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00:00You can't blame me
00:27Try to shame me
00:31And still I'll be there for you
00:39You can run around
00:43Even put me down
00:46Still I'll be there for you
00:57I'll be there for you
01:13Look at me
01:15I'm listening to this
01:18Hmm.
01:48There are at least two sides to every story.
02:06Yours and mine.
02:08Ours and theirs.
02:11His and hers.
02:14Which means someone is always lying.
02:18Oh, do you dare wake me up?
02:40How are you, baby?
02:43Guys, you question?
02:45Who's the baddest?
02:46Me.
02:47Who's the best?
02:47Me.
02:48Who's the bravest?
02:49Me.
02:49You damn skippy.
02:50Go downstairs and get some breakfast.
02:52Let's go, let's go, let's go, let's go.
02:53Let's go, let's go, let's go, let's go.
02:55Love you, baby.
03:02Oh, shit.
03:04Hey, you take my charger?
03:09Hey, Joey, where's my charger?
03:11I don't know.
03:11Hey.
03:12What, you want to grow horns?
03:12Late night?
03:12Mm-mm.
03:13Not really.
03:13What kind of gets you, baby?
03:14Strawberries.
03:15Yeah?
03:16Strawberries?
03:16You gots it.
03:17I didn't hear you come in.
03:18I could have been bumping Megadeth, you wouldn't have heard me coming in.
03:20Okay, don't start with me, Jack.
03:21Vodka's cheaper than Ambien.
03:22You know she's got soccer practice today, right?
03:23Mm-hmm.
03:24What time does that start?
03:253, 4.
03:264.
03:274.30, okay?
03:284.30 on Wednesday.
03:29What?
03:30Nothing.
03:31Just smelling good.
03:32It's weird.
03:33It's weird.
03:34I'm not going to get you.
03:35I'm not going to get you, baby.
03:36I'm not going to get you, baby.
03:37Strawberries.
03:38Yeah?
03:39Strawberries?
03:40You gots it.
03:41I didn't hear you come in.
03:42I could have been bumping Megadeth, you would have heard me coming in.
03:43Okay, don't start with me, Jack.
03:44Vodka's cheaper than Ambien.
03:45You know she's got soccer practice today, right?
03:46Mm-hmm.
03:47What time does that start?
03:483, 4.
03:49You smell good.
03:50It's weird.
03:51Ugh.
03:54Oh, shit.
03:55No, wait.
03:56I can't.
03:57I can't take her.
03:58Why?
03:59I told Barb I might do something with her.
04:00So I can't go?
04:01No, baby, you can't go.
04:02What do you mean, Barb?
04:03I mean, I feel like that's a commitment.
04:04You want to call Barb and tell her I can't come tonight?
04:06All right, baby, I'm taking you to practice, all right?
04:08And I'm coming straight from work.
04:09You know what that means?
04:10You've got to be ready.
04:12That means water, cleats, and...
04:15She and guns.
04:16That's right, baby.
04:17Hey, Meg-Meg, I love you.
04:19I love you, love you.
04:20Bye-bye.
04:21Bye.
04:22Bye.
04:40Cool.
04:42Well, you didn't even touch my skill.
04:44You got the one who was gonna be.
04:46And he ain't for the game that I like.
04:47Whoa, whoa, whoa.
04:49Now she's thinking I guess she's keeping the feeling
04:51in his lane and I'm playing for the most
04:53and he's competing for the most.
04:58Morning.
04:59Coming to you.
05:01Hey.
05:02What's that, curbside service?
05:04Thank you, Priya.
05:06OK.
05:07OK, let's go.
05:08Where we going?
05:10I texted you like 20 times.
05:11You didn't get my text?
05:12Oh, fuck.
05:13What's going on?
05:15We've got a dead body.
05:23Right now, anesthetic's numbing the pain,
05:25but the root's fractured.
05:28That's causing an infection.
05:30Two options.
05:31One, antibiotics.
