- 2 days ago
Category
🎥
Short filmTranscript
00:00:03.
00:00:25Give you a hand with that, Liz?
00:00:27Thanks, but it's in English.
00:00:28That's right. You prefer the more exotic languages.
00:00:32You were a real throwback.
00:00:34Well, you didn't mind it when I threw you back.
00:00:36Jerry, no matter what happened, no matter what you think it means,
00:00:41and I'm using think in the loosest possible sense here,
00:00:44it'll never happen again.
00:00:45You and I are just partners. That's all.
00:00:48Do you think I'd put up all that money
00:00:50so I could do world-class journalism with you?
00:00:53If I'd been any drunker, I would have lapsed into a coma.
00:00:56If you weren't so drunk, you can't remember what happened.
00:00:59Shh.
00:00:59Let me walk you through.
00:01:00Junkie.
00:01:00Junkie.
00:01:01einmal-in-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a
00:01:01-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a.
00:01:22.
00:01:46And what you need is what I got.
00:01:49What you have, I'm gonna take.
00:01:52This has got to be a wrong number.
00:01:54Right number, Jerry. Right guy.
00:01:59You're the one I want and the one I'm gonna get.
00:02:19See him again?
00:02:25It's getting a little strange on me. I think I'll head in.
00:02:54Oh, I'm gonna take it!
00:02:55Oh, my God!
00:02:56I'm gonna take it!
00:02:56Oh, I'll take it!
00:02:57Oh, my God!
00:02:59I'm gonna take it!
00:02:59Oh, my God!
00:03:07Oh, my God!
00:03:19Damn it.
00:03:51Well, Jerry was murdered last night.
00:03:55Yeah, I know.
00:03:57Well, he was my partner, but we've only had the paper for six months.
00:04:00Now, look, I should have been off press an hour ago.
00:04:02If you can help me, talk to me.
00:04:04If you can't...
00:04:09Oh, my God.
00:04:45Perfect.
00:04:46Oh, it's perfect.
00:04:54Didn't like the guy much.
00:04:59Wasn't too crazy about him myself.
00:05:23Daniel Walker.
00:05:25Next thing I want to know is what are you doing here?
00:05:36Out of the car.
00:05:47How long have you been here?
00:05:50Must have gotten here about 3 o'clock this morning.
00:05:53Just came to town to see an old friend tomorrow.
00:05:57But, Officer, if this is leading up to a rouse, let's get it over with.
00:06:01I can understand how boring things must be for you out in the West Yahoo,
00:06:05so have a party.
00:06:08We had a murder last night.
00:06:12Um...
00:06:15Anybody I know?
00:06:17A guy named Jerry Caper.
00:06:22That's somebody I know.
00:06:23Your old pal?
00:06:27Yeah.
00:06:28He know you were coming to town?
00:06:32Last time you saw him.
00:06:36Uh...
00:06:37A few months ago in, uh...
00:06:40San Francisco.
00:06:41You're a reporter, too?
00:06:45Yeah.
00:06:46Yeah.
00:06:47Be around town for a while?
00:06:50Yeah.
00:06:51We've got this old hotel in town.
00:06:54Probably won't seem much to a guy like you.
00:06:56I suggest you check it out.
00:06:58It should beat your car.
00:07:24You are reading the best.
00:07:29The journal?
00:07:30Not since I left.
00:07:32Sorry about what happened to Jerry.
00:07:35Are you really sorry, Oz?
00:07:37Probably not.
00:07:40So how are things otherwise?
00:07:43Doing just fine.
00:07:45Self-employment's not all it was cracked up to be, is it?
00:07:48You jumped without looking, Liz.
00:07:51You probably don't even have decent health insurance.
00:07:53I'm not gonna live my whole life just so I can have major medical.
00:07:57Thanks.
00:07:59Look.
00:08:01When you were trying to buy the Falcon before,
00:08:04you know I wanted to get involved.
00:08:07So if you would like me to get involved in any way...
00:08:14You call this playing it down?
00:08:17Not particularly, but then I never said I would.
00:08:20I asked you not to make a big deal out of this.
00:08:23And I assured you I wouldn't make it any bigger than it was.
00:08:26I never said I had little hope.
00:08:28Just because I tell you something doesn't mean I expect it to show up in your paper.
00:08:32Now, I'm not here to run the local advertiser.
00:08:35The Falcon's gonna be something else.
00:08:39Hey, Charles.
00:08:44Hi.
00:08:45My name is Dan Walker.
