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00:00What can you tell me about Sergio Torreblanca? What's he like?
00:08Well, I'll be honest with you.
00:12Because I want to protect you.
00:15You have to be careful with Sergio Torreblanca.
00:20He's the darkest person I know.
00:22And why would that surprised little face tell me that he knows him?
00:31No.
00:33So, on the day you and I had coffee, he arrived later and returned my headphones that had fallen.
00:40But then he wouldn't stop staring at me from his desk.
00:45Why...
00:46Why do you say that Mr. Sergio is dangerous?
00:50No, sorry, forget it. No, no.
00:51I shouldn't have said that.
00:53No, no, no, no. Mr. Federico, he already told me.
00:56You'd better tell me if I ever have to deal with him.
01:00Yes, I hope I can avoid it because...
01:02Wow, Sergio is a...
01:05Harasser of women.
01:08And look, in business he'll do anything for money.
01:11It is serious?
01:13It's because of people like him that my mother hates the music world.
01:17Wait a minute. Not everyone is like that, okay?
01:19For me, it's awful to work for someone with so few scruples who, yes, he abuses his power, but...
01:29I'm connected to him, in a way.
01:32He's my brother-in-law.
01:34There...
01:34I imagine you need a strong stomach to put up with someone like that, don't you?
01:39It is difficult.
01:42I wasn't always able to avoid his injustices.
01:46And yes, I had to live with the shame of witnessing his despicable acts.
01:53It seems like the comments aren't very good.
01:55So it is?
01:56Because she doesn't deserve it.
01:57What?
01:58She was lucky not to have been booed.
02:00What's your problem, kid?
02:01You have no idea how much effort my daughter put into making this short film?
02:05Calm down, Loreta, calm down.
02:06No, I can't calm down.
02:07What's wrong with millennials?
02:09You know, honestly, poor Maitê, even I didn't understand what she did.
02:14And you know, I like weird things.
02:15Oh, okay, you like it.
02:16But it's not that it's a bad short film.
02:18The thing is, he's not at the right festival.
02:22If you didn't applaud, it's because you have no idea what cinema is.
02:23Like this?
02:25This short film makes no sense at all.
02:28The only good thing is the music.
02:29The rest conveys nothing.
02:31That's your opinion.
02:31I can tell you that she's very mistaken, okay?
02:33What does he think it is?
02:35Thank you for defending me from Maitê's work.
02:36Maitê!
02:37Maitê!
02:37What madness, what a lack of sensitivity.
02:39They have no idea about anything, do they?
02:41Nothing, nothing.
02:42Thanks.
02:43I'll be right back.
02:44Okay, sure.
02:45No, it doesn't matter.
02:46Omar has already been there, and so has Max.
02:48I'll wait for you, then.
02:50Maitê, are you okay?
02:52Max.
02:52Get me out of here.
02:55Yeah, I don't know what he was thinking.
03:03Sure, sure.
03:04Yes, I will warn you.
03:07Don't worry about Sergio.
03:09I will always be here to protect you.
03:12But if I sign with Loretta Music,
03:14It will be inevitable that I will have contact with him.
03:18But don't worry.
03:20I know how to defend myself.
03:21You'll do well.
03:24Well, a coward can't stand strong women.
03:28But I suggest you avoid talking about personal things with him.
03:33Sergio is an obsessed guy and he has a thing for certain types of women.
03:41Yes, you meet all the requirements.
03:49I'll be keeping a close eye on you, Emilia.
03:52I only ask that you be discreet.
03:54total registration fee.
03:59Okay.
04:01Thank you very much.
04:02The problem is that Lascano cannot reduce the budget for the foundation.
04:08I assure you that I never asked for that.
04:10Ah, I believe it.
04:12I know it wasn't your doing.
04:14That's why I came to bother you.
04:15No, I appreciate you keeping me informed.
04:17And I'm going to talk to him to sort this out.
04:20Do you have a copy of the budget?
04:22And don't worry, I will continue taking care of these children.
04:24Oh, thank you so much, Angel.
04:27Here.
04:30Look.
04:30Let me see.
04:31I'm sorry, I would have loved to meet you under other circumstances.
04:34And I apologize for the delay.
04:36I had a lot of work at the record label.
