- hace 6 días
Reparto: Ursula Andress, Laura Antonelli, Sylvia Kristel, Monica Vitti, Elisa Mainardi
Dirección: Luigi Zampa
Dirección: Luigi Zampa
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00:03:56I have to endure the heat so dressed up. Seeing people so dressed up makes me feel even hotter. Get undressed.
00:04:06Take off your clothes. Hello. And now you're not going to tell me you're not better off like this? Yes, better, but... No, no, no,
00:04:16Please don't start making excuses to imply that you'd like to sleep with me. No.
00:04:20I'm trying to hide it. I admit it. As soon as I saw him in bed, my head started spinning.
00:04:31But where do people get the energy to think only about certain things? With this heat and
00:04:38These hours. What country are you from? Marrakech? No, Tuscany. The fan,
00:04:49The fan, I said. Yes, of course, the fan with its little feathers. Here it is, here. Come on,
00:04:57Move it for me. And me? Yes, move it for me. Give me air, give me air. Yes, I'll give it to you. You don't move.
00:05:05That's great. Yes, yes, yes, it's wonderful. Keep going. Can I ask you something? Yes, yes.
00:05:17But don't stop. Excuse me. I wanted to ask you about that photograph. Who put it in the sand?
00:05:24From the beach, and why? It was the boy. Which boy? The one who sells soft drinks at the
00:05:31beach. I told him to put my picture somewhere visible. I needed a match. It was a hook.
00:05:38Exactly. So I'm the sucker who took the bait. Listen, I hate double entendres.
00:05:45No, no, I'm sorry. Did I have something better to do? Honestly, no. I hope I didn't offend him.
00:05:53I'm bothered by this heat. I don't mind if this continues. Would you like to continue?
00:06:01Let's see. Go ahead and use the fan. Yes. Then I'll see if I can satisfy you. Like this, like this, like this.
00:06:14Oh, how wonderful. Louder, louder. Don't stop. Don't stop, my love. Like that, like that.
00:06:24Faster, faster. Okay, okay, okay. Oh, what's wrong? I gave him a bath.
00:06:29His hand is burning hot. Just imagine what the rest of him must be like.
00:06:36The letter opener. Maybe it'll be alright. The letter opener.
00:06:40Yes, metal is cold. Put it on my forehead.
00:06:50Like this? Yes, like this. And here, here.
00:06:55Yes. Oh, how nice. What a treat.
00:07:02These letter openers should be the biggest ones.
00:07:05How can you talk about chivalry?
00:07:08Please fan me again.
00:07:09Yes, wait, I have it down here.
00:07:11Very well. Here I come. But don't be alarmed now. If I...
00:07:20Listen, don't expect anything from me in this heat, okay?
00:07:23Can I blow?
00:07:24Please, it will destroy the effect of the card opener. It won't go up.
00:07:27You'll see.
00:07:29Do one thing.
00:07:31Think about winter. It's a matter of getting your mind right.
00:07:34Think about the snow.
00:07:35Ah! What a gale!
00:07:40It's freezing cold.
00:07:42It's useless. There isn't a single painting of a winter landscape in this house.
00:07:47It doesn't matter.
00:07:49Christmas. The North Pole.
00:07:52How can they make love there in such cold weather?
00:07:55My hands are almost frozen and also...
00:07:58My feet are freezing. It's -30 degrees outside.
00:08:05And the couples, stark naked, roll around on the ice floes.
00:08:09The wolves. They are howling.
00:08:13And even ideas harden.
00:08:17But if you sweat, I can't concentrate.
00:08:19It will be at least 40 degrees here.
00:08:21That's no way to get mentally prepared.
00:08:24And we couldn't do it even if it was done in the heat of the moment.
00:08:26Alright.
00:08:29Since I see that you have very good intentions,
00:08:32I'll try taking a cold shower.
00:08:35Let's see if I can satisfy you this way.
00:08:37What can we do?
00:08:39He is very kind.
00:08:41No, don't believe it.
00:08:42I have been very fortunate with you.
00:08:45I could have taken advantage of it.
00:08:47Yes of course.
00:08:53How old are you?
00:08:54Let's leave it at 30.
00:08:55It will be a matter of getting your mind right.
00:08:59Oh, listen.
00:08:59While I let the shower water run for a bit,
00:09:02Would you mind putting this in order?
00:09:04With all this noise, the heat affects me much more.
00:09:08Put the cushions back in their place,
00:09:09especially the cushions.
00:09:10What is this?
00:09:24Lady.
00:09:24What's happening?
00:09:26There is a man sleeping in his room.
00:09:28It's not possible.
00:09:29He will have seen visions.
00:09:30I can see very well.
00:09:31Well then, take a closer look.
00:09:33I'll look.
00:09:34Mister.
00:09:49Wake up.
00:09:51Yeah!
00:09:59Listen!
00:10:01What a blockhead!
00:10:05Oh my God! He's dead!
00:10:08Madam! Madam! There's a dead man in your bedroom!
00:10:13Murderer! Don't come near me! Don't come near me!
00:10:16I haven't done anything!
00:10:21Stay where you are and don't play pranks!
00:10:24I didn't do anything! There was a photograph on the beach!
00:10:26Of course, of course! Now you'll come with us and we'll talk more calmly!
00:10:32It's terrible. I was the one who called them.
00:10:37I saw him come in and he seemed like a suspicious guy.
00:10:40Did he kill her too?
00:10:42No, no. She's just fainted.
00:10:44I'll take her downstairs to get some fresh air.
00:10:48Far from the corpse of her poor husband.
00:10:51What will happen to Arabia?
00:10:54They'll only give him about ten years.
00:10:56Perhaps you will find it useful.
00:10:57I knew a guy who went into prison completely ignorant and came out a forestry engineer.
00:11:02I understand you.
00:11:03Suckling for ten years without ever having been able to sleep with her.
00:11:05For a woman like that. What do ten years matter to me?
00:11:09Not even twenty.
00:11:10Lie.
00:11:11You speak like that because ten years have already passed.
00:11:12You're all hicks.
00:11:13You've never even dreamed of seeing a woman like her.
00:11:16That's going to be a whore.
00:11:17Still.
00:11:18I've been in jail for ten years without seeing a woman.
00:11:21Even the doctor told me that.
00:11:22I'm about to burst.
00:11:23Why didn't I download it?
00:11:24As they say, the bad times are over.
00:11:25You go out next week and you'll wreck yourself with the first girl you see.
00:11:27You haven't understood anything.
00:11:28Why should I care about the others?
00:11:29That's the one I have to jump into, and if not, then into the hole.
00:11:30A friend has found out for me that you should shoot the first one you see.
00:11:32You haven't understood anything.
00:11:33Why should I care about the others?
00:11:34Hey?
00:11:35That's the one I have to jump into, and if not, then into the hole.
00:11:36A friend has put me in touch with a woman like her.
00:11:38That's going to be a whore.
00:11:39That's going to be a whore.
00:11:40Still.
00:11:41I've been in jail for ten years without seeing a woman.
00:11:42And even the doctor has told me, I'm about to burst.
00:11:44Why didn't I download it?
00:11:45As they say, the bad times are over.
00:11:46You go out next week and you'll wreck yourself with the first girl you see.
00:11:48You haven't understood anything.
00:11:49Why should I care about the others?
00:11:50Hey?
00:11:51That's the one I have to jump into, and if not, then into the hole.
00:11:54A friend has found out his address for me.
00:11:57I know everything.
00:11:58Where you live?
00:11:59What are you doing?
00:12:00As soon as it's released.
00:12:02The mother who gave birth to her.
00:12:05What are you going to do?
00:12:06Kill her?
00:12:15Excuse me, Miss Martucci lives here.
00:12:17Are you the Arab?
00:12:24Yeah.
00:12:25But who told him that?
00:12:27The young lady is waiting for you.
00:12:29Go up.
00:12:35Alone?
00:12:36Fifth floor, apartment 12.
00:12:39Exit through the first door on the right.
00:12:45Is anyone there?
00:12:46Come in, come in.
00:12:51Where?
00:12:52Go up.
00:12:53Up the stairs.
00:12:55At last.
00:12:56I've been waiting for him for ten years.
00:12:57I thought he was never going to come.
00:12:59It hasn't depended solely on me.
00:13:00What is that? A reproach?
00:13:01If that were the case, I believe I would have the right.
00:13:02And why are you always so dressed up?
00:13:04With this heat.
00:13:05It's overwhelming.
00:13:06He couldn't stand a man with a crobata.
00:13:07After ten years, it still belongs.
00:13:08And why are you always so dressed up?
00:13:09With this heat.
00:13:10It's overwhelming.
00:13:11He couldn't stand a man with a crobata.
00:13:13After ten years, they are still allowed to make fun of me.
00:13:14Does he want revenge?
00:13:15Does he want to kill me?
00:13:16Does he want to kill me?
00:13:17There's a gun.
00:13:18What's that?
00:13:19What's that?
00:13:20A reproach?
00:13:21If that were the case, I believe I would have the right.
00:13:24And why are you always so dressed up?
00:13:27With this heat.
00:13:29It's overwhelming.
00:13:30He couldn't stand a man with a crobata.
00:13:32After ten years, they are still allowed to make fun of me.
00:13:35Does he want revenge?
00:13:38Does he want to kill me?
00:13:41There's a gun.
00:13:47Or would you rather mistreat me?
00:13:54Will he abuse me?
00:13:56I'm wrong.
00:13:57Or we have an outstanding debt.
00:14:01Just thinking about it has given me a headache for years.
00:14:07A debt is a debt.
00:14:09But with this heat, it's as if it doesn't exist.
00:14:14I'm dead.
00:14:15Please don't talk about deaths!
00:14:17Of course, if they had released him in October.
00:14:35Or maybe in spring.
00:14:37Yes, with the April rains.
00:14:39You have things that make me shiver, even in August.
00:14:42So what are you waiting for?
00:14:44Get undressed.
00:14:45I don't know how we'll manage in this heat, but it'll be better without clothes anyway.
00:14:53Yeah.
00:14:54This time, heat or no heat, we will do what needs to be done, and right now.
