00:00The main character of Balkrishn is a villain in the world.
00:04This film is a villain here.
00:10If you talk about the religious leaders in the world,
00:15you talk about the world.
00:17He tired and tired.
00:30He's his landlord.
00:37He has always been a wonderful film.
00:42He's always the deputy of the Underworld.
00:45He's always the deputy of the police department.
00:48He's never the king of Radhika.
00:51He's the hero.
00:53He is a Gandhi guru.
00:55He is a man.
00:57He is a man.
00:59He is a man.
01:05Hello.
01:07I am Ashmanth.
01:09I am a landlad Sinwada.
01:11He is an artist and technician.
01:13He is an artist.
01:15He is an artist.
01:17He is an artist.
01:19He is an artist.
01:21He is an artist.
01:25You are a man.
01:27He is an artist.
01:29What is his life?
01:31What is his life?
01:33I am a team.
01:37That is not all.
01:39For example, you are a cameraman.
01:41You are a man.
01:43You are a man.
01:45You are a man.
01:47He is a man.
01:49Vijay is a father.
01:51He is a landlord.
01:55He is a man.
01:57He is a man.
01:59He is a man.
02:01He is a man.
02:03He is a man.
02:05Just to concentrate.
02:07So, that's why he is there.
02:09You are there.
02:10I can't talk.
02:12Every time he gets hit.
02:14He gets hit and he gets hit.
02:19Yes.
02:20When he comes to a team and friendship,
02:23he's also a father.
02:25He talks about his thoughts and talks about his thoughts.
02:30He has a lot of ideas.
02:34He talks about his potential.
02:38His team is talking about Kelsa.
02:42He talks about Kelsa,
02:45and he talks about Kelsa.
02:47He talks about Kelsa.
02:48He talks about Kelsa.
02:51I think he is a great deal.
02:56He is a gentleman.
03:03Who was a gentleman.
03:05He is a guru a ship.
03:07thoughtful偶像NER means he is colony.
03:09The landlord is 2022.
03:11So, his thoughts and working process,
03:14He holds a great deal.
03:16There are four categories.
03:19In the cinema, we have to do a lot of things.
03:25So, we have to do a lot of things.
03:28We have to do a lot of things.
03:32So, when we talk about that,
03:35we start from day one.
03:38Our producer said,
03:40it's scary.
03:50There are many people who have co-directors.
03:52They are not doing an office.
03:54Do not try to do rough editing.
03:57So, we have to provide a course.
04:01We receive interviews.
04:06I don't think this scene is going to be a receiving scene.
04:13But there is a lot of alignment.
04:20Humor is still there. Emotions are still there.
04:24Entertainment goes on to the cinema.
04:29In the cinema, I have to talk about the same thing.
04:31I have to talk about the same thing.
04:33That's the intention.
04:35Okay, so an artist or director is a genre.
04:40So, this is the same way.
04:43But the director is not the same way.
04:46Now, the director is not the same way.
04:49If you say, if you're a suspense cinema,
04:50you can't tell the dialogue, you're a good idea.
04:52If you're a madman, you're a bad man, you're a bad man.
04:56If you're a man, you're a bad man, you're a bad man.
04:59If you're a bad man, you're a bad man.
05:01How are you doing the challenges?
05:04I've done homework.
05:07For example, I've done a village.
05:10I've done a village back drop.
05:13Almost, I've done a lot of messages like Grammys.
05:22But I've done a lot of things.
05:24I've done friends in every district.
05:27Now, this is a great cinema.
05:31So, if you're friends, they will relate to the cinema.
05:35Okay.
05:36They will not be able to tell cinema.
05:38They will not be able to tell cinema.
05:40They will be able to tell you the time spent.
05:42They will make the time spent.
05:43They will take a time spent.
05:44They will make the time spent.
05:46Did you talk to you in a casual way or can you talk to you in a casual way?
05:50They were telling me that I said that they would be the main topic.
05:55They would be the subject and they would be the direct work out and they would be the homework.
06:04When they came to the film, they would be the Arambus TV and they would talk to you in a different field.
06:15So, if you look at that for a few days,
06:21there is no depth in the underworld,
06:24there is no depth in the police department.
06:27All of this is what you do.
06:30Suppose, at any time,
06:32there is no knowledge.
