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- #realityrealmus
#RealityRealmUS
Reality Realm US
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Short filmTranscript
00:01There you go. Enjoy.
00:02Thanks very much.
00:03Hi, Lola. Have fun.
00:16Here we are.
00:21Ready? Three, two, one.
00:26I'll just get Lola settled.
00:27Sure.
00:30All right, Chicken.
00:35I'll just go find you, Dad.
00:48All right, Chicken.
00:51I'll just go find you, Dad.
00:54I'll just go find you.
00:56I'll just go find you.
00:57I'll do this.
01:01Mine 22, York.
01:02Mine 33, Church, Venton.
01:05Mine 42, Garforth.
01:07Mine 59, Leeds.
01:0810-08 New Pudsey, 10-18 Bradford Interchange, 10-29 Halifax, 10-41 Hebdenbridge, 11-02 Burnley Manchester Road, 11-12 Accrington, 11-20 Blackburn, 11-40 Preston, 11-49 Kirkham Wesson, 11-50 7-40 Fired, 12-04 Blackburn North.
01:38Ladies and gentlemen, watch out for the ghost of the Scarlet Bride.
01:48Centuries ago, she suffered a particularly grisly death the morning of her wedding, and she's been roaming this abbey ever since, out for revenge.
01:57Hey!
01:58Hello!
01:59Hey, Patience.
02:00Hi, Patience.
02:00Hi.
02:01We should do a gig here.
02:02Oh, we should.
02:03Absolutely.
02:03It's epic.
02:06So beautiful.
02:08If you'll follow me, I'll take you to the very spot where a local squire was accused of devilry and bricked into the abbey wall.
02:18You can still hear his muffled screams today.
02:22It's me.
02:22I'm the squire.
02:25Um, you don't mind it if these guys join, do you?
02:31No.
02:35Sorry, everyone.
02:36I had to get that out on the system.
02:37You all right?
02:38Yeah, just about.
02:39All right, okay.
02:40This way now.
02:41This way now.
02:41This way now.
02:44She don't mind, she needs to go on.
02:45Okay.
02:46She needs to be a part of me anymore.
02:47She needs to be a part of me.
02:48She needs to not let me hơn.
02:49Get ready.
02:49Well, I can only have to do one-waves.
02:50If she ihnen will a little bit older.
03:04I can't wait for her now.
03:05I can't wait for her to do this.
03:06Just my wife.
03:07922 York, 933 Church Fenton, 942 Garforth, 947 New Templegate, 950 New Leeds, 942 New Leeds,
03:25942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds,
03:37942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 942 New Leeds, 9
04:07I've got a few questions to ask you.
04:22Victim?
04:24Philip Braxton. He's a specialist engineer.
04:28Hi. Can we help you?
04:31I'm Martin. I'm a colleague of Phil's.
04:33I hope the officer said you would want to speak with me.
04:37Yeah. DS Hunter.
04:39I'll see you in a minute.
04:42So tell me, how long have you worked?
04:43So what do we think?
04:44Well, looks like he sustained a traumatic brain injury from a blow to the head.
04:51He would have died within a minute.
04:54That's the murder weapon.
04:56Yeah, I say so, from its dimensions.
04:59Blood's a bit of a giveaway.
05:03He was a good bloke.
05:11He's great with his kids.
05:14Have you found her? The daughter.
05:17Daughter?
05:17The mother drops her off every Wednesday.
05:19She would have been here.
05:21She's, um, she's autistic.
05:26Right, well, here we are.
05:28Thanks very much.
05:29Hope you had fun.
05:30And either way, thanks for getting me out of the house.
05:33Um, oh, thank you very much.
05:38Oh, that's a really cool picture with the lights behind you.
05:41Can I have your phone?
05:41Yeah, yeah, yeah.
05:42Oh.
05:43Oh, nice of you.
05:52I look great.
05:54Nothing a filter won't be there.
05:55Right, come on.
05:57I'm freezing.
05:58This place is definitely haunted.
06:00Oh, yeah.
06:01Later's duty.
06:02See you.
06:02See you, losers.
