The Walking Dead- Daryl Dixon - Season 3 Episode 6 - kisskh
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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00:00:00Transcription by CastingWords
00:00:30Where's that convoy go next?
00:00:31Barcelona, probable.
00:00:32They're all one after them to get Justina.
00:01:00What the hell are you doing here?
00:01:27I could ask you the same question.
00:01:32I thought you might need a tour guide in Barcelona.
00:01:42Didn't figure you for a hippo-miopi guy.
00:01:45Whatever.
00:01:48Let's go.
00:01:48Let's go.
00:02:18Let's go.
00:02:24Let's go.
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00:34:34own country? Yes, Euskal Herria. My mother was Basque. She believed in him. So did I, for a while.
00:34:52I was working on this documentary.
00:35:04Maria wanted nothing to do with this process. She hated that we were giving voice to terrorists.
00:35:34But I made her do it. I insisted.
00:36:04When they found out, he was going to tell Roberto. Instead, he held it over me.
00:36:19I was never able to tell my son the truth. It was not possible to tell him how his mom died,
00:36:31how she did it for me. It was all my fault.
00:36:39Mi culpa. Mi culpa. Por mi gran culpa.
00:36:45Mi culpa. Roberto. Roberto. Espera.
00:37:03Roberto. Espera.
00:37:33Okay.
00:37:45No tengas miedo.
00:37:46I don't know.
00:38:16Oh, my God.
00:38:46Oh, my God.
00:39:16Oh, my God.
00:39:46Oh, my God.
00:40:16Oh, my God.
00:40:46Oh, my God.
00:41:16Oh, my God.
00:41:46Oh, my God.
00:42:16Oh, my God.
00:42:46Oh, my God.
00:43:16Oh, my God.
00:43:46Oh, my God.
00:44:16Oh, my God.
00:44:46Oh, my God.
00:45:16And after time, if you're lucky, the gift you get is start living kicking.
00:45:21Gustavo will help me, Gustavo will help me to sneak out.
00:45:27Gustavo will help me to sneak out.
00:45:29I'll meet you at the lighthouse, okay?
00:45:34Carol, one more, one more, one more, one more, one more, one more, one more, one more, one more thing I want to say.
00:45:40For saving Roberto for caring about him.
00:45:42I mean, I think what I'm trying to say...
00:46:18Thank you, thank you, thank you.
00:46:48Will you be able to make it back to you, will you, will you be able to make it back to the camp?
00:46:55Will you be able to make it back to the camp?
00:47:14Good luck. Thank you.
00:47:31Promise to be back?
00:47:35So sorry.
00:47:42We had to try.
00:48:01You weren't gonna let go of her, were you?
00:48:05I thought that might have been my only chance.
00:48:12So, Alcazar, which way do we go?
00:48:42A bit late for the beach, no?
00:48:51I was just leaving town.
00:48:52It's been nice, but it's time for me to leave.
00:48:57Buenas tardes.
00:48:59We have to inspect your vehicle.
00:49:02Sure.
00:49:03I have to warn you, it's like Jenga back there.
00:49:10I don't remember you bringing a solar panel when you arrived.
00:49:14A parting gift from Antonio.
00:49:17For the journey home.
00:49:19Antonio is very generous, but it's not his to leave.
00:49:26You didn't know if people couldn't leave you alone.
00:49:29There's no way they can leave you alone.
00:49:31What time do you think?
00:49:32Are you able to leave me alone?
00:49:33You know, the people aren't answering these guys.
00:49:38From the back of the world.
00:49:39Since when our village is a prison?
00:49:47I appreciate the victims as much as the mentirous.
00:49:53If we don't want to be mentirous,
00:49:55you should have to be the first to leave.
00:49:59Or better,
00:50:01why don't you explain to everyone
00:50:04what you did with Justina?
00:50:09Because Roberto is awake
00:50:16and he told me everything.
00:50:22How did you try to kill my son?
00:50:26Just to cover your mentirous.