04:37Don't worry, Federico didn't even come.
04:39We have a lot of work to do.
04:41And what about Maitê?
04:43I couldn't reach her and...
04:45Sorry, I was defending her from that unbearable critic who was here.
04:49Look, I think that...
04:51It was a bit reckless of him to start arguing with the audience.
04:54Oh, how can you say that?
04:56Omar was just defending his sister.
04:58What?
04:58No, I'm sorry, Carla.
05:00Nico is right.
05:01All of this only served to inflame tempers.
05:04And you think it's wrong for him to defend his girlfriend?
05:07Oh, that's enough.
05:08The only...
05:09The reality in these cases is that we don't know what the public's reaction will be.
05:13And now, all I worry about is my daughter.
05:16I'm going to look for Maitê.
05:17No, no, no. What do you mean?
05:18If she left, it's because she wants to be alone.
05:21I think it's better for her to be accompanied.
05:24Excuse me.
05:26No, no, no. Leave it, leave it.
05:28Okay. Let's go home.
05:30It's very bad.
05:31Let's go.
05:31Maitê was so excited.
05:34And I understand that she wants to be alone.
05:36Of course.
05:36And we should respect that.
05:38Including that little boy.
05:40I think we should stick with that.
05:42Leave him alone.
05:43He is the boyfriend.
05:47Dance, dance, dance.
05:49Oh, Mom.
05:51You don't know how to neigh like Alicia.
05:53And it lacks the ability to trot like a horse.
05:57Oh, really?
05:58And tell me what you think about this, Roberto.
06:01Do you agree that Alicia is better than me?
06:04It tells me.
06:07He's not saying anything.
06:09He's quite fond of Alicia.
06:11Quite a bit.
06:12I don't like it when you say those strange words.
06:15A bit is quite beautiful.
06:17If you know how to speak like Alicia.
06:19That's how they talk in her city.
06:25Look at the cutie and the nanny together.
06:28How beautiful!
06:29At least I'll speak well of the music.
06:37You know, it's really good.
06:38Considering he made it with his synthesizer and his smelly electronic drum kit, it turned out cool.
06:43Did you see who's there?
06:44Maitê and Nico's parents, would you like me to introduce you?
06:47Oh no, no.
06:48I've heard a lot about this Nico guy.
06:50No no.
06:51He played a prank on my friend Gina.
06:53You wouldn't believe what I'd like to say to him.
06:55Because he doesn't even want to know, right?
06:57I know you don't like Maitê,
06:59But I think I didn't like what...
07:02than...
07:02than what happened.
07:04Of course I didn't like that.
07:06Oh, of course not.
07:07Look, it's one thing for me not to like what Max wants with her.
07:09And another thing entirely is me not valuing that effort.
07:12Because she spent a lot of time on it.
07:14That's not cool.
07:15Are you serious?
07:16Of course.
07:17Oh, how beautiful.
07:18She even looked human.
07:20Oh, but of course!
07:22I'm super cool, friendly, funny, and beautiful.
07:27With a great body, long hair, and great legs.
07:28Oh dear, that's enough.
07:33Wow.
07:43Omar again?
07:44He doesn't understand that I don't want to talk to anyone.
07:49More?
07:49Uh-huh.
07:51Look, this is your second jar.
07:52Try not to get a headache from all that ice cream, okay?
07:54Ah, I prefer this to thinking about what happened.
07:56Have you ever been treated this badly?
08:01When I started playing, people told me all sorts of things.
08:05They even sent many greetings to my saintly mother.
08:09How annoying.
08:10And how did you overcome it?
08:13Well, I learned from my mistake and tried to do better next time.
08:16You know, the fear of failing again has made me much more disciplined.
08:19I never again trusted my talent and prepared myself more and more and more.
08:25Like this.
08:27I think I also trusted in my talent.
08:30With everything I know about film theory, I thought that...
08:33I don't know, but it seems like I did very badly in practice.
08:35Did you like my short film?
08:43AND...
08:43Look...
08:45Actually, for me it was like a math test, you know?
08:50AND...
08:51I didn't understand anything.
08:54Sorry.
08:55No, that's fine.
08:56All good.
08:57I prefer you to be honest rather than tell me something else just to please me.
09:02So, thank you.
09:03You're welcome.
