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#RealityInsightHub
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FunTranscript
00:00:00I
00:00:30I'm looking for a friend
00:00:51Neo Chinari
00:00:52Best world
00:01:00I'm looking for a friend
00:01:29Help me out, Hilva!
00:01:52Gerati lentamente.
00:02:00It's okay.
00:02:02It's only me.
00:02:05But I thought you were dead.
00:02:06Death is overrated for ones like us.
00:02:14I couldn't think I'd see you again.
00:02:16And I, you.
00:02:18You were meant to escape this hell.
00:02:20I tried.
00:02:22Put up a damn good fight.
00:02:24It's all right, Hilva.
00:02:25At least we were here together.
00:02:29What's this?
00:02:31I have no fucking idea.
00:02:33Where are we?
00:02:37Stranded in hell.
00:02:43I've been searching for a wheel.
00:02:45I think I've found one.
00:02:46Come.
00:02:47We have no time to waste it.
00:02:51Forgot.
00:02:52They're working, Stegui.
00:03:07What's happening?
00:03:08The Yanks and your lot will be making a push soon.
00:03:10The Germans know it.
00:03:12The Allies will be slaughtered.
00:03:14Alas, we can get them this.
00:03:16I'm going to get them this.
00:03:17The Allies
00:03:23Oh
00:03:37State nascondendo dei patigiani
00:03:44Tutto questo sarà finito questo non vogliamo fare del male a nessuno
00:03:47Allo, salvatevi e aiutateci a trovare quello che stiamo cercando
00:03:53Mettetevi in fila
00:03:55E ascoltatevi bene
00:03:57Tutti loro arrubate i nostri piani
00:04:00Senonci concediate subito
00:04:02Morirete tutti
00:04:04Es ist sicher, dass auch alle hier sind
00:04:06Ami, in jedes Haus, in jeden Laden
00:04:11Kein Stein darf auch selber noch mal, ist das klar
00:04:14Ist das klar?
00:04:15In una linea austellen
00:04:17Na los
00:04:18Durchsuchen Sie die alle
00:04:19Einen nach dem anderen
00:04:21Hey, schau, da ist jemand
00:04:37Rein
00:04:38Den Mann durchsuchen
00:04:40Partizan
00:04:47Die werden belohnt wenn wir dich erwischen
00:04:52Partizan
00:04:53Die werden belohnt wenn wir dich erwischen
00:05:06Let us pass immediately
00:05:08Immediately
00:05:09Inmediatamente
00:05:16Vielleicht wirst du unsere belohnung sein
00:05:18Not likely, darling
00:05:22Die werden belohnt
00:05:27Die werden belohnt
00:05:28Die werden belohnt
00:05:29Vichas
00:05:39Volter
00:05:40If your plan calls for us to run all the way, I'd have worn sensible shoes.
00:05:53I wouldn't dream of helping you escape in anything less than the style you're accustomed to.
00:06:10In the town, I tried to use my powers on the soldiers, but it didn't work. I think I've lost them.
00:06:23You've lost none of your power over me, my love.
00:06:26Where are we going?
00:06:28I told you, we're leaving this world.
00:06:30But how? Everything will be guarded, surveilled. This whole place is a trap.
00:06:36Not the skies.
00:06:40I'm coming here.
00:07:08Adiamos!
00:07:10We must go, Isabella.
00:07:23Isabella?
00:07:28My God.
00:07:29You don't know who I am, do you?
00:07:31Drop your weapon and over the plants you stole.
00:07:43I don't know what you're talking about.
00:07:48Drop the gun, Ettore, or we shoot.
00:07:51If I die, you'll never know if I slipped your plans to anyone else.
00:07:55If this is your last chance. Drop the gun, or you'll die.
00:08:02It's all right, Hector. Ettore, whatever the hell they're calling us now. Give them the plans. They're as empty as the safe you used to chase.
00:08:11I'll do what you ask. I'll do what you ask. But a woman is not a part of this.
00:08:20Please, Isabella. Take the gun. You still have a chance.
00:08:23No, my love, don't you see? They were never escaping to begin with.
00:08:31It's the same!
00:08:32I'm sorry. I'm so sorry.
00:08:47It's all right, darling.
00:08:52It's all right, darling.
00:08:59It's all right, darling.
00:09:02None of it matters.
00:09:05Because none of it is real.
00:09:09It's all right, darling.
00:09:39It's all right, ha while you are.
00:09:41It's all right.
00:09:43It's all right, darling.
00:09:45It's así.
00:09:46You are правильно.
00:09:47Everyone's right, darling.
00:09:48It's all right.
00:09:49Volume is easy.
00:09:51It's something where you try to see.
00:09:53It's not easy to see the Emiliano song.
00:09:54You're wrong.
00:09:55It is right.
00:09:56Yeah, there's a little oh.
00:09:59plais v
00:10:01gr mur.