00:14:57Very good.
00:14:59I'll try to show off.
00:15:00And no tricks, okay?
00:15:05Here we are, and here we will stay.
00:15:09Is that clear?
00:15:11The metal feels so cool.
00:15:12Enjoy the cool air, young lady, because here I come.
00:15:16Yeah.
00:15:18Come.
00:15:20I am your slave, your prisoner.
00:15:23Mistreat me!
00:15:25Hit me!
00:15:26Hurt me.
00:15:27Wait, right away.
00:15:29Wait.
00:15:31I'm coming.
00:15:32I'll take care of everything.
00:15:33Don't worry.
00:15:34Ten years waiting for this moment.
00:15:36Even if it gives me a heart attack.
00:15:38Are you familiar with the tiger leap?
00:15:40How beautiful you are!
00:15:42Give me great pleasure.
00:15:43Sturdy as a pole.
00:15:45Calculate.
00:15:46Ten years of storage.
00:15:47Yeah.
00:15:48Alma having dinner.
00:15:49Oh!
00:15:56I'm thirsty.
00:15:58If you are thirsty, do not continue.
00:16:00But if you're hungry, keep going.
00:16:05It's an old Chinese proverb.
00:16:08If you feel thirsty after making love, it means it didn't agree with you.
00:16:12But if it makes you hungry.
00:16:13I'm thirsty, but don't think I'm done with this one.
00:16:19We have champagne in the fridge.
00:16:21Authentic French?
00:16:23Can?
00:16:25Of course you can.
00:16:29Know?
00:16:31I was right. It was worth it.
00:16:34What do you mean?
00:16:36For a woman who moves like you,
00:16:39I wouldn't mind spending another ten years in prison.
00:16:41Thank you for the compliment.
00:16:44But you shouldn't joke about that.
00:16:46I was just saying it for the sake of saying it.
00:16:48Hurry up, tiger.
00:16:50I'm excited again.
00:16:52Wait for me.
00:17:02His damn father has gotten me into trouble again.
00:17:05I won't even try to defend myself.
00:17:07There is a dead person.
00:17:09I'm sure I killed him.
00:17:10He was the one who killed him.
00:17:12Yeah.
00:17:13And then he raped me.
00:17:15Poor Orestes.
00:17:17He died defending me.
00:17:19It's terrible.
00:17:21Terrible.
00:17:22No, no, no.
00:17:23No no.
00:17:25No.
00:17:27With him, huh? Shut up, you idiot. Or would you rather go to jail instead? Come on! I touched the gun, I touched the glasses, I touched everything there was to touch. There are my fingerprints all over the place. Any lawyer who takes me on is in for a surprise. I'll punish the murderer! I saw him come upstairs, and he seemed suspicious. That's why I called the police. Poor young lady, it's too much.
00:17:49Absolutely, too much. What are you saying? Nobody, nobody in the world is going to spend 20 years in prison for having a good time.
00:18:00This guy's crazy. But we'll do this again. See you in 10 years. Hot chick!
00:18:19Damn doors!
00:18:33Excuse me, ma'am.
00:18:35What do you want?
00:18:37I'm late for school because I had to take my little brother to daycare and my mom is sick.
00:18:42Ah! Poor thing!
00:18:43This is the first time this has happened to me, and if I weren't with a family member, like... like you, for example...
00:18:49Like me? Me?
00:18:51Yes, you.
00:18:53No, no, no. I'm not... I'm not the one. Besides, I've never had children.
00:19:00I've been given the kindness award.
00:19:01To kindness?
00:19:04But I don't know what I should do.
00:19:06She can pretend to be my mother. Besides, she's prettier. If my father finds out, he'll slap me all over the face.
00:19:12Yeah, man, he has it.
00:19:17No, I don't do these things... I'm the kind of person who can't lie.
00:19:21They discover me right away, my ass wiggles.
00:19:23I mean, the... the tail like dogs do, you know? When they wag their tails...
00:19:26No, don't mess with me. Lying, right?
00:19:31Please, ma'am, don't tell me that.
00:19:32Everyone knows what he's had to invent in his life.
00:19:35Help me. Be kind.
00:19:37Okay. Let's hope it works. Where is your school?
00:19:43There. Come on, let's go.
00:19:48Come, come.
00:19:51Wait until I zip up my coat. Don't go thinking...
00:19:54Can you see anything about me?
00:19:56No, give me your hand.
00:19:57The little hat, yes.
00:19:59Please forgive me, Mr. Director. I beg you, because deep down, this is the first time.
00:20:06The first time.
00:20:08Yes, he has never done it.
00:20:09Excuse me, are you talking about the boy?
00:20:10Of course, whose else would it be?
00:20:11Oh, yes, well. But yes, yes. The young master comes twice a week.
00:20:16Like two days?
00:20:17Two and I'm over. Of course I'm over. And thank goodness, because when... when it comes it's a disaster.
00:20:23I think you're exaggerating, huh?
00:20:25It's a bit. Well, you know how it is.
00:20:27What? What's the big deal?
00:20:28The child had the flu. I can assure you of that.
00:20:30Yes, yes.
00:20:31See how easy it is?
00:20:32He's lost me. He's not himself anymore.
00:20:34This morning when I saw him I said, who is this boy?
00:20:36And she also has to... she loves him... in the morning she has to accompany her little brother to daycare, the little one.
00:20:44Because, you know, he has to do it all on his own, because we, his family, our family... is a hard-working family, you understand?
00:20:52I'm out on the street all day, up and down, outdoors, even in the snow.
00:20:56Of course, I understand. With a man like her husband, Congressman Salvido. I understand that...
00:21:02Who are you talking about? Congressman Silvido?
00:21:05Yes, he's her husband. To pull her button, Salvido will save her.
00:21:12In any case, I appreciate his tact in not wanting to pressure me with his family's political recommendation.
00:21:18But I must tell you that... this... boy, let's call him that, is a bit of a beast.
00:21:27How beastly?
00:21:27This is the second year he's repeated fourth grade. Or... or... or the fourth year he's repeated second grade.
00:21:34He'll be fifty when he gets out of here. He's very persistent, repeating things.
00:21:38But no, man, that's not possible.
00:21:41But wait, let me get this straight, why did they give him the award then?
00:21:44The prize?
00:21:45Of kindness.
00:21:46This one?
00:21:46Yes, this one.
00:21:48Yes, speaking of this boy.
00:21:49What happened?
00:21:51Yes, yes, we gave him the award because... because he deserved it.
00:21:57He burned down a classroom, flooded the teachers' restrooms, and we decided to give him the prize for not blowing up the school.
00:22:06Not bad, right?
00:22:06But did you hear what the teacher said?
00:22:10Director, Mr. Director.
00:22:11Didn't you hear him?
00:22:13He hasn't heard it.
00:22:14In the last assessment, in twelve... in how many... in twelve lines?
00:22:19How many lines were there? Thirteen, no, twelve.
00:22:21In twelve lines he made twenty-eight spelling mistakes.
00:22:24Take it, chestnut.
00:22:25Twenty-eight?
00:22:26To Mom.
00:22:27And he laughs.
00:22:27You will understand that no matter how much we want it, no matter how much one wants it, despite it coming from you and with the best intentions, you will tell me what grade to give it.
00:22:36So, what grade?
00:22:41Four?
00:22:42Four.
00:22:43Why doesn't it increase? Six, right?
00:22:46Four.
00:22:47So, five.
00:22:48Four.
00:22:49No? Four.
00:22:52Hey, kid, what's your name?
00:22:54Philip.
00:22:55Philip?
00:22:56Yeah.
00:22:56Come with Mom, Philip.
00:22:58Do this!
00:22:59Hooray, what a blast!
00:23:00Another one as a spare!
00:23:02Continue.
00:23:03Excuse me, ma'am, but does the congressman agree?
00:23:06Yes, yes, yes, yes. He agrees, he agrees.
00:23:08But go on. In history, tell me how you're doing in history, that was my strong suit.
00:23:11History, huh?
00:23:12Yes, it's my story.
00:23:14Hello.
00:23:15Well, you see...
00:23:17Hey?
00:23:17No, no, no, I don't see anything. I want to know the truth. In history.
00:23:20Ah, precisely, in history.
00:23:22Yeah.
00:23:22It's a subject you're always navigating. It's a bit weak.
00:23:27How much of a flop?
00:23:30Well...
00:23:30Hey...
00:23:31Three.
00:23:32Three, yes, three, six.
00:23:34Arithmetic.
00:23:34Oh! Oh! Bravo!
00:23:36No, arithmetic is...
00:23:38Arithmetic is best left undone.
00:23:40No, I'm not ignoring it. I want the truth. And I see that you're not telling me the truth.
00:23:44If I tell him, he'll kill him. Passable, passable. He's always been... passable in arithmetic.
00:23:49But what's acceptable to you? I've always wanted an educated child. I swear.
00:23:54I thought I knew him. I trusted him. And yet he's like a stranger who hasn't even won the prize for kindness.
00:23:59It was a gift.
00:24:00No. He hasn't gotten it. That, with all the sacrifices I've made for him, is no reward for a mother.
00:24:06Ma'am, don't be so harsh on the boy. It's not about him. It's so the congressman doesn't get upset.
00:24:11No, no, no, no. I have the right to do so. Because if he does poorly in spelling and history, and maybe even arithmetic...
00:24:17How's it going? In arithmetic...
00:24:18No, he's pretty good at arithmetic, right?
00:24:20Try adding something... anything. A multiplication problem. Try it.
00:24:26I'll try it, okay?
00:24:26Easy.
00:24:27Six by nine.
00:24:29Six by nine.
00:24:32Hey, don't point it at him, okay?
00:24:33No, no, no, no.
00:24:33I saw it, you know? I wrote it down, I wrote it down. You say it. Six times nine.
00:24:39You don't know, you don't know, huh? You don't know, you don't know!
00:24:44Fuck off.
00:24:46That's for your mom.
00:24:47Yeah.
00:24:48She heard what he told his mother.
00:24:50The contemplation is over, it's over for both of us.
