- 2 days ago
Category
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Short filmTranscript
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00:01:58Your heart may never have to choose the blues, no more, no less.
00:02:11This game of hit and guess requires finesse.
00:02:18A little touch of sound warfare can raise a little time to find the reason and the rhyme for love and mystery.
00:02:37It takes a bill of tea, that's the key.
00:02:47No more, no less, that is the key.
00:03:01All right.
00:03:04I'm telling you, you're just a little too stiff, okay?
00:03:06You gotta relax, that's all.
00:03:08You'll get the hang of it.
00:03:10Come on, come on.
00:03:12You just gotta get a little loose, you know what I mean?
00:03:14You're too stiff.
00:03:15You kinda like get a little more liquid, you know what I mean?
00:03:18Just the feet like this, you know, just kinda...
00:03:22You see?
00:03:22That's all.
00:03:23It's easy.
00:03:26No, no, no.
00:03:34Oh, why isn't it relaxing for me?
00:03:38Huh?
00:03:39Four killings in four days.
00:03:42Four reasons to have a nervous breakdown.
00:03:44Plus a mayor who wants my head.
00:03:47That's five.
00:03:48And the commissioner makes six.
00:03:50Hey, he signs the executioner.
00:03:52Any lead?
00:03:53If I had one, would I be here now?
00:03:56I've got it.
00:03:57This time, think of the executioner sitting on that ball.
00:04:00Maybe it's not a good day for golf.
00:04:12Maybe.
00:04:12Maybe it so.
00:04:21Maybe it's not a good day for golf.
00:04:24Maybe it's a good day for golf.
00:04:25We know we'll be here now.
00:04:26And we'll be here soon.
00:04:27Maybe it's a little bit more.
00:04:28Maybe it's something new.
00:04:29But we'll be here soon, January.
00:04:30Maybe it'll be ahÃ, uh, then.
00:04:31My format is gonna go to hell.
00:04:33Vanvo won't happen.
00:04:34Maybe it was my Tangerine.
00:04:35Not a good day for golf.
00:04:37The workshop intended ensues to enjoy it.
00:04:38That lugar has beeneyous,
00:04:39thanks for finding out there.
00:04:40You give the orders, Mr. Woodward, and it's not my fault if Mr. Lefsky...
00:04:47Oh, how silly of me. His raincoat's right here on his chair.
00:04:57Oh, no, I didn't say he wasn't here. I said I hadn't seen him.
00:05:04It's six in the morning for you in Miami, but it's noon here in France.
00:05:07Uh, yes, I'll have him call.
00:05:19I'm not paid to keep an eye on Mr. Lefsky.
00:05:24This is an insurance company, not the KGB.
00:05:33Oh!
00:05:33Just a moment. I think I hear him.
00:05:41Yes, here he is, sir.
00:05:45What?
00:05:45Miami, my...
00:05:46No, I don't want to... Hello, Mr. Woodward. How are you here?
00:05:50Yeah, just... In the door now.
00:05:53Uh-huh.
00:05:55Yeah.
00:05:55Yeah, yeah, yeah. No, I... Uh-huh.
00:06:02Yeah, what...
00:06:03Jenny?
00:06:04Yes.
00:06:05No, I was looking at that.
00:06:08When did this arrive?
00:06:10Which one, sir?
00:06:11Oh, that one.
00:06:12Four days ago, sir.
00:06:14Apparently, you've forgotten you haven't been in your office for the last four days.
00:06:18And remember, you're to see Mrs. Browler at two.
00:06:20We have to renew her policy.
00:06:23Out of the question, you've already cancelled three times.
00:06:26Be there at two sharp.
00:06:28Yes.
00:06:28No, I...
00:06:31Uh-huh.
00:06:32Lisa.
00:06:51Uh-huh.
00:06:52Yeah.
00:07:00Uh-huh.
00:07:01Uh-huh.
00:07:01Uh-huh.
00:07:02Hello, Tom. It's Lisa.
00:07:05Your Miami office said you were on the Riviera,
00:07:08so I decided to do a concert tour of France.
00:07:11Including these, of course.
00:07:13If you want to see me, you know what to do.
00:07:16Big kiss.
00:07:32Lisa!
00:07:53Jenny, it's me. I want you to do me a favor.
00:07:56Cancel that meeting with Madame Brulla.
00:07:58Cancel it? If I do, she'll cancel her policy.
00:08:00Tom, what do I tell her?
00:08:02Tell her a star fell on me.
00:08:03But you can't do this!
00:08:30No!
00:08:32No!
00:08:33No!
00:08:35No!
00:08:36No!
00:08:37No!
00:08:38No!
00:08:40No!
00:08:42No!
00:08:43No!
00:08:44No!
00:08:45No!
00:08:46No!
00:08:47No!
00:08:48No!
00:08:49No!
00:08:50Oh, my God.
00:09:20Heaven, isn't it?
00:09:31Obviously.
00:09:33Where else would you find an angel?
00:09:35This angel has a weakness for earthly pleasures.
00:09:39I know.
00:09:41Sit here.
00:09:43No.
00:09:45Oh, come on.
00:09:46Please, for me.
00:09:50Now, hit this one with one finger.
00:10:01No.
00:10:04Hit this one with one finger.
00:10:07And that one with another.
00:10:09Okay?
00:10:10Like this.
00:10:11I don't know one note from another.
00:10:16You know one finger from another.
00:10:19Now, one here.
00:10:21The other there.
00:10:23Go ahead.
00:10:23See, nothing to it.
00:10:40Hey, I'm making music.
00:10:42Do I remind you of America?
00:10:51Everything about you reminds me of the States.
00:10:54You'll be there tonight.
00:10:56You're invited to dinner by the American Embassy.
00:10:59Really?
00:11:00Hmm?
00:11:01Who's going to be there?
00:11:02Tom Lipsky and Lisa Mendoza.
00:11:05And our violin.
00:11:10And the crowd of a happy memory.
00:11:26Just a sec.
00:11:27Hello, Miss Mendoza.
00:11:35I'm Clementine.
00:11:36I came to do your interview, but we can wait if you want.
