- 2 days ago
Dick Tracy and the Criminal Cueball follows the legendary detective as he takes on one of the city’s most cunning and dangerous criminals. Cueball, a cold-blooded mastermind, spreads fear through calculated crimes and ruthless schemes. As the city sinks deeper into corruption, Dick Tracy races against time to stop Cueball and restore justice. This classic crime story delivers suspense, action, and the timeless atmosphere of vintage detective cinema.
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Short filmTranscript
00:00:00THE END
00:01:30All right, men, come aboard.
00:01:43Come on, shake it up, shake it up.
00:01:45Rig up forward hole number one and two and number five aft.
00:01:48The winches are under steam, so get a move on.
00:01:50Come on, let's go.
00:02:20Come on, let's go.
00:02:22Come on.
00:02:24Come on.
00:02:26Come on.
00:02:27Come on.
00:02:28Come on.
00:02:30Who is it?
00:02:48First, sir, Mr. Abbott.
00:02:53Just a minute, please.
00:03:00Give me that diamonds.
00:03:02What, I?
00:03:03Give me that.
00:03:05Hurry up.
00:03:11Try anything like that again and I'll have to hurt you.
00:03:14I didn't come here to do that.
00:03:16All I want is the diamonds.
00:03:17Give them to me.
00:03:30Police headquarters.
00:03:32Yeah?
00:03:33Mm-hmm.
00:03:35Where?
00:03:39No, Dick Tracy isn't here.
00:03:40If I stay on the wire, I'll call his home.
00:03:42What's so important?
00:03:44Harbor detail reporting murder.
00:03:53Say, what goes on?
00:03:55You certainly aren't busy, Junior.
00:03:56I got things to do.
00:03:58Holy smoke!
00:04:00What's the matter?
00:04:01Somebody left the receiver off the door.
00:04:03I detect Tessa's fine hand in that little maneuver.
00:04:05Probably wanted to make sure that you wouldn't be called out tonight.
00:04:08Yeah, that's about it.
00:04:11What a devil.
00:04:14Hello?
00:04:15Yes, Tracy speaking.
00:04:19What?
00:04:21Yes.
00:04:22Yes, Pier 30.
00:04:24Got it.
00:04:25We'll be right there.
00:04:26What is it, Dick?
00:04:27They've just reported a murder on the SS Palomar.
00:04:29She docked about an hour ago.
00:04:30Get your hat, Pat.
00:04:31What?
00:04:32Oh, Chief.
00:04:33Please explain to Tess.
00:04:34Tell her I'll see you later.
00:04:35Okay, Dick.
00:04:37A most effective entrance, my dear.
00:04:39I congratulate you on your sense of the dramatic.
00:04:43Friends, if I may have your attention.
00:04:46Skip it, Mr. Flinthart.
00:04:47Dick's gone.
00:04:48Gone?
00:04:49But that's impossible.
00:04:50I haven't seen...
00:04:51It was a homicide case, Tess.
00:04:52Junior found the receiver off the hook.
00:04:53Oh, Junior.
00:04:54Pop out, Mr. Tracy.
00:04:55Anything you want to tell us?
00:04:56Later, boys.
00:04:57Hey, Dick, Mr. Tracy.
00:04:59Is this the way everything was when you entered?
00:05:00Yes, sir.
00:05:01Well, it's quite obviously death by strangulation.
00:05:02Strangulation, huh?
00:05:03What about this?
00:05:04Probably the victims.
00:05:05Have to check the fingerprints.
00:05:06He was undoubtedly trying to do it.
00:05:07No problem.
00:05:08I'll tell you.
00:05:09I haven't seen anything.
00:05:10Anything you want to tell us?
00:05:11Later, boys.
00:05:12Hey, Dick, Mr. Tracy.
00:05:14Is this the way everything was when you entered?
00:05:17Yes, sir.
00:05:21Well, it's quite obviously death by strangulation.
00:05:24Strangulation, eh?
00:05:27What about this?
00:05:29Probably the victims.
00:05:30I have to check the fingerprints.
00:05:32prints. He was undoubtedly trying to defend himself. Did Mr. Abbott ever seem worried or
00:05:38afraid of anything? Why, no. He was always in a good mood. I believe he represented a custom
00:05:45jeweler. So I see from these papers. Captain Mason, you mentioned Mr. Abbott's telling about
00:05:53his search for rare jewels. Yes. Did he ever happen to mention any that he was bringing with
00:05:57him on this trip? Why, no. Excuse me, sir, but Mr. Abbott did have a package checked in the safe.
00:06:02I gave it to him shortly before we docked. Pat, get Jules Sparkle's home address to meet
00:06:06me in the car. Okay.
00:06:17Get yourself a few pictures now, boys. Thanks very much, Tracy.
00:06:25I called Sparkle's house. I called his house. All I wanted was his address. I wanted to surprise him.
00:06:29But Tracy, the dame who answered the phone, I think it was Mrs. Sparkle. Said he was at his
00:06:33office in the Colburn building. Did you say who you were? No. You think I'm dumb?
00:06:37Well, we won't go into that. Come on. Let's get going.
00:06:40Well, I... Oh, I was expecting someone else. Are you Jules Sparkle? Yes. I'm Dick Tracy,
00:07:02Homicide Squad. Homicide Squad? Uh-huh. My secretary, Miss Clyde. How do you do? Mr.
00:07:10Patton. Hello, Miss Clyde. How do you do? Mr. Sparkle, I've just come from the SS Palomar.
00:07:15Your representative, Lester Abbott, was found in his stateroom and murdered.
00:07:18Abbott murdered? Uh-huh. I can't believe it. It seems so impossible. Abbott was not only a loyal
00:07:26employee. He was an old friend. How long had he worked for you? About 15 years. But I'd known him
00:07:32long before that. Oh, so sorry. I didn't mean to intrude. I heard voices. I thought Mr. Abbott was
00:07:40here. Another one of your employees? Yes. Our lapidary, Simon Little. Lapidary? A lapidary's a
00:07:47diamond cutter. Sure. What else could he be? You and your staff keep learning unusual hours. Well,
00:07:53tonight, it was quite necessary. We were all interested in the arrival of some diamonds.
00:07:57And I thought it would be more expedient to meet Mr. Abbott here rather than at the boat. I see.
00:08:03What was the value of the diamonds he was bringing back? The collection was insured for $300,000.