00:24:53Please, sir. I beg you to calm down, because I will try to remedy the situation and because I like the congressman very much.
00:25:00So don't worry, it's practically approved.
00:25:02Don't be a suck-up, don't be a suck-up, it will only hurt the child more.
00:25:06But why did you lie to me?
00:25:07She's not my mother, she's not my mother, she's an idiot.
00:25:10But who are you calling an idiot? Nice school, that's what you call them.
00:25:13Well, what about his family...
00:25:14That doesn't matter to him, you disown me.
00:25:16I don't know you. If I tell my father, he'll put you in jail.
00:25:18Oh, the mother who forgave you!
00:25:19Forgive me, I thought that... but now...
00:25:21He offered me candy and told me that if I wanted, he would accompany me.
00:25:24Ah!
00:25:25I, you!
00:25:26Define yourself, ma'am, who are you?
00:25:28His mother, you can't tell.
00:25:29She's a whore.
00:25:31And how do you know that?
00:25:32Go to hell, you whore!
00:25:33You call your mother a whore!
00:25:34Ma'am, please show me your... documentation.
00:25:37First you, first you.
00:25:39I?
00:25:39Yes, you first.
00:25:41Now we're just kidding, huh?
00:25:42She has noticed that it affects the creature and I will not allow it.
00:25:46He's turned him against me.
00:25:47I'll have the child change schools.
00:25:49Come on, come on!
00:25:49Listen, listen, lady, you're not leaving here without showing me your document.
00:25:55Rano, don't touch me with those big hands!
00:25:57The child corrupted me and now he wants to corrupt me.
00:25:59Marta, let's go, you son of a bitch.
00:26:01Pedal!
00:26:02From now on, I'll make sure you behave.
00:26:05Pedell! Pedell!
00:26:06Pedal!
00:26:06Throw that idiot's mother or whatever she is out on the street!
00:26:09You'll find out!
00:26:10I've always said it, mothers spoil their children.
00:26:13For me, for your mother!
00:26:14Another one who's been paid!
00:26:29Yeah?
00:26:33Excuse me, ma'am, excuse me if I've come to bother you, but I didn't dare to come to the cemetery before.
00:26:38to approach because in those circumstances it did not seem appropriate.
00:26:41No no.
00:26:42I've suffered enough already.
00:26:44My pain must be respected.
00:26:46I have been asked to be left alone.
00:26:48Her husband has always been understanding with the press.
00:26:50He has never, not even once, rejected us.
00:26:52I know, but I'm not a public figure.
00:26:56I have nothing to say.
00:26:58I am nobody.
00:27:00I beg you to leave.
00:27:02Excuse me, ma'am, but your pain isn't just yours, you know?
00:27:05The senator's death is a serious loss for everyone.
00:27:08Those who loved him admired him.
00:27:10And even for his enemies.
00:27:12I assure you.
00:27:21And now?
00:27:22As?
00:27:23What are you waiting for?
00:27:24Ah, yes.
00:27:26Yeah.
00:27:28Do it to me.
00:27:29This.
00:27:29Could the little hat be worn with the veil?
00:27:34So that?
00:27:35Because of the environment.
00:27:36We must preserve the atmosphere of the funeral.
00:27:38With the huge number of photographs that were taken of me during the funeral.
00:27:42Why don't you take advantage of this opportunity?
00:27:44I tried and I had it framed, but with so many people there was always someone who blocked it.
00:27:48As?
00:27:49She covered it up.
00:27:49She covered it up.
00:27:50That did not allow his face to be seen.
00:27:51Sorry, I'm a perfectionist.
00:27:53Is it really necessary for me to wear it?
00:27:56Absolutely necessary.
00:27:57That.
00:28:06May I?
00:28:12Perfect.
00:28:14Very good.
00:28:14Thank you.
00:28:17Whenever.
00:28:18Good.
00:28:19Does it bother you to tilt a little?
00:28:22So.
00:28:24I can't do it.
00:28:25Because?
00:28:28I need a window.
00:28:31An empty background.
00:28:32Through the sky?
00:28:33Through the sky?
00:28:33Through the sky?
00:28:36From here you can only see buildings.
00:28:38I need it to give the impression of a cemetery.
00:28:42I need heaven.
00:28:43If I take the picture in this little room, people won't believe it, you understand.
00:28:45The atmosphere is fundamental.
00:28:47Because?
00:28:48Yeah.
00:28:49The views from here are very ugly.
00:28:51I hate them.
00:28:52On the other hand, all the windows in this house are absurd.
00:28:55They put them in the wrong places.
00:28:57That was the right place.
00:28:58I always told my husband that.
00:29:00You have to open a window right where the painting is.
00:29:02It's a beautiful place.
00:29:04The only one from which you can contemplate the sky.
00:29:06And why didn't they?
00:29:10We stumbled upon the monuments superintendency.
00:29:13My husband wasn't the kind of man who solved those kinds of problems.
00:29:17He would have fought to the death for the party.
00:29:19But nothing for his house.
00:29:22And isn't there a window with a less oppressive, I don't know, more open view?
00:29:28The only one is the bathroom.
00:29:30I don't think that...
00:29:31That?
00:29:32That?
00:29:32Yes, I suppose he won't have the crazy idea of photographing me dressed in mourning in the bathroom.
00:29:38If there's no other option...
00:29:39This house is incredibly uncomfortable.
00:29:43I always told him, we need to get rid of the bathroom.
00:29:46Yeah.
00:29:46Thus the bathroom window would have become the bedroom window.
00:29:50And from the bed we would have gazed at the sky.
00:29:53Yes, yes, very romantic.
00:29:56That?
00:29:58Come on?
00:30:00Okay, let's go.
00:30:03I'll show you the way.
00:30:07So.
00:30:09Do not move.
00:30:11Relax.
00:30:12Now if possible, a little excitement would be welcome.
00:30:15Because of the impression.
00:30:17Try to concentrate.
00:30:18But what's the final decision?
00:30:19Should I relax or concentrate?
00:30:21Quiet, quiet.
00:30:22Do not change your position.
00:30:24May I?
00:30:27That is.
00:30:28Stay right there, okay?
00:30:29It's not bad at all.
00:30:32Think, think of something sad.
00:30:34The best thing is to return to the funeral atmosphere.
00:30:36Yes, if I could get one, one, one tear, just one tiny drop.
00:30:40I can't do it.
00:30:41It's not easy.
00:30:42Woman, try it.
00:30:43Where there's a will, there's a way.
00:30:45I've cried so much.
00:30:46I have no tears.
00:30:47You'll see how he manages it.
00:30:49And if not, with a small piece of onion.
00:30:52That's it, that's it.
00:30:53Yes, yes, it's coming.
00:30:55Squeeze a little more.
00:30:56It's coming!
00:30:59It's useless, I can't do it.
00:31:00Well, let's see how he manages.
00:31:03Well, don't worry.
00:31:04But if a photograph lacks emotion, it's counterproductive to take it.
00:31:07Don't talk nonsense.
00:31:09Even though I don't cry, my face expresses despair.
00:31:12I swear I didn't.
00:31:13And what does it express?
00:31:15Yes, to be honest, it has...
00:31:17He has a look of relief.
00:31:19Seems...
00:31:19Be careful what you say, or I'll fire you.
00:31:22Excuse me, ma'am.
00:31:23I was referring to its external, superficial expression.
00:31:26I would never make you doubt his...
00:31:28His inner sorrow.
00:31:32I...
00:31:32I know I've actually explained myself very badly.
00:31:35I believe in their pain.
00:31:36It was a misinterpretation.
00:31:38The thing is, at my job...
00:31:40It is necessary to know how to capture the right moment.
00:31:43Stop!
00:31:43I knew that her emotion was...
00:31:45How should I say it?
00:31:46Stop!
00:31:46So, don't move.
00:31:48There's no question about it.
00:31:49She looks much better with her hair down.
00:31:51No, no, don't touch it.
00:31:52Leave it like that.
00:31:53Free.
00:31:54When a woman is exciting, she shouldn't hide it.
00:31:57Wild!
00:31:59After...
00:31:59Yeah.
00:32:00In makeup.
00:32:01You should use warmer colors, like toasted apricot.
00:32:05Dress in pink-orange.
00:32:07Not very strong.
00:32:08He's painting me in too many colors.
00:32:13How can I take her seriously?
00:32:15Excuse me.
00:32:18I don't want to offend her.
00:32:19Would you allow me to take care of everything?
00:32:22But what about?
00:32:23You see, I...
00:32:25I modestly know a little about the film world and...
00:32:28I was thinking...
00:32:29It's not that I want to compromise her.
00:32:31It's just an idea that occurred to me.
00:32:33And we have the precedent of very noble ladies, even with titles.
00:32:35There's a princess friend of mine who...
00:32:37I absolutely do not believe that...
00:32:38That?
00:32:39A woman like you?
00:32:40Young, beautiful.
00:32:41And with the name you have?
00:32:43Whatever I tell you.
00:32:45People's curiosity alone is an incentive that will make her famous.
00:32:48And what would I have to do?
00:32:50You?
00:32:51Nothing.
00:32:51Absolutely nothing.
00:32:52I'll take care of everything.
00:32:53Contacts, appointments, photographs.
00:32:55What photographs?
00:32:56The ones I will make for him.
00:32:56It will be an artistic work.
00:32:58Something that fully appreciates her body.
00:33:00I will choose everything.
00:33:01Dresses, hairstyles, makeup.
00:33:03We'll go shopping and...
00:33:04I'm sorry, there is a very kind, very kind.
00:33:06But there is a very important circumstance that I cannot allow to be forgotten.
00:33:11I must respect my husband's name and my reputation.
00:33:15Of course, ma'am.
00:33:16I don't know...
00:33:16You know what happens in the film industry.
00:33:19I understand that some actresses...
00:33:23In short, some people have to make certain concessions.
00:33:26But please.
00:33:28Don't say that.
00:33:29Let's see, give me an example.
00:33:31Are there any photographs?
00:33:34Pick up any magazine.
00:33:36You should know that very well.
00:33:39Look.
00:33:40Here, here.
