- 3 hours ago
El drama corto más candente de 2026 - The hottest short drama of 2026
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00:01You give Morgan Guillory a puzzle, she won't stop thinking about it until it's solved.
00:06Hey, any news? We found Roman.
00:09I'm sending you a photo now.
00:10That's not Roman.
00:11I think someone's been on my tail the past few days.
00:13Maybe you should just hide the bag, because whoever Roman's running from might not want what's inside getting out.
00:19We could just keep this between us?
00:21We'll keep the circle small.
00:22Let's run this stack of photos through facial recognition.
00:25Who are you?
00:27I want that backpack.
00:28I'm not theft of major artwork.
00:31Painted by Rembrandt in 1645.
00:33The thief wanted this painting for a reason.
00:36Reese just flew and helped us find our missing painting.
00:38I'm an art recovery specialist.
00:40If I can recover the Rembrandt safely, the insurance company can avoid cutting a rather large check.
00:44Do you have any idea who it might be?
00:46Well, the internet seems to think so.
00:47Some call him Jean Baptiste.
00:49If we find the young girl, we should be returning it to Miriam Weissman, not the Fosters.
00:54So you go back to the crime scene on your own without a police escort?
00:57But if we didn't, we wouldn't have gotten this.
00:59Detective Karadik and I can handle it from here.
01:01Are you kicking me off the case?
01:03Don't worry.
01:04The ransomware will turn up soon enough.
01:06That's our guy.
01:07Let's go.
01:08He's getting away.
01:09Jean Baptiste might not exist.
01:11He could be a myth.
01:12The guard shot him in the left shoulder, and he fled empty-handed.
01:14I'm down at the museum, and you're going to want to see this.
01:18Our case just got blown wide open.
01:50Oh, my God!
01:57Oh, my God!
01:58Damn it!
02:00Mark!
02:01Dear God!
02:02That is not okay!
02:04No, you're big mad.
02:05Yo, what's the problem?
02:07You scared me.
02:07This is where I work.
02:09Are you sorry?
02:09You love this kind of stuff, though.
02:11Not this kind of stuff, okay?
02:13Okay, I'm sorry.
02:14I just couldn't wait to see you.
02:16I've been thinking about you all day.
02:17All day?
02:19Oh, most of the day.
02:21Hmm.
02:21Thanks.
02:26Hmm.
02:27Okay, let's go.
02:28Yeah, let's get out of here.
02:29Where are my keys?
02:31Whoa.
02:31And you didn't see anyone leaving the area before you found him?
02:50No one.
02:51Yeah, if she didn't drop your keys, we might not have even noticed anything.
02:54I don't like to dig him anything.
02:56Well, does this have something to do with the painting that got stolen?
03:08Morgan.
03:08You called her?
03:10I did.
03:31You remember the museum, director?
03:34Cyrus Caro, 48.
03:35Cause of death.
03:36One force trauma to the back of the head.
03:38Possibly his own tire iron, which is missing from his trunk.
03:41So, our friend here has a $20 million painting stolen from his museum,
03:46and two days later he winds up dead.
03:48What are the odds those things aren't connected?
03:50Either he knew something about the theft, or he knew who did.
03:53Maybe they got to him before he'd get to us.
03:55Any chance we're looking at Jean-Baptiste?
03:57Not likely.
03:58Jean-Baptiste stole paintings from across the world.
04:00Cyrus wasn't a traveler.
04:01Maybe he and Jean-Baptiste were working together.
04:04You think he's the one who called you, set up the ransom?
04:06I didn't recognize the voice, but he did hand me the Polaroid.
04:09So he can't be sure if our Vic was a witness or an accomplice.
04:12When was he killed?
04:16Um, M.E. established time of death within the last hour.
04:18Oh, thank God.
04:20It's just good that we got here so quickly.
04:23He was wearing this at the museum.
04:25Yeah, so why would our killer leave a watch worth 200 grand on the ground?
04:29Why go through all that trouble to take it off his wrist just to what?
04:32Forget it?
04:32Well, it's fake.
04:34Yeah, if it was real, the second hand would glide and not jump around when it ticks.
04:38Plus, the engraving's too shallow.