05:32Maybe save the tooth.
05:34Two, pull it.
05:35If it were me, I'd pull it, but if it were me,
05:37I wouldn't have gone a year between appointments.
05:39Give me the pills.
05:40Okay.
05:43Go ahead and write the name down
05:44to the person that found the body.
05:46Anonymous call, sir.
05:47Anonymous?
05:49What?
05:50Kimmy couldn't get a name?
05:51What, male, female, nothing?
05:52No, sir.
05:53But I am told that early indications...
05:55Early indications?
05:56Whose indications?
05:57What, Walters?
05:58Huh?
05:59Walters.
06:00Yeah, bill from booking?
06:00Come on.
06:02Morons haven't been on a murder case in 10 years,
06:04but they have early indications?
06:06Now, come on, Boston, don't do that.
06:08You're better than that.
06:09Let their narratives cloud your judgment,
06:11not on a possible homicide investigation.
06:14On facts, right?
06:15Not indications.
06:17No hunches.
06:18Anybody comes at you with a hunch,
06:20shoot that shit down,
06:21especially if they're from around here.
06:23You're from around here, sir.
06:25Yes, I am.
06:26Listen, I appreciate you pointing that out.
06:30Okay.
06:31Here we go.
06:33I just want you to keep in mind how slow things move around here,
06:36right?
06:37Not like Atlanta?
06:38There's not a lot of dead bodies found in Dahlonega
06:40if you hadn't noticed.
06:42Wow.
06:43Good morning, Detective Priya Patel.
06:44Good morning.
06:45How are you doing this morning?
06:46Good.
06:47Good morning, Detective.
06:48Yeah, good morning.
06:50We've got a good one down here.
06:51Yeah?
06:52Pretty brutal, and I hope you guys aren't squeamish.
06:54It's the worst one I've seen in a long time.
06:55Okay.
06:56Do we have a approximate time of death?
06:57Uh, not at this time.
06:58Okay.
06:59Any weapons found?
07:00No.
07:01No.
07:02No.
07:03No.
07:04No.
07:05No.
07:06No.
07:07No.
07:08No.
07:09No.
07:10No.
07:11No.
07:12No.
07:13No.
07:14No.
07:15No.
07:16No.
07:17No.
07:18No.
07:19No.
07:20No.
07:21No.
07:22No.
07:23No.
07:24No.
07:25No.
07:26No.
07:27No.
07:28No.
07:29No.
07:30No.
07:31No.
07:32No.
07:33No.
07:34No.
07:35No.
07:36No.
07:37No.
07:38No.
07:39No.
07:40No.
07:41No.
07:42No.
07:43No.
07:44No.
07:45No.
07:46No.
07:47No.
07:48No.
07:49No.
07:50No.
07:51No.
07:52Hey, Sam. It's not working.
07:54Let's look here.
07:57Ah, we expired last year.
08:04No set, Miss Andrews.
08:06Glad to have you back.
08:22Oh, come to the camera line.
08:41Anna!
08:45It was Lexi, right?
08:46It still is.
08:48You look amazing.
08:50What happened to your face?
08:52Excuse me, just on the way to see Jim.
08:54You're coming back.
08:55Of course.
08:57Everybody, we're two minutes to air.
08:59Two minutes to air.
09:02Thrilled you're back.
09:04You gave her my job.
09:06Oh, Christ, Andrews, you know it's not that simple.
09:09Lexi, Anna's back. You're fired.
09:10That's about as complicated as a ham sandwich, Jim.
09:13Call her in here right now. I'll do it for you.
09:15She's got a contract.
09:16So do I.
09:17Did.
09:19I could only keep her as substitute anchor for so long.
09:22If it didn't make her permanent, she was gonna walk.
09:24How do you suddenly make that woman the face of the station, Jim, in Atlanta?
09:29I don't see color.
09:32Look, Anna.
09:34I'm a parent.
09:36I can't imagine the hell that you've been through.
09:42We feel for you.