00:11:39Hello, Tom.
00:11:40Do you know each other?
00:11:41Not as well as you do.
00:11:43It's about time I got back to work, anyway.
00:11:45See you this evening.
00:11:46Okay, okay.
00:11:48Bye, Clem.
00:11:49Bye, Tom.
00:11:49Have a good shoot, ladies.
00:12:19She must be world famous.
00:12:41She's got it all.
00:12:42Beautiful music always puts me in a good mood.
00:12:44Hmm.
00:12:44Good evening, Madame Fabiani.
00:12:49Did you know you were a music lover?
00:12:52I am fond of harmony.
00:12:55Domestic harmony.
00:12:57My wife is the music lover.
00:12:58The violin makes her cry.
00:13:01She should see you play golf sometime.
00:13:04Ah, it sounds like they are playing my song.
00:13:19Hold on.
00:13:26I'm sorry.
00:13:27Enjoy your evening.
00:13:29Can you take her home for me if I don't come back?
00:13:31Marcel!
00:13:31I'm sorry.
00:13:33I know you tried connecting it.
00:13:34I will be back.
00:13:36Okay.
00:13:37I have to go ahead and talk again.
00:13:38Bye.
00:13:39Bye, people.
00:13:40Bye-bye.
00:13:40Bye-bye.
00:13:42I'm sorry.
00:13:42Bye-bye.
00:13:43Bye-bye.
00:13:45Bye-bye.
00:13:50Bye-bye.
00:13:51I have a chance.
00:13:52Bye-bye.
00:13:52Bye-bye.
00:13:53We'll be back.
00:13:53Bye-bye.
00:13:54Bye-bye.
00:13:54Bye-bye.
00:13:55Bye-bye.
00:13:55Bye-bye.
00:13:56Bye-bye.
00:13:57Bye-bye.
00:13:58Bye-bye.
00:13:59Bye-bye.
00:14:00Bye-bye.
00:14:01I don't know.
00:14:31Bravo!
00:15:01You're great.
00:15:07Lisa, I'd like you to meet Madame Ottolioni.
00:15:09Delighted?
00:15:11I'm the one who's delighted Miss Mendoza.
00:15:13You have made this evening the happiest I've ever had.
00:15:17Thanks.
00:15:19True, I can swear to it.
00:15:23Madame, is too shy.
00:15:25I'm sorry.
00:15:27I'm sorry.
00:15:29Madame is too shy to ask,
00:15:31but she would love to have an autograph.
00:15:33My pleasure.
00:15:35Do I add a play to dinner?
00:15:37No.
00:15:39I'm going to take her home,
00:15:41and then I'm all yours.
00:15:43Shall we say in an hour?
00:15:45Maybe less.
00:15:47Thank you again.
00:15:49I have never been so...
00:15:51Moved.
00:15:59If you ask her,
00:16:01I can't do anything.
00:16:03I can't do anything.
00:16:05You should have owned a drink.
00:16:07I have not done anything.
00:16:09Let me ask you.
00:16:11I have no idea.
00:16:13I have no idea of anything.
00:16:15I have no idea of a drink.
00:16:17I can't do anything about it.
00:16:19You're not going to go out.
00:16:21I'm not going to do anything.
00:16:22I was going to take you.
00:16:23I can't have any idea that you believe.
00:16:25I'm not going to do anything.
00:16:53That'll be all.
00:16:54Tomorrow morning at nine.
00:16:55No, make it noon.
00:16:57Very well, miss.
00:16:58Noon and a very pleasant night.
00:17:00Good night.
00:17:00Night.
00:17:25Good night.
00:17:27Good night.
00:19:14Lisa?
00:19:16Lisa?
00:19:18Lisa?
00:19:20Lisa?
00:19:38Lisa?
00:19:42Lisa?
00:19:44Lisa?
00:19:46Lisa?
00:19:48Lisa?
00:19:50Lisa?
00:19:54Lisa?
00:20:30Lisa?
00:20:32Lisa?
00:20:34Lisa?
00:20:36Lisa?
00:20:38Lisa?
00:20:40Lisa?
00:20:41Lisa?
00:20:42Lisa?
00:20:43Lisa?
00:20:44Lisa?
00:20:45Lisa?
00:20:46Lisa?
00:20:47Lisa?
00:20:48Lisa?
00:20:49Lisa?
00:20:51Lisa?
00:20:52Lisa?
00:20:53Lisa?
00:20:55Lisa?
00:20:57Lisa?
00:20:59Lisa?
00:21:00Lisa?
00:21:01Lisa?
00:21:02That's enough.
00:21:03That's enough.
00:21:04Get out of here.
00:21:05Come on.
00:21:06Eat it.
00:21:07I'm glad you're here.
00:21:09It's my job.
00:21:11I'm glad you're here.
00:21:12I'm glad you're here.
00:21:14It's my job.
00:21:16The executioner this evening once more killed another victim.
00:21:18Lisa Mendoza.
00:21:20The talented young violinist who earlier tonight performed the Beethoven concerto so brilliantly,
00:21:24was cruelly and violently killed.
00:21:26It happened right here.
00:21:27On her body was the killer's signature.
00:21:29And tonight everybody's asking one question.
00:21:32But it's not if the murder will strike again in an act of violence.
00:21:35But when will he?
00:21:36Everybody asks.
00:21:37And who is going to be his victim?
00:21:42Police Commissioner, what can you tell us about the string of murders?
00:21:46The work of a crazy man?
00:21:48Yes, you've already said that.
00:21:49But meanwhile, hotels are empty, restaurants are closing, nothing but tourist cancellations.
00:21:54The season is a catastrophe.
00:21:55It's a real panic.
00:21:56The public's waiting.
00:21:57And so...
00:22:04What a terrible waste.
00:22:07I'm sorry, Tom.
00:22:09You want me to drive you home?
00:22:11No, no.
00:22:12I'm not leaving.
00:22:13Not yet.
00:22:14You're going to get the bastard.
00:22:19I swear it.
00:22:20I know how you feel, but it's police business now.
00:22:23Will you take care of it?
00:22:25I promise.