00:08:47I'm looking for a job.
00:08:48No job here.
00:08:53Yeah, here they want to replace some old guy in the press room.
00:08:57If you was in this business as long as I was, you'd be dead.
00:09:00I can see that.
00:09:05Guy here thinks we got a job.
00:09:09Well, we do need a replacement for Jerry.
00:09:11And there is a job.
00:09:13So hire the damn guy, we could use a psychic around here.
00:09:18What papers have you worked on?
00:09:20All of them.
00:09:21What's the salary?
00:09:22300 a week and...
00:09:23No, not expenses.
00:09:24Salary.
00:09:24Are you serious about this?
00:09:26I am if you're gonna find out who killed Jerry Caper.
00:09:29Otherwise, I just wouldn't feel right banking those big paychecks.
00:09:32Do you have a resume?
00:09:34Uh, no.
00:09:35No, guys like me don't have resumes.
00:09:37Guys like you don't get jobs.
00:09:52Who the hell does he think he is?
00:09:54I think he said his name was Walker.
00:09:58That's not my plan, man.
00:10:08But he's gone.
00:10:09You know what...
00:10:11I went up and then, there's a full phone call.
00:10:13And I saw my camera.
00:10:14And that's what he had to go, man.
00:10:15And he said, what's he doing?
00:10:17That's what he did.
00:10:17I was right there.
00:10:19He's gone.
00:10:19He's gone.
00:10:20I mean, you can't say that.
00:10:24And I know him, man.
00:10:24You've done a job.
00:10:25How I did he say, you can't find it?
00:10:28Tell that to your readers.
00:10:31He's not the only one.
00:10:51Did you just call the paper about Jerry deserving to die?
00:10:56Might have been calling a cab.
00:10:57Well, you might have been calling the weather number
00:10:59in Tokyo, too, but I doubt it.
00:11:05Call for a cab?
00:11:09Guilty.
00:11:10Let the meter run.
00:11:12There ain't no meter.
00:11:14You got a call about the murder?
00:11:16Miller did, from the murderer.
00:11:19Young, old, man or woman?
00:11:20He couldn't tell.
00:11:22And the caller said he, she, or it killed Jerry, right?
00:11:25There was somebody whispering.
00:11:26Lady, either you had the knife on the line or you didn't.
00:11:31Why didn't you tell me who you were?
00:11:35Golly, miss, I don't think it would have been fair
00:11:37to those other job applicants.
00:11:40Show me where the murder took place.
00:11:46$100.
00:11:48The town's bigger than it looks.
00:11:51Of $20.
00:11:54Try to get there before the turn of the century, all right?
00:12:11You have a beautiful day.
00:12:21You're standing on the body.
00:12:27Jerry and I were friends.
00:12:29Why am I not surprised?
00:12:32So what do they call you, Liz or Elizabeth?
00:12:34By they, I mean anybody who has to put up with you.
00:12:37Liz.
00:12:37Liz.
00:12:38Dan or Daniel?
00:12:39Dan.
00:12:40Till I get him ticked off.
00:12:41Which, my guess, would be most of the time.
00:12:45Was Jerry working on anything that could have
00:12:47gotten him in trouble?
00:12:49If there was an easy way, Jerry would have
00:12:51found an easier way.
00:12:52He wasn't a very good reporter.
00:12:53Yeah, he was terrible.
00:12:55Gee, you two must have been really close.
00:12:57Somebody I could get drunk with.
00:12:59I met him a few years back, sort of hit it off.
00:13:03I guess guys like me don't make too many friends.
00:13:06You'd tick him off.
00:13:10I want to find out who killed Jerry.
00:13:12Why?
00:13:14Got some time on my hands.
00:13:16Where'd you get fired from this time?
00:13:20Jerry told you about me.
00:13:22I didn't listen.
00:13:23I didn't think he really knew you.
00:13:30I think we can work together.
00:13:36It's a quarter finish day.
00:13:38You sure we're going to report this afternoon?
00:13:42We're going to work together?
00:13:44You and me.
00:13:45I don't think I can afford you.
00:13:47We're working out.
00:13:52You got a car?
00:13:56Technically, yeah.
00:13:58Ah.
00:13:59I see why you called a cab.
00:14:04Jerry owned half the paper?
00:14:0630%.
00:14:07We both worked for the Santa Lucia Journal.
00:14:10Yeah.
00:14:11I couldn't buy the Falcon myself.
00:14:14Jerry had some money.
00:14:15So I let him come in with me.
