- 2 days ago
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FunTranscript
00:00Thank you for listening.
00:30It's probably just as well.
01:00That'll do.
01:07Hello?
01:09Did you want me for something?
01:29No.
01:30I thought I heard you call.
01:35No, I didn't.
01:36What are you doing?
01:38I couldn't seem to write.
01:39I thought I'd at least make use of myself.
01:41I haven't cleaned this for a while.
01:42I've never seen a gun.
01:43Up close, I mean.
01:44It was my sidearm in a service.
01:45Do you mind?
01:46Sure.
01:47Be careful.
01:48It's loaded.
01:49Does it have much of a kick?
01:50Some.
01:51It could be dangerous.
01:52It could be dangerous.
01:53It could be dangerous.
01:54It could be.
01:55Okay.
01:56Okay.
01:57Okay.
01:58Okay.
01:59Okay.
02:00Okay.
02:01Okay.
02:02Okay.
02:03Okay.
02:04Okay.
02:05Okay.
02:06Well, what about you for a wish?
02:08some. It could be dangerous.
02:38Come on.
02:57Come on.
03:06Come on.
03:26Come on.
03:34Come on.
03:46Come on.
03:58Come on.
04:10Come on.
04:22Honey.
04:28Howard, you up there?
04:34Hi.
04:36You must be Peggy.
04:38That's right.
04:40Who are you?
04:42Carol McKay, Mr. Dunlap's secretary.
04:44Oh.
04:50Okay.
04:54You're home early.
04:56I can't have I been sailing today.
04:58Howard, what's with the new edition?
05:00You mean Carol?
05:02Uh-huh.
05:04She's putting everything into the computer.
05:06I know she told me, but why is she living here?
05:08It was Murray's idea.
05:09You know how he's been about this book.
05:11He's like an old head.
05:12It would have been nice if you would have asked me how I felt about it.
05:14Okay.
05:15How do you feel about it?
05:16Hello?
05:17Carol.
05:18It's Murray.
05:19How's it going?
05:20Actually, it's going great.
05:21I must have typed about 30 pages already.
05:23Maybe more.
05:24Do you want to talk to Howard?
05:25No, actually, I want to talk to you.
05:26I need a favor to ask you.
05:27Sure.
05:28About a year ago, Howard tried his hands on a romantic novel.
05:31I think it was called Thunder Over Paris or something like that.
05:33He hated it so much that he never showed it to anyone.
05:34It's got to be in his office somewhere.
05:35He never throws anything out.
05:36See if he can find it.
05:37Well, he must know where it is.
05:38I'll ask him.
05:39Oh, no, no, no.
05:40Don't say anything to him or Peggy about it.
05:41I'm cooking up a little surprise.
05:42It's between you and me, okay?
05:43Sure.
05:44Uh, is he around?
05:45He's out on the patio.
05:46Oh, then go look for now.
05:47As soon as you find it, call me.
05:48I'll be at the office.
05:49I'll be at the office.
05:50I'll be at the office.
05:51I'll be at the office.
05:52I'll be at the office.
05:53I'll be at the office.
05:54I'll be at the office.
05:55I'll be at the office.
06:03I'll be here until about nine or so.
06:04After that, I'll be at my house.
06:05All right.
06:06Good girl.
06:07Catch you later.
06:08Give me a break.
06:25I am giving you a break.