00:33:41Here she is, half-naked in the grass, wearing that swimsuit.
00:33:45Well, swimsuit, to call it something.
00:33:47No, frankly, not me.
00:33:49Of course.
00:33:50You are absolutely right.
00:33:51Something like that won't work for you.
00:33:53It would be counterproductive.
00:33:54It's fine for a rising star who's just starting out and...
00:33:56He needs to get attention.
00:33:58His must be something completely different.
00:34:01Anything else...
00:34:02More suggestive.
00:34:03More sophisticated.
00:34:04The 30-year-old lady.
00:34:08Everything, everything is a mystery and sensuality.
00:34:12Look, I would hint at all their intimacy without revealing anything.
00:34:18He guarantees it to me.
00:34:24Excuse me, would you mind getting on the horse?
00:34:27It's just a moment.
00:34:29That's great.
00:34:31Stay still, relax.
00:34:34Excuse me, what are you wearing underneath?
00:34:43Well, a short shirt.
00:34:46What color?
00:34:47De ish, with flowers.
00:34:49Great, take off the tonic water.
00:34:51Immediately.
00:35:04That's it, that's it, that's it, that's it, that's it.
00:35:06That's it, that's it.
00:35:07So.
00:35:11Lovely.
00:35:14We would need...
00:35:15Yeah.
00:35:17A little music.
00:35:22Get up, get up, get up.
00:35:23Come on.
00:35:34Here, here.
00:35:36Sit down, lie down, get into any position you like.
00:35:39We'll take sensual photos in soft light.
00:35:44Splendid.
00:35:45Abandon yourself, abandon yourself, let go.
00:36:06Come with me, come.
00:36:07Come on.
00:36:11Here.
00:36:11Now try to be a little sexier.
00:36:29Smile.
00:36:31Okay, just a moment, the suspenders, the suspenders, like this.
00:36:34But not too much.
00:36:35No, not too much.
00:36:38Splendid, wonderful.
00:36:41Wonderful.
00:36:42Give up.
00:36:46I left, don't bother.
00:36:52They don't look at me from behind at all.
00:36:53Nothing, nothing.
00:37:00Now here, sitting on the chaise lounge.
00:37:02A little sensual.
00:37:04Relax.
00:37:06Splendid.
00:37:07You will have a splendid acting career.
00:37:09Lips slightly parted.
00:37:11Bravo.
00:37:12Exciting, yes.
00:37:13Exciting.
00:37:15Come in here.
00:37:16That's it, that's it, that's it.
00:37:20Now lie down.
00:37:23So.
00:37:24So.
00:37:25Good.
00:37:27Quiet, quiet, quiet.
00:37:29Hold it like that.
00:37:29Hold the shoe.
00:37:31Raise your head a little higher.
00:37:32Look up.
00:37:33Quiet.
00:37:33Bravo, bravo.
00:37:34Go on, go on, turn around.
00:37:36Look here.
00:37:36That.
00:37:40Now stand up and put your bottom on your heels.
00:37:44So.
00:37:47Challenging, challenging.
00:37:48Now, be tempted.
00:37:53Be tempted.
00:37:56Batiza.
00:37:58Good guy.
00:37:59Sorry.
00:38:01Move.
00:38:02Very good.
00:38:03Legs in the middle.
00:38:07Very good.
00:38:08Vulgar and splendid.
00:38:10Languid.
00:38:12Languid.
00:38:17And anxious.
00:38:19The mouth.
00:38:21Languid.
00:38:24And anxious.
00:38:26Are you going to get naked or not?
00:38:49I'm not sleepy today.
00:38:52And who told you it's for sleeping?
00:38:53So it doesn't matter if I stay standing.
00:38:58What's wrong with you?
00:39:02Nothing.
00:39:03Because?
00:39:12Who is that?
00:39:13I don't know.
00:39:14Ah, of course.
00:39:16Let's take a look.
00:39:17Go down to the street
00:39:20and it passes right under their noses.
00:39:22I want to see what happens.
00:39:23How does he react?
00:39:25Come on, do what I tell you.
00:39:26Move.
00:39:27Don't be an idiot.
00:39:28I'm going to bed.
00:39:29Do as I say.
00:39:30I am not responsible for myself.
00:39:31Have you heard?
00:39:33Very good.
00:39:34Very good.
00:39:47Very good.
00:39:51Come on.
00:40:46Satisfied?
00:40:47He's your lover, I've seen him, what do you think?
00:40:49"You all agreed," he confesses.
00:40:51But I don't even know him, you're crazy.
00:40:53You disgust me.
00:40:55Please don't start with your usual nonsense.
00:40:58I'm fed up with you!
00:41:00Now I understand your indifference, your boredom when you're with me.
00:41:03I can't tell you how many times you must have laughed at my horns!
00:41:05Is that it?
00:41:17Are you convinced now that I didn't care about anything?
00:41:35The gun is yours.
00:41:40You'll have to deal with the police.
00:41:43I am a faithful wife.
00:41:45Hello good!
00:41:54Hello good!
00:42:07Do you need anything?
00:42:33What could I wish for, you daredevil?
00:42:35Oh my God, what a terrible fright!
00:42:38I am the princess's secretary.
00:42:40Why does he want to enter her room at this hour of the night?
00:42:42Narrowly.
00:42:43It makes my coronary artery explode.
00:42:44This is my room, this is my key.
00:42:46Look, see how it corresponds to this number, realize what number this is.
00:42:49Let me see it!
00:42:5289.
00:42:53Don't be absurd!
00:42:54What nonsense is he talking about?
00:42:55Looking at it the other way around, 68.
00:42:57Fair!
00:42:57It's mine!
00:42:58It's a minor misunderstanding!
00:42:59Confusion?
00:43:00Really?
00:43:02Sure?
00:43:05Absolutely.
00:43:09This is funny!
00:43:1168, 89!
00:43:13You're right!
00:43:14So be it!
00:43:16Go away!
00:43:18Go away!
00:43:19Hey, lady!
00:43:21Get yours!
00:43:22Leave me mine!
00:43:23Oh!
00:43:24Go away!
00:43:26What a young man!
00:43:38Monsieur, give me!
00:43:40Excuse me, ma'am, I don't understand.
00:43:42Féjese, s'il vous plaît!
00:43:44I don't understand anything you're saying.
00:43:46Let me attend to my game.
00:43:47Oh, what about me!
00:43:48Play the number!
00:43:49What do you think?
00:43:50There's just so much!
00:43:51It really got to me!
00:43:52Don't worry about it!
00:43:52You can play the pay game, Dad!
00:43:53Madame, madame, s'il vous plaît!
00:43:54Monsieur, monsieur!
00:43:55Monsieur, monsieur!
00:43:56I didn't get it!
00:43:57It's not usually done by eating a belly!
00:43:59Monsieur, monsieur!
00:44:00No, no, no!
00:44:01Hail, the 8!
00:44:02Here, here!
00:44:03Oh!
00:44:03I've cloned myself!
00:44:04No, madam!
00:44:05No no!
00:44:05It wasn't the 8th!
00:44:06But not the 8th!
00:44:07Je me s'en prie, maintenant!
00:44:08No no!
00:44:08You don't need to tell me we're on the case!
00:44:10No, no, look, it's necessary!
00:44:12I am the world's lawyer!
00:44:13Don't move the piece, please!
00:44:15Don't move the piece!
00:44:16Come on!
00:44:16Ah!
00:44:17¡Transíze, rousse, perepaz!
00:44:20Oh!
00:44:20Yes, what did I ask you for?
00:44:22I asked you!
00:44:22I asked you!
00:44:23I asked you!
00:44:23Why did it block me?!
00:44:24Why did it block me?!
00:44:25Ah!
00:44:28Bravo!
00:44:28Oh!
00:44:29Why did I support them?!
00:44:30Hey, I know your little secretary!
00:44:32This lady!
00:44:33I don't have a secretary!
00:44:34Oh no!
00:44:35So who was it then!
00:44:37Well, well!
00:44:37No, no, no!
00:44:38For the princess's mother!
00:44:40Oh no!
00:44:40Well, it's just that...
00:44:41How does it possess?
00:44:42The three!
00:44:43For the princess's parrot!
00:44:45Oh, Garibaldi!
00:44:46And have you eaten?
00:44:48You fed the baby!
00:44:49Oh, how beautiful it is, my Garibaldi!
00:44:54How many cookies have you given him?
00:44:55Three!
00:44:56You should have given him four!
00:44:57I'm sorry, ma'am!
00:44:59Disappear!
00:44:59You won't hear from me!
00:45:02Oh, how handsome my father is!
00:45:04Come on, daddy!
00:45:04It'll be on our phone now, you'll see!
00:45:07Oh, Moncolier!
00:45:09I was robbed!
00:45:10Guavole, Moncolier!
00:45:11Oh, oh!
00:45:13Please, my necklace!
00:45:15My necklace has been stolen!
00:45:16You've seen something!
00:45:17I was terrified!
00:45:18As if I could take care of my necklace!
00:45:20Oh, oh!
00:45:20Come on!
00:45:21You've seen it!
00:45:21Here's mine!
00:45:22I take precautions during power outages!
00:45:23Have you seen it, please!
00:45:24I hold on to mine and that's how I comfort him!
00:45:27Now you cry and I laugh!
00:45:28Now!
00:45:28Now!
00:45:28Now!
00:45:28Hello, Mom!
00:45:58Come, beautiful, come.
00:46:05Look at that delicious little sausage.
00:46:09Go to hell.
00:46:29Come here, Garibaldi, come here.
00:46:41Everything's fine, right?
00:46:44What do you mean it's not there?
00:46:45If I tell you it's not there, then it's not there.
00:46:47You looked carefully.
00:46:48If that's not possible, maybe the darkness put it on his tail instead of his neck.
00:46:53Look closely.
00:46:54With that hair and these glasses that won't let me see.
00:46:57Nothing, neither behind nor in front.
00:46:58But how did he lose it?
00:47:02I don't know.
00:47:14I have a reservation for the flight from Zurich.
00:47:16The one at four, would you please confirm it?
00:47:19First class.
