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00:01:29You didn't have to come.
00:01:31Well, it's too late now.
00:01:33Dad would have found the knowledge when we were runaways.
00:01:44London?
00:01:44Gone away from her.
00:01:52Chris is going to be a model later on.
00:01:54She won a competition back home.
00:01:56It's a tough old record.
00:01:58Whatever you do, don't get mixed up with backstreet photographers, the ones that advertise on notice boards.
00:02:03They'll promise the earth.
00:02:05Well, maybe I can help you find somewhere to stay, a friend of mine.
00:02:08Let's roll.
00:02:09Stop!
00:02:12That episode, that you must see in the dark.
00:02:16She can.
00:02:16You must do a lot of trouble.
00:02:24I'll get around.
00:02:26That's a nice bracelet.
00:02:29From Abby.
00:02:31It's a bad thing.
00:02:32Abby, that's a funny name.
00:02:35Abby Dark.
00:02:36Abby Dark the singer.
00:02:38She's your girlfriend.
00:02:39We are lucky, Johnny's mum letting out roomy.
00:02:47You're joking.
00:02:48I think it's nice.
00:02:51It'll do.
00:02:53What time will you?
00:02:54We might have been tramping around all day if it hadn't been for Johnny.
00:02:59You're falling for him.
00:03:01Don't be ridiculous.
00:03:02I hardly know him.
00:03:03Anyway, what if I have?
00:03:05He's been very kind.
00:03:06You be careful.
00:03:07He's a sharp character.
00:03:09I remember Abby.
00:03:10Christine!
00:03:11Come on.
00:03:13We spend all day arguing about Mr. Johnny Dixon.
00:03:16We'll never get ready.
00:03:17So let's get changed.
00:03:22Oh, look at that.
00:03:23Isn't it beautiful?
00:03:24It's a bit old, isn't it?
00:03:26Of course it is, you silly bitch.
00:03:27It's antique.
00:03:29Oh.
00:03:32Oh!
00:03:38Lady will share better reference.
00:03:47Oh.
00:03:48Oh.
00:03:50Discipline given, Miss Turner.
00:03:53Pussy for sale.
00:03:54Ask for Kitty.
00:03:55Ask for Kitty.
00:03:58Model.
00:03:59Good figure.
00:04:00Photography.
00:04:02Yeah, I bet.
00:04:03Not those.
00:04:04They're exactly what Johnny warned us against.
00:04:06I know.
00:04:07Uh, you go on to labor exchange.
00:04:09Well, what about you?
00:04:10Well, I'll see you back at the digs.
00:04:11Go on.
00:04:16Oh, go on.
00:04:17Now, let's go on.
00:04:30Sybil Waite, Wizard of commercial photography.
00:04:34Miss Waite has been responsible for discovering some of our most successful and beautiful.
00:05:08so you want to be a model yes I know it won't be easy but I saved enough money for a course
00:05:24can you advise me on the best place to go meantime the art photographic job would help you pay your
00:05:30way if it's possible maybe maybe not still you're a very attractive girl you should photograph well
00:05:38what's your name Christine Lane Christina no not Christina Christina I'm sure oh I suppose it
00:05:50does sound better are you prepared to do nudes there's a great demand for them these days I can
00:06:02sell any product with a nude incredible isn't it is it easier to get a job that way
00:06:07to begin with yes everybody does it well you better have a look at your figure you can undress over there
00:06:16you have any photographs I'm afraid not
00:06:32you're going to need some I'll see if I can get one of my boys to do some for you cheap thank you
00:06:44yes your figures very good
00:07:12I better take a few measurements just for the record
00:07:1936
00:07:29correct but you'd be surprised how inaccurate some people are about themselves
00:07:36I always check personally
00:07:3824
00:07:43do you really think you'll be able to use me I don't see why not as long as you're prepared to be guided by
00:08:02me of course
00:08:04you are a tiny thing aren't you I better make a note of these measurements before I forget them
00:08:14you can get dressed again now
00:08:16you are a tiny bit joking are they out of their minds
00:08:18you are a tiny bit joking are they out of their minds
00:08:23where am I going to get the right girl they were all booked up weeks ago
00:08:30all right yes yes I shall just have to do my best yes we could go to which world look you call me back later this afternoon I'll let you know what I've been able to arrange okay
00:08:37some people expect miracles
00:08:50miss wait I couldn't help hearing could I do job
00:08:52Yes, we could go to Witchworld.