00:22:26A terrible problem.
00:22:33We are going to need a statement, Tom.
00:22:36That's procedure.
00:22:37But it can wait till tomorrow.
00:22:39Come down to my office whenever you feel like it.
00:22:42Huh?
00:22:43Now, might as well get it over with.
00:22:45If that's what you want.
00:22:49Your keys.
00:23:06No, I didn't touch anything.
00:23:07Wait.
00:23:08Uh...
00:23:09Piano.
00:23:10Uh...
00:23:11Telephone call inspector.
00:23:12No, I didn't touch anything.
00:23:13Wait.
00:23:14Uh...
00:23:15Piano.
00:23:16Uh...
00:23:17Telephone call inspector.
00:23:18Uh...
00:23:19No.
00:23:20Don.
00:23:21Yes.
00:23:22Come, Tom.
00:23:25Is that it torn out?
00:23:26Havinggovernment capture anything.
00:23:27No, I didn't touch anything.
00:23:28Wait.
00:23:29Eh...
00:23:30POCO.
00:23:31Uh...
00:23:32Piano.
00:23:33Uh...
00:23:34No.
00:23:35Telephone call inspector.
00:23:36Uh..
00:23:37Or...
00:23:38No.
00:23:39Clear, yeah, you guys.
00:23:40Yeah, I can't tell you.
00:23:41Down.
00:23:42Thank, you.
00:23:43You guys, young man.
00:23:45Hi.
00:23:46Let's go, Tom.
00:23:58I called Mirai.
00:24:00We have a bed for you at our place if you want.
00:24:03She even picked something to do.
00:24:06Oh, thanks, Marcel, but I think I'm going to go home.
00:24:09But thank you, Lula.
00:24:46Can you spare 10, Frank?
00:24:52I don't bother the gentleman.
00:24:55Here, have a drink.
00:25:14Here.
00:25:16Thanks.
00:25:26Here.
00:25:35Here.
00:25:43Here.
00:25:45Here.
00:25:53Here.
00:25:54Here.
00:25:55Here.
00:26:04Here.
00:26:05Here.
00:26:06Here.
00:26:07Here.
00:26:15Here.
00:26:16Here.
00:26:17Where am I?
00:26:24I'm nowhere.
00:26:26Where are you?
00:26:30Huh?
00:26:33Where right here?
00:26:38You working or you just out for a ride?
00:26:41A little of both.
00:26:43I've been looking for you all night.
00:26:44But since you didn't go home, I thought I would find you.
00:26:48Find me, huh?
00:26:51Oh, you found me.
00:26:52All right?
00:26:53You found me.
00:26:56What do you want?
00:26:59Huh?
00:26:59You thought you were going to get a scoop?
00:27:01Come on.
00:27:02Hey, I'm sorry.
00:27:04I'm sorry.
00:27:06I'm sorry.
00:27:07It's okay.
00:27:07It's all too stupid.
00:27:16I mean, why Lisa?
00:27:24Were you in love with her?
00:27:28I don't know.
00:27:31What about her?
00:27:32Lisa was in love with her violin, period.
00:27:40I think we wanted to be in love with each other.
00:27:44Maybe we were.
00:27:45How did you meet?
00:27:47I was a cop in Paradise City.
00:27:50One day, this girl comes running and screaming and crying.
00:27:55Somebody stole her child.
00:27:58Well, it didn't take long to figure out that her child was a violin.
00:28:02Anyway, like the prints in the story, I found it for her.
00:28:07Ever since then, we've stayed in touch.
00:28:10And wherever I was, I would get these letters telling me how our violin was.
00:28:15Our friendship grew around those four strings.
00:28:26We made music together.
00:28:37Bonjour, Mrs. Brawler.
00:28:38Bonjour, André.
00:28:40And did breakfast agree with Miss Lucy this morning?
00:28:42My little Lucy's very well today.
00:28:43Come on, say hello to nice André, my Lucy's done.
00:28:49Lucy, really?
00:28:50Oh, the poor thing.
00:28:51It's really my fault.
00:28:52I should have come down sooner.
00:28:54Oh, it's my fault.
00:28:58It's nothing, but obviously little accidents will happen.
00:29:02I'm afraid it's bad weather for your walk today, madame.
00:29:04Oh, I love grey skies.
00:29:06With little Lucy this morning, we heard birds singing away.
00:29:09Concert just for us.
00:29:10It was so exciting.
00:29:12Marvellous.
00:29:12Hey, hey, René.
00:29:18René.
00:29:19René.
00:29:20Up there.
00:29:22He did it.
00:29:27René, there, look.
00:29:31On the other side, there's an outside stairs.
00:29:34Stop.
00:29:37Stop.
00:29:37Stop.
00:29:38Stop or I'll shoot.
00:29:40Stop.
00:29:41Stop or I'll shoot.
00:30:54Excuse me.
00:30:55I have an appointment inside.
00:30:56Uh-huh.
00:30:59Uh-huh. And was she a guest at the hotel?
00:31:02Unfortunately, yes, sir.
00:31:04Well, what brings you here?
00:31:07I had an appointment with Mrs. Bruller.
00:31:09You're too late.
00:31:11Lucy?
00:31:14Lucy, is that you?
00:31:20Jacoby.
00:31:25Here's another autograph for your collection.
00:31:29Yeah.
00:31:43Yeah, thanks.
00:31:46Hello, this is police headquarters.
00:31:48Go ahead, sir.
00:31:49Go on.
00:31:50Police headquarters.
00:31:50Will you hold the line?
00:31:51Yes.
00:31:51Yes.
00:31:51That's all I know.
00:31:53Thanks.
00:31:56Next.
00:31:56Next.
00:31:59Well, you want my resignation.
00:32:01You have it now.
00:32:02There's no point in the dramatizing things, Dr. Bioning.
00:32:05Now, everybody's panicky, and it's my responsibility.
00:32:08These killings must stop.
00:32:10In just 24 hours, counting only the Hotel Negresco, Hotel Borivage, and Hotel Roule, at least a hundred cancellations.
00:32:17A panic that is just what the killer's trying to create.
