- 2 days ago
Disturbing terror from director Steven Spielberg. A young couple move into a farmhouse with their two children and begin to suffer untold torment at the unseen hands of a demonic presence.
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Short filmTranscript
00:00:00You shall be taken, you shall be taken, be taken, be taken, be taken.
00:00:30What do you think?
00:00:44What do you think?
00:00:51You shall be taken anão.
00:02:30This place is for sale.
00:02:50Paul, this place is for sale.
00:02:55This place is two hours from New York City.
00:02:59It's a long way to commute.
00:03:01I like your view of the place better.
00:03:26It's more romantic.
00:03:28It's more romantic.
00:03:28Who do you suppose that is?
00:03:53Well, maybe it's the owner.
00:04:05Stevie, you come here now.
00:04:07You be careful.
00:04:07I almost caught a rat.
00:04:14Rats.
00:04:16We might as well be back in the city.
00:04:17Oh, I expect the rats are healthier out here.
00:04:23Probably.
00:04:25Paul.
00:04:28Oh.
00:04:28Why don't you go speak to the man and see if he is the owner.
00:04:32Now, if we buy a house, there'll be no trip to Europe.
00:04:38There'll be no second car for you.
00:04:40There'll be no summer camp for Stevie.
00:04:42Oh, well, this is a summer camp.
00:04:44I think...
00:07:14I could farm the land for you.
00:07:17No, no, I, uh, I can't afford both places.
00:07:25Well, you know better what you have to do.
00:07:28It's for sale, what the sign says.
00:07:31Still, it's, um, it's a strange place.
00:07:37Well, the water is sweet, isn't it?
00:07:38I mean, it's got a good deep well.
00:07:39Hmm.
00:07:40Well, the land's not worn out, is it?
00:07:44No, the soil's fine.
00:07:45Yeah.
00:07:47It's better than most.
00:07:51But it's a different place.
00:07:53The, uh, land's really a living thing to you, isn't it?
00:07:59Well, the land breathes like any man.
00:08:03And different, because one is from another.
00:08:07Good and bad.
00:08:08Well, it's a real fixer-upper.
00:08:27We could swing it, but, uh...
00:08:29Oh, Paul, I love this house.
00:08:30Please, let me try.
00:08:32Please.
00:08:34Can we really swing it, do you think?
00:08:37Yeah.
00:08:39How soon can we move in?
00:08:42Hey, do I do?
00:08:43Here, let go of my kitchen.
00:08:59I made it myself.
00:09:07That's a pentacle to ward off evil.
00:09:10Oh.
00:09:11It's a kind of nice design.
00:09:12I think I'll leave it there.
00:09:14Well, it's one thing to paint it on.
00:09:16It's another thing to believe in it.
00:09:29So, let's go.
00:09:44Hmm.
00:09:48Hmm.
00:09:48Hmm.
00:09:51Hmm.
00:09:54Hmm.
00:09:54Hmm.
00:09:55Hmm.
00:09:56Hmm.
00:09:56Hmm.
00:09:57Hmm.
00:09:58THE END
00:10:28Yeah, you are now as protected from evil as any barn in Bucks County.
00:10:54One bite?
00:10:55No, one.
00:10:55No.
00:10:58No.
00:10:59No, I mean, really, they are.
00:11:00They're great.
00:11:01No, I mean, really, they are.
00:11:02They're great.
00:11:03You're just liable to start a whole new design craze.
00:11:04Think so?
00:11:05Yeah, I think so.
00:11:06I fed the kids early for a change, so it's just the two of us.
00:11:08I fed the kids early for a change, so it's just the two of us.
00:11:15No?
00:11:16Nothing special in mine.
00:11:17Okay.
00:11:18Okay.
00:11:19Okay.
00:11:20Okay.
00:11:21Are these our tomatoes?
00:11:22Mm-hmm.
00:11:23I have something that I want to tell you.
00:11:25Are these our tomatoes?
00:11:26Mm-hmm.
00:11:27Mm-hmm.
00:11:28I have something that I want to tell you.
00:11:30Mm-hmm.
00:11:31You know, I saw German in the field today, and he had killed a chicken, and he was letting
00:11:37it bleed, and then he was swinging it back and forth all over the ground.
00:11:41How do you like that?
00:11:43I had an appetite before that.
00:11:44Well, I'm sorry, but I had to tell you.
00:11:45I'm sorry.
00:11:46Well, I told you, these people around here are very strange, you know.
00:11:48I'll take the chicken.
00:11:49Killing a chicken and letting it bleed in the field probably means that they're trying
00:12:03to put fertility into the land.
00:12:05No.
00:12:06Well, you know, some of these old ideas, these old beliefs, they die very hard.
00:12:10As hard as the chicken?
00:12:11Oh, come on.
00:12:12They're probably going to have it for dinner anyway.
00:12:13Mm.
00:12:14I didn't tell you.
00:12:15I think I made a couple of house payments in the place.
00:12:16Oh.
00:12:17Yeah.
00:12:18We're going to rent the place for an apple bar commercial.
00:12:19I think it's a good idea.
00:12:20Fresh air and clean well water and that whole image.
00:12:21I thought we might have a housewarming after the shoot.
00:12:22You know, with the cast and the crew and, well, maybe a couple of guys from the agency.
00:12:26Fine.
00:12:27Good idea?
00:12:28Mm-hmm.