00:14:16Sounds like you two made a great team.
00:14:20Look, he was the last guy in the world
00:14:23I would have chosen for a partner.
00:14:24But he was the only guy around who
00:14:25was willing to invest in a one-horse newspaper.
00:14:28Yeah.
00:14:29Does insurance pay off the loan?
00:14:33I don't like where you're going with this.
00:14:37We're going there anyway.
00:14:41Sole survivor partnership.
00:14:45Yesterday, you had a pain in the butt business loan and a bigger pain
00:14:47in the butt business partner.
00:14:50Today, well, we'll see.
00:14:52I've barely had time to think about it.
00:14:56Barely?
00:14:59You're one of those real bastards, aren't you?
00:15:01Yeah, well, don't you hate the phony ones?
00:15:08Fairfax police.
00:15:10I don't think you guys are supposed to be here.
00:15:14Should I see a badge or something?
00:15:16You should have a badge or something, would you?
00:15:18Oh, yeah.
00:15:20OK, what's going on?
00:15:23We weren't here.
00:15:25You weren't cops, either.
00:15:27If we weren't here, it doesn't matter what we were, does it?
00:15:30Huh?
00:15:31Just me and the dead people.
00:15:43Mutilated one.
00:15:47Six-inch blade.
00:15:50Possibly a stiletto.
00:15:53Not uncommon, but not that uncommon.
00:15:56Maybe right-handed.
00:16:13The, uh, M.E. Ishiya's report already?
00:16:16Not yet.
00:16:18Oz Stevens, Santa Lucia Journal.
00:16:21Dan Walker.
00:16:22Where Chris Falcon?
00:16:23Huh.
00:16:24Two-man operation already.
00:16:26Oz, we have to run along.
00:16:35Um...
00:16:37Call me over at the journal when you get the report.
00:16:45You don't think they'll let the mutilation out?
00:16:48No.
00:16:49It'll never happen.
00:16:51Cops think if we hold something back,
00:16:52it'll trick the murderer.
00:16:53But it never works.
00:16:56Victim died of stab wounds.
00:17:00Your buddy's gonna print what they hand him.
00:17:02You should put the coroner's byline on him.
00:17:05Oz is all right.
00:17:08Yeah, guys like Oz are all right.
00:17:10That's about all they are.
00:17:25Walker?
00:17:26Yeah?
00:17:28Room's $65 a week, Mr. Walker.
00:17:31Couldn't be too clean in here.
00:17:33Got a guy who'll come in, clean it up.
00:17:35Extra to you, not to me.
00:17:37Towels and sheets should be okay.
00:17:39You stay here long enough to get them really filthy,
00:17:42you do them yourself at the laundromat.
00:17:44Not much clean in here since the wife died.
00:17:47Look, no special treatment for me, okay?
00:17:49That's $65.
00:17:55Terrible, isn't it?
00:17:57I ate a dog in Cambodia once.
00:17:59The dog was better.
00:18:01Can I buy you a beer?
00:18:03Yeah, maybe you can give me the rundown of this bird here.
00:18:06You don't mean when the place was settled
00:18:08and that kind of historical crap, do you?
00:18:14Well, Jerry left about 12.30, I guess.
00:18:18He had this funny phone call.
00:18:20I shook the guy up.
00:18:21He split.
00:18:24My phone?
00:18:25You know, pay phone on the wall.
00:18:30Um, did he leave alone?
00:18:33Hmm.
00:18:35Well, yeah, yeah, he was with this chick from the newspaper.
00:18:39Oh, she was gone long before he went.
00:18:44He was with Liz Barley.
00:18:45That's right.
00:18:47What were they talking about?
00:18:49Yeah, mostly about how much they disliked each other.
00:18:51Huh, those two didn't get along.
00:18:54How long was she gone before Jerry got his call?
00:18:58About half an hour.
00:19:02Cops were there?
00:19:04Yeah.
00:19:19Police.
00:19:23Faircrest Police.
00:19:25Is anybody there?
00:19:27I'm glad Jerry's dead.
00:19:29Who?
00:19:30There's more to come.
00:19:38Oh.
00:19:47Oh.
00:19:48Oh.
00:19:48Oh.
00:19:49Oh.
00:19:50Oh.
00:19:50Oh.
00:20:08Old guy says clean your room.
00:20:1010 bucks an hour.
00:20:14Okay.
00:20:16Make it three.
00:20:17All right.
00:20:29Young guy's gonna get his face rearranged.
00:20:34Do it in two hours.