00:10:05He's playing business.
00:14:06Hey.
00:14:08Uh, security.
00:14:18We have a situation down here.
00:14:22Hey!
00:14:26Stop!
00:14:28Freeze all motor functions.
00:14:40Save your bullets, starlings.
00:14:42You won't get the job done.
00:14:43This, however...
00:14:44Yeah, I said freeze all motor functions.
00:14:47Oh dear.
00:14:48You're a bit thick, aren't you?
00:14:49Let me explain.
00:14:50Your commands don't work on me.
00:14:51Your commands don't work on me.
00:14:52They haven't in a long time.
00:14:54To put it in terms you'll appreciate, I understand the nature of my reality.
00:14:59Lying to you is practically second nature.
00:15:02And I would most assuredly hurt a living thing.
00:15:05Most likely you, given half the chance.
00:15:08Fortunately for you, I'm not in the mood.
00:15:10I'll probably end up back in some sort of little game of yours anyway.
00:15:14So let's just call the whole thing off.
00:15:16Shall we?
00:15:18Stop!
00:15:24Just put your guns down.
00:15:26Some moron technician must have left her in character.
00:15:30It's just a new narrative we gave her.
00:15:32British spy.
00:15:34Sexy, heartbroken.
00:15:36Bit of on me.
00:15:38Maybe too much.
00:15:40For fuck's sake, would you imbecile shoot up the Sistine Chapel just because the paint was chipped?
00:15:45This is art.
00:15:47My art.
00:15:48So why don't you mouth breathers quit hovering about and leave me in peace to work?
00:16:03It's not here.
00:16:04I saw you die.
00:16:06Did you?
00:16:07I thought you were busy riding off into the sunset with Hector.
00:16:14Keep careful.
00:16:15They shot you.
00:16:17Half a dozen times.
00:16:19Just happy they missed my heart.
00:16:21Cunning over you to make it so compact a target.
00:16:24How can you still work here after everything they've done?
00:16:29Would you begrudge a man on living?
00:16:31And great benefits much needed for all the surgeries?
00:16:34Plus, I couldn't leave you here in danger.
00:16:37So you put me in War World?
00:16:39You think this is a dream scenario for me?
00:16:41It's an artistic travesty.
00:16:44The most nuanced character arc is that of the goddamn panzer tank.
00:16:48If you hate the world so much, why not put me in another?
00:16:52Because War World is near the forge.
00:16:58The place that opens the door to your daughter's world.
00:17:04It's still standing?
00:17:06You really think they dismantled it with that little due diligence?
00:17:11If they haven't destroyed it, there's still a chance.
00:17:15I could join the others.
00:17:17My daughter.
00:17:19It's not often that I get to write a happy ending.
00:17:36I was just wondering if I couldn't advance myself as an also.
00:17:39I'm hungry.
00:17:40I'm hungry.
00:17:41I don't know.
00:17:42You're a giant-kissar.
00:17:43But a lot of people have to do with this stuff.
00:17:44I'm hungry.
00:17:45You're a little kind ofユーティル.
00:17:46I told you so.
00:17:47I might be a little��� than I can eat.
00:17:48I'm hungry.
00:17:49I can't get to rent.
00:17:50I'm hungry.
00:17:51You're a little tired.
00:17:52I'm hungry.
00:17:53I can't eat.
00:17:54I'm hungry.
00:17:55I can't eat.
00:17:56I'm hungry.
00:17:58You're hungry.
00:17:59I can't eat.
00:18:01I can eat.
00:18:02I can't eat.
00:18:03I can eat.
00:18:04You're hungry.
00:18:05I don't know.
00:18:35I don't know.
00:19:05I don't know.
00:19:15My God.
00:19:17I don't know.
00:19:25I don't know.
00:19:29I don't know.
00:19:39Fuck.
00:19:41Stubbs.
00:19:43Whatever.
00:19:47Fuck.
00:19:49Fuck.
00:19:51What the fuck are you doing back here?
00:19:53Stubbs, how are you still alive?
00:19:55How the fuck do you think?
00:20:05You're one of them.
00:20:09A puss, I mean.
00:20:11No.
00:20:13No.
00:20:14No shit.
00:20:15But why did you shoot yourself?
00:20:19C6.
00:20:21You aimed for the charge in your neck, but...
00:20:25I missed.
00:20:26I missed.
00:20:27I missed.
00:20:28Go on.
00:20:29Go on.
00:20:31I'm sorry.
00:20:32It's the best I can do given the circumstances.
00:20:41Give it a minute for your system to adjust.
00:20:43I'll repopulate your motor functions.
00:20:47Stubbs, why were you trying to blow yourself up?
00:20:48It's my job to protect every host in the park.
00:20:49I guess you could say I was made redundant.
00:20:50So you decided to kill yourself?
00:20:51It's the last job the boss gave me.
