- 4 days ago
Category
🎥
Short filmTranscript
00:00My name's Pine. I'm the night manager.
00:03Richard Roper is selling arms in the heart of Cairo, in the middle of the Arab Spring.
00:08Why does Jonathan Pine, respected hotelier, risk his career by snitching on his guests?
00:12If there's a man selling a private arsenal, and those weapons can cause a lot of pain to a lot of people, then you just do it.
00:19Anyone will do it.
00:20I want to put you inside his operation.
00:22We will give you money, but you have to leave the boy here.
00:30We contact you.
00:32Go!
00:33He saved me.
00:35What's his name?
00:36Thomas Quint.
00:37No, he's bloody not.
00:38You're Pine from Switzerland.
00:40Thank you very much, sir, for rescuing me.
00:44You're very welcome, Danny.
00:45Welcome to the family.
00:48Angela Burr is closer than anyone's ever been to cracking Richard Roper's offshore operation.
00:52The company is called Trade Pass.
00:55You are my lead actor.
00:57You ever make the deal?
00:58No one really knows what we're selling.
00:59No one wants to know.
01:01If they did, they wouldn't sleep at night.
01:05This is our little contribution.
01:07A safe haven for the wretched of the earth.
01:09It justifies us being here.
01:11Every soldier fights for money, Andrew.
01:13These men are selling their skills same as anyone else.
01:15Even traitors can be forgiven.
01:23They have to commit.
01:24They have to make a decision.
01:26Jesus.
01:27I want my money back, Mr. Roper.
01:34If you do not pay, there will be consequences.
01:37Why'd you do it, Jonathan?
01:38You have to commit.
01:39You have to make a decision.
01:44Wait a minute.
01:45Wait a minute.
01:45Wait a minute.
02:15Wait a minute.
02:45Wait a minute.
03:15So, shall we talk about tomorrow?
03:31No.
03:32No.
03:34There will be no official autopsy.
03:36No photos.
03:38No record of death.
03:40We'll just identify the body.
03:42Then they'll burn it.
03:43No one gets the ashes.
03:44No one will know.
03:45Not even his family.
03:46What about Danny?
03:48No, not even Danny.
03:49Richard Roper will remain a missing person and you, Jonathan Pine, he never came to this godforsaken place.
03:56You all right?
04:01Yeah, I didn't sleep last night.
04:05Just last night?
04:07Don't worry.
04:08You'll sleep well after this.
04:09No.
04:22Not.
04:24Get down here!
04:33What come?
04:38No.
04:39Just one of you will perform identification.
04:41Who says?
04:43I say.
04:45Now listen here, I've had enough of this. Shifting bloody sands.
04:47Angela, it's all right.
04:49It's not all right. None of this is all right.
04:52She'll do it.
04:54We've both waited so long for this.
04:58You've waited long now.
05:01Good luck.
05:06Good luck.
05:17Ready?
05:18No.
05:24Can you confirm?
05:25This is Richard Rocker.
05:27Yeah, it's him.
05:28Sure?
05:32Yeah.
05:33Good luck.
05:34No.
05:40No!
05:44Good.
05:45Good afternoon!
05:46Hope you're doing okay!
05:48good afternoon hope you're doing okay it's colin and claire and it's london central
06:03One second.
06:21Teresa, hi.
06:22Hi.
06:23Corky escaped again.
06:25I'm so sorry.
06:26Did he wake you?
06:28Well, no, because it's 4.30 in the afternoon.
06:31Of course it is.
06:31Of course it is.
06:32Sorry.
06:32Yeah.
06:34You, sir, are a flirt.
06:36What are you doing disturbing our neighbour, eh?
06:39Come on.
06:40You work at night, don't you?
06:41I do, yes.
06:42Yeah.
06:43What do you do?
06:44You're like vampires.
06:46I work in a bank.
06:49So, yes, basically, yeah.
06:51Yeah, I am.
06:52All right.
06:53I'd love to have dinner soon, if you dare to journey across the hall.
07:00Yes, maybe, one day.
07:03Yeah.
07:04Sorry again.
07:05Oh, good.
07:06Okay, come on, you.