00:08:10I'd like a complete list of your employees. But, Mr. Tracy, all of my people have been with me for
00:08:15years. I trust them implicitly. I realize that. But whoever killed Abbott knew about the diamonds,
00:08:20knew the boat he was on, knew his cabin number. Therefore, it is quite possible that someone
00:08:25in your firm may have supplied the necessary information. Very well. Mona, will you prepare
00:08:30a list, please? Certainly. I'll have it ready for you tomorrow, Mr. Tracy. I want it tonight.
00:08:35Well, it'll take quite a while. I can wait. All right, well. Mr. Little, you may leave now,
00:08:40if you like. Thank you. Pardon me. Would you rather I'd stay, Mr. Sparkle? It won't be necessary.
00:08:49I can tell Mr. Tracy anything else he might want to know about Mr. Abbott and the diamonds. Yes, sir.
00:08:57Pat? Yeah? Do you mind running down to the camp for those papers? Papers? Yeah, you know,
00:09:02those sketches I made of Abbott's statement. Oh, those papers. Sure, I'll get them for you right away.
00:09:07Good night, Mr. Sparkle. Good night, Simon. Oh, thank you.
00:09:24Good night. Good night.
00:09:37Good night.
00:10:07Good evening, sir. Good evening, Rudolph. You're very late, Mr. Little. Yes, much later
00:10:18than I expected. Is Mr. Priceless here? No, he telephoned to say that he was unavoidably
00:10:24detained and couldn't come tonight. Detained, purposely detained, leaving me to take the
00:10:28consequences. Mr. Little, Cuball is here. Here? Where is he?
00:10:37Downstairs, sir. Oh, I see. Very well, Rudolph. I'll have some more work for you next week.
00:10:45Thank you, sir. Good night. Good night, sir.
00:10:49Here.
00:10:52Cubot.
00:10:53Cubot.
00:10:54Cubot.
00:10:55Cubot.
00:10:56Hello, Simon.
00:10:58Why, you.
00:10:59You fool.
00:11:00You big, stupid, blundering fool.
00:11:01Shut up.
00:11:02You killed him.
00:11:03You murdered Abbott.
00:11:04Why did you kill him?
00:11:05Why?
00:11:06Why?
00:11:07Because he was going to plug me.
00:11:08Why?
00:11:09Why?
00:11:10Because he was going to plug me.
00:11:11Why?
00:11:12Why?
00:11:13Why?
00:11:14Why?
00:11:15Why?
00:11:16Why?
00:11:17Why?
00:11:18Why?
00:11:19Why?
00:11:20Why?
00:11:21Because he was going to plug me.
00:11:22Now, look.
00:11:23You and Priceless told me to meet you here to collect my 10 grand.
00:11:27Okay.
00:11:28I got the diamonds.
00:11:29Where's my dough?
00:11:30Keep the diamonds.
00:11:31Go to the chair with them.
00:11:32I won't touch them.
00:11:33Oh, yes, you will.
00:11:34There's blood on those stones.
00:11:35Nobody but you and me knows how it got there.
00:11:39Why did I have to get mixed up in a thing like this?
00:11:43Police can't blame me.
00:11:44Priceless came to me.
00:11:45I didn't go to him.
00:11:46He needed me.
00:11:47He needed me to recut the stones so they wouldn't be recognized.
00:11:49That's it.
00:11:50It was just a business deal.
00:11:51I didn't know they'd be stolen diamonds or that they'd be a murder.
00:11:55You rat.
00:11:56You're in this up to your ears just as much as I am.
00:12:00No, I...
00:12:01There must be something I can do.
00:12:03There's something you're gonna do.
00:12:04And that's pay me off.
00:12:06I'm staying right here till I get my dough.
00:12:09Yeah.
00:12:10Come to think of it, this joint would make a nice little hideout.
00:12:14Oh, no.
00:12:15You can't stay here.
00:12:16Who's gonna stop me?
00:12:17Thank you for the police.
00:12:18Dick Tracy.
00:12:19Dick Tracy?
00:12:20What about Tracy?
00:12:21He's on the case checking every one of Mr. Sparkle's employees.
00:12:23He might even come here.
00:12:25Yeah.
00:12:26Maybe you're right.
00:12:28Okay, I'll blow.
00:12:30But I'll get in touch with you.
00:12:32We're priceless tomorrow for my 10 grand.
00:12:34Now get me out of here.
00:12:35Oh, yes.
00:12:36Gladly.
00:12:37Anything only.
00:12:38Just get out.
00:12:39Careful.
00:12:40This way.
00:12:41This leads to the storage room.
00:12:44To the street.
00:12:45Don't forget, pal.
00:12:46You better get to dough.
00:12:47Because one more killing ain't gonna make much difference.
00:13:10Don't bother.
00:13:11Thanks for bringing me home, Mr. Tracy.
00:13:12And good night.
00:13:13Good night, Miss Clyde.
00:13:15Good night, Miss Clyde.
00:13:16Don't bother.
00:13:24Thanks for bringing me home, Mr. Tracy, and good night.
00:13:27Good night, Miss Clyde.
00:13:46Good night, Miss Clyde.
00:14:16Evening, Piper here.
00:14:19It's your latest news here.
00:14:21Piper.
00:14:23Evening, Piper.
00:14:28Evening, Piper.
00:14:29Latest news.
00:14:33Piper here.
00:14:37Evening, Piper.
00:14:38Miss Lings here.
00:14:40Piper here.
00:14:41Evening, Piper.
00:14:47Late news.
00:14:48Piper here.
00:14:50Evening, Piper.
00:14:51Piper here, late news.
00:14:55Piper here, late news.
00:14:57Piper.
00:15:01Piper.
00:15:02Paper, said I do.
00:15:04Piper here.
00:15:06Piper.
00:15:06Piper here, late news.
00:15:08Evening paper, latest news.
00:15:18Paper, late news.
00:15:24Sorry, the shop's closed.
00:15:26I don't want to see the shop. I want to take a look at that note you picked up.
00:15:29Note?
00:15:30I'm from police headquarters.
00:15:32Oh, yes. Come in.
00:15:38I'm Percival Priceless, dealer in...
00:15:40A note of it, please.
00:15:41Oh, yes, the note.
00:15:43I haven't read it myself yet.
00:15:45I'll read it to you.
00:15:48Sorry I wasn't able to keep an appointment. We'll drop by tomorrow, MC.
00:15:52I'm afraid it's not as romantic as it sounds.
00:15:55One of my customers, Miss Mona Clyde, asked me to be on the lookout for some candlesticks.
00:16:01I located some this morning and called her.
00:16:04She said she'd be in this evening.