00:47:20No, no, I'll go straight to the airport.
00:47:22Hey, prepare the bill for me.
00:47:25Three-quarters of an hour earlier, thank you.
00:47:28Help, help.
00:47:34Help, help.
00:47:50Go away, go away.
00:47:52I don't want to see you anymore, do you understand?
00:47:54Don't touch me, you disgust me.
00:48:00No, fuck it, I want to be alone.
00:48:02Finally, alone.
00:48:24Good night.
00:48:25Good night.
00:48:26Can't you sleep either?
00:48:28The truth is, I haven't even tried.
00:48:30I have tried, but I can't do it.
00:48:32On the other hand, sleeping on a night like that is an erection.
00:48:36Warm, beautiful, mysterious night.
00:48:40He said it so well.
00:48:42Sure, I...
00:48:43I have studied declamation.
00:48:45Do you feel lonely?
00:48:49We are all alone.
00:48:51Good night.
00:48:52Don't leave.
00:48:53Don't leave me alone on a terrace.
00:48:57Do they believe in meeting up on terraces?
00:48:59Romeo and Juliet had a great time on a terrace.
00:49:04I want to give her a flower.
00:49:06It's broken, I'll give you another one.
00:49:08Thank you.
00:49:12Well, actually...
00:49:14I already have one...
00:49:14Accept it.
00:49:15I feel that his presence does me good, it stimulates me.
00:49:18Do you know her?
00:49:19No.
00:49:20These are the...
00:49:21the...
00:49:22the...
00:49:22the...
00:49:23night roses.
00:49:25Night roses?
00:49:26Obellas at night.
00:49:27Not now.
00:49:28It depends on the corollas.
00:49:29AND...
00:49:30They are called that...
00:49:31because they open to the first shadows of night
00:49:35and they die with the first light of dawn.
00:49:38What a pity.
00:49:39Anyway, thanks.
00:49:41You are welcome.
00:49:43You are also very beautiful at night.
00:49:45How at night?
00:49:46Night and day.
00:49:48Let me finish.
00:49:49Always.
00:49:52Let's see.
00:49:53Turn sideways, will you?
00:49:55Very good.
00:49:56Look, look, look, look.
00:49:58You have an extraordinary, serene face.
00:50:00He's missing his cap.
00:50:02As a night watchman?
00:50:02Yeah.
00:50:03At first, when I saw you, I thought you were a writer.
00:50:06But, as we know, even night watchmen and writers go hungry.
00:50:09Except the night watchmen are nicer.
00:50:11You must be a very good person.
00:50:14Excellent.
00:50:15How good I feel in his arms.
00:50:18I'm feeling great too.
00:50:20Yeah.
00:50:21I was sad and I let myself go.
00:50:25What will he think of me?
00:50:26Well, that's it.
00:50:26What am I going to think?
00:50:28That?
00:50:29Are you the woman who...
00:50:30Suffering?
00:50:32If someone saw us hugging like this, God knows what they would think.
00:50:36However, what's wrong with that?
00:50:37We both needed something that...
00:50:40That.
00:50:40Didn't that happen to you?
00:50:41Yes, yes, it happened to me, of course.
00:50:45Is...
00:50:46You are a lovely woman.
00:50:50Yeah.
00:50:50Does she know how to dance?
00:50:59Yeah.
00:51:01But why has he turned off the radio?
00:51:02Connect it.
00:51:03It's much better this way.
00:51:04It goes more in time.
00:51:06And what do they dance?
00:51:08They dance...
00:51:08The terrace dance.
00:51:13Hug me.
00:51:13At your service.
00:51:14Yeah.
00:51:17Imagine.
00:51:19A slow pace.
00:51:20A kind of motet.
00:51:22Yeah.
00:51:24That looks great, doesn't it?
00:51:27Marvelous.
00:51:28A few minutes ago I was miserable, and now I'm happy.
00:51:30You don't know how much your presence can enrich me.
00:51:34I know I don't love you yet.
00:51:36No.
00:51:37But I'm not telling you.
00:51:37No, don't say it.
00:51:39I beg you not to say it.
00:51:40Because?
00:51:41No, no matter how much you love, you fall in love earlier.
00:51:44Wait, we'll be right there.
00:51:46Yes, that's my motet.
00:51:49It's coming to an end.
00:51:50Why don't we go in?
00:51:51Mine hasn't finished yet.
00:51:52Close your eyes, love.
00:51:53Don't lose the rhythm, you've broken my pinky finger.
00:51:57Let's keep dancing it for you, I beg you.
00:51:59But inside.
00:52:00You can dance in bed too.
00:52:02No, there is no dancing.
00:52:03It's very tiring.
00:52:05Wait!
00:52:06They haven't been discovered!
00:52:07Hide me!
00:52:08I wouldn't want him to be my husband.
00:52:10He is my husband.
00:52:12He looks like a friar to me.
00:52:13Yes, it's worse.
00:52:14Much worse.
00:52:15But the thing is...
00:52:16Do you know him?
00:52:17No, but...
00:52:17So?
00:52:18But it's the clergy.
00:52:19And I am very pious.
00:52:20I'm ashamed.
00:52:21How awful!
00:52:21Give the friar some food!
00:52:23Come.
00:52:24Did you see?
00:52:24We have shocked him.
00:52:25He's gone.
00:52:26That's better.
00:52:29I beg you.
00:52:30See?
00:52:31The magic is gone.
00:52:32I'm off-center.
00:52:34Dancer.
00:52:35That's enough.
00:52:37Let's leave it as a wonderful memory of tonight.
00:52:41Are you touching my butt?
00:52:44Yes, but it was with the best intentions.
00:52:47It must be my destiny.
00:52:48I talk to them about love and they touch my ass.
00:52:51What a misfortune!
00:52:53I swear I didn't mean to offend her.
00:52:54It was a tentative touch.
00:52:55No.
00:52:56No.
00:52:57Enough is enough.
00:52:57It's better.
00:52:59Good night.
00:53:00I don't want to see him anymore.
00:53:01But...
00:53:02Listen.
00:53:02Damned.
00:53:16Damned.
00:53:20Damned.
00:53:21Damned.
00:53:22Damned.
00:53:23Damned.
00:53:24Damned.
00:53:25Damned.
00:53:26Damned.
00:53:27Damned.
00:53:28Damned.
00:53:29Damned.
00:53:30Damned.
00:53:31Damned.
00:53:32Damned.
00:53:33Damned.
00:53:34Damned.
00:53:35Damned.
00:53:36Damned.
00:53:37Damned.
00:53:38Damned.
00:53:39Damned.
00:53:40Damned.
00:53:41Damned.
00:53:42Damned.
00:53:43Damned.
00:53:44Damned.
00:53:45Damned.
00:53:46Damned.
00:53:47Damned.
00:53:48Damned.
00:53:49Damned.
00:53:50Damned.
00:53:51Damned.
00:53:52Damned.
00:53:53Damned.
00:53:54Damned.
00:53:55Damned.
00:53:56Damned.
00:53:57Damned.
00:53:58Damned.
00:53:59Damned.
00:54:00Damned.
00:54:01Damned.
00:54:02Damned.
00:54:03Damned.
00:54:04Damned.
00:54:05Damned.
00:54:06Damned.
00:54:07Damned.
00:54:08Damned.
00:54:09Now we'll play with the cards face up.
00:54:14Where is your accomplice?
00:54:15Hurry!
00:54:16I can't waste time.
00:54:37Is there a place, little one?
00:54:38No.
00:54:39Sorry, sister. He's tired and nervous.
00:54:41Ahem.
00:54:42Ahem.
00:54:44Ahem!
00:55:14Ahem!
00:55:24Ahem!
00:55:32Respect for habits.
00:55:39Do you like candy? Do you want some?
00:55:44Ahem!
00:55:52Pee-pee! Pee-pee!
00:55:54Ma'am. Ma'am, you asked for a pee. Take it away. Don't let it happen on me.
00:55:59Father. Is everything alright? Father.
00:56:17Give me the collar! Give me the collar! I don't have it! I don't have it! I don't have it! Don't rub me! Don't rub me, Tocón! Shh!
00:56:23Everyone in the league keeps it to themselves.
00:56:33Come on, give me a hand! Hurry! Hurry!
00:56:37Come on, give me a hand! Hurry! Hurry!
00:56:39But what's going on?
00:56:40I don't know. Suddenly she screamed and collapsed. Dizziness. I don't know.
00:56:43Open the window. Will a little air do you good?
00:56:45It won't be anything serious. Sometimes we religious people observe long fasts. She's starving.
00:56:49Should we find a doctor?
00:56:51A doctor! Yes, yes! I'll go get one! Come with her! Take care of her!
00:56:55Ah! Ah! No! No, Father! Don't go! I need confession!
00:56:59He has recovered!
00:57:01Yes! I'm feeling better now! Yes! Especially if Father stays here with me!
00:57:05He hurt himself when he fell!
00:57:07Yes! I hurt myself when I fell!
00:57:09Are you feeling better, sister?
00:57:10Much better! Much better! Especially if the priest is so good that my prayers help me! Right, Father?
00:57:15We'll arrive in Alasio in five minutes.
00:57:17It was a dizzy spell! But I feel better now, and my father is going to take care of me!
00:57:22Go in peace! Do your duty!
00:57:25Bring it here! You scum! You pig!
00:57:28He took it from me! He betrayed me!
00:57:30It was the only way!
00:57:31Shameless! Lifting my habits! That's not right!
00:57:33To attack like that! A woman! A nun! Her beloved home!
00:57:38What a lover!
00:57:39Sister, I'm leaving with the necklace for now!
00:57:41The Lord separates our paths! Be still! It's over! Have a good trip!
00:58:08What a great trip!
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00:59:36For us?
00:59:38For our first meeting.
00:59:41When I saw you on the terrace, dressed in the tuxedo, I lost my mind, I lost my mind.
00:59:47It's part of my job.
00:59:49Yeah?
00:59:50Because I'm handsome.
00:59:51You make them fall in love.
00:59:53Now, let's get to work.
00:59:55That's it, the magnifying glass.
