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00:00Ladies, does your washing powder leave your whites dreary and grey?
00:05Try new Flix Flakes in your wash.
00:08Flix, brightens my...
00:10Every day.
00:11Every day.
00:12This is ludicrous.
00:16Cut.
00:17What's the problem, Catherine?
00:19Catherine's there!
00:20Is the epitome of glamour!
00:22My fans don't want to see me like this!
00:24That's the twi-
00:25You loved it yesterday.
00:26It's not the way the public see you, Catherine, but you're doing it pretty well.
00:30Brilliantly.
00:31Lesson number one, Eva dear.
00:33Always be better than the material.
00:35I wrote the material.
00:36You've managed to find fault with every-
00:38You've managed to find fault with every-
00:40single one of my ideas.
00:41Could that possibly be because they've all been-
00:45terrible?
00:46Right.
00:47We have three days left to deliver the finished advert, so-
00:50I know.
00:51I know you don't love this concept, but I also know only you-
00:55can make it sing.
00:56I've told you, you cannot confine Catherine-
01:00the veil to a set.
01:01I need air, space, light, I must breathe!
01:05Oh!
01:06Of course, leave it with me.
01:10You let her walk all over you.
01:12We have to keep her on board somehow.
01:14We need to-
01:15get out of the studio, find new inspiration.
01:18We could film in Hyde Park.
01:20Better than that.
01:21I know just the place, away from London-
01:25no distractions.
01:26We can nail this.
01:28Great.
01:29I'll call Frank.
01:30Uh-
01:31It is his company.
01:33He doesn't need to know.
01:35But I do need to call a priest.
01:37I do need to call a priest.
01:40You are ready to call a priest.
01:41You have heard the same sister
01:41in the altar?
01:42THE einges
02:05I can't thank you enough for letting us film here, Father.
02:10It's a pleasure to welcome you back to the garden you played in as a boy.
02:14Mind you back.
02:15Thanks, please.
02:16I knew your grandfather, Ron.
02:18He's a lovely man.
02:20The convert of the deed of the child of St.
02:24Christine was so important to him.
02:26He'd be very happy that we're donating to St.
02:27Mary.
02:29Now, Mr Sanderson, we're very keen to know the tricks of the...
02:34...advertising trade.
02:35Oh, yeah. Like how you make us want to buy stuff we don't need.
02:39Let's go and have a look.
02:44Almost ready, Juan.
02:45My copywriter, Meg Wilson.
02:47What a beautiful place you've got.
02:49Ah, this is more like it.
02:51Oh, there she is.
02:52Katherine Beyer, Hollywood star.
02:54You are in the flesh.
02:56Mrs S is her biggest fan.
02:58Welcome to Campbellford.
02:59Mrs Vale, Isabelle Sullivan, parish secretary.
03:02I adore your work.
03:04Oh, it's a joy to meet my public.
03:06My protégé, Miss Eva Richards.
03:09She's a fine actress in the making.
03:11I hope to one day be as brilliant as Katherine.
03:13It's good.
03:14It's good to dream, dear.
03:15Now, Ron, darling, what's my line?
03:17I was thinking something like...
03:19She clicks.
03:20Why she's so bright, you'll feel like a star.
03:22That's not quite right, is it?
03:24How about...
03:25Flicks.
03:26Why she's so bright, you'll feel like me.
03:28A star.
03:29That's not what I wrote.
03:30I really like that, Katherine.
03:31God, isn't she incredible?
03:32Yeah, she's definitely...
03:34something.
03:35Well, let's rehearse.
03:37Rehearsing.
03:39I know. Let her try it and then we'll find something better.
03:44Okay, if everyone is ready for a rehearsal...
03:49...and...
03:52...action!
03:54Flix washes so bright you'll feel just like me, a star.
03:59Perfect!
04:01It definitely had something.
04:03But perhaps if...
04:04No, no, that's it.
04:06Now, darling, find me somewhere out of the sun.
04:09You're welcome to use the presbytery.
04:11Miss Palmer has prepared tea and cake.
04:13Eva, bring my car...
04:14...correspondence.
04:15And you, Mrs. Mulligan.
04:17Sullivan, come.
04:18I'll sign a...
04:19...picture for you.
04:20Oh, would you?
04:21How marvellous!
04:25What a fascinating process.
04:27Isn't it?
04:28You don't happen to...
04:29...have a telephone I might use.
04:30Of course, in my study.
04:35I adored you in Love in the Dust.
04:37You had such chemistry with...
04:39...and it's all hops and I could pellet it still.
04:41Ha!
04:42Dear Saul.
04:43Superb...
04:44...an actor.
04:45Awful man.
04:46One mustn't speak ill of the dead, but...
04:47Oh, truly.
04:49Eva.
04:50Letters?
04:51This one's from Biggie Baxter.
04:52The theatre impresario.
04:54He's a dear friend.
04:55Could it be about the audition?
04:56Take them back to my room at our digs.
04:58There's a good girl.
04:59But...
05:00Now.
05:01Ah, Eva.