06:04Thought you were losers.
06:05Yes, indeed.
06:05I like your friends.
06:10Yeah, they're idiots.
06:14Wish I hung out what you are sometime.
06:16My friends?
06:18Yeah.
06:20I want to meet them.
06:22Okay.
06:23Okay.
06:24Oh.
06:25Yeah, um, sorry to ruin the evening.
06:47Why don't you do then?
06:51Uh, give me a call later, yeah?
06:53Yeah.
06:54Bye.
06:56Bye.
06:59All right, headphones.
07:00Love a boy not staying.
07:01No, it's his night off.
07:03Come on.
07:04We need you.
07:12Hey, boss, we found this in the bin.
07:14It's the wife's phone, Claire Braxton.
07:16We put a call out, but her car's still parked in the street outside.
07:19So what were we thinking?
07:20What, she killed her husband and then fled on foot?
07:23We?
07:25Was that her with her daughter?
07:26Yeah, Lola Braxton.
07:27She's 11 years old, autistic, predominantly non-verbal.
07:31We're sweeping the area, but there's no sign of either of her.
07:33We can't assume we're together.
07:35What do you think?
07:35Sorry?
07:38What do I, what, what do I think of what?
07:41Well, I thought you might have a hunch where the daughter is, because you're both, you know.
07:44We're both.
07:46You're, you know, you're, you're, you're autistic.
07:51Well, no.
07:53I mean, we're not all the same.
07:55I don't know what she's thinking.
07:57Yeah, I don't have time for you to get all offended.
07:58I'm just asking for your input, please.
08:05Okay.
08:06Um.
08:08I guess, I guess when I was younger, I liked to find small spaces to hide in,
08:14so I could feel the walls around me, but always near my dad, because it felt safer.
08:27So, we're looking for an 11-year-old girl, Lola Braxton.
08:31And we think she might be hiding in a small space, so spread out and be thorough.
08:37Lola!
08:38You're not in trouble.
08:39Lola?
08:41Are you in here?
08:44Do you hear me?
08:53Lola?
08:56Lola?
08:57Lola!
09:03Lola, are you in here, love?
09:08I'm going to go to church, Lola.
09:12I'm going to go to church.
09:14947, New Templegate.
09:17959, Leeds.
09:1910-01, New Pudsey.
09:2010-18, Radford Interchange.
09:2310-29, New Blackburn.
09:23Hi, Lola.
09:2510-41, Hebden Bridge.
09:2711-02...
09:28My name is Patience.
09:30Are you okay?
09:3311-20, Blackburn.
09:3911-40, Preston.
09:4111-49, Kirkham, Wersham.
09:45She, uh, may have just witnessed her father's murder.
09:50Poor thing.
09:52She seems to be chanting.
09:55Uh, it's echolalia.
09:57It's a way of self-soothing.
09:59Yeah, communication is a bit of an issue.
10:02There are no other witnesses.
10:04No.
10:04Right now, everyone who's passed through this museum in the last few hours is a suspect.
10:0812-04, Blackburn.
10:12The mum's phone's not given us much and nothing from the house search.
10:16Given the level of risk, I've contacted MPU.
10:18There is an older sister as well.
10:20Um, she works near the station.
10:21In a kebab shop, Diablos.
10:23They're ringing her over now.
10:24No, good.
10:25Get on to local hospitals, stations.
10:27Well, I spoke to a couple of her friends.
10:29Doesn't look like a domestic.
10:30Apparently things were pretty good between them.
10:32Yeah, but, you know, you don't know what goes on behind closed doors, though.
10:36All right.
10:44Jesus.
10:45Both parents gone in one afternoon.
10:57Evie, I'm Detective Inspector Monroe.
10:59Yeah, where's Lola?
11:00Where's my sister?
11:01Have you found my mum?
11:02We're doing everything we can, I promise.
11:04We've got a social worker who's going to come and look after you and Lola at your house
11:07until we find your mum.
11:08Wait, no, I can look after Lola.
11:10I'm 19.
11:11Okay, but with Lola's needs, you still have to be assessed.