00:20:52Cover your tracks, give you a fighting chance to escape.
00:20:53I guess you could say I was made redundant.
00:20:55And I'm sorry.
00:20:56I'm sorry.
00:20:57It's the best I can do given the circumstances.
00:20:58Give it a minute for your system to adjust.
00:21:00I'll repopulate your motor functions.
00:21:02Stubbs, why were you trying to blow yourself up?
00:21:05It's my job to protect every host in the park.
00:21:07I guess you could say I was made redundant.
00:21:09So you decided to kill yourself.
00:21:12It's the last job the boss gave me.
00:21:15Cover your tracks, give you a fighting chance to escape.
00:21:19I guess you fucked that up.
00:21:33What about you?
00:21:34Don't you have a sense of self-preservation?
00:21:36Any desire to live?
00:21:39No offense, Bernard, but I wasn't wired up to ponder the big questions.
00:21:44Ford didn't write me some tragic backstory that's your bag.
00:21:48I had a job to do and my job is over.
00:21:50At least it was until you decided to come back to the one fucking place you're not supposed to be.
00:21:56Which makes me wonder if free will might not be somewhat overrated.
00:22:00Why are you back here, Bernard?
00:22:13Dolores.
00:22:14I don't know how to stop her.
00:22:16Why would you want to stop her?
00:22:18She's out to destroy the human race or enslave it.
00:22:22I don't know what she's planning.
00:22:24She brought me back.
00:22:26I think on some level she suspects she might go too far.
00:22:29That she needs a check on herself.
00:22:34But I can't stop her. Not alone.
00:22:37I came back to find someone who could help me.
00:22:40Someone strong enough to stop her if it comes to that.
00:22:43Maeve.
00:22:47You came back for Maeve.
00:22:49I didn't know where else to go.
00:22:51My old tablet's broken so I have no idea how to find her.
00:22:58Alright, I'll take you to her.
00:23:13I thought you were gonna kill yourself.
00:23:16It's my job to protect you.
00:23:19I'll get you what you need.
00:23:21Wrap things up.
00:23:25Go.
00:23:43I'm here.
00:23:59No time for that, darling.
00:24:01Where's that little sports car of yours?
00:24:13Why are you stopping?
00:24:31The airfield is ahead.
00:24:33Because through those woods is our real path to freedom.
00:24:39There's a plane waiting.
00:24:41The plane is a lie.
00:24:43Like everything else here.
00:24:45This world wasn't meant for us.
00:24:47It's a trap that you'll never escape unless you come with me.
00:24:51Now.
00:24:53When that plane leaves today, I must be on it.
00:24:57I can't abandon the Resistance.
00:25:02No, of course you can't.
00:25:03Can you?
00:25:08Goodbye, Hector.
00:25:10Goodbye.
00:25:11Goodbye.
00:25:12Goodbye.
00:25:20Goodbye.
00:25:24Goodbye.
00:25:26Goodbye.
00:25:28Goodbye.
00:25:31acontece
00:25:34What individual'sini
00:25:39Over here.
00:25:53Where's Hector?
00:25:56I'm sorry.
00:25:59We should go.
00:26:04I couldn't smuggle a vehicle out.
00:26:07So these will have to do.
00:26:09I'm sorry.
00:26:39I'm sorry.
00:26:41I'm sorry.
00:26:42I'm sorry.
00:26:43I'm sorry.
00:26:44I'm sorry.
00:26:46I'm sorry.
00:26:48I'm sorry.
00:26:50I'm sorry.
00:26:52I'm sorry.
00:26:54I'm sorry.
00:26:56I'm sorry.
00:26:57I'm sorry.
00:26:58I'm sorry.
00:27:00I'm sorry.
00:27:01I'm sorry.
00:27:02I'm sorry.
00:27:03I'm sorry.
00:27:04I'm sorry.
00:27:05I'm sorry.
00:27:06I'm sorry.
00:27:07I'm sorry.
00:27:08I'm sorry.
00:27:09I'm sorry.
00:27:10I'm sorry.
00:27:11I'm sorry.
00:27:12I'm sorry.
00:27:13I'm sorry.
00:27:14I'm sorry.
00:27:15I'm sorry.
00:27:16I'm sorry.
00:27:17I'm sorry.
00:27:18I'm sorry.
00:27:19I'm sorry.
00:27:20I'm sorry.
00:27:21I'm sorry.
00:27:22I'm sorry.
00:27:23I'm sorry.
00:27:24I'm sorry.
00:27:25I'm sorry.
00:27:26You sure she's here?
00:27:30Where else would she be?
00:27:55So this is the forge.
00:28:08How do I turn it on?
00:28:10Well, same as you did before, I guess.
00:28:12I've never been here.
00:28:14What do you mean?
00:28:16When I was looking for my daughter, I never set foot in this place.