05:02We could use you on set.
05:03She's run...
05:04...planning an errand for me.
05:05When you're back, then.
05:09Won't be long now, Catherine.
05:10I'm perfectly happy chatting with Mrs. Tulliver.
05:14Sorry.
05:15Where's the telephone?
05:16Erm, through there.
05:17Sorry, where's the telephone?
05:18Erm, through there.
05:19Who are you calling?
05:20No-one.
05:23Just the office.
05:24Erm.
05:25Fancy some cake, Mrs. Hale.
05:26Erm.
05:27Fancy some cake, Mrs. Hale.
05:29Charmin.
05:30Don't walk away from me.
05:34Who are you calling?
05:35Catherine, I'm simply-
05:36Catherine, I'm simply-
05:37Catherine, I'm simply-
05:38Catherine, I'm simply-
05:39making a telephone call.
05:40This relentless neediness has got to stop me.
05:43Cannot go online.
05:44I'll see you next time.
05:45I'll see you next time.
05:46I'll see you next time.
05:47Bye now.
05:49If we can make them feel something, people are more likely to buy what we're seeing.
05:54We're selling.
05:55I see.
05:56Fascinating.
05:57I see.
05:58Fascinating.
05:59Everyone said you needed me?
06:00Yes.
06:01Could you?
06:02Stand in-
06:04for Catherine, so that we can check the shot.
06:09I'll see you next time.
06:10I'll see you next time.
06:11Bye.
06:12Bye.
06:13Bye.
06:14Bye.
06:15Bye.
06:16Bye.
06:17Bye.
06:18Bye.
06:19Bye.
06:20Bye.
06:22Bye.
06:23Bye.
06:24Bye.
06:25Bye.
06:26That's a bit harsh.
06:27True though.
06:28Bye.
06:29Bye.
06:30Bye.
06:31Bye.
06:32Bye.
06:33Bye.
06:34Catherine, I didn't mean to be-
06:35Terrible actress.
06:38Step aside.
06:39You're out of your depth.
06:42I prefer to do the line-
06:44As agreed.
06:45Without Eva's hilarious ad-lib.
06:48Ahem.
06:49Ron, I'm ready.
06:50Yes, Catherine.
06:51Right.
06:52I'm ready.
06:53Yes, Catherine.
06:54Right.
06:54Going for a take.
06:57Roll camera.
06:59Something happen?
07:01I'm fine. Let's just shoot.
07:04Rolling. And...
07:06Action!
07:07Flix wash is so bright.
07:09You'll feel just like me, a shining star.
07:15What the hell of star's got to do with flix?
07:18Frank!
07:19Er, cut.
07:21You found us!
07:22Great!
07:24You moved the shoot without telling me.
07:26What is he doing here?
07:28Frank here.
07:29Frank's...
07:30Flix managing director.
07:32Is this your gaff, is it?
07:34Very nice.
07:36So Ron, what happened to flix?
07:39Just brightening your day.
07:42Erm, can we have a quiet word?
07:44Thank you very much.
07:45Thank you very much.
07:49Never a dull moment in a...
07:54advertising.
07:57I know my customers.
07:59And all they care about is can our flakes give them dazzling whites.
08:04Yes, but in advertising it works when it's about aspiration.
08:08Oh.
08:10Sorry.
08:11Erm, just sticking me washing on.
08:13Let's ask this new...
08:14Nice lady.
08:15You wash with flix, right?
08:17No.
08:20What's more important, feelings or whites?
08:23Erm...
08:24whites.
08:25Definitely.
08:27See?
08:28You're a good man, Ron.
08:29I like you.
08:30But let's do it my way, eh?
08:32Fine.
08:33But let me...
08:34deal with Cufferin.
08:35She can be tricky.
08:36Just a bit.
08:37Just a bit.
08:39We...
08:40I think it would work better if...
08:45Instead of the cocktail, you were holding the box of flix...
08:49That's...
08:49That's not what we agreed.
08:50And if you could say...
08:53Flix...
08:54It washes whites so bright...
08:56I'm dazzled.
08:57What happened to my star line?
08:59It...
09:00It...
09:01Wasn't landing.
09:02Well...
09:03Perhaps instead I...
09:04I will not take acting tips from a talentless amateur, Miss Richards.
09:09Oh, come on.
09:10She was only trying to...
09:11Oh, come on.
09:12She was only trying to...
09:13Oh, come on.
09:14She was only trying to...
09:14And you can shut up, too.
09:15What do you know about anything?
09:16Lady, I worked on Madison Avenue.
09:18Oh, God.
09:19Girl.
09:20I worked in Hollywood.
09:21Now, let me speak to my director a little...
09:24Alone.
09:26Oh, blimey.
09:27It's only washing flakes.
09:29Catherine takes all of her roles very seriously, won't I?
09:32No.
09:33No.
09:34No.
09:35No.
09:36No.
09:37No.
09:38No.
09:39No.
09:40No.
09:41No.
09:42No.
09:43No.
09:44No.
09:45No.
09:46No.