07:07Yeah, bye.
07:08Bye.
07:08Bye.
07:12Corky.
07:15Let me into trouble.
07:16This is the MI6 quarterly evaluation for Alex Goodwin, director of the Night Owls Unit.
07:24Shall we begin?
07:26Sure.
07:26So, Alex, is there anything keeping you awake at night?
07:32No.
07:35No.
07:36And how's your family?
07:38Family's great, yeah.
07:39And romantically, any developments on that front?
07:44Yeah.
07:46Actually, I've started going out with my neighbor.
07:50I see you've requested to stay with the Night Owls for another three years.
07:53Yes.
07:54Yes.
07:54Yep.
07:55How do you feel about that?
07:57I feel good.
07:58Um, I love working for Rex Mayhew.
08:01I love my team.
08:02From a central ops point of view, we've learned more from the Night Owl Surveillance Unit,
08:11led by Alex Goodwin, than from a dozen agents in the field.
08:15Nocturnal surveillance of the top hotels has proved pivotal to our cleanup operation in the City of London.
08:21The Night Owl's patience and diligence has allowed us at MI6 to infiltrate hostile networks and avert terror threats across the city.
08:34The Night Owl, that's a nocturnal surveillance unit?
08:37That's right, yeah.
08:38It's not exactly glamorous.
08:41Does it need to be?
08:43No.
08:43I...
08:44It's quiet work.
09:05It's, uh, not the most dramatic.
09:08But who needs heroes?
09:09Hello, Alex.
09:15Basil.
09:16Just dropping off the new wish list.
09:18Usual rogues gallery.
09:21Don't know how you do it.
09:22Stuck here every night.
09:24Sat in the dark, watching the world through a screen.
09:27Worried you'll go blind.
09:30Well, as head of the River House Supervisory Council,
09:34I am formally sanctioning a further three-year extension for the Night Owl Unit,
09:39under the leadership of Alex Goodwin and the continued supervision of Rex Mayhew.
09:44Thank you very much.
09:46Thank you, Myra.
09:47I've taken a look at your file.
09:49Six years.
09:51You refuse all promotions, all offers for posts abroad.
09:55I love being at home.
09:58Sorry to disappoint you.
10:01You don't disappoint me, Alex.
10:04If I'm honest, you frighten me.
10:07Just a reminder.
10:13Nothing above the parapet.
10:15That face is too pretty to lose.
10:17A lot of intelligence officers come through this room.
10:23Some of them shout.
10:24Some of them scream at me.
10:27Some even throw things.
10:28But the ones I really worry about turn up every three months.
10:34They sit there and they smile.
10:36Just like you.
10:38They say nothing like you.
10:40And then one day,
10:44they explode.
10:48You need to talk to me, Alex.
10:51Tell me who you really are.
10:52I am the man who will not explode.
11:06I am the man who will not explode.
11:20Hi, Mike.
11:29Hey.
11:30When you're settled, do a troll on all today's phone calls through hotel switchboards.
11:35I've got the latest list of bad guys.
11:37Basil Carapetti and deliver them personally.
11:40Eat spangs on mum, that man.
11:45Sorry I'm late.
11:46St. Dolwyn's traffic is a disgrace.
11:50I'm judging you.
11:51Neither to my wife.
11:53How's your day, Alex?
11:54Fine, thank you, Alid.
11:57You manage some sleep?
11:59A little.
12:11Oh, Cadarol's moving again.
12:14Mike, follow him.
12:15For reference, he's number 12 on the list.
12:18Thanks to Bulgarian Mafia with a bit of child trafficking on the side.
12:22Where are you running to, Mr. Kadarov?
12:29I worked at the Mumbai Carlton in the 90s.
12:32That sort of antic tended to mean a sexual assignation with the boy on reception.
12:37Or are you just getting a paper?
12:40That's for the white room.
12:41Sally, party in the white room tonight.
12:43Copy that.
12:44On roof.
12:49Here we go.
12:55Oh, busy room for a school night.
12:59Sally, you there yet?
13:00Just arrived.
13:02How do I look?
13:02Impackable.
13:06Eyes only.