04:39Our text will take a look.
04:40Sounds good.
04:42I'm going to skip out for a little bit.
04:45Everything all right?
04:46Yeah, just kid stuff.
04:47You need a right?
04:49No, I want to walk.
04:50What?
04:51I want to walk.
04:52I want to walk.
04:53I want to walk.
04:54I want to walk.
04:55And a bin that needs to be empty left off.
05:21Sorry, just grab a nice towel.
05:23I made a mess, so...
05:24That's okay.
05:25I got it.
05:26Sure.
05:32Morgan.
05:33Morgan.
05:34What?
05:35You followed me?
05:36You showed up to a crime scene and left two minutes later.
05:38Yes, I followed you.
05:39What the hell's going on?
05:42I think Rhys is Jean Baptiste.
05:44Rhys, the art consultant.
05:46No, the peanut butter cup.
05:48Yes, same guy.
05:49Only I don't think he recovers art.
05:50I think he steals it.
05:51Or both.
05:52I don't know.
05:53There's a crate in his room.
05:54And I think our young girl is inside.
05:56It's settled down.
05:57It's a painting.
05:58Um, okay.
05:59That's it?
06:00You heard he's got an art crate and now you think he's an international art thief?
06:04No, I saw it.
06:05And I also saw a scar on his left shoulder from a bullet wound, just like Jean Baptiste,
06:09in the same spot.
06:10Okay.
06:11Well, how did you see a scar?
06:12Huh?
06:13The scar.
06:14You said you saw it.
06:15Um.
06:16I can tell you're making a face.
06:17Could you translate that face for me?
06:18Yeah.
06:19Yeah.
06:20You know, he and I, we...
06:21Oh.
06:22Oh.
06:23You know what?
06:24It shocked me too.
06:25I don't know.
06:26Can we move past that part?
06:27We have to rethink this entire investigation.
06:28Okay.
06:29Well, I think you're being a little dramatic.
06:30No.
06:31Rhys has been with us every step from the heist to the murder.
06:32I understand that.
06:33That's why I need to peek inside that crate.
06:34Morgan, you can't break into someone's room without a warrant.
06:35You know that.
06:36Obviously, if I find something important, I'm gonna say that I saw it when he invited me
06:37in.
06:38That doesn't make it better.
06:39Morgan, now you're just adding perjury to an unlawful search.
06:41Good point.
06:42I'll jot that down.
06:43Morgan.
06:44What?
06:45What?
06:46What?
06:47What?
06:48What?
06:49What?
06:50What?
06:51What?
06:52What?
06:53What?
06:54What?
06:55What?
06:56What?
06:57What?
06:58What?
06:59What?
07:00What?
07:01What?
07:02What?
07:03What?
07:04Well, hello.
07:29Where did you disappear to?
07:33Um, I had to go work on another case.
07:38Oh.
07:39Yeah, I know.
07:40It's like, I wish people would just stop killing each other
07:43all the time, you know?
07:45It's like, it's enough already.
07:47Well, I may head back to my hotel room soon.
07:51Why?
07:52Um, I just, there was so much work to be done over there, right?
07:56I mean, what's going on with that watch?
07:57Remember that watch?
07:59Are you sure everything's okay?
08:01Yeah, yeah.
08:03Because we kind of got interrupted earlier.
08:07We really did.
08:08Maybe, I don't know, we can pick things up where we left off?
08:24Did you find the painting?
08:26I found a painting.
08:27I did not find the painting.
08:28So we have no idea if Risa Jean Baptiste were our killer?
08:31I'm pretty sure he's Jean Baptiste, but we both know he's not our killer because he has an alibi, remember?
08:36Right.
08:37Well, a scar's not enough of a smoking gun, Morgan. We need more.
08:40Well, I'll find more.
08:42That's how you'll get more that worries me.
08:44You know what? I don't need this from you right now.
08:46And I don't need Wagner going off on you again, so if you really think Risa Jean Baptiste, we need to bring the captain up to speed.
08:52Absolutely not. No. The only thing you need to do is get the captain to bring me back on the case.
08:57And how should I go about doing that, exactly?
08:59Well, you can start by keeping your mouth shut about everything that happened in the hotel room.