09:47No.
09:49No.
09:50No.
09:51No.
09:52No.
09:53No.
09:54No.
09:55No.
09:56No.
09:57No.
09:58Flicks, remember?
09:59Cut.
10:00Frank.
10:01Don't.
10:02Did you...
10:03just direct me?
10:05And lift the box a bit higher.
10:08That's it.
10:09Nice big close-up.
10:13No one manhandles Catherine Vale.
10:17Catherine?
10:18Frank was just...
10:19Frank was just...
10:20That's it!
10:21I quit!
10:22No.
10:23No.
10:24No.
10:25No.
10:26No.
10:27No.
10:28No.
10:29No.
10:30Lunch!
10:31Go and get up!
10:32You are welcome to try.
10:34No.
10:35Nothing is ever enough to make a craft...
10:39No.
10:40No.
10:41Nothing.
10:42That's just so sad.
10:43She's rich.
10:44She's fit.
10:44She's famous.
10:45What's she got to be unhappy about?
10:46Did you speak to her?
10:48No.
10:49No.
10:49I tried.
10:50Needed to down a stiff drink after.
10:52Blimey, she's a...
10:54I know.
10:55You all right, Mr Higgs?
10:57I'm not cut out for this advertising.
10:59I'm the Ark Father.
11:00Catherine is missing.
11:01She's not our digs.
11:02What?
11:03What?
11:04What did you say to her?
11:05Well, just to come back and finish.
11:07She doesn't carry money so...
11:09she can't have gone for her.
11:10Might I suggest we split up and search for her?
11:13Good idea, Father.
11:14Uh, kid gloves when we find her.
11:16Please, everyone.
11:19Honestly, she's ever doing things like this.
11:21Storming off.
11:22Thinking everything about her.
11:24I'm sure we'll find her.
11:26Hang on.
11:27What's that?
11:29But it's all right.
11:30Let's go.
11:31Let's go.
11:32Let's go.
11:33Let's go.
11:44Drowned, obvious signs of a struggle.
11:49Yeah, flicks.
11:51Yeah, five of its swears by it.
11:53Yes.
11:54Thank you, Sergeant.
11:56Corral the witnesses, would you?
11:57Oh, yo, sir.
12:03There's blood under her fingernails.
12:06She must have fought back.
12:07Oh, we'll get that tested.
12:11Father.
12:12You need to...
12:12Stay clear of this case.
12:14Catherine Vale's death will make headlines.
12:16This investigation must...
12:17Be watertight.
12:20Poor choice of words, but...
12:22Have you seen our ears?
12:25They're green.
12:27Yeah.
12:28Perhaps.
12:29But that could...
12:29Look, look.
12:30It's exactly what I'm talking about.
12:32No...
12:32Investigating.
12:37Can you all account for your whereabouts over lunch?
12:42I love...
12:42I saw her on set.
12:45I telephoned my wife.
12:47Our baby...
12:47The baby's not been well.
12:49And then I was with Father Brown.
12:51I spoke...
12:52To Frank after I saw her.
12:54Then went back to my room.
12:57Mr. Hicks.
12:59We had a quiet word in the scullery.
13:02But she was...
13:02She was alive when I left.
13:04You weren't wearing that neckerchief this morning.
13:07No.
13:07It felt a bit cold.
13:10Could you remove it, please, sir?
13:12Hello.
13:30Hello.
13:30Hello.
13:31Hello.
13:38Hi.
13:39Hi.
13:40I tried to apologize but she just
13:45wouldn't have it and then she scratched you she went to walk out I grabbed
13:50her arm and she dug her nails in my family
13:55companies on the line here she was the new face of flicks
14:00why would I kill her do you know of anyone else who might have wanted to harm
14:05this is veil apparently she threw a weight around with everyone
14:10even said she wanted me banned from the set
14:13and she said she was gonna tell
14:15Ron to sack Meg
14:18does Miss Wilson know about
14:20all this I warned her I don't know what she done
14:25to deserve that will you help me father
14:30I will endeavor to find out who did this
14:32and will you help them to finish the advert
14:35I can't lose my business too
14:38I'll do what I can
14:40I just can't believe it
14:45Frank seemed like such a nice bloke
14:47I know
14:48and what about the advert
14:50that concept could have worked but now Catherine's gone
14:53made a fresh short
14:55one day left
14:56fresh start
14:57fresh
14:58fresh
14:59like
15:00a
15:01a
15:02a
15:03a
15:04a
15:05a
15:05young woman running through the flowers.
15:07But Flix Flakes are even...
15:10Even fresher.
15:10It's all about the mood.
15:12We need a meadow and a young woman.
15:14What we've already got.
15:15Go on.
15:17Me?
15:18But Catherine's barely cold.
15:20She would have wanted you to do this.
15:21I'm not so sure about that.
15:23Show must go on, Eva.
15:25I'm not so sure about that.
15:30I'm not so sure about that.
15:35I'm not so sure about that.
15:40You're strolling through the fields when you...
15:45You come across just washed sheets.