09:44All of us.
09:45But no matter how much I sympathize, you disappeared for a year.
09:49I don't need your sympathy.
09:50Not that I don't appreciate it, Jim, I do.
09:55I just...
09:56It's not necessary.
09:59I needed the time, but now I'm good.
10:00And if I have to reinvent myself and earn my job back, I will.
10:09Why now?
10:11A week, a month, a year, what difference does it make?
10:13Now I'm ready.
10:15And I've worked too hard for too long to disappear.
10:22I'm sorry, Anna.
10:23There's nothing I can do.
10:24I really am.
10:32Jalanaga.
10:33Sorry?
10:34They found a body.
10:35I know.
10:36Let me take it as a field reporter.
10:39Field reporter?
10:40I mean, reinvention is one thing, Anna, but that's a little far.
10:43I was born in Dahlonega.
10:44News to me.
10:45And race there.
10:46I know the people.
10:47They'll talk to me.
10:48About what?
10:49It's one body.
10:50We get that every day.
10:51In Atlanta, not in small-town America,
10:53and not when that body is a murdered white woman.
10:56Well, you don't know it was a murder.
10:57And how do you know she was white?
10:59In Dahlonega?
11:00Trust me, Jim.
11:01She's white.
11:04It could be nothing.
11:05And if it is, I'll go quietly.
11:07But I think we both know it's not nothing.
11:12Oh.
11:15Field reporter, huh?
11:17Mm-hmm.
11:19Field reporter's salary.
11:20Done.
11:21And what's up with your face?
11:22I can't have viewers thinking you're stroking out.
11:23Novocaine.
11:24It'll wear off by lunch.
11:26The cameraman, who do you want?
11:28Richard.
11:31Richard?
11:33Jones?
11:35As in Lexi's husband?
11:37You know him?
11:38No, just of him.
11:39But I hear he's the best.
11:47One story, Andrews.
11:48You fuck it up, you create problems for me, you're out.
11:50You hear me?
11:51You got two hours.
11:52You better hustle if you're gonna make the news at six.
11:54Thank you, Jim.
12:01Yeah.
12:02Lucky me.
12:04Fuck.
12:09The number of stab wounds, the frenzied pattern has me thinking about the message the killer is trying to send.
12:14Consciously or subconsciously.
12:18She's two-faced.
12:20Well, there's nothing to suggest duplicity as a motivation for this kind of violence?
12:24That's a message, Boston.
12:27It's on her nails.
12:33Ever seen a dead body?
12:35Of course.
12:36Where?
12:38In school.
12:39Different, isn't it?
12:40Yeah, I'll get used to it.
12:42Yeah, I just hope not.
12:46And look, I want everybody right now, I want you to ask yourself a question.
12:50Do I need to be here?
12:52If the answer is no, please kick rocks and go up to the perimeter and help up there.
12:57Everyone else, let's circle it up, okay?
12:58We all got a pretty good idea who that is, laying on the hood of that car.
13:13A woman's died.
13:15We need to respect that, respect her family.
13:18I do not want her husband finding out that he lost his wife today because this apartment can't keep their mouth shut.
13:23So let's be professional, we're going to do this properly, yeah?
13:27Yes, sir.
13:28He's going to find out from me.
13:29I'm going to let him know I want no one else making contact with him, is that clear?
13:33Yes, sir.
13:34Okay, I need her cell phone.
13:36I want that phone, I want it immediately, okay?
13:39Let it be known, if anyone finds that phone, you don't touch it, you don't tinker with it, you just bring it right to me.
13:45You understand that?
13:46Yes, sir.
13:47Let's, uh, let's fan out.
13:49Ten yards at a pace, we'll pace off the grid and a hundred yards going each direction.
13:54All right?
13:55Let's, uh, let's move, yeah?
13:57There's work to do.
13:58Yes, sir.
14:04State Department?
14:05Yeah?
14:06State Department?
14:07I'll see you next time.