00:08:54Look, you call me back later this afternoon,
00:08:56and I'll let you know what I've been able to arrange.
00:08:58Okay?
00:09:00Some people expect miracles.
00:09:03Miss Waite, I couldn't help hearing.
00:09:06Could I do job?
00:09:07My dear child, this is an important assignment.
00:09:11It's one of our biggest clients.
00:09:13I don't mind how hard I work.
00:09:15I can learn fast.
00:09:16I'm sure you do.
00:09:19No, it's...
00:09:21The risk is too great.
00:09:23I won't let you down.
00:09:25It would mean working over the weekend in the country.
00:09:29I don't mind.
00:09:30A friend of mine has a lovely country house.
00:09:32It's the perfect location.
00:09:33Do I get the job?
00:09:36I'll think about it.
00:09:38You won't regret it.
00:09:41No, Johnny, please.
00:09:42Why?
00:09:42No, I...
00:09:43Don't pretend you didn't want it because you did.
00:09:45No, but we don't know each other.
00:09:47Well, it's all got to do with it.
00:09:48I've known some birds for years,
00:09:49but I've never fancied them like I fancy you.
00:09:51What about Abby?
00:09:53Forget Abby.
00:09:54We're just friends, that's all.
00:09:59Hey, no trembling.
00:10:04Oh, my God.
00:10:06You really are a little miss innocent, aren't you?
00:10:10I'm not angry with you.
00:10:11What's it look like, stupid?
00:10:18Hey, come on.
00:10:19What's all this?
00:10:21You know you're traveling.
00:10:22You're a very tired girl.
00:10:24You've been traveling all night.
00:10:25You've been a hard day looking for a job.
00:10:28It's no one near depressed.
00:10:30I'm going to stop worrying.
00:10:32Okay?
00:10:35Everything's going to be all right.
00:10:38Yeah.
00:10:38Better.
00:11:00And where have you been all this time?
00:11:03Looking around.
00:11:04Got a job?
00:11:05Think so.
00:11:07Tell us better than safe.
00:11:09No, not until I'm sure.
00:11:12Well, that leaves mean suspense.
00:11:14Because I've got to go to Manchester.
00:11:17Look, I won't be back from Manchester
00:11:19until late Saturday night.
00:11:21But I'm doing nothing on Sunday,
00:11:22so why don't we take a drive?
00:11:23All of us.
00:11:25Lovely.
00:11:26I don't know.
00:11:28I may be working.
00:11:29On Sunday?
00:11:33All weekend if I get the job.
00:11:35Yeah, well, you don't have to decide now, do you?
00:11:37I'll come over here.
00:11:38If you're busy, me and Betty will go home.
00:11:41And look after yourself.
00:11:45Bye.
00:11:49Christine?
00:11:50What's the job?
00:11:53Modeling.
00:11:54Modeling?
00:11:55I was at the right place at the right time.
00:11:57Did you get the address off the notice board?
00:11:59Of course not.
00:12:01Sounds a bit funny to me, working over the weekend.
00:12:07Sib, oh wait.
00:12:08We're taking a house in the country for the whole weekend.
00:12:12Christine?
00:12:12Christine?
00:12:13You're beginning to sound just like Dad.
00:12:16Oh, come with me if you're so worried.
00:12:17Do you think they'll mind?
00:12:19And what about Johnny?
00:12:20We'll tell him to come down and fetch you.
00:12:22He wants you to go to the country.
00:12:24But you may not even get the job.
00:12:29I have a feeling I will.
00:12:33We're lucky today.
00:12:35Not too much traffic.
00:12:37I love the river.
00:12:40I hope you didn't mind me coming this week.
00:12:43Of course not, Betty.
00:12:45You can be Christina's chaperone.
00:12:47You have a great future, Christina.
00:13:00As long as you don't lose your head.