15:47And the freshness overwhelms you.
15:49And you say...
15:50Flix.
15:50Wash is so fresh, I can feel it.
15:53Got it?
15:54I'll give a...
15:55Oh, nice frog.
16:00Oh, nice frog.
16:00Are you ready for this?
16:02I think so.
16:04It's all of everyone...
16:05If you wanted.
16:06Or vote.
16:07Wait for it to happen though.
16:10I admire your devotion to your profession, Miss Walson.
16:14Clearly means a lot to you.
16:17Sure does.
16:18For a woman like me...
16:19It's not like this is hard to come by.
16:22It will be a blow to lose your position.
16:24Frank told you.
16:28Frank told you.
16:29Catherine had no power to fire me.
16:32Ron's my boss, not her.
16:34But she clearly had significant sway over him.
16:39Did you confront her?
16:42All right, yes.
16:43I found her...
16:44And the scullery after her spat with Frank.
16:48Why didn't you...
16:49Tell the police.
16:51Because I know how it looks.
16:53I asked her.
16:54Not to fire me.
16:55Didn't work.
16:56So, to be honest, I used a bit...
16:59A bit of flattery.
17:00Ah, yes.
17:02I told her I'm her biggest fan...
17:04That it was my idea to hire her.
17:07That way her ailing career got a boost.
17:09And we got a star.
17:11I really wanted it to work, but...
17:14You saw how she was.
17:16Can you think of anyone who might have wanted...
17:19Through a rock, father.
17:22She gave anyone who met her a reason.
17:24Eva, feeling frank, Jack?
17:27Wish me luck.
17:28Good luck.
17:29Break it.
17:29Your leg.
17:32Well?
17:34Well, she clearly has a motive, but enough to kill?
17:38I don't know.
17:39Catherine's death has worked out...
17:44That well for Miss Richards.
17:46Father, she adored her.
17:49I called her a faded has-been.
17:52And Catherine snapped her, Eva.
17:54About the letter from Bonky Summer.
17:57Binky Baxter.
17:59She...
17:59She told Eva to take it to her room and her tics.
18:03Did she...
18:04Indeed.
18:04Indeed.
18:09I really thought she was mom- But like, this is beautiful.
18:11If she was here, even before she...
18:12Think she's around.
18:13While she liked her...
18:13drops...
18:14She Schwe granddaughter.
18:15But then she has had serious issues.
18:16But I think her she's mean.
18:17Like, I don't want to tell anyone who met her and answer her.
18:18Well, no, you want.
18:19But when she's too late.
18:20But when she missed her, she won't believe it.
18:22She brought her down aán.
18:23Into the aesthetics and she made other colors.
18:25As if she vu, I realized she left outland,
18:28We do great dreams and for once, good luck,
18:31We don't care for her thing now.
18:35To find all the other saves,
18:37We take care of the enemies.
18:38times she'd been married. Rumours of lots of affairs.
18:43My children. So sad the way her career just faded away.
18:48Indeed. No letter from Binky Baxter...
18:53Fleury de Ville. Very exclusive.
18:58Eve, you cannot get this anywhere on this side of the channel.
19:02Alright, let's...
19:03Brenda, a little respect, please.
19:07Besides, that's not...
19:08I know how you do it.
19:09Spray a little mist into the air and glass...
19:13Slide through.
19:14Oh, that is revolting.
19:19Father...
19:21Look.
19:23Ah.
19:26A jigsaw puzzle.
19:29Something about an audition.
19:32Oh, no.
19:33Catherine snapped at Eve when she asked about an audition.
19:35She was far too famous to still be doing that.
19:37Sure.
19:38Really?
19:39As you suggested, too inexperienced for the part.
19:42It...
19:43Inexperienced, Catherine.
19:46Role of Juliet.
19:47Role of Juliet.
19:49Well, she's far too old for that.
19:52What if...
19:53If it wasn't Miss Vale...
19:54Who was Audie Schnee?
19:56Who was Audie Schnee?
19:58Where are we going to say the Harper's grow up?
19:59Jimmy's
20:26Look, take a break while we have a think.
20:31Such a simple idea.
20:33Catherine will know how to make it work.
20:36Eva, Catherine snapped at you yesterday when you asked about Brinky Baxter's letter.
20:41Yes.
20:42We found the letter in Mrs. Vale's room.
20:45Did you...
20:46audition for the role of Juliet?
20:49Catherine said she'd recommend me to him.
20:51I thought I did well, maybe in with a chance.
20:53And yet, the letter revealed that...
20:56Beknownst to you, Mrs. Vale had urged Mr. Baxter not to cast you.
21:01How could you do that?
21:06She was my mentor.
21:07She was supposed to support me, not stab me in the back.
21:09You must have been upset.
21:10Of course.
21:11That's why I tore it off.
21:12I was furious.
21:13Furious enough to hurt her?
21:16No.
21:17I idolised her.
21:18I could ever do something like that.
21:20Even if it meant you could...
21:21step into her shoes.
21:23I've wanted to be Catherine ever since I was six years old.