14:37If, uh, if you get a chance to go in and call a sheriff
14:40and find a time in the schedule, I'm sure whatever it is.
14:43You got it, sir.
14:44And Andrews.
14:45Richard Jones.
14:46I know.
14:47Yeah, Jim said you asked for me personally.
14:51Crime scene's over there.
14:52They haven't secured it or anything.
14:53You want me to...
14:54Get what you can.
14:54Yeah, I will.
14:56All right.
14:56You need anything?
14:57Touch-ups?
14:58Oh, probably yes.
15:00All right.
15:00Well, make yourself at home.
15:01All right.
15:02Will do.
15:04Bobby, you want to look.
15:06Let's hustle up before they throw a cheat over her.
15:08I'm coming as fast as I can.
15:17We have a boot print.
15:18Do you want to come take a look?
15:19It's worthless, Boston.
15:20It looks recent, sir.
15:21No, no.
15:21The entire crime scene's a forensic disaster.
15:24I don't care if it's recent.
15:25You had a million people tromping around here like Grand Central Station.
15:28Recent.
15:29What does that mean?
15:29But it's surrounded by the victims.
15:31Look, you can't do...
15:32Do not jump to conclusions, all right, Boston?
15:34You can't...
15:34How in the world would you possibly know that those other footprints belong to the victim?
15:38Because they were made by bare feet.
15:40Move back.
15:41For Christ's sake.
15:42Hey, look, I need you to get a group of people together and keep those parasites off the crime
15:46scene.
15:46You see them there?
15:47Go ahead.
15:47Go get to it.
15:49I mean, I could talk to forensics instead.
15:50Just do what I ask, please.
15:53You got it.
15:53Yeah.
15:54Stop right there, stop right over here.
16:04Sir, what are you doing?
16:05You need to get behind the police line.
16:08Excuse me.
16:09We need you to clear this area.
16:11This is an active crime scene.
16:13We'll be setting up a wider perimeter in a moment.
16:15But for now, we need you to stay back.
16:18Refrain from filming, sir.
16:19Stop.
16:20Please, sir.
16:21Stop filming.
16:22Excuse me.
16:23Please.
16:23I've asked you to push back.
16:25We are working here.
16:28Clear out to the right of the room.
16:29Ladies and gentlemen.
16:30Ladies and gentlemen.
16:32Excuse me.
16:32I'm Detective Harper.
16:33I need everyone just to calm down here, all right?
16:36Let our deputies just do our job.
16:37I'd really appreciate it.
16:38Now, look, we've formed a larger perimeter by the east entrance.
16:42If you just follow this track down, I'm going to ask you to just position yourself there and
16:45just give us a bit, and then we'll come back to you when we have some.
16:47Can you confirm or deny whether this is a murder investigation?
16:51This morning, Lumpkin County Sheriff's Office got a report, an anonymous call, about a body
16:57being found in the National Forest in Dahlonega.
17:00Some deputies came out, and they did find a body.
17:03A female, 30s, Caucasian.
17:06She hasn't been formally identified, and once she has, and we notify the next kid, then we'll
17:09go ahead and release that name.
17:10But right now, we can't give you any more than that.
17:12That's all we got.
17:13Thank you very much for being here.
17:13Come on, Detective.
17:14No, I need you to...
17:15Why the large police presence if it's not a murder?
17:17Can you tell us how many sheriffs?
17:18No, no cause death's been determined at this time.
17:21Again, when we have something, we'll share it with y'all.
17:24Now, look, we have a job to do.
17:25You need to respect that.
17:26We're going to go ahead and respect that you have a job to do as well.
17:28I need you to move back to that other perimeter.
17:31That's all I got.
17:31That's all we have.
17:32Is there a suspect?
17:33Why are you telling them about the job?
17:35Detective Harper, is it true you knew her?
17:40I don't know.
17:50Jeez, what was with that reporter?
17:52What are you talking about?
17:53Why would she assume you knew the victim?
17:55Small town.