00:20:37Make the room extremely clean.
00:20:53We're done with your car.
00:20:55Nothing turned up in it?
00:20:56Nothing.
00:20:58About yesterday.
00:20:59I'm not out to make enemies.
00:21:01Same here.
00:21:02Maybe we can help each other.
00:21:04Want to start by telling me what you found at the morgue?
00:21:07There's certain information you can't print just yet.
00:21:10What information is that?
00:21:12If you know what I'm talking about, just say it.
00:21:14Hi there.
00:21:17Guy did quite a job rearranging Jerry's body.
00:21:20Daniel Walker.
00:21:21Where's this Falcon?
00:21:23About what happened to Jerry.
00:21:24I don't want to see that in the paper.
00:21:26You're threatening me?
00:21:27Well, that's what cops are for.
00:21:29We're going to print the ghastly details.
00:21:31First Amendment.
00:21:32You remember civics class?
00:21:33I'll get to a judge.
00:21:34Yeah, you do that.
00:21:35We'll let everybody know that not only can't you find the murderer,
00:21:38but you actually take calls from him.
00:21:40How did you know that?
00:21:43I didn't until now.
00:21:48What?
00:21:49Well, we got a call yesterday.
00:21:52Actually, Miller did.
00:21:53From a very disturbed person.
00:21:55You should have called me.
00:21:56You're a busy man.
00:21:57I couldn't tell you much,
00:21:58except the caller said Jerry deserved to die.
00:22:00I got my call last night.
00:22:02Pretty much the same thing.
00:22:03Some kind of weird whispering.
00:22:05I'd never heard anything like it before anywhere.
00:22:08Now, I can't have people knowing...
00:22:09No deals.
00:22:13We'll keep your call quiet.
00:22:16Now, about the other matter.
00:22:17And I can't have people worrying about some...
00:22:19Okay.
00:22:20Just as long as when it comes out,
00:22:22it comes out in the Falcon first.
00:22:25Okay.
00:22:33I sincerely hope that was your last white nut act.
00:22:37Nice guessing, Cheek Block getting a call.
00:22:40Well, it figures, doesn't it?
00:22:43Look, we're not dealing with your typical slasher-run artist hair.
00:22:47This person wants to shake people up.
00:22:48Now, you want to do that in a small town,
00:22:50you call the local paper, you call the cops.
00:23:09I feel like this.
00:23:10Oh, look for me.
00:23:10How much is it?
00:23:10You lack this Hprom Odyssey,
00:23:10I don't feel like that!
00:23:11But that I feel like that the house.
00:23:11I feel like that in every day,
00:23:11uh, uh, uh, uh, uh,So,
00:23:51Come in.
00:24:02On my way to work.
00:24:06Um, I've been in trouble before.
00:24:10Stupid stuff.
00:24:12Yeah? A lot of that going around.
00:24:16You done stupid stuff?
00:24:18Me? No.
00:24:21Just about two or three hundred times.
00:24:27You know, uh, the only thing that happened here today
00:24:33is you did a hell of a job, all right?
00:24:39You need anything, man, let me know.
00:24:43Sure.
00:25:02Everything okay?
00:25:05Uh, yeah. Just something I have to take care of.
00:25:09Where's the milk?
00:25:10Oh, no. It's okay.
00:25:12I'll see you later, okay?
00:25:13Mm-hmm.
00:25:22All I'm saying is we have to keep our best eye on men.
00:25:26That's the only way we'll know what's going on with them.
00:25:29Oh, I know, I know. This is the age of liberation for women.
00:25:32But men won't be truly liberated until they stop this prowling act they've been doing for,
00:25:38well, it's been going on for so many eons, everybody's lost count.
00:25:42Oh, wait. I'm afraid we're out of time.
00:25:43But what I'm talking about here is one of the special gifts that women have.
00:25:47On some level, we know all the answers,
00:25:50even when men don't want us to know all the answers.
00:25:57Well, darling, I've got a heavy schedule. Now, what is it?
00:26:00How are you?
00:26:01Every side's been busy. Why, just fine. Never better.
00:26:04How's everything with you?
00:26:06Never better.
00:26:07Good. Well, I have to fly.
00:26:09I love you, darling. Now, keep in touch. Let me know how you're doing.
00:26:12All right.
00:26:16Love you, too, ma'am.
00:26:32Love you, too, ma'am.
00:26:46Dr. Oxford's office. Yes, Miss Bartlett.
00:26:50Elizabeth, how are you?
00:26:52Fine.