21:25There's no...
21:26way on earth I could have killed her.
21:28Let's go again...
21:29and just try...
21:31very relaxing on the next take.
21:35Mayor.
21:36Mrs. Vale was your mentor...
21:41but her acting style is not yours.
21:44Perhaps you could be a little less...
21:46formal.
21:48More yourself.
21:49He's right.
21:50You should stop...
21:51acting.
21:51Oh, I've only just started.
21:53No, she means...
21:55you've been...
21:56performing it as Catherine would have.
21:58Stiff.
22:01Old school.
22:02This time...
22:04let all that go...
22:05and just...
22:06be.
22:08I'll try.
22:09Let's go again!
22:11Thank you, Father.
22:15Boy!
22:16Eva.
22:16For her mentor to turn on her like that.
22:21Sergeant.
22:23Mr. Hicks has the same blood group found under Catherine's...
22:26fingernails.
22:27Extremely rare type.
22:28We're charging him with murder.
22:30I see.
22:31He wants to talk to you, Father.
22:33Says he's remembering something.
22:36me.
22:38I see.
22:41Oh, thanks for coming, Father.
22:46This is a nightmare.
22:48How can they hang me for something I didn't do?
22:51I'm working on that.
22:53Is there something you want to tell me?
22:55I've had a lot of trouble.
22:56It's time to think stuck in here,
22:58going over every moment from yesterday.
23:01And something struck me.
23:03You remember when Ron and Catherine had that quiet work?
23:07I do.
23:08I heard her say something like...
23:12Take back what you said and I'll do it your way.
23:15Or...
23:16You think she had some kind of hold over Mr. Sanderson?
23:21It definitely seemed that way to me.
23:23If she said jump, he jumped.
23:26He wasn't the most experienced, bless him.
23:29Only set up his business last year.
23:31Forgive me, but if your firm has so much riding on this advert...
23:36Why not use someone more seasoned?
23:39He did this campaign, I saw.
23:41I saw her in one of my wife's magazines.
23:44Exclusive French...
23:46Perfume...
23:48I can't remember the name.
23:50Fleury...
23:51The V.
23:52Yeah.
23:53That's the one.
23:56The V.
23:57The V.
23:58Goodness!
23:59Flix wash is so fresh...
24:01I can really feel it!
24:03Cut!
24:05Oh...
24:06I don't know.
24:07What do you think?
24:08I'm really trying not to act.
24:10And it's great but...
24:11The concept doesn't fit you anymore.
24:13No.
24:14No.
24:15You're right.
24:16It needs something else.
24:18Oh, come on.
24:19It's not...
24:20Atomic physics.
24:21All we're trying to do is sell Flix Flakes to housewives.
24:24Um...
24:26Father.
24:27Housewives by Flix...
24:31Flix Flakes.
24:32Right.
24:33And...
24:34And what are housewives?
24:36Um...
24:37Modest?
24:38Yes.
24:39And...
24:41And daughters.
24:42Precisely.
24:43And daughters.
24:44Precisely.
24:46You can make people feel.
24:48You can make them buy.
24:49And what makes...
24:51People feel.
24:52More.
24:53Than the unbreakable love.
24:54Between a mother and her mother.
24:56And her daughter.
24:57It's genius.
24:58Have you ever thought about going into advertising?
25:01Father.
25:02What do you think, Meg?
25:04Mothers and daughters.
25:05They're...
25:06The sacred heart of the family.
25:07I can see it.
25:08Her...
25:11Could work, I guess.
25:13But...
25:14We've got one afternoon.
25:15We're...
25:16Low on film stock on no cast.
25:17I mean, I...
25:18I would love...
25:19To play the daughter.
25:20I'd know how to be that part.
25:21You're hired.
25:22Again.
25:23And Mrs. S. could play the...
25:26The mother.
25:27I could.
25:28I could.
25:29I could.
25:30I could.
25:31As a mother.
25:32And a daughter.
25:33And an actress.
25:34I do have all the relevant experience...
25:36If you think I'm suitable.
25:38Suitable?
25:39You're perfect.
25:40What?
25:41What do you say, Meg?
25:42It writes itself.
25:43I can give it a try.
25:46But...
25:47What's the setting?
25:48Actually...
25:49I think we had it right the first time.
25:51Father, do you think we could...
25:53Yes.
25:54Of course.
25:55Great.
25:56New plan.
25:57All back to the presbytery.
25:58If you can get everything set up, write the script.
26:01You know what it needs.
26:02Oh, sorry, Ron.
26:03Um, just...
26:04Oh, sorry, Ron.
26:05Um, just...
26:06Um, a few queries.
26:07Who is this mother?
26:08What's her back...
26:09Who is this mother?
26:10What's her back...
26:11What's her background?
26:12What does she want from life?
26:14What accent shall I do her with?
26:16Oh, uh...
26:18Meg will answer all your...
26:21Questions, Mrs. Sullivan.
26:22I just need to make a telephone call.
26:24Right.
26:26Megan.
26:27Megan.