00:16:06Uh, these are the ones. Excuse me.
00:16:09Beautiful, aren't they?
00:16:11At least a hundred years old.
00:16:13If, uh...
00:16:14If you were expecting Miss Clyde, why didn't you let her in?
00:16:17Well, she should have been here at least two hours ago. I'd given her up.
00:16:19But you were still here.
00:16:21Yes, in my office, going over some accounts.
00:16:23I, uh... I thought I heard a noise out here and came out to investigate.
00:16:27That's when I saw the paper under the door.
00:16:29She must have thought it was too late.
00:16:31Oh, I see.
00:16:35Mind if I go in here?
00:16:36No, not at all. Please do.
00:16:38Thank you very much, Mr. Priceless.
00:16:52Not at all.
00:16:53Uh, if you don't mind, I'd rather like to know why my place has suddenly become of such interest to the police.
00:17:11Oh, it's just a routine check-up.
00:17:13Sorry to have bothered you.
00:17:15Good night.
00:17:16Good night.
00:17:17Good night.
00:17:18Good night.
00:17:21Waiter! Waiter! Give me another threat!
00:17:23Quiet, you. You'll get it.
00:17:45Waiter! Waiter! Give me another threat!
00:17:47Quiet, you. You'll get it.
00:17:49Hey, bud.
00:17:51Yeah, where'll it be?
00:17:53Filthy Flora still on this joint?
00:17:55Yeah.
00:17:57Wanna see her?
00:18:06Stop pressing that buzzer. I heard you the first time.
00:18:08Aye, indeed.
00:18:14Can't even cop my money in peace.
00:18:16The lady's got no privacy in this joint.
00:18:20I'm coming. I'm coming. Take your time.
00:18:22I'm coming.
00:18:23Shut up, you. You've been playing that same song for an hour.
00:18:25He wants me to.
00:18:26I don't care what he wants.
00:18:27Play it again. Play it again.
00:18:28Play it again.
00:18:29Play it again?
00:18:30Oh, of course he'll play it again.
00:18:31Lovely number, ain't it, dearie?
00:18:32Well, play it.
00:18:33Hello, Kathy.
00:18:34Hiya, Flora.
00:18:35Hi.
00:18:36Hi.
00:18:37Hi.
00:18:38Hi.
00:18:39Hi.
00:18:40Hi, Flora.
00:18:41Hi, Flora.
00:18:42Hi.
00:18:43Hi.
00:18:44Hi, Flora.
00:18:45Fine.
00:18:46Give me a drink, Max.
00:18:47Okay.
00:18:48I thought they put you away for ten years.
00:18:49They did.
00:18:50Ten years.
00:18:51Time sure applies, don't it?
00:18:52Not where I was at, don't.
00:18:54That'll cost you.
00:18:55Say hello, Flora.
00:18:56What do you want to meet?
00:18:57What do you want to meet?
00:18:58Well, you know, Marie de Berry.
00:18:59Well, play it.
00:19:00Hello, Kathy.
00:19:01Hiya, Flora.
00:19:02Why, Cubo.
00:19:03Hiya, Flora.
00:19:04Fine.
00:19:05Give me a drink, Max.
00:19:06Okay.
00:19:07I thought they put you away for ten years.
00:19:08They did.
00:19:09Ten years.
00:19:10Time sure applies, don't it?
00:19:11Not where I was at, don't.
00:19:12That'll cost you.
00:19:15Say hello, Flora.
00:19:17What do you want to meet?
00:19:19I want a place to live.
00:19:21You ain't the only one, dearie.
00:19:22Things have changed since you went away.
00:19:24Well, I've got a waiting list for everything in the joint.
00:19:26Even the closets.
00:19:27I gotta have a place, Flora.
00:19:29I gotta have a place.
00:19:31I thought you just got out of jail.
00:19:33How'd you get in trouble so soon?
00:19:35I ain't in trouble.
00:19:36I just want a place where I can meet somebody.
00:19:39Well, there's a room I reserve for special customers.
00:19:44I'll pay you for it.
00:19:45I'll pay you good.
00:19:46Ha!
00:19:47You're darn right you'll pay me good.
00:19:48Come on.
00:19:51Drink up, girls.
00:19:52Drink up.
00:19:53Go on in, Cubo.
00:20:09Get that chair out of the way.
00:20:26Lift it up.
00:20:32Where does that lead to?
00:20:33To a little room.
00:20:34That's where I kept Fang Face Martin hidden for weeks,
00:20:36and the cops are looking for him.
00:20:37Thanks, Flora.
00:20:39That looks perfect.
00:20:40And since we're such good friends, dearie,
00:20:42I'm gonna make you a special rate for this room.
00:20:44500 bucks a night.
00:20:46500 bucks?
00:20:47Well, you dirty old bag out of...
00:20:49Never mind the compliments.
00:20:50Payable in advance.
00:20:51Flora, you know I can't pay that kind of dough.
00:20:55Not now.
00:20:56I just got out.
00:20:57Yeah, you just got out.
00:20:58You just got off a boat, too, didn't you, dearie?
00:21:01300 grand.
00:21:04What a dirty, cheap double-crosser.
00:21:06I thought you had something to do with it.
00:21:08Yeah, I thought you could afford 500 bucks.
00:21:11You'll get your dough, Flora.
00:21:13And so will I.
00:21:15They ain't gonna collect 300 grand and pay me off with peanuts.
00:21:18Peanuts.
00:21:29Hi, Doc.
00:21:30Hello, Dick.
00:21:31Happened?
00:21:32Mm-hmm.
00:21:33Find anything that will help us, Doc?
00:21:35Not yet.
00:21:40Ooh.
00:21:41What happened to you?
00:21:42I, um...
00:21:43I don't know.
00:21:44You don't know?
00:21:45Well, you see, I was standing in front of Simon Little's place, and boom!
00:21:50Something hit me.
00:21:51And the next thing I know, I'm lying there on the street with a cop standing over me,
00:21:54trying to arrest me for vagrancy.
00:21:56Vagrancy?
00:21:57Yeah.
00:21:58And I argued with the guy for 20 minutes.
00:21:59You sure it wasn't Simon Little who hit you?
00:22:01Oh, no.
00:22:02Not unless he dropped a basket of bricks, and that's what it felt like.
00:22:05Say, Dick.
00:22:06Let's take a look at this.
00:22:08It might be important to us.
00:22:10I hope so.
00:22:11I, uh, found it embedded in Abbott's neck.
00:22:16Right over the parotid gland.
00:22:21There you are.