00:50:30I prefer the criminals to the murderers.
00:50:34Donetti, this is not one of your movies.
00:50:37Don't tell you more.
00:50:40Goodbye, Carol.
00:50:43This is not of your concern anymore.
00:50:53Go.
00:51:09You are sorry.
00:51:15You are sorry.
00:51:16I'm sorry.
00:51:28No.
00:51:30Try again, please.
00:51:33We can't do anything else for her.
00:51:35Once again.
00:51:37I'm sorry.
00:51:38There are more people who need help.
00:51:40I'm sorry.
00:51:42My love.
00:51:45My love.
00:51:48I'm sorry, my love.
00:51:51I'm sorry.
00:51:53I'm sorry, my love.
00:51:56This is my life.
00:51:58This is my life.
00:52:12What is that?
00:52:15Oh, my god.
00:52:19I'm sorry.
00:52:21I'm sorry!
00:52:23No.
00:52:24No.
00:52:25No.
00:52:26No.
00:52:27No.
00:52:29No.
00:52:30No.
00:52:31No.
00:52:33No.
00:52:34No.
00:52:35No.
00:52:37No.
00:52:38No.
00:52:39No.
00:52:40No.
00:52:41I have to go back for your dad.
00:52:54He's called him out in public.
00:52:55I don't think Fede's gonna let that go.
00:52:59That's the problem.
00:53:01No, you and your friend.
00:53:02Mr. Dixon.
00:53:04What a hell of a mess.
00:53:07Got an ETS?
00:53:08Still working on it.
00:53:10Roberto, you took everything from me.
00:53:14You are gonna die here.
00:53:22Did you?
00:53:23What?
00:53:26That is the local wine.
00:53:28God, you are the worst.
00:53:32The most amazing love story to share,
00:53:35and the one we probably have to keep secret for quite a while,
00:53:37is between Antonio and Carol.
00:53:40She's had a bunch of loves.
00:53:42She's been married to a king.
00:53:43She's had a couple things.
00:53:44But I think that having these moments, watching movies,
00:53:49and, like, this is nice here.
00:53:51Maybe you could settle here.
00:53:52I think it's nice to watch her have that.
00:53:55Oh, I'll be done in a moment.
00:54:00Oh, God.
00:54:01The shower scene was really cute.
00:54:02It was fun to shoot, and he's awfully brave,
00:54:06because that water was very cold,
00:54:08and we did take after take after take.
00:54:10But it was a cute scene for both of them.
00:54:13The shower scene was the fun scene to come up with.
00:54:16Part of it is inverting the male and female roles in it,
00:54:20so that it's not the female body that's being idolized.
00:54:23It was also meant to sort of point out a difference
00:54:25between the more modest American point of view
00:54:29and a looser European attitude.
00:54:38What the hell are you doing here?
00:54:40I thought you might need a tour guide in Barcelona.
00:54:44Paz was really another way of framing
00:54:46a different kind of love story
00:54:48in the context of a bunch of love stories
00:54:49that are all kind of coming together.
00:54:52You know, Daryl's lost love story,
00:54:54Carol's building love story,
00:54:55Justina and Roberto as a sort of classic young love story,
00:54:59and Paz and Elena as a different sort of lost love also.
00:55:02Paz believes she failed to protect her love, Elena, before,
00:55:08and she goes on a huge adventure to rescue her with Daryl.
00:55:11It was beautiful, and I read on the script
00:55:14that we have to shoot in Barcelona was amazing
00:55:16because I'm from Barcelona,
00:55:18and I have beautiful memories
00:55:20when I was a child in Tibidabo.
00:55:23Three, two, one, car.
00:55:29Starting the scene with the phrase,
00:55:31I used to love coming here with my cousins when we were kids.
00:55:34It was so emotional for me because it was 100% true,
00:55:37and seeing this Ferris wheel with the walkers in it,
00:55:41to see the booth, to see the plaza, it was crazy.
00:55:44I loved it.