00:59:58Give it to me.
01:00:00Yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes.
01:00:06I'm going all the way here to buy myself a wild mink, because with our job I get very cold and I get rheumatic attacks.
01:00:14But wild mink is a bit expensive, I'd put another rock in.
01:00:17Yes it's true.
01:00:17So far, everyone is the same.
01:00:18Yes, so far two times seven is eleven and with these three I'll buy a car because the one I had was stolen last week.
01:00:23From here to here...
01:00:24Hey, stop, stop.
01:00:25From here to here...
01:00:27From here to here we bought a house.
01:00:31A house?
01:00:33Does that mean you're thinking about our future?
01:00:35In our future together.
01:00:37How beautiful!
01:00:38At sea, at sea, eh.
01:00:39No, no seaside, the mountains are better.
01:00:41Yes, isolated, surrounded by pine trees and goats.
01:00:43Yes, goats, goats, goats, goats.
01:00:45Here it is, let's see.
01:00:46House, house, house, goats, goats, goats.
01:00:47Here is the mountain.
01:00:49Curtain, curtain, curtain.
01:00:50Panoramic view.
01:00:51Two hundred million to be agreed upon.
01:00:53Let me see for a moment.
01:00:54Great, let's see if it arrives.
01:00:55200 million.
01:00:56Yes, exactly.
01:00:57With this money we bought all the furniture and...
01:00:59With this little bit left over...
01:01:01We'll buy it.
01:01:02I'll buy you a necklace.
01:01:03Oh!
01:01:04All.
01:01:05We bought everything.
01:01:11Princess stripped of a fake necklace at the casino.
01:01:23Too bad!
01:01:32Pity.
01:01:36So what do we do with the necklace now?
01:01:40What do you think?
01:01:41What do we do?
01:01:42Well, we'll throw it away for what it's worth.
01:01:44No, it still has value for me.
01:01:48Even if it's false.
01:01:50Because you said so?
01:01:51Because it has allowed you and me to find each other,
01:01:55we met, we loved each other.
01:01:57Even if it was just for a moment,
01:01:59like two trains that cross paths at night and move away from each other.
01:02:06Did you hear how well I said it?
01:02:07No, jokes aside, I...
01:02:10I would like to keep it as a souvenir.
01:02:13Does it bother you to give it to me?
01:02:15Yes, it bothers me.
01:02:17because I have a friend who would give me 100,000 lire.
01:02:19Yes, it's false, but by fixing it...
01:02:21Well, you see, with that sentence you've ruined everything.
01:02:23because I wouldn't want it anymore even if it were authentic.
01:02:25Keep it to yourself.
01:02:30Wait.
01:02:31It was a joke.
01:02:32I've put it in your bag.
01:02:34I knew I couldn't be wrong.
01:02:37You are a wonderful man.
01:02:38What is your name?
01:02:42Angel.
01:02:43And you?
01:02:45Maria.
01:02:47Bye bye.
01:02:52Bye bye.
01:02:53He lets me have a look at the newspaper.
01:03:09Yes, yes, here you go.
01:03:11Sorry.
01:03:13I'll take this off,
01:03:14because I played a prank on a friend.
01:03:17Come on.
01:03:19You filthy pig!
01:03:19No!
01:03:20Stop!
01:03:21Stop!
01:03:22I need to get ready!
01:03:25He wants to rape me!
01:03:26Stop, thief!
01:03:27Stop!
01:03:28Stop!
01:03:29Police!
01:03:30Police!
01:03:30Police!
01:03:31Police!
01:03:32Police!
01:03:32Police!
01:03:33Thank you!
01:04:03Thank you!
01:04:33Where are you?
01:04:34Well, where are you!
01:04:35Who gave him the ID card?
01:04:37Marazas!
01:04:38Come on, you're going to work, or you'll ruin small businesses!
01:04:41They've kicked me out of the workshop!
01:04:43So how do we get out of this now?
01:04:45Come on, for the worse!
01:04:46Alfa Romeo GT2000, Hood and front axle, FIA 131 recessed into the trunk and right front fender.
01:04:52BMW 3200, crushed to the radiator, oil pan, transmission, support and battery.
01:04:57What are the nice number 12 cars doing here, broken down?
01:05:00So, yes, we did say 10% of...
01:05:04No, no, no, no, the 15th.
01:05:06No, well, well, whatever you want, the 15th.
01:05:11I'll give in so you don't say anything.
01:05:1415% of 12 million lire is 1,800.
01:05:17And without discounting you, I'll give you the advance.
01:05:19Come on, come on, go up to 2.
01:05:21You want to ruin me.
01:05:23I know you and I know you can do it.
01:05:25Do you have funds?
01:05:30Had.
01:05:31Because this step ends with them.
01:05:41Thank you.
01:05:42To you, beautiful.
01:05:44Will we see each other?
01:05:45Yes, of course, like in 20 days as soon as I get all this work out of my hands.
01:05:51Wait, let me see my commitments.
01:05:55This week I have to do a couple of workshops in Rome.
01:06:00Next time, I'll be in Milan.
01:06:04Okay, I'll call you from Milan.
01:06:05Don't abandon me, little one, okay?
01:06:07No, no, don't worry.
01:06:08But not in this neighborhood, it's dangerous.
01:06:11What do you think of your brother's workshop?
01:06:12OK.
01:06:13We took 50% and divided it up.
01:06:16Thank you, bye, bye.
01:06:17She's so hot.
01:06:35Look, Armando, I'll stop it.
01:06:36This time I'll tell you something.
01:06:38Don't do anything childish.
01:06:39She is an exceptional woman.
01:06:40Always so fast and always so beautiful.
01:06:41I approach.
01:06:42You'll see what a cut he's going to give you.
01:06:44I don't care, it's worth it.
01:06:47Excuse me, please forgive me for bothering you like this, but I really wanted to meet you.
01:06:52I understand.
01:06:54But unfortunately, I'm in a big hurry.
01:06:55I'm already behind schedule from the first date.
01:06:57At least tell me if I'll be able to see her again.
01:06:59Why don't you leave me one of your cards?
01:07:02Ah, yes, of course.
01:07:05Come on.
01:07:07Is four o'clock good for you today?
01:07:09Where at four o'clock?
01:07:10Well, at home, naturally.
01:07:12I know the area.
01:07:14Marvelous.
01:07:15Excuse me, teacher of what?
01:07:17Music teacher.
01:07:18I am an orchestra conductor.
01:07:21Nice ear.
01:07:22Truly musical.
01:07:25Can you tell me your name?
01:07:26Giovanna.
01:07:27Giovanna.
01:07:29So at four o'clock at his house, huh?
01:07:31At...
01:07:33At four o'clock...
01:07:34What did he say?
01:07:36My love, it's done.
01:07:37Mwah!
01:07:38Mwah!
01:07:39Mwah!
01:07:40Mwah!
01:07:41Mwah!
01:07:42Mwah!
01:07:43Mwah!
01:07:44Mwah!
01:07:45Mwah!
01:07:46Mwah!
01:07:47Mwah!
01:07:48Mwah!
01:07:49Mwah!
01:07:50Mwah!
01:07:51Mwah!
01:07:52Mwah!
01:07:53Mwah!
01:07:54Mwah!
01:07:55Mwah!
01:07:56Mwah!
01:07:57Mwah!
01:07:58Mwah!
01:07:59Mwah!
01:08:00Mwah!
01:08:01Mwah!
01:08:02Mwah!
01:08:03Mwah!
01:08:04Mwah!
01:08:05Mwah!
01:08:06Mwah!
01:08:07Mwah!
01:08:09Yeah?
01:08:31Yes, I was already leaving.
01:08:32I'll arrive in about ten minutes.
01:08:35What? The lady hasn't appeared yet, huh?
01:08:36Well, hurry up because they're all ready.
01:08:38Only the oboe is missing. It's been in an accident.
01:08:41Oh. Well, call Miquelucci and try to replace him.
01:08:44Meanwhile, I'm heading there.
01:08:46Until now.
01:09:01Here I am. This is telepathy.
01:09:04Go ahead, pass, pass.
01:09:05Please excuse the delay, but you know how traffic can get sometimes.
01:09:09Please, it's not important.
01:09:11What a cute and cozy house!
01:09:14I see now that I wasn't wrong about you.
01:09:16I have taken the liberty of bringing you these roses.
01:09:19For me?
01:09:19Of course. Art, music, and flowers.
01:09:21They're always useful in a bachelor's house, don't you think?
01:09:23I was the one who should have thought of it.
01:09:25Excuse me.
01:09:25Please.
01:09:27Wouldn't you have...?
01:09:27A vase? Yes, here.
01:09:29Excuse me, while you're arranging the flowers, can I make a phone call?
01:09:32Of course, you're at home.
01:09:33What I regret is that the phone is in the bedroom.
01:09:37And why do they regret it more?
01:09:40I'll accompany her.
01:09:42Here.
01:09:44Get comfortable.
01:09:47Dear, may I give you your number?
01:09:49They may need to call me for an urgent matter.
01:09:51Can?
01:09:52Yes, yes, I already told him.
01:09:53As if he were at home.
01:09:54Ah, you're an angel.
01:10:14No.
01:10:15The?
01:10:15That wasn't the agreement.
01:10:17Yeah.
01:10:20Clear.
01:10:20Yes, I do remember it, but not in the terms you describe.
01:10:26I have it written down, I can't make a mistake.
01:10:36No, dear Marqueti, this is no way to conduct business.
01:10:39No, no, please, it's you who has turned back.
01:10:42Okay, folks, things are back to normal, but if you...
01:10:43Let me speak.
01:10:44If you maintain that the terms of the contract were different,
01:10:47No, then I disagree.
01:10:49But what was he doing standing there?
01:10:51Excuse me for going on, but doing business with oil...
01:10:54Oil.
01:10:54Get naked, run, hurry.
01:10:56Yeah.
01:10:57No, absolutely not.
01:10:58Then we break the deal.
01:10:59If you maintain that...
01:11:00No, under those conditions I'm not interested at all.
01:11:03So, let's leave it at that and not talk about it anymore, okay?
