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zay27
  • 1 day ago
Dr. Tarr’s Chamber of Delusion is a dark psychological horror set within an underground dungeon where madness and authority blur into one. What begins as a place of treatment slowly reveals itself as a chamber of manipulation, cruelty, and fractured sanity. As prisoners and keepers exchange roles, the story explores the fragile boundary between reason and insanity, wrapped in a grim gothic atmosphere filled with suspense and unease.
Transcript
00:00:00The
00:02:30I love indeed to regard the dark valleys, the gray rocks, the waters that silently smile, the forests that sigh in uneasy slumbers, and the proud, watchful mountains that look down upon the French countryside.
00:02:44So dear to me because I was born there, and which I had to leave very young when my tutor took me to North America after the strange death of my parents.
00:02:54Though I was never told how they met their fate, I got the impression that my mother's family accused my father of her death and caused him to be incarcerated in a madhouse.
00:03:05It was later verified that he died there.
00:03:08However, that is another story.
00:03:11Though I was not encouraged to return to the continent, I never lost an inherent craving to see my homeland again.
00:03:17Thus, once I finished my journalistic training, I made the acquaintance of an editor and persuaded him to send me to France to write a story on a sanatorium famous for its novel method of treating the mad.
00:03:29The rest was easy enough.
00:03:31I wrote to Julien Coulier, a former classmate, and asked him to accompany me on what I promised would be an interesting journey.
00:03:37Oh, hey, you damn fool, what's come over you?
00:04:07There's a fallen tree across the road, sir.
00:04:29His strength is unbelievable.
00:04:31Yes, I've never known anyone stronger than he.
00:04:37You've earned a barrel full of wine.
00:04:48Thank you, sir.
00:04:51Is that the entrance to Dr. Meijer's hospital?
00:04:54Yes, it is.
00:04:57I'd like to visit the premises.
00:04:59Care to come with me?
00:05:01I don't think so.
00:05:03Mentally, the range people terrify me.
00:05:06To tell you the truth, I'm surprised to know that you have such peculiar inclinations.
00:05:12Don't be too hasty.
00:05:13The point is, my newspaper has heard of Dr. Meijer's method, and they've asked me to write an article.
00:05:18Is McIntosh still the editor?
00:05:20Yes.
00:05:21That old fox.
00:05:22Are you authorized to visit Dr. Meijer's domain?
00:05:30No, but I'm counting on you to make the introductions.
00:05:33Yes, I'll do it gladly.
00:05:35Dr. Meijer is a good friend, but I must let you know that he refuses to receive visitors.
00:05:41Oh, I understand, but I'm not an ordinary trespasser.
00:05:44I'm a reporter seeking information for his newspaper.
00:05:47All right, Le Blanc.
00:05:48You know what you're doing.
00:05:50May I know what's holding us up, gentlemen?
00:05:53Nothing, really.
00:05:54Don't worry.
00:05:55Are we ready to move on?
00:05:58Hurry up, Artie.
00:06:06Get up.
00:06:06Cut.
00:06:10There is the entrance to the sanatorium, sir.
00:06:27I wonder what's come over Meijer.
00:06:30He didn't used to have guards.
00:06:32Armed guards.
00:06:33My name is Julien Couvier.
00:06:41I am the owner of the neighboring property.
00:06:44And I demand to see Dr. Meijer.
00:06:50Well, what have you decided?
00:06:52May we or may we not go in?
00:06:59Obviously, it's more difficult to enter here than escape from Devil's Island.
00:07:03My friend, I can assure you that you will enter this dungeon.
00:07:29Oh.
00:07:30Put your gun down, Timothy.
00:07:38Welcome, Monsieur Couvier.
00:07:42You damn fools.
00:07:44Why didn't you let Monsieur Couvier's coach go through?
00:07:47I hope you gentlemen will overlook the rudeness of my guards.
00:07:53They're not accustomed to dealing with people of your rank.
00:07:57Oh, you don't have to apologize, old boy.
00:07:59May we go through now?
00:08:01Well, of course.
00:08:02Timothy.
00:08:04Go with the gentlemen.
00:08:05Oh, don't worry.
00:08:06I know the way.
00:08:07I've been here many times, you know.
00:08:08Yes.
00:08:10But you understand.
00:08:11The director's orders.
00:08:12Let's go.