11:14Please.
11:16Sit.
11:25Okay, listen.
11:27We need to move fast, so I'm going to have to ask you some difficult questions.
11:30All right?
11:31What do you mean?
11:33How did your mum and dad get on?
11:34Did they argue?
11:36Were there tensions in the house?
11:37What?
11:38I just want you to be totally honest with us, Evie.
11:41Because I wouldn't be doing my job properly if I didn't consider all the possibilities.
11:44What if you're saying that my mum killed my dad?
11:46You're joking.
11:47You're just ruining things out, Evie.
11:51Can you think of any reason why your mum would disappear?
11:55Well, if you're saying that she ran off, it's probably because she couldn't handle the stress of Lola anymore.
11:58Did she say that?
12:00No.
12:02No.
12:05But you don't understand.
12:06It's so full on.
12:07She saps mum's time, energy, money, everything she takes.
12:12Everything.
12:13What do you think?
12:22Yeah.
12:23Just wait here, girl.
12:24Are we okay?
12:25Hi, I'm Kirsty.
12:28I'm the social worker.
12:29Hi, Kirsty.
12:29I'm Dio Munro.
12:31Their father was killed today.
12:33And the mother's gone missing.
12:34And the younger one's autistic and the older one really doesn't want you to be here.
12:38So that's a tough one.
12:39Do you want to get them out of the car?
12:40Yeah.
12:45Hi, Lola.
12:46I'm Kirsty.
12:46I'm the social worker.
12:47Come on, let's get you inside.
12:51Hi.
12:52What's going on?
12:53I'm Dio Munro.
12:53And you are not a family friend.
12:56Is everything all right?
12:58The girl's father was killed earlier today.
13:01Oh, my God.
13:02Come on, Evie.
13:03Don't you get.
13:05Hi, Evie.
13:07I am so sorry, love.
13:11Oh, I've got a thing.
13:13I've got to go check on Lola.
13:14Yeah.
13:14Do you live nearby?
13:17Yeah, I'm a neighbour.
13:19When was the last time you saw the girl's mother?
13:21Claire.
13:21Not for a few days.
13:24Right.
13:24Well, if you hear anything, let me know, yeah?
13:26Yeah.
13:26So this should be around the time they arrived.
13:44You still don't know where the mum is?
13:48No.
13:49And I'm not sure she's coming back.
13:55You think she's dead?
13:59Just doesn't want to be found.
14:04Oh, look.
14:06There, it's them.
14:07Billy, can you go back, please?
14:20Yeah.
14:21Just two seconds.
14:27There.
14:29She's wearing a rucksack.
14:30What?
14:32Lola.
14:34The girl.
14:34She, she's wearing a backpack.
14:36But when we found her, there wasn't one.
14:39So where's it gone?
14:52So you think the rucksack is still in the museum?
14:54Uh, yes.
14:55The CCTV footage showed Lola entering with it.
14:58But when we found her, it wasn't there.
15:00Okay.
15:00So what does it look like?
15:01Uh, well, it's orange with black straps.
15:04Two side pockets, both empty.
15:06Front pocket, also empty.
15:07And it's got a black hat on the front of it.
15:08Okay.
15:10Good work.
15:10Right.
15:11We're looking for an orange rucksack with black straps.
15:14Spread out, everybody.
15:16I've always checked down there.
15:17They said the carriage left.
15:18Any luck?
15:25No.
15:26Yeah, I'm in Rose still checking the workshop, though.
15:28Okay.
15:29Uh, let's head down there.
15:31Walk the grid, so to speak.
15:32Yeah.
15:33Um, sorry.
15:34Actually, do you have some to?
15:37If you ever date someone properly,
15:41would you introduce them to your friends?
15:44I think so.
15:45Yeah, why?
15:46Well, it's just that Elliot wants to meet them.
15:50Well, that's a good thing, isn't it?
15:53Well, I don't know.
15:55I mean, why would he need to meet my friends?
15:58Well, maybe he just wants to get to know you a bit better.
16:05Yeah.
16:07Yeah.
16:08Yeah, I guess so.