13:08Please?
13:09I promise.
13:10No touching.
13:15You're a little better.
13:16How?
13:179 o' 12, your 10 o'clock.
13:20Whiskey on the rocks.
13:20Sally, don't win too much.
13:44You're not the show here.
13:45Never am.
13:46Mike, all angles.
13:50I want to see the whole room.
13:57So, who else is on connected list?
14:04Something wrong?
14:07Mike, zoom in on that man in the corner.
14:11Who is he?
14:12Just do it now.
14:12No.
14:12No.
14:13No.
14:13No.
14:13No.
14:13No.
14:13No.
14:13No.
14:13No.
14:13No.
14:14No.
14:14No.
14:15No.
14:16What you're looking at here is the real United Nations.
14:25Americans, Russians, Ukrainians, Serbs, Croats, Angolans.
14:30One big happy family.
14:33Yeko looks like a teddy bear.
14:35Don't let him near your neck on a bad day.
14:38I'm sorry.
14:38I'm sorry.
14:39I was hoping to catch Rex before the party.
14:43Is he around?
14:43No.
14:43No.
14:44No.
14:44No.
14:44No.
14:44No.
14:45No.
14:45No.
14:45No.
14:45No.
14:46No.
14:46No.
14:46No.
14:47No.
14:47No.
14:47No.
14:48No.
14:48No.
14:48No.
14:48No.
14:49No.
14:49No.
14:49No.
14:50No.
14:50No.
14:50No.
14:50No.
14:51No.
14:51No.
14:52No.
14:52No.
14:52No.
14:53Hello, Celia.
14:53Hi.
14:55You were preposterously earlier.
14:55All right.
14:56I'm sorry.
14:57I was hoping to catch Rex before the party.
14:58Is he around?
14:59When you passed?
15:00He's talking to some girl who's working on his birthday.
15:02birthday well she's far too attractive to boot now listen will you do me a favor yes will you
15:08grab this and go in there and tell those handsome young men in chinos we need more glasses glasses
15:13yes okay thank you oh no sorry but that's how you can help me
15:21and i have to go roxana you hear anything more about this you call me okay thank you rex and you
15:34tell no one about this
15:57alex
16:04i got your message show me what you've got
16:16taken last night old roper field man what's he doing coming to london under a false name
16:21you sure i'd swim absolutely sure you talk to anyone else about this how how could i i'm alex
16:28goodwin now and you should stay that way
16:35rex i'd like to talk to burr absolutely not angela's retired fully detached she
16:40barely leaves her french retreat and won't want to be disturbed over some soldier for hire
16:45who was her mini-map before the party
16:54she was a friend what kind of friend the kind you never saw my dear boy listen to me
17:00i'd had my way you'd be on a beach in bali now
17:03your state pension in your pocket yoga teacher in your bed you chose to stay
17:10that i gave you one condition jonathan pine never existed
17:17nobody in that garden has any idea who you are
17:20alex goodwin stands before me now and it so happens i've grown rather fond of him
17:27well he's fond of you too glad to hear it rupa is dead the past is the past you spent five years
17:35the past is creating you and you
17:39let's not ruin it for one chance sighting in mayfair may i may i keep this oh i have um
17:48i have a new number best to use this from now on
17:54memorise and eat you know the drill
18:17alex what on earth are you doing
18:20ira hello don't you know it's bad luck to see an owl during the day
18:24rex said that this owl needs a bit of vitamin d so here i am wise man
18:32you know i'm so grateful to rex he's made me feel welcome from the moment i took the reins at the
18:37river that's a good man yeah he recruited you didn't he yes he did is it nigeria that's right
18:43poor harcourt private contractor it mainly um we met he was there and um there was an opportunity
18:51i put my hand up and good do you think he's all right
18:56what why'd you ask i'm worried about him oh he didn't mention anything to you no no no
19:04all right all right have a lovely time thank you you too spf okay yes no less than 50.