00:08:42She comes back the day after tomorrow. I would like you to meet her.
00:08:45I'll be very honored.
00:08:47She is an authentic museum piece, worthy of the pen of a journalist like yourself.
00:08:52I believe your cousin has become ill.
00:08:55Oh, it's just her nerves.
00:08:57I'm worried about her color.
00:08:59Let her rest. She'll be all right.
00:09:12Damn it, Julia.
00:09:24Let her rest.
00:09:54Let her rest.
00:10:25The names of the devil.
00:10:27The devil.
00:10:28The devil.
00:10:28The devil.
00:10:29The devil.
00:10:29The devil.
00:10:31The devil.
00:10:32The devil.
00:10:34The devil.
00:10:35The devil.
00:10:37The devil.
00:10:37The devil.
00:10:39The devil.
00:10:41The devil.
00:10:42The devil.
00:10:43The devil.
00:10:44The devil.
00:10:45The devil.
00:10:47The devil.
00:10:47The devil.
00:10:49The devil.
00:10:50The devil.
00:10:51The devil.
00:10:52The devil.
00:10:53The devil.
00:10:55The devil.
00:10:55The devil.
00:10:57The devil.
00:10:58The devil.
00:10:59The devil.
00:11:00The devil.
00:11:00The devil.
00:11:02The devil.
00:11:03The devil.
00:11:04The devil.
00:11:04The devil.
00:11:05The devil.
00:11:06The devil.
00:11:06The devil.
00:11:07The devil.
00:11:08The devil.
00:11:08The devil.
00:11:09The devil.
00:11:10The devil.
00:11:10The devil.
00:11:11Death's going to accompany you any further.
00:11:12Under the circumstances.
00:11:13My card would suffice for Maillard to receive you.
00:11:18Regardless to the doctor.
00:11:20Good luck, Gaston.
00:11:22No worry.
00:11:22I understand.
00:11:24I'll manage.
00:11:32Hardy.
00:11:33Hurry up.
00:11:33Quick.
00:11:34Yeah.
00:11:41Welcome to the arse castle.
00:12:11Welcome to the arse castle.
00:12:41Then you'll tell the marshal the buzzards are here.
00:12:58Go.
00:13:11I'm Dr. Meillard.
00:13:36Well, what can I do for you?
00:13:39I've always wanted to visit your sanatorium, and I hope you won't mind.
00:13:47Oh.
00:13:48Cuvier's friends are my friends, too.
00:13:50Doctor, I'm very honored.
00:13:52And yet, you know, I have something very definite to hold against him.
00:13:55He has always refused to visit this haven.
00:13:57Well, the trouble is, he's so absent-minded.
00:14:02Yes.
00:14:03Come, come, follow me.
00:14:12We do indulge in our little pleasures here, Monsieur LeBlanc.
00:14:15Indeed.
00:14:16By all means.
00:14:17Nothing so enlightens a spirit as the constant pursuit of our whims and fancies, gourmet delights,
00:14:23aesthetic sounds.
00:14:25Even the folly of love should be encouraged.
00:14:42I regret to interrupt such beautiful music, mademoiselle.
00:14:46Oh, never mind.
00:14:47I wasn't doing it very well.
00:14:49My dear, this is Monsieur LeBlanc.
00:14:51He has decided to visit our simple home.
00:14:53Monsieur LeBlanc, may I introduce my niece, Eugenie?
00:14:58Eugenie has three outstanding qualities.
00:15:01A gentle disposition, excellent digitation, and modesty beyond praise.
00:15:08And such fresh beauty.
00:15:11Please accept my honest admiration.
00:15:13Don't try to flatter me.
00:15:15I'm simply a music lover.
00:15:17A mere amateur.
00:15:19Primus, bring wine.
00:15:31Charge, you don't!
00:15:32Charge!
00:15:33Charge!
00:15:38Henri, let's go!
00:15:48Leave him alone!
00:15:54Dammit!
00:16:01Blanche!
00:16:02Oh, Uncle!
00:16:03Save yourself!
00:16:04Yes, Uncle!
00:16:05I'll protect you!
00:16:06No!
00:16:07No!
00:16:08No!
00:16:09No!
00:16:10No!
00:16:11No!
00:16:12No!
00:16:13No!
00:16:14No!
00:16:15No!
00:16:16No!
00:16:17No!