09:03And you don't want to watch an old movie?
09:07It's called A Calas Tortas.
09:09My mother and I liked it very much.
09:12AND...
09:12We just won't be able to watch it on TV because we don't have cable.
09:14But...
09:15We can see it on my phone.
09:17It's OK.
09:18Okay?
09:18Okay, okay.
09:20Bi, do you enjoy finding new ideas for the future?
09:23Uh-huh, uh-huh.
09:24They say everything is renewed, right?
09:30Sorry, this phone always freezes.
09:32Ready.
09:33Okay, Calas Tortas.
09:34Okay, Calas Tortas.
09:36Maitê isn't with the record label either.
09:38I'm really worried about what she's going to do in this situation.
09:40No, no, no, no.
09:41Maitê is not one to do silly things.
09:43Calm down, Omar.
09:44Come have lunch with us.
09:45We are here at my brother's house.
09:48No, I'm going to keep looking for her, Carla.
09:50We'll talk later.
09:50I already told you I left you waiting for a working lunch.
09:56I always want to see you.
10:00That's something I can't resist, okay?
10:05So, I'll see you at the office.
10:08Dress the way I like.
10:10And don't forget the red shoes.
10:12I don't believe Nico's father is that bad.
10:25Do you think his children know?
10:28Oh, I have no idea, but I didn't want to ask anymore either.
10:31And Tina, what he told me about Sergio Torreblanca stays between us.
10:35No, I don't even want to repeat it.
10:36Imagine if our mother finds out.
10:40The world is ending.
10:41Look, the good news is that Mr. Federico warned me.
10:44And he even offered to protect me, if necessary.
10:47How lucky you are, Emilia.
10:50Look, when you run into Nico's dad again, turn around and don't even talk to him.
10:56It is fine.
10:59What favor are you asking Saint Jude for, Daniela?
11:03I'm not asking for anything now.
11:05I'm here giving thanks because Emilia is being helped by good people, just like I always asked.
11:11I also asked him to be good to my daughter.
11:15So that he can open her eyes wide.
11:18And I asked that an angel always be with her.
11:25Oh my God.
11:27My head is about to explode, seriously.
11:30I told you, I told you that you were eating too much ice cream and that your head was going to hurt.
11:35The ice cream is not to blame for anything.
11:36They were wicked and delicious.
11:39Oh, thank you.
11:39The chocolate drops he gave me.
11:41In the drops, right?
11:42Yes of course.
11:45Do you feel better?
11:47No.
11:49But thank you for healing me from the depression and humiliation I went through.
11:54I wanted to take you to a nicer place, but...
11:57Well, this is what I have.
11:59No, but that's more than enough for what I needed.
12:02To disappear from the world and regain my strength.
12:04So, really, thank you very much.
12:17I have to go.
12:18I think my family has been waiting for me for a long time and it's already late.
12:22Okay, sure.
12:23Yes, I can take you.
12:24Do you remember I still have a car there?
12:26Oh, no.
12:27Thanks.
12:28Because if Omar sees me arriving with you, he might...
12:30It might seem strange, don't you think?
12:32Yes, yes, of course.
12:35I don't like seeing you with him either.
12:39Thank you for...
12:40For everything.
12:41For the ice cream.
12:43Because he's such a good friend.
12:45We'll see each other later.
12:46Okay.
12:47Goodbye.
12:48Proceed with caution.
12:49Uh-huh.
12:58Yeah, you shouldn't commit to donating so much money to your foundation.
13:02No, not after the debt he has for canceling the show.
13:05Look, I know I owe a lot of money, but that can't affect everything I do with my foundation.
13:10Hmm.
13:12Okay, that's fine, Angel.
13:14I'll see what adjustments I can make.
13:17But understand that this will prolong the time it takes to pay off your debt.
13:19Do whatever you need to do, Lascano.
13:22But the foundation is untouchable.
13:24All those children depend on me.
13:26It's untouchable.
13:41Oh, daughter, where have you been?
13:43Omar came looking for you.
13:44I thought I'd find you in the auditorium, but...
13:46We were very worried about you.
13:48She's been through a lot already.
13:50Thanks.
13:51Oh, daughter, I'm so sorry about what happened to Curta.
13:55AND.