17:56She's just taking a shot.
17:59It seems like more than that to me.
18:00She's a reporter, Boston.
18:02She's stirring shit.
18:03It's what she does.
18:04Look, do me a favor.
18:05Why don't you get a ride with one of these guys to the coroner's office?
18:09I just got to go handle something real quick.
18:12I'll see you down there.
18:16How'd you know about the detective and the victim knowing each other?
18:21She hasn't even been ID'd yet.
18:23I didn't state they knew each other when I asked.
18:26There's a difference.
18:28Not to the average viewer.
18:29Well, exactly.
18:31That's why it was the perfect question.
18:32Hmm.
18:32Writing a book.
18:43What?
18:43Oh, come on.
18:43You were going to ask me what I've been doing the past year.
18:47That's okay.
18:48Just writing a book.
18:50Well, good for you.
18:51What's it about?
18:53About the historical importance of female names' anchors.
18:56Oh, so what'd you do for the other 11 months?
19:01Shh.
19:06Oh, I walked by to do that one, didn't I?
19:13No, um, I mean, for the record, I know why.
19:18I'm sorry.
19:24About your kid and everything.
19:28Oh.
19:36So, Richard Jones, married to rising star Lexi Jones.
19:43What's that like?
19:47Exciting.
19:48Lonely.
19:51Right.
19:54Friends tell you it must be exciting to have a celebrity wife or what passes for a celebrity
19:58in Atlanta, but it's not, is it?
20:01People recognize her in the grocery store, asking to take their photo.
20:05Next to her, you're invisible.
20:07She leaves at 2 for the 4 and the 6, and she stays for the 11.
20:13And then there's meetings after, so she doesn't get home until after 1.
20:16You're already asleep, so goodbye sex.
20:24She makes five times more money than you do.
20:27Oh, no.
20:27Oh, and you're happy that she does, but it creates an imbalance, so happy or not, it hurts you both.
20:35Wow.
20:43That's good.
20:48Is that an excerpt from the prologue or from chapter 1?
20:51Oh, please.
21:00Hey, Sheriff
21:21Rachel Hopkins
21:23Is Clyde now?
21:24I'm on my way there now
21:26Stabbed
21:27Jesus
21:28What evidence you got so far?
21:31Yeah, well, after a slow start
21:32The rain, you know, washed most of the evidence away
21:35No cell phone foul?
21:37All right, keep me in the loop, got it
21:38Jack
21:40Jack, you listening to me?
21:43Yes, sir
21:44Yes, sir
21:45Yeah, keep me in the loop
21:45In the loop, you bet
21:58Janine Wilcox
21:59Good morning, Jack
22:01Come to arrest me?
22:03Criminal like you
22:04Jail ain't been built bad enough to hold you down
22:06What room is she in?
22:08You know I'm not supposed to say
22:10There you go
22:15Hey, the guy she's with, you got his name?
22:18No
22:18Richard Jones
22:22Richard Jones
22:23Appreciate you, Janine
22:24Mm-hmm
22:25Tell your mama I say hi, okay?
22:27I will do
22:28Yeah
22:28Your fucking body's amazing
22:38Oh, Jesus Christ
23:05Ignore it
23:17No, thank you
23:22Don't you fucking dare
23:27Yes, yes, yes
23:30Oh, my God, I'm so close
23:31Fuck
23:39Fuck
23:44Who is it?
23:56I'll try again
23:57So that's enough
24:01Fucking Jack
24:05Who's Jack?
24:07Detective Harper
24:08Harper?
24:13You know him?
24:14Pretty well
24:15How well?
24:20He's my husband
24:21See you at 5.30
24:25I don't care about all that, Boston
24:30I just want the phone
24:31Yes, sir
24:32Okay, well you tell them
24:33That the search is not over
24:34Until it's found
24:35You understand?