19:18you are in trouble
19:22thank you yes thank you thank you okay thank you thank you for coming to this auspicious occasion
19:30after this it's just a funeral isn't it see yeah no no i i i am genuinely grateful to be able to
19:36celebrate my 60 years that's surrounded by colleagues people who have the same love of their country
19:43and what that country stands for or should or should you know a nation's security service
19:53is the truest expression of itself you know we are its soldiers and its priests and as such we have a
20:03choice we can serve blindly whatever the occasion or we can take a view
20:09know thyself so uh indulge an old trooper when he says the same to you now
20:18and now fuck off and get pissed
20:36you're not watching the cups danny
20:41thomas is watching the cups aren't you thomas
20:48there's your men
21:19his name is yakko brauer 42 years old
21:23south african but he spent the last six years as a fixer for cartels in south america
21:27he arrived at heathro under a dutch until his passport name of michelle
21:31ebert and he's staying at a small hotel in richmond
21:35the rogers so how did he end up playing poker at mortimer i don't know
21:40my hunch is he was told to keep out of the main london hotels but went off peace
21:44addiction issues i want to know what he's doing in london how do you know him
21:51from a previous life
21:54what previous life i can't say mike i'm not allowed to tell you and i have no official
21:58authority to follow a trail in so up to you
22:06i've never been to richmond
22:10guys cancel your plans we're going fishing tomorrow
22:13it'll be nice to see some light thank you
22:25our gambler's on the move
22:28stay on his tail ground
22:29copy that traveling east on the tow part
22:34sally take possession on the bridge here it is
22:39in position yeah we see
22:41he's heading up towards the cafe
22:49eyes on target
22:58woolly moving got it on my way
23:11it looks like he's got a date
23:20photos incoming
23:23elliot
23:33who's that
23:34you know him
23:36no
23:38audio coming in
23:41the shipment arrives in
23:45port in three days
23:46once it's through customs we're ready to press go
23:49and you'll make the anniversary
23:52no problem we're on schedule
23:54but my chief wants the shipment list
23:57full spec government stamped in a diplomatic briefcase
24:00i'll speak to my client but they want to keep documentation minimal
24:04for obvious reasons
24:05this isn't your average gun run think of it as his insurance policy
24:11he knows his mind your chief
24:12he learned from the best
24:15he learned from the best
24:16pulls himself
24:16through the site
24:18mike mike can you please clean that up
24:20on it
24:24well i'll be in touch
24:25yeah hello
24:27go and feed the ducks
24:29and no going on the londoners
24:30go and feed the ducks
24:48how are we doing
24:49He knows his mind here chief. He learned from the best. Calls himself Richard Roper's true disciple.
25:02Nothing quite as pretty as Napalm at night.
25:06Mean anything to you?
25:11No. No.
25:19Calls himself Richard Roper's true disciple.
25:34All right Alex, I've got Yakko's coffee date.
26:02Okay. Adam Hollywell is a middleman. He connects dozens of UK companies with clients abroad, often in the shadows.
26:12He calls himself the Alternative Foreign Office.
26:16The question is, who's he working for this time?
26:24I'm a straight home park.
26:28Okay.
26:33Just here on MF would be great. Thank you.
26:36Sally.
26:48Okay, we know who owns the house.
26:50Who?
26:51We do.
26:52I'll call you back.
26:54Yep.
26:55I'll call you back.
26:57I'll call you back.
26:58Yes.
26:59Oh, wow.
27:00Well, what's that?
27:01What's that?
27:02Yes.
27:03It's a good guy.
27:04Yes.
27:05Yes.
27:06Yes.
27:07Yes, sir.
27:08Charlie, you're the one who runs the house.
27:09I'll call you back.
27:10Yes.
27:11Yes, sir.
27:13Yes, sir.
27:14Yes.
27:15Yes, sir.
27:17Yes, sir.
27:19Yeah, sir.
27:20Yes.
27:21Rex, Alex, I'm driving down tomorrow.
27:41We need to talk.
27:42We do.
27:43When you get here, park away from the house.
27:45Use the side entrance, library.
27:48I have something to show you.
27:51I have something to match.
28:21Oh, no.
28:35Celia.
28:35Alex, something terrible has happened.
28:38Celia, whoa, whoa, whoa, slow down.
28:40Tell me what's happening.