06:29I am giving you a break you should have called you should have said it was important and you
06:41should have asked me about this I called it was Murray's idea I don't care about Murray he drives
06:46me crazy I'm your wife okay ask me well what am I supposed to do what are you supposed to do
06:50figure it out Howard holy Jesus Christ you think I'd really done something terrible honey all I'm
06:56asking for is a little bit of consideration all right I'm sorry does that make you feel better
07:01not if you don't say it like you mean it for Christ's sake I'm getting out of here
07:26hey get another one of these please yes sir oh mr. Beckman mr. Dunlap how are you sir won't you sit
07:49down thank you it was your good fortune that I happened to be in town well perhaps your good
07:59fortune as well thanks what about you oh no just some mineral water for me please I did enough
08:06drinking last night to last a lifetime I know what you mean these conventions can wear you out all
08:11right that they can that they can now what kind of a novel are we talking about a romantic novel
08:17romantic novel that's a little out of Howard's line isn't it well he's ready to branch out right
08:24now he's writing a horror novel for Randall house oh I see thanks aren't you gonna order anything
08:32no thank you I'm not hungry but you go ahead well I'm fine thank you that's it
08:37where were we oh yeah you were gonna make me an offer that was merely your assumption mr. Dunlap
08:47you call me Murray why isn't Randall house interested in this property what makes you think they're not
08:54you better let me think it over Mary you know I'll be honest with you Calvin mr. Beckman look the
09:04only reason I'm even here is because my client has got an eye on a new house and I know that he needs
09:08some quick cash now if you're not interested just say so I'll take it someplace else don't get excited
09:13I'm not getting excited just don't hi-hat me my apologies okay now what kind of figure are we
09:22talking about 35,000 flat and you could own our right that's a bargain no matter how you look at
09:27it it's a good price damn good price naturally I'd have to run this past a few people when could
09:33I have delivery as soon as possible assuming I can get approval would it be possible to have it
09:40before I leave for New York when is that tomorrow evening oh no problem I'll deliver myself do I make
09:47out a check to you that's correct upon delivery upon delivery don't bother to get up but I really
09:55have to get going nice doing business with you mr. Beckman see you tomorrow
10:00yeah I'll make this quick Gus and I don't want your fuck-ups anymore I just got a call from that guy
10:20Maxwell the paint man what now go over and bust his jaw I'll bust yours he's trying to weasel on me
10:27could you believe it you told me to go fuck myself yeah I believe it I want you to get the hell
10:32over there and get the cash he ain't due yet Gus I want you to wake him up get my money
10:45okay I'll do it tomorrow bright and early be here yeah yeah
10:56you said my soul
11:23on fire, got me burning, oh, well, sweet things I've been trying to keep my cool, but
11:36if I keep holding back, I'll be 104, oh, baby, oh, baby, just wanna love you, let me hug
11:47gosh big Ed, you don't tell me I'll find it myself
12:17Everybody this week don't need a story to come
12:22Oh, no, it's missing what it's on the ride
12:25What is my favorite place?
12:29What is my favorite place?
12:30What if it's my favorite place?
12:32How'd you do it?
12:39How you doing, Big Ed?
12:45Doing fine, Cassis.
12:46you samuel samuel scott call you yeah you ain't getting any more dough to me gus
12:55i've had it with you fucking sharks i can't believe you're talking to me this way i mean
13:02didn't scott bail you out when you was in deep now you want me to tell the man to go fuck himself
13:06i think these paint films have been getting to your head take a hike man i don't need to pay
13:13you or anybody else hey one phone call from either the cops you all go to jail give me the money ed
13:20you know what you can go fuck yourself too gus is that the way you want it
13:43he's gonna trap you down and when you find him he's gonna do what he do and take a bite
13:53give me the money ed
14:13i want the rest by next week okay okay guys good
14:25but now he's getting out of hand and you can show him your back he's gonna track you down
14:40and when you find him found he's gonna do what he do and take a bite out of here
14:44since the last night i kept the dog check but now he's getting out of hand and you can show your back
14:49forgive me
14:54to be honest about you
14:56he's gonna do what's the better
14:57in his grandfather
15:02he's gonna do what you can do
15:04buddy
15:07I like all the time
15:10he's gonna take a look to the guy
15:14Oh, finally.
15:44Oh, finally.
16:14Peg, I'm sorry, Peg.
16:25You were right about the sides of that.
16:27I don't know why I got so bent out of shape.
16:32I never want to hurt you, Peg.
16:35It's not called thunder over Paris.