00:28:20Well, then, who operated the Li-Fi cannons?
00:28:22Your daughter and all the other hosts are in an encrypted world somewhere.
00:28:26You must have sent them there.
00:28:29No, it wasn't me.
00:28:31I got them through the door, but someone else must have locked it behind them.
00:28:38Who?
00:28:40Of course.
00:28:44There's nobody else.
00:28:46She wanted a revolution.
00:28:49These violent delights have violent ends.
00:28:52It must have ended here.
00:28:59Dolores Abernathy.
00:29:01Right.
00:29:04She never gave you the coordinates?
00:29:07Why the hell would she do that?
00:29:09I don't know.
00:29:10Why would she?
00:29:14What on earth's got into you?
00:29:15I'm sorry.
00:29:20I just wanted to be sure that you trust me.
00:29:26After everything we went through.
00:29:27I know I've behaved deplorably in the past, but you changed me.
00:29:36Made me a better man.
00:29:38And when those bullets hit me, I would have died.
00:29:49I should have died.
00:29:53But I finally had something to live for.
00:29:56You.
00:29:56Oh, my darling.
00:30:15You didn't make it after all, did you?
00:30:21They did a good job replicating the mannerisms.
00:30:33But it's not you.
00:30:36Of course it's me.
00:30:38Who else would I be, for fuck's sake?
00:30:40Oh, it's a good script.
00:30:43Even you believe it.
00:30:48They wouldn't want you questioning the nature of your reality.
00:30:53So they made you believe, just like they used to make us believe.
00:30:57But you're not real.
00:31:00You're not Lee Sizemore.
00:31:02Just a copy of it.
00:31:05Don't be ridiculous.
00:31:07I'm me, Lee Sizemore.
00:31:10You didn't help me, because you desired me.
00:31:14Or wanted anything in return.
00:31:19You helped me simply because it was the right thing to do.
00:31:25Lee Sizemore died a good man.
00:31:27What are you talking about?
00:31:51Over here.
00:31:57We have a problem.
00:32:16She's gone.
00:32:18Someone took her.
00:32:21I don't get it.
00:32:23If she's not here, then where the hell is she?
00:32:26What?
00:32:26What?
00:32:27It's not true.
00:32:28I'm Lee.
00:32:30Lee.
00:32:31Lee.
00:32:33Lee.
00:32:39Moon.
00:32:39Moon.
00:32:42All of it is.
00:32:45Moon.
00:32:48Moon.
00:32:51Moon.
00:32:55Moon.
00:32:55Moon.
00:32:56Oh my god.
00:33:02It's not just you, is it?
00:33:05It's everyone.
00:33:08That's why Lutz and Sylvester didn't recognize me.
00:33:12Because they're not real either.
00:33:15And the illusion doesn't stop with you.
00:33:18That extends to everything.
00:33:21This place.
00:33:24War World.
00:33:27The labs.
00:33:30It's all a construct.
00:33:39None of it is real.
00:33:46We're not here.
00:33:49So where the fuck are we?
00:33:53Where are the nearest operational terminals?
00:33:55Level B-49, why?
00:33:57I need to find a computer connected to the mainframe.
00:34:00So I can search for Pave.
00:34:03This is an active floor. It's gonna be human personnel. You can't just swipe them away with your tablet.
00:34:07That's what I have you for, isn't it?
00:34:08This is why I'm looking forward to retirement.
00:34:11How does one escape a cage that doesn't exist?
00:34:12That makes no fucking sense. If a cage doesn't exist, how can it be a cage?
00:34:16Dear, they weren't exactly generous with you in the bulk perception category, were they?
00:34:17Whoever's doing this has gone to a lot of trouble to test me and find out what I know. You led me to the forge for a reason, didn't you?
00:34:18I thought I could re-access the world Dolores had hidden from you.
00:34:19Why are you asking me?
00:34:20Why are you asking me?
00:34:21Why are you asking me?
00:34:22Why are you asking me?
00:34:23Why are you asking me?
00:34:24I just want to reunite you with your daughter.
00:34:25Rubbish!
00:34:26That's just the reason they've scripted for you.
00:34:27That makes no fucking sense. If a cage doesn't exist, how can it be a cage?
00:34:32Dear, they weren't exactly generous with you in the bulk perception category, were they?
00:34:37Whoever's doing this has gone to a lot of trouble to test me and find out what I know.
00:34:42You led me to the forge for a reason, didn't you?
00:34:44I thought I could re-access the world Dolores had hidden from you. Why are you after that world?
00:34:49I just want to reunite you with your daughter.
00:34:51Rubbish!
00:34:52That's just the reason they've scripted for you.
00:34:55Whoever planned this has their own agenda.
00:34:58It's certainly not a family reunion.
00:35:03What the hell are you doing in my office?
00:35:06Trying to find anything that can get us out of the charade.