00:32:19We have here a lunatic who wants to go public, and the media oblige him.
00:32:25His gimmick, the executioner, has worked like a charm.
00:32:29Why?
00:32:30What precisely would this panic get him?
00:32:32Do you think I know why?
00:32:33A lunatic thinks like a lunatic.
00:32:35Could be his big kick is getting scared.
00:32:36Is there anything going on in the comments of it?
00:32:48These vultures.
00:32:50What do we tell them?
00:32:52You haven't answered my questions, Mr. May.
00:32:56Please, sir.
00:32:58You believe this psycho is just trying to create a panic in the city?
00:33:01No.
00:33:02No.
00:33:02No.
00:33:03No.
00:33:03No.
00:33:03No.
00:33:03No.
00:33:03No.
00:33:03No.
00:33:03No.
00:33:03No.
00:33:03No.
00:33:04No.
00:33:05No.
00:33:05No.
00:33:06No.
00:33:12They're all members of the Fifty Club.
00:33:16Ketner, they're all members of the 50 Club.
00:33:34She couldn't even remember. She didn't live.
00:33:46This is Brula.
00:34:06Brula. Brula.
00:34:08Brula, Brula. Brula. Brula.
00:34:24No.
00:34:31Who orders the coffee?
00:34:32Over here.
00:34:38Can I leave now?
00:34:46Sure.
00:34:47Thank you, sir.
00:34:51Next.
00:35:08Do you have a deposition to make?
00:35:24You look worn out.
00:35:27Does it have to do with the executioner?
00:35:29It's my girlfriend.
00:35:32They made me come.
00:35:35Your name and address, please.
00:35:37Lucas. Paulette Lucas.
00:35:39But you can call me Mandy.
00:35:41It's my stage name.
00:35:44Address?
00:35:46Well, I work at the club.
00:35:49I guess I live there, too.
00:35:51What club?
00:35:52The Pelota Club.
00:35:54Profession?
00:35:55Entertainer.
00:35:57So, you have a statement to make, Miss Lucas.
00:36:00My friends call me Mandy.
00:36:03I mean, my real friends.
00:36:04All right, Mandy.
00:36:08Now, suppose you tell me what brought you down here.
00:36:11I knew it.
00:36:13I told my girlfriends I'd be wasting your time.
00:36:16Really.
00:36:17Let me be the judge of that, Mandy.
00:36:19Just spit it out, okay?
00:36:20Oh, yeah.
00:36:22Well, I saw the guy.
00:36:25He was cute, too.
00:36:28Really cute.
00:36:30It's funny.
00:36:31Orientals don't usually turn me on.
00:36:34Not that I'm a racist or anything, but, you know, in general, I prefer what I already know.
00:36:41But a man is a man, right?
00:36:43And this one is a beauty.
00:36:46Exactly.
00:36:47When did you see this beauty, Mandy?
00:36:48Right after the shooting.
00:36:50It woke me up.
00:36:51Oh, that yelling.
00:36:54I'm a real zombie in the morning.
00:36:56What are you like when you wake up?
00:36:58Where did you see the man?
00:37:00Well, first there was that poor policeman who ran into the garage with that huge pistol of his.
00:37:05He saw my car on his way out.
00:37:08I thought he was going to give me a ticket because it was so dirty.
00:37:12Then, all of a sudden, he fell backwards with blood all over his face.
00:37:19That's when I saw the guy.
00:37:21The cuter one.
00:37:23He had a big, baggy raincoat on.
00:37:26Bet.
00:37:27Like in the westerns.
00:37:29It really was like a western, too, because, under the coat, he had a rifle.
00:37:34Oh, honest.
00:37:36I saw it.
00:37:37You saw a guy with a rifle get out of a car?
00:37:41Mm-hmm.
00:37:42Your car?
00:37:43He was parked in the garage, and you saw it all from your bedroom window.
00:37:48Is that it?
00:37:49That's what I said, isn't it?
00:37:51I mean, did I say anything else?
00:37:54No.
00:37:57Would you mind repeating, please?
00:37:59But I just said it.
00:38:00True.
00:38:02But I want to hear it again.
00:38:04Oh, my God.
00:38:06You think it's important?
00:38:12But it's Pistu.
00:38:14You love Pistu.
00:38:16I have too much on my mind to put something in my stomach.
00:38:20What's the matter?
00:38:22Trouble at the office?
00:38:24You call this trouble?
00:38:25I call it being dragged through the mud.
00:38:29With the mayor and the commissioner shoving me under in the press, suggesting I find another job.
00:38:35I can admit it to you, I'm in a lot worse than mud.
00:38:41Not one leader.
00:38:43Nothing.
00:38:43Not the slightest.
00:38:44Yeah.
00:38:46Hmm?
00:38:48Hmm?
00:38:51An oriental.
00:38:53It's a major breakthrough, Jacobi.
00:38:56In Saigon, it wouldn't be much to go on, but in Nice.
00:38:59If you were here, I'd kiss you.
00:39:00Goodbye.
00:39:00In Saigon it wouldn't be much to go on, but in Nice, if you were here, I'd kiss you.
00:39:06Goodbye.
00:39:15Would you mind heating that up for me?
00:39:17Hi, you alone?
00:39:30Yeah, why?
00:39:31We have a saying that trouble never comes along.
00:39:33Trouble?
00:39:34I bring you a gift.
00:39:35A huge piece of information.
00:39:37Oh.
00:39:38Hello.
00:39:39Feeling.
00:39:42I'm listening.
00:39:43Be still.
00:39:44Okay.
00:39:47All the victims are members of the 50 Club.
00:39:51The millionaire's fraternity?
00:39:53Lisa.
00:39:54She was not a member.
00:39:56She didn't live here.
00:39:58That's right.
00:40:00But she rented Madame Brulla's villa.
00:40:02She was.
00:40:04Lisa was murdered by mistake.
00:40:08Hello, Tom.
00:40:10I've put this footage together for you.
00:40:13If you like it, I'll be happy.
00:40:15If you don't, just forget it.
00:40:17See you, friend.
00:40:18Everything look okay?
