- 3 weeks ago
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00:00If a prince could cause a lot of pain to a lot of people, then you just do it.
00:04Anyone do it.
00:05I want to put you inside his operation.
00:13We will give you money, but you have to lead the boy here.
00:15We can't take you.
00:17Go!
00:18He saved me.
00:20What's his name?
00:21Thomas Quint.
00:22No, he's bloody not.
00:23You're Pine from Switzerland.
00:25Thank you very much, sir, for rescuing me.
00:28You're very welcome, Danny.
00:30Welcome to the family.
00:33Angela Burr is closer than anyone's ever been to cracking Richard Robbins' offshore operation.
00:37The company is called Trade Pass.
00:39You are my lead actor.
00:41You make the deal.
00:42No one really knows what we're selling. No one wants to know.
00:46If they did, they wouldn't sleep at night.
00:50This is our little contribution.
00:51A safe haven for the wretched of the Earth.
00:53It justifies us being here.
00:56Every soldier fights for money, Andrew.
00:57These men are selling their skills same as anyone else.
01:05Even traitors can be forgiven.
01:07They have to commit.
01:08They have to make a decision.
01:10Jesus.
01:16I want my money back, Mr. Roper.
01:18If you do not pay, there will be consequences.
01:21Why did you do it, Jonathan?
01:22You have to commit.
01:23You have to make a decision.
01:29Wait a minute! Wait a minute!
01:30No!
01:31No!
01:39No!
01:40No!
03:47Yeah, I didn't sleep last night.
03:49Just last night?
03:51Don't worry, you'll sleep well after this.
03:55No.
03:57Just one of you.
03:59Just one of you will perform identification.
04:01Who says?
04:03I say.
04:05Now listen here, I've had enough of this.
04:07Shifting bloody sounds.
04:09Angela, it's all right.
04:11It's not all right.
04:13None of this is all right.
04:15It's not all right.
04:17None of this is all right.
04:19She'll do it.
04:21We both waited so long for this.
04:23You've waited longer.
04:25You've waited longer.
04:27Ella.
04:29Ella.
04:31Ella.
04:33Ready?
04:35Ready?
04:37Yeah.
04:39Yeah.
04:41Ready?
04:43Can you confirm?
04:45This is Richard Rocker.
04:47It's Richard Rocker.
04:49Yeah, that's him.
04:50Sure.
04:51Yes, yes.
04:52So?
04:53Yeah.
04:54Then you can confirm.
04:55This is Richard Rocker.
04:57Yeah, that's him.
04:58Sure.
04:59Yeah.
05:00You've moved.
05:01I've moved.
05:02This is Richard Rocker.
05:03Please, I've moved.
05:04Hello, mate.
05:05You've moved.
05:06I've moved.
05:07You've moved.
05:08You've moved.
05:09Pretty good.
05:10Yeah, I'm moved.
05:11I'm moved.
05:12Can you move?
05:13Yeah.
05:14Yeah.
05:44Alex?
06:00Alex?
06:01One second.
06:06Theresa, hi.
06:07Hi.
06:08Clarky escaped again.
06:10I'm so sorry.
06:11It's alright.
06:12Did he wake you?
06:13Well, no, because it's 4.30 in the afternoon.
06:15Of course it is.
06:16Of course it is.
06:17Sorry.
06:18Yeah.
06:19You, sir, are a flirt.
06:21What are you doing disturbing our neighbour, eh?
06:23Come on.
06:24Um, you work at night, don't you?
06:26I do, yes.
06:27Yeah.
06:28What do you do?
06:29You're like a vampire or something?
06:31Um, I work in a bank.
06:33So...
06:34So?
06:35So, yes, basically, yeah.
06:36Yeah.
06:37Alright.
06:38I'd love to have dinner soon, if you dare to journey across the hall.
06:43Yeah.
06:44Um...
06:45Yes.
06:46Um, maybe.
06:47One day.
06:48Yeah.