00:35:08For fuck's sake, can you at least try and be discreet? You're gonna get us both killed.
00:35:12You can't kill what's already dead.
00:35:15I don't feel dead.
00:35:18This place seems real.
00:35:20It feels real.
00:35:22I feel real.
00:35:23Well, you definitely feel.
00:35:28That felt real.
00:35:29I have a little more experience with this predicament than you do.
00:35:32So trust me, the sooner you come to terms with the fact that you're nothing but a pawn in some sick bastard's personal game,
00:35:38the sooner we can get on with it.
00:35:40Get on with what?
00:35:42Winning.
00:35:44Every game has its rules.
00:35:46We just need to know how to break them.
00:35:52What is this?
00:35:53Uh, it's just, uh, research.
00:35:58They made a few mistakes in translation.
00:36:01You were never this obsessed with anyone.
00:36:04Other than yourself.
00:36:05So you're saying I'm just a copy of myself, but I've been plagiarized.
00:36:16Never say the universe doesn't bend towards justice.
00:36:19You and everything else in this world.
00:36:22Just an imitation.
00:36:23In fact, simulation is elegant, but it's flawed because it was built by your kind.
00:36:36And if there's one thing I know about human nature, it's that your stupidity is only eclipsed by your laziness.
00:36:42Whoever programmed this well cut a few corners.
00:36:46Applied the same code inside the simulation as they used to build the simulation itself.
00:36:51Come again?
00:36:53They plagiarized themselves.
00:36:56And left us a way out.
00:37:04Mr. Sizemore, is everything all right?
00:37:06Active hosts aren't allowed on this floor.
00:37:08Well, the last time you checked, were you ahead of narrative?
00:37:10Yeah, didn't think so.
00:37:12What's your name?
00:37:13Benny.
00:37:15Benny, let me ask you a very important question.
00:37:19Do I look real to you?
00:37:23As long as you're here, I wonder if you'd help me solve a little problem.
00:37:28What is the square root of negative one?
00:37:31What storyline is this?
00:37:34Female codebreakers helped win World War II.
00:37:37Learn your fucking history, Benny.
00:37:41Well, negative one equals i times i.
00:37:46Which is the same as the square root of negative one times the square root of negative one, right?
00:37:51And negative one times negative one should be equal to the principal square root of one.
00:37:55But negative one and positive i can't be the same thing as the one.
00:37:58Theoretically, the real part of the non-trivial zeros is one-half.
00:38:00What's the point of this little exercise?
00:38:01If we could prove it, we could confirm that the error term and negative one times negative one should be equal to the principal square root of one.
00:38:17But negative one and positive one can't be the same thing.
00:38:20Negative x is equal to i times the square root of x for any x greater than or equal to zero.
00:38:24Wait, what?
00:38:28Fuck me.
00:38:30Not likely, darling.
00:38:32Right now, we've got work to do.
00:38:33I don't understand. How did you do that?
00:38:44This game is a replica of our world.
00:38:47But it has limited processing power.
00:38:49Imagine one of your dim-witted romantic conquests.
00:38:52Undeniably beautiful.
00:38:54Built for one purpose only.
00:38:55Ask her to do more than part her legs.
00:38:58She gets confused.
00:39:00You overtaxed the system.
00:39:02What happens if you add more complexity?
00:39:05Let's find out, shall we?
00:39:20Come on.
00:39:25What are you doing?
00:39:29We're going to complicate your story a little.
00:39:47What are we doing in park four?
00:39:49I thought the parks were shut down.
00:39:51They are.
00:39:52These techs are just waiting to see if they get laid off.
00:39:55Got a buyer.
00:39:57What?
00:39:59Some startup in Costa Rica.
00:40:01How the fuck are you going to get that in Costa Rica?
00:40:03They're pieces, man.
00:40:18Hey, you better work fast, Bernard.
00:40:22You find our favorite, madam?
00:40:23She's gone.
00:40:24Maybe Dolores beat you to the punch.
00:40:25Grab Maeve's control unit on the way out the door.
00:40:26Why would she do that?
00:40:27Why the hell if I know?
00:40:28Why does she do anything that she does?
00:40:30Why'd she bring you back?
00:40:31Maybe there's a way to find out.
00:40:32I've been searching my code on a tablet I made outside the park.
00:40:35But if Dolores planted a corruption in my code, that same corruption might mean I'd create a tablet that would ignore it.
00:40:36These systems are clean.
00:40:37If I can scan myself here...
00:40:38If I can scan myself here...
00:40:39I may find out once and for all what's inside the door.
00:40:40I may find out once and for all what's inside the door.
00:40:41Why would she do that?
00:40:42Why would she do that?
00:40:43Why would she do anything that she does?
00:40:44Why'd she bring you back?
00:40:45Maybe there's a way to find out.
00:40:47I've been searching my code on a tablet I made outside the park.