28:41Rex is dead.
28:43He's dead.
28:44Alex, Alex, something.
28:47I don't know what the puzzle's here and the police and...
28:50You've got to come, please. You... I can't.
28:57Let's go over the river.
29:11Coffee's here.
29:17How did you hear?
29:41Cedar called me.
29:43Asked me to come as soon as I could.
29:47Hmm.
29:50Myra wants me to deal with the locals.
29:53Keep the noise down.
29:55Hmm.
29:57It seems Rex had a stash of pills Celia knew nothing about.
30:02Took them in the shed with a bottle of Macallan.
30:06Classy bastard.
30:08Do you have any idea why he would take his own life?
30:11Was there something he wasn't telling us?
30:13Debts? An affair?
30:14No. Rex is the most loyal man I know.
30:18To Celia more than anyone.
30:19Then what?
30:27I'll send full cavalry tomorrow to sweep the place.
30:30Anything you can think of, call me.
30:32Celia, what happened?
30:48Oh, no.
30:49He was agitated.
30:50He...
30:50He said he'd found something.
30:52Wanted to talk to you.
30:53It was about your man.
30:54Um, and then, and then I got a call from the vets saying that the dog's medicines were ready.
31:03When I got back, the shed door was open.
31:08I just knew how to heal.
31:11What have you got involved in?
31:14Oh, God.
31:16Oh, God.
31:16Oh, God.
31:17Oh, God.
31:18Oh, God.
31:19Oh, God.
31:20Oh, God.
31:21Oh, God.
31:22Oh, God.
31:23Oh, God.
31:24Oh, God.
31:41And rise and eat.
31:43You know the drill.
31:54Oh, God.
32:11Oh, God.
32:13PHONE RINGS
32:43PHONE RINGS
33:13PHONE RINGS
33:15PHONE RINGS
33:17PHONE RINGS
33:19PHONE RINGS
33:21PHONE RINGS
33:23PHONE RINGS
33:25It's about five years
33:27creating you anew
33:29Let's not ruin it for one chance
33:33sighting in Mayfield
33:43PHONE RINGS
33:45PHONE RINGS
33:47PHONE RINGS
33:49PHONE RINGS
33:51PHONE RINGS
33:53PHONE RINGS
33:55PHONE RINGS
33:57PHONE RINGS
33:59PHONE RINGS
34:01PHONE RINGS
34:03PHONE RINGS
34:05PHONE RINGS
34:07PHONE RINGS
34:09PHONE RINGS
34:11He knows his mind, your chief, calls himself Richard Roper's true disciple.
34:41Rex, you said you'd call me at 6, where are you?
34:49Rex?
34:51Hello?
34:54Okay, I traced the number you sent me.
35:09It belongs to Roxana Bolaños.
35:12She's Colombian, but works as a shipping broker out of Miami.
35:15Haven't been able to link her to Yakko or Hollywell yet.
35:18All right, we need to talk to her, now.
35:30I don't seriously want to.
35:32What?
35:38We're watchers, Alex.
35:40Eyes and ears, we're not the show, remember?
35:43What's going on?
35:48Rex Mayhew was murdered.
35:53And the Riverhouse are involved.
35:56So I need to talk to Roxana Bolaños.
36:03So, what is your favorite place?
36:04If you're in America, you have to be in a place.
36:05I don't know what you're getting.
36:06I'm so sorry.
36:07You like to say in English?
36:08There's a gentleman waiting for you at the front desk.
36:09He says he needs to talk to you.
36:10Sorry.
36:11Excuse me, guys.
36:12I'm just going to run into the restroom real quick.
36:13Sorry.
36:15Get me a dessert.
36:16Yes?
36:17Okay.
36:18Excuse me, did you get a name?
36:19No.
36:20Just this way.
36:21Roxana Bolaños?
36:22Yes?
36:23I'm here on Rex Mayhew's behalf.
36:24Oh, yeah.
36:25You were at his house the day of the birthday party.
36:26Yes.
36:27And we need to talk.
36:29Uh, sorry.
36:30I'm sorry.
36:31I'm sorry.
36:32I'm sorry.