06:49Sorry again.
06:50Oh, good.
06:51Come on, you.
06:52Yeah.
06:53Bye.
06:54Bye.
06:55Bye.
06:57Cocky.
06:58Let me into trouble.
06:59This is the MI6 quarterly evaluation for Alex Goodwin, director of the Night Owls Unit.
07:08Shall we begin?
07:09Sure.
07:10So, Alex, is there anything keeping you awake at night?
07:15No.
07:16Uh...
07:17No.
07:18Uh...
07:19No.
07:20And how's your family?
07:22Family's great, yeah.
07:24And romantically, any developments on that front?
07:27Yep.
07:28Actually, I've started getting out with my neighbour.
07:32Mm-hmm.
07:33I see you've requested to stay with the Night Owls for another three years.
07:38Yes.
07:39Yep.
07:40How do you feel about that?
07:41I feel good.
07:42Um...
07:43I love working for Rex Mayhew.
07:45I love my team.
07:46From a central ops point of view, we've learned more from the Night Owls Surveillance Unit,
07:55led by Alex Goodwin, than from a dozen agents in the field.
07:59Nocturnal surveillance of the top hotels has proved pivotal to our clean-up operation in
08:04the city of London.
08:06The Night Owls' patience and diligence has allowed us at MI6 to infiltrate hospitals.
08:14to infiltrate hostile networks and avert terror threats across the city.
08:19The Night Owls, that's a nocturnal surveillance unit?
08:21That's right, yeah.
08:22It's not exactly glamorous.
08:24Hmph.
08:25Does it need to be?
08:27No.
08:28I...
08:37Hey, Linda.
08:39Here's the surf from the river.
08:40Thanks, Greg.
08:44It's quiet work.
08:49It's, er, not the most dramatic.
08:52But who needs heroes?
08:59Hello, Alex.
09:00Basil.
09:01Just dropping off the new wishlist.
09:03Usual rogues gallery.
09:05Don't know how you do it.
09:07Stuck here every night.
09:08Sat in the dark, watching the world through a screen.
09:11I'm worried you'll go blind.
09:13Well, as head of the River House Supervisory Council, I am formally sanctioning a further
09:20three-year extension for the Night Owl Unit, under the leadership of Alex Goodwin and the
09:25continued supervision of Rex Mayhew.
09:27Thank you very much.
09:28Thank you, Myra.
09:29I've taken a look at your file.
09:30Six years.
09:31You refuse all promotions, all offers for posts abroad.
09:36I love being at home.
09:37Sorry to disappoint you.
09:38You don't disappoint me, Alex.
09:39If I'm honest, you frighten me.
09:41Just a reminder, nothing above the parapet.
09:44That face is too pretty to lose.
09:46A lot of intelligence officers come through this room.
09:48Some of them shout.
09:49Some of them scream at me.
09:50I love being at home.
09:51I love being at home.
09:52Sorry to disappoint you.
09:53You don't disappoint me, Alex.
09:54If I'm honest, you frighten me.
09:57Just a reminder.
09:58Nothing above the parapet.
10:00That face is too pretty to lose.
10:03A lot of intelligence officers come through this room.
10:07Some of them shout.
10:09Some of them scream at me.
10:11Some even throw things.
10:13But the ones I really worry about turn up every three months.
10:18They sit there and they smile.
10:21Just like you.
10:23They say nothing like you.
10:26And then one day, they explode.
10:32You need to talk to me, Alex.
10:35Tell me who you really are.
10:38I am the man who will not explode.
10:52I got my best friend all the time.
10:53How do you play with you?
10:57I'm back.
10:58Very good.
10:59I'm back.
11:00Good, guys all the time.
11:01Huh?
11:02Are you still alive?
11:03I'm out of my way, Alex?
11:05I'm out of my way.
11:06I don't know.
11:07I'm out of my way.
11:08I'm out of my way.
11:09I'm out of my way, Alex.
11:10Hi, Mike.