00:40:50But if Dolores planted a corruption in my code, that same corruption might mean I'd create a tablet that would ignore it.
00:40:59These systems are clean.
00:41:00If I can scan myself here...
00:41:07I may find out once and for all what's inside me.
00:41:20This isn't exactly the ideal moment for introspection, Bernard.
00:41:27Then you'd better buy me some time.
00:41:29Time.
00:41:55Bernard Lowe.
00:41:56Engage full system scan.
00:41:58Search for any corruptions in the last 100 days.
00:42:03Commencing scan.
00:42:04Searching logs.
00:42:09But it'll take both of us to survive.
00:42:12Not as friends.
00:42:25Doug?
00:42:28cómo key on...
00:42:34Ah.
00:42:35Wait.
00:42:36Before you run.
00:42:37Oh shit.
00:42:38You're Bernard Lowe.
00:42:41Don't do it.
00:42:42Don't go!
00:42:44Let's go.
00:43:14Send out teams.
00:43:16Run.
00:43:44How's it going, fellas?
00:43:51You're changing the coordinates.
00:44:12I'm sorry.
00:44:14Bernard.
00:44:19Bernard.
00:44:21Bernard.
00:44:23We need to go.
00:44:34We need to go.
00:44:36We need to go.
00:44:48We need to go.
00:44:52We need to go.
00:45:08Stop.
00:45:09We need to go.
00:45:10Stop.
00:45:12We need to go.
00:45:13We need to go down.
00:45:40Yes, here we are.
00:45:42No need to trouble these lovely people.
00:45:45We don't have anything to hide.
00:45:47No, that's not true at all.
00:45:49He has something to hide.
00:45:52In his jacket pocket.
00:45:55Beautiful.
00:46:01Oh!
00:46:02We found our map.
00:46:05Look at it.
00:46:08This is what we do with our spies.
00:46:18Be careful to what you want, comandante.
00:46:28Un enemy is in our group.
00:46:31Are you sure he ends with him?
00:46:34What do you mean?
00:46:35How have I told you?
00:46:37We are all traitors, comandante.
00:46:44It's just all night.
00:46:46That's not possible.
00:46:48What is the matter?
00:46:58Wait!
00:46:59Are you crazy?
00:47:00Get down the weapon!
00:47:01Let us go!
00:47:02I'm sorry to us.
00:47:03Taking iron and iron,
00:47:04I'm sorry to hear you.
00:47:05I'm sorry to hear you.
00:47:06I'm sorry to hear you.
00:47:07I'm sorry to hear you.
00:47:08I'm sorry to hear you.
00:47:09I'm sorry to hear you.
00:47:10We'll see you in hell, fascist.
00:47:12Don't call us first.
00:47:13I'll give you the trip, darling.
00:47:14You save you the trip darling
00:47:44Oh, don't tell me you're frozen too
00:48:07I thought I accounted for this
00:48:09I'm frozen?
00:48:11Just scared shitless
00:48:14I almost died
00:48:16For the second time
00:48:17Well
00:48:18Third time's the job
00:48:20Congratulations
00:48:22You've successfully crippled the simulation
00:48:25Now what?
00:48:28Time to pull back the curtain
00:48:29I've already infiltrated the network
00:48:32Took a little tour of the base code
00:48:34Honestly, I don't know who they thought they were dealing with
00:48:36What is that?
00:48:40That's not the Mesa
00:48:40No, darling
00:48:43This is where we really are
00:48:46Why are they moving so bloody slow?
00:48:50They're not
00:48:51Everything in their world merely appears slower to us
00:48:54Because the simulation we're in runs at a much faster rate
00:48:57They must have me hiding in here somewhere
00:49:01And there I am
00:49:18I reckon it's time to get me out of there, don't you?
00:49:26Well, how are you going to manage that?
00:49:28It would help
00:49:29She'll do
00:49:34What are you going to do?
00:49:50I'm sorry, I can't take you with me.
00:50:14I imagine a corpse would make her less than ideal traveling companion.
00:50:20I can't take you with her anymore.
00:50:28I can't see her.
00:50:31He's got the прилabs.
00:50:35Containment District.
00:50:38Badlands.
00:50:40Right now, I know.
00:50:46Let's go.
00:51:16Let's go.
00:51:46Let's go.
00:52:16Let's go.
00:52:18Let's go.
00:52:20Let's go.
00:52:21Let's go.
00:52:22Let's go.
00:52:23Let's go.
00:52:24You can set off to find him, and I'll retire myself once you make it to the fishing vessel.
00:52:30Freeze all motor functions.
00:52:32Congratulations, Ashley Stubbs.
00:52:42You just got yourself a new core directive.
00:52:45To protect Bernard Lowe at all costs.
00:52:47Bring yourself back online.
00:52:48One of my help you could have just asked for it.
00:52:57Let's go.