01:11:05It's clear that we don't understand each other.
01:11:07Listen, I didn't call you to have to put up with you.
01:11:11It has made me regret my good intentions.
01:11:13No, man, what more do you want?
01:11:14The land is worth 200 million.
01:11:15The land division is complete, the regulatory plan has been approved,
01:11:18The highway is almost open and you're acting all smart.
01:11:20Of course, Mr. Marquetti.
01:11:29Those are little tricks, I have to tell you.
01:11:32But it doesn't matter, it doesn't matter.
01:11:36Let's leave it at that.
01:11:36You also need to have class in business.
01:11:42No, listen, I've lost the desire.
01:11:44Hey?
01:11:45Oh!
01:11:47But, excuse me, Mr. Marquetti, I have no further dealings with you.
01:11:50I'm sorry, goodbye, Mr. Marquetti.
01:11:52Oh, forgive me, my treasure, I've burned you.
01:11:59Just a little, but I like it.
01:12:04I assure you that I don't usually mix business with my private affairs.
01:12:07But if you're not always keeping your eyes wide open,
01:12:10They steal your millions, just like that.
01:12:12I also like you for that reason, because you're a woman who knows what she wants.
01:12:14Uninhibited, sensitive.
01:12:15Can I answer?
01:12:22If it's for me, I'm not in, okay?
01:12:25Yes, it's me.
01:12:27No, I can't reach an agreement with you, there's no possibility.
01:12:31Of course not.
01:12:33He's haggling over a pittance when he knows that in an hour
01:12:35The land will be worth more by then.
01:12:37No, I have other, better clients; you'll regret it.
01:12:39Ah, he's already changed his mind, well I'm glad.
01:12:43It's too late, I'm sorry for you.
01:12:44Forgive me, my love, I'm finishing up right now and I'll dedicate myself to you.
01:12:47You will only see what I am when I love.
01:12:51Don't know.
01:12:53What did he say?
01:12:55But, but, how dare he?
01:12:56He's going to force me to sue him.
01:12:57Or more simply, I'll kick him out.
01:12:59Don't move, I'm coming over.
01:13:01I'm here, listen.
01:13:03We'll see who gets their way; it's not about business anymore.
01:13:05I just need to get this commitment out of my way once and for all.
01:13:08Is that clear?
01:13:08Say.
01:13:09Yeah.
01:13:09No, look, no, I haven't been able to finalize the deal.
01:13:12Because that guy is a lunatic, a neurasthenic.
01:13:16So, I want to teach him a lesson because he deserves it.
01:13:18This is no way to do business.
01:13:20Call the lawyer, Roberti.
01:13:22Listen, even at the cost of losing whatever it is,
01:13:24I want to teach that country bumpkin a good lesson.
01:13:26See you later, yes, just the time to arrive.
01:13:28See you later.
01:13:28See you later.
01:13:33You see how things turn out when you want to be more relaxed.
01:13:37But what are you still doing in your underwear?
01:13:39Come on, get dressed quickly.
01:13:41This cannot end like this between us.
01:13:43Oh, no?
01:13:43Of course not.
01:13:45Do you own a car?
01:13:46Yes, yes.
01:13:46So, will you come with me?
01:13:49I'll settle this matter and then I'll be completely yours.
01:13:53Does that sound good to you?
01:13:54I think so.
01:13:55Pretty.
01:13:57We'll never get there this way.
01:14:00Turn right.
01:14:01The row on the right is going faster.
01:14:02He didn't tell me I have to turn left.
01:14:04And what does that have to do with anything?
01:14:06He needs to drive more aggressively.
01:14:07Come on.
01:14:12Don't be so offended.
01:14:15Since we started dating, he hasn't said a single sweet word to me.
01:14:18It's just that, since he won't let me speak...
01:14:20He doesn't like me anymore.
01:14:23Who said no?
01:14:24Then he starts caressing me.
01:14:27Go on.
01:14:28A woman needs caresses from time to time.
01:14:33Careful!
01:14:34Stop, stop!
01:14:35But what does he do?
01:14:36Oh my God!
01:14:39He made love the Chinese way.
01:14:42Hey?
01:14:43To the...
01:14:44No.
01:14:45No.
01:14:47You'll see what awaits you.
01:14:50High!
01:14:51Stop, stop!
01:14:52Have we arrived yet?
01:14:53No, but I have to buy stamped paper.
01:14:56I can't park here.
01:14:57Why don't we look for another tobacconist?
01:14:58It's just a minute.
01:14:59And while I'm buying the stamped paper, do you see that store?
01:15:01Yeah.
01:15:02Go buy me a pair of size 3 panties.
01:15:04But I don't know anything about panties.
01:15:05Well, it's very easy.
01:15:06Look at how you are.
01:15:08French.
01:15:09Besides, she's already seen them at her house, hasn't she?
01:15:10Thank you, sweetheart.
01:15:16Panties.
01:15:21May I?
01:15:23Excuse me.
01:15:24Do me a favor.
01:15:26Thank you.
01:15:27Good morning.
01:15:27Good morning.
01:15:28What do you want?
01:15:32As?
01:15:35I would like a pair of size 3 panties.
01:15:37We only have women's clothing here.
01:15:40Naturally, they are for a lady.
01:15:42French model, please.
01:15:44I'll bring them to you right away.
01:15:45Can I make a phone call?
01:15:46Yes, ma'am.
01:15:47Thank you.
01:15:48No.
01:16:00Miss, I am Master Spadini.
01:16:02Please put me through to de Robertis.
01:16:04Thank you.
01:16:05What color?
01:16:05White.
01:16:07Believe.
01:16:07Armando, it's me.
01:16:10Hey, I'm going through something that's almost a catastrophe.
01:16:12It will have to be delayed...
01:16:15Listen, I'm speaking to you from a pharmacy.
01:16:19Postpone the recording until 6.
01:16:21I can't hear you.
01:16:22What happened?
01:16:23Something serious?
01:16:24No, it's nothing.
01:16:25I'll explain it to you later.
01:16:26He's a relative.
01:16:28Excuse me for speaking with the orchestra.
01:16:29Invite them for a drink.
01:16:31Yes, I'll pay, of course.
01:16:33See you at 6, okay?
01:16:34Bye bye.
01:16:35So small?
01:16:39Oh.
01:16:46Tell me something green.
01:16:51Well, that's not bad, but I know more exciting things.
01:16:55Please, Spadini, I need your help.
01:16:57How boring business would be without a little intrigue.
01:17:04Mr. Marquetti, since you have decided to break our commitment, here is Master Spadini ready to refund your deposit and replace you in the entire business.
01:17:10Nice to meet you.
01:17:12Nice to meet you.
01:17:13Please.
01:17:14I didn't say I wanted to give up the business.
01:17:17I simply asked that...
01:17:18No, you're just creating obstacles.
01:17:20He has rejected the redesign, the leveling of the land, and still doesn't seem satisfied.
01:17:24If I may, I would like to say...
01:17:25No, I don't allow him to do anything.
01:17:26It's too late.
01:17:27Here is Maestro Spadini, who has wanted to replace him for weeks.
01:17:30But tell him, Spadini.
01:17:32Is it true or not that you tried to bribe me to give you the Marquetti option in your favor?
01:17:36Oh, no, no, no.
01:17:37Well, don't be afraid, we're among gentlemen, business is business between us.
01:17:41Come on, Spadini, tell him.
01:17:43But what do I tell him?
01:17:44Look, here I have the stamped paper.
01:17:45Since you have given up on the matter, go ahead, Spadini, sign it.
01:17:49No, excuse me, wait a moment.
01:17:51Spadini, firm.
01:17:52But what do I have to sign?
01:17:53Okay, I'll sign.
01:17:54Ande, Spadini, firme.
01:17:54I've done the paper, the paper.
01:17:56But don't be afraid of Marquetti, I've already proposed the business to him, yes or no?
01:17:58Yes, of course, I'll sign.
01:17:59So stand firm, stand firm.
01:18:00Hey, Oigard, Duini, I can't go, you know?
01:18:16What do you mean he can't go?
01:18:17If you were the one who arranged the appointment.
01:18:18But Maestro Spadini, damn it, I can't leave him like this.
01:18:21We're already an hour late and it'll be night soon.
01:18:23I'll go up to get him and come back down with him, wait for us.
01:18:26Marquetti has signed.
01:18:27Ah, Spadini, are you a treasure?
01:18:30Did you see how easy it was?
01:18:32Yes, there's just one problem.
01:18:33I have an urgent appointment, why don't you come with me?
01:18:36Of course, we'll find a moment to be alone together.
01:18:39Come on, get down here right away.
01:18:41Kisses.
01:18:54Good morning, ma'am.
01:18:55The surveyor has gone to the village bar.
01:18:57He said that if he needs him, we should go and call him.
01:19:00He's been waiting a long time.
01:19:02What do we do, Arduino?
01:19:03Are you going?
01:19:04Yes, perhaps that's for the best.
01:19:05Okay, but hurry.
01:19:08Hey, wouldn't you say there's a strong young man around here?
01:19:10Yes, my son.
01:19:12He's in the stable now.
01:19:13Why are you looking at that there?
01:19:15It's Maestro Spadini, he's been feeling unwell.
01:19:17Look how pale he is, poor thing.
01:19:19Isn't there a bed where he can lie down for ten minutes?
01:19:21Yes, there is a bed.
01:19:22Then call your son.
01:19:23Alfredo! Alfredo!
01:19:24Now they will take you to bed.
01:19:26Why me?
01:19:27I told you that you're sick, so we can be alone together.
01:19:29But you're crazy.
01:19:30Go on, go on.
01:19:31It has vanished!
01:19:33Help me quickly!
01:19:33No, no, no, no, no, no.
01:19:34No, no.
01:19:35Please, but...
01:19:36He needs rest.
01:19:38Tell that mustache to get off me, man!
01:19:39Yes, the teacher has suffered a fainting spell.
01:19:41But what vain?
01:19:41This is from the store.
01:19:42I'm very lazy.
01:19:43But the stairs are very hard.
01:19:46But where is this guy taking me?