00:16:18No!
00:16:19No!
00:16:20No!
00:16:21No!
00:16:22No!
00:16:23No!
00:16:24No!
00:16:25No!
00:16:26No!
00:16:27No!
00:16:29No!
00:16:30No!
00:16:31No!
00:16:32No!
00:16:33No!
00:16:34No!
00:16:35No!
00:16:36No!
00:16:37No!
00:16:38No!
00:16:39No!
00:16:40No!
00:16:41No!
00:16:42No!
00:16:43No!
00:16:44No!
00:16:45No!
00:16:46No!
00:16:47No!
00:16:48No!
00:16:49No!
00:16:50No!
00:16:51No!
00:16:52No!
00:16:53No!
00:16:54No!
00:16:55No!
00:16:56No!
00:16:57No!
00:16:58No!
00:16:59No!
00:17:00One more point we have in common.
00:17:13Do you mind if I retire?
00:17:15Not at all.
00:17:17You have my permission.
00:17:22You're like all young people, Leblanc.
00:17:25I beg your pardon.
00:17:26You too have become infatuated with my niece.
00:17:28But how can I blame you?
00:17:30It is so easy.
00:17:32Now I shall take you through the home over which I so humbly preside.
00:17:36Pray, follow me.
00:18:00Oh, Sam.
00:18:03Sam.
00:18:03Oh, Sam.
00:18:05Oh, Sam.
00:18:07Oh, Sam.
00:18:09Oh, Sam.
00:18:22Oh, no.
00:18:52No.
00:18:54No.
00:18:56Please, no.
00:18:58No.
00:19:00No.
00:19:02No.
00:19:04No.
00:19:06No.
00:19:08No.
00:19:10No.
00:19:12No.
00:19:14No.
00:19:16No.
00:19:18No.
00:19:20Hell, oh, oh!
00:19:24Hell, oh!
00:19:26Hell, oh, oh!
00:19:30Hell, oh, oh.
00:19:33This is part of my kingdom, Monsieur LeBlanc, a paradise where everybody's a poet in his art.
00:19:38Here we successfully apply my soothing system.
00:19:42It allows untold opportunities for creation .
00:19:45Our patients are constantly working on their different inventions.
00:19:48Will you step up, please ?
00:19:50Go!
00:19:52I don't think it'll rain today.
00:19:57That machine is called the Sox Ex Machina.
00:20:00A real marvel that can generate three storms in five minutes' time.
00:20:04It never works, but it keeps them occupied, you know.
00:20:08Poor devils.
00:20:10Pretty, isn't it?
00:20:15Last year, the Golden Mare was born,
00:20:18a companion of all musical instruments, known and unknown.
00:20:21I'm always touched to tears when I listen to her.
00:20:24A stonished lady curling like a thing that never will be known.
00:20:28Her eyes will drown it in the dotted danger of an idiot angel.
00:20:38You're right.
00:20:40At what?
00:20:42You know, the Blanc, I consider them all like my children.
00:20:45And this is their home, as much as it is my kingdom.
00:20:48A destra!
00:20:49I hope you enjoyed the ride.
00:20:57The horses were inspired by the way Englishmen have of working coal mines.
00:21:01The people lodged in their chimney towers have such human warmth,
00:21:05and they pour energy in such quantities, such great quantities,
00:21:08that we use it in the heating system.
00:21:10They're on your right.
00:21:11I had to visit several countries in order to choose them.
00:21:14Latins were the most rewarding because of the hot blood, I suppose.
00:21:18The incredible heat that we gather is later processed and crystallized over there,
00:21:23into a miraculous drug.
00:21:25This drug kills inactiveness and changes men to such an extent
00:21:29that they forget their aggressive nature.
00:21:31Oh, wonder of wonders, Monsieur Leblanc.
00:21:34And so, animal instinct is conquered by intelligence.
00:21:38But nothing so marvelous as that peculiar apparatus over there,
00:21:42Madame Chronophobia, better known as Electrubia.
00:21:45A fantastic machine which generates luminous matter.
00:21:48If all things go according to plan,
00:21:50it'll become an integral part of man's nervous system.
00:21:52A metallic womb uniting man to the universe,
00:21:55burning snakes curling around the pillars of a new myth.
00:21:58Yes, Leblanc, a religion has just come out
00:22:01from the very bowels of an electric golem.