00:26:54Not really.
00:26:57I think I ought to see you again.
00:26:59What I'm saying is I just think maybe I should stop by for a talk.
00:27:04Go over these for me, will you? Same style as last issue.
00:27:07Whoa, whoa, whoa. Birth announcements?
00:27:11Strange local custom. Babies are born. We put it in the paper.
00:27:40Goodbye, Ian, and I shall go.
00:27:42I'm going to try.
00:27:55I'll go over here.
00:27:55Go over here, again.
00:27:56Go over here.
00:27:58Shall we go over here?
00:27:59I'll go over here?
00:27:59Oh, please, Mr. Fisher.
00:28:01Yeah, I want to see you.
00:28:01I've got to go over here.
00:28:01This way a new town's office is, Mr. Fisher.
00:28:05I have some flew over here.
00:28:05How's it going over here?
00:28:08What I'm sleeping with?
00:28:10Here.
00:28:36What?
00:28:38Cookie.
00:28:39Out with it, Walker.
00:28:40Come on.
00:28:43OK.
00:28:46What's a nice girl like you doing with a mother
00:28:48like Winifred Rogers?
00:28:50How did you know that?
00:28:52Oh, your ugly secret's safe with me.
00:28:55I know you're the kind of guy who takes nothing at face value.
00:28:59But you have to dig till you find out what's behind something,
00:29:02and then you have to go and dig some more.
00:29:03That doesn't include your personal life.
00:29:05You got that right.
00:29:08What's with you, anyway?
00:29:11What do you mean?
00:29:13What I mean is, what are you about?
00:29:15You show up here to see Jerry, but Jerry's dead.
00:29:18So then you sign on to find out who killed him.
00:29:21But it works out you're more interested in me
00:29:23than you are in these murders.
00:29:24Murders, plural, as in more than one.
00:29:27Oh, you know what I mean.
00:29:33You know, the one thing my mother speaks about
00:29:37is that extra special relationship between mother and daughter.
00:29:43Trust me, it's not based on personal experience.
00:29:46You had to bring this up, didn't you?
00:29:49I wish I hadn't.
00:29:52And you won't again.
00:30:03Truce.
00:30:08Come on. Truce.
00:30:10Truce.
00:30:18I guess, I guess maybe everybody, you know,
00:30:21they kind of have that, you know, same thing.
00:30:26I don't know about other people, but I'll tell you,
00:30:31this is for sure.
00:30:42I'm sorry.
00:31:13Oh, my God.
00:31:33Dan?
00:31:35Dan?
00:31:39So, where are the guys from the New York Times?
00:31:42Why don't you give me a break? It's the mayor's granddaughter.
00:31:48Bad place to have those balloons.
00:31:57Is he gonna sing, too?
00:31:58Uh, no. Today's not good.
00:32:05Happy birthday to you.
00:32:10Happy birthday to you.
00:32:14Happy birthday, dear Sarah.
00:32:18Happy birthday to you.
00:32:27Oh, my God.
00:32:44Thank you, honey.
00:32:49You...
00:32:49Do you want to talk again?
00:32:50Youtuber �w.
00:32:50Come on.
00:32:56You still here?
00:32:57Yeah, you too, huh?
00:33:00Dinner.
00:33:01Yeah.
00:33:35Yeah, you too.
00:33:56You kissed the managing editor of the Atlanta Register.
00:34:01They still call him Bucker.
00:34:04They said he had to fire me, so I didn't want him to ever forget me.
00:34:12I was fired once.
00:34:14Yeah?
00:34:14The Bisbee, Arizona Clarion.
00:34:18Reason for dismissal.
00:34:19I wrote a crappy story.
00:34:24Well, they hardly ever fire reporters for that.
00:34:43I'll see you in the morning.
00:34:46OK.
00:34:47I'll see you in the morning.
00:34:49Where?
00:34:53How did when I am here?
00:35:05I know that I havestoff processedions.
00:35:08I can let you get married.
00:35:10Well, ladies and gentlemen, I want to stay here.
00:35:25I don't know.
00:35:26Hey.
00:35:26What'd you get?
00:35:28They're out of Glazed.
00:35:29Out of Glazed?
00:35:29Well, I love chocolate.
00:35:30That's great.
00:35:32Uh, keep a change.
00:35:35Hey, cool.
00:35:36OK.
00:35:37All right.
00:35:37Here.
00:35:46Take a thorn out of his pot?
00:35:48I let him watch us last night.
00:35:51He's all right.