00:13:01I won't.
00:13:03I've seen so many girls spoil their chances.
00:13:06A little success and they think they know everything.
00:13:08I'm not like that, Miss Waite.
00:13:11Sibyl, please call me Sibyl.
00:13:13This is Witch World.
00:13:24Look over there.
00:13:26That's the old witch's ring.
00:13:28A witch's ring?
00:13:31Some parts of the village are quite historic.
00:13:32Here we are.
00:13:39Rather nice, isn't it?
00:13:58Well worth the journey.
00:13:59You didn't exaggerate.
00:14:01Gorgeous.
00:14:04This is Peter.
00:14:06Christina, Betty, her sister.
00:14:08Hi, Betty.
00:14:09Good trip.
00:14:10Very smooth.
00:14:11Not much traffic on the road for once.
00:14:18Now, Wendell, take Miss Betty's cases up to her room.
00:14:21We can share them if you like.
00:14:27How soon can we start?
00:14:29There's a hell of a lot to do.
00:14:30You get set up.
00:14:30We're ready when you are.
00:14:32Christina, you come with me.
00:14:36I want to show you around.
00:14:37It's a strange name, Witch World.
00:14:55It's a witch's meeting place.
00:14:57We must talk to Gerald about it.
00:14:58My friend who owns the house.
00:15:02It's quite an authority on the subject.
00:15:04He even writes books about it.
00:15:07The witch's used to dance up here at dawn.
00:15:16Some people say they still do.
00:15:23Yes.
00:15:26They do.
00:15:35You seem sensible enough.
00:15:36But then I've thought that before.
00:15:39Then along comes some young man and...
00:15:42Not me.
00:15:43I'm a career girl.
00:15:45What?
00:15:47No boyfriends?
00:15:48I've been out with a few.
00:15:50But nothing serious.
00:15:51I don't want to be tied down.
00:15:54I must say, you don't exactly strike me as being the domesticated type.
00:15:59There's not a man living that could make me settle for that.
00:16:01I'm a career girl.
00:16:03I'm a career girl.
00:16:04I don't want to be tied down.
00:16:05But I don't want to be tied down for that.
00:16:06I don't want to be tied down for that.
00:16:07I don't want to be tied down for that.
00:16:09I don't want to be tied down for that.
00:16:10What a beautiful garden.
00:16:13Honey scent.
00:16:14That's not that.
00:16:15It's the hemlock.
00:16:16It has a very heavy scent.
00:16:17Heavy effects too.
00:16:18If you believe all you eat.
00:16:19Honey scent?
00:16:21That's not bad. It's the hemlock.
00:16:23It has a very heavy scent.
00:16:28Heavy effects too, if you believe all you eat.
00:16:31Witches use them in their booze, don't they?
00:16:34You seem to know rather a lot about it.
00:16:36Are you interested in the supernatural?
00:16:39Oh, I don't know. It's as if I...
00:16:41No.
00:16:42I find it fascinating.
00:16:44It's so beautiful here.
00:16:49So much to see.
00:16:50I know.
00:16:51I try and get down every weekend if possible.
00:16:54Gerald only ever leaves this place if he has to go up to town to see his publisher.
00:17:01Oh, Peter, I'm sorry.
00:17:03It was so interesting showing Christina around.
00:17:06Oh, you'd better never upstairs and get changed then.
00:17:09Something casual, jeans and shirt, that kind of thing.
00:17:12Uh, white shirt?
00:17:13Yes, that'll do fine.
00:17:14Right.
00:17:16Now, what bright ideas have you for selling this side of its filthy stuff to drink?
00:17:20Well, I thought we might use the real apple.
00:17:23Well, what about this place?
00:17:41The place is great.
00:17:44But what about the housekeeper?
00:17:46Betty.
00:17:47Betty.
00:17:48Betty.
00:17:49Betty.
00:17:50And she speaks so highly of you.
00:17:51Yeah.
00:17:56Wait till you see the bathroom.
00:18:05You're going to have a bath now?
00:18:08No.
00:18:09Modeling.
00:18:10That makes it very short.
00:18:20Let's send some action stuff now, OK?