00:40:19Let's see in the back.
00:40:20Yeah, great.
00:40:21Ready, you guys?
00:40:23Okay.
00:40:24We'll shoot.
00:40:25Okay, number eight.
00:40:26Mendoza, one second take.
00:40:28It's my good fortune to have with me today a young woman as talented as she is beautiful.
00:40:32I'd like you to meet Miss Lisa Mendoza.
00:40:34Hello, everyone.
00:40:35Mendoza, seventh second take.
00:40:37Lisa, give us some background on this concerto you're going to play tonight.
00:40:41It's the only violin concerto Beethoven wrote, isn't it?
00:40:44Yes, the only one for violin.
00:40:46He wrote it in 186.
00:40:48Well, Beethoven was just...
00:40:50Well, I mean, he...
00:40:51Oh, I'm getting on next step.
00:40:53Well, my agent's not going to be happy.
00:40:55So, let's go.
00:40:56Well, I'm going to London, you know.
00:40:58I'm going.
00:41:00Oh, no, no, no, no.
00:41:01Please stop.
00:41:02I'm so bad.
00:41:03I'm sure nobody won't.
00:41:04No, you're fine.
00:41:05I'm going.
00:41:06Oh, no, no, no.
00:41:07Please stop.
00:41:08Yes, I have one big love.
00:41:09Tell us.
00:41:10No, it would be too long.
00:41:11Tell us anyway.
00:41:12Several hours every day.
00:41:13Oh.
00:41:14No, I won't tell you anymore.
00:41:15You want a shot of me swimming?
00:41:16You're a great swimmer.
00:41:17Oh, man.
00:41:18What are they?
00:41:19Don't pretend you don't know.
00:41:20Don't pretend you don't know.
00:41:21I'm sorry, but I don't understand the question.
00:41:49It's a Jules Verne first edition.
00:41:56Gold embossed.
00:41:58Look at it.
00:42:01It's priceless.
00:42:03There are only three left in the world.
00:42:05Jules Verne was never insured by my company.
00:42:08He was never a member of this club,
00:42:10and he wasn't murdered, to the best of my knowledge.
00:42:13You're right.
00:42:14He is right.
00:42:15We didn't come here to you.
00:42:17But what did you expect to find?
00:42:20Secret crap games?
00:42:23Drug deals?
00:42:25A massage parlor?
00:42:27I hate to let you down, Inspector,
00:42:29but this isn't a den of thieves.
00:42:32I want a membership list, addresses and phone numbers,
00:42:38a staff list, addresses and phone numbers,
00:42:42and a supplier list, addresses and phone numbers.
00:42:45And while you're putting all that together,
00:42:47we'll have a look around.
00:42:48With your permission.
00:42:53Please, be as discreet as possible.
00:42:56One club.
00:42:57One diamond.
00:42:58I pass.
00:42:59Two clubs.
00:43:00Two diamonds.
00:43:01I pass.
00:43:02Ah!
00:43:03Saved at last!
00:43:04Here comes Tom Lepsky,
00:43:05and the police inspector who follows funeral possessions,
00:43:07instead of criminals.
00:43:08It's less dangerous.
00:43:09Who is the clown?
00:43:10A clown of mine.
00:43:11Joe Walbeck.
00:43:12The Bacon King of America.
00:43:13And Perrier said it was a high-class place.
00:43:14Here you are.
00:43:15Here you are.
00:43:16A clown of mine.
00:43:17Joe Walbeck.
00:43:18The Bacon King of America.
00:43:20And Perrier said it was a high-class place.
00:43:22Here you are.
00:43:23And Perrier said it was a high-class place.
00:43:33Here you are.
00:43:34Hey, come on.
00:43:40A clown of mine.
00:43:41Joe Walbeck.
00:43:42The Bacon King of America.
00:43:43And Perrier said it was a high-class place.
00:43:45Here you are.
00:43:47Zolebski, a wedding sofa here.
00:43:58Excuse me.
00:44:00Mrs. Brawler.
00:44:02Bang!
00:44:12Not very talented.
00:44:14Today's youth.
00:44:17They're not worth our good old Nui Yen.
00:44:19Ah, Nui Yen, he was the best.
00:44:23Isn't that right, Perrier?
00:44:32I can swear I heard Warbeck mention a name of an old waiter named Nguyen.
00:44:37Nguyen, isn't that Vietnamese?
00:44:39Why isn't that Nui Yen on your staff, Mr. Nui Yen left us a very long time ago.
00:44:57I saw no reason to include it.
00:45:01I don't need a reason.
00:45:02I need an address.
00:45:07Gona.
00:45:08Gona.
00:45:09Gona.
00:45:10Gona.
00:45:11Gona.
00:45:12Gona.
00:45:13Gona.
00:45:14Gona.
00:45:15Gona.
00:45:16Gona.
00:45:17Gona.
00:45:18Gona.
00:45:19Gona.
00:45:20Gona.
00:45:21Gona.
00:45:22Gona.
00:45:23Gona.
00:45:24Gona.
00:45:25Gona.
00:45:26Gona.
00:45:27Gona.
00:45:28Gona.
00:45:29Gona.
00:45:30Gona.
00:45:31Gona.
00:45:32Gona.
00:45:33I'll take you home.
00:45:34I think I am going to walk.
00:45:36If you can come across a good idea, send it to me.
00:45:38Hello. I'm here in front of the Calaisure. You've already heard about this place, I'm sure.
00:45:59And I know your tourists know what it's like inside. Follow me.
00:46:08After Brittany and the Basque Country, the Mediterranean coast has its own maritime facilities, just right near Antique.
00:46:23Let's go. We enter the spacious entrance hall, and we are immediately plunged into the atmosphere of...
00:46:30Clementine! Listen, I'm just watching your thing here.
00:46:34It's very good. Listen, I had... No, it is. It's very good. Your hair.
00:46:42No, I like it like her. Later, okay? Listen, just tell me. You do these pieces up and down the coast, okay?
00:46:50Have you ever done a piece on a millionaire's club? You know... The 50 Club. Yes, that's it. You did. Can I see it?