00:22:25Looks like a piece of leather.
00:22:27That's right.
00:22:28I'd say that Abbott was strangled with a leather belt or a strap of some kind.
00:22:32I think you're right, Doc.
00:22:34At least now we've got something to work on.
00:22:36Yeah.
00:22:37Say, do you need me any more tonight?
00:22:39No, that's all.
00:22:40Thanks.
00:22:41Good.
00:22:42I'll go home and get to bed early for a change.
00:22:44And, uh, you can put the silent one to bed early, too.
00:22:50Pat?
00:22:51Yeah?
00:22:52Do you know an antique dealer by the name of Persico Priceless?
00:22:55No.
00:22:56Has he something to do with this case?
00:22:57Yes, I think so.
00:22:59Do you know anything about antiques?
00:23:01Well, a little.
00:23:02I know an old gal singer.
00:23:03She works up at Spider's Web.
00:23:04She's about, uh, about five foot six...
00:23:06No, no, no.
00:23:07You know what I mean.
00:23:08Oh.
00:23:10Well, that's all we can do tonight.
00:23:12Yeah, I guess so.
00:23:13See you in the morning.
00:23:14Right.
00:23:16Say, I wonder if Spider McLean knows anything about antiques.
00:23:20Well, he ought to.
00:23:21He's old enough.
00:23:22Hadn't come in to see me tomorrow.
00:23:24I'll have a little job for him.
00:23:25Okay.
00:23:26Good night, Doc.
00:23:27Good night.
00:23:28Night, Pat.
00:23:29Night.
00:23:30Higbee.
00:23:31Bring that Victorian vase, please.
00:23:33Do you mean this one, sir?
00:23:34Yes.
00:23:35Oh, very good.
00:23:36This is a very rare piece.
00:23:37I believe Mr. Priceless found it in an old New England farmhouse.
00:23:39Perhaps this is the one you had in mind, sir.
00:23:40No, no, no.
00:23:41I'm afraid not.
00:23:42Not only is its authenticity questionable, but it lacks that purity of lying which is so essential
00:23:45to my requirements.
00:23:46Just precisely what are your requirements, sir?
00:23:59I've shown you several examples.
00:24:00I am furnishing my mausoleum.
00:24:03It is essential that every line be in the purest Grecian harmony.
00:24:08but every line be in the purest grecian harmony i could not enjoy my perennial solitude in the
00:24:15knowledge that there was something imperfect in my surroundings excuse me ah good afternoon miss
00:24:22clyde good afternoon we have your uh candlesticks in the office will you step this way please
00:24:29surely take me take care of the gentleman will you please oh yes mr priceless now that
00:24:34perhaps we have something else you'll find
00:24:43you are saying perhaps we have something else you'll find appealing
00:24:47oh yes yes sir oh by george now now that's interesting what is that vase up there unless
00:24:56my eyes are playing me tricks it's a rare and beautiful example of early grecian workmanship
00:25:02i say that's a good-looking suit you have who's your tailor my tailor oh he has a little shop that's
00:25:09just around the corner it's little but it's off who has my tail that has nothing to do with antiques
00:25:16has it no how your mind wanders here fetch down the vase man fetch it down there's only one other like it
00:25:24in existence it belongs to my old friend lady casserole upper norton on tyne woods les hollow oak field by sea
00:25:31and south eastern nottinghamshire in merry old england fetch it down fella fetch it down yes yes
00:25:38sir you don't seem very pleased to see me oh of course i am but why why did you have to come here last
00:25:46night dick tracy was at sparkle's office and i wanted to warn you fine warning you gave me you
00:25:51let tracy ride to my door he came here yes he followed you you should have known he would did he
00:25:57find out anything i'm not sure i don't think so well then stop worrying we've got other troubles
00:26:04cubo won't give up the diamond until he gets his ten thousand and simon little wants to pull out of
00:26:09the deal simon wants to pull out excellent excellent well that's hardly something to worry about my dear
00:26:16we've split only two ways now but who'll cut the stones for us why have other contacts how life
00:26:23continually disappoints us this is not the invaluable object i presumed but a mediocre copy are you sure
00:26:29sir quite positive i'll return it to the obscurity it deserves yes i am a recognized antiquary fully
00:26:37capable of differentiating between the inspired original and a clumsy part of it good afternoon
00:26:44miss clyde good afternoon and i'll have the candlesticks delivered oh thank you very much
00:26:53and suddenly a very very exciting thing happened just as i was trying to overhear what they were saying
00:26:58in there the door opened and miss clyde came out with the candlesticks no no priceless said he would
00:27:05send them to her and then the wench left yes sir steve get hold of pat and tell him i want to see him
00:27:13right away right chief thanks vitamin you've been a big help oh it was nothing oh boy nothing ah i made
00:27:20a little purchase while there a garter a garter it has quite a history old boy quite a history
00:27:28uh what's a pity why do the young have all the youth
00:27:36so
00:27:52shoelaces pencil chewing gum shoelaces pencil chewing gum shoelaces mister no thank you but listen i got
00:28:01i told you i know one thing will you please get out of my way but i got razor blades too needles cue ball
00:28:05chewing gum what did you say cue ball he'll be waiting for you tonight at the roofing dagger what time when
00:28:12now right away in flora's private office bless you sir
00:28:19a dollar
00:28:20a dollar
00:28:27come on pat let's go
00:28:50i'm going in tight you cover the back way stop anyone who tries to get out
00:29:07out of my way
00:29:27right in that office up there thanks
00:29:37okay
00:30:00all right quit stalling let's have the dough well you see cube wall don't try to hold out on me
00:30:05the price has gone up but cube wall we it's double i want 20 grand it's little enough for getting
00:30:12300 000 bucks worth of ice i got you dirty chiselers where i want you now you're gonna pay
00:30:23hello flora hi mr tracy i ain't seen you for a long time that's because you've been such a good girl
00:30:30well sit down a lot i ain't done nothing wrong theory honest i ain't relax this is purely your social
00:30:38call oh that's nice yes yes i know you've asked for more money but all i could raise was five thousand
00:30:45dollars before i give it to you i want to see the diamonds you're not getting no stones
00:30:50not for a measly five grand you i do
00:31:00okay
00:31:11so you're dirty still you call the cops no what do you mean no play dumb you know tracy's here tracy no i