13:56But we're here to support you, okay?
13:58Yes, but...
13:59Listen, daughter, you have to understand that people who dedicate themselves to art are exposed to criticism and even mockery.
14:07Oh, no.
14:07Look, the issue is also that there were ignorant people in the audience.
14:10And they didn't understand.
14:12No, aunt, they're not ignorant.
14:14It was my fault, actually.
14:15It looked like a math test, because nobody understood anything.
14:18Okay, but don't put so much pressure on yourself, my love.
14:20No, Mom.
14:21Because if I don't accept it, how am I going to learn?
14:23I want to improve.
14:27Honey, that's a great way to think.
14:30I am very proud.
14:32Oh, you have to talk to Omar.
14:33The poor guy was very worried looking for you.
14:36Where have I been all this time?
14:37Ah, something like that.
14:39I want to improve.
15:09Very good, son.
15:16Oh, sorry.
15:17Oh, Mom.
15:19I scared you, but it's because it was playing so beautifully.
15:23But it's also sad at the same time.
15:26It's a song for Maitê.
15:29I can't accept seeing Maitê as an impossible love.
15:32And why don't you fight for her?
15:35Let's move on.
15:36And even do her a favor by sparing her from Omar's sharp tongue.
15:40Yeah, I have no problem competing with him.
15:43But I can't go against Maitê's wishes, you know?
15:47I understand perfectly.
15:49First, you are content with the small moments with the person you love.
15:54But little by little, you'll need more and more.
15:57And that's when the suffering begins.
16:00Mom, you say that as if you've had an impossible love.
16:07And as far as I know, after Dad, you haven't had anyone else.
16:10Or did it?
16:11Ah, it's just a figure of speech.
16:15Oh there.
16:16Although there was no shortage of people who showered me with flowers, you know?
16:19Yes, when my father died, I would have been jealous if you had been with another man.
16:24Mom, but it's been a long time.
16:27Give yourself a chance.
16:28Oh, Max, what are you talking about?
16:31What?
16:32Wait, wait, Mom.
16:34What do I mean by what I'm saying?
16:37You are a beautiful woman.
16:39She is very well-mannered and cooks spectacularly.
16:43And as Alfonso once said,
16:45You are like sesame seeds,
16:47which is both sweet and salty.
16:50Did Alfonso tell you that about me?
16:52You deserve someone who loves you very much, Mom.
16:58The bad thing is that it's rare to find love that is truly reciprocated.
17:02like the feeling your father had for me.
17:05That's why I'm telling you, my love, don't get stuck in an impossible love.
17:09You're going to suffer a lot.
17:11And then he told me...
17:22I knew you two were going to date.
17:26To fall in love?
17:26I don't know what Roberto took.
17:28But don't believe him, little drummer.
17:31Seriously, Rodolfo, you're with the nanny?
17:33Who's next?
17:37Tell me, the cleaning lady?
17:39It wouldn't be a bad idea if he got two for one.
17:42I would save a lot of money.
17:44You're not funny at all, darling.
17:45No, and neither should you, my dear.
17:48Are you two going to fight?
17:49Wait a minute, why don't we calm down for a little bit?
17:52Okay?
17:53Roberto said that fights between grown-ups scare him.
17:57And if you don't hug each other, he won't calm down.
18:02Stay like that, I'm going to take a picture.
18:05Okay, so where's the big smile?
18:13You've been really needy of me lately.
18:17This tells me that you're happy about something in particular.
18:22I'm on my way to having something that has been denied to me for many years.
18:25And that makes me very happy and excited.
18:31How curious.
18:33This happens to me when I think I'm going to win the contest.
18:39When that happens, I'll record your album and make you shine like never before.
18:55Relax, Gabriela.
18:56Come here, Roberto.
18:57I don't have to explain everything I do to you, okay?
19:00Look, if you don't think Fofo and I met by chance at the event, that's your problem.
19:04I took the opportunity to come and greet Tamborzinho.
19:06That's what I'm going to do.
19:08Isn't it true that I came to greet you?
19:10AND!
19:11And Roberto asked why you don't stay and have a pajama party?
19:17First, ask her if she doesn't charge too much for those extra hours, honey.
19:24I get paid to take care of the little sun during the day.
19:26It's at night because I like it.