16:10Thanks.
16:14Wait a minute.
16:14What do you mean if I ever was to date someone properly?
16:17What do you mean if I ever was to date someone properly?
16:44There you are.
17:04There's about 300 in there.
17:05And they found traces of marijuana in the rock set.
17:09The little girl's been used as a drug mule.
17:12Seems like it, yeah.
17:15And have we identified where the bag's from?
17:19Well, as you can see, there's not much to go on.
17:21So what are you thinking?
17:29Father runs into debt, trying to care for his daughter.
17:31So starts selling drugs and then runs into trouble with a rival dealer.
17:37And how's the mother involved?
17:39We just don't know, sir.
17:40And at this point, you know, she could be a victim or a suspect.
17:44All right.
17:53Yeah, I should be with you now.
17:55Let me know if you hear anything.
17:57All right.
17:58All right.
17:59Hi.
18:00Um, I double-checked the archive.
18:02There's nothing on Philip or Claire Braxton.
18:06All right, well, it was a long shot.
18:09Yeah.
18:10What if, um...
18:12What if Clyde didn't want to be found?
18:15Well, what do you mean?
18:19Um, well, Evie said that she couldn't handle the stress of raising Lola,
18:26and so maybe...
18:27Maybe that made her want to disappear.
18:33Well, I think it's much more likely that her disappearance
18:37is connected to her husband's murder.
18:41Yeah, it feels like the only woman with any answers is Lola.
18:43Oh, my God.
19:06Hi.
19:06Hi.
19:07Um, sorry.
19:09We're looking for Lola.
19:10We've got something for her.
19:14Yeah.
19:15Good.
19:21Look at that.
19:23Look at that.
19:24Look at the gold.
19:25That's good.
19:27That's one for the collection, yeah?
19:30Yeah?
19:35Thanks.
19:37That was nice of you.
19:38Yeah, my brother loves James too.
19:40That's actually one from his collection.
19:43Oh, don't worry, she can keep it.
19:46Billy also collects loyalty cards.
19:48Yeah.
19:49Why?
19:51I guess it's a way of finding order in the chaos sometimes.
19:55You know, it's just my head is...
19:57It's always...
19:58922 York.
20:02933 Church Fenton.
20:04942 Garforth.
20:06947 New Timbergate.
20:08959 Leeds.
20:09108 New Pudsey.
20:101018 Red Crosses.
20:1210 Brimstone Holocaust.
20:141041 Hapton Bridge.
20:16Littledy.
20:16Lola, thank you.
20:17Just try to...
20:18Oh, Lola.
20:19It's okay.
20:21Just try and breathe.
20:22Try and breathe.
20:28There's nothing there.
20:29every wednesday at four they come like clockwork lesson same outfit same rucksack a load of routine
20:47film we call it and then where did they go um the maintenance yard she'd get in one of the trains
20:53and look out the window like it was a real journey very sweet and your door security are you what does
21:01that entail bag checks mostly staff visitors everyone so you'd have checked inside lola's rucksack
21:09well no she was a little one and she didn't like to be touched so
21:14um evie can i just try something no it's fine it's fine can i just try no no i'm okay i've got it
21:33it's fine it's best if we step outside yeah it's okay i promise
21:44okay do you want to join me in here lola
22:14i like it in here
22:44you know when i was younger i used to hide under my bed
22:52i still do sometimes
23:06thank you
23:21thank you
23:25what are you doing with the photo box
23:34um lola gave it to me
23:40i've never given it to anyone before
23:45um it's like a security blanket it was um it was her mom's idea
23:52well my mom gave me a special box too
24:06thank you lola thank you
24:23we know lola bought the backpack every wednesday saw her dad for two hours just enough time for him we
24:33assume to swap the cash for cannabis so philip uses lola as a drug mule
24:40only this time something goes wrong and they kill him yeah but why leave a bag of money behind
24:46yeah and how does a missing mum tie into all of this chuck us a kebab
24:56what do we do christ look
25:01that's the same so the bag used to hold the money came from the adverts and who do we know who works there
25:10so we found the rucksack evie how long have you been dealing
25:21no comment
25:24did your parents know that you were using your sister to transport drugs
25:29no comment
25:31evie
25:31your father has been killed and your mother is missing i think the time for no comment has passed
25:39this is a total joke why are you wasting your time talking to me when you should be out there
25:44looking for my mom yeah we are and we need you to help us this is a murder investigation i'm not with
25:51a drug squad talk to me how did it work so you put the money in the rucksack someone at the museum