24:35I've asked for a trace on the phone
24:37Yeah, yeah, yeah
24:37Hey, listen
24:38I want you to call
24:39Jordan Scott Atlanta Homicide
24:40You tell them we need
24:41A P2P background check
24:42On a Richard
24:43Wait, sir
24:43Shh
24:44Don't talk
24:45Just listen
24:45It's Richard, yeah?
24:47Robert
24:47Ida
24:48Charlie
24:49Hang on
24:50Why are we running a check on him?
24:53Anna!
24:54Anna!
24:55Shit
24:56Priya, you there?
24:58Yes, sir
24:59Why am I running a background check on Richard?
25:01For once?
25:01You just do what I ask
25:03Well?
25:06Well, unidentified white female
25:08Found early this morning
25:09Off the main drag in Chattahoochee National Forest
25:11And
25:11For Christ's sake, Anna
25:12Tell me something I don't know
25:13I'm getting to it
25:14She was murdered
25:15Has that been confirmed?
25:18Yes
25:18Suspects?
25:21I'm working on it
25:22Okay, good
25:24You and Richard stay in town
25:26Get some color
25:27Nice work
25:28Thanks
25:28Thanks
25:28Thanks
25:28Thanks
25:29Thanks
25:30Thanks
25:52Here we go.
26:22I don't know.
26:52.
26:57All right.
26:58Mom.
26:59.
27:07Who?
27:08It's me.
27:11Who?
27:15Anna.
27:20Hey, babe.
27:21Hey, baby.
27:27Oh, baby.
27:28You're back.
27:30You're back.
27:35You're back.
27:38You're a little beautiful girl.
27:42Take yourself.
27:43Hey, Jackie.
27:44Hey.
27:45What in the hell, Jack?
27:47Did you move the trash bags?
27:48Stay in there somewhere, Jackie.
27:50Hey, listen.
27:51Look here.
27:52Look who's here.
27:53You take your pills, Miss Alice?
27:54She didn't take pills.
27:55Everybody tastes pills.
27:58There he is.
27:59Over there looking like death eating a soda cracker.
28:03How you doing, Miss Alice?
28:04Hey.
28:05I'm gonna make you some coffee.
28:06Jack don't want coffee.
28:07Jack always wants coffee.
28:09Jack loves coffee.
28:10Why is Jack here?
28:11Oh, somebody left their manners in Atlanta.
28:15Can we talk?
28:16I don't know.
28:17Can we?
28:25Are you following me?
28:27Huh?
28:29Huh?
28:30Are you following me?
28:31Hey, Anna.
28:32How are you doing?
28:33You doing good?
28:34Yeah, good, Jack.
28:35Good, good.
28:36It's really great to see you.
28:37It's great.
28:38Want to tell me what you're doing?
28:40What are you doing, Anna?
28:43What are you doing, Jack?
28:48Hm?
28:49Why would you?
28:50In the force.
28:51Why would you ask me that?
28:52No cause of death.
28:53She was murdered, Jack.
28:54I know it.
28:55So?
28:56Who was it?
28:57You cannot cover this story.
28:59You cannot.
29:00Why not?
29:02Just don't.
29:03You're gonna have to give me more than that.
29:06I'll have to give you a fucking thing, Anna.
29:13Oh, for Christ's sake, Jack.
29:14It's me.
29:16Who was it, Jack?
29:21What, Jack?
29:22Don't you trust me?
29:24What?
29:25You wanna know who it was?
29:26Yes.
29:27Okay, it was Rachel Hopkins.
29:31How'd she die?
29:33Rachel Hopkins, Anna.
29:34Your friend Rachel Hopkins.
29:35She was stabbed to death.
29:36How about that?
29:37We weren't close.
29:39You got any suspects?
29:40Stop.
29:41Persons of interest?
29:42Would you stop?
29:43Look, Anna, you can't tell anyone, alright?
29:45Are we clear?
29:46We're clear.
29:47Look, I'm not asking you.
29:48I'm telling you, alright?
29:49No one knows.
29:50Her husband doesn't know.
29:51Jack, I said I won't.