00:55:45I never imagined I could see Tibidabo like that, right?
00:55:49Back at the beginning, I came here with my friend Nerea.
00:55:52There was a refugee community
00:55:54while she fell in love with Amanda and decided to stay behind.
00:55:57You kept moving?
00:55:59I was looking for somebody.
00:56:00They don't recognize it at first,
00:56:02but Paz and Daryl are kind of kindred spirits
00:56:04and that they both feel like they blew it.
00:56:08You know, Daryl, I think,
00:56:09still harbors a sense of responsibility and guilt
00:56:11that he didn't save Isabel.
00:56:13And with her, she failed to save Elena
00:56:16when she feels she could have back in the day.
00:56:18And so they're both engaged in trying to fix something
00:56:22that they messed up.
00:56:26So, Bea, that's where they're headed?
00:56:28Si.
00:56:29Contraband, that was the name of episode six,
00:56:30Contraband being goods that are stolen and delivered.
00:56:34It refers to the contraband of these girls
00:56:37who were taken from their homes
00:56:38and brought into Alcazar.
00:56:40It's largely revolving around
00:56:41the attempt to rescue Justina and Elena.
00:56:46My favorite scene was the convoy ambush.
00:56:51We spent one day rehearsing
00:56:54and almost three days to film it,
00:56:56but it was visually striking.
00:56:58Carl, one more thing I want to say.
00:57:02You can say it later.
00:57:06Filming the kiss,
00:57:08I don't know how you prepare for a thing like that.
00:57:10You don't really rehearse.
00:57:11Gentlemen doesn't speak about kiss.
00:57:14I don't know how to say that in English.
00:57:17They've known for months
00:57:18that they're coming to this moment.
00:57:20And there was always a lot of anxiety around it
00:57:22because you want it to work
00:57:23and you want it to be believable.
00:57:24The key for me, for us as writers,
00:57:27was always don't force things,
00:57:30don't rush into them, earn them.
00:57:32So we really felt like we built a dynamic
00:57:35between Antonio and Carol
00:57:37over five episodes that got to that moment.
00:57:40I think Carol's wounded as my character is,
00:57:43and I think they recognize themselves in each other.
00:57:46He catches her off guard.
00:57:47Okay, I need the keys.
00:57:49Yeah.
00:57:54It's funny when I'm playing Carol
00:57:57and something like that happens.
00:57:59She gets a little flustered.
00:58:01She doesn't know where she's going.
00:58:03She kind of does a, like a,
00:58:06I don't know where I'm going.
00:58:08There's also a backstory of Antonio,
00:58:13which involves his story of his wife and Roberto
00:58:16when Roberto was younger.
00:58:18The Fede-Antonio-Maria triangle
00:58:21is really a story about unrequited love and guilt
00:58:25because Fede was very much in love
00:58:28and he lost in the game of love to Antonio.
00:58:32And Fede has never gotten over this.
00:58:35So, of course, Fede's niece and Roberto
00:58:39would be an extension of this feud.
00:58:42Three cameras rolling.
00:58:43We have to inspect your vehicle.
00:58:45Sure.
00:58:46We see Carol sneaking out of the village
00:58:49with Roberto in the truck
00:58:50to try to get him to safety
00:58:52because he's endangered by Fede.
00:58:54His health is endangered
00:58:55and it seems that Fede is trying to get rid of him.
00:58:58And so she has to smuggle him out.
00:59:00So there's a couple different smuggling references there.
00:59:03Maria wanted nothing to do with this project.
00:59:06She hated that we were giving voice to terrorists.
00:59:12But I made her do it.
00:59:18And because he lost, Maria was with Antonio
00:59:21and because she was with Antonio, she died.
00:59:24The story also culminates with the arrival
00:59:28of the apocalypse in Barcelona.
00:59:31And the rest of the episode
00:59:44is Adam guari'sē¼
00:59:44and his family
00:59:46in late rain
00:59:48and also
00:59:48who's only them
00:59:49and such
00:59:52and such
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