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Bhabhi Ji Ghar Par Hai 2.0 Episode 18 brings a shocking yet hilarious twist as Inspector Saxena arrives to arrest Angoori Bhabi. The entire Modern Colony is left stunned, while Tiwari and Vibhuti panic over the unexpected situation.
Is Angoori really in trouble, or is this another classic misunderstanding waiting to explode into comedy?
Don’t miss today’s full episode, aired on 14 January 2026, packed with drama, laughter, and entertainment.
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Fun
Transcript
00:00Why are you throwing two shoes? Why did you throw a lamp with our baby's?
00:07Why did you throw a lamp with our baby's? Why did you throw a lamp?
00:09I don't know who did this lamp.
00:12Who gave this lamp?
00:14The shop owner gave it to the owner!
00:16The ones who brought it on the front end of the lamp is so much bigger than this!
00:20No, let's see!
00:24This is from here, from here, from here, and from here, and from here.
00:29Where are you from?
00:30In the 13th century, the Lord Joginder Roshan Lala
00:33had a lamp in the Havaili.
00:35Then the Havaili had a lamp.
00:37Oh my God!
00:38In the 13th century, the lamp will be a million.
00:43Baha Rani Ji, if we do this for a thousand years,
00:46we will not be able to get the lamp.
00:50Is this a wedding?
00:53Baby Ji, we will talk about Laltan.
00:56If she agrees,
00:57then we will take a wedding.
00:59Why?
01:00Baby Ji, she wants to take a wedding.
01:04I'm sorry.
01:06You can't even be able to get the lamp.
01:08The Lord has a lot of punishment.
01:11Leave him alone.
01:13Give him a punishment.
01:15You are talking about a broken knife.
01:18Where is the money?
01:21He will make a snake and give him a little sack.
01:24Hey!
01:25I don't have to chew the eggs in Haveli.
01:28What's the cause of this?
01:30Let me handle this, okay?
01:33All right?
01:34Vibhu?
01:36Tee?
01:37What's the need for you?
01:39To fill the lab?
01:41Actually, my baby's heart was doing
01:43to eat this chicken.
01:44So, I was doing to break the chicken
01:47so she was misquiet.
01:50He was making a cooker.
01:52Baby is a shooter.
01:54He is a shooter.
01:55He is a shooter.
01:56That's the same thing.
01:57Vibhu?
01:58You should have thought of this Haveli.
02:01You are the manager.
02:02You are responsible.
02:03Really?
02:04It's wrong.
02:05I take all the blame.
02:06And that's it.
02:07Thank you very much.
02:09Hey!
02:10How are you?
02:11I'm sorry.
02:12You'll get a great reward.
02:13You'll get a great reward.
02:14Let's see.
02:15What?
02:17Timari Ji.
02:19Don't become a good man.
02:21Don't become a good man here.
02:24Give me a reward, Lord.
02:26What are you giving?
02:27Yes, yes.
02:28It's a reward.
02:29It's a reward.
02:30It's a great reward.
02:31You need a little time to think about it.
02:32Why do you feel like this?
02:34Like these are all together.
02:36And some are playing a big game.
02:39You're a good man.
02:40But I'm sorry.
02:41Sorry.
02:42Please.
02:43It's very simple.
02:46No rocket science.
02:48I'll tell you.
02:49You have to take a phone, like this.
02:50Tiwari ji, it's very simple, it's not rocket science, I'll tell you, you have to call the phone
02:58Hello, good morning, welcome to Ghugan Ganj Grandeur, I am Manmohan Tiwari, owner of this heritage resort
03:11Simple
03:12How sweet you are
03:14Does he look like an owner?
03:15Nah
03:17He looks like a gobel
03:20That's what you are, once a gobel, always a gobel
03:29One minute, Tiwari ji, I'm telling you so important, and you guys, how many boys are fighting?
03:37Brother, they've done it, we haven't done it, you'll give them one time and then see
03:42What?
03:43Let's go, let's go, let's go, let's go, let's go
03:47What?
03:48What?
03:49I'll tell you my father
03:50My father
03:54Saksena ji, I'll come back and take her back and take her back
03:56Anyway
03:57Anyway, I've heard that the Kobra Kaviri is back again
04:03Reaction
04:04I'll tell you
04:05I'll tell you
04:06You too
04:08What happened, Saksena ji?