00:12:29Yeah.
00:12:30I thought we might have a housewarming after the shoot.
00:12:33You know, with the cast and the crew and, well, maybe a couple of guys from the agency.
00:12:38Fine.
00:12:39Good idea?
00:12:40OK.
00:12:41Wow.
00:12:42Yeah.
00:12:43Oh.
00:12:44Mom!
00:12:50Mom!
00:12:54Mom!
00:13:00Mom!
00:13:04Mom!
00:13:10Mom!
00:13:12Mom!
00:13:16Mom!
00:13:18Mom!
00:13:20Mom!
00:13:22Mom!
00:13:24Mom!
00:13:26Mom!
00:13:28Mom!
00:13:30Mom!
00:13:32Mom!
00:13:34Mom!
00:13:36Mom!
00:13:38Mom!
00:13:40Wow.
00:14:10No!
00:14:14No!
00:14:20No!
00:14:22No!
00:14:34No!
00:14:40No!
00:14:44No!
00:14:46No!
00:14:48No!
00:14:52No!
00:14:58No!
00:15:02No!
00:18:04I'll sing.
00:18:06Here we go.
00:18:08Come on, it's all right.
00:18:14It's just a dream.
00:18:15Let me hear it.
00:18:16Stevie, it's all right.
00:18:17It's just a dream.
00:18:20It's all right.
00:18:21Okay.
00:18:22Come on.
00:18:23That's it.
00:18:38What's the matter?
00:18:56You've been here a long time.
00:18:57What's wrong?
00:19:00Is Laura all right?
00:19:02She's sleeping.
00:19:03You better get back to bed, too.
00:19:04See ya.
00:19:05Come on, Steve.
00:19:08Wait a minute.
00:19:09Get your feet up.
00:19:13Stand up.
00:19:14Oh, boy.
00:19:17You're getting too heavy, you know that?
00:19:20You're just growing up too much.
00:19:23Oh, boy.
00:19:26Come on, big fella.
00:19:33Speed.
00:19:34Quiet, Doc. Settle down.
00:19:35Apples come in chocolate brown.
00:19:38Mmm.
00:19:40They're wonderful.
00:19:42Apples come in taffy gold.
00:19:45Mmm.
00:19:46They're scrumptious.
00:19:49Listen to me.
00:19:50All you folks.
00:19:52Hear me when I say.
00:19:55Apple bar.
00:19:57Apple bar.
00:19:58Send me all the way.
00:20:01Cut.
00:20:07All right, let's take it from the top, boys.
00:20:09Beth, baby, you forgot to make me believe that you eat this junk.
00:20:13Now, you just gotta.
00:20:14I'll do it.
00:20:14All right.
00:20:15Get up on the word wonderful, not scrumptious, okay?
00:20:22All right, but there's no more enthusiasm.
00:20:24Paul?
00:20:25Paul?
00:20:25Yeah, here.
00:20:28Picking up a weird time here.
00:20:30I can't figure out what it is.
00:20:32I out your jet?
00:20:33No, it's no jet.
00:20:35Yeah, listen.
00:20:41That's weird.
00:20:42Uh-huh.
00:20:45Marge!
00:20:47Marge!
00:20:48Honey, did you remember to turn out the refrigerator like I have?
00:20:56Yes, and the freezer, too.
00:20:58You did?
00:21:00All right, settle down, everybody.
00:21:01We're listening for a strange sound.
00:21:02Look, Paul, I don't know why you're worried about the sound anyway.
00:21:04I mean, that girl can't sing at all.
00:21:06We're going to dub another voice in later, but I just wanted to get a clear track.
00:21:18It's all right.
00:21:20Okay, fellas, try this.
00:21:24What are you doing, Beth?
00:21:27Oh, no.
00:21:29Well, I don't know what it was, but it's gone now.
00:21:32It is?
00:21:32Yeah, sounds all right.
00:21:36Well, okay, let's go.
00:21:39All right, all right, all right, all right.
00:21:41Settle down, settle down.
00:21:42Let's get position number one.
00:21:44Now, Beth, remember, get up on wonderful.
00:21:48Okay, ready?
00:21:50Apples come in chocolate brown.
00:21:53Mmm, they're wonderful.
00:21:57Apples come in taffy gold.
00:22:01Mmm, scrumptious.
00:22:04Kisses for you.
00:22:09All you get.
00:22:10Church.
00:22:12You said that girl couldn't sing.
00:22:14But she sure is good looking.
00:22:16Yeah.
00:22:16I don't know.
00:22:18What kind of class?
00:22:20An acting class.
00:22:20Yeah, what about...
00:22:21This is to ward off the demons of the Pennsylvania countryside.
00:22:25All right, okay.
00:22:28Whatever it is.
00:22:28Yeah, yeah.
00:22:29And, and, and I have one for you.
00:22:32And that was the time that Hal Clement caught Blackwater fever.
00:22:38Wow.
00:22:39One for you.
00:22:40Earned my award for today's work.
00:22:42You seem to know something about all those things.
00:22:44Not really, but I had this boyfriend who was really nuts about spooks and devils and all
00:22:49of that.
00:22:50So he turned me on.
00:22:52You turned me on.
00:22:53Yeah, well...
00:22:54Listen.
00:22:55See you later.
00:22:55See you later.
00:22:56I don't...
00:22:57I mean, the trees are just beautiful.
00:22:59Have you been doing any gardening?