19:27What happened to her?
19:41I'm going to see my daughter.
19:48I don't understand why the accountant asked you for more time.
19:51If I allocate more money to the foundation, it will take me longer to pay off my debts.
19:55Now, what I don't understand is why he lowered the budget without telling me.
20:01I wouldn't be surprised at all if Federico was behind all of this.
20:05Why do you say that?
20:06Thanks.
20:07With his idea of protecting the record label and me, he definitely asked Lascano to do this.
20:13I think you're fixated on him because you don't like seeing him near that short, radiant girl.
20:19That's another matter.
20:21What if you talk to him?
20:22No. I'm starting to think Manolo was right when he said that those conversations with Federico always ended the same way.
20:31There might be another way to speed up my departure from the record label.
20:35I know someone who can help me.
20:38I told you that only I could take care of you, my love, but you didn't believe me?
20:42Oh, don't be sad because of her, my darling.
20:45You know how much I care about you; we have fun together.
20:49Roberto said he doesn't want to talk to anyone, Mom.
20:53Listen to me. I'm your mother and I'll always be here whenever you need me.
20:57Like now, after you've had a big disappointment with your babysitter.
21:02Can't you see she's not as good as she claims to be?
21:05Leave me alone, Mom. I want to be alone.
21:07Alicia doesn't love me either.
21:24I don't know. I think she sensed the tense atmosphere and that's why she went up to her room.
21:28No.
21:29No. I think we said something she didn't like.
21:32Oh, I know what it was.
21:33The money.
21:34What money?
21:35I need to talk to her.
21:36Where are you going, darling?
21:38Roberto doesn't want to talk to anyone.
21:40That's because she always does that when she's very nervous about something.
21:44But she will listen to me.
21:45Okay. Good luck, dear.
21:48Well, I'm going now. I don't need to stay, do I?
21:50No, no, no. You don't have to talk about money in front of the girl.
21:53We can talk about anything with our daughter, right, honey?
21:57Goodbye.
21:58Okay, I understand that Roberto doesn't want to talk to anyone, but...
22:11I know you want to talk to me, right?
22:14Look, I thought of a game you'll like.
22:17His name is...
22:19I think I know what's going on.
22:21Come on, give me your little hand.
22:22If I'm on the right track, you'll shake my hand.
22:29And if I'm going the wrong way, you can give me a little kick, okay?
22:34Did I say something that upset you?
22:39But Roberto's anger has to do with me...
22:44And something about money.
22:46You don't like me charging you to take care of you, do you?
22:52Roberto thought you were taking care of us because you loved us.
22:56But like all nannies, you only do it for the money my father gives you.
23:02But that was at the beginning, because I didn't know you or Roberto.
23:07Oh, and you know how I am. I don't play to lose.
23:10But now we are friends and we all love each other very much.
23:13I know that Roberto's anger will pass and we'll be okay again.
23:19We're going to play.
23:27Tell me what I should do.
23:30Calm.
23:32He comes.
23:33He comes.
23:35Calm.
23:37He comes.
23:43It's okay to start like this.
23:51But Maitê did well, didn't she?
23:53Yes, that's right. It starts little by little.
23:56How are you?
23:56I didn't expect to see you here.
23:58That's because I decided to bring Carla.
24:01Why didn't you have lunch with us?
24:03We miss you.
24:04Oh, I'm so sorry.
24:06And I also feel sorry for Maitê for not having read it properly, but...
24:09Look, I was relieved by your message, that she showed up and that she's okay.
24:13Well, physically yes, but she looks very down.
24:16It's a shame you weren't there to comfort your niece.
24:19But what business do you have on a Saturday that requires you to work until such an afternoon?
24:24Hey, do you know how things are at the record label?
24:27Busy.
24:28And look, even more so in such a complicated moment.
24:31Yes, I imagine so, but...
24:32But luckily I'm already here and I'll be working on some things from home.
24:37That way we won't neglect our family.
24:39It is good too.
24:40Don't worry about me or Carla.
24:44I want you to enjoy this time as much as possible with your wife and children.
24:47Sergio, everyone needs you.
24:49And the rest, I'll handle without any problems, right?
24:53I think your consideration for my brother is wonderful.
24:56As long as you don't abandon me altogether.