04:10You're telling me that matter is very serious
04:13Are you serious?
04:14Yes, brother, matter is very serious
04:15What?
04:16I'm taking her back and take her back and take her back and take her back and take her back and take her back and take her back and take her back
04:20What?
04:21My father
04:31Bro, Kaviri, you are gonna risk for públic mine
04:33You still have to take her back and take her back and take her back and have to take her back as a meal
04:35And do you see her back and take your back and take her back and take your back, then?
04:39We've got a baby!
04:42What is this?
04:44You're going to be going to bite one after a while.
04:47Asad Sena, we've got a lot of mistakes.
04:50You have to take a carrot.
04:54Carrot?
04:56Carrot, you want to take a carrot and arrest.
04:59I'm sorry.
05:01Take a look.
05:02Brother, you have to do a crime.
05:05Because the long-term hands of the law has closed me.
05:07So, open your hands and open your hands.
05:11Saksana Ji, I'm saying this.
05:14These big, big stone stones,
05:16I'll kill you in this place.
05:18I'll kill you in this place.
05:21I like it.
05:22Trust me.
05:25Listen.
05:27This is a joke.
05:30It's a joke, Saksana Ji.
05:32You always say that you say that you say that you say that you say that you say that you say that you say that you say that you say that.
05:34Exactly.
05:35Which son will send your mother to jail?
05:38You say that you say that.
05:40Saksana Ji,
05:41if you haven't done any arrest,
05:45then I'll free your stay at the resort.
05:50Brother, you want to say something?
05:51What do we say now?
05:53I'm saying.
05:54It's happened that I came to my dream of my birthday.
05:57Of course.
06:00He was in the police.
06:01He told me that the son is anok.
06:03If that's not the case,
06:05if anything happens in any situation,
06:07I'd be very happy to get a good job to get rid of your duties.
06:10I'd be so happy to get rid of your duties.
06:12Don't do any of that work.
06:13I'll never start to get any of your children.
06:17Brother, if I've done a job for you,
06:20then I'll be a man of pride.
06:23No, no, Saksana Ji.
06:25So, let's go to the house.
06:28We don't want to be able to get the mother of Satish's mother to your parents.
06:44How did Satish's mother come from this conversation, Baba Ji?
06:50Oh God!
06:51Oh God, my God, this is far-fetched.
06:54I think, what are you doing with stigma?
06:57Stigma.
06:59But we won't be able to get the mother of our family.
07:03Sakshana Ji, if you have to take Baba Ji,
07:06then you will have to go through my blood.
07:10Not only once, but not only once.
07:13Okay, okay.
07:14You will be exactly the same.
07:16I know.
07:17My lady constable, Kaveri,
07:19went to the city and took the lottery.
07:21I will come back to her again.
07:23I will come back to her again.
07:24And first, I will give you your blood.
07:25Huh?
07:27And I will take the blood on her.
07:30Any choice?
07:31Any choice?
07:32Any choice?
07:32I will take the blood on her feet
07:35or the mouth on her?
07:37Any choice?
07:38Any choice?
07:41All right.
07:42Any choice?
07:43Any choice?
07:52Finding gold.
07:55Show me outside.
07:56I don't want to be a good guy.
07:58I don't want to be a good guy.
07:59I don't want to be a good guy.
08:02One minute.
08:04Come on, look at me.
08:05Look at me, there's someone coming here.
08:10I'm going to go out.
08:18I love you, girl.
08:22I love you, brother.
08:24And I love you.
08:25What are you doing here?
08:27London, we had written here. Why is it Anurag?
08:33But why are you here?
08:35Why are you going to do this to Kanpur?
08:36Yes, there was a lot of money.
08:39Yes, that's right.
08:41I had money in Anurag's factory.
08:44One day, Anurag's factory was a fire.
08:47My whole money was running away. Why is it Anurag?
08:50London, I've heard that you live in the havealy and there's a resort.
08:57We will do that. Why is it Anurag?
09:00It's not going to be a work.
09:03In this case, you can't find any place in the havealy.
09:09Let's go, let's go here.
09:12Go away, get out.