00:22:04The alchemists, the dragon, will now be crowned with a crux ansata,
00:22:09spitting luminous pyramids over its timeless temples.
00:22:13And those people that are now worshipping the crux
00:22:16and building the pyramids.
00:22:18Feed the mother larvae of this religion.
00:22:21The goddess from the future is now facing you.
00:22:24Will you dare question her?
00:22:26The Electro Sphinx, glaring hypnotically at her infants,
00:22:30breathing energy over her whole domain.
00:22:33Time and space will become her slaves.
00:22:36Air will be filled with silver chariots
00:22:39in which priests and priestesses
00:22:42shall sing their hymns with joy
00:22:44overwhelming living creatures.
00:22:46Let's go, teachers.
00:23:16Come on, come on, come on.
00:23:46Give me the bottle.
00:23:56Here.
00:23:59Doctor, do you receive a great number of visitors?
00:24:01No.
00:24:02Most visitors are injudicious persons who often arouse my patients to a dangerous frenzy.
00:24:07Some have even suffered crises and severe relapses.
00:24:11I see.
00:24:12And the new system is one of your own invention?
00:24:15Not altogether.
00:24:16Some portions of it are referable to Dr. Tarr, of whom you have necessarily heard.
00:24:21And again, there are modifications in my plan,
00:24:24which I am happy to acknowledge as belong of right to the celebrated Professor Feather,
00:24:28with whom, if I am not mistaken, you have the honor of an intimate acquaintance.
00:24:33I am quite ashamed to confess that I have never heard the name of either gentleman before.
00:24:39Good heavens.
00:24:40I surely do not hear you are right.
00:24:42You did not intend to say that you had never heard either of the learned Dr. Tarr
00:24:47or of the celebrated Professor Feather.
00:24:49I am forced to acknowledge my ignorance.
00:24:52But to tell you the truth, I am not acquainted with the works of these, no doubt, extraordinary men.
00:24:58Hmm. Well, as you will realize later on, we apply the system with loyalty and sincerity.
00:25:05We do our best to comply with every humanitarian argument,
00:25:08being guilty of neither too much optimism nor a defeatist pessimism.
00:25:12You see, Monsieur LeBlanc, there is no argument which so touches the feeble reason of the madman
00:25:23as the reductio ad absurdum.
00:25:27Do as thou wilt, shall be the whole of the law.
00:25:31Can you give me some examples, doctor?
00:25:34Oh, definitely.
00:25:36Uh, Mr. Chicken?
00:25:38Mr. Chicken?
00:25:40Mr. Chicken, would you come here, please?
00:25:43Look, look, look, look, look, look!
00:25:45Mr. Chicken?
00:25:46Look, look, look, look, look, look!
00:25:49Look, look, look, look, look, look!
00:25:52Mr. Chicken?
00:25:52Yes, sir?
00:26:08Here, Mr. Chicken.
00:26:10Over here.
00:26:11Ah, my fine-feathered friend, I've come to feed you.
00:26:21Chicken thinks he's a chicken, and we overlook his antics.
00:26:24We only see the positive side of the problem.
00:26:26But if he rejected the idea of being a fowl,
00:26:29we would feed him corn for several months until he accepted it fully.
00:26:33Remarkable, doctor.
00:26:34Oh, we work wonders here, LeBlanc.
00:26:35Incredible wonders.
00:26:38Here, eat hearty.
00:26:39Here, eat hearty.
00:26:40Eat hearty.
00:26:50What else can you tell me of the soothing system?
00:26:53Well, we put much faith in amusements of a simple kind.
00:26:56Patients practice music, dancing, gymnastics.
00:27:00They play cards, read certain kind of books,
00:27:03and so on and so forth,
00:27:05and so on and so forth.
00:27:09And as far as their afflictions?
00:27:10Well, we pretend to cure ordinary ailments
00:27:12and never pronounce the word madness.
00:27:28Let's hope it's not Mr. Chicken.
00:27:33Give me a drink.
00:27:48I don't drink at all.
00:27:52You want a drink?
00:27:53Yeah.
00:27:54No.
00:27:54Give it to me.
00:27:55Oh, you never let me drink.
00:27:57Oh, come on.
00:28:02Give me a drink.
00:28:03Give it to him.
00:28:05Come on.
00:28:17He's going to finish it.