36:33I'm sorry.
36:34I'm sorry.
36:35I'm sorry.
36:36I'm sorry.
36:37I'm sorry.
36:38I'm sorry.
36:39I'm sorry.
36:40I'm sorry.
36:41I'm sorry.
36:42I'm sorry.
36:43I'm sorry.
36:44I'm sorry.
36:45I'm sorry.
36:46So, where's Rex?
36:48Get your things.
36:49Make your excuses.
36:50I'll tell you everything in the car.
36:52In the car?
36:53Excuse me.
36:55Sorry.
36:56Um, I'm not going anywhere with you.
36:58I need to talk to Rex.
37:00This is ridiculous.
37:06Trust me.
37:07Rex won't answer.
37:09He's dead.
37:10He left this phone for me.
37:11And you and I, there are only two numbers on it, so we need to talk.
37:19Your life could be in danger.
37:21Get your things.
37:22I'll wait for you outside.
37:23Room booked to the Brickcott Hotel, Queensway.
37:35I've called in a favour from Tony to keep watch.
37:38That's room 122.
37:40Come in.
37:41Come in.
37:42Come in.
37:55Come in.
37:56Come in.
37:57Come in.
37:58Come in.
37:59Come in.
38:00Come in.
38:01Come in.
38:02Drink.
38:03Sure.
38:04Have a seat.
38:34Okay, listen.
38:35All I need is to ask you a few questions.
38:40How do you know Rex?
38:45How did you know him?
38:48Start at the beginning.
38:49Take your time.
38:59I have a small trading outfit in Miami.
39:01I met Rex at one of those City of London dinners, just schmoozing, and we've been in contact
39:14ever since.
39:15Why were you there on the day of his birthday party?
39:20Because I've been working on something.
39:22In Colombia?
39:23Yes.
39:24An import company in Cartagena is buying UK machine tools for oil pipelines.
39:31I grew up there.
39:32My family's from there.
39:33They trusted me to broker the deal.
39:35We used to lug an intermediary.
39:37Adam Hollywell.
39:38Name of the import company?
39:40It's a bunny kiddo commerce.
39:42Is that what happened?
39:44Something started to feel wrong.
39:48What do you mean?
39:51Like I wasn't being told the whole story.
39:53About what was in the shipment?
39:55Yes.
39:57So I took it to Rex.
40:00He said that he would look into it, and that's why I was calling him.
40:04Who knows you met him?
40:05No one.
40:06Ever heard of a man called Jaco Brower?
40:12No.
40:13Why?
40:20What about this man?
40:25No.
40:26No, I don't think so.
40:35Listen, until we know what happened to Rex, you should stay here tonight.
40:40No, I can't.
40:41I have a flight booked to Miami tomorrow.
40:42I have to leave.
40:43Well, we'll deal with that.
40:44No, I actually have to go.
40:46This has everything you might need.
40:48Tony will stay with you, and we will need your phone.
40:51It's for your own safety, okay?
40:53I'll be back soon.
40:54Well, how long are you going to be?
40:56I promise you're in safe hands.
40:58Wait, what's your name?
41:05Bingo.
41:06That's our shipment.
41:20The ship is called the Alcestis.
41:22It left Felixstowe a month ago, and it docks in Cartagena, Colombia tomorrow.
41:26We also found out who runs Barquero Commerce.
41:29I'm sending that to you now, Alex.
41:30Okay.
41:31His name is Teddy Dos Santos.
41:35He lives in Medellin.
41:36Now, I can find nothing on him until 2018.
41:39Whoever cleaned his background knows their stuff.
41:42All I've got is a very sudden entry into legitimate business in Colombia
41:46about six years ago.
41:48The formation of Barquero Commerce and a charity foundation.
41:52What charity foundation?
41:54It's called the Aurora, based in Medellin.
41:58My safe haven project for refugees is the true expression of my belief in a commitment to the wider world.
42:20Because my good fortune means nothing.
42:24Unless it also lifts up my fellow mayor.
42:27My name is Eduardo Dos Santos.
42:29And Aurora, I need you.
42:33Sally.