09:13Before we get out of here, London,
09:15let's take a look here and see.
09:20Hey, Prem, brother.
09:22Hello.
09:23Welcome.
09:24Hi, hi, hi.
09:25Hi, hi, hi.
09:27How are you doing this?
09:28Oh, man.
09:29How are you doing this in the digital world?
09:34Let's see.
09:36Who are you watching?
09:37The food of the children.
09:40Which food of the children?
09:43The food of the children.
09:45I'm going to take a look here.
09:48Hey, hey, hey, hey.
10:02How are you eating?
10:04I'm thinking.
10:05I don't know where we were going to come to the house of Gungat Ganj.
10:12I'm going to the house of Gungat Ganj.
10:16I'm going to work all the time.
10:17You're going to be the king of Gungat Ganj.
10:19heavenly people.
10:20Oh, my goodness.
10:23I'm going to have ended.
10:26It's a rape for Gungat Ganj.
10:27Oh, my God.
10:27I'm sorry to have you going to go to the house of Gungat Ganj.
10:34It's an accident.
10:35It can happen anywhere.
10:37So, that's fine, but...
10:38doesn't happen to have to be to the house of Gungat Ganj.
10:40This is not a good job, sir.
10:42But it's not a good job.
10:43You are so beautiful.
10:45You are not a good job.
10:46You are not a good job, sir.
10:48You are not a good job, sir.
10:50No.
10:53You are doing a job.
10:55What do you send to my mom to the grocery store?
10:58When the cold weather will be cold,
11:00you will be back and you will be back.
11:02You will be back there.
11:03Why are you sending me away, sir?
11:06We will not go to the grocery store.
11:09Don't understand, why would you be here for some time?
11:13When the police come and you don't meet here,
11:16the police will kill you, understand?
11:18No, no, he's an eagle, right?
11:21The eagle is an eagle, but he's a vulture.
11:25You're probably going to call him illegal.
11:27I'm a liar.
11:29We want to look at our karma.
11:32Your lifestyle will not match with the jail.
11:35I mean, you're very delicate for that.
11:38No, no, we want to do Prashchit, Barbuti Ji.
11:41You can't go to jail, you can't see our eyes.
11:45It's gone, it's gone, it's gone.
11:47What did you do?
11:49I don't understand Prashchit without Prashchit.
11:52I have an idea.
11:54What?
11:55Because of Prashchit's one eye,
11:57why don't we close both eyes?
12:00For some time, Prashchit will also be done.
12:04And then, the story ends.
12:08Yes.
12:10Yes.
12:11This idea is a good idea.
12:12Without one eye,
12:13close both eyes.
12:15This, this, this, this, this, this, this, this, this, this, this, this, this, this, this, this, this, this.
12:21What is the same?
12:22In one eye, there are two eyes,
12:24and if there are two eyes,
12:26we release one eye,
12:28then you will see the sign,
12:29the greener,
12:30the greener,
12:30the blueer,
12:31and the yellower.
12:32It's not true.
12:36In one eye, you are doing two eyes,
12:38and that's good.
12:39Pagliya sahi raheega.
12:40Samji, tummarih doonoh aankho par
12:43kuch samay ke liye patti banh daytay hai.
12:46Doonoh aankhe pe lag jagas.
12:48Unko pichutik ke paahin nahi.
12:53Ahoyi, toh ke arae, kaise hooga?
13:05Kali yehi par woh mili thi.
13:09Now, I don't know if I'll meet you or not.
13:33Hey, why did you see me like this?
13:37Everything is different with you.
13:39Today, I'm different and I'm different.
13:44What's that?
13:45I thought that someone was coming back.
13:49Now, if someone knows me and my mother knows me,
13:53then someone says, what am I doing with my life?
13:58It's my name.
13:59Look, I can't believe all of you.
14:02But you're talking about your life,
14:05and I'm not good at all.
14:07You're in the world.
14:09You're in the world.
14:10You're in the world.
14:12You're in the world.
14:14You're in the world.
14:16I've been doing the world.
14:17I've been doing the world.
14:19I've been doing the world.
14:20Today, I've been reading my dreams.
14:22I've been doing the world.
14:24You've been doing the world.
14:25Why did you have to tell me that I am doing the world?
14:29Without you, I'm dying of dying.