00:35:56What?
00:36:00Nothing.
00:36:02That wasn't nothing.
00:36:03You were looking at me.
00:36:04Was it my skirt?
00:36:07Very nice skirt.
00:36:38.
00:36:39.
00:36:39.
00:36:40.
00:36:57¶¶
00:37:33¶¶
00:37:34¶¶
00:37:35Actually, some people spend years in therapy.
00:37:38It's not like running to the doctor to get a scratch fixed.
00:37:46Well, do you feel at least a little bit less anxious now?
00:37:50Well, I want to thank you for seeing me on such short notice.
00:37:54I really appreciate it.
00:37:54You seem quite stressed.
00:37:58I think we should see each other again.
00:38:00Okay.
00:38:01Why don't I set up a regular schedule?
00:38:07How did you hear about me?
00:38:08Uh, French.
00:38:12You see the paper?
00:38:12Yeah.
00:38:12I don't know.
00:38:12I don't know.
00:38:13I don't know.
00:38:38You see the paper?
00:38:38Yeah.
00:38:40I wrote most of it.
00:38:41The other paper.
00:38:45Call that a scoop, don't they?
00:38:49Yeah.
00:38:50That's what they call it.
00:38:52Thanks.
00:38:58I saw it.
00:38:59Chief Block must have told him.
00:39:01Any other way Oz could have found out?
00:39:02Not if it had to do with any kind of serious reporting.
00:39:05Block knew it'd get out anyway.
00:39:07Why help us?
00:39:09We sure didn't turn out to be his best friends, did we?
00:39:11We gotta find out.
00:39:13We will.
00:39:16We all know the, uh, pressure that the police had on them,
00:39:19but we sometimes, I think we sometimes tend to forget the effects
00:39:23that it has on the family members.
00:39:25Well, it has been pretty bad lately, Mr. Stevens.
00:39:28Please call me Oz, would you?
00:39:33This murder, it...
00:39:35I know.
00:39:37Look, I want to tell you that I'm very grateful to you and Chief Block
00:39:41for sharing this information.
00:39:43Well, he hasn't been too...
00:39:46pleased with the people on the local paper.
00:39:49Well, I don't blame him one bit.
00:40:06You cut a deal.
00:40:08You broke the deal.
00:40:10The result of this lack of faith?
00:40:12No more deals.
00:40:17Out here.
00:40:27Liz?
00:40:28Oz?
00:40:30Kinda makes me wish my name had a Z in it.
00:40:33You posed as Oz today.
00:40:36Well, nobody poses like Oz like Oz.
00:40:40Maybe you don't know the turf around here.
00:40:42We don't work that way.
00:40:44What turf are you talking about?
00:40:47I checked you out, Walker.
00:40:49Your methods have gotten you into trouble before.
00:40:53Gee, next you're gonna tell me I'm not a team player.
00:40:55You were unprofessional today.
00:40:57Do it again, you're fired.
00:41:16I'm unprofessional.
00:41:17You went over the line.
00:41:18That's how you do it, by going over the line.
00:41:22You don't have to wait till next time when you can do it right now.
00:41:25I don't wanna fire you.
00:41:29You want me to quit?
00:41:30I don't want you to quit.
00:41:33Then you should've backed me up.
00:41:36You should've told Oz to go to hell.
00:41:48I'll do it.
00:41:49I don't want you to quit.
00:41:50I don't want you to quit.
00:41:51So, this act, how did you want it laid out?
00:41:53You won't be behind you.
00:41:54I don't want you to take me back.
00:41:57Oz Stevens.
00:41:57First-class journalism, Oz.
00:42:01Who's...
00:42:01You're next.
00:42:26The guy from the journal called.
00:42:28Uh, Stevenson?
00:42:30Has to talk to you tonight.
00:42:31I was supposed to call?
00:42:32Said he's coming.
00:42:33Don't ask when.
00:42:34Guess he'll track you down.
00:42:36Hey.
00:42:54Sorry about today.
00:42:56No, it was nothing.
00:42:58Forget it?
00:42:58Yeah.
00:43:00It's true.
00:43:02Oz is a jerk.
00:43:05Well, you know what they say.
00:43:07You can't take a joke.
00:43:19Want to dance?
00:43:27People like us don't dance.
00:43:31Can't dance, huh?
00:43:34Can't.
00:43:35I just don't.
00:43:37Can't.
00:43:38I can dance.
00:43:39I just want to dance right now.
00:43:41And time goes by so slowly and time can do so much or use still more.