06:35Of course.
06:37The artists are saying,
06:39you have to prepare the character,
06:41prepare the character,
06:42prepare the character.
06:43But, if you tell me,
06:45you are very good, sir.
06:46All of these are friends.
06:48If you look at that dialogue,
06:50there is no time spent in the dialogue.
06:52There is no time spent in the dialogue.
06:55That is a challenge.
06:57This is our actors and our directors.
07:03We have to do this.
07:07We have to take a lot of questions to our视野 running as well.
07:13Once somebody told us we have
07:31is a mold. So, the director and actress
07:35is going to be being a writer now.
07:39He is going to be a writer.
07:43He is going to be a writer. So, how do you do it?
07:47He will be a writer.
07:49I'm going to be making a film for media related.
07:53100%.
07:55I'm going to be watching you.
07:59But you can use the camera to use the camera.
08:05You can't use the camera.
08:07So, you can work.
08:09You can use the billy paper.
08:11You can work.
08:13You can't work.
08:15You can't see it.
08:17And the combination of the video and the video combination is a hit combination.
08:21You can use the cinema and continue to use the cinema.
08:25You can use the cinema and use the cinema.
08:31But you can use the cinema and you know the genre.
08:33But you've said that in this cinema, you've got to use the cinema.
08:37And you've done that.
08:39What is the case?
08:41I have a question.
08:45You know, my question is,
08:49you know,
08:51I don't know if I'm trying to give it to the value of the value of this.
08:59It is because when you give it to the value of your value, if your value comes with
09:06value of the value, the value of your value.
09:11When I talk about the relationship, there is a challenge.
09:16But, how did you get the frame? It is very important. It is a learning process.
09:21The world, the world, the world, the cinema.
09:26So, while we are able to get the power to the world,
09:33We are able to get the world from us or our lives from us.
09:38We are able to get the villain from Balakrishnu,
09:42We are able to get the villain from the cinema in this world.
09:46Also, you can use the mafia element, the drug element, you can use the drug element.
09:55Change over to your body.
09:59So, you can use the social media.
10:03So, everything is broken down and everything is broken down.
10:07There is no comfort zone.
10:09There is no comfort zone.
10:11There is no comfort zone.
10:14No, it's not a bomb.
10:15In our lives, there are units.
10:18That's the energy.
10:21I didn't have to pack up for 6 hours.
10:25I didn't have to pack up for 6 hours.
10:27If you have to continue, you have to continue.
10:31If you have to continue, you have to continue.
10:32How do you understand that?
10:35It's a big issue.
10:37You have to continue to build a new business.
10:44Nice, nice, nice.
10:46Sir, if you have to continue,
10:47you can continue to work with the data.
10:52Sometimes, we can continue to work with the data.
10:55Everyone is doing one data.
10:57For example, if you have to continue,
10:59you can continue to work with the data.
11:02You can continue to work with the data.
11:05You can start with for the data.
11:08At this point, you can continue to work with the data.
11:11You can start with the data.
11:13It's actually up to the data.
11:14It's a special question,
11:16in what they were,
11:18like,
11:19you know,
11:20you can do a list of data,
11:22you can continue to work with the data.
11:23You keep that list.
11:24You can continue to have to check that list.
11:26I do understand what the data may be.
11:28For the first days,
11:29you will have to update yourself.
11:31You are the first person who is calling this father.
11:37That father is the man who is calling this father.
11:41We are now the leader of this landline.
11:47We have to talk about the father of the father.
11:52The father is the man who is calling this father.
11:55So, if you don't have any religion, you don't have to say anything about that.
12:05That is very important.
12:07If you have a stardom, a one-counter, that is what I have to say about reading.
12:16That is what we call Taguru.
12:18When we talk about a Dali, we talk about the Guru's Guru.
12:23We talk about the Guru as a Gandu Guru, Machmut, Hathor Shahi, Hava Belts, Gaddha Belts.
12:31When we talk about the Guru, we talk about the Guru's Guru.
12:35We talk about the Dali's Guru as a Guru.
12:38So, we talk about the Uncle character.
12:42Oh, this is a dollar.
12:45But he is doing it.
12:47So, he is doing it.
12:48So, he is doing it.
12:51He is doing it.
12:53He is doing it.