29:52Jackie, boy, when did you get here?
29:57Hey, Miss Alice, you know, I'm just...
29:59Just here to check on you, that's all.
30:04Mama, you literally just saw him.
30:06When?
30:08I was about to make some...
30:12I was just about to make some coffee.
30:14Stay.
30:15You like my coffee.
30:17Yeah, I don't like your coffee, Miss Alice.
30:19I love your coffee.
30:20Yeah.
30:22I just...
30:24Get out on the porch.
30:25It was like two or three in the morning.
30:41They found her walking down the middle of the road.
30:44She was naked.
30:45It's getting worse, Anna.
30:46I mean, it really is.
30:47I'm guessing it's some sort of dementia or Alzheimer's or something.
30:48What do you mean guessing, Jack?
30:49She hasn't seen a doctor?
30:50No, she hasn't seen a doctor.
30:51She...
30:52I mean, she's still your mother.
30:53I can't get her to do anything.
30:54I mean, she's...
30:55I mean, she's...
30:57I mean, she's...
30:57She's...
30:58We're doing our best, Anna.
31:02I hate you so fucking much.
31:03So, why'd you leave Atlanta then?
31:04Because I just didn't know where else to go.
31:07Oh, thank you.
31:08I hate you here so fucking much.
31:10So, why'd you leave Atlanta then?
31:11Because I just didn't know where else to go.
31:13No, no.
31:15No, no, yeah.
31:16No, yeah.
31:18I i don't know.
31:20In...
31:21No, no.
31:22No.
31:23I don't know where else to go.
31:24You know where else to go?
31:26To your own place?
31:28You're a grown man.
31:30Oh, Jesus Christ.
31:33I lost my job, Anna.
31:36Looking for you, I lost my job.
31:37You know that, right?
31:38Well, I'd fire you too, Jack.
31:40Detective who can't find his own wife.
31:42Oh, for Christ's sake.
31:43It's a good thing I found you today, right?
31:47We're at the manor, room five.
31:48I sure as shit found you today.
31:49You do not want to go there.
31:50I'm not sure whether you're on your belly or your back,
31:52but I did find you.
31:53Heard you, too.
31:54Yeah.
32:01Hey.
32:02Hey.
32:03Just making up your bed in case you want to stay.
32:05Um.
32:15Mom, you been feeling OK?
32:19Towels.
32:21I gotta put them in the dryer.
32:24Heard you, Mom.
32:25Come on.
32:48Quiet!
32:48I don't know.
33:18I don't know.
33:48I don't know.
33:54Shall I listen to you?
33:55Yes, as opposed to up here.
33:57Hey, Doc.
33:58I'm so sorry I'm late.
33:59Detective Harper, I see you've met my better half here.
34:03Detective Harper.
34:04Dr. Turner.
34:06Okay.
34:06Uh, so what, uh, what do we got?
34:10The stab wounds killed her.
34:11Okay.
34:12Even though it was a short blade.
34:14How short?
34:15Perrin knife short.
34:17If she had only been stabbed once or twice, she might have survived.
34:20But as you can see, she died of blood loss.
34:22How many?
34:23Forty.
34:24Forty.
34:25Were her fingernails cut post-mortem?
34:27Hmm.
34:27Let's hope so.
34:29What?
34:30Why's that?
34:31Well, they're cut past the hyponichium, the... commonly referred to as a quick.
34:36Got it.
34:36Very painful.
34:39Forty stab wounds, but no defensive wounds.
34:41Look at her hands.
34:44She probably knew him.
34:47Him?
34:48We found semen.
34:50Fresh.
34:50And plenty of it.
34:55The semen belongs to the killer?
34:57Either the victim had sex and was stabbed 40 times, or she was stabbed 40 times and someone
35:02had sex with her.
35:03Either way, Scotland Yard and me says there's your killer.
35:05Oh, my God.
35:35I'll need DNA samples from everybody who worked the scene this morning,
35:43including both of you, to eliminate any cross-contamination.