00:31:20i didn't call the detectives he ain't gonna help you no no wait a minute cue ball cue ball i'll give
00:31:27you the money cue ball here i'll give you the money take the money cue ball
00:31:34open up in there
00:31:53you all right pat yeah it's a lucky thing for me i got hit on the head come on let's go
00:31:58what are you trying to do
00:32:24leave it apart you get it
00:32:28it's a good thing those socks on the head will make me dizzy well i can see this is
00:32:44okay certainly just another bump on the head no use chasing it now i better put on a general alarm
00:32:52that's fine radio's broken stay here i'll have the phone headquarters okay all right stand aside
00:32:56let me hear are you hurt no no oh you're new on the force aren't you yeah you sure you're all
00:33:04right oh just a little dizzy dizzy eh so that's it you're drunk drunk no i'm not drunk and stealing
00:33:11the police car too oh no you don't understand you got your driver's license no i don't have a driver's
00:33:15like no driver's license no no driver's license oh i'm getting tough with an officer too no look this is
00:33:21dick tracy's car oh it is is it and i suppose you're going to tell me you're pat patten no of
00:33:26course not then who are you pat patten get out of the car no are you going out of the car do i have
00:33:32to you oh no no no not again so you haven't seen pat patten have you he was supposed to
00:33:40never mind he just came in bye where have you been if i told you you wouldn't believe me then
00:33:46don't tell me i'll tell you anyhow i was over at the tracy yes i've got that report from the coroner
00:33:52the markings on prices throat are identical to those found on abbott same markings eh yes good thanks
00:33:57that's the best lead we've had so far you mean the same guy's responsible for both murders priceless
00:34:03had two thousand dollars in his clothes when we found him he was probably at the dripping dagger
00:34:08dickering for those diamonds sure adds up most likely filthy far was hiding our mystery man since
00:34:13the abbott killing which means she ought to know a thing or two come on we're going to have a little
00:34:17talk with both the flower at the dripping dagger oh every time i get near that joint i feel like i need a
00:34:22bottle of ddt they're not down there they've got to be up here some place
00:34:30find those diamonds if i have to tear this way so far
00:34:33you can't even see me so far you can't even see me right there let me see you just go
00:34:53Oh, my God.
00:35:23Oh, Flora.
00:35:33Oh, hello. I didn't expect you back so soon.
00:35:36No, I guess you didn't.
00:35:38You figure on going out, Flora?
00:35:39Yeah, just going out for a walk.
00:35:41I wanted a breath of fresh air.
00:35:44Maybe you better put off that walk until a little bit later.
00:35:46I got something I want to talk over with you.
00:35:48You mean about the red cue ball?
00:35:50Oh, that can wait till next week.
00:35:52No, it ain't to rent.
00:35:55Oh, just a social call, eh?
00:35:57Paying your old sidekick, Flora, a friendly visit.
00:36:00Sure, sure. That's it. Just a friendly visit.
00:36:04Well, that's nice of you, dearie.
00:36:07Let's sit down and have a drink for old time's sake.
00:36:09This one will be on the house.
00:36:10Okay, Flora.
00:36:16Looks like you was trying to find something here.
00:36:18Yeah, yeah. I couldn't find my scarf.
00:36:21I wanted to wear it, and I went out for a walk.
00:36:23You didn't happen to look under the wash basin for it, did you?
00:36:27Wash basin?
00:36:28Listen, why, what would my scarf be doing under there?
00:36:32I ain't talking about your scarf.
00:36:34I'm talking about my diamonds.
00:36:36They were under there until you got your hooks on them, and I hand them over.
00:36:38I haven't got your diamonds, cue ball.
00:36:42Honest, I ain't.
00:36:42Are you a lying old fang?
00:36:45Now, you gonna give me them diamonds, you don't have to take them.
00:36:50Just try and take them.
00:36:51Just try and take them.
00:36:53Now, wait a minute, Flora.
00:36:54Maybe we could talk this over.
00:36:56There's enough there for both of us.
00:36:58We could split 50-50.
00:37:00Maybe.
00:37:26She must be around.
00:37:27She lives, huh?
00:37:28I'll go around in the back.
00:37:29You wait here.
00:37:30Right.
00:37:59Percival Price's antique dealer found murdered, and then, as night fell, the killer struck
00:38:10again, leaving filthy Flora's body cold and lifeless in the office of her waterfront
00:38:15cafe known as the Tripping Dagger.
00:38:18According to Dick Tracy, head of the Homicide Squad, the markings on the throat of each of
00:38:23the victims indi...
00:38:24Indi...
00:38:25Indicates?
00:38:27Thanks.
00:38:27You're welcome.
00:38:28Indicates that the...
00:38:30Indicates that the same criminal is responsible for each of the murders.
00:38:35Oh, gee, just when it's getting good.
00:38:39Yeah.
00:38:40See who it is.
00:38:41Okay.
00:38:42But don't read any more till I get back.
00:38:45Right.
00:38:45Well, good morning, Butch.
00:38:52Morning, Miss Trueheart.
00:38:53Are you ready to go to the Rodeo?
00:38:54Remember, we have to leave early if we want to get good seats.
00:38:57I remember, all right.
00:38:58I'll go home and get ready and be right back.
00:39:00That's a good boy.
00:39:04Hello, Junior.
00:39:05Hiya, Tess.
00:39:07Boy, what a story they got on Filthy Flora's murder.
00:39:10Having Mr. Tracy in the business is enough crime for one family without you reading
00:39:13about it in newspapers.
00:39:15Aw, gee, Tess.
00:39:16Well, good morning, Tess.
00:39:18How are you?
00:39:19Fine, thank you, darling.
00:39:20I was just having a little discussion with Junior over his reading matter.
00:39:23It was about the murders, Dick.
00:39:25I see what you mean.
00:39:26Better have this before you leave for the Rodeo.
00:39:29But I gotta keep up with what's going on.
00:39:30You'd do a lot better to keep up with your schoolwork.
00:39:33Aw.
00:39:33Tess is right, Junior.
00:39:35Say, how would you like a lifetime job showing Junior what to read?
00:39:38Why, Dick Tracy proposing so early in the morning.
00:39:42Why don't you marry him so he can stop proposing?
00:39:44Just a minute, young fella.
00:39:46I can speak for myself.
00:39:48Bang, bang, bang, bang, bang!
00:39:50All right, everybody.
00:39:52Reach for the ceiling.
00:39:53Put him up.
00:39:53What?
00:39:54You heard what the man said.
00:39:55Put him up.
00:39:56Nobody move.
00:39:58Don't try any of your tricks.
00:40:00What is this?
00:40:01Oh, he thinks he's Jesse James.
00:40:03No, sir.