26:28Megan.
26:29Megan.
26:31Megan.
26:32I love you, darling.
26:33I'm sorry I've been away so long.
26:36Megan.
26:37It's home tomorrow.
26:38It's home tomorrow.
26:41Give Mary a kiss for me.
26:42Megan.
26:43Megan.
26:44Megan.
26:45Megan.
26:46Megan.
26:47It must be hard to maintain a marriage when your work is so all-consuming.
26:51Megan.
26:52Megan.
26:53Edith's finding it very hard with the new baby.
26:54I feel terrible being...
26:56Megan.
26:57I did not think so distracted.
26:58I noticed Mrs. Vale...
27:01Placed demands on you.
27:03She had a flacon of fleury.
27:06De Vee perfume amongst her most personal possessions.
27:11I understand it's very hard to come by.
27:16What are you implying, Father?
27:18Does Mrs Sanderson know about your...
27:21Indiscretion?
27:23No.
27:26It would break her heart.
27:29Oh, Edith is...
27:31My first and only love.
27:33I stayed faithful all through the war.
27:36Even during my service.
27:38And then...
27:39You met Mrs Vale.
27:41Such a cliché, Father.
27:46Edith's been so preoccupied with the baby.
27:48I was ripe for the picking.
27:51But Catherine had such magnetism and charisma.
27:55I couldn't say no.
27:56And I didn't want to.
28:01But then yesterday, Catherine demanded I leave Edith.
28:06To be with her.
28:08I refused.
28:09Told her it was...
28:11And she swore she'd tell Edith everything...
28:16If I didn't take it back.
28:18Did you kill her?
28:19No, I'm not a murderer.
28:21But it is true.
28:24With her gone.
28:25My only real...
28:26The problem is how to finish the advert.
28:29And how to deal with you.
28:31I can't tell Edith.
28:36She'd leave me.
28:39Mr Sanderson.
28:41The truth may wound, but it can also heal.
28:51I think she'd be more glamorous. Meg said
28:56plain. Dowdy!
29:00Maureen has...
29:01style. Who's Maureen?
29:03It's the name I've given her.
29:05She's...
29:06She's from the Bristol area.
29:08What, via Barnsley?
29:10Michelle?
29:11Mrs Sullivan, you look the part.
29:12Thank you, Father.
29:14You spoke to Ron.
29:16Did he...?
29:18Guilty of moral weakness, yes.
29:21Bit of murder?
29:22I don't think so.
29:24So who's next?
29:26That's just it.
29:28I don't know.
29:31Look at you.
29:33Perfect mother.
29:36And you have a fan already.
29:39Edgar, what are you doing?
29:41What are you doing here?
29:42I tipped him off.
29:43Well, I had to be here to see this.
29:46We need you on set, Isabelle.
29:48Can I have a minute?
29:51Oh!
29:52Yeah.
29:52Yeah.
29:56Perfect mother, eh?
29:59You're already the perfect...
30:01Are we ready for this?
30:03My face on every television in the lab...
30:06And being recognised in the street?
30:09And what's Eddie gonna say?
30:11This will change our lives.
30:14Yes.
30:16Certainly change our washing plagues.
30:19Edgar, I'm being serious.
30:21You'll be wonderful, as you always are.
30:24And then life will go back to normal.
30:26Now, break a leg.
30:31Eva, you're struggling with your...
30:36Whites, then your mother comes to the rescue with Flix Flags.
30:39Now, Isabelle...
30:41Maureen, I'm in character.
30:44Maureen, you're a daughter, really.
30:46Maureen needs your help.
30:46Jeannie.
30:47That's her name.
30:49Fine.
30:49Ah, Jeannie.
30:51Maureen has struggled without you, but now she truly needs you to be her perfect mother.
30:55Yes.
30:56I can be that.
30:59Great.
31:00Let's try...
31:01Come through.
31:01Meg, if you can drop the box in on cue.
31:04Rehearsing.
31:06And?
31:09Hey, I got you a note.
31:11Sir, have I missed the action?
31:12Not yet, Sergeant.
31:13Oh, fancy us knowing a television star, eh?
31:15Quiet on...
31:16On set, please.
31:16Sorry.
31:17Sorry.
31:18Action.
31:21Grey again.
31:23Why can't I get my whites as white as yours, Mother?
31:25That's because...
31:26Because you need my secret ingredient.
31:28Whoa, whoa, whoa, whoa.
31:29Maybe try it in your own act.
31:31Max and Mrs. Sullivan.
31:33Maureen, I mean.
31:34If you insist.
31:34If you insist.
31:36That's because you...
31:41You need my secret ingredient, darling.
31:43Flix.
31:45Flix!
31:46Just one scoop in my machine gives me perfect whites.
31:50Every woof.
31:51It's wonderful writing, Miss Wilson.
31:53It's wonderful writing, Miss Wilson.
31:56I don't know how I'll ever be able to manage without you, Mother.
31:59I'll always be with you.
32:01Mother's.
32:03Because we'll always have...
32:06Flix.