24:58No.
24:59You know I'm always here to support you.
25:02And I don't want you to stay upset.
25:06It seems excessive to me that he wants to go to Manolo's grave every day.
25:11I'm concerned about how you're handling it.
25:19I promise I'll charge that disgusting Gabriela interest on her charges.
25:23What did she do to pit me against Solzinho?
25:25It was betrayal and cowardice.
25:26It is clear.
25:27And because she wants to hurt you, she's hurting her daughter.
25:30AND.
25:31And the girl was doing so well, wow.
25:34Because the Solzinho I knew has nothing to do with the one she is now, okay?
25:37Oh, really?
25:38Uh-huh.
25:39And all of this could undo everything we've achieved.
25:42And it hurts me, it hurts me that she thinks I don't love her.
25:47Did you know that Solzinho reminds me a lot of you when we met at school?
25:51You were always restless and argued with everyone.
25:53But things calmed down when we became friends.
25:57And how could I not calm down?
26:00If you and Max gave me the love I so desperately needed.
26:03They opened the doors of their homes to me.
26:06Mr. Alfonso used to amuse me by doing sums.
26:09And even her bossy mother, in that dry way of hers.
26:12Ah, it made me feel like I was with family.
26:13I think that's what Solzinho is missing.
26:18I need to win back her affection so she feels safe.
26:29Angel.
26:30Emilia.
26:32What are you doing here?
26:34I came to talk to Alicia.
26:39Okay.
26:39I'm sorry, but my sister feels that you're growing further and further away from her and...
26:46And don't even talk to me about Manolo.
26:48That's not how it works.
26:49Please sit down.
26:50No.
26:56When...
26:56A tragedy like this happens at a wedding...
27:00With a child...
27:04Single...
27:06Something always breaks.
27:09Because, in some way, our son brought us together.
27:14Of course, Carla and I shared some things when he was around.
27:20AND...
27:20Since...
27:23Manolo passed away...
27:27Carla withdrew into her grief and...
27:30And I'm at work.
27:33And she doesn't forgive me for continuing to take care of Angel.
27:36But he's no longer with the company.
27:38But Carla doesn't recognize, as I do, that Manolo fell because of his problem with alcohol.
27:46Regardless of his argument with Ariel.
27:48She thinks that...
27:51That you don't listen to her anymore.
27:56How, my God?
27:59My love for her remains intact.
28:01But it's very painful to feel...
28:09That I lost my son.
28:13And, in a way, so was my wife.
28:17And you'll realize that Carla only lives for the memory of Manolo.
28:21She told me that...
28:25That they are considering seeking professional help.
28:31I'm happy because...
28:33It was my idea, I proposed it.
28:37Ah, yes.
28:38You know, I'm even willing to go to therapy with her.
28:41AND.
28:42Let's go.
28:43We're all going to end up in therapy because...
28:46I also desperately need therapy.
28:51Why, brother-in-law?
28:53Seriously.
28:56Because of Loreta?
28:59So she's not doing as well as we were told?
29:01No.
29:06We're just gaining time.
29:09But this is irreversible.
29:13That's why I want to be by her side...
29:16As much as possible.
29:19But...
29:21I saw something that...
29:23Which took me back to the past.
29:26And no, not a thing.
29:27Somebody.
29:30Somebody.
29:31The idea is for you to help Maria manage her budget...
29:37And make the necessary adjustments...
29:39To avoid reducing the number of children being cared for there.
29:43Wow, look at that.
29:44You have a beautiful foundation, right?
29:46With everything that entails.
29:47And that's a lot of money.
29:49And we didn't even know you support volunteer work.
29:53No, this is not public.
29:54It's something very personal to me.
29:57How wonderful to be able to help...
29:59When life has been kind to you.
30:01I hope I can do something like that someday.
30:05You will definitely do it.
30:07Now, if you'd like to support my foundation from now on...
30:09My foundation can provide support.
30:11Because help isn't just about money.
30:13For me, it's essential to support young people who...
30:15Those who fall into vices.
30:17Because the truth is...
30:19My mother died because of that.
30:24It is serious?
30:29I am really sorry.
30:31I didn't know that.
30:32Yes, Emilia.
30:34Emilia, Federico decided to hide this from the media.