00:23:00No, I haven't started that yet.
00:23:02And what?
00:23:02It'll have so much to do in the house.
00:23:03Oh, the house looks lovely.
00:23:06Oh, thank you.
00:23:06It really does.
00:23:07We're going to put it around for miles.
00:23:08There are airlifting supplies in.
00:23:09Location manager takes one look at the site.
00:23:11It's just as far as the eye can see is jungle.
00:23:13And he takes a look at it.
00:23:14And he says, you know, when I was a kid, all this used to be apartment houses and hotels.
00:23:20Well, it's been a lovely party anyway.
00:23:25Come on, I'll take you home.
00:23:26Okay.
00:23:32Come on, I'll take you home.
00:24:02I mean, the police only said that there was...
00:24:07That the place was badly marked.
00:24:08And they had no other explanation than that.
00:24:12If we hadn't given the party, they'd still be alive.
00:24:17Well, you can't figure things like that, honey.
00:24:20Now, don't you go collecting any free-floating guilt now, you hear?
00:24:23But it's true.
00:24:26Well, yeah, it's true.
00:24:28If he hadn't come out here, he'd still be alive.
00:24:30If he'd gotten a sore throat, he'd stay in the city.
00:24:32If they'd turned right instead of left at our gate and gone through Washington's corner,
00:24:37yeah, they'd still be alive.
00:24:38But you can't figure things like that.
00:24:41I mean, there's no other explanation for it.
00:24:42You know, you're not.
00:24:52You're so...
00:24:53You're so sorry.
00:24:54You're so sorry.
00:24:55You're so sorry.
00:24:55You're so sorry.
00:25:26Thank you, thank you very much, my dear.
00:25:47We're looking for a singer.
00:25:50We'll try it once again.
00:25:52Yeah.
00:25:53Who?
00:25:54Oh, yeah, of course.
00:25:55Put her on.
00:25:56Hello, honey.
00:25:57What's up?
00:25:58I just saw Gariman in the field again.
00:26:00He's killed another chicken.
00:26:01I can't tell you how ugly I find it.
00:26:03Well, I'll have to talk to him, honey.
00:26:05I just won't have it anymore.
00:26:07Now, will you relax?
00:26:08I'll be late tonight, but I'll talk to him first thing in the morning, okay?
00:26:11Okay.
00:26:12You know, I heard a baby crying in the barn the other night.
00:26:16And when I went out to sea, then it sounded as if it were coming from the house.
00:26:20Honey, will you please not do that?
00:26:22If there's something disturbing in the middle of the night, get me up.
00:26:25We're auditioning girl singers.
00:26:26I'm a little busy.
00:26:28I'll talk together in the morning, okay?
00:26:30Bye.
00:26:58We'll go.
00:27:02I don't want to wait.
00:27:03People, I don't care about it.
00:27:06Drink in this water.
00:27:07Take off me.
00:27:08I don't get somebody else wondering.
00:27:09This place is discouraging.
00:27:11Well written it.
00:27:14An accident of your friends is getting killed.
00:27:16You read your Bible.
00:27:18It's an accident, you're friends.
00:27:20It's getting too bad.
00:27:22You're right here, Bob.
00:27:40Well, that's that.
00:27:41What did you say to him?
00:27:42He was waving his arms all over.
00:27:44He said something, I said something.
00:27:46He yelled, I yelled.
00:27:48I'm firing him.
00:27:49We'll have to get somebody else to work the place.
00:27:52He said we were fools.
00:27:54And he'd rather not work for fools.
00:27:56Well, how did he justify that?
00:27:58He said we were mocking the devil, especially you.
00:28:02He inferred that we caused that accident.
00:28:06Drinking and foolishness.
00:28:09You think everybody around here thinks that of us?
00:28:18Hey, watch it there, Stevie.
00:28:24What are you doing there?
00:28:25You getting more on your plate than you're on your mouth?
00:28:28Oh, look at Pam Twirl.
00:28:29And look at Bruce.
00:28:33You have more neighbors than you think, you know.
00:28:35Really?
00:28:35Come on.
00:28:36Boozy out of now.
00:28:37What's up?
00:28:37I've seen you do so many good things in a mix of a movie.
00:28:40I don't think I have him.
00:28:41Sure, sure.
00:28:42Here's no one a mile away from you guys.
00:28:45I heard you.
00:28:46How do you do?
00:28:47Here's the one.
00:28:48A mile down from you at the first turn.
00:28:50Oh, yeah.
00:28:51Those friends of yours, they would kill them.
00:28:53My brother.
00:28:54Oh, really?
00:28:54Terrible thing.
00:28:55Yes, it was.
00:28:56Mag?
00:28:56Mag?
00:28:57Here are the people whose friends would kill them all for up to me.
00:28:59My wife.
00:29:00My wife.
00:29:00My daughter.
00:29:01No.
00:29:02Oh, yeah.
00:29:03These are the Hankins.
00:29:04Stop it.
00:29:05You're doing that.
00:29:06Marjorie Warden.
00:29:07Marjorie Warden.
00:29:09Marjorie Warden.
00:29:14I've heard a lot of conversation coming and going.
00:29:20Would you follow me?
00:29:21Don't you meet her?
00:29:22I need you.
00:29:24Oh, how do you do?
00:29:26I'm Marjorie Warden.
00:29:27Oh, I'm Ernest Lincoln.