32:06And their daughters.
32:08I'm...
32:09Oh, thank you.
32:09I'm so sorry.
32:10I...
32:11I don't feel so good.
32:12All right.
32:14Uh, Brenda.
32:15Can I...
32:16Get you to step in?
32:17That was perfect, you two.
32:19We're gonna go for a take.
32:21Bye-bye.
32:23I don't know.
32:24I don't know.
32:25I don't know.
32:25Bye-bye.
33:02That's a bit too quick, Brenda.
33:03Oh, sorry, Mrs. S.
33:04Cut.
33:05The fishing...
33:06rod isn't working.
33:11I'm going to go to the next one.
33:16Knead my secret ingredient, darling. Flix.
33:19Ow!
33:21Are you all right?
33:24Cut.
33:26Cut.
33:27Cut.
33:30Cut.
33:31Cut.
33:32Cut.
33:33Cut.
33:34Cut.
33:35Cut.
33:36Cut.
33:37Cut.
33:38Cut.
33:39Cut.
33:40Cut.
33:41Cut.
33:42I'm so sorry.
33:43Flix, of course.
33:44It says so on the box.
33:46Cut.
33:47Cut.
33:50Cut.
33:51Cut.
33:52Cut.
33:54Cut.
33:55Cut.
33:56Cut.
33:57Cut.
33:59Cut.
34:00Cut.
34:01Cut.
34:02Cut.
34:04Cut.
34:05Cut.
34:06You killed Mrs. Vale.
34:07Move!
34:08Father!
34:09I will run you down!
34:11But you're not a cold-blooded killer.
34:14You did what you did.
34:16because your heart was broken.
34:17That's your invention.
34:21I was your mother.
34:26Messiah!
34:27Pum.
34:28Diento.
34:29Look.
34:30Cut.
34:31Make sure torolling.
34:32Tmgd.
34:33The
34:36food.
34:37You.
34:44The
34:47еру PPE.
34:47Back.
34:49Room.
34:50A
34:52Writer.
34:52My
34:53clear.
34:54My
34:31How did you figure it out?
34:36Your reluctance to write a script about mothers and...
34:41Then your emotional response to the scene.
34:46And Mrs Vale's earrings tied her skin.
34:51In green, likewise your watch, from holding her under soapy water.
34:56You hide her.
35:01To get close to her.
35:04I spent my...
35:06I spent my life trying to trace my birth mother.
35:07Then, last year my...
35:12My father found me.
35:14He was dying.
35:16Cancer.
35:18He wanted me to...
35:21I know the truth.
35:23It's all Hobson.
35:25Her co-star.
35:27In Love in the Dust.
35:32I met him in the hospice the day he died.
35:36Unleashed.
35:37The last thing he said was that...
35:38Unleashed.
35:39The last thing he said was that...
35:40Catherine was my mother.
35:42The last thing...
35:47so the time she spent away from the screen when the talk
35:52keys came in she was trying to hide the scandal of her own affair with
35:57a black man to save her career but it was over
36:02by then anyway she moved back to England so
36:07I came to manage to get a job with Juan
36:12as soon as the Flix Commission came in I knew it was my chance
36:17she was desperate to make a comeback I was just happy
36:22to be around her she she treated me
36:27I liked her perhaps you painfully reminded her
36:32of her long-lost child little knowing that it was in fact
36:37you
36:39yesterday when
36:42Frank told me that she wanted me fired I
36:45know I had to tell her who I was
36:47you can't fire me I can do anything I damn well please I'm the star
36:52but I'm your daughter
36:55I do not have a do
36:57I do not have a do
36:58you
37:02Margaret
37:04Margaret
37:05Margaret
37:06Margaret
37:07Margaret
37:08Margaret
37:09Margaret
37:12Margaret
37:13Margaret
37:14Margaret
37:15Margaret
37:16Margaret
37:17Margaret
37:18Margaret
37:19Margaret
37:20Margaret
37:21Margaret
37:22Margaret
37:23Margaret
37:24Margaret
37:25Margaret
37:26Margaret
37:27Margaret
37:28Margaret
37:29Margaret
37:30Margaret
37:31Margaret
37:32Margaret
37:33Margaret
37:34Margaret
37:35Margaret
37:36Margaret
37:37Margaret
37:38Margaret
37:39Margaret
37:40Margaret
37:41No, that's not true.
37:43I should have gotten rid of you!
37:46No!
37:51And now she's gone and...
37:56I have nothing left.
38:01Thank you very much.
38:06You must confess and repent your sin for the sake of your immorality.
38:11You're a mortal soul.
38:12Tell the police everything.
38:14He'll hang me.
38:15If you don't, then Frank Hicks faces the gallows.
38:21They will be lenient.
38:23This was not her.
38:25This is a premeditated act of evil.
38:29In that moment you were a lost, wounded child.
38:34But if you run...
38:36Miss Wilson.
38:38This pain will never end.
38:40This pain will never end.
38:41This pain will never end.
38:43This pain will never end.