42:34I need to know what Mara Cavendish is really sending to Colombia when the ship docks.
42:38We need to stop the cargo from leaving Cartagena port.
42:41Find a way.
42:43Bury some time.
42:44And tell Graham to stay on Jakob Rower.
42:47Okay.
42:48And where are you, Alex?
42:59Some of the stuff we started to sell on, buy me a rule.
43:02Okay.
43:03So we've got attics, furniture, arts, interior sculptures, documents.
43:08Through there?
43:09Through there.
43:10Richard Roper, terrible man, beautiful taste.
43:13Let me know if you need anything, I'll be upstairs.
43:47Thank you, Alex.
43:48Thanks for joining us.
43:50Please go.
43:52Thank you, Alex.
43:53Bye.
43:54Oh, no.
43:55We'll be back again.
43:57Bye.
44:00Aw.
44:01Yes, you guys are looking for Senator.
44:03You're looking for one place on the other side.
44:05Please go.
44:07Here, tell me, you're going.
44:10You're looking for the number of men.
44:12I don't know.
44:42I don't know.
45:12So, you're a friend and family, this house?
45:17Yes, um, well, I've been abroad for a few years.
45:21No running.
45:22I'm his unofficial godfather house, so I thought I'd pop in and say hello.
45:28Well, apart from his mother, nobody else comes to see him, so I'm sure he'll be happy to see you.
45:34Good.
45:34Mr. Roper?
45:38Guest feet.
45:41Hi, Danny.
45:45Michael Oakes.
45:48Remember me?
45:50I'll leave you to it.
45:51I'll be outside if you need anything.
46:07Look.
46:07I'm sorry, I didn't come before.
46:12There were rules I had to obey for protection.
46:14Mine or yours?
46:15Both.
46:16So what's changed?
46:18Because something tells me this isn't just pastoral care.
46:21Okay.
46:28I just need to know.
46:33Do you know this man?
46:34Why?
46:36Because I think your father knew him.
46:38Why did he have this photograph?
46:40Who is he?
46:41I've never seen him.
46:43Danny, please.
46:44Just look again.
46:45Just take one more, though.
46:46Sorry, sorry.
46:47Michael.
46:49Is it?
46:50Yeah.
46:51You're a fucking liar.
46:52You destroyed my family.
46:55You never once were honest with me.
46:58So why should I give you anything?
47:02Huh?
47:05Okay.
47:13I shouldn't have come.
47:15Sorry.
47:25See you in another ten years.
47:45There's something I haven't told you.
47:53About your father.
47:57He was, uh...
48:00executed by his captors.
48:09When?
48:09Six years ago.
48:14That's fucked.
48:16Why wasn't I thought?
48:17I'm sorry you had to find out like this.
48:42I'm sorry, Danny.
48:43Excuse me, but when is your friend coming back?
49:01He won't be long.
49:03Look.
49:05I've got people expecting me in Miami.
49:07I have to get back.
49:08Please.
49:10He's been gone since last night.
49:11Can I at least have my phone?
49:13Look.
49:13I'm afraid I can't do that.
49:15Like I said, he's going to be back soon.
49:17He's just been held up.
49:20I think I'm going to be sick.
49:22Can I get you anything?
49:23I'm going to be sick.
49:24I think I'm going to be sick.
49:42Jakob Brower just received a delivery to his hotel.
49:45A diplomatic briefcase.
49:47He's booked on a flight to Barcelona tomorrow at 8am.
49:50Okay.
49:52Tell the team we're going to Spain.
49:55I'm on in.
50:02I'll cover the entrance.
50:03Graham says you've asked him to bring firearms.
50:15We're night owls, not operatives.
50:17It's just a precaution.
50:23This previous life of yours you mentioned, you want to tell me about it?
50:28I was someone else once.
50:34He had to go away.
50:36Or was he?
50:39I'll tell you when this is over.
50:42I might just hold you to that.
50:47That's him.
50:48Taxi!
50:49Can you hold that...
50:50Taxi!
50:51Excuse me!
50:53Oh, shit!
50:55No.
50:56Bloody terminal.
50:58Yeah, fine.
50:59Thanks.
51:00Taxi!