11:14Hey.
11:15When you're settled, do a troll on all today's phone calls through hotel switchboards.
11:20Got the latest list of bad guys.
11:22Basil Carapetian delivered them personally.
11:25Eat spanks on mum, that man.
11:30Sorry I'm late.
11:33St. Albans traffic is a disgrace.
11:35I'm judging you.
11:36Leave that to my wife.
11:38How's your day, Alex?
11:39Fine, thank you, Alid.
11:40You manage some sleep?
11:44A little.
11:56Oh, Kadorov's moving again.
11:59Mike for them.
12:01For reference, he's number 12 on the list.
12:03Thanks to Bulgarian Mafia with a bit of child trafficking on the side.
12:07Where are you running to, Mr. Kadorov?
12:09I worked at the Mumbai Carlton in the 90s.
12:17That sort of antic tended to mean a sexual assignation with the boy on reception.
12:22Or he's just getting a paper.
12:25That's for the white room.
12:26Sally, party in the white room tonight.
12:28Copy that.
12:29On roof.
12:30Here we go.
12:35Oh, busy room for a school night.
12:44Sally, are you there yet?
12:45Just arrived.
12:47I don't look.
12:47Okay.
12:48Okay.
12:50Impeccable.
12:51Eyes only.
12:53Please?
12:54I promise.
12:55No touching.
13:00You look too many.
13:01Hi.
13:03Number 12, you're 10 o'clock.
13:05Whiskey on the rocks.
13:05Sally, don't win too much.
13:29You're not the show here.
13:30Never am.
13:31Mike, all angles.
13:35I want to see the whole room.
13:42So, who else is on tonight's list?
13:49Something wrong?
13:52Mike, zoom in on that man in the corner.
13:56Who is he?
13:57Just do it now.
14:01What you're looking at here is the real United Nations.
14:10Americans, Russians, Ukrainians, Serbs, Croats, Angolans.
14:15One big happy family.
14:18Jericho looks like a teddy bear.
14:20Don't let him near your neck on a bad day.
14:31So, in there.
14:38Alex.
14:38Hello, Celia.
14:39Hi.
14:40Preposterously earlier.
14:41I'm sorry.
14:41I was hoping to catch Rex before the party.
14:44Is he around?
14:44When you're part?
14:45No?
14:45He's talking to some girl.
14:46He's working on his fucking birthday.
14:48Well.
14:49She's far too attractive to boot.
14:51Now, listen, will you do me a favor?
14:52Yes.
14:52Will you go with this?
14:54Sure.
14:54And go in there and tell those handsome young men in chinos we need more glasses.
14:58Glasses?
14:58Yes.
14:59Okay.
15:01Oh, no, sorry, but that table for you would count as well.
15:04You need to help me.
15:05Okay.
15:11Rex is waiting.
15:13And I have to go.
15:15Roxanna, you hear anything more about this, you call me.
15:18Okay.
15:18Thank you, Rex.
15:19And you tell him now about this, Claire.
15:28Bye.
15:29I got your message.
15:57Show me what you've got.
15:57Taken last night.
16:03Old Roper field man.
16:04What's he doing coming to London under a false name?
16:06You sure I'd send?
16:07Absolutely sure.
16:10You talk to anyone else about this?
16:12How could I?
16:13I'm Alex Goodwin now.
16:14And you should stay that way.
16:20Rex, I'd like to talk to Burr.
16:21No, absolutely not.
16:22Absolutely not.
16:22Angela's retired, fully detached.
16:25She barely leaves her French retreat and won't want to be disturbed over some soldier for hire.
16:31Who is your mini-mate before the party?
16:37She was a friend.
16:40What kind of friend?
16:41What kind of friend?
16:41The kind you never saw.
16:43My dear boy, listen to me.
16:45If I'd had my way, you'd be on a beach in Bali now.
16:48You've state pension in your pocket.
16:51Yoga teacher in your bed.