00:29:28Weren't those people killed on your property?
00:29:30It was on the Shiller property.
00:29:33Mrs. Warden, excuse me.
00:29:35Marjorie Warden.
00:29:38Harry, this is Miss Lister and Mrs. Warden, your ladies' guests and neighbors, Harry.
00:29:45Good, good.
00:29:46I've heard you.
00:29:47And this is, excuse me, this is Ernest.
00:29:51Harry's mid-air.
00:29:52Oh, they do.
00:29:53Terrible.
00:29:54Terrible.
00:29:54Put things out to the hungry ones.
00:29:56Sure thing.
00:29:57Sure thing, Harry.
00:29:58Are you retired, sir?
00:30:01No, my uncle compiles cookbooks.
00:30:03He's a very good...
00:30:04What?
00:30:05They want to know what you do.
00:30:07I put together cookbooks.
00:30:09Yeah.
00:30:09I saw an example of your work with the Pentacles.
00:30:13Very skillful handling of the design.
00:30:15Remarkable.
00:30:15Where on earth did you see that?
00:30:18They want to know how you know about the Pentacles.
00:30:21I was over at the Shillers.
00:30:22That's how I know that.
00:30:24They have one tacked up on their new fence.
00:30:26The fence the couple crashed into.
00:30:28Terrible.
00:30:28Terrible.
00:30:29And your manners along with it will wipe your mouth off.
00:30:38Terrible energy.
00:30:39Only child.
00:30:40No, no, no.
00:30:40Small daughter at home in the city.
00:30:42I put together a Pennsylvania Dutch cookbook once.
00:30:47Amish, Germanic, solid, stick-to-the-ribs kind of food.
00:30:50I illustrated it with Pentacles and Hexes.
00:30:53I've got a lot of books on the subject.
00:30:54I've studied it a lot faster.
00:30:56I bet you'd like to see some of those books.
00:30:58Come with me into the library.
00:30:59I'll see you.
00:30:59Tell a joke.
00:31:01Hey, listen.
00:31:02Call a joke.
00:31:03Can I tell you about that special order like that?
00:31:05He's going to tell a joke.
00:31:05It's going to be a true joke.
00:31:07I've spent all my time in here, or in the kitchen, since my wife died.
00:31:17I hardly ever go to bed.
00:31:21I had a devil in the house once.
00:31:25Oh?
00:31:28They don't believe.
00:31:31You believe in God?
00:31:32Yes.
00:31:33Well, if you believe in God, then you have to believe in the devil.
00:31:35They're inseparable.
00:31:37I got rid of that devil, though.
00:31:39You know how?
00:31:40Well, I talked to him, you see.
00:31:42But when he talked to me, I couldn't hear him.
00:31:45Drove him crazy, and he left.
00:31:50Well, I'm glad to see that you have a sense of humor about this.
00:31:52I wouldn't want Marjorie here to become too seriously involved in it.
00:31:57Why is that?
00:31:58Because he thinks that I am very gullible.
00:32:02Both feet off the ground.
00:32:03You know.
00:32:04Here are some ripe ones.
00:32:11Now, the idea of the circle is for protection.
00:32:15If a circle like these is drawn, and you stand inside it, you're protected from the devil and all his buddies, no matter what.
00:32:20But the person in the circle is supposed to pray the Lord's Prayer, almost anything from the Bible.
00:32:26Well, they are very lovely, but I think it's all rather weird.
00:32:30Well, that's the way to go through life.
00:32:32Thumbing your nose at the world.
00:32:33I'd like to stop by one time and see how you do the pedicles.
00:32:40Oh, yes.
00:32:41Well, that would be very nice.
00:32:43I'd like that.
00:32:47Stevie, be careful.
00:32:48It's wet.
00:32:48Walk.
00:32:49Walk around.
00:32:50Just walk all the way.
00:32:52Okay?
00:32:53Oh, you had to do.
00:32:54He said, here's what we're going to do.
00:32:56Come on.
00:32:56Don't get your knees up.
00:32:57Move on at first.
00:32:57Now, this is going to be fun for you.
00:33:01We're going to speak an incantation.
00:33:03You know what I mean?
00:33:03Well, it's magical words.
00:33:05Okay.
00:33:06Okay?
00:33:06Now, I'll start out, and then when I point to you, you have to repeat it after a minute.
00:33:11Okay.
00:33:11Okay.
00:33:12Let me find it.
00:33:13Here's it.
00:33:14In the name of the powerful, we sanctify this place for our good and lasting life.
00:33:19Now, Stevie, no being natural or supernatural shall be allowed to break this barrier, nor bring
00:33:24about our destruction.
00:33:25With this chant, we ask your protection and grace.
00:33:28Ready?
00:33:28Okay.
00:33:29Now, you just, you repeat after me.
00:33:32You ready?
00:33:33Yeah.
00:33:33Okay.
00:33:34I am Osiris and Orpheus.
00:33:37Okay.
00:33:38I am Osiris.
00:33:40No, and Orpheus.
00:33:41And Orpheus.
00:33:42I am the judge and the everlasting.
00:33:45I am the judge.
00:33:46No, don't do that.
00:33:47I am the judge and the everlasting.
00:33:49Okay.
00:33:50Because you have to be serious or everything falls apart.
00:33:52You ready?
00:33:53Okay.
00:33:54Alas, I shall never die.