00:44:09Oh, I believe in your love, I'm so sorry.
00:44:43Oh, I don't know.
00:45:25Hey, who you been?
00:45:27I went down to your office.
00:45:35Hello?
00:45:37I'm still here.
00:45:42Dan.
00:45:45Who is this?
00:45:47I'll be back.
00:46:13This?
00:46:13This coffee's scaring me.
00:46:15Did you make this?
00:46:17Henrietta homemaker.
00:46:19I'm not.
00:46:19Wait till you taste this toast.
00:46:25Bill.
00:46:27No pence on it.
00:46:31I'm still here.
00:46:35This was rigged to a pay phone over on Cooney Street.
00:46:40The caller could call anybody from any place at any time.
00:46:43He could even call himself.
00:46:45That's your tape recorder, Walker.
00:46:47Your name's scratched on the back of it.
00:46:49He never locks his door.
00:46:50Somebody took it.
00:46:51One more thing.
00:46:52He lives there.
00:46:53I'm still here.
00:46:59One.
00:47:00One.
00:47:02One.
00:47:04Two.
00:47:04Two.
00:47:06Three.
00:47:07Two.
00:47:09Three.
00:47:10Three.
00:47:11Three.
00:47:13Three.
00:47:16Four.
00:47:18Three.
00:47:23We don't get training on how to react to events like this, Elizabeth.
00:47:27The man was a friend of yours. It's going to be difficult.
00:47:30You don't have to wait for your regular appointment.
00:47:33Why don't you come see me today, or I can come down there.
00:47:36No, I'm okay. I shouldn't have called.
00:47:39Call. Please call me any time.
00:47:42I'm okay. I have to get back to work.
00:47:52I checked with the morgue.
00:47:54And?
00:47:56Oz was mutilated.
00:48:00That's not a surprise, is it?
00:48:04I checked with his paper. Oz got a very scary call yesterday.
00:48:10So did we, on my tape recorder.
00:48:14Anybody could have taken it.
00:48:17Yeah.
00:48:19I guess I left you somewhere.
00:48:33Yes, go right ahead. You're on the air.
00:48:35My 36-year-old son just went back into the house.
00:48:38Any suggestions?
00:48:41Besides the fact that he should get a job and start acting like a grown-up?
00:48:45Oh, we never stop being parents, do we?
00:48:48We might not like it, but we do always have a-
00:48:50It looks like you're singing around.
00:48:52It's got a monthly rate if you want it.
00:48:54Second, that they come into this world-
00:48:56Uh, I'll think about it.
00:48:57Thanks.
00:48:57This goes on and on and on and on.
00:48:58One thing after another.
00:48:59They move out, and then in a little while, damn it, there they are.
00:49:09Here, Chris Falcon. Bartlett here.
00:49:11Walker here. How's everything down there?
00:49:13You don't want to know?
00:49:14I have a star report or tends to disappear on me.
00:49:19I'm sorry I just went on you like that.
00:49:23Dan, what's going on? Where are you?
00:49:25I'm in San Francisco. I had to check something out.
00:49:28You're chasing something, aren't you?
00:49:30Well, it's too early to tell. I'll be back tomorrow.
00:49:33We're still working together, aren't we?
00:49:35Yeah.
00:49:36No more mysteries, okay?
00:49:40Miss you.
00:49:41I miss you too, honey.
00:49:47Miss you too, man.
00:49:48Miss you too.
00:50:03Tell me, uh, what happened this time?
00:50:07Oh, well, somebody couldn't take a joke.
00:50:11I'm working on the Faircrest Falcon.
00:50:13What?
00:50:14Forget it. It's a long story.
00:50:18Look, I want to interview dear Winnie.
00:50:22Winnie Fitz Rogers?
00:50:23Yeah. What do you know about her?
00:50:24Tell me something.
00:50:27Wow.
00:50:28You heard of dear Abby?
00:50:30Yeah.
00:50:30She calls Winnie for advice.
00:50:35So you work with her, so tell me something.
00:50:38This is the queen of how to live in these oh-so-confusing times.
00:50:42Columns in over 600 papers, lectures all over the place.
00:50:45I mean, this lady has got all the answers.
00:50:48All the questions.
00:50:50Can you help me get an interview with her?
00:50:53You're serious?
00:50:54Yes.
00:50:59I can try and set it up.
00:51:03Tell me this.
00:51:04I mean, why does a Dan Walker do a puff piece on a Winnie Rogers?
00:51:08It's part of something.