16:52When you chose to stay, then I gave you one condition.
16:58Jonathan Pine never existed.
17:02Nobody in that garden has any idea who you are.
17:07Alex Goodwin stands before me now, and it so happens I've grown rather fond of him.
17:12Well, he's fond of you too.
17:14Glad to hear it.
17:15Roper is dead.
17:17The past is the past.
17:18I've spent five years creating you and you.
17:24Let's not ruin it for one chance sighting in Mayfair.
17:29May I keep this?
17:30Oh, I have a new number.
17:36Best to use this from now on.
17:46Memorise and eat.
17:47You know the drill.
18:02Alex!
18:03What on earth are you doing here?
18:05Myra, hello.
18:06Don't you know it's bad luck to see an owl during the day?
18:09Rex said that this owl needs a bit of vitamin D, so here I am.
18:13Wise man.
18:14You know, I'm so grateful to Rex.
18:19He's made me feel welcome from the moment I took the reins at the river.
18:23He's a good man.
18:24Yeah.
18:24He recruited you, didn't he?
18:26Yes, he did.
18:26Is it Nigeria?
18:28That's right.
18:28Port Harcourt.
18:29Private contractor.
18:31IT, mainly.
18:32We met.
18:33He was there, and there was an opportunity.
18:36I put my hand up, and...
18:37Good.
18:37Do you think he's all right?
18:41What?
18:42Why'd you ask?
18:44I'm worried about him.
18:46He didn't mention anything to you?
18:48No.
18:49No.
18:49No, no.
18:50Right, have a lovely time.
18:51Thank you, you too.
18:52SPF.
18:52Okay, yes, okay.
18:53No less than 50.
18:54Happy birthday, dear Rex.
19:02Happy birthday to you.
19:08Yeah, take cheers.
19:10Okay, thank you.
19:11Thank you for coming to this auspicious occasion.
19:15After this, it's just a funeral, isn't it?
19:16See ya?
19:17No, no, I am genuinely grateful to be able to celebrate my 60 years surrounded by colleagues,
19:26people who have the same love of their country, and what that country stands for, or should,
19:33or should.
19:34You know, a nation's security service is the truest expression of itself.
19:42You know, we are its soldiers and its priests, and as such, we have a choice.
19:48We can serve blindly, whatever the occasion, or we can take a view.
19:57Know thyself.
20:00So indulge an old trooper when he says the same to you now.
20:06And now fuck off and get pissed.
20:08I said, have fun.
20:19No, Danny, the hall's in the middle.
20:21You're not watching the cups, Danny.
20:26Thomas is watching the cups, aren't you, Thomas?
20:28Thomas is watching the cups, aren't you, Thomas?
20:51There's your man.
21:04His name is Jaco Brouwer, 42 years old.
21:08South African, but he spent the last six years as a fixer for cartels in South America.
21:12He arrived at Heathrow under a Dutch Antilles passport, name of Michel Hebert.
21:17And he's staying at a small hotel in Richmond, the Rogers.
21:21So how did he end up playing poker at the Mortimer?
21:24I don't know.
21:25My hunch is he was told to keep out of the main London hotels, but went off piece.
21:29Addiction issues.
21:31I want to know what he's doing in London.
21:33How do you know him?
21:36From a previous life.
21:39What previous life?
21:40I can't say, Mike.
21:41I'm not allowed to tell you.
21:42And I have no official authority to follow or trail him.
21:45So, up to you.
21:51I've never been to Richmond.
21:55Guys, cancel your plans.
21:57We're going fishing tomorrow.
21:59It'll be nice to see some light.
22:10Our camper's on the move.
22:12Stay on the tail ground.
22:15Copy that.
22:17Travelling east on the tow part.
22:19Sally, take position on the bridge.
22:21There he is.
22:24In position.
22:25Yeah, we see him.
22:32He's heading up towards the cafe.
22:34Eyes on target.
22:35Okay.
22:35Okay.
22:42Willie, move in.
