
00:49:53Do you really think he's gonna come through?
00:49:55I don't know.
00:50:10It's true I was onto you, you've been keeping things from me, spinning me half-truths,
00:50:38treating me like a bloody fool, so I followed you, I found this house, I tricked Adam Hollywell,
00:50:45it wasn't rocket science, the man's a moron, I know there's a game on, Columbia, arms smuggling,
00:50:52securing mineral deposits, sponsoring regime change, what do you know about Jonathan Pine's plan?
00:50:57Nothing, I didn't even know that prick was still alive, whoever lied about his body, it wasn't me,
00:51:05I've given my life to this service.
00:51:08Thank you for your hard work, Basil, and your sacrifice, but as I said, sometimes we have
00:51:18to stand on some heads. Game over.
00:51:21Myra, please. Myra.
00:51:24I'm a bard.
00:51:42I see there's a way for the moon, so we're going to stay here.
00:52:12As long as we need.
00:52:13I see there's a way for the moon, so we're going to stay here.
00:52:41Everything go all right?
00:52:42It's all good.
00:52:43They're loading the plane now.
00:52:45They'll be ready to fly tomorrow.
00:52:48Your boat was switched off the port.
00:52:51I know.
00:52:52I'm sorry.
00:52:53I was doing some paperwork.
00:52:54It was a busy storm.
00:52:56Hungry?
00:52:57Bats has left you something.
00:53:00Best thing about Columbia, that woman.
00:53:04Now I get the literature, friends.
00:53:05Come on.
00:53:06It's all the good.
00:53:07I'm sorry.
00:53:08OK.
00:53:09I'm sorry.
00:53:10I'm sorry.
00:53:11I'm sorry for all of you.
00:53:12I'm sorry.
00:53:13I'm sorry for the long run.
00:53:14I'm sorry for the long run.
00:53:15It's all difficult.
00:53:16Any joy, Friskie?
00:53:17Here so far, boss?
00:53:19Clear so far, boss.
00:53:23What happened?
00:53:25Your English friend has been listening in on the house.
00:53:28Hey, fellas, come on.
00:53:31How could he do that?
00:53:34I don't know.
00:53:36Suppose one possibility is that he followed you here,
00:53:41which means he's inside the operation.
00:53:44What should we do?
00:53:46Will you leave that to me?
00:53:49Don't take it personally, but when the weather gets rough,
00:53:52I tighten the ship.
00:53:54I think I might take a walk, just stretch the legs.
00:53:58Can I go walk with you?
00:54:00No, you get your busy sleep.
00:54:02Big day for you tomorrow.
00:54:04You two guys go across.
00:54:07Come on, let's go.
00:54:08Come on, let's go.
00:54:09Oh, man.
00:54:09El jefe sabe de ahí allá.
00:54:11Cuán más micrófonos que no lo encuentran.
00:54:15Para hoy, el que encuentra es algo que me lo diga,
00:54:17pero ya.
00:54:17Fuera de aquí.
00:54:19Fuera.
00:54:20Fuera.
00:54:24Fuera.
00:54:24Fuera.
00:54:25Fuera.
00:54:26Fuera.
00:54:27Fuera.
00:54:28Fuera.
00:54:29Fuera.
00:54:30Fuera.
00:54:31Fuera.
00:54:32Fuera.
00:54:33Fuera.
00:54:34Fuera.
00:54:35Fuera.
00:54:36Fuera.
00:54:37Fuera.
00:54:38Fuera.
00:54:39Fuera.
00:54:40Fuera.
00:54:41Fuera.
00:54:42Fuera.
00:54:43Fuera.
00:54:44Fuera.
00:54:45Fuera.
00:54:46Fuera.
00:54:47Fuera.
00:54:48Fuera.
00:54:49Fuera.
00:54:50Fuera.
00:54:51Fuera.
00:54:52Fuera.
00:54:53Fuera.
00:54:54Fuera.
00:54:55Fuera.
00:54:56Fuera.
00:54:57Fuera.
00:54:58Fuera.
00:54:59Fuera.
00:55:00Fuera.
00:55:01Fuera.
00:55:02Fuera.
00:55:03Fuera.
00:55:04Fuera.
00:55:05Fuera.
00:55:06Fuera.
00:55:37Is that him?
00:55:51Yeah.
00:56:00You really did win his heart, didn't you?
00:56:05Look.
00:56:07The plane will take off tomorrow afternoon.
00:56:11It'll fly to Cabrera's camp in the jungle.
00:56:14We have to make sure it never gets there.
00:56:37Sal.
00:56:37Sal.
00:56:39Sal.
00:56:42Vamos, Camina.
00:56:48Roxana Bolaños.
00:56:49My name is Richard Roper.
00:56:54So I've heard.
00:56:58My friends call me Dickie.
00:57:00But you're not one of them.
00:57:04You could be, if you do me a favor.
00:57:06But if you try to deceive me, I will send you back to your mother in Miami.
00:57:13And I will send you there in 31 shoeboxes.
00:57:18One box a day for a month.
00:57:21I'm pretty sure we can keep you alive for at least a week.
00:57:24So what do you want?
00:57:30Clarissimo.
00:57:38So what do you want?
00:57:39I want Jonathan Pine.
00:57:46I want Jonathan Pine.
00:57:46Well, no, I know his name.
00:57:50I want Jonathan Pine.
00:57:51I want Jonathan Pine.
00:57:52I want Jonathan Pine.
00:57:53I want Jonathan Pine.
00:57:54I want Jonathan Pine.
00:57:55I want Jonathan Pine.
00:57:56I want Jonathan Pine.
00:57:57I want Jonathan Pine.
00:57:58I want Jonathan Pine.
00:57:59I want Jonathan Pine.
00:58:00I want Jonathan Pine.
00:58:01I want Jonathan Pine.
00:58:02I want Jonathan Pine.
00:58:03I want Jonathan Pine.
00:58:04I want Jonathan Pine.
00:58:05I want Jonathan Pine.
00:58:06I want Jonathan Pine.
00:58:07I want Jonathan Pine.
00:58:08I want Jonathan Pine.
00:58:09I want Jonathan Pine.
00:58:10I want Jonathan Pine.
00:58:11I want Jonathan Pine.
00:58:12I want Jonathan Pine.
00:58:13I want Jonathan Pine.
00:58:14I want Jonathan Pine.
00:58:15I want Jonathan Pine.
00:58:16I want Jonathan Pine.
00:58:17I want Jonathan Pine.
00:58:18I want Jonathan Pine Pine.
00:58:19Transcription by CastingWords
00:58:49CastingWords
00:59:19CastingWords
00:59:49CastingWords
01:00:19CastingWords
01:00:49CastingWords
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