00:28:21Come on.
00:28:21Give it to me.
00:28:22Come on.
00:28:23Now we'll go down to the courtyard gladly ah but not by the staircase you know will use the rope ladder
00:28:53I must confess I'm rather clumsy at this type of sport. Ah strong emotions prevent madness
00:28:59Fortunately, you're far from such an ailment
00:29:23I
00:29:31Do glad you left on it and hoist that line
00:29:53Stop playing, Marshal.
00:30:05Show some respect to my guest.
00:30:14Please excuse Marshal Levine,
00:30:16but maybe he doesn't harass someone.
00:30:18He catches chickenpox.
00:30:19Let it all be for the sake of the soothing system of Dr. Meillard.
00:30:23But let's stop these games.
00:30:25I'm not as simple and as innocent as that lamb.
00:30:45Here, you either enter into another conflict of nature
00:30:48or simply perish under the hands of a sick fantasy.
00:30:51Then, since I don't care to perish...
00:30:53I'll have to enter your world to understand your system.
00:30:56Well, of course, my dear LeBlanc.
00:30:58You have behaved so admirably that you deserve to visit even the dungeons.
00:31:02Did you say dungeons, doctor?
00:31:04Do you mean to tell me you chastise these poor devils?
00:31:06Come, come, let's not exaggerate.
00:31:08Now you will confirm the efficiency of my system.
00:31:11Hold.
00:31:12And now as to the efficiency of your system.
00:31:15Ah, the best and most effective as yet conceived by man.
00:31:17The soothing system of Dr. Meillard.
00:31:20My method, do you understand?
00:31:22Clip.
00:31:27Clip.
00:31:36Clip.
00:31:41Clip.
00:31:41Gusto!
00:31:47Gusto!
00:31:57Gusto!
00:32:03Gusto!
00:32:11Gusto!
00:32:18Few people know the meandering through this labyrinth.
00:32:21Many will last forever seeking a way out.
00:32:24Well, I don't plan to be one of them.
00:32:26Of course not, Leblanc. Your missions that goes are not underground.
00:32:29Not that I imply they have to be superficial.
00:32:34The more you say, the less I understand me.
00:32:36Oh, a mere pun. I couldn't resist it, old fellow.
00:32:39Have confidence in me. We'll soon leave this rat.
00:32:43Interesting beasts, rats.
00:32:45Though sometimes they attack man.
00:32:47Stay close to me, Leblanc.
00:32:50Filthy beasts!
00:32:52Step back, you vermin.
00:33:00For goodness sake, Dante, I've completely forgotten him.
00:33:04Stay by my side. You're about to witness something unique.
00:33:09Abandon all hope, ye who enter here.
00:33:21The very words Dante read when he entered Hades.
00:33:24Thou hast made me, and shall thy world decay.
00:33:27Repair me now.
00:33:29For now mine end doth haste.
00:33:32I run to death, and death meets me as fast.
00:33:34And all my pleasures are like yesterday.
00:33:38I dare not move.
00:33:41My demise, anyway.
00:33:43Despair behind.
00:33:45Dante, do you hear me?
00:33:47Here's a piece of bread.
00:33:50Tomorrow you'll get some more.
00:33:52And death before doth cast such terror, and my feeble flesh doth waste by sin in it.
00:33:59Dr. Meillard, this surpasses every concept of cruelty.
00:34:10Blame it on the less soothing part of my soothing system, my friend.
00:34:14Come.
00:34:16I think, doctor, you're carrying this too far.
00:34:19Don't despair, Leblanc, we'll soon leave this labyrinth.
00:34:22Come.
00:34:36Come, come, you have not yet seen it all.
00:34:38I've seen enough to last me a lifetime, Meillard.
00:34:40But this is the way out.
00:34:47Come, come.
00:35:01Eugenie.
00:35:02Excuse me.
00:35:03Wait.
00:35:05You have my permission to stay.
00:35:10Eugenie has devised various theories, all product of her clear mind.
00:35:14I'd be delighted to hear some of them.
00:35:17Well, I hope Eugenie's disposition...
00:35:19My disposition could not be better inclined, Uncle.
00:35:21We would indeed appreciate your telling us what you think of certain social habits.
00:35:25Are you referring to the indecent practice of people who prefer to rest rather than to dance?
00:35:30Precisely.