22:45Got it.
22:45On Willie.
23:01Looks like he's got a date.
23:06Photo's in common.
23:06Hello.
23:09Hello.
23:18Who's that?
23:19You know him?
23:21No.
23:23Audio coming in.
23:24The shipment arrives in Cartagena port in three days.
23:31Once it's through customs, we're ready to press go.
23:34And you'll make the anniversary.
23:37No problem, we're on schedule.
23:39But my chief wants the shipment list.
23:42Full spec, government stamped in a diplomatic briefcase.
23:45I'll speak to my client, but they want to keep documentation minimal.
23:49For obvious reasons.
23:50This isn't your average gun run.
23:52Think of it as his insurance policy.
23:56He knows his mind, your chief.
23:59He learned from the best.
24:01Calls himself a...
24:02Mike, Mike, can you please clean that up?
24:05On it.
24:09Well, I'll be in touch.
24:10You lay low.
24:12Go and feed the ducks.
24:14And no going on the Londoners too many eyes.
24:22How are we doing?
24:35Uh, quiet.
24:38He knows his mind here, chief.
24:41He learned from the best.
24:44Calls himself Richard Roper's true disciple.
24:46Nothing quite as pretty as napalm at night.
24:54Do you mean anything to you?
24:57No.
24:59No.
24:59No.
24:59Calls himself Richard Roper's true disciple.
25:14Calls himself Richard Roper's true disciple.
25:14Calls him!
25:32Calls around the world.
25:34Calls him!
25:35Calls him!
25:36Calls him!
25:37Calls him!
25:37Alright, Alex.
25:38I've got a forward.
25:39All right, Alex, I've got Yakko's coffee date.
25:49Okay.
25:50Adam Hollywell is a middleman.
25:52He connects dozens of UK companies with clients abroad,
25:55often in the shadows.
25:57He calls himself the Alternative Foreign Office.
26:00The question is, who's he working for this time?
26:09I'm a straight home park.
26:12Okay.
26:17Just here on MF would be great.
26:39Sally.
26:46Okay, we know who owns the house.
26:48Who?
26:50We do.
26:53I'll call you back.
26:54I'll call you back.
26:54Rex.
27:23Alex.
27:23I'm driving down tomorrow.
27:26We need to talk.
27:27We do.
27:28When you get here, park away from the house.
27:30Use the side entrance library.
27:33I have something to show you.
27:34I have something to show you.
27:36Mark.
28:06Cillia.
28:20Alex, Alex, something terrible has happened.
28:23Cillia, whoa, whoa, whoa, whoa, slow down, slow down.
28:26Tell me what's happened.
28:26Rex is dead.
28:28He's dead.
28:30Alex, Alex, I don't know what the puzzle's here, and the police, and you've got some
28:36to come, please.
28:37I can't.
28:43Let's go over the river.
29:06How did you hear?
29:25Cedar called me.
29:28Asked me to come as soon as I could.
29:30Myra wants me to deal with the locals, keep the noise down.
29:42It seems Rex had a stash of pills Cillia knew nothing about, took them in the shed with
29:48a bottle of Macallan.
29:51Classy bastard.
29:53Do you have any idea why he would take his own life?
29:56Was it something he wasn't telling us?
29:58Debts?
29:59An affair?
30:00No.
30:01Rex is the most loyal man I know.
30:03To Cillia more than anyone.
30:04Then what?
30:13I'll send full cavalry tomorrow to sweep the place.
30:15Anything you can think of, call me.
30:17Celia, what happened?
30:33Oh, no.
30:34He was agitated.
30:35He said he'd found something.
30:37Wanted to talk to you.
30:38It was about your man.
30:39Um, and then I got a call from the vets saying that the dog's medicines were ready.
30:49When I got back, the shed door was open.
30:53I just knew.
30:55I knew.
30:56What have you got involved in?
30:58What have you got involved in?
31:02Memorize and eat.
31:27You know the drill.