09:02Hmm. Okay, so lie to my captain about where you were and how we know what we know.
09:05Just come up with something that makes sense and makes the captain trust me again.
09:10You're making this harder than it needs to be.
09:12I'm sorry.
09:28So now we need to catch a thief and a murderer.
09:31Detective Carradot, glad you could join us.
09:33Captain.
09:34Guillory, I'm sure you'll find another case in need of your unique talents.
09:42They're gonna have questions about the victim at the press conference.
09:45What do we know about Cyrus Caro?
09:47No priors, no kids, unmarried.
09:49Was born in the Philippines and got a master's in sculpture here in L.A.
09:52Cyrus was the museum director for five years.
09:54We looked into all the staff after the heist. Nothing flagged.
09:57What about his social media?
09:59This was his last post, taken two hours before he was murdered.
10:02Find out where. What about our ransomer with the tinted windows?
10:06We ran the plates. The car is registered to a Lou Fowler.
10:09We put a bolo out on the car.
10:10Any connections with Jean Baptiste?
10:12Nothing yet. We still don't know who he is or if he even exists.
10:14I'm a skeptic, but I'd love to be proven wrong.
10:17And the ransomer hasn't called you again to make any demands?
10:19No, none of my contacts have seen or heard a whisper about the stolen painting.
10:23On the dark web or anywhere else.
10:25Maybe it just hasn't surfaced or whoever took it is being real careful.
10:29Great. So we're looking for an art thief and a car thief who could be the same guy, but the only suspect we've been able to identify is still Miriam Weissman's grandson.
10:42So will someone find out what he was doing while Detective Kerenik and I were running every red in the sand?
10:47My father bought that painting in 1932.
10:50We lived in Krakow.
10:52I was the only one in our family that survived.
10:55When the Nazis came, they took everything.
10:58Morgan and I could go by Cyrus' place and see if we could find anything.
11:02Just you, Detective. Morgan's benched.
11:04Forrester and Osdell, if there's a connection between Cyrus and Jean-Baptiste, I want to know.
11:09Let's hope we have a hell of a lot more to say the next time I talk to the press.
11:21So what's good around here?
11:22Uh, you can have some of my carrots or somebody else's pretzels.
11:28So this is the consultant's corner, huh?
11:31Where we wait to be called on?
11:33You maybe. Not me. I'm out.
11:37Look, about earlier, I truly had no plans.
11:41Honestly, it's fine.
11:44Got a little carried away. It's all good.
11:48Okay.
11:50So how's that other case coming along?
11:52You know, the one you had to check on.
11:54Yeah, good. Really good. Solved it.
11:56Already?
11:57Yep, I know. Some of these cases are tough, you know?
12:01And then some are just kind of open and shut.
12:04Real grab bag here at Major Crimes.
12:08Well, congratulations.
12:10Mm-hmm.
12:12Um, I've given it some thought.
12:20I'm gonna go with somebody else's pretzels.
12:22Captain, you got a second?
12:39Later, detective.
12:40You know how the press gets if we keep them waiting.
12:43I'd like Morgan back on the Jean Baptiste case with me, sir.
12:46Ah, would you?
12:47You would, too, if you'd worked as many cases with her as I have.
12:54Where'd you go?
12:55I'm not sure I understand.
12:56Back at the crime scene, you took off.
12:58Both of you.
13:00I'm finding it hard to keep track of you two.
13:03So I think you worked this one solo.
13:05Captain.
13:08I work with Morgan.
13:10On every case.
13:11And I know what I signed up for.
13:12If she messes up again.
13:14It's on me.
13:28You know he carries around a briefcase and never looks inside.
13:30Morgan, can we focus, please?
13:32Fine.
13:33What did you say to Wagner to get me back on the case?
13:35I spoke to him cop to cop, and he agreed.
13:36Simple as that.
13:39You're not gonna let this go, are you?
13:40What do you think?
13:41Look, Wagner knows that you're...
13:43Yeah?
13:44You're a wild card, okay?
13:45But he wants to know everything that's going on with you.
13:47Same goes for me.
13:48If we do that, then we stay on his good side.