00:33:55Alas, I shall never die.
00:33:58Alas, I shall never die.
00:33:58Alas, I shall never die.
00:34:02Alas, I shall never die.
00:34:32Some great magic cures.
00:34:46Here is one for overpowering a dragon.
00:34:50And one to cure the gout.
00:34:53Here's one for ulcers.
00:34:55Oh, I'll have to tell Paul about that.
00:34:57Ulcers.
00:34:59And here's one to gain a man's love.
00:35:03Oh, here is a splendid one.
00:35:06How to arouse a woman's passion.
00:35:10How a devil takes over innocent people and uses them to do his work.
00:35:16It's like a disguise.
00:35:18Old wine and new bottles.
00:35:20It's fascinating.
00:35:22You know, I thought I heard a baby crying.
00:35:26I thought I heard a baby crying in the barn the other night.
00:35:30In the barn?
00:35:32A baby crying?
00:35:35Did you check it out?
00:35:36It was a false alarm.
00:35:37Evil spirits do not necessarily bring about mayhem themselves, but possess a human being to cause ruin and shame.
00:35:50The devil is thought to materialize as a black cat or a toad and expect kisses from his subjects.
00:35:58Where have you been?
00:36:00I thought I told you not to wander off.
00:36:02Do you remember Mr. Lincoln, Steve?
00:36:07Hello.
00:36:08Hello, Stevie.
00:36:09Where have you been?
00:36:12In the shed.
00:36:14All kinds of jars of stuff out there.
00:36:16Jars of what?
00:36:18Jars of...
00:36:19Steve, you have to speak up.
00:36:20Speak very clearly and slowly, or Mr. Lincoln will not be able to understand you.
00:36:25Jars of stuff in the shed!
00:36:30Probably the old tool shed.
00:36:33Everything eventually got stored there.
00:36:36Would you do me a favor?
00:36:38Would you go upstairs and see if Flory's all right?
00:36:40Okay.
00:36:42Well, come here.
00:36:42You're a psychologist.
00:36:47No.
00:36:48No.
00:36:49I just know my own son.
00:36:52You know, this is fascinating.
00:36:54I'd like to record your account the other night, if you'll allow it, when you heard the baby crying.
00:36:59Yes, but why?
00:37:00I like to keep records of odd occurrences like that.
00:37:03You could come over to my house, or I could bring my portable tape recorder over here.
00:37:08I recorded the story of a woman from Trenton who claimed that a devil came through the keyhole of her door,
00:37:18ate 13 white seedless grapes from a bowl in the kitchen,
00:37:23promptly kissed her ravishingly,
00:37:25then returned to the kitchen,
00:37:27ate 13 more grapes,
00:37:28and let himself out through the keyhole.
00:37:31And she never saw him again.
00:37:32Bye.
00:37:38Hello?
00:37:46Hi.
00:37:48I've been trying to find time all day to call you.
00:37:50Oh, that's all right.
00:37:51I've been talking to Harry Lincoln about magic spells.
00:37:54My wife, the witch.
00:37:57Listen, I have to go out to the coast first thing tomorrow,
00:38:00so I'm going to need some new shirts at the very least.
00:38:02We're going to show the new campaign to the client.
00:38:04Yes, well, I'll get everything ready.
00:38:06How are the kids?
00:38:07No problem.
00:38:08That's fine.
00:38:09And how are you, Mrs. Wharton?
00:38:11Oh, I'm very well.
00:38:14I'll see you soon, 21.
00:38:15Bye.
00:38:17You're going to be daddy-less for a couple of days.
00:38:20Where's it going?
00:38:21Los Angeles or some other godforsaken place.
00:38:38You're going to be the Witcher 2.
00:38:54Bye.
00:38:55Come on.
00:38:56You're right.
00:38:57I'm very well.
00:38:57I'm very well.
00:38:57You're right.
00:38:58I'm very well.
00:38:58I'm a woman.
00:38:59Thanks be to everybody.
00:38:59I don't know.
00:39:29You're the other one.
00:39:34I have no idea.
00:39:41I have no idea.
00:39:47I have no idea.
00:39:51I have no idea.
00:39:54There she is.
00:39:56I'm not alone.
00:40:26No!
00:40:32No!
00:40:35No!
00:40:38No!
00:40:43No!
00:40:49No!
00:40:51No!
00:40:56No!
00:41:04No!
00:41:06No!
00:41:16Let me out! Let me out!
00:41:18Let me out!
00:41:20Please!
00:41:22Please, no!
00:41:24No!
00:41:26No!
00:41:28No!
00:41:30No!
00:41:32No!
00:41:34No!
00:41:36No!
00:41:38No!
00:41:44No!
00:41:46No!
00:41:48No!
00:41:50No!
00:41:52No!
00:41:54No!
00:41:56No!
00:41:58No!
00:42:00No!
00:42:02No!
00:42:04No!
00:42:06No!
00:42:08No!
00:42:10I want to leave this place.
00:42:26Paul, I want to leave this place.
00:42:32Well, I, uh, I have a vacation coming up in about three weeks.
00:42:36I could use one.
00:42:38We'll go away.
00:42:40I want to leave here now.
00:42:43You've got to be kidding.
00:42:44Do I look like I'm kidding?
00:42:46You're not even having a bad time?
00:42:47The kid's getting you down?
00:42:49No.
00:42:50No, it's not the children.