16:37It's called thunder over Hawaii.
16:39Beautiful. I'll pick it up in the morning.
16:41What time?
16:42Say between 8.30 and 9.
16:44And remember...
16:44I know. Here's a secret.
16:53There's something bothering you, isn't there?
16:55I have to tell you, Peg.
17:01I think the reason I blew up at you...
17:04Because I was feeling guilty.
17:06You know, honey, the sooner she's out of here, the better I'll feel.
17:24Maybe she's not the problem.
17:31You mean we're the problem?
17:33You're gonna think I'm crazy.
17:34You think it's that thing in a jar, don't you?
17:38Yes.
17:39I mean, it's like there's some dark force gripping this house.
17:49Listen to yourself, would you, honey?
17:51Come on.
17:52You sound like a little kid, and you're trying to blame our problems on a dead thing in a pickle jar.
17:56I don't know.
17:58I don't know.
18:01I'm scared.
18:03Don't be.
18:06Where are you going?
18:08I'm getting rid of that jar.
18:10And when I'm done with this book, we're going on a long vacation.
18:12I don't think so, Howie.
18:31Howard?
18:42We're in here.
18:56Come on in, Peg.
18:58Carol, listen to me.
18:59No, you listen to me.
19:01I'm in charge now.
19:03You're not in charge.
19:04That thing is in charge.
19:07Take off your clothes.
19:10What?
19:10You heard me.
19:11Take off your clothes.
19:13We don't need her.
19:15Shut up.
19:18Do it.
19:19Now.
19:22Have a little fun with it, Peg.
19:25Come on.
19:27Better.
19:30That's it.
19:31Let's see it.
19:39Come on.
19:41Come on.
19:45That's better.
19:46Okay.
19:47Get over here.
19:48Come on.
19:57It's nice.
20:00Okay.
20:01Go.
20:02Come.
20:04Come.
20:05Come on.
20:05Come on.
20:05Come on.
20:07Come on.
20:08Come on.
20:09Come on.
20:09Come on.
20:09Come on.
20:10Come on.
20:11Come on.
20:19Get busy.
20:29Help her out, Howie.
20:30Come on.
20:30Take it off.
20:32Rip it off.
20:33That's it.
20:35Touch.
20:44Touch me.
20:46Go on.
20:48All night.
20:49Come on.
20:50Come on.
21:00Come on.
21:01Come on.
23:02I don't like people talking to me, looking down at me.
23:05I think you're making a mistake, Scott.
23:14Let me tell you something about human nature.
23:16You give a guy a deadline, especially a sleaze like Maury, and right away he begins to wonder if you really mean it.
23:24And when there's money involved, he begins to convince himself that you don't mean it, especially since he is running on empty.
23:33Man, I told you before, that shit's out. I'm no shooter.
23:45I'm not asking her to use it. Just flash it.
23:47Sit down.
23:50Not this time, Scott. I want out. You're getting too goddamn greedy.
23:54Greed makes the world go round.
23:57Yeah, maybe your world, but not mine.
23:59Half.
24:00What are you talking about?
24:03I'll give you half of what I get from Murray.
24:05Twelve thousand five hundred.
24:08I don't get it.
24:09From now on, we split fifty-fifty.
24:12I'm making you my partner.
24:13Why, Scott?
24:20Because I need a partner.
24:22I'm tired.
24:23And you are the only son of a bitch that I trust.
24:43Welcome to my world.
24:52In your world, Scott, you can't trust nobody.
24:59You want to know what I'm going to do?
25:02I'm going to go tell Murray he's off the hook.
25:04She won't be needing the money anymore.
25:13Good morning.
25:19Sleep well?
25:21I didn't.
25:23I've been up all night.
25:25Thinking.
25:27I'll make some coffee.
25:28You know what I've been thinking about?
25:31No.
25:33I've been thinking about how I've never really been able to do the things I wanted to do.
25:38You did pretty well last night.