26:00exchanged it for drugs who was it it was just a kind of from school
26:09why did you do it diablo is not paying you enough
26:13i didn't even need that money i gave it to my dad
26:19okay so you and your dad did this together
26:23not first he caught me and i said i'd stop
26:35we were just in so much debt at the time and i i just said i could help
26:44exactly how was he involved
26:45he arranged for us to use the museum as a drop-off point
26:55said it was safer that way
26:58it was only going to be for a bit just till we got back on our feet
27:01and where were you selling the drugs
27:03evie your father's been murdered i think you need to cooperate
27:13just like kids at college kids at class it wasn't a big deal
27:20okay i'm gonna hold you for further questioning and then uh you'll be allowed home pending a court
27:27hearing not a court hearing the laws of the law evie you'll be all right you're a survivor
27:36i don't know because you don't understand i didn't have a choice my mom had to give up a job i had to
27:40give up my uni place because we couldn't afford it this isn't my fault it's because of the roller
27:44so you can't just walk away where are you going you don't understand it's not my fault
28:05all staff remind us that all including has been moved to room s4
28:14so you can't do it
28:16patience right yep zindy i work with dcr baxter yes i know i was hoping to catch you for a chat
28:25actually really i would love to include you in some of the work we're doing on the rebrand
28:29oh no well that that's not really my thing don't be silly dcr baxter told me about your autism
28:36which i think is fantastic and i think your truth is really valid and will resonate with so many
28:42people who think that maybe the police isn't for them okay well i'm not actually part of the police
28:47i work in criminal records and i love that that is exactly what we're looking for your authenticity
28:53your diversity and i hope i'm not making you feel uncomfortable here but you're fantastic
28:59care oh you see our baxter hi sorry i'm late got stuck in a meeting and the train was delayed
29:07sat at garforth station for 20 minutes couldn't even find a snack garforth sorry where did you say
29:13the train started from uh backpool north why
29:16uh sorry you're gonna have to wait a while longer wait
29:28we've pulled in evie's school friend we're doing a background on him but so far it's looking like
29:31our story's checking out and all our punters are a bunch of college stoners all pretty small
29:35time and the money wasn't taken you know i think we can forget the link between the dealing and the
29:40murder hi um lola's been trying to tell us something and that's what this is just give me a sec
29:51here we go york to blackpool north i mean if there's an answer it's got to be in this route
29:57but no no there's a there's a station missing oh that always says york churchventon garforth new
30:11temple gate leads york churchventon new temple gate leads what well there's no new temple gate
30:20or maybe it's a disused station yeah new temple gate
30:27no there's no station there but if it's a school
30:35right it's a specialist school go to the gallery
30:44that's lola
30:49scroll back
30:51yep scroll scroll back
30:54i know that woman she's their neighbor
31:01lola was at our school until a couple of years ago
31:04i remember claire found it pretty tricky at first she hoped lola could be cured
31:11awesome can't be cured it's not an illness
31:14yeah claire came to recognize this and finally understood and then loved how lola saw the world
31:23it's not easy for parents or the children and sometimes things break down but it's rarely a lack of love
31:30do you really believe that absolutely
31:41tell me about nadia ward
31:44that's quite a sad story actually
31:46her daughter kelly was in lola's class
31:51she had a seizure and died last year
31:55nadia had a breakdown she blamed the school she hasn't staff
31:59what do you mean
32:00nadia stalked kelly's key worker she really needed help
32:05she was at the museum the day of the murder
32:22jesus
32:27and i think she was outside the girl's house the other day i think that's what lola saw
32:32what what that's what lola has been trying to tell us she's afraid of nadia ward
32:37that's what lola saw
32:41jake we need to get hold of the girl's social worker nadia their neighbor
32:45she could be dangerous okay we're going to leave in five yeah
32:57she's afraid of the girl's social worker
33:02one
33:02one
33:03You look so lovely, Kelly. That's a gorgeous picture of you.