00:35:31And you could clear up what you mean for the benefit of our distinguished guest.
00:35:38You may stop.
00:35:40Eugenie is delicate.
00:35:43Eugenie is imaginative.
00:35:46She is a young lady of unparalleled beauty.
00:35:50Unusual modesty.
00:35:52Who claims it is indecent to rest.
00:35:59There, the feet, are the wings of dance.
00:36:02That's a plan.
00:36:03Amen.
00:36:04That's all.
00:36:05Amen.
00:36:06Thanks.
00:36:37Inaction rots and gnaws at the root of the tree. It blinds the sailor. The sailor wins the wings.
00:36:51I am not at all familiar with this dance. It originated in some remote region of Java, which I visited many years ago.
00:37:13Inaction rots and gnaws at the root of the train. The sailor wins the sailor's time.
00:37:15The sailor wins the sailor.
00:37:25Inaction rots and gnaws at the root of the tree. The sailor wins the sailor's time.
00:37:31At this very instant, after Eugenie's invocation, the sailor and the Boabab roots have fused.
00:38:01Oh, Guru Pia!
00:38:31From the height of the Boabab shall fall the leaves of the Yeh and the Neh.
00:38:41Eugenie will have ceased to exist and the world will stop.
00:38:45Yet the cycle will start anew.
00:38:47The resurrection will take effect
00:38:49as the world itself inhabits the roots of the Boabab.
00:39:01Out!
00:39:18Out!
00:39:20Take her out!
00:39:21Out!
00:39:25Thank you, Leblanc.
00:39:29Out!
00:39:30Doctor, the soothing system.
00:39:34It's time to retire.
00:40:00Bye.
00:40:02Bye.
00:40:06Bye.
00:40:06Bye.
00:40:07Bye.
00:40:08Bye.
00:40:10Bye.
00:41:45Gaston.
00:41:47Tonight in the garden.
00:41:50Please be there.
00:41:53Gaston.
00:41:55Gaston.
00:41:57Good night.
00:41:59Good night.
00:42:01Good night.
00:42:03Good night.
00:42:05Good night.
00:42:15Good night.
00:42:17Good night.
00:42:19Good night.
00:42:21Good night.
00:42:22Good night.
00:42:23Good night.
00:42:25Good night.
00:42:27Good night.
00:42:28Good night.
00:42:29Good night.
00:42:30Good night.
00:42:31Good night.
00:42:32Good night.
00:42:33Good night.
00:42:34Good night.
00:42:35Gaston?
00:42:36Gaston?
00:42:42Let's hope it's not this chicken.
00:42:53The very deep did rot.
00:43:06Oh, Christ, that ever this should be.
00:43:10Yea, slimy things did crawl with legs upon the slimy sea.
00:43:16About, about, in reel and rout, the death fires danced at night.
00:43:25The water, like a witch's oil, burnt green and blue and white.
00:43:29And some in dreams assured it were of the spirit that plagued us so.
00:43:34Nine fathom deep he had followed us from the land of mist and snow.
00:43:40Ah, well-aday!
00:43:43What evil looks had I from old and young?
00:43:47Instead of the cross, the albatross about my neck was hung.
00:44:01Gaston?
00:44:04Gaston?
00:44:05Tonight, in the garden.
00:44:11Please be there.
00:44:15Gaston?
00:44:23Usually it's no use your crying for help, but I can't hear you.
00:44:26Take her away and prepare her for the ceremony.
00:44:35My flowers are full.
00:44:36I don't think she's just chỉ.
00:44:37You know.
00:44:38So, I don't know.
00:44:39I will say a little bit of a witch.
00:44:40But I'm sure...
00:44:41Every day, I'll find that this evening.
00:44:42I'll find this evening.
00:44:43So, the weather is not going straight.
00:44:44I'm sorry.
00:44:45I'm sorry.
00:44:46I'm scared.
00:44:47Sometimes I can't hear you.
00:44:48I'm scared.
00:44:53I can hear you.
00:44:54I'm scared.
00:44:55I can hear you.
00:44:56I can hear you.
00:44:57I can hear you.
00:44:58I can hear you.
00:44:59I can hear you.
00:45:00I can hear you.
00:45:01I can hear you.
00:45:02I can hear you.
00:45:03And every pound through utter grout was withered at the root, but we could not, no more than
00:45:19if we had been choked with salt.