00:42:52Paul, so many strange things have happened to me here.
00:42:54I can't begin to explain to you.
00:42:56But I feel as if something or someone is trying to possess me.
00:42:59Yeah.
00:43:00Me.
00:43:02Can't you ever be serious?
00:43:04I swear that all you ever think about is trying to sell tomato ketchup.
00:43:08Cancel.
00:43:08Haven't you been listening to me?
00:43:10I want to leave this place.
00:43:11I say you're kidding.
00:43:13I have sunk every dime I've got into this place.
00:43:16Now, we just got here.
00:43:17I've seen you like this before.
00:43:18Now, you stop it now.
00:43:20We'll be on a vacation.
00:43:21You'll be all right.
00:43:22I won't stay.
00:43:28I'm going to take the children and I'm going to New York.
00:43:30You can come if you want.
00:43:32It's up to you.
00:43:33You hear me?
00:43:34It's fine.
00:43:37It's fine.
00:43:41We'll sell the place.
00:43:43I'll call a realtor in the morning.
00:43:45I'll go back to the city and live happily ever after.
00:43:47Good morning.
00:43:59Hello, Paul.
00:44:00Good morning.
00:44:01Beautiful morning.
00:44:02Are you on your way home?
00:44:03Yeah.
00:44:04I asked my nephew Ernest to drop me off here, hoping to catch you on your way to your commuter
00:44:07train.
00:44:08Something on my mind.
00:44:08Well, good.
00:44:09Come on now.
00:44:09Could you live?
00:44:24Marjorie's had a couple of nasty experiences on the farm.
00:44:26Shockers.
00:44:27Yeah, so I understand.
00:44:29She even wants me to sell the place.
00:44:31I think you should.
00:44:33Why?
00:44:33Do you want to buy it?
00:44:35She's been under terrible stress.
00:44:37German called me.
00:44:38He said he heard her screaming last night.
00:44:40He said he'd have looked in on her, but he was afraid she'd order him off the place.
00:44:44He thinks she got you to fire him.
00:44:46I didn't know about the screaming.
00:44:48She's really been shaken up.
00:44:50Maybe close to an emotional breakdown.
00:44:52I'd say at this moment, she feels she's brought something evil into your lives.
00:44:56Evil?
00:44:58You know, some places are evil.
00:45:01You can buy them, but you can't always own them.
00:45:04I'd consider a change if I were you.
00:45:07I believe there's a devil.
00:45:11I know it can come disguised to me.
00:45:15Sometimes you have to accept things you've ridiculed in the past.
00:45:20You're incapable of resisting a thing if you don't believe it exists.
00:45:25Don't set up a wall when Marjorie tells you how she's felt or what she's seen.
00:45:31Open up.
00:45:31Listen, as if her life were in danger.
00:45:35Oh, baby.
00:45:36I know that she's been going through some kind of a transition, but to blame it on the devil is a complete avoidance of reality.
00:45:44I'm not going to see a realtor.
00:45:45I don't intend to, not for a few days anyway, until I see whether she's calmed down or not.
00:45:49If I sold the place now, I'd take a terrible loss.
00:45:53I've got a hunch she's been on something.
00:45:55I mean, like, maybe she's out squeezing those grapes out back into some eye-proof stuff.
00:46:01Something.
00:46:02All I'm asking you is that you consider what I'm saying.
00:46:06Nearly always at home if you need me.
00:46:08Yeah, and I appreciate it.
00:46:10I'm glad you're there to keep her upright.
00:46:15There's my place.
00:46:17Yes.
00:46:17Yes.
00:46:17Stevie!
00:46:34Don't play like that with her.
00:46:36Now, take that thing away.
00:46:40Take it away.
00:46:44Stevie!
00:46:47Oh, my God.
00:47:17Let's go.
00:47:47And at this juncture of mankind, evil holds the world in his hand. Light has given way to darkness, and evil seeks our very souls.
00:48:17Stevie?
00:48:21Stevie?
00:48:22Stevie?
00:48:24Stevie?
00:48:26Stevie?
00:48:28Stevie?
00:48:29Stevie?
00:48:34Steven?
00:48:35Stevie?
00:48:36Stevie?
00:48:37Stevie?
00:48:38Stevie!
00:48:40Stevie!
00:48:46Steven! Stevie!
00:48:48Stevie!
00:48:50Stevie!
00:48:52Stevie!
00:49:00Stevie, where are you?
00:49:04Stevie!
00:49:06Stevie!
00:49:08Steven!
00:49:10Stevie!
00:49:12Stevie!
00:49:14Stevie!
00:49:16Steven!
00:49:28I thought I told you to stay in the yard.
00:49:30Didn't I tell you to stay in the yard?
00:49:32Didn't I? Didn't I?
00:49:34I told you to stay there.
00:49:36I told you not to go in there, Steven.
00:49:38I told you to not!
00:49:40Hey, I'm...
00:49:42Tommy!
00:49:43Tommy, no!
00:49:44I told you...
00:49:45Tommy, no!
00:49:46Tommy, no!
00:49:47Tommy!
00:49:49Tommy, no!
00:49:50Tommy, no!
00:49:51Tommy!
00:49:52Tommy, no!
00:49:53Tommy!
00:49:54Tommy!
00:49:55Tommy!
00:49:56Tommy!
00:49:57Tommy!
00:49:58Tommy!
00:49:59In opposition to the competitor's product, I think, is just a little passe.