00:40:04Today I'm Buffalo Bill.
00:40:06You don't have to put your hands up, Junior,
00:40:09because you're drinking a glass of milk.
00:40:11Thanks.
00:40:12You're welcome.
00:40:13And now I'm going to shoot you, Dick Tracy,
00:40:16because you're an Indian.
00:40:20Butch, let me see that hat.
00:40:22Save your breath, partner.
00:40:24You can't talk your way out of this one.
00:40:26Butch.
00:40:27Don't move, red skin, or you'll bite at us.
00:40:30Butch, will you please let me see that hat?
00:40:31You just want me to take off my hat so you can scalp me.
00:40:34Butch, will you please?
00:40:35It's for you, men.
00:40:37The varmints are going to attack.
00:40:39Bang, bang, bang, bang, bang, bang, bang, bang, bang, bang, bang.
00:40:45Butch, I'm not an Indian.
00:40:47For goodness sakes, Dick,
00:40:48why is Butch's hat so important all of a sudden?
00:40:50I don't want the hat.
00:40:51It's that hat band I've got to see.
00:40:53Hat band?
00:40:53Why didn't you say so?
00:40:54A lot of the kids got those bands.
00:40:56They have.
00:40:56Where'd they get them?
00:40:57Send away for them.
00:40:58Here, I'll show you.
00:40:59It's advertising this magazine so far, let's see.
00:41:04Here it is.
00:41:05There.
00:41:15Desert City Operator
00:41:18to Dick Tracy.
00:41:24Box 520 Desert City
00:41:28is
00:41:29Post Office
00:41:31Address
00:41:34Rocky
00:41:35Mountain
00:41:36Penitentiary
00:41:38Rocky Mountain Prison.
00:41:40Know anybody up there, Chief?
00:41:41Why, the warden is an old friend of mine.
00:41:43Take a wire.
00:41:44Yes, sir.
00:41:47Listen to this.
00:41:48Prisoner you referred to was released six weeks ago after serving ten years.
00:41:52He is Harry Lake, alias Bernie Burns, alias Frisco Joe, alias Cubo.
00:41:56Description is as follows.
00:41:58Hey, I didn't read the description.
00:41:59I'll take care of the description.
00:42:01Broadcast room.
00:42:02You look them up in the files.
00:42:03Right.
00:42:05Tracy speaking.
00:42:06The killer with a diamond case has just been identified.
00:42:09Broadcast this description immediately.
00:42:11For you, matthew.
00:42:24Don't print it.
00:42:25Come on.
00:42:25Come on.
00:42:25Sun.
00:42:26Oh, dear.
00:42:27Tie me up in the outside?
00:42:27You look them up in the outside.
00:42:28No, dear.
00:42:29Watch your souls.
00:42:29Let's see.
00:42:30Good job you're doing Cleve.
00:42:30You're good.
00:42:31Qu improves your head.
00:42:33And you're good.
00:42:34Oh, dear.
00:42:35other questions are read.
00:42:35The other questions are read the sobrepel.
00:42:36What are you so happy about?
00:42:38Why not?
00:42:39I think it's very funny.
00:42:40You should be able to take it, Chief.
00:42:42We've been kidded by the press before.
00:42:44But they're giving the public the impression
00:42:46the cue ball is in plain sight,
00:42:48and we can't even see him.
00:42:50Why don't they draw a picture showing
00:42:52how we scour the city?
00:42:54How we took the dripping dagger apart board by board.
00:42:56How we've kept a constant watch on that antique shop
00:42:58and Mona Clyde's apartment.
00:43:00No, we don't want that publicized.
00:43:02Well, I can't say that I enjoy this kind of public.
00:43:04Why haven't you picked up Mona Clyde?
00:43:06Because I believe she'll lead us to the diamonds,
00:43:08and the diamonds will lead us to cue ball.
00:43:10Dick, I don't care what you do or how you do it,
00:43:12but we've got to get some action.
00:43:14I've got a plan that may work,
00:43:16if I can find the right policewoman.
00:43:18Okay, find her. But let's have some action.
00:43:20Bye, Chief.
00:43:22Yes, sir.
00:43:24You can send in those ladies now.
00:43:26Okay, girls. You may go in now.
00:43:28Thanks.
00:43:34It appears that the great Tracy is about to become inundated
00:43:37by an avalanche of feminine pulchritude.
00:43:39Oh, I'd hardly say they were his type.
00:43:41It's official business, I'm sure.
00:43:43Miss Roberts, you've been with the police force for six months, right?
00:43:45Yes, sir.
00:43:46Well, this job calls for a veteran.
00:43:48Miss Leeds, will you stay?
00:43:50You other ladies may leave.
00:43:51And thanks very much for your trouble.
00:43:53No trouble at all, Mr. Tracy.
00:43:55Oh, you're leaving.
00:43:56Yes, sir.
00:44:02Four went in, three came out.
00:44:06It is a situation which I am compelled to remark
00:44:08is replete with the most devastating possibilities
00:44:11and open to the most provocative of interpretations.
00:44:14Now, don't let your imagination run away with you, vitamin.
00:44:17I, I still say I can always trust Dick.
00:44:20Most fortunate of creatures,
00:44:22The hand that made you fair hath made you good.
00:44:27If we're to be successful, you must give the impression of being a real blueblood.
00:44:32High society. Think you could handle it?
00:44:35I doubt it. This Brooklyn accent of mine be a tip-off.
00:44:38Don't you think you could disguise it?
00:44:40I don't think so.
00:44:42That sort of puts me in a spot.
00:44:44I don't wish to stir the green-eyed monster of devouring jealousy,
00:44:48but don't you think it sounds suspiciously quiet in there?
00:44:52Oh, you.
00:45:00Thank you, Miss Means.
00:45:01It was a pleasure.
00:45:03Hello, you two. Have you been waiting long?
00:45:05Quite. May we go in now?
00:45:07By all means.
00:45:09I can see that police work might be very interesting.
00:45:13Now, Tess, those were policewomen.
00:45:14Policewomen.
00:45:16A man is confronted by jeopardy on all sides.
00:45:19I was looking for one capable of impersonating a society girl.
00:45:22Did you find her?
00:45:23Well, no.
00:45:24She's got to be just right or my whole plan will blow sky high.
00:45:27You're not being very flattering, Mr. Tracy.
00:45:29Huh?
00:45:29A gentleman would at least say that I look the part.
00:45:32Of course you do.
00:45:34You're not getting any ideas, are you?
00:45:36Oh, but I'm sure that I could play the part for you, Dick.