00:45:33Mr. LeBlanc, do come in and sit down.
00:46:03I've asked you to sit down, and I'm not used to being disobeyed.
00:46:10Oh, I fully understand, my dear fellow.
00:46:13Your nerves are too weak for this type of amusement.
00:46:16Nobody, least of all, I can remain indifferent to a poor, innocent soul like Eugenie being treated with such cruelly.
00:46:23Eugenie, you say? Are you sure it was she?
00:46:25No doubt about it.
00:46:26Even so, no one may disrupt the discipline of this home.
00:46:30Dr. Meillard, bear in mind she's a woman.
00:46:33A soft, harmless creature deserves special treatment.
00:46:36Precisely. Eugenie must receive a special treatment.
00:46:39Can you imagine what would happen if she ran away from Naysa home?
00:46:42And the question comes from someone who knows her infinitely better than you do.
00:46:45Therefore, I must ask you to reconsider your chivalrous or foolhardy behavior.
00:46:49Why, you must understand how I...
00:46:51I know it's hard to believe, but when she's enraged, her fury is greater than that of a wild boar.
00:46:57You lie.
00:46:58You're merely an imposter.
00:47:01You wish to say I'm a Merlin imposture.
00:47:04And you're right.
00:47:05For Meillard is the magician.
00:47:07And I'll prove it to you.
00:47:16Do you believe in sorcery?
00:47:18No.
00:47:21I insist you're an imposter.
00:47:23What's more, I can prove it.
00:47:26Look at the wall.
00:47:27And tell me, how many shadows do you have?
00:47:30You say you have but one.
00:47:31You're wrong.
00:47:31You have three shadows.
00:47:32I forbid you to turn around.
00:47:34You have three shadows, even if you refuse to believe me.
00:47:37Can you see them now, LeBlanc?
00:47:38There are three.
00:47:39Precisely three.
00:47:40And now tell me, do you or do you not believe in my power?
00:47:45It's time to go to bed, LeBlanc.
00:47:46Tomorrow you have an unusually difficult day.
00:47:49You'll visit the dungeons.
00:47:50Pleasant dreams, my friend.
00:47:52And if you hear strange noises during the night, fear not.
00:47:55For your shadows will protect you.
00:47:56Your shadows will watch over your sleep.
00:48:10You'll be right back.
00:50:51Eugénie.
00:50:58Eugénie, wake up.
00:51:00Father.
00:51:01Eugénie, it's me, Gaston.
00:51:02Father, help me.
00:51:03Help me.
00:51:04No, it's Gaston.
00:51:05Eugénie.
00:51:06Father, help me.
00:51:08Wake up.
00:51:09Help me.
00:51:10Would you?
00:51:11Help.
00:51:13Help.
00:51:13It'll be all right.
00:51:16Don't worry, my love.
00:51:21It'll be all right.
00:51:22It'll feel like this with my father.
00:51:23They'll be all right.
00:51:24Leave it to me.
00:51:26Love you.
00:51:28Bye.
00:51:29Bye.
00:51:30Bye.
00:51:31Bye.
00:51:31Bye.
00:51:32Bye.
00:51:33Bye.
00:51:34Bye.
00:51:35Bye.
00:51:36Bye.
00:51:36Bye.
00:51:37Bye.
00:51:38Bye.
00:51:39Bye.
00:51:40Bye.
00:51:41Bye.
00:51:42Bye.
00:51:43Bye.
00:51:45Bye.
00:51:47Bye.
00:51:48Bye.
00:51:49Bye.
00:51:51Well, I'll be damned.
00:52:06Cuvier.
00:52:07For months I've been seeking my father.
00:52:23We'll find him together, Eugénie.
00:52:24I'm convinced Maillard keeps him in the dungeons.
00:52:26Please, don't profane my father's name by using it when you speak of that madman.
00:52:30Forgive me, Eugénie.
00:52:32If only I could get my hands on that swine.
00:52:35You are strong, Gaston.
00:52:38But please believe me.
00:52:40His powers are immense.
00:52:42We are helpless before his evil.
00:52:45What are we to do?
00:52:47Have faith in me.
00:52:48He must have some weak spot.
00:52:50I wonder.
00:52:52He is that famous brigand, Ralph Regenard.
00:52:54You've heard of him, haven't you?