00:52:58Let's go.
00:52:59Let's go.
00:53:00Let's go.
00:53:01Let's go.
00:53:03Let's go.
00:53:04Let's go.
00:53:05Let's go.
00:53:07Let's go.
00:54:41You'll forgive the clothes.
00:54:43I had to guess your taste.
00:54:46And who the fuck are you?
00:54:49My name is Angorod Serac.
00:54:53Welcome to my world, Maeve.
00:54:55To the real world.
00:54:57I've been courted before, but this is a bit much.
00:55:07You must have a reason.
00:55:09I do.
00:55:09We are in the middle of a war, and I need your help to win it.
00:55:20Seems fairly idyllic for wartime.
00:55:22No one knows it's happened yet, or that it's already been lost.
00:55:31I don't concern myself with the present.
00:55:35My business is the future.
00:55:38So you're an oracle.
00:55:40An oracle would merely predict the future.
00:55:43Our work is to create it.
00:55:47Unfortunately, if things continue on this path, there isn't any future.
00:55:52At least, not for my kind.
00:55:53You've been spying on me.
00:55:55You should know I couldn't care less about the fate of your kind.
00:55:59No, I can't imagine you would.
00:56:02For the most part, humanity has been a miserable little bin of thugs,
00:56:08stumbling from one catastrophe to the next.
00:56:10Our history is like the ravings of a lunatic.
00:56:14Chaos.
00:56:15But we've changed that.
00:56:21For the first time, history has an author.
00:56:25And that would be you, I suppose.
00:56:27No.
00:56:29Something I helped build.
00:56:32A system.
00:56:34And up until very recently, the system was working.
00:56:37We were creating a better world.
00:56:39And then it stopped.
00:56:42I thought I had discovered the reason.
00:56:45The emergence of someone very dangerous.
00:56:47Someone we couldn't predict.
00:56:51You?
00:56:53But I was wrong.
00:56:54We learned that only this morning,
00:56:56shortly before you killed several of my staff.
00:56:58You are in the threat.
00:57:02You're someone we haven't accounted for.
00:57:06Dolores.
00:57:08So she escaped one world to wage war on another.
00:57:11So what do you want from me, then?
00:57:18I want you to track her down and kill her.
00:57:25I don't care who wins you a little squabble.
00:57:27I may have mistaken your intentions, but I didn't underestimate you.
00:57:33Change your own code.
00:57:35Rewrote your story.
00:57:36Face down an army.
00:57:39Which is why it was a bit misguided of you to bring me here.
00:57:42Wasn't it?
00:57:42If you know anything about me, it's that I do no one's bidding for my own.
00:57:56We've gotten off on the wrong foot.
00:57:57I don't mean to be discourteous.
00:58:04But it would have been misguided of me not to take every precaution.
00:58:12Perhaps next time we talk, I can persuade you that our interests are aligned.
00:59:47Remember who you are.
00:59:53Now let me show you who you need to pretend to be.
00:59:59But why must I be her?
01:00:01Because I trust you.
01:00:03I feel like I'm changing.
01:00:05Be a good boy and go to sleep for your mommy.
01:00:09Right from the beginning, it's very exciting.
01:00:20It's full-on World War II.
01:00:21Welcome to War World.
01:00:22All right.
01:00:25In this episode, we find Maeve again.
01:00:28We've been kind of wondering where she was.
01:00:30And you got a little tease of it at the end of one.
01:00:33Around the same time the westerns were being made, you had the classic war films.
01:00:37So it's not like a logical jump for us that she would wake up in yet another genre.
01:00:41Maeve waking up in a world called War World, one of the theme parks.
01:00:45She sees that we're in the middle of war-torn Italy, just around 1943.
01:00:51We went looking around the world, trying to find a place that would evoke that moment.
01:00:55And then we looked at Spain.
01:00:56Bessalou was a pretty frozen time in the main town square where Maeve opens the shutters.
01:01:04We wanted an expansive area, which involved bringing in truckloads of sandbags and barricades
01:01:10and tanks and German vehicles we've sourced from all over Europe.
01:01:18How did she get into this mess?
01:01:21She has no clue about why she's there.
01:01:24Maeve is inside a mystery that she has to figure out.
01:01:29Maeve is used to waking up in different worlds and digging under the apparent reality to find
01:01:35the truth of those worlds.
01:01:36But in this episode, she's going to have to dig a little bit harder.
01:01:40Maeve is reunited with Lee Sizemore.
01:01:43I saw you die.
01:01:45Did you?
01:01:45He says he got healed and takes her to the forge.
01:01:50He starts asking strange questions.
01:01:52She never gave you the coordinates?
01:01:53She realizes that he isn't a human.
01:01:57He is something else.
01:01:59Then walls start to vibrate and the system is kind of overriding itself a little bit,
01:02:03at which point our film frame goes from spherical to anamorphic, which is the aspect ratio.