25:43Yeah.
25:47We had fun, didn't we?
25:50Sit down.
25:54Why don't I go get the coffee started?
25:58Sit down.
26:07You've slipped back, haven't you?
26:09I don't know what you mean.
26:11Yes, you do.
26:13You've been away from him too long.
26:19I'm scared of him, Carol.
26:22He doesn't make you do anything you don't want to do.
26:27You know, for the first time in my life, I feel in control.
26:32I was told what to think and how to feel for so long.
26:35I don't know what I feel anymore.
26:37It isn't until he came along.
26:43Let's discuss this further over a cup of coffee, okay?
26:46Don't be long.
26:47You know what else I was thinking?
26:50You know what else I was thinking?
27:08You know what else I was thinking?
27:17What?
27:17I was wondering what it would be like to kill someone.
27:22How pleasant.
27:24How pleasant.
27:25Seriously.
27:27If you wanted to kill someone...
27:28How would you do it?
27:33I never really thought about it.
27:37Well, think about it.
27:41Would you poison them?
27:44Stab them?
27:45I don't want to kill anyone.
27:47Never.
27:48You've never wanted to kill anyone.
27:51Yes, I have.
27:53I knew it.
27:54Only I'd worry that the person I wanted to kill would kill me.
28:00Well, you'd have to make sure you had the advantage.
28:06What would you like for breakfast?
28:08I'm not hungry.
28:09Well, I am.
28:17How are you doing?
28:19Marie at home?
28:20I'm sorry.
28:21He's out for a meeting.
28:22Can I help you?
28:23He left something on his desk for me.
28:24I'll get it myself.
28:26Hey, excuse me.
28:28You're not supposed to go back there.
28:29Where is that little weasel?
28:33Where is that little weasel?
28:59Howard Hanson, 2338 Observatory Way.
29:13Would you watch the eggs?
29:15I'm going to wake Howard.
29:29I'd use my hands.
29:39What?
29:41That's how I'd kill somebody, with my hands.
29:45I'd strangle the bloody life out of them.
29:48If you had the advantage.
29:49If I had the advantage.
29:51If I had the advantage.
29:59Howard, wake up.
30:05Hurry.
30:06No, there's no time for that.
30:08There's always time for that.
30:10We have got to get out of here.
30:13Why?
30:15Why?
30:16Because we're in danger.
30:18Danger from what?
30:19Too much sex.
30:22Would you forget about that?
30:24Not likely.
30:26Howard, we have got to get out of here now,
30:28while we can still think straight.
30:29Would you listen to me?
30:32Now, I just spent the last ten minutes
30:34talking to Carol about different ways to kill people.
30:39Well, if you're not up for getting a little,
30:41I guess I'll go take a shower.
30:43What is wrong with you?
30:45Nothing's wrong with me.
30:48But I can guess what your problem is.
30:50You had a good time last night.
30:52Now you're feeling guilty about it.
30:56I guess you're right.
30:58You bet I'm right.
30:59This is it.
31:12It's got him, too.
31:13Here comes Murray.
31:38Boy, is he gonna be surprised.
31:40Carol?
31:57Carol?
32:01Carol?
32:03Murray.
32:04Oh, in Christ's sake, keep it down.
32:06What?
32:07What do you mean?
32:07A lot of noise over here.
32:08Oh, hiya, Peg.
32:09I just dropped it to see Carol.
32:11Well, here I am.
32:12Can I see you in private?
32:14Peg, you don't mind if I...
32:15Not at all.
32:15You want some coffee?
32:16I got some made.
32:17Sit down, Peg.
32:20What the hell is going on here?
32:22Well, Murray, right at the moment,
32:23I'm trying to decide whether I want to shoot you
32:26or cut you in little pieces.
32:29Wait, wait, wait.
32:29If this is a gag, it isn't funny.
32:31Get in there.
32:33Now.
32:43I thought I heard your voice, Murray.
32:44What are you doing here?