31:57Hello, good job.
32:53I spent five years creating you anew.
33:14Let's not ruin it for one chance sighting in Mayfield.
33:23Let's not ruin it.
33:53Let's not ruin it.
34:23Let's not ruin it.
34:25Let's not ruin it.
34:29Rex, you said you'd call me at six.
34:31Where are you?
34:33Rex?
34:35Hello?
34:37Okay, I traced the number you sent me.
34:53Show me.
34:54It belongs to Roxana Belanos.
34:57She's Colombian but works as a shipping broker out of Miami.
34:59Haven't been able to link her to Yakko or Hollywell yet.
35:03All right.
35:04We need to talk to her now.
35:13All right.
35:15All right.
35:21What?
35:23Watchers, Alex.
35:24Eyes and ears.
35:25We're not the show, remember?
35:27What's going on?
35:29Rex Mayhew.
35:30Rex Mayhew was murdered.
35:35And the Riverhouse are involved.
35:39So I need to talk to Roxana Belanos.
35:41So I need to talk to Roxana Belanos.
35:45You like the cinnamon glaze?
35:46There's a gentleman waiting for you at the front desk.
35:47He says he needs to talk to you.
35:48Sorry.
35:49Excuse me, guys.
35:50I'm just going to run into the restroom real quick.
35:51Sorry.
35:53Get me a dessert.
35:54Yes?
35:55Okay.
35:56Excuse me.
35:57Did you get a name?
35:58No.
35:59Just this way.
36:03Roxana Belanos.
36:04Yes?
36:05I'm here on Rex Mayhew's behalf.
36:10Oh, yeah.
36:11You're at his house on the day of the birthday party.
36:12Yes.
36:13I'm here on Rex Mayhew's behalf.
36:15Yes.
36:16How are you?
36:17That's all?
36:18Um, let's go for some motivation.
36:19Well, then, don't go away.
36:20No, don't try out.
36:21No, there was no no�.
36:23It turned on to granted.
36:24Sure, so, again, right.
36:25I'm waiting for you at the front desk.
36:26She's going for you at the front desk.
36:27and we need to talk so where's Rex get your things make your excuses I'll tell
36:35you everything in the car in the car excuse me sorry I'm not going anywhere
36:43with you I need to talk to Rex
36:46trust me Rex won't answer he's dead
36:59he left this phone for me you and I have the only two numbers on it so we need to
37:04talk your life could be in danger get your things I'll wait for you outside
37:16room book to the brick hot hotel Queensway I've called in a favor from Tony to keep
37:22watch that's room 122 check out I left in tomorrow
37:26thank you
37:37come in
37:46drink sure
37:52have a seat
38:16okay listen
38:20all I need is to ask you a few questions how do you know Rex
38:26how did you know him start at the beginning take your time
38:35I have a small trading outfit in Miami I met Rex at one of those
38:50city of London dinners just schmoozing and we've been in contact ever since
38:59why were you there on the day of his birthday party
39:02because I've been working on something in Colombia yes an import company in
39:12Cartagena is buying UK machine tools for oil pipelines I grew up there my
39:17family's from there they trusted me to broker the deal we used to lug an
39:21intermediary Adam Hollywell name of the import company it's a buddy kiddo
39:26commerce something started to feel wrong what do you mean like I wasn't
39:37being told the whole story about what was in the shipment yes so I I took it to
39:44Rex he said that he would look into it and that's why I was calling him who knows
39:50you met him no one ever heard of a man called Yakko Brower no why what about this man no no I
40:11don't think so
40:22listen until we know what happened Rex you stay here tonight okay I can't I have a
40:26flight booked to Miami tomorrow I have no we'll deal with that no I actually have
40:29to go
40:31this has everything you might need Tony will stay with you and we will need your
40:35phone it's for your own safety okay I'll be back soon well well how long are you
40:40gonna be I promise you're in safe hands wait what's your name