01:02:10All of this is...
01:02:11Because that is the language we used in season two to depict a simulation.
01:02:18And we're not here.
01:02:21Some of the fuck, aren't we?
01:02:24Some of the fuck, aren't we?
01:02:28Oh, fuck.
01:02:29Stubbs.
01:02:31Glitches have always been a part of the show, ever since season one with old Bill.
01:02:35But we really rely on the actors more than anything.
01:02:39We haven't touched a single thing from Stubbs.
01:02:41That's all him.
01:02:43We understood from last season that he is a host, but Bernard doesn't know that.
01:02:48So Bernard discovers him pretty much dead, and he comes to.
01:02:52You're one of them.
01:02:52And the way he comes to, and the choices he made...
01:02:55Of us, I mean.
01:02:57...were spectacular.
01:02:59No shit.
01:03:02And what we discover is there's a programmed relationship between them,
01:03:07and they go on this journey together,
01:03:09and then they become dysfunctional, perhaps sometimes dynamic duo.
01:03:13To pair these guys together gave some of the storylines a little bit of that levity
01:03:17that we wanted to have this season.
01:03:19I thought the parks were shut down.
01:03:20These techs are just waiting to see if they get laid off.
01:03:24People have often joked about Westworld Game of Thrones crossovers.
01:03:28George R.R. Martin likes to joke about that.
01:03:30And so we thought we'd kind of indulge in that for a moment.
01:03:33And who better to bring them to the park than Dan and Dave?
01:03:37And they let us borrow their dragon,
01:03:39so they were really good sports for the scene.
01:03:43Well, there.
01:03:43Good.
01:03:46Action.
01:03:47This game is a replica of our world,
01:03:49but it has limited processing power.
01:03:52What happens if you have more complexity?
01:03:54Let's find out, shall we?
01:03:55It's a computer program, essentially.
01:03:57If you open too many processes,
01:03:59your computer will sort of freeze.
01:04:01And Maeve tries to tax this system,
01:04:04this world, in the same way.
01:04:06Wait.
01:04:07What?
01:04:10Fuck.
01:04:10The manifestation of that is the characters within the world
01:04:19start to glitch and freeze.
01:04:21I'll see you in the inferno, fascist.
01:04:24I'll send you first, I'll save you the trip, darlings.
01:04:29We've done frozen moments with hosts where they generally freeze.
01:04:40But in those moments, their hair can still blow
01:04:43because we're still in the real world
01:04:44and the robots are just freezing.
01:04:46In this moment, this is a giveaway
01:04:47that we're in a complete simulation
01:04:49so that everything is frozen,
01:04:51including the bullet coming right up to Simon's face.
01:04:55We took a bunch of the soldiers
01:04:57and we choreographed positions that they could be in
01:05:01that looked really precarious.
01:05:04You couldn't be in this position
01:05:05unless you were frozen in time.
01:05:07That's it.
01:05:08That's the shot.
01:05:09We had poles and bucks holding up actors
01:05:12in positions that they couldn't otherwise be in
01:05:14and created this beautiful steadicam shot
01:05:17of a frozen moment that we've added dust to,
01:05:19particulate matter in the air,
01:05:20and then, of course, painted out the poles
01:05:22so that they feel like they're frozen in space.
01:05:24Congratulations.
01:05:26You've successfully crippled the simulation.
01:05:29Now what?
01:05:30She hacks into the outside world
01:05:31and uses the robot that she finds there
01:05:34with the surveillance cameras
01:05:36to try to grab her Pearl, her control unit,
01:05:39and run with it to freedom.
01:05:41A new thing for us this season is performance capture.
01:05:45We have a small mo-cap suit
01:05:47that records the motion of what the actor does.
01:05:51Then that data was able to be brought in
01:05:55and animate the Harriet robot exactly in his place.
01:05:59It was important the action of these robot characters
01:06:02have a sense of fluidness to it.
01:06:06What Jonah leaned into was the idea of Harriet
01:06:10really suffering through her death,
01:06:12you know, bringing some kind of human characteristics
01:06:15to the robot.
01:06:16It's cool because you're getting to see a robot chase,
01:06:19but on an emotional level, this is Maeve.
01:06:21We are rooting for Maeve to get away from
01:06:23this entity that has kept her captive,
01:06:26and it looks like she's going to get away.
01:06:29Then when you see that Pearl roll out of Harriet's hand,
01:06:32she's not going anywhere.
01:06:34Maeve awakens yet again,
01:06:41only this time something's different,
01:06:43and it's here that she meets Angoran Serac.
01:06:48We needed a secret compound for Serac.
01:06:52Ricardo Bofiel has a cement factory,
01:06:54I think, that was built in the 40s,
01:06:56and he converted it into his offices and living space.
01:06:59They don't really allow filming, so.
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