30:37As you may have noticed.
30:40So it is.
30:40AND...
30:41How wonderful to be able to do this in memory of your mother.
30:43I...
30:43It's OK.
30:48I accept the job.
30:50Just tell me one thing.
30:52Why did you think of me?
30:53Look, from everything Emilia has told me about you...
30:57I know you'll defend every penny like a beast.
31:00I couldn't have given a better compliment, could I?
31:03Legal.
31:04It cost.
31:05I'm glad to know that.
31:06And to see that girl...
31:12At the cafeteria...
31:13When...
31:14When...
31:14When...
31:16I remember Daniela so well.
31:18Sergio.
31:19Wait a minute.
31:19But besides the coincidence of that girl looking like her...
31:24What I'm noticing in you is a great sadness.
31:28You haven't forgotten Daniela, have you?
31:32I feel extremely happy with Loreta and my children.
31:36I dedicated myself to them, but I always asked...
31:41What would have happened if my father hadn't found out...?
31:44What about the relationship I had with Daniela at the time?
31:47What if Loreta hadn't gotten pregnant?
31:49So it is.
31:50I don't know what happened to Daniela.
31:54After I finished, she simply disappeared.
31:58And if...
31:59Did I ruin her life?
32:01Or maybe she doesn't even remember me anymore.
32:04No, I understand, brother-in-law.
32:06But after so much time has passed, I don't think questioning it will do any good.
32:11If you had all the answers to your questions...
32:14How would this change your current life?
32:18Do you think Loreta would forgive you?
32:21And what would their children understand?
32:24You could meet with Daniela herself, but after what you did to her...
32:29All I would receive from her was contempt.
32:35Then...
32:35Leave things as they are.
32:40Dedicate yourself to Loreta with the hope that your love...
32:44It may last a little longer.
32:50Thanks.
32:51Thank you for your advice and support.
33:04My love, I searched everywhere for you.
33:06Where were you?
33:07I was very worried.
33:08I...
33:10I needed some time alone...
33:13To...
33:14Organizing my ideas.
33:16And you didn't even want to talk to me?
33:19You know that I support you and that I love you, right?
33:21That's why I defended you from those imbeciles who didn't understand your work.
33:24No, it's not that they didn't understand my work.
33:26It was bad.
33:27That's the truth.
33:28I have to accept it and...
33:30Learning from this.
33:32Ah, but you're going to do a lot more, aren't you?
33:33No, I don't think so.
33:34I don't want to do any more original work.
33:36I will dedicate myself to Tentalento.
33:38Which is already in the semi-finals.
33:40And that's it.
33:41He comes.
33:51A few days later.
34:03It's not that I'm waiting for you.
34:06What is it about your mouth that stirs my heart so much?
34:12I see...
34:13From the lips and I know...
34:15They're looking for me to put a kiss on my foot.
34:21Look.
34:22It's not that I'm dying for you.
34:25Take a piece of me.
34:28Love me.
34:31It's not that I'm suffering without you.
34:35I want to draw closer and linger with a little of your love.
34:41What to do?
35:05Who would have thought?
35:06Janine has now shut me up.
35:08She really sings well, doesn't she?
35:11Of course.
35:12With all the advice that Anhel gave her.
35:14According to what Emilia told her.
35:15Oh, she doesn't even come close to Emilia, not at all.
35:17Oh, are you doing what I asked you to do?
35:19Ah, I am.
35:20Today the cream ends, tomorrow the story ends.
35:22This is the first time I've made a magic cream and...
35:25A story commissioned.
35:26I hope it works.
35:28I don't like the little salt hating me.
35:31It's impossible not to hate.
35:33You are unbearable.
35:34Oh, there's the mouth.
35:35But I have to admit that his quirks and silliness...
35:38They are addictive.
35:39"You love me," he confesses.
35:42You silly girl.
35:43Hey.
35:45But can we talk?
35:48You were amazing.
35:52Thank you for the good vibes.
35:53I truly wish that for you.
35:54Not at all, imagine.
35:55Look, you sang, you sang really well.
35:57I had never heard you sing with so much passion, with so much power.
36:01Can I say something?
36:02I sang thinking of you.
36:03Okay.
36:07Are you ready?
36:09Look, I didn't know they got along so well.