00:18:23Um...
00:18:26Turn right and start running.
00:18:28That's it.
00:18:29Jump, jump.
00:18:32Now, be happy, happy.
00:18:33Laugh.
00:18:34Smile.
00:18:35That's great.
00:18:36That's great.
00:18:37That's great.
00:18:40Up on the wall.
00:18:41Look at the camera.
00:18:43That's great.
00:18:44Keep it.
00:18:45Run, run.
00:18:46Now, hold it.
00:18:48Smile.
00:18:50Hold it.
00:18:51That's it.
00:18:52Now we're moved to the car.
00:18:53What's wrong?
00:18:54I'm trying to get an angle.
00:19:08Take those jeans off.
00:19:10That's good.
00:19:11Take the pants off.
00:19:12I thought this was supposed to be a side rat.
00:19:13We've got to have a build-up.
00:19:14And I'll take them off.
00:19:15You're the boss.
00:19:16Good.
00:19:17Good.
00:19:18Good.
00:19:19Good.
00:19:20Very sexy.
00:19:21Good.
00:19:22That's good.
00:19:25Good, very sexy.
00:19:28This was supposed to be a cider ad.
00:19:30We've got to have a build-up, and I'll take them off.
00:19:33You're the boss.
00:19:37Good.
00:19:40Good. Very sexy.
00:19:43Good. That's good.
00:19:58Good.
00:20:28Good.
00:20:58Good.
00:21:08Good.
00:21:11Good.
00:21:16Good.
00:21:23Good.
00:23:04Betty, are you all right?
00:23:05You look awfully pale.
00:23:07Oh, I feel a bit of a headache.
00:23:10I thought I'd go out for a while.
00:23:12That's a good idea. The fresh air will do you good.
00:23:14Hold it, hold it.
00:23:29That's beautiful.
00:23:30Boy, you make it difficult to concentrate.
00:23:33Don't give me that.
00:23:35Photographing beautiful girls every day.
00:23:38You must be immune.
00:23:50She says something special about you.
00:23:52Are all your models expected to respond to your advances?
00:23:57Come on, we've got some work to do.
00:24:02Come on, we've got some work to do.
00:24:10Ah!
00:24:11Oh, I'm sorry, Miss White.
00:24:12My dear child, what on earth's the matter?
00:24:17Oh, it's nothing really.
00:24:18Is your headache worse?
00:24:23Oh, no.
00:24:24It's much better.
00:24:27I'm sorry, Miss White.
00:24:28My dear child, what on earth's the matter?
00:24:29Oh, it's nothing really.
00:24:30Is your headache worse?
00:24:31Oh, no.
00:24:32It's much better, thank you.
00:24:33Ah!
00:24:34Ah!
00:24:35Ah!
00:24:36Ah!
00:24:37Ah!
00:24:38Ah!
00:24:39Ah!
00:24:40Ah!
00:24:41Ah!
00:24:42Ah!
00:24:43Ah!
00:24:44Ah!
00:24:45Ah!
00:24:46Ah!
00:24:47Ah!
00:24:48Ah!
00:24:49Ah!
00:24:50Ah!
00:24:51Ah!
00:24:52Ah!
00:24:53Ah!
00:24:54Ah!