13:50But if we keep hiding things from him, it's my ass.
13:53But we are hiding things from him.
13:54I am well aware.
13:56And you need to watch your ass.
13:58Here's, uh, Cyrus' apartment.
14:03Whoa, whoa, whoa, whoa, whoa.
14:07Cyrus lived alone.
14:09Someone's in there.
14:11We didn't expect anyone to be here.
14:13We're very sorry for your loss, Emilio.
14:15How long did you know, Cyrus?
14:17Cyrus and I started dating a few months ago.
14:20A friend introduced us right when I arrived from Colombia,
14:23and, uh, we just clicked.
14:25He asked me to move in with him almost right away.
14:28When he stopped answering my texts, I started to worry and came home.
14:32That's when I saw the news.
14:34I'm so sorry.
14:35You know, my partner and I met Cyrus.
14:36He seemed like a very sweet man.
14:37I thought we'd be together forever.
14:38Can you think of anybody who might have wanted to hurt him?
14:39Cyrus?
14:40No.
14:41And what do you do for work?
14:42I'm a language instructor for IFLA, International Foreign Language Assistance Program.
14:46Well, these sure are beautiful.
14:48Oh, yes, thank you.
14:49Uh, they're 18th century Italian Baroque.
14:51Oh, I know.
14:52I love the floral motif.
14:53Was Cyrus the collector or were you?
14:54I started getting Cyrus into antiquing.
14:55Uh, we picked those up last weekend at the, uh, Rose Bowl flea market.
14:57What a fine.
14:58What a fine.
14:59What a fine.
15:00What a fine.
15:01What a fine.
15:02What a fine.
15:03What a fine.
15:04What a fine.
15:05What a fine.
15:06What a fine.
15:07What a fine.
15:08What a fine.
15:09What a fine.
15:10What a fine.
15:11What a fine.
15:12What a fine.
15:13Uh, I don't remember what we used, uh, some kind of cleaning product.
15:23Why?
15:24Oh, you can use ferric oxide to polish metals.
15:26But if you add a little bit of powdered aluminum to it, you get thermite, which is a
15:39fine waste.
15:40Wow.
15:41Okay.
15:42Oh, this is a fine waste.
15:43pyrotechnic composition that can burn up to 4500 degrees fahrenheit so people use it for things
15:49like welding or making fireworks or grenades yeah can even melt glass like the skylight at the museum
16:07wait you think that i had something to do with the stolen painting you know a by-product of
16:12thermite is aluminum oxide it's this very fine powder
16:21yep that's it you know i think we should take this conversation down to the precinct amelio
16:26amelio hey hey
16:35move
16:42you know the thing about stolen vehicles
16:57is they aren't always so reliable out of the car sir nice and slow
17:10okay it's arthur we're gonna take this okay i'll go brief wagner
17:18arthur are you okay i don't know things could be better
17:27what are you talking about some guy he ambushed me he was looking for roman's backpack
17:33i got away but not before he got a few hits in on me you know oh my god how bad is it yeah i got a
17:40hard head i'll live all right where are you i'm getting patched up right now which hospital hospital's
17:46is asking me questions i got my own cup man hey hold on hey harold give me a second all right
17:51give me one minute thank you brother
17:55morgan listen to me very carefully all right these people are not playing games
18:00whatever's in that backpack that roman gave me to pick up they want it and they want it real bad
18:05do they know i have it i don't know if they do i damn sure didn't tell them about it
18:13okay this guy do you think you could identify him and describe him to a sketch artist
18:18we talked about this before i am not going to the police arthur you just got attacked
18:23who knows when they'll find out i have roman stuff just tell us where you are we can come to you
18:27please
18:37mr and mrs foster what the hell was that greg and i saw your captain's press conference then you know
18:41we're doing everything we can to find your stolen painting are you because we were beginning to
18:45wonder if you're only interested in getting your face on the news if me standing in front of a camera
18:49can help catch a murder and a thief what happened with the ransom note we have a suspect in custody
18:54and i assure you we are working to answer those questions well it doesn't seem like you have
18:58much to show for mr and mrs foster we know how much the young girl means to you now i can assure
19:03you that captain wagner as well as our entire team in major crimes is doing everything possible
19:06to bring her home now please let us do our job don't bother it's time we hired our own private
19:11detective i think you've kept us waiting long enough
19:19you're not listening to me you got the wrong guy no we want to believe you emilio but you did
19:24try to get away from us in a stolen vehicle twice and then there's what we found in your apartment
19:30items consistent with the burglary that's not mine never seen this before then why run you see