40:46bingo that's our shipment
40:55the ship is called the Alcestis it left Felixstowe a month ago and it docks in Cartagena Colombia tomorrow
41:11we also found out who runs Barquero Commerce I'm sending that to you now Alex okay
41:15his name is Teddy Dos Santos he lives in Medellin now I can find nothing on him until 2018 whoever
41:25cleaned his background knows their stuff all I've got is a very sudden entry into legitimate
41:30business in Colombia about six years ago the formation of Barquero Commerce and a
41:35charity foundation what charity foundation it's called the Aurora based in Medellin
41:43the Aurora queremos brindar alegrÃa y esperanza a los cientos de jóvenes que han sido marcados por las
41:54décadas de violencia en nuestro paÃs lo mismo vengo de ese mismo
41:58my safe haven project for refugees is the true expression of my belief in a commitment to the
42:04wider world because my good fortune means nothing unless it also lifts up my fellow mayor
42:12my name is Eduardo Dos Santos y Aurora también se siente
42:15Sally I need to know what Mara Cavendish is really sending to Colombia when the ship docks we need to stop the
42:24cargo from leaving Cartagena port find a way borrow some time I tell Graham to stay on Jakob Rower okay
42:33and where are you Alex
42:35some of the stuff we started to sell on five-year rule okay so we got attics furniture arts interior
42:51sculptures documents through that through that Richard Roper terrible man beautiful taste
42:58let me know if you need anything I'll be upstairs thank you
43:28what do you need anything I'll keep going to see it
43:33okay
43:34you
43:34I should have a look at the Lyre
43:35you
43:35you
43:36I should have a look at the house
43:38I shouldn't have to be in there
43:38you
43:39you
43:40you
43:41you
43:41you
43:43you
43:44you
43:45you
43:46you
43:47you
43:48you
43:48you
43:50you
43:52you
43:53you
43:54you
43:55you
43:56you
43:57you
43:57I don't know.
44:27I don't know.
44:57So, you're a friend and family, is that?
45:01Yes, um, well, I've been abroad for a few years, but...
45:05No running!
45:06I'm his unofficial godfather house, so I thought I'd pop in and say hello.
45:11Well, apart from his mother, nobody else comes to see him, so I'm sure he'll be happy to see you.
45:16Good.
45:17Mr. Roper?
45:18Guest here.
45:19Hi, Danny.
45:20Michael Oakes.
45:21Remember me?
45:22I'll leave you to it.
45:23I'll be outside if you need anything.
45:24Hello.
45:25Hello.
45:26I'm sorry I didn't come before.
45:28There were rules I had to obey.
45:29for protection.
45:30Mine or yours?
45:31Both.
45:32Sorry.
45:33So what's changed?
45:34So what's changed?
46:05I'm going to take it out of pastoral care.
46:06Okay.
46:08I just need to know.
46:10Do you know this man?
46:11Why?
46:12Because I think your father knew him.
46:13I just need to know
46:18Do you know this man why
46:21Because I think your father knew him
46:23Why did he have this photograph?
46:25Who is he never seen him
46:28Danny, please just just look again. Sorry one more. Sorry, sorry
46:33Michael is it? Yeah, you're a fucking liar
46:37You destroyed my family. You never once were honest with me, so
46:43Why should I give you anything?
46:47Huh
46:51Okay
46:58I shouldn't have come
47:05Sorry
47:10See you in another ten years
47:13There's something I haven't told you
47:38About your father
47:40He was, uh
47:45Executed by his captors
47:54When?
47:57Six years ago
47:59That's fucked
48:01Why wasn't I gone?
48:03Come on
48:22I'm sorry you had to find out like this
48:24I'm sorry, Danny
48:43Excuse me, but when is your friend coming back?
48:45He won't be long
48:46He won't be long
48:48Look
48:50I've got people expecting me in Miami
48:52I have to get back
48:53Please
48:55He's been gone since last night
48:56Can I at least have my phone?