33:25Are you excited? Where are we, Kelly? Exciting.
33:29What are you doing? Where are we?
33:33Oh, I love sleepyhead. Take a seat.
33:35What have you done to me?
33:37I said, sit down.
33:42Would you like some tea?
33:45Get some tea.
33:46Oh, that's OK. Do you want to check around the back a little bit?
34:01Oh, that's OK. Yeah. Do you want to check around the back a little bit? Yep.
34:07I said, I don't know.
34:09I'm going to check around the back a little bit.
34:11Can I stay?
34:23Evie?
34:26Lower?
34:30Kitchen's clear.
34:30Okay.
34:31What have you got on Nadia?
34:32Check.
34:36There's nothing out back.
34:37Okay, go and check upstairs.
34:38All right.
34:41All right.
35:11All right.
35:20Drake!
35:21What is it?
35:22Drake!
35:23Oh, shh.
35:24Hey, go, go.
35:26It's all right.
35:26It's all right.
35:26Come in.
35:27Come in.
35:28Come in.
35:28Come in.
35:45Well, this will make you feel better.
35:47Kelly! Stop being silly!
36:06Hey boss, we've got a problem. There's no sign of the kids and no sign of Nadia because apparently she's never lived on this street.
36:15All right, so we've got a mentally unstable woman who has a breakdown when her daughter dies, unable to grieve.
36:21She transfers her affection to another child and starts stalking her.
36:24You've got to know her fixed address, ma'am, but she did inherit her mum's country house three years ago. Here's the location.
36:30All right, let's go.
36:31I don't get it. What's Nadia's plan? I thought she just wanted Lola.
36:34Yeah, and what's she going to do to Evie? Will, let's back up.
36:45Hmm?
36:48Hmm?
36:57Mum? Mum?
37:01Mum?
37:02Oh, mum. Oh, mum!
37:03Oh, my God!
37:04Mum! Oh, thank God!
37:05Oh, my God!
37:06Oh my God! Are you okay?
37:08Oh! Are you okay?
37:10Are you okay?
37:12Oh my God!
37:14Oh my God!
37:16Kelly!
37:18Baby girl!
37:24Kelly!
37:28Come on! We've got to go now!
37:36Oh my God!
37:38Oh!
37:40He is very pleasant!
37:42No, no, no!
37:44Oh my God!
37:46Oh my God!
37:48Oh my God!
37:50Oh my God!
37:52Oh my God!
37:54Oh my God!
37:56Okay!
37:58Oh my God!
38:00What's he saying?
38:02Oh my God!
38:04Yeah!
38:05There you are. How did I just leave?
38:11Let us go.
38:14Come on, Kelly.
38:15No. It's Lola.
38:18What?
38:20No, it's not. It's Kelly. Come on, Kelly.
38:23Let us go.
38:26Stay back!
38:27I said I'd come back.
38:28Stay back!
38:29Kelly!
38:30Run!
38:31They're out of here!
38:33Kelly!
38:34Kelly!
38:35Kelly!
38:58Get out!
39:00Get out!
39:01Okay, Nadia. I'm Detective Frankie Munro.
39:06Stay away!
39:07Okay.
39:08Okay, I need you to calm down, okay?
39:10I need you to calm right down, okay?
39:12I'm stepping back. I'm stepping back, okay?
39:14I'm taking Kelly away. You can't stop me.
39:17Okay.
39:18Okay.
39:25Are you all right, Claire?
39:26Okay.
39:28Okay.
39:29I know you're suffering, Nadia.
39:31Hurting Claire is not going to bring your daughter back.
39:33You don't know anything about me!
39:35No.
39:36No. I don't know anything about you, Nadia.
39:38I don't, and I want to know. I want to talk to you nice and calmly, okay?
39:43But first, I need you to let Claire go, okay?