19:36i think you started dating cyrus to get access to his museum and then you did that whole mission
19:42impossible act a theft a murder a ransom you had the whole thing planned out my relationship with
19:50cyrus wasn't perfect but i would never hurt him not even for 20 million dollars where did you hide
19:56the painting i'm not hiding anything but you showed up to the ransom what did you get nervous you weren't
20:01going to be able to find a buyer because i think you found out about reese through cyrus and cyrus found
20:05out what you were doing and you couldn't have that or maybe he discovered this wasn't the first painting you
20:10stole i don't understand oh i think you do emilio or would you prefer the name jean baptiste
20:21i only heard about this stolen painting because cyrus told me like i'm not answering any more questions
20:29fine don't say another word but this court order says that you need to let us check for any identifying
20:36marks on your left shoulder about this one cutting an avocado like a jerk i'm glad you survived
20:47what about you scars only have the one pretty sure you've seen it too i don't i don't think i have
20:58that's hard to believe given your powers of observation
21:00summer 2010 florence art festival things took a very unpleasant turn i mean i didn't see the gun but
21:10i heard the shot luckily for me it missed my artery
21:22oh he's got a whole collection of them doesn't he that he does
21:30i served two years in the colombian army 27th jungle battalion in putubaya we look at the side of his
21:38hand it's all red why you think he banged it up no i think it's ink emilio said he was a language
21:45instructor he probably graded papers with red ink but i didn't see any papers in the apartments
21:50and what do you do for work i'm a language instructor
21:53maybe he was doing it in an office and maybe that office is used for something other than just grading
21:59papers guys let's go
22:06she left
22:07okay so we're thinking emilio might have had another reason to be here like hiding the painting
22:21or the murder weapon it's a lot of boxes i'll take this room all right let's get started
22:26teaching languages could have kept emilio hopping from one country to another that would be a good
22:37cover for an international art thief okay there's nothing in here except the student paperwork same
22:42what do we have here oh wow i'll call a team to crack it open
22:48uh guys
23:05looks like we found sean baptiste
23:19good afternoon i'm captain nick wagner from the lapd's major crimes division
23:24earlier today our detectives arrested an individual we believe is responsible for the murder of cyrus
23:31caro while our investigation is not complete we will soon be returning the stolen rembrandt
23:37to its rightful owners are there any questions did you inform the fosters yep we left word for them
23:45well they'll be glad there doesn't seem to be any noticeable damage
23:49look who's here detectives ari miriam what are you doing here we came to see the painting morgan
23:58who invited us
24:11you arthur
24:23you a cop trying to blend in
24:27i'm a friend of morgan's all right well let me just say what i gotta say so we can get this
24:32thing over with i'm listening there was a dude hiding in the back of my truck
24:39i didn't give him what he wanted he reached for a blade
24:41when we got into it you get a look at the gun just a couple of glimpses
24:46then we spilled out into the street it all happened pretty fast any information helps
24:52all right white dude 50s lean salt and pepper hair yet uh this big ass goatee he also had a uh
25:02tattoo of some kind of bird peeking out his shirt right here what are you doing we found pictures of
25:08some people in roman's backpack one of the guys was somebody who couldn't identify
25:14that the guy
25:20yeah that's the guy
25:22and i'm gonna need you to come down to the precinct with me make an official statement
25:26i'm afraid my unofficial statement's just gonna have to stand for now sorry
25:30your life
25:32your life could be in danger
25:34what do you want me to do huh you want me to sit in your lobby till you catch him look just find
25:39the guy all right put a couple of your people on morgan and her family because trust me i'm good
25:45we done here all right i'm giving you my number and you're gonna hold on to it i hope you never see
25:51this guy again but the moment you do call me
25:58all right
26:04you invited her yes i did
26:09you think the fosters are gonna loan out that painting anytime soon this will be the last time
26:12marian weissman will ever be able to see it not to mention the fact that technically
26:16it belongs to her so none of this is fair well it's our job to enforce the law even when it's