00:52:56I have.
00:52:57But I thought he'd been sent to life imprisonment on Devil's Island.
00:53:00And escaped with several criminals.
00:53:02He came to my father, the real Dr. Maillard.
00:53:05He came to him seeking a cure.
00:53:07My father thought he came to him seeking a cure.
00:53:09But God, how could he have deceived your father?
00:53:12As Fragonard is mad, he deceived him.
00:53:15A few months after his arrival here, he incited the other patients to revolt.
00:53:18He organized a coup d'etat, and several months after that, he supplanted my father.
00:53:26But we're together now, so don't worry him.
00:53:31The second battalion, advance.
00:53:33You two, to the east.
00:53:36Front guard, to the west.
00:53:38Attack.
00:53:40You, go up and circle.
00:53:45You, south.
00:53:47Up to now, I've been able to deceive Fragonard.
00:53:50He really thinks I am mad.
00:53:52But if we don't change the situation, I shall lose my mind.
00:53:55We cannot stay here any longer.
00:53:57Here, you better wear this.
00:53:59It's cold.
00:54:00Red guard, go!
00:54:14Silver guard, go!
00:54:18Silver guard, go!
00:54:23Blue guard, go!
00:54:29Over and down, go down!
00:54:32Golgotha, Golgotha!
00:54:34Follow him, follow him!
00:54:36First battalion, advance.
00:54:39Golden guard, to the west.
00:54:41Go!
00:54:42Silver guard, attack, to the east.
00:54:45Go!
00:54:48All right, come on, come on.
00:55:08All right, wait here.
00:55:14Help me.
00:55:38Chevere, for God's sake, help him!
00:55:44I got it, Gaston, I got it, I, I, I.
00:55:56Coupier, get up.
00:55:59Look, I said, help him.
00:56:04Coupier.
00:56:11Hold tight, Gaston, here I come.
00:56:14Come on.
00:56:15Hurry up.
00:56:16Let's go.
00:56:17Hurry up.
00:56:18Hurry up.
00:56:19Oh!
00:56:21Oh!
00:56:25Come on.
00:56:26Hurry up.
00:56:27Let's go.
00:56:28Hurry up.
00:56:31No, no, no, no, no!
00:57:01Gaston! Gaston!
00:57:31Help! Someone please help me! Help! Please help me! Help me! Help me! Help me! Help me!
00:57:58Gaston!
00:58:01Gaston!
00:58:03Gaston!
00:58:04Gaston!
00:58:05Gaston!
00:58:06Gaston!
00:58:08Gaston!
00:58:09Gaston!
00:58:11Gaston!
00:58:12Gaston!
00:58:13Gaston!
00:58:15Gaston!
00:58:16Gaston!
00:58:17Gaston!
00:58:18Gaston!
00:58:21Gaston!
00:58:22Gaston!
00:58:23Gaston!
00:58:24Gaston!
00:58:25Gaston!
00:58:27Gaston!
00:58:28Gaston!
00:58:29Gaston!
00:58:34Gaston!
00:58:35Gaston!
00:58:36Gaston!
00:58:37Gaston!
00:58:38Gaston!
00:58:39Gaston!
00:58:40Gaston!
00:58:41Gaston!
00:58:42Gaston!
00:58:43Gaston!
00:58:44Gaston!
00:58:45Gaston!
00:58:46Gaston!
00:58:47Gaston!
00:58:57Gaston!
00:58:58Gaston!
00:59:01Gaston!
00:59:03Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:59:33Oh
01:00:03Yeah, oh my things I
01:00:31Thought I never see you again. Oh
01:00:38My friend
01:01:01Oh
01:01:03Don't figure not let's stop pretending not to me. Yeah, my dear fellow. Well, whatever your name is what will become a virgin
01:01:12Usually we'll get exactly what you deserve. Don't harm her pregnant us, please
01:01:19One of the victims of my system is the patients should never over excite themselves. I'm not your patient of course not
01:01:27For the time being you must be like one of the members of the family who lives in this humble abode you are mad
01:01:36Well, the temporarily or for good is a matter to be decided
01:01:40afterwards
01:01:42Watch them closely Leblanc
01:01:44See that fell over there. He pretends to be fishing for something
01:01:48Don't ask me what he is the essence of the impossible
01:01:52She the hopelessness of the unredeemable
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