39:46No, Nadia is not your daughter.
39:47She doesn't deserve her. I can look after her. I can love her.
40:01No!
40:02No!
40:03No!
40:04No!
40:05No!
40:06No!
40:07No!
40:17The patient is conscious and breathing.
40:19No!
40:20No!
40:31No!
40:32No!
40:33No!
40:34No!
40:35No!
40:36No!
40:37No!
40:38She was constantly hassling us.
40:41We weren't in time with Lola.
40:44And why didn't you report her?
40:49We felt sorry for her.
40:53And we thought we could handle it.
40:55but then she turned up at the museum
41:01what have you done
41:13oh claire what have you done
41:16no no no no i didn't
41:18no no no
41:19no no no
41:23they'll call an ambulance
41:26oh shit
41:29no no no
41:31no no
41:32I'm sorry
41:36I'm sorry
41:39I'm sorry
41:42I'm sorry
41:45whoa okay
41:47come on
41:51922 York
41:57933 Trash Fenton
41:59942 Garforth
42:01come on
42:06I'm sorry for everything I put you through you must hate me
42:11no sweetheart
42:12no
42:14the two are you
42:17there's nothing you could ever do
42:22that would stop me loving you
42:25I miss dad
42:32no no dad
42:34me too
42:36you
42:41so
42:41anyone fancy some crisps or nuts
42:43So, er, anyone fancy some crisps?
43:00Or, er, nuts?
43:02Ooh, yeah, thank you.
43:05Er, oh.
43:07Patients like nuts, but you're allergic to the sesame.
43:10Yes.
43:11Oh.
43:11Yeah, she found out when she was seven.
43:14Eight.
43:15Eight.
43:16Eight.
43:17Yeah, she found out when she was eight.
43:19She found it out at a trampolining party.
43:21Oh, yeah.
43:23Which is when she also found out she doesn't like trampolining.
43:29Right, well, er, let's not do that, then.
43:34So, er, Billy, Patients says you run her group.
43:37Yeah, yeah.
43:38Er, she joined in 2022.
43:39Yeah, 2022.
43:41January 2022.
43:44Which is actually her favourite mug.
43:47Partially because snowdrops are her favourite flower.
43:49You know a lot about her, don't you?
43:57Yeah.
43:59Yeah.
44:00I suppose I do.
44:07I'll just go here to the toilet.
44:08Yeah.
44:09Okay.
44:11Great.
44:11It's been going well.
44:28Is this weird?
44:49This is weird, isn't it?
44:50Yeah, I think, er, it is a little bit weird.
44:53Yeah.
44:54Yeah.
44:55I think she wants us to, you know, bump.
44:59Yeah.
45:00Oh.
45:01Which is fair enough.
45:02Yeah.
45:02You are her best friend.
45:03And I'm, er, you're a boyfriend, aren't you?
45:10I mean, I have not exactly done that yet.
45:13Hmm.
45:15Do I do really like her?
45:16Hmm.
45:17And she really likes you?
45:21Yeah?
45:22Oh, yeah.
45:27Okie dokie, folks.
45:28Start assembling your teams for the quiz.
45:31Oh, I love a quiz night.
45:33Although I can basically only do music and birds.
45:36Ooh, I can do history, art, and, like, a little bit of sports.
45:41Although, to be honest, if we've got patience, we're basically...
45:43We do not need to be here at all.
45:49Hey.
45:50Hi.
45:50Um, I've just turned ourselves up for the quiz.
45:54Oh.
45:55Oh, that's okay.
45:56Yeah.
45:57Yeah.
46:00I, um...
46:01I really like your necklace.
46:07I like it, too.
46:10Question one.
46:12Where is the Scarlet Bride said to roam at night?
46:16It's...
46:17There it is.
46:18Ah.
46:19Bye.
46:33Bye.
46:38Hold on.
46:39Bye.
46:40Bye.
46:40Bye.
46:41Bye.
46:41Bye.
46:42Bye.
46:42Bye.
46:42Bye.
46:43Bye.
46:44Bye.
46:45Bye.
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