26:20not oh yes thank you for the reminder i'm sorry for the quick exit but i'm due in palermo tomorrow
26:26have another stolen art piece that requires my services oh is she a provocative young girl this
26:33time and she's a landscape well marisa would seem that your job here is done thank you
26:40oh the pleasure's all mine and for what it's worth
26:43yes i really wish the young girl was being returned to marian weissman too
26:57you all right yeah
27:02that's not her
27:05that's not her
27:06what do you mean she doesn't have my eyes
27:16my father always loved that we had the same eyes
27:20i think she's right karadek look at the whites of her eyes that's too bright
27:32in 1645 painters used chalk mixes or lead white that had like a creamy softness to it
27:38this is brilliant and glaring more like a modern titanium white which didn't exist for another three
27:43centuries in 1645 no one could have painted with this brightness and clarity the materials didn't exist
27:50i'm sorry for the quick exit but i'm due in palermo tomorrow
28:01what do you mean it's not her morgan says the one we found is a fake wouldn't the museum have
28:06authenticated it no not a small museum like the harbach and when it comes from a reputable collector like
28:10the fosters so we're supposed to believe she knows just by looking at it there's an authenticator on
28:14the way but i believe morton where is she
28:20you can take the next one right thanks gina well i'm not normally one for prolonged goodbyes but
28:28in this case do you have it i'm sorry what do you have the painting are you serious you haven't
28:33opened that briefcase once since you've been here what's inside of it so that's why you asked me about
28:37my scar because you think i'm john baptist and then i did what stole the rembrandt while no one
28:44was looking folded it up and hid it in my briefcase
28:50i can think of one way we can clear it up they're just confidential client files in there more than
28:55nothing else i assure you right there's an unfortunate amount of paperwork that goes without recovery i bet yeah
29:01okay as you wish
29:20i'm sorry i i really thought the one we found on amelio's office was fake and you're
29:25so the real one i picked up on that
29:32so you've been playing me this whole time
29:37was any of this real
29:41no it's not real
29:44morgan what is this we asked daphne to pull the fosters insurance policy over the last 10 years
29:57now take a look at what they were insuring in 2019. that's a lot of art now look what they insured a few
30:03years later only 12 items and this year just one that's right now what are the odds that of all the
30:11priceless arts that they own the one piece that gets stolen is the only one that happens to be
30:16insured i think the art that i saw at their house was fake
30:22just like the painting we found i tracked down black market sales for eight of the pieces listed
30:27on the fosters 2019 insurance writer and we did some more digging they're in debt to some bad people
30:32so you're saying the fosters arranged for their own painting to be stolen for the insurance money
30:36they loved that painting so much they weren't willing to give it up even when they went broke
30:41all right where is this going one of them must have gotten an idea now i don't know if it was
30:46greg or linda let's arrange to have our paintings stolen and returned to us without anyone knowing
30:52that way they could keep both the insurance money and the painting
30:57but why give over the real thing if you don't have to maybe they didn't maybe the fosters had a
31:01forgery made for the museum right probably by the same expert who forged the other ones on their walls
31:06i don't think they'd want their beloved painting getting sliced out of a frame do you so the museum
31:11never had the real painting it was all the setup that's right but nobody robs a museum for free
31:15you guys remember the watch i think that greg and linda gave cyrus the watch as a down payment
31:21and by the time cyrus realized the watch was a fake he'd already stolen the painting making it look like
31:25it was jean baptiste so we wouldn't suspect it what he didn't know was that painting was fake too
31:32he decided he wanted to double cross the fosters by putting it up for ransom but when the fosters
31:37found out they confronted him before he could find out the painting was fake and by that time he'd
31:42already given the painting to emilio who hid it in his office believing it was real the fosters
31:48couldn't risk the truth getting out they needed to keep him quiet so they killed cyrus
31:52again i'm not sure which one maybe it was both of them watch are you kidding me come on
32:00again not sure which all right we need to bring the fosters in for questioning
32:09they have a yacht