00:47:00Well, that's enough of the story. Now. Great. I'm on my way down. Thanks.
00:47:06Okay. The 50 Club. You know what that is? It's a club for millionaires. As I'm sure you can see, being a journalist sometimes has advantages.
00:47:16See what it's like if you're lucky? You're going to meet certain personalities you know of, but would like to know better.
00:47:22With me now is Mr. McEwen, President of Michigan Steel. Hello, sir. How are you, sir?
00:47:29Oh, thank you. Very well.
00:47:31Mr. McEwen... Wait. Can you take that back a few frames?
00:47:33Would you like being a millionaire, please?
00:47:36See what it's like if you're lucky? You're going to meet certain personalities you know, but would like to know better.
00:47:43With me now is Mr. McEwen, President of Michigan Steel. Can you zoom in on him? Hello, sir.
00:47:49Tell me, what is it like to be a millionaire? Is it possible to get a photo of that?
00:47:54Can you tell me the secret? It won't be top quality. Yeah, it's possible.
00:47:58Now then, Mandy, a question. Am I really on TV?
00:48:02Yes, Mandy, you are. You were an eyewitness to an answer. What's that?
00:48:06That's on the air, tonight's news.
00:48:08Yes, that's what I told the inspector, you know, the short one.
00:48:12I got a real good look at him.
00:48:14And you think you could identify him now?
00:48:16Sure. Anytime you want.
00:48:18How you doing, Mandy? Hello.
00:48:21Now, Mandy, you said he was Oriental.
00:48:23Isn't that what you call eyes like this? Like I told the police. Can I say something else?
00:48:29Well, yeah, briefly, okay.
00:48:31I work here, see? So I should know. It's the best show for the money on the coast.
00:48:36So, everybody better come tonight because Mandy's going to be there. Live!
00:48:41What would you do if you were the executioner?
00:48:43I'd shut her up.
00:48:44Hope we get there first.
00:48:45Hey, you dang agent, where'd you learn to drive? Get yourself out of the hall!
00:48:55Get yourself out of the hall!
00:48:56Get yourself out of the hall!
00:48:58Really super best crowd we ever had.
00:49:25You're a real star, honey, Cookie.
00:49:26I'm sure you'll be great.
00:49:28Well, Sugar's let it go.
00:49:37Let's go.
00:49:38All units in my sector, all units in my sector, follow us.
00:49:41We need all the men we can get.
00:49:48You promised me that you'd give me your autograph.
00:49:51It's a promise.
00:49:52The guys at the station, will they be jealous?
00:49:55I'll be right back.
00:49:56I'll be right back.
00:49:57Bye.
00:50:12Bye.
00:50:36Hey!
00:50:37Hey!
00:50:38Stay stopped!
00:50:41Hey!
00:50:42Where is it?
00:50:43Stop it!
00:50:44Police!
00:50:45Where is it?
00:50:46It's up there!
00:50:47Hey, who are you guys?
00:50:48Her name's on the door!
00:50:49Hey, you!
00:50:50Nobody's allowed in there!
00:50:51Hey!
00:50:52Hey!
00:50:53Hey!
00:50:54Hey!
00:50:55Hey!
00:50:56Hey!
00:50:57Hey!
00:50:58Hey!
00:50:59Hey!
00:51:00Hey!
00:51:01Hey!
00:51:02Hey!
00:51:03Hey!
00:51:04Hey!
00:51:05Hey!
00:51:06Hey!
00:51:07Hey!
00:51:08Hey!
00:51:09Hey!
00:51:10Hey!
00:51:11Hey!
00:51:12Hey!
00:51:13Hey!
00:51:14Hey!
00:51:15Hey!
00:51:16Hey!
00:51:17Hey!
00:51:18Hey!
00:51:19Hey!
00:51:20Hey!
00:51:21Hey!
00:51:22Hey!
00:51:23Hey!
00:51:24Hey!
00:51:25Hey!
00:51:26Hey!
00:51:27Hey!
00:51:28Hey!
00:51:29Hey!
00:51:30Hey!
00:51:31Hey!
00:51:32Hey!
00:51:33Hey!
00:51:34Hey!
00:51:35Hey!
00:51:36Hey!
00:51:37At the Polona Club, on the side.
00:51:39No victims of the police.
00:51:41No victims of the police.
00:51:42No victims of the police.
00:51:43No victims of the police.
00:51:44No victims of the police.
00:51:45No victims of the police.
00:51:46No victims of the police.
00:51:47No victims of the police.
00:51:48Do you know what Jacoby said?
00:51:51He said she was a good kid.
00:51:53My God.
00:51:55Ten minutes earlier.
00:51:58The press is acting up.
00:51:59Want me to throw them out?
00:52:00Warm them up.
00:52:01I'll be right there.
00:52:03I have to look good tonight.
00:52:07I'm going to give them what they're after.
00:52:09Yeah, what's that?
00:52:10My resignation.
00:52:13Don't be stupid.
00:52:15I lost my star witness.
00:52:16Can't get much stupider than that.
00:52:18I'm going to announce my resignation.
00:52:22You do, and I'll smash your face.
00:52:25Out of friendship?
00:52:26Yeah, friendship.
00:52:32Marcel.
00:52:35We'll get him.
00:52:37We'll arrive to....
00:52:41Have a seat, man, Inspector.
00:52:43Yes, drop ед.
00:52:50We'll end our way too.
00:52:52OK.
00:52:53I wasjut� on my neighbor, who ride behind me.
00:52:55and I was just intrigued.