00:24:55who is she oh she lives around here what's her name I don't know she seems
00:25:21to know you well I've seen her in the village come on we'll finish this
00:25:26session back in the woods be quieter there come on it's all right my dear
00:25:39lies still for a while you had a nasty fall nothing serious just shaking you
00:25:45up that's all oh by the way my name's Amberley
00:25:48dr. Gerald Amberley this is my home you're a doctor I'm sorry I wasn't here
00:25:56when you arrived the civil tells me you were running away that you seemed
00:26:01scared out of your wits we usually find it so peaceful here oh it is the house is
00:26:06lovely but oh it sounds so silly now must have been very real to you at the time
00:26:13you think I'm an awful idiot first there was the milkman I was sort of dozing and
00:26:21I found him standing there staring at me in a funny sort of way how do you mean
00:26:25funny well I don't know exactly but it frightened me then I went I thought I'd
00:26:35go for a walk and something else happened then there was this man in the drive he
00:26:41had a gun Colonel Crookshank he came up to the house he was very upset he was afraid he'd
00:26:46find you oh I thought that they were desiring you oh it sounds so stupid not at all it was quite normal
00:26:58and there'd have been something wrong if they hadn't stared at you you're a very pretty girl
00:27:02anyway you mustn't think that men have the prerogative of sexual fantasies
00:27:09most young girls have them especially if they've led rather repressed lives
00:27:14you've only just arrived in London I understand
00:27:18that's right parents rather strict not many boyfriends
00:27:22that never allowed them
00:27:24you see a textbook case you are I'm quite sure the virgin
00:27:31yes
00:27:33so are you saying I've imagined all this
00:27:38oh it's just a phase one day soon you'll meet a nice young man and he'll look at you
00:27:43and just the way you describe and you won't mind at all
00:27:45now don't you worry ahead anymore promise
00:27:49promise
00:27:51good
00:27:52now then
00:27:55I prescribe a nice hot bath
00:27:59nothing like it for calming the nerves
00:28:02you didn't mind me talking frankly to you did you
00:28:07of course not
00:28:08I feel better already
00:28:10that's right
00:28:11off you go and have your bath
00:28:13great
00:28:19headlong
00:28:21that's it
00:28:22apple up
00:28:23beautiful
00:28:24let's have the look up
00:28:24it's a beautiful line
00:28:26that's lovely
00:28:27now look look look down to me
00:28:29oh boy
00:28:31the people's half as lovely as you
00:28:34it's no wonder man's where he is today
00:28:35lovely
00:28:38damn I've run out
00:28:41I think we've had enough for the day don't you
00:28:48hey are you complaining about your lot
00:28:54this particular moment
00:29:03and what maybe I thought you did
00:29:07we either don't know why you should know
00:29:09but I can't say
00:29:10you had enough for the day don't you
00:29:11but I want it so, you'll get another
00:29:12and while I didn't drive
00:29:13oh or if I want
00:29:13uh
00:29:14I am
00:29:15it's like
00:29:15it's like
00:29:16it's like
00:29:18it's like
00:29:18something that worriedicky
00:29:19that I had to deal with
00:29:20and when I checked
00:29:22it up
00:29:22once
00:29:24something that was
00:29:24I had to end
00:29:25and started
00:29:26something
00:29:26said
00:29:27about
00:29:27I don't know
00:29:29how
00:29:29if well
00:29:30I am
00:29:31Oh, my God.
00:30:01Peter!
00:30:09Peter?
00:30:10How's it going?
00:30:12Can you spare a minute?
00:30:13Coming.
00:30:28See you back at the house, okay?
00:30:31I've got some great pictures, Sybil.
00:30:54You wait till you see them.
00:30:58That's what you're paid for, to take pictures.
00:31:01What do you think you're playing at?
00:31:05I'm sorry, Sybil.
00:31:06I just got carried away.
00:31:08Can you blame me?
00:31:10You keep your filthy paws off her.
00:31:12Come on, Sybil.
00:31:13Well, you paid me to do the job, and I did it.
00:31:20So we had a bit of fun as well.
00:31:22So what?
00:31:22I will not have you interfering in my affairs.
00:31:25So you've got your eyes on her yourself?
00:31:28Well, you can forget that in a hurry.
00:31:30Shut up.
00:31:31She's a normal, healthy girl.
00:31:32Be careful, Peter.
00:31:33So you sack me.
00:31:34I warn you, Peter.
00:31:36If you cross me...
00:31:37There you are.
00:31:38Would you come up here a moment?
00:31:39I'd like a word with you both.
00:31:40I don't know.
00:32:10What are you looking at that girl for?
00:32:23She's not the one.
00:32:31There's another girl?
00:32:33Yes.
00:32:34If Gerald's happy with Betty, why not use her?
00:32:36Because I chose Christine especially.
00:32:38I've warned you, Peter, you'll be sorry.
00:32:40Sybil, no threats.
00:32:44So there's another one, hmm?
00:32:51I still don't see where it has to be tonight.
00:32:54It's all arranged.