00:45:38No, absolutely no. It's too dangerous.
00:45:41Pardon the intrusion, old fellow.
00:45:42But I must say that Miss Trueheart embodies the quintessence of social grace.
00:45:47Oh, Dick, you've got to let me do it.
00:45:48But I'm afraid the whole thing...
00:45:49Tut! Tut!
00:45:51I will school the little lady in social deportment.
00:45:55First, the correct form.
00:46:00But, of all the vital graces,
00:46:03that of making a good first impression is the most important.
00:46:08Ah, how do you do?
00:46:10How do you do?
00:46:11I am so happy to see you.
00:46:13Oh, happy to see you, too.
00:46:14I've heard so much about you.
00:46:15Oh, you have?
00:46:16I'm sure you're one of the most charming and scintillating men I've ever met.
00:46:20Oh, that's nice. I wish I could say the same.
00:46:22Say, is vitamin going to play your society, gal?
00:46:25None of your ribaldry, sir.
00:46:27You are speaking of the man I love.
00:46:30No, Pat. Vitamin isn't.
00:46:31I am. Right, Dick?
00:46:33Right.
00:46:33Now, these pieces are rather unusual.
00:46:38No, I'm...
00:46:39I'm sorry, Mr. Sparkle.
00:46:40I'm afraid these won't do either.
00:46:42I hope you haven't found me too hard to please,
00:46:45but I do want something individual.
00:46:47I flew in from Bermuda to have this necklace made up,
00:46:50and...
00:46:51Well, I want it for a special occasion.
00:46:53Oh, I see.
00:46:54Perhaps this is what you have in mind.
00:46:56No, I'm...
00:46:57I'm afraid not.
00:46:59Well, Miss Belmont, you can't find diamonds such as you want overnight.
00:47:02And even if I could locate them, they would be very expensive.
00:47:05Well, what good is Father's money if I can't spend it?
00:47:08Very well, Miss Belmont.
00:47:09We'll try to help you spend it.
00:47:11I'll contact the other dealers immediately.
00:47:13Possibly they may have something you like.
00:47:15I'd appreciate it very much, Mr. Sparkle.
00:47:17Glad to do it.
00:47:18Would you mind giving your address to Miss Clyde
00:47:20so that I can get in touch with you later?
00:47:22Of course not.
00:47:24Suite 412, Carlton Arms.
00:47:27Thank you, Miss Belmont.
00:47:28You'll hear from me.
00:47:29You've been very kind, Mr. Sparkle.
00:47:31Oh, and you too, Miss Clyde.
00:47:33Thanks so very much, both of you.
00:47:35Goodbye.
00:47:35Good day.
00:47:37Chosy, isn't she?
00:47:39She can afford to be.
00:47:40I think I'll run upstairs and see what Emil Camber has in his private collection.
00:47:44And you might ask Simon Little if he has any ideas.
00:47:48Yes, sir.
00:47:49How long have you two got here?
00:48:06Did you bring the dough?
00:48:07Q-ball.
00:48:08Let me handle this.
00:48:10Simon tells me you expect $20,000 now.
00:48:12He told you're right.
00:48:13$20,000.
00:48:15You haven't got a brain in your head, you big ox.
00:48:17I don't like that kind of talk.
00:48:18Don't make him angry.
00:48:19Oh, he'll listen and like it.
00:48:22If you wanted the $20,000 so much, why did you kill Priceless?
00:48:26He was the only one who could pay it to you.
00:48:28I had to kill him.
00:48:30I'd kill anybody that gets in my way.
00:48:33You get in your own way.
00:48:35Now every cop in the country is looking for you.
00:48:37You've not only messed up everything for yourself, but for us too.
00:48:41I told you I don't like that kind of talk.
00:48:42Oh, shut up.
00:48:43Go ahead.
00:48:44Kill me.
00:48:44Kill Simon.
00:48:45Then you won't get a dime.
00:48:46Nothing.
00:48:47Nothing but the chair, perhaps.
00:48:48Don't talk like that or else...
00:48:49Oh, getting scared, huh?
00:48:51The police are closing in and you're getting scared.
00:48:53I won't catch me.
00:48:55I'll get away.
00:48:56They ain't caught me yet, have they?
00:48:58I'll take that $20,000 and blow...
00:48:59Get through your skull.
00:49:00There is no $20,000.
00:49:01Nothing like it.
00:49:01There isn't even $10,000 now.
00:49:03Nothing but what Simon and I can dig up for you.
00:49:05I've got $1,700 in the bank.
00:49:08And I've got $2,400.
00:49:10That's $4,100 you can have for the diamonds, Q-ball.
00:49:13$4,100, that's all.
00:49:15$4,100 bucks for these rocks?
00:49:17Yes.
00:49:18I've got a chance to get them off our hands for about $7,000.
00:49:21Then we'll all be clear.
00:49:22There'll be no evidence.
00:49:22There's a rich era.
00:49:23She'll buy them.
00:49:24But she knows they're stolen and that's all she'll pay.
00:49:26Nobody else will touch them.
00:49:28If you two are double-crossing me...
00:49:30double-crossing you after you kill priceless.
00:49:34Keep your diamonds.
00:49:35You can go to your grave with them.
00:49:37Come on, let's get out of here.
00:49:38I've heard enough.
00:49:38Now, wait a minute.
00:49:40I ain't gonna be left holding the bag.
00:49:43Give me the dough.
00:49:43Give me the $4,100 bucks.
00:49:44Well, you have got some brains after all.
00:49:47Come on, it cracks.
00:49:47Give me the dough.
00:49:48You'll get it tonight, later.
00:49:50Yeah.
00:49:50Well, you ain't getting these rocks until I do.
00:49:53Okay.
00:49:54Wait here.
00:49:55I'll wait.
00:49:57Come on.
00:50:13I never thought you'd get away with it.
00:50:17I didn't either, but that's what makes life interesting, Simon.
00:50:19Taking chances.
00:50:21Hello, Carlton Arms.
00:50:25I'd like to talk to Miss Belmont, please.
00:50:30If that's Mona, Tess, don't be nervous.
00:50:33Who's nervous?
00:50:35Hello?
00:50:37This is Blythe Belmont speaking.
00:50:40This is Mona Clyde.
00:50:42I've come across some very unusual diamonds, Miss Belmont.
00:50:46The owner is a very prominent man who is financially embarrassed.
00:50:50He insists the sale be as secretive as possible,
00:50:53so I took the liberty of making an appointment with him at my apartment tonight.