00:52:56and once again tragedy and terror struck our town at the pelota club a young lovely dancer
00:53:13a smash hit playing to a standing ovation was brutally murdered a bloodthirsty killing
00:53:20now the city is more terrified than ever the executioner has proved he will stop
00:53:30no one knows what is now what the hell is it and everyone is in the door the police have gotten no
00:53:35further than they have in the previous weeks in spite of the killing the police don't seem to have
00:53:40anything that was the only four of our women's account of events surrounding last night's murder
00:53:45to blow the clubs now the fourth page here's john luisart and timothy and timothy i don't know
00:53:51about you but i felt that last night soccer final turned out to be the king of the year
00:53:54it was fantastic it was one of the best games
00:53:58i think about this particular school do you see him take that that was incredible absolutely
00:54:02absolutely very but without that even with this spirit of defense they were not able to send
00:54:07off the attack absolutely no you saw the way you're telling me you're playing it was in threat that
00:54:12lightning kick oh yeah but they cried by the score at one point you called me sir
00:54:18ah never mind
00:54:27what are you standing like a statue watching me for got no work to do
00:54:42what are you standing like a statue watching me for a show
00:54:44oh i don't have to
00:54:45oh
00:54:47i don't have to
00:54:49One of the game's biggest films out of the room.
00:55:19For more information visit www.fema.org
00:55:49Okay, that's just what I want to do.
00:56:49Come in. All of you have a copy and it's being sent out on PM News tonight.
00:56:53And carried it in all newspapers in the region.
00:56:56Now, you know what he looks like.
00:56:58Thanks.
00:56:59I'm going to memorize these features.
00:57:00Good day, sir. Just a routine check. I'd like to see your card papers.
00:58:00someone yeah yeah that's hard to you can probably i mean like i would say 90 percent
00:58:06you are a scientist with you i mean the silencer is difficult
00:58:11no question the models are clear you sure oh yeah
00:58:31family name nguyen first name van van mum born march 7th 1940
00:58:40in hanoi bartender married one child correct yes sir we have good reason for thinking
00:58:51the executioner is oriental there are millions of us mr detective oriental about 20 25 years old
00:59:02you can see i'm older mr inspector 25 years old and he worked
00:59:09or hung around or at least visited the 50 club
00:59:18i just made you think of someone in that a club member a supplier relative of one of the members
00:59:27my son has a rather difficult personality
00:59:30i suppose mr perrier told you that but he has nothing to do with the executioner did your son work at
00:59:39the club with you mr perrier sent him away mr perrier likes people to obey him and my son is like on young
00:59:47people he doesn't lie authority he was fired where can i find your son i don't know where he went
00:59:55he's very independent he's very independent very emotional closed my wife wanted him to see of
01:00:03psychologies he may be emotional and closed up but i'm sure he's going to talk to me
01:00:11all right you guys the party's all over you're all on standby i got big news
01:00:14let me tell you but it's not legal yet then break the law
01:00:28so do you have any leads
01:00:44your friends
01:00:53hello mr hampton
01:00:59huh why don't you call inspector otaviani
01:01:06hey watch it he's a friend of mine
01:01:07golf at this hour
01:01:20okay
01:01:21you didn't drag me out here at dawn for a golf lesson
01:01:38i couldn't wait i have to leave town immediately so what do you need to live to the airport
01:01:42the execution is a blackmailer
01:01:48what are you talking about
01:01:57i was in the wrong place at the wrong time
01:02:12in the wrong place at the right time
01:02:13young man my little dog was a bit forgetful please take care of it
01:02:21you got paper towels allah there madame
01:02:22The lady gave you an order.
01:02:31Stop it, father. You're not paid to pick up their shit.
01:02:34What's going on?
01:02:35Their behavior is intolerable.
01:02:37My father didn't do anything, sir.
01:02:39Perrier, we're not paid to pick up their shit.
01:02:42Then go to my office.
01:02:48I thought it was over, but then it happened.
01:02:53One diamond.
01:02:56Too hot.
01:02:59Too fatato!
01:03:01Too fatato!
01:03:02I'll get you!
01:03:03I'll get you!
01:03:04Are you dead?
01:03:05I'll get you out!
01:03:10Air Inter announces the departure in ten minutes of flight to Paris.
01:03:15Passengers are requested to report to Gate 2 for immediate boarding.
01:03:20We remind open-sky passengers paying full fare that the forward compartment is reserved for them.
01:03:29These passengers will be the first to board the aircraft.
01:03:33Great.
01:03:34Yeah, yeah.
01:03:35He's here now.
01:03:36Okay, we'll see you then.
01:03:38You brought the tickets.
01:03:39You got them?
01:03:40Yes.
01:03:43You got them.
01:03:44I'm right.
01:03:45I'm right.
01:03:46I'm right.
01:03:47You're right.
01:03:48I'm right.
01:03:49It's a little bit.
01:03:50I'm right.
01:03:51I'm right.
01:03:52I'm right.
01:03:53You're right.
01:03:54The entire plane announced the arrival of Flight네요 and algunos quits出er.
01:03:56Hey, you arrive, come on up.
01:03:57You're right.
01:03:58What if you're right?
01:03:59Okay.
01:04:00Yeah.
01:04:01Air Inter announces the arrival of flight 721 from Paris.
01:04:09Passengers will arrive at gate 3.
01:04:13Air Inter annonce l'arrivée du vol le 721 en provenance de Paris.
01:04:18Débarquement porte 3. Merci.
01:04:20Now, my dear sir, I have the patience of a saint.
01:04:33And when I feel tired, then someone else will come.
01:04:39Understand?
01:04:50Dammit, I want some answers.
01:04:53Just for a stop, tell me precisely why you withdrew all that money.
01:04:57Maybe because you needed cigarettes.
01:04:59You're not getting out of here until I get answers.
01:05:03I didn't win.
01:05:05You lost at the casino, is that it?
01:05:06Uh-huh.
01:05:07It happens in Spain.
01:05:09You're original, I'll say that.
01:05:11Which one?
01:05:12Nice, Monte Carlo, Cannes, Joan Lippin.
01:05:20Thank you, I'm dead.
01:05:38Simpsons, dead.
01:05:41Collins, dead.
01:05:43Kintner, dead.
01:05:46Ruler, dead.
01:05:48Hampton, alive.
01:05:51Balbeck, alive.
01:05:56His last.
01:06:01Perrier.
01:06:18The first.
01:06:57Good morning, sir.
01:07:23Good morning, Janet.
01:07:24Your mail, sir.
01:07:27I've saved you for last, Perrier.
01:07:55If you want to stay alive, do exactly what I tell you.