36:12Yeah, I didn't know either.
36:13Excuse me.
36:15Janine has raised the bar, and you must demonstrate all your talent.
36:18Go on stage thinking that you are the best and that you have no competition.
36:22Oh, thank you so much for all your support, Mr. Federico.
36:25Show your mother that you were born for this and that you're going to be a success.
36:28Sorry to interrupt, but I need to sort out a few details with my partner.
36:31Okay, okay, all right.
36:32I've already told you everything you needed to know.
36:34And I hope to congratulate you at the end.
36:36Good luck.
36:37Okay, thank you.
36:37Come with me.
36:39It cost.
36:39We need to talk.
36:41There are still a few details we need to work out.
36:45And there?
36:46For me, there are no comments?
36:48Congratulations.
36:49You did very well.
36:51I gave them talent.
36:52I'll celebrate with you later.
36:54Well, I think it's best if I take a walk, because if I say everything that's been bothering me about what he did to you, my friend, you'll both be very embarrassed.
37:10I can't stand seeing you at school anymore and you not talking to me.
37:13I have nothing to say to you.
37:15I have.
37:17I don't know how to heal this love I feel for you, Edina.
37:21Look at me and tell me you've already forgotten me.
37:25Jordina.
37:29I haven't forgotten you.
37:31But that doesn't mean I'm going to forgive you.
37:33Okay, then I'll do everything I can until you forgive me.
37:37Look, I brought a gift.
37:39I don't want anything.
37:40Oh, you'll want it.
37:41No, I don't want anything.
37:41You'll want this one.
37:42I swear.
37:43And listen up, because we're about to go live.
37:56Until later.
38:01Hey?
38:02So, how did it go?
38:04What is that?
38:05Yes, soon we'll be alone on stage.
38:10You, me, and the music.
38:15Yes, I imagined it would be different our first time performing in front of a large audience.
38:19Together, as a couple, as professionals.
38:25But I made several mistakes that drove us apart.
38:29But I want you to know that ever since I first discussed it,
38:33That's when I knew that you were my music.
38:39And if...
38:41if I'm not there for you,
38:44So let the music be, Emilia.
38:47Follow my music.
38:48And then I'll follow you.
38:49Please, just guide me.
38:53Huh?
38:53Uh-huh.
38:55Good luck.
38:57My Emilia.
38:58Leave it there, leave it there.
39:07Come here, they're back from the commercials.
39:09The commercials are over.
39:10Come on, come on.
39:10A snack, my friend.
39:12It's just a snack.
39:12No, that's enough, that's enough.
39:13Oh, you've accomplished a lot, don't you think?
39:15I'm going now.
39:15Come quickly, Max.
39:16I'm coming, I'm coming, I'm coming.
39:17Come quickly, I'm coming.
39:17Come quickly.
39:18There will be time.
39:21And now?
39:22Next song, I Think of You.
39:25Composer, Ângel Santiago.
39:28Performed by Ângel Santiago and Emília Ribeiro.
39:36Go for it, Navy, you can do it!
39:38I think about you, every time I can't sleep.
39:58I see the photos and messages you sent.
40:03I have so much desire to write.
40:06I think about you.
40:09Strange.
40:10Those eyes that are so clear decían me.
40:14If you give me a kiss, I give you my life.
40:18But the fear got me, I didn't know.
40:21No matter what I decide, no matter what I decide, no matter how much I wanted you.
40:29I would like to return in my time, with a second attempt.
40:37And correct my error, arm me with value, declare everything I feel.
40:48Y in this moment, be uno instead of dos, be uno tú y yo.
40:59I think of you.
41:02Even though the hands of the clock go tick-tock, tick-tock, tick-tock.
41:06It's not too late to come and get you.
41:09I need to see.
41:11I'm not letting you go.
41:13Let me hold you.
41:16I achieved.
41:16Those eyes that are so clear decían me.
41:21If you give me a kiss, I give you my life.
41:25But I was scared, I didn't know.
41:28Ni que decir.
41:31Ni cuanto te quería.
41:34I would like to return in my time, with a second attempt.
41:44And correct my error, arm me with value.
41:51Tell me everything I feel.
41:55In this moment, be one instead of two.
42:02Being one with you, I think about you every time I can't sleep.