00:32:55There'll be a full meeting.
00:32:57Besides, it's lumps.
00:32:59I shall perform the third rite.
00:33:06Hey, Chris, guess what I found out there.
00:33:08There's a cellar and it's decorated like a sort of chapel.
00:33:11Only there isn't a cross on me, so there's whips and daggers and chains.
00:33:14It's awful.
00:33:15A witch's chapel?
00:33:16Do you think so?
00:33:17But why would Dr. Amberley have one in his house?
00:33:21Oh, it can't be.
00:33:22He's much too nice.
00:33:23Have you met him?
00:33:24Yes, I've had an awful time.
00:33:25First there was this milkman who kept staring at me.
00:33:27Then I found the chapel.
00:33:28And then there was this weird colonel.
00:33:29And he wasn't really a colonel.
00:33:30And Dr. Amberley said he was very sorry.
00:33:31Hold on, hold on.
00:33:32Did something hit you on the head or something?
00:33:33How did you know?
00:33:34That's exactly what happened.
00:33:35Oh, he can't be a witch.
00:33:36They don't all ride around on brooms and wear a pointed hat, you know.
00:33:38He's a doctor.
00:33:39Of course.
00:33:40Anyway, we'll soon find out.
00:33:41But doctors are respectable people.
00:33:42It all depends on what you call respectable.
00:33:57Don't worry.
00:33:58Everything will be alright.
00:34:03I'm here with you, remember?
00:34:06I'm.
00:34:08remember? I should like to propose a toast to our two charming young guests.
00:34:20May this be the first of their many visits to Witchworld.
00:34:29I hope so too. You've all been so kind. Betty and I are having a marvellous time.
00:34:35I want you to feel at home. Oh, homeless. Never like this. It's beautiful. This room. Everything.
00:34:42It feels like Christmas with the candle and the wine. Not Christmas. Lammas.
00:34:53Yes, we celebrate Lammas tonight. What do you know about the Witch's Festival?
00:34:58Oh, not too much. Will you hold the ceremony down in the chapel?
00:35:05We will indeed. I didn't realise you'd been downstairs, my dear.
00:35:10Not me. Betty. She found it by accident. Sounds fascinating.
00:35:17Then it's true what Chris says. You are a Witch.
00:35:22Perfectly true. Has that shocked you? Oh, no. Just difficult to believe.
00:35:29Yet you could easily believe I was a Roman Catholic. Or a Jew.
00:35:36Witchcraft is a religion, you know. One of the oldest. Perhaps the oldest.
00:35:43Do you worship the devil? Emphatically not. My coven practices white witchcraft only.
00:35:50We try to do good, mate. Faith healing and that kind of thing.
00:35:54Sometimes. And, on a simpler level, we exist for friendship. And to give pleasure where we can.
00:36:01I'm sure. Can I see your chapel? Certainly, my dear. I'll take you down myself.
00:36:09May I use the clergy? Yes, of course.
00:36:20Well, it doesn't matter. I can do it later.
00:36:28How do you become a witch? Could I be one?
00:36:32If you have true desire.
00:36:39I do.
00:36:39You're very receptive. Does that mean I can be a witch?
00:37:00There are some people who are born to be witches. Born with special powers.
00:37:04You are one of them.
00:37:18That is the mask of the high one. That's you.
00:37:22No. You'll find the mask of the high one in every cup.
00:37:27And by ritual at the beginning of the ceremony, the high priestess or high priest will ask,
00:37:32who is the high one. I claim that degree in this covenant.
00:37:40In some covens, it's been said down the years that the spirit of the high one appears and takes human form.
00:37:48And if he does?
00:37:50All must give way to him.
00:37:52Yes.
00:37:53We have a lot to prepare for tonight.
00:37:56Can I join in?
00:37:59Oh, please.
00:38:02Yes.
00:38:06When the moment comes, you will hear the call.
00:38:09How will I know?
00:38:10Wait.
00:38:11Now, I think you should have an early night.
00:38:13Your little sister too.
00:38:15She needs a good rest after her fall.
00:38:18I'll make her one of my hope drinks.
00:38:25Go on.