32:13the fosters have a yacht i saw a picture of it at their house it was called the easy monet
32:18they go out to ditch the murder weapon they could try to get away with murder and the painting
32:21forrester go grab os they'll go to their house karadek how are your sea legs
32:36you know this place yeah friend dog's his boat here that's them they're casting off let's go
32:51up yep yep it's real or yep the under layers are inconsistent with the pigments available at the time
33:01the real rembrandt was painted
33:05this is lieutenant soto i'm being followed again
33:35arthur where are you i'll send you a black and white
33:38i'm just passing temple and grand i'm actually on my way to you
33:41maybe this guy will follow me all the way to the station
33:52yeah fosters aren't here looks like they left in a hurry and they took everything of value with
33:56them so they're making a run for it all right thanks
34:05so you're sure it's fake it's the best i've ever seen how did the lady know she didn't have her eyes
34:12this can you see his license plate no he keeps weaving in between the cars it's a sedan of some
34:20kind but this guy really knows what he's doing listen i'll be at you in about 15 20 minutes tops all
34:26right well then just stay on the line with me until you get to the precinct look i'll be fine
34:30all right i'll see you soon arthur
34:32lAPD stop this boat right now right now put the gun down
34:46is that a flare gun greg you could really hurt someone with that put it down i wish that i could
34:51but the lAPD has a few rules and not dropping my gun in a situation like this is one of them
34:55greg what are you doing please stop okay this is not handling it honey i don't think anyone
34:59else needs to die today i don't know what you're talking about maybe we got it wrong but i'm sure
35:05we can work something out just put the flare gun down honey please it is over okay where are we
35:10gonna go how are we gonna live where it's back here
35:29what wait where did it go it was right there i swear to god where did it go
35:40what you got in there would you believe me if i see the school boys trainers
36:10how'd you know
36:16she doesn't have my eyes
36:20does it matter i'm not a murderer morgan just a thief i do recover art for insurance companies
36:27and every once in a while you just decide to hang on to one
36:31so you are jean baptiste you know i don't even know who picked that name it wasn't even the first
36:36piece of art that i stole you can complain to my partner after he arrests you
36:46i don't think you called him yet
36:49and i'm wondering if that's because you don't want the young girl going back to greg and linda any more
36:52than i do and you know that i can get her back where she really belongs
36:58you stole the painting just to give it away you expect me to believe that
37:01i do you're lying i'm trying to do the right thing morgan
37:09i have no way of knowing if you're just going to keep it for yourself
37:12that's true i guess you're just going to have to trust me
37:27wait do you guys think the fosters are going to get off easy the fosters would have to have a
37:31great lawyer for that i don't think they can afford it but what a waste though you know if i
37:35had that kind of money i buy a malibu mansion or a wmba team oh no i'd start my own animal rescue
37:53still no sign of arthur not yet lieutenant i'll call again but if he doesn't answer this time put a
37:59bolo out on his truck you got it hey i heard you guys do an end of the day thing here thought i'd
38:08find you if you're gonna fire me can i throw a few more drinks on this tab first oh you're not fired
38:13morgan too valuable for your team and to me i'm not letting you go this how you apologize no
38:22so what's it like sitting out on this arrest it's not like you oh no i didn't sit out i was kicked out
38:30but uh thanks for asking it sucked well don't worry he'll be there on the next one
38:39did you hear about the painting i did oz thinks the foster's tossed it in the ocean
38:44at tracks they seem like the kind of people who are like if i can't have her nobody can
38:48is that really what you think happened i'm just a consultant
38:57we questioned the yacht's crew one of them said that they saw a man in a wetsuit slip over the side
39:02of the boat holding something so i was thinking maybe it was jean baptiste come on i don't think
39:10that that guy exists what you're gonna do when you get to the water
39:32know what you're gonna do when you get to the water
39:41it's my girl
39:47my baby
39:54into the sea
39:56out of fire
39:58all that
39:59burning
40:00In the sea, out of fire, all that burning
40:09In the sea, out of fire, all that burning
40:30In the sea, out of fire, all that burning
41:00In the sea, out of fire, all that burning
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