38:45I don't know how I'll ever manage without you, Mother.
38:48I'll always be with you.
38:50Because...
38:51We'll always have flecks.
38:53Cut!
38:54I'll always have flecks.
38:55Cut!
38:56Check that.
38:57If that's clear, it's...
39:01It's a wrap.
39:02You're incredible.
39:06It's so moving and...
39:07It's so real.
39:08I don't know what happened.
39:09I just suddenly found...
39:11It's so sad.
39:12Aww.
39:13I knew you could do it.
39:14For the first time.
39:15I feel like...
39:16I know...
39:16I don't know what kind of actress I'm meant to be.
39:17I thought you were rather marvellous too.
39:19If she was...
39:20You were.
39:21Truly.
39:22Proper bought a tear to my eye, Mrs Sullivan.
39:23I can tell you.
39:24Wasn't that just a hay fever...
39:26Good girl.
39:27It's just a shame Meg and Father Brown missed it.
39:30Oh, look.
39:31Meg.
39:32It worked.
39:33We got it.
39:34That's a great run.
39:36I'm really happy for you.
39:37For us?
39:38Wait till you see it.
39:39I might have to imagine.
39:41In a minute.
39:42In a minute.
39:43In it.
39:44Inspector Sulevan.
39:45Kristin Vale.
39:46She was my mother.
39:51And I need to speak to you.
39:56She was my mother.
40:01Her own mother.
40:06Poor Catherine.
40:08Who are Meg?
40:11Come on, I'll meet you.
40:11I'll meet you a nice cup of tea.
40:13I wish Meg had told me who she was.
40:16I could have...
40:16Perhaps her shame at her...
40:21The abandonment was too much to bear.
40:26I...
40:26I told...
40:27Edith everything.
40:31She's incredibly hurt.
40:34But she still wants me to come home and...
40:36And talk.
40:39Thank you, Father.
40:41Have...
40:41Have faith, Mr. Soleson.
40:45To her is human.
40:46To forgive divine.
40:51To her is human.
40:52To her is human.
40:53To her is human.
40:54To her is human.
40:55To her is human.
40:56To her is human.
40:57To her is human.
40:58To her is human.
40:59To her is human.
41:00To her is human.
41:01To her is human.
41:02To her is human.
41:03To her is human.
41:04To her is human.
41:05To her is human.
41:06To her is human.
41:07To her is human.
41:08To her is human.
41:09To her is human.
41:10To her is human.
41:11To her is human.
41:12To her is human.
41:13To her is human.
41:14To her is human.
41:15To her is human.
41:16To her is human.
41:17I had to come and thank you for saving my bacon, didn't I?
41:22Finish...
41:22First advert airs tonight.
41:25Eve is a proper star in the making.
41:27Wait till you see her.
41:29What you got there, Sarge?
41:30I promised Mrs. Goodfellow that you'd sign a bar.
41:32She's such a fan.
41:35This is it, Edgar.
41:36The day our lives changed.
41:37Will you do the honours as well, Mrs. Sullivan?
41:41I'd be delighted.
41:42Sergeant?
41:43Violet and I will be watching.
41:47It reminds me, Mrs. Sullivan, to thank you for stepping in, a token of my...
41:52appreciation and by way of an apology.
41:56That's so kind.
41:57I don't understand.
42:01What do you have to apologise for, Frank?
42:02The finished advert might not be quite what you're expecting.
42:07There now follows a short commercial break.
42:10Here we go.
42:12Grey again?
42:15Why can't I get my rights as white as yours, Mother?
42:17Flakes?
42:22Just once.
42:22Scoop of Flakes, in your machine, gives you perfect whites.
42:26It's every mother...
42:27I don't know how I'll ever be able to manage without you, Mother.
42:32But we'll always have Flakes.
42:37Fingy's music played...
42:43Fingy's music begins...
42:47Well, it certainly makes you feel something.
42:52Hmm.
42:53Yeah.
42:54Sad.
42:55Erm, was you a ghost?
42:57All along then?
42:58No.
42:59They've changed the concept.
43:00Oh.
43:01Ha.
43:02Well, you're not too disappointed, are you?
43:05No!
43:06No!
43:07I'm perfectly happy here as parish secretary.
43:12What did you think, father?
43:17I...
43:19I...
43:20think...
43:22Fame's loss is Campbellford's gain.
43:24Yeah.
43:25Yeah.
43:26Bye!
43:27I might not be a television star, but...
43:32We'll always have flicks.
43:36Ha.
43:37Ha.
43:38Ha.
43:39Ha.
43:40Ha.
43:41Ha.
43:42Ha.
43:43Ha.
43:44Ha.
43:45Ha.
43:46Ha.
43:47Ha.
43:49Ha.
43:52Ha.
43:53Ha.
43:57Ha.
43:58Ha.
44:02Ha.
44:03Ha.
44:07Ha.
44:08Ha.
44:12Ha.
44:13Ha.
44:17Ha.
44:18Ha.
44:22Ha.
44:23Ha.
44:27Ha.
44:29Ha.
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