00:50:03We're going to have to find something else for us.
00:50:05Uh, yes?
00:50:08Yes, I'd like to speak to Paul Worden.
00:50:11Just a minute, please.
00:50:15Yes, Paul Worden here.
00:50:16Paul, I need you here. Come home.
00:50:19What's the matter?
00:50:21Mrs. Worden?
00:50:23Uh, my uncle isn't home, and I wondered if he was here.
00:50:27Who was that?
00:50:27Paul, listen to me. You have to come home.
00:50:30I've done something terrible.
00:50:33Oh, darling, I'm right in the middle of a business meeting.
00:50:36Paul!
00:50:37Well, all right, I'll leave right now.
00:50:44Mrs. Worden?
00:50:53I'm sorry, I haven't seen your uncle for a couple of days.
00:50:55Oh, well.
00:50:59My, you've really changed this place.
00:51:02I haven't been here since McDermott got killed.
00:51:06McDermott?
00:51:08Oh, uh, he was the man that lived here before you did.
00:51:13I never thought it was much of an accident myself.
00:51:15Well, I guess, uh, if you thought that, you wouldn't have bought the house.
00:51:21Yeah, I was here, uh, last time was a week before McDermott got killed.
00:51:27He was very shaky.
00:51:30He said he was going to burn the place down.
00:51:32Uh, he said, uh,
00:51:33I've got to destroy it before it destroys me.
00:51:39Well, McDermott was, uh, never very stable.
00:51:46Goodbye, sweet baby.
00:51:48Well, I guess I'll be going.
00:51:55Are you going to be all right?
00:52:11Come here, come here.
00:52:11Are you going to be okay?
00:52:33What happened?
00:52:33Did you fall down?
00:52:38Did your mom do this to you?
00:52:41Why did you hit the boy?
00:52:54Did he try to burn down the barn?
00:52:56No.
00:52:59Did he try to, uh,
00:53:01kill one of the grandma's chickens?
00:53:04Did he try to kill anybody?
00:53:05No, Paul.
00:53:07Then why did you hit him?
00:53:09He fell.
00:53:10And that's why you hit him?
00:53:12Paul, I'm not one to hurt the children.
00:53:13You know that.
00:53:14I've never even spanked them before.
00:53:15You are aware of that?
00:53:16Yes, Marjorie, I know that.
00:53:17But that boy looks like...
00:53:19He's...
00:53:20What happened?
00:53:22I realize that he is really hurt.
00:53:24Now, I have apologized to him,
00:53:26and I am trying to apologize to you.
00:53:28I'm sorry.
00:53:30You understand that?
00:53:30I'm sorry.
00:53:33Paul.
00:53:35Paul.
00:53:36Are you all right?
00:53:48Yes.
00:53:53Have a good day.
00:53:54You, too.
00:54:10You see, I don't believe in physically punishing children.
00:54:13I don't think that I ever hit Stevie before.
00:54:18I'm having a hard time believing it was really me.
00:54:22I would be so ashamed if you had to see him today.
00:54:25You don't have to shout to make me hear you.
00:54:29You see, when my wife died, I kind of retreated.
00:54:36I didn't feel like talking to people,
00:54:38so I told everyone I was losing my hearing.
00:54:42They even said I was going to see a specialist in New York.
00:54:45I went to New York, all right,
00:54:49but you know what I did?
00:54:51I went to a girly show.
00:54:57You're so depressed, I can't have you shouting.
00:55:05A 102-year-old woman from Germantown
00:55:09sent me the recipe for those.
00:55:11They're supposed to give you a long life
00:55:14and a short temper.
00:55:18I want you to try one.
00:55:22No.
00:55:24No, thank you.
00:55:26I'm not so sure that I want a long life,
00:55:30and I think I already have a short temper.
00:55:37It's strange, you know, but I start out to laugh
00:55:40and I end up crying.
00:55:41You know, the books that you gave me?
00:55:47I've been reading them a lot lately.
00:55:50If I thought they were going to tear you up like this,
00:55:52I wouldn't have given them to you.
00:55:55No, that's not the books.
00:55:57Can you believe that I believe that the devil is in my house?
00:56:04Yes.
00:56:09If you believe there's a devil,
00:56:12and you believe the devil's in your house,
00:56:14then for you it's true.
00:56:16I don't trust myself.
00:56:21I'm afraid for the children, too.
00:56:24I have to go home.
00:56:25I've left Stevie with the baby.
00:56:29Marjorie.
00:56:34Some things are more powerful than pentacles.
00:56:38Like love.
00:56:38It's a powerful force, Marjorie.
00:56:45I live only a mile away.
00:56:48The telephone puts us in touch in seconds.
00:56:52Don't hesitate.
00:56:55I won't.
00:57:00Apple Bar commercial re-recording.
00:57:02Take two.
00:57:03Apples come in chocolate brown.
00:57:15Mmm, they're wonderful.
00:57:19Apples come in taffy gold.
00:57:23Mmm, they're scrumptious.
00:57:27Cut, cut, cut, cut.
00:57:29You got it, Irene?
00:57:31Get one.
00:57:33Honey, you're giving out
00:57:35with just a little too much rock sound.
00:57:38Make it sweet.
00:57:39Remember, this is the girl next door
00:57:41with freckles.
00:57:43Freckles.
00:57:45All right.
00:57:46Anytime you're ready, roll.