35:47I understand the crime scene was a bit of a circus.
35:50I can swab you both right now if you'd like.
35:52Yeah, we'll come back and get those to you tomorrow.
35:55Okay, Detective.
35:56Gotta get back to Dahlonega.
35:58Gotta let her husband know before the whole town finds out.
36:01Hey, Boston, I'll be in the truck.
36:05Let's go.
36:17Helen, Rachel, happy birthday.
36:22Happy birthday.
36:32Catherine.
36:35Happy birthday, Anna!
36:37Anna, what about you? Are you going to get a birthday kiss?
36:39I don't know about that, Rachel.
36:43Sweet 16.
36:45You sure?
36:47Maybe if I get my nails done, too.
36:51Are there snakes in here?
36:55We're almost there.
36:57Anna, you're going to love Snack on us when we're all over it.
37:01Anna, what do you think?
37:31What the heck?
37:35What the heck?
37:43Oh.
37:45Oh.
37:47Oh.
37:49Oh.
37:51Oh.
38:11About this, Boston.
38:13They used to be the pizza king of North Georgia, huh?
38:17Oh.
38:21Sir, do you find it strange that Miss Hopkins' husband...
38:23Hasn't reported her missing?
38:25Sure do.
38:27...
38:29You're not monetizing this challenge, right?
38:31Let's get blind.
38:33There we go, Yun.
38:35I'll leave it alone.
38:37Oh.
38:39Hm.
38:45Very good.
38:47My turn on.
38:52Gallows Mommy.
38:55Come on, we'll come back in the morning.
39:01You better not be bullshitting.
39:03I'm not.
39:05Am I live at six or not, Jim?
39:07You're live at six, just like you want it.
39:10Okay, thank you.
39:25At the top of the hour, new details emerge about the Dahlonega woman found dead.
39:49Something finally happens at Dahlonega and I can't even get a hold of my own brother.
39:54Spit it out.
39:56Who's the stiff?
39:59Don't go anywhere because that's all ahead.
40:11God damn it, Jack.
40:12It's 6 p.m. and we are live at 7.
40:15Shh.
40:15I'm trying to listen.
40:16Lexi Jones.
40:19We bring you breaking news tonight as the body of a woman was found in Chattahoochee Forest.
40:24Watch, Jack.
40:24They probably solved it for you already.
40:25Today, Lumpkin County Sheriff's Office could not confirm the identity of the victim nor
40:30the circumstances of her death.
40:32But tonight, we can bring you a WSKTV news exclusive.
40:36Anna Andrews is live from Dahlonega with the latest.
40:39Wait, Anna's back?
40:41She looks skinny.
40:43Jack, did you know that Anna's back?
40:44She's body was discovered in the woods just behind me.
40:48Now, while the Lumpkin County Sheriff's Office have refused to identify the victim or the
40:52cause of death, our investigation has uncovered both.
40:56A confidential source has told me that 40-year-old local resident Rachel Hopkins was stabbed to death.
41:02Rachel?
41:03While no further details are available at this point, when I know something, you will, too.
41:08For WSK, I'm Anna Andrews.
41:10God damn it.
41:11God, what a fuck.
41:14Fuck you bitch.
41:15Man, we're off.
41:17Fuck yeah.
41:18Yeah.
41:24Rapsy-daisy.
41:25Yeah.
41:48Fuck yeah.
41:53I'm sorry.
42:04Fuck.
42:13Fuck, sorry.
42:15Fuck.
42:15Fuck.
42:15Fuck.
42:16Fuck, I'm sorry for you.
42:16Fuck, fuck.
42:17Fuck.
42:18Fuck.
42:18Fuck, okay.
42:18Oh, my God.
42:48Oh, my God.
43:18Oh, my God.
43:48Oh, my God.
44:18Oh, my God.
44:48Oh, my God.
45:18Oh, my God.
45:48Oh, my God.
46:18Oh, my God.
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