12:55He is doing it.
12:57Karkroj Shudhiya is a very good
13:00writer in ACP.
13:03So, he is doing it.
13:06In the first 3 days,
13:09he is doing it.
13:11He is doing it.
13:13He is doing it.
13:15He is doing it.
13:17He is doing it.
13:19Karkroj Shudhiya is doing it.
13:21So, he is doing it.
13:23Okay.
13:24Sir, what do you say about it?
13:27If you say about it,
13:29sometimes,
13:31there is an image of it.
13:34The image of it is an image.
13:37So,
13:38the image of it is a tattoo,
13:40which is a tattoo,
13:41which is about a tattoo.
13:43But,
13:44when he is managing it,
13:45he is doing it,
13:46he is making the image of it.
13:47He is a brand of Vijaykumar.
13:48He is a tattoo.
13:50He is a tattoo.
13:51He is a tattoo.
13:52He is a tattoo.
13:54I don't know how to do that.
13:58But Kalavidru,
14:01Vijayavru aged character
14:05You should act as an asust.
14:09Middle age aged character
14:14You should act as an asust.
14:17But your shoulder is down.
14:20So physically you are asust
14:23As you are in the middle of the world.
14:25What is the person?
14:26What is the person?
14:27What is the person?
14:29So this is what we manage.
14:33Super, super.
14:35Sir, this is how you are making a huge cast.
14:37Shetri, Sarri,
14:39You are making a big deal for the frame.
14:41I am making a big deal.
14:43I am making a huge cast.
14:45You are making a big deal,
14:47You are making a big deal,
14:49You are making a big deal.
14:51What do you expect?
14:52How can we entertain ourselves in this country and give us a chance to live in this country?
14:57This is how we talk about this country.
15:02This is how we talk about this country.
15:06When we talk about this country, we talk about this country.
15:14You have to take a look at this point.
15:20And you have to take a look at this point.
15:22It's still there.
15:24There is water.
15:26If you put a glass of water everywhere,
15:32you have to take a look at the first time.
15:35You have to take a look at the nearest stress.
15:39So this is the film.
15:40You have to take a look at this and fix it.
15:45It's more than water.
15:47It's still the same as water.
15:49Do you have that weight?
15:50Yes, it's still the same weight.
15:52It's still the same weight.
15:54However, the important thing is,
15:57it's not the same weight.
16:00It's the same weight.
16:01It's the same weight as your father's father's father,
16:04his father's father's father,
16:06his father's father.
16:08In the 80's?
16:10In the 80's background.
16:12In the 80's, when we give the Jadayashaur,
16:14we have a pleasure to give the Guru Shishyaru
16:16and Kanthara
16:18editing at the time table.
16:20We have a pleasure to give the reception
16:22to the Guru Shishyaru
16:24before Kanthara
16:26before release.
16:28In that way, Kanthara
16:30in the film.
16:32So, the receptionist Jadayashaur
16:34called the Jadayashaur
16:36is a pleasure to give the Jadayashaur
16:38to give the Jadayashaur
16:40a pleasure.
16:42In the editing table
16:44there is music.
16:46There is one editor
16:48with the Jadayashaur.
16:50So, the Jadayashaur is a good one.
16:52So, the Jadayashaur is a good one.
16:54It's a good one.
16:56It's a good one.
16:58Okay, sir.
17:00The release is ready for the Jody.
17:02So, finally
17:04the Jadayashaur,
17:06the audience is a good one.
17:08It's not a good one.
17:10It's a good one.
17:12So, you know what you're
17:14talking about the film
17:16and the Jadayashaur,
17:18it's not a good one.
17:20It's a good one.
17:22It's a good one.
17:24It's a good one.
17:26It's a good one.
17:28It's a good one.
17:30It's a good one.
17:32It's a good one.
17:34It's a good one.
17:36benchmark and
17:40mileage.
17:42Nice sir. Thank you so much sir.
17:44One question is,
17:46if you want to get up here,
17:48do you continue to change?
17:50No, I don't have any idea.
17:54If you want to make hair cut,
17:56you want to make shaving and trimming.
17:58That's it.
18:00I don't know,
18:02I don't know.
18:04Continuity.
18:06Thank you sir.
18:08Thank you so much sir. All the best.
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