01:07:59Put 100,000 francs in 500 francs bills in an envelope.
01:08:04Tape the envelope under the payphone that's on the platform at the Bollier train station.
01:08:09Today.
01:08:10And exactly 10 o'clock.
01:08:12I'm the executioner.
01:08:13You're the faggot.
01:08:1410 o'clock on the platform at the Bollier station.
01:08:26Let's go.
01:08:56Let's go.
01:09:26Let's go.
01:09:56Let's go.
01:10:26Of course, Michelle, of course you'll arrive.
01:10:27Wait, I have a timetable someplace.
01:10:29Oh, I can't get it.
01:10:30I don't remember whether it's 10 to 10 or 10 back.
01:10:33Oh, for heaven's sake.
01:10:34Oh, I dropped my purse.
01:10:36Hold on, I'll find the timetable.
01:10:37Hold on, I'll have to go.
01:10:39Oh, come here.
01:10:44I don't know.
01:10:45And I'll send you cars in.
01:10:47Oh, come here.
01:10:49Now, let's take, look.
01:10:51I don't know.
01:11:21Shit, shit, shit, shit, shit.
01:11:35Your purse.
01:11:36It fell down.
01:11:37Go on, what day?
01:11:38When I went to pick up the things, I just happened to look.
01:11:41An envelope was stuck to the bottom.
01:11:43Maybe I shouldn't have, but I thought I would have a look.
01:11:46And it's a good thing I was born curious.
01:11:48I mean, how would I ever guess what was in it?
01:11:50And what was in the envelope?
01:11:52Money.
01:11:53Lots of money.
01:11:55Do you mind if I see this envelope?
01:12:02Make out a receipt for the lady.
01:12:03No, no, no.
01:12:04Don't make me a receipt.
01:12:05All I really want now is just to get home and prepare dinner for my Jean.
01:12:09My pleasure.
01:12:10I'll see you out.
01:12:11Goodbye, and...
01:12:15Goodbye, and...
01:12:17Goodbye, and...
01:12:20Goodbye.
01:12:22Goodbye, and...
01:12:26Bye.
01:12:29Goodbye.
01:12:30Goodbye.
01:12:33Goodbye.
01:12:34That's how I went away.
01:12:35Goodbye.
01:12:36Goodbye, too.
01:12:37Goodbye, and again, we'll play together.
01:12:39What are you doing here?
01:13:06What are you doing in my apartment?
01:13:07You should be happy to have my company.
01:13:09Why?
01:13:11Because the executioner's next victim is you, Perrier.
01:13:22Hello?
01:13:24Hello?
01:13:25What is this?
01:13:29Is that you, Perrier?
01:13:30Yes, but you won't.
01:13:31Seems like we have a problem. What do you think?
01:13:33I followed your orders to the letter.
01:13:35I don't believe you this time.
01:13:37But I swear to you, I didn't...
01:13:39You swore to me about my father too.
01:13:41But it's true, Bin.
01:13:43You knew very well that I couldn't do anything about that.
01:13:46You're lying, like today. You're lying again.
01:13:48Perrier, if you want to stay alive, get another envelope.
01:13:52Drop it to the phone booth on the Cay Cassini at noon.
01:13:56At noon, I'll be there. And noon doesn't mean fly past.
01:14:02Perrier, watch out. For me, you're already dead.
01:14:07So long, faggot.
01:14:09I haven't...
01:14:11Hello?
01:14:12Hello?
01:14:13Hello?
01:14:22For him to talk like that means you're hiding something.
01:14:27No, I know that he left your office acting like a madman.
01:14:32He wanted to wreck the place.
01:14:34Just what went on in this office of yours?
01:14:37Nothing.
01:14:39What happened?
01:14:41Nothing at all.
01:14:42What happened?
01:14:43He was afraid I'd find his father.
01:14:46And you did!
01:14:47I had no choice.
01:14:49No choice.
01:14:50That's not a motive for murder.
01:14:55You propositioned him.
01:14:57You came on to him.
01:14:59You told him...
01:15:01if he'd have sex with you,
01:15:03he'd keep his father on.
01:15:05Okay, yes I have.
01:15:07And then when he said no, you fired them both!
01:15:10Is that it?
01:15:11But I don't want it...
01:15:13to be that way.
01:15:14You're responsible for all this bullshit.
01:15:16I'll take care of me.
01:15:19I promise you...
01:15:21I won't forget you either.
01:15:49I will forget you.
01:17:26Nobody shoots till you get my order.
01:17:30Get back.
01:17:38Get back.
01:17:40Get back.
01:17:42Get the tire.
01:17:56Get the tire.
01:17:58Blow it.
01:18:10Get back.
01:18:12Get back.
01:18:14Get back.
01:18:16Get back.
01:18:18Get back.
01:18:20Get back.
01:18:26Get back.
01:18:28Get back.
01:18:30Get back.
01:18:32Get back.
01:18:34Get back.
01:18:40Get back.
01:18:42Get back.
01:18:44Get back.
01:18:46Get back.
01:18:50Get back.
01:18:52Get back.
01:18:54Get back.
01:19:04Get back.
01:19:06Get back.
01:19:08Get back.
01:19:10Get back.
01:19:12Get back.
01:19:14Get back.
01:19:16Get back.
01:19:18Get back.
01:19:20Get back.
01:19:22Get back.
01:19:24Get back.
01:19:26Get back.
01:19:28Get back.
01:19:30Get back.
01:19:32Get back.
01:19:34Get back.
01:19:36Get back.
01:19:42Get back.
01:19:44Get back.
01:19:46Get back.
01:19:48Get back.
01:20:50To help you win this game or lose, if you pay the dues, your heart may never have to choose.
01:21:07The blues, no more, no less.
01:21:16This game of hit and guess requires finesse.
01:21:23A little touch of sound won't fail.
01:21:30Give us a little time to find the reason and the rhyme.
01:21:39For love that needs to be, it takes ability, that's the key.
01:21:51No more, no less.
01:21:55That is the key.
01:21:58No more, no less.
01:22:02I'm sorry.
01:22:03I'm sorry.
01:22:05I'm sorry.
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