00:57:53Roll take.
00:57:54Paul.
00:57:56Paul, can you come home?
00:57:58Honey, I can't possibly come down there tonight.
00:58:01I'm right in the middle of a session.
00:58:02As a matter of fact,
00:58:03I'll probably be staying in town tonight.
00:58:04This thing's gonna go late.
00:58:06I'm sorry.
00:58:06I really, I didn't mean to bother you.
00:58:08You know, you must think I'm crazy
00:58:09calling you all the time like this.
00:58:11Why don't you call Harry
00:58:12and have him come over and sit with you, huh?
00:58:14Promise me you'll do that.
00:58:15Yes.
00:58:17Yes, I'll do that.
00:58:19Sin, I'm really sorry that I bothered you.
00:58:21I'll talk to you tomorrow.
00:58:22Bye.
00:58:23Fine.
00:58:25Fine.
00:58:25Bye.
00:58:49PHONE RINGS
00:59:19Alan's here.
00:59:26Thanks, honey.
00:59:27Come in, Alan.
00:59:29Hi, Paul.
00:59:31You've been here all night?
00:59:33I slept on the couch.
00:59:35What do you got for me?
00:59:36I have something I think you'll find interesting.
00:59:43I found it when I synced your new track.
00:59:49Can you see it?
00:59:51There it is.
00:59:55It won't go away.
00:59:58You sure it's not just a print?
01:00:00It's on the negative.
01:00:00Ernest, what's the matter?
01:00:19I have something to tell you.
01:00:21My uncle was attacked last night.
01:00:26I just came from his house.
01:00:28There are lots of policemen there.
01:00:30They said that he was left for murdered.
01:00:33But he didn't die.
01:00:35He's in terrible shape, though.
01:00:38They're not letting anybody see him now.
01:00:41Because, well, there's not much to see anyway.
01:00:45I haven't seen much of him myself since you came here.
01:00:50Perhaps if I had, he wouldn't be like he is.
01:00:53I haven't seen much of him.
01:01:23You worry, she doesn't have the car.
01:01:27Find out how soon you can get me the new open-up chopper.
01:01:29Wow, that'll cost you.
01:01:32Make sure there's a cab waiting for me at the airport.
01:01:47Something wrong, Mom?
01:01:48Stevie, go to your room.
01:01:52Let's go.
01:02:22Let's go to your room.
01:02:52Let's go.
01:03:22Let's go.
01:03:52Let's go.
01:04:20Let's go.
01:04:22Let's go.
01:04:24Let's go.
01:04:26Let's go.
01:04:28Let's go.
01:04:30Let's go.
01:04:32Let's go.
01:04:34Let's go.
01:04:36Let's go.
01:04:38Let's go.
01:04:40Let's go.
01:04:42Let's go.
01:04:44Let's go.
01:04:46Let's go.
01:04:48Let's go.
01:04:50Let's go.
01:04:52Let's go.
01:04:54Let's go.
01:04:58Let's go.
01:05:00Let's go.
01:05:02Let's go.
01:05:04Let's go.
01:05:06Let's go.
01:05:08Let's go.
01:05:10Let's go.
01:05:12Let's go.
01:05:14Let's go.
01:05:16Let's go.
01:05:18Let's go.
01:05:20Let's go.
01:05:22Let's go.
01:05:24Let's go.
01:05:28Let's go.
01:05:30Let's go.
01:05:32Let's go.
01:05:34Let's go.
01:05:36Let's go.
01:05:38Let's go.
01:05:40Let's go.
01:05:42Let's go.
01:05:44Let's go.
01:05:46Let's go.
01:05:48Mrs. Warren, Mrs. Warren, Mrs. Warren!
01:06:18Mr. Warren!
01:06:27Listen, Mrs., hear me!
01:06:30I know.
01:06:31Harry guessed it.
01:06:32It's your son, Mrs.
01:06:34He's the devil's own.
01:06:36He's been taken from you.
01:06:37When I heard about Harry, I started right over.
01:06:41Now, is he home, your son?
01:06:44He's locked in his room!
01:06:46And the baby?
01:06:48Oh, baby.
01:06:57Oh, baby.
01:06:57Oh, baby.
01:06:58Oh, baby.
01:07:12Oh.
01:07:18Pull the baby! Get the baby! Get the baby out! Pull the baby out!
01:07:33Marjorie!
01:07:45P.D.
01:07:48P.D.
01:07:58No!
01:07:59You can't have him!
01:08:00No!
01:08:02No!
01:08:03No!
01:08:04No!
01:08:05You can't have him!
01:08:07No!
01:08:08No!
01:08:09No!
01:08:11No!
01:08:13No!
01:08:14I'm not!
01:08:15I'm not!
01:08:16Come on, Jenny!
01:08:34Stevie! Stevie, I love you.
01:08:36I'm your mother. I won't let them have you.
01:08:38Stevie, I love you.
01:08:41I love you.
01:08:43I love you.
01:08:44I won't let them have you. I love you.
01:08:46I'm your mother. Your mother.
01:08:49I love you.
01:08:51I'm your mother, Stevie.
01:08:54I love you.
01:08:57I love you.
01:08:59Oh, Stevie. Stevie.
01:09:03I love you.
01:09:05I love you. Stevie.
01:09:07Stevie, I love you.
01:09:14The End
01:09:44The End
01:10:14The End
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