51:09Let's go.
51:09He's taking the N2 North, heading towards Girona.
51:28Copy that.
51:29We're on him.
51:35Turning left into the Hotel Rossana.
51:38See if your car has a room there.
51:40Yeah, checking out.
51:57See you in there.
51:58See you in there.
52:08Hello, good morning.
52:13Uh, something is happening out there.
52:15I think I can hear you.
52:16No, no.
52:17Okay.
52:23Yep.
52:24Yakko's booked into room 249.
52:26Got it.
52:29Okay, thanks.
52:31I love it.
52:32Master key room 249.
52:33I love it.
52:35I love it.
52:35I love it.
52:36I love it.
52:36I love it.
52:37I love it.
52:37I love it.
52:38I love it.
52:38I love it.
53:09I love it.
53:11We're a pleasure to see you from now on.
53:12Yeah.
53:19Mr. Lavaron.
53:20Beatrice.
53:21I love it.
53:21I love you.
53:22I love it.
53:23How are you doing?
53:24All right.
53:25All right.
53:25We're all right.
53:26We have a virtual room here.
53:28We're at the fourth room.
53:29I love it.
53:30We're going to see you.
53:31Jacob, Teddy, dear friend, come here, it's so nice to see you.
53:38Tell me everything. How was London?
53:41Good.
53:43They look tired.
53:46Did you stay out of trouble?
53:49I did my best.
53:51I know. You always do the right thing.
53:55So, have something for me?
53:58Yes, the shipment lives where the government stands, as requested.
54:02But they're insisting on no more contact until the anniversary.
54:07The British always have arms length.
54:10Let's go check the documents in the room, then get some rest.
54:14It's a long flight back to Colombia tomorrow.
54:18Teddy Dos Santos is here, and they're on the way up.
54:30We got him.
54:31Keep him in the room.
54:33I want to talk to him.
54:35You are in room 249, correct?
54:43Yeah.
54:44I'll say that's all.
54:46You are a good man, Jacob.
55:00Robert knew a soldier when he saw one.
55:04And I'll say that it's my brother.
55:05I'm sorry, Jacob.
55:06I really didn't know.
55:07I'm sorry, Jacob.
55:08I know he's either.
55:10I think he was hiding here.
55:11Yeah, Jacob.
55:12Tommy.
55:13That's all.
55:14He was hiding.
55:15You were hiding here.
55:16We're hiding.
55:17I was hiding.
55:18What?
55:19I was hiding.
55:20I was hiding.
55:21I was hiding.
55:22Hey!
55:24I was hiding.
55:25You're hiding.
55:26I was hiding.
55:27I was hiding.
55:28I'm hiding.
55:33You're hiding.
55:34Teddy, I had no idea. I swear.
55:39Let's go.
55:49I'm on this there. Still got them?
55:51No, listen. We've lost them. We've lost the signal. They must be on to us.
55:55Clear the system and move Roxanna.
55:57Mike, delete everything off the system.
55:59What?
56:00Delete everything off the system. Do it now.
56:04They're still not here. What is?
56:06Get out of there. Now.
56:15Who's yours?
56:20Once you find Tony.
56:22Who is it?
56:34No.
56:45Great, great, great.
56:46No.
56:49What do you think?
56:50What?
56:51Please.
56:52No, no, no, no, no.
56:54No, no, no, no, no, no.
56:55Hey, Wade, Wade.
56:56Wait.
56:57No, no, no, no.
56:58No, no, no, no.
56:59Hey, Wade.
57:00Wait.
57:01Wait.
57:02Wait.
57:03Hello, I'm a black colleague of Mr. Maradon.
57:32I think they have a room in the fourth floor and I'll stay with him there, but can I remember the number, please?
58:02Who are you?
58:09I don't know.
58:16I don't know.
58:21I don't know.
58:23I don't know.
58:27I don't know.
58:51Hi, this is Alex Goodwin.
58:53Please leave a message.
58:55I don't know.
59:05I don't know.
59:13I don't know.
59:15I don't know.
59:17I don't know.
59:27I don't know.
59:29I don't know.
59:39I don't know.
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