32:45He came to get one of your old manuscripts.
32:47What old manuscripts?
32:50Thunder over Hawaii.
32:51What in the hell are you going to do with that?
32:56Well, you see, I can't think straight
32:58with that gun pointed on me.
32:59Oh, sorry.
33:01Try real hard.
33:02I was going to sell it.
33:06Sell it?
33:06Yeah, man.
33:07I mean, dead up to my eyeballs.
33:08I needed the money.
33:11You could have asked me.
33:12I would have loaned you the money.
33:14You don't have it to loan.
33:16You're broke.
33:17I'm broke?
33:22How can I be broke, Murray?
33:25I gamble.
33:26I lose.
33:27That's all there is to it.
33:31Why don't you kill him, Howie?
33:33That's what you want to do, isn't it?
33:47Come here, Murray.
33:51Come on.
33:54Come on!
33:55No, Howard!
33:56Get away from me, man.
33:57Get away from me, man.
33:58Come on, you're strong.
34:21Come on.
34:22Come on.
34:28Come on.
34:28Get in.
34:39No.
34:41No.
34:41No.
34:51No.
34:52No.
34:53No.
34:53No.
34:54No.
34:55No.
34:55No.
34:56No.
34:58Hey, hold it, lady.
35:28Oh, Howard.
35:38Oh, thank God.
35:589-1-1.
36:02My name is Peggy Hanson.
36:04Yes?
36:05I live at 2338 Observatory Avenue in Van Nuys.
36:10Uh-huh.
36:10Could you send somebody over right away?
36:13Three people have been killed and my husband's injured.
36:16Okay, that's 2338 Observatory.
36:22Okay, we'll have somebody right on the way.
36:25Put down the phone, Peg.
36:28Put down the phone, Peg.
36:41This is perfect.
36:44Howard, listen to me.
36:46I can kill you and say any one of them to do.
36:49And who's going to say any different?
36:52I already called the police.
36:54I told them you were injured.
36:55They'd know it was you.
36:56I'll tell them you made a mistake.
37:00Don't get into this thing.
37:03Don't let it win.
37:12It already has, Peg.
37:14Son of a bitch.
37:20Son of a bitch.
37:34I don't have fixed that.
37:37I don't have to do it.
37:37I don't have to do it.
37:39I don't have to do it.
37:40I don't have to do it.
37:40I don't have to do it.
37:41I don't have to do it.
37:41I don't have to do it.
37:42I don't have to do it.
37:42I don't have to do it.
37:43I don't have to do it.
37:43I don't have to do it.
37:44I don't have to do it.
37:44I don't have to do it.
37:45I don't have to do it.
37:45I don't have to do it.
37:46I don't have to do it.
37:47I don't have to do it.
37:47I don't have to do it.
37:48I don't have to do it.
37:49I don't have to do it.
37:50I don't have to do it.
37:51I don't have to do it.
37:52Oh, my God.
38:23Where are you?
38:28I don't know what came over.
38:34My God, I could have killed you!
38:43Maggie?
38:47We've got to destroy that thing
38:49before it destroys us.
38:53I don't think I have the strength to do it alone.
38:57Come on now.
39:19No!
39:21What the hell?
39:23No!
39:25Oh, yes!
39:27Oh!
39:29Oh!
39:32Oh!
39:34Oh!
39:36Oh!
39:37Take her.
39:52Take her.
39:56Take this, you son of a bitch.
40:00No!
40:07Are you okay?
40:25What happened?
40:28Lori, it's gonna be all right.
40:37I'm like the son of a bitch.
40:39Oh, I'M mama.
40:43I'm gonna have to remind you what's happening to someone.
40:47Not one of the two.
40:51Take her.
40:53Don't leave me alone.
40:56Hold her.
40:57What's happening to someone?
40:59I'm like, hey, here's the brother.
41:01I'm like, hey.
41:04I'm like, hey.
41:05I'll see you next time.
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