00:38:25Quite amazing.
00:38:35I thought you'd be pleased.
00:38:37Do you think she's untouched?
00:38:38Virgins are hard to come by, as you very well know, Gerald.
00:38:42I was only thinking about the ritual.
00:38:47Technically, she should be.
00:38:48Technically.
00:38:50Oh, Gerald, you're talking to me, remember?
00:38:52I know more about witchcraft than you ever will.
00:38:54Agreed.
00:38:56You're one of the world's authorities.
00:38:58I've read every book you've ever written on the subject.
00:39:01Oh, you believe all right.
00:39:04And you have the knowledge.
00:39:06But you don't have the power, do you, Gerald?
00:39:08You are a high priest in name only.
00:39:13But you recognize their power, don't you?
00:39:16That's why you let me turn this place into a working coven.
00:39:21White witchcraft.
00:39:22Faith healing.
00:39:24I will not meddle in the black arts and all this coven.
00:39:26Do you understand?
00:39:27Of course.
00:39:28I'm sorry, Gerald.
00:39:29It was just Peter that upset me.
00:39:31Peter?
00:39:32Yes, he's after Christina.
00:39:34Just shows how wrong one can be, doesn't it?
00:39:36I was quite sure he was queer.
00:39:39But if she is a virgin, he could spoil her for the ceremony.
00:39:43That is your right as high priest.
00:39:47It won't spoil the ceremony.
00:39:50But you're right about one thing.
00:39:53I can recognize power.
00:39:56She wants to be a witch.
00:40:00Oh, my God, look what they've done to my screen.
00:40:04I'll kill them when I see them.
00:40:05No, where is it?
00:40:07She left it over there.
00:40:08Oh, look what they've done.
00:40:11It's our middle room.
00:40:12Did she even say where she was going?
00:40:13No, she didn't.
00:40:16Don't be nosy.
00:40:17Oh, stupid kids.
00:40:21Look, Betty said she was going to ring and leave her number, is she?
00:40:24Not yet.
00:40:25I'll take that extra, can't I?
00:40:28I'll take that extra, can't I?
00:40:29No, I don't.
00:40:29Never.
00:40:32Get it off.
00:40:33Is that where she got the job, Christina?
00:40:35Oh, no, I don't know.
00:40:36They were very excited.
00:40:38Are you still going with that, Abby?
00:40:40I thought you'd give her back that karma finished.
00:40:43Oh, well.
00:40:44Here he is.
00:40:49So?
00:40:51So, tell me about it.
00:40:53I found it in the car.
00:40:56Your car.
00:40:58My car, your car.
00:41:00What's the difference?
00:41:02We're going cool, Johnny.
00:41:04Yeah.
00:41:06We've got a problem.
00:41:08No problem.
00:41:09No problem.
00:42:39Now that I'm in your spell till life is done, how can I be the one to go your way?
00:42:55She makes a great sound.
00:43:00Have you heard of Sibber Wett?
00:43:06Hmm.
00:43:07Runs a model agency.
00:43:08She's a big wheel.
00:43:09Sometimes I see, deep in your eyes, a promise that's hard in me.
00:43:19Are you sure about that?
00:43:20Ted, listen, I'm telling you, all the models have to wear armor-plated pants.
00:43:24She's as less as they come.
00:43:25A friend of mine just gone to the country with it for a weekend.
00:43:30That's one way of getting to know the facts of life.
00:43:32And I obey my life, my all, the price I pay.
00:43:46You know damn well that I'm in your spell till life is done.
00:43:56How can I be the one to go your way?
00:44:10Hmm.
00:44:13Hmm.
00:44:17Hmm.
00:44:20Hmm.
00:44:20Hmm.
00:44:22Hmm.
00:45:26Yeah, it's Johnny again.
00:45:41Yeah, I know it's late.
00:45:43No, I'm back in town this time.
00:45:45Listen, has Betty rung yet?
00:45:47No, you go back to sleep.
00:45:51Yeah.
00:45:53Yeah.
00:54:57I should have warned you.
01:07:27Good idea.
01:10:57Why don't you.
01:12:26back.
01:13:26I've been waiting.
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