14:31I'm going to die completely.
14:34This witch is still in your life.
14:40But I don't even know this witch's name.
14:45What's the name of this witch?
14:48Let me see in my heart, sir.
14:51My love was to see this creation.
14:56We will tell you all night on the road.
15:00Your house is very far.
15:03My house is not very far.
15:06We will take our house with you.
15:11Come, sir.
15:22That's the truth.
15:24Look, I feel good.
15:26Thank you so much for eating my poor food.
15:29Thank you so much for your heart.
15:32It's not a poor food, Baba.
15:34You need to have a big heart.
15:37Like your heart is bigger.
15:39Oh, wow.
15:41Wow, wow.
15:42Come on, come on.
15:47Baba.
15:49What?
15:50What is this night in the snowy street?
15:53I don't know.
15:56What is that night inside a roof?
15:57The night inside the door is a night inside a roof.
16:00And who is the poor child's soul?
16:02Now, you're going to die.
16:04That's not what you mean.
16:05No, no, no, that's not like that.
16:07What is that? My house is very confident.
16:10You both have said this for the rest of the house.
16:15Don't believe it, Baba.
16:17My mother understood me well
16:19that if there are any kind of selfish things in a house,
16:22you shouldn't go to that house.
16:27What do you do now?
16:31Let me out of this.
16:33What are you doing?
16:35I can't go to the house.
16:37This will not be able to go to the house now.
16:51What do you love me?
16:53Your love for me is a fun.
16:58Do you want to follow me with you?
17:00What do you want me to follow me with you?
17:02What do you want me to follow me with you?
17:04If it's like this, I'm going to go.
17:06No, wait.
17:07My love is true.
17:08You.
17:09I'm going to go.
17:10No, wait.
17:14My love is true.
17:15My love is true.
17:16My love is true.
17:17My love is true.
17:18My love will be true.
17:19This will be a huge scenario.
17:21And you will have to go to this house.
17:22and you will have to go to this house.
18:22What are you doing?
18:23I'm going to meet my friend.
18:27He'll come with me.
18:33He's gone again.
18:34Who's gone again?
18:35Who are you going to meet?
18:36I've come to my friend.
18:38He's a very beautiful girl.
18:41I helped him, so he's impressed me.
18:45He's been a friend of mine.
18:47One minute.
18:48Leave it.
18:49Why are you leaving Naryal?
18:51That's why my friend came here.
18:53His mother told her that
18:55wherever you look like Naryal or something,
18:57I don't want to do anything like that.
18:59I don't want to go inside.
19:00I don't want to go inside.
19:01I don't want to go inside.
19:02I don't want to.
19:03Did you get less than this girl?
19:04I got to meet her.
19:06What was her name?
19:08I don't know.
19:09I don't know.
19:10I don't know.
19:11I don't know.
19:12I don't know.
19:13Any address?
19:14Yes.
19:15Yes.
19:16She was saying that I'm going to live here in Paz's village.
19:19Paz's village.
19:21She was so close to you in one day.
19:29What are you thinking?
19:30I was talking, of course,
19:32you were talking you said.
19:33But you are serious.
19:34You are serious.
19:35When are you going to live here?
19:36You were talking you said.
19:37But you are serious.
19:38You have serious.
19:39When are you saying that?
19:40What are you talking about?
19:41I am your daughter,
19:42and what are you saying?
19:43I am talking what am I saying?
19:44What am I saying, Chacha?
19:45I am sure that you will have a friend with Bhootni Bhabiji.
19:52And what?
19:53That's when he has forced the temple to remove Naryal,
19:55because he knows that if he doesn't remove Naryal,
19:58he can't do anything in the middle.
20:05And your hands are broken.
20:11God, Chacha, please,
20:13let him know about his history and geography.
20:16Because Bhootni Bhabiji,
20:18you can meet in any way.
20:22And don't take care of him.
20:29Please tell me.
20:32Bho, Bho, Bho!
Comments
1
  • Sahil Bhai3 minutes ago
    bhabhiji gher par so ka ek hi trp king aur vu ab is show me nahi aur uska naam Shilpa Shinde nhi ha shubhangi atre hai shubhangi atre ne is show ko badhaya hai trp king for shubhangi atre
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