01:19:47Very well, on the bed, on the bed.
01:19:51That is.
01:19:52A little silence will do him good.
01:19:54Poor thing, what a fright.
01:19:55I'll keep him.
01:19:57You all go away.
01:19:58It could be an infectious disease.
01:19:59No, no, no, enough with me.
01:20:02The truth is, he looks very pale.
01:20:03Thank you, thank you.
01:20:07Get naked, run!
01:20:09Here?
01:20:09Yeah.
01:20:10What do you mean, get naked here?
01:20:11Yes, quickly.
01:20:12You don't feel the countryside, that wild smell.
01:20:14Don't you feel it?
01:20:14Yes, I can't, right?
01:20:16I feel good, I get stiff.
01:20:17What are you saying?
01:20:18Because?
01:20:19Go ahead, get undressed.
01:20:20Don't be a child.
01:20:20There is no time.
01:20:21And it's also dangerous.
01:20:22If someone comes in, what are you going to say to them?
01:20:24Don't worry.
01:20:25A moment when I undress.
01:20:30No, it's not necessary.
01:20:32That's also possible.
01:20:33No, it's just that I don't function in clothes.
01:20:34It's a moment.
01:20:35Alright.
01:20:36What's up?
01:20:36And the tie, yes, the tie.
01:20:38Yeah.
01:20:39I, then, so much...
01:20:41Hurry!
01:20:42Hurry!
01:20:43We don't have much time.
01:20:44Yes, yes.
01:20:45Ah!
01:20:46Wow, so strong, so tanned!
01:20:48Yes, yes, that's it, that's enough, hurry up.
01:20:50Okay, ma'am, that's enough.
01:20:52Goes.
01:20:52That?
01:20:53So what happens now?
01:20:54I already told you we didn't have time to get undressed.
01:20:57Huh, ma'am?
01:20:58Pear!
01:20:58Hey, hey, hey!
01:20:59Hey, no!
01:21:00But again, only halfway!
01:21:02Hey, yo!
01:21:04No!
01:21:08What happened to Maestro Spadini?
01:21:09Nothing, just a hysterical fit.
01:21:11He's better now.
01:21:11Thank you.
01:21:12Thank goodness.
01:21:13As you can see here, it goes from elevation 103 to elevation 107.
01:21:16Yeah.
01:21:17It must be left at an average level of 105 to comply with the regulatory plan.
01:21:21And the expenses?
01:21:22It takes 20 days of work to remove 6,000 cubic meters of earth.
01:21:26That's 3 million lire, more or less.
01:21:28Too much.
01:21:28It's a job that can be done in 10 days.
01:21:30And the expenses must not exceed one and a half million, is that clear?
01:21:32Where is?
01:21:46Up there!
01:21:49Come with me!
01:21:50But is it something for me?
01:21:56Well, it didn't seem that way to me, but...
01:21:58Who called them?
01:21:59My son.
01:22:00If it is an infectious disease, cows can become infected.
01:22:03But I've already told you that I'm fine, everything's over.
01:22:06What I need is to vent.
01:22:07Listen, Arduino, I can't leave the teacher in these conditions.
01:22:10And besides, the ministry closes at 6.
01:22:12I have to make the most of this trip.
01:22:13You figure it out.
01:22:14But ma'am, is it really up to you to decide?
01:22:16Whatever you do will be well done.
01:22:17And do we have to do the clearing or not?
01:22:20See for yourself.
01:22:21No, ma'am.
01:22:22I had my appendix removed a long time ago.
01:22:24No.
01:22:24Listen, you go ahead.
01:22:26I'll take care of the teacher.
01:22:36What's happening?
01:22:37There's a demonstration.
01:22:38But how?
01:22:39Are you transporting a dying person and stopping at a demonstration?
01:22:41What am I going to do?
01:22:42I can't get through.
01:22:42He's going to make me late.
01:22:43I'm leaving.
01:22:44But, listen.
01:22:47I say, if you want, I'll get naked right here.
01:22:50Where are you going?
01:22:50To undress.
01:22:51I mean, to make a phone call.
01:22:51Bullshit!
01:22:52You are coming with us.
01:22:54We need to justify the trip.
01:22:55Don't worry.
01:22:55I will pay him the coins.
01:22:56No, that's not it at all.
01:22:57And if you give two raisins and the sun falls and I die, who's going to fall?
01:22:59Mom, wait a minute!
01:22:59Since I see you have to discuss your own things, I'm going to leave.
01:23:02Otherwise, I'll be late to the ministry.
01:23:03At 8 o'clock at the bar in Verde Square, don't miss it.
01:23:05But what do I say in the hospital?
01:23:07Don't worry.
01:23:08Get yourself a check-up, it's always a good idea.
01:23:10Bye bye!
01:23:10Hey, come on, up, up.
01:23:12We are in a hurry.
01:23:13Up, up!
01:23:14And what can I do if I'm in the hospital?
01:23:16I'm sick!
01:23:17They have to take x-rays and even do the frog test.
01:23:21But it wasn't one of your relatives who was sick.
01:23:23Yeah.
01:23:23No, no, no, no.
01:23:24I told you so you wouldn't worry.
01:23:26Why should I worry?
01:23:28The situation here is becoming truly dramatic.
01:23:31They are waiting for 30 musicians.
01:23:32They're going to knock my teeth out.
01:23:34If I can't go, then I can't go.
01:23:35I am in the San Camilo hospital.
01:23:37Do you want to speak to the doctor on duty?
01:23:38And what do I care about the doctor?
01:23:41All you have to tell me is what time you plan to come.
01:23:44Wait.
01:23:45At nine o'clock.
01:23:46I promise I'll be there no later than ten o'clock.
01:24:01Forgive me.
01:24:02We have little time.
01:24:03There are only 20 minutes left.
01:24:04So that?
01:24:04We're leaving.
01:24:05By sleeper car.
01:24:06I've already taken care of everything.
01:24:07Are we leaving?
01:24:08Yes, I have an appointment in Milan tomorrow.
01:24:10And what am I going to do in Milan?
01:24:12What does it matter?
01:24:12I've turned everything upside down to spend one night with you.
01:24:15Hush, hush.
01:24:15I've called up the orchestra.
01:24:17I have a recording.
01:24:18You cancel it.
01:24:19You can call from the station.
01:24:20Have you paid here?
01:24:21No.
01:24:22You don't take anything.
01:24:23Leaves.
01:24:23I have some cash on hand.
01:24:25That's it.
01:24:26Come on, otherwise we'll miss the train.
01:24:27Yeah.
01:24:28Yes, yes.
01:24:28I've thought of everything.
01:24:31I've brought you pajamas, slippers, and an electric machine.
01:24:35I think the important thing is to be together.
01:24:37Don't you think so?
01:24:37Yes, yes, yes.
01:24:40Have you ever made love in a sleeper car?
01:24:43No.
01:24:43It's wonderful.
01:24:46I'm going to destroy you.
01:24:50Armando.
01:24:51Armando, listen, it's useless.
01:24:53I can't go.
01:24:53I can't go.
01:24:55Do one thing.
01:24:56You go up to the podium and conduct the orchestra.
01:24:58You'll do great.
01:24:59Furthermore, it could be the opportunity of a lifetime.
01:25:01What the hell are you saying?
01:25:02I won't do it.
01:25:04I'm going to be ridiculous.
01:25:05If I start directing, they're going to make fun of me.
01:25:08Listen to me, Armando.
01:25:09You'll see how well you do, really.
01:25:11I am with you.
01:25:12Hey?
01:25:13A hug.
01:25:14Goodbye, Armando.
01:25:15God protect you.
01:25:28Come on, come here.
01:25:29I've been waiting for you for a long time.
01:25:31What a long phone call.
01:25:33But we couldn't wait for the train to leave.
01:25:36And what's it to you?
01:25:37They can see us here at the station, right?
01:25:39You can always lower the curtain, don't you think?
01:25:42Oh, well, of course, that's true, how silly.
01:25:45But it's engineer Busardi.
01:25:57Engineer!
01:25:59Engineer Busardi!
01:26:00Engineer!
01:26:02Oh my God!
01:26:03So what happens now?
01:26:07What are you doing?
01:26:08Hush, hush, it was a true miracle.
01:26:10I'll be right back.
01:26:11Hey?
01:26:11I'll be right back, don't worry.
01:26:13Am I going to be left hanging again?
01:26:15Engineer Busardi, Engineer Busardi, Engineer Busardi.
01:26:17But listen, we weren't supposed to meet in Milan tomorrow.
01:26:20I preferred to come to Rome.
01:26:22I sent him a message through my secretary.
01:26:24Well, the secretary hasn't told me anything.
01:26:25Perhaps he hasn't managed to find me.
01:26:27Thank goodness I was sticking out the window.
01:26:29It's been lucky.
01:26:30Oh my God, my train is leaving.
01:26:31Wait for my moment.
01:26:32I'll be right back.
01:26:36Teacher!
01:26:37Teacher!
01:26:38Yeah?
01:26:39We're not leaving, to P.S.
01:26:40But what do you mean by P.S.?
01:26:42P.S., hurry!
01:26:42I'm in my pajamas!
01:26:43He sees it, just punishment for his impatience.
01:26:45And what the hell am I doing alone in Milan?
01:26:46That's what I say too.
01:26:49You get off in Florence.
01:26:50In Florence.
01:26:50No, it's better if I arrive in Milan.
01:26:52To Milan.
01:26:52Then take a plane back to Rome.
01:26:54An airplane?
01:26:55Have you understood?
01:26:55Yes, yes, yes.
01:26:56Oh, please don't forget my luggage.
01:26:58Your luggage?
01:26:59Perhaps he needs money.
01:27:00Here you go.
01:27:01He'll give it back to me later.
01:27:03Call me when I get back.
01:27:04We'll prepare a crazy night.
01:27:06Crazy, yes.
01:27:07See you around!
01:27:08Have a good trip!
01:27:11Bye bye.
01:27:21You fucking bitch!
01:27:34You fucking bitch!
01:27:43You fucking bitch!
01:27:44You fucking bitch!
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