00:50:58In an hour.
00:51:00In an hour?
00:51:01Very well.
00:51:02What's the address, please?
00:51:05Second floor, apartment 12.
00:51:08I've got it.
00:51:09Yes.
00:51:10I'll see you in an hour.
00:51:12Come on, Pat.
00:51:13We'll go right over there.
00:51:15Hey, wait a minute.
00:51:16Don't you want to know where you're going?
00:51:18That's Mona's address.
00:51:18We know it by heart.
00:51:19Oh, you do.
00:51:21Don't leave until the last minute, Tess, just in case she calls again.
00:51:23If there are any changes in plans, call headquarters immediately.
00:51:26Right.
00:51:27See you in an hour.
00:51:28Yes, dear.
00:51:29This is one date I know that you'll keep.
00:51:32But I tell you, Miss Clyde, I don't like it.
00:51:35What if something should go wrong?
00:51:36What can go wrong?
00:51:37Now go ahead.
00:51:38Get your $1,700.
00:51:39Here's my $2,400.
00:51:40Yes, but that $1,700 is all the money I have in the world.
00:51:43You're the weakest, most sniveling excuse for a human being I've ever seen.
00:51:46You've no right.
00:51:47You're no right.
00:51:47We pay $4,100 for diamonds we can sell for over $100,000.
00:51:51And you say I've no right.
00:51:52Now get your money and stop crying.
00:51:55All right.
00:51:58But I've always been so careful of my money.
00:52:00I'll go over to my apartment and meet the Belmont woman.
00:52:16Here.
00:52:17Take the money downstairs and get the diamonds from Cuball.
00:52:20Now don't forget you're the financially embarrassed gentleman who owns the diamonds.
00:52:24Try to act like one when you get up to my place.
00:52:26Cuball.
00:52:48Cuball.
00:52:56Good evening.
00:53:04Would you get me a cab, please?
00:53:05Yes, Miss Fillmore.
00:53:06Taxi?
00:53:11Where to?
00:53:12Uh, 319 East 4th Street.
00:53:15319 East 4th Street, driver.
00:53:26Come in.
00:53:47But how could I have the diamonds?
00:53:49When I got to my workshop, Cuball wasn't there.
00:53:51He's gone.
00:53:53You're lying.
00:53:54I'm not.
00:53:55I looked everywhere.
00:53:56I waited.
00:53:58What about Miss Belmont?
00:53:59Where's she?
00:54:00She isn't here yet.
00:54:02Oh, you're the one who's lying.
00:54:04There never was such a person.
00:54:06You've tried to trick me so you can get the diamonds for yourself.
00:54:09You're insane.
00:54:10What about my call to Miss Belmont?
00:54:12How do I really know who you were talking to?
00:54:14Oh, no.
00:54:15You can't fool me.
00:54:17I'm going.
00:54:18Mr. Tracy.
00:54:20Hello, Mr. Little.
00:54:22Well, where's Miss Belmont?
00:54:24I don't know who you're talking about.
00:54:26Miss Clyde, I was at Miss Belmont's suite this afternoon when you made the appointment with her.
00:54:30Now, where is she?
00:54:32I don't know.
00:54:33She left her hotel more than 10 minutes ago.
00:54:36Did you give her instructions to meet you somewhere else?
00:54:38No, I didn't.
00:54:39I haven't spoken to her since this afternoon.
00:54:43Pat.
00:54:43Yeah?
00:54:44Check with headquarters and see if they've heard from Tess.
00:54:46Right.
00:54:46This isn't where I told you to take me.
00:55:05You want the diamonds, don't you?
00:55:06Where's Mona Clyde?
00:55:08Mine's a bit changed.
00:55:09She's meeting you here.
00:55:10Come on.
00:55:10Upstairs.
00:55:21Upstairs.
00:55:21But you know what the instructions were.
00:55:47Miss Belmont was supposed to meet us here.
00:55:48Just a minute.
00:55:51Do you have an extension?
00:55:53Why, yes, in the bedroom.
00:55:54All right.
00:55:55Answer that.
00:55:55Play it straight.
00:55:56No tricks.
00:56:00Hello?
00:56:02Yes.
00:56:04Simon Little?
00:56:05Just a moment.
00:56:09Hello?
00:56:10Mr. Little?
00:56:11Oh, yes, Rudolph.
00:56:12Q-Ball is here.
00:56:13What?
00:56:14He has a girl with him.
00:56:16He's back there.
00:56:17There seems to be something wrong.
00:56:19That is Q-Ball.
00:56:20He's got Tess.
00:56:21Come on.
00:56:21Right.
00:56:22Get those two down to headquarters.
00:56:24Right, Mr. Tracy.
00:56:26All right.
00:56:27Get your coat on, lady.
00:56:28I tell you, I refuse to discuss the diamonds unless Miss Clyde is here.
00:56:31It's too bad, sister.
00:56:33Double-crossing Clyde damn ain't going to be here.
00:56:36Then I'm leaving.
00:56:37What's the matter?
00:56:38Ain't I good enough for you to do business with?
00:56:41I got the diamonds.
00:56:42Mona Clyde hasn't.
00:56:43Now, give me the dough.
00:56:44Don't be silly.
00:56:45I wouldn't carry that much money around with me.
00:56:46Stop stalling.
00:56:47You want the diamonds, don't you?
00:56:48Well, here they are.
00:56:49I told you I haven't.
00:56:50Don't give me that.
00:56:51You was ready to give Mona Clyde cash?
00:56:53No.
00:56:54I was just going to look at the diamonds.
00:56:55You're a liar.
00:56:57You got the dough right here in your purse.
00:56:58No, you're wrong.
00:56:59I tell you.
00:57:03Dick Tracy.
00:57:06So that's it.
00:57:08This is a plant.
00:57:10It's useless.
00:57:10It's useless.
00:57:20Holy crap.
00:57:21Oh, you!
00:57:23Ah!
00:57:34Pat, take care of Tance.
00:57:35OK.
00:57:36Let's go.
00:58:06Let's go.
00:58:36Let's go.
00:59:06Let's go.
00:59:36Let's go.
01:00:06Let's go.
01:00:36Let's go.
01:01:06Let's go.
01:01:36Let's go.
01:01:38Let's go.
01:01:40Let's go.
01:01:42Let's go.
01:01:44Let's go.
01:01:50Let's go.
01:01:52Let's go.
01:01:54Let's go.
01:02:00Let's go.
01:02:02Let's go.
01:02:04Let's go.
01:02:14Let's go.
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