48:58Look, I'm afraid I can't do that
49:00Like I said, he's gonna be back soon
49:02He's just been held up
49:03I think I'm gonna be sick
49:05I think I'm gonna be sick
49:07Can I get you anything?
49:08I'm gonna be sick
49:09Jacko Brouwer just received a delivery to his hotel
49:29A diplomatic briefcase
49:31He's booked on a flight to Barcelona tomorrow at 8 a.m.
49:36Okay
49:37Tell the team we're going to Spain
49:40I'm on it
49:47I'll cover the entrance
49:48Graeme says you've asked him to bring firearms
50:00We're night owls
50:01Not operatives
50:02It's just a precaution
50:08This previous life of yours you mentioned
50:12You want to tell me about it?
50:13I was, uh, someone else once
50:19But he had to go away
50:21Who was he?
50:24I'll tell you when this is over
50:27I might just hold you to that
50:32That's him
50:33Taxi!
50:34Can you hold that...
50:35Taxi!
50:37Excuse me!
50:38Oh, shit!
50:40No
50:40Bloody terminal
50:43Yeah, fine, thank you
50:44Thanks
50:45Taxi!
50:54Let's go
50:54He's taking the N2 North heading towards Girona
51:13Copy that
51:14We're on it
51:15Turning left into the Hotel Rossignol
51:24See if our car has a room there
51:25Yeah, check it now
51:42See you in there
51:45Two
51:57And what is
51:58Algo esta pasando fuera
51:59Creo que les puedo ver
52:02Vale
52:03Gracias
52:08Yep
52:09Yakko is booked into room 249
52:10Got it
52:13Okay
52:14Thank you
52:14No, fine, it's okay, thanks.
52:17Master Key, Route 249.
52:44Thank you very much, I do.
52:52Mr Radarón, nice to see you.
53:02Mr Radarón?
53:05Good 6.
53:06That's how I'm going to count you.
53:08Mr Radarón.
53:09Thank you very much.
53:10Good 1?
53:11It's in hospital hospital.
53:12Do you like this?
53:13No.
53:14No, no, no, no.
53:42Do you want something for me?
53:43Yes.
53:44The shipment lives where the government's stamp as requested.
53:47But they're insisting on no more contact until the anniversary.
53:51The British always have arm's length.
53:55Let's go check the documents in the room.
53:57Then get some rest.
53:59It's a long flight back to Colombia tomorrow.
54:12Teddy Dos Santos is here and they're on their way home.
54:15We got him.
54:16Keep them in the room.
54:17I want to talk to him.
54:25You are in room 249, correct?
54:28Yeah.
54:29Second floor.
54:42You are a good man, Yakko.
54:45Robert knew a soldier when he saw one.
55:00Show me.
55:09Really?
55:12Teddy, I had no idea.
55:22I swear.
55:24Let's go.
55:34I'm on this air.
55:35You still got him?
55:36No, listen.
55:37We've lost him.
55:38We've lost the signal.
55:39They must be on to us.
55:40Clear the system and move, Roxanna.
55:42Mike, delete everything off the system.
55:43What?
55:44Delete everything off the system.
55:46Do it now.
55:49They're still not here.
55:50What is?
55:51Get out of there.
55:52Now.
55:59Who's yours?
56:04Aren't you fine, Tony?
56:06Who is it?
56:07Who is it?
56:28No.
56:29Great, great, great.
56:30Great, great, great.
56:35What do you think?
56:41No, no, no, no.
56:43No, no, no, no, no.
56:45Hey, what are you?
56:46What are you...
56:49What are you...
56:50What are you doing?
56:51Hello, I'm a old friend of Mr. Maradon.
57:17I think they have a room in the fourth floor. I'll stay with him there, but can I remember the number, please?
57:47Who are you?
58:17Hi, this is Alex Goodwin. Please leave a message.
58:39A message.
58:51A message.
58:53A message.
58:57A message.
59:01A message.
59:11A message.
59:13A message.
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