00:51:14What did you say your name is?
00:51:17My byline's Daniel Walker.
00:51:19And for whom do you work?
00:51:22I'm freelance.
00:51:24I, um, I like to get the, uh, piece just the way I like it, and then I worry about
00:51:30placing it, uh, a little later.
00:51:34Um, I believe your, uh, column is in over 600 newspapers. Is that right?
00:51:43704.
00:51:44Mr. Walker, what is it you really want?
00:51:47Reporters like you don't interview people like me.
00:51:50All I do, after all, is help millions of people who have broken hearts, marriages on the rocks, and children
00:51:56who won't love them.
00:51:57Now, that's not your usual kind of assignment, is it?
00:52:00I'd like to talk about your daughter.
00:52:04She's, uh, she's had a few problems, uh, along the way. Correct me if I'm wrong here.
00:52:12What is your interest?
00:52:14I'm concerned about her. We're friends.
00:52:18You don't strike me as the kind of man who would have friends.
00:52:24Elizabeth has had extraordinary emotional hurdles to overcome in her life.
00:52:29Oh, not the normal, tortuous rites of passage that so many young people seem to endure these days, but...
00:52:35I'm not interested in one of your lectures. We're talking about your daughter, okay? We're talking about Liz.
00:52:44Elizabeth was quite ill.
00:52:48How ill?
00:52:50She was institutionalized.
00:52:53And I did everything I could to help her. I got the best help that money could buy.
00:52:58And then, after a long time, and after a lot of work, she finally did get better.
00:53:05And you're sure that she is better?
00:53:08I'm sure that I am not a psychiatrist, Mr. Walker.
00:53:11Why doesn't she use your last name?
00:53:12She uses her father's name.
00:53:15You're divorced.
00:53:16I'm a widow, and I've been one for 15 years.
00:53:19And if you had done any background for this interview, you would have discovered that.
00:53:24You would also have discovered that one of the areas I specialize in, one of the areas of which I
00:53:29am most proud...
00:53:30...is helping women handle the loss of their husbands.
00:53:34Well, that's just fascinating.
00:53:36One more question.
00:53:39Liz really didn't get better, did she?
00:53:50One of the areas I specialize in, one of the areas of which I am most proud...
00:53:55...is helping women handle the loss of their husbands.
00:53:59Once upon a time, they all lived in Florida.
00:54:02Yeah?
00:54:03Liz went back for a while after college, tried to work it out with Winnie.
00:54:06But they never got along in lease, the way I hear it.
00:54:10I don't know.
00:54:12I guess some daughters aren't supposed to get the mothers they get.
00:54:16So she has a big blow-up with Winnie and she leaves, or what?
00:54:18No, it's not. No, no.
00:54:19See, the real reason, turns out the real reason is she was hanging around.
00:54:23Well, it's because she was hot and heavy with this guy in the Lauderdale News.
00:54:27Mike Cohen.
00:54:28Uh-huh.
00:54:29True love.
00:54:30Pardon the expression.
00:54:32This guy, this guy is doing a series on drugs.
00:54:34Ha!
00:54:35Yeah, that's original.
00:54:37This was back nine years ago.
00:54:39Besides, a little respect for the dead, Danny White.
00:54:42You guys dead?
00:54:44Completely gone.
00:54:47This guy was good, though.
00:54:48This guy was good.
00:54:50The people he was getting too close to, they, uh, they took him out.
00:54:57So the thing is, once this guy...
00:55:01...once this guy is out of the picture, why stay?
00:55:03A month later, she's on her way to, uh, places elsewhere.
00:55:09Tell me he was shot.
00:55:11He was stabbed repeatedly.
00:55:14They never got to guys, but, uh, you know, what else is there?
00:55:17Now, look, I can maybe, uh, line you up with somebody who knew him.
00:55:22I, uh, I gotta get back.
00:55:25Listen, Vince, I want you to do me a favor.
00:55:27Can you do some digging for me?
00:55:29You know?
00:55:30Yeah, sure.
00:55:31I can do some digging for you, Danny.
00:55:34I don't mind you stopping by to say hello.
00:55:38But I do mind you dropping by to check on me.
00:55:42Nothing's out of control here, John.
00:55:44I've just come to a point in my life where I've realized...
00:55:49...admitted...
00:55:50...that some things weren't resolved.
00:55:52That's why I called you.
00:55:55But I'm moving forward now, and I'm facing everything.
00:55:59Everything will be taken care of.
00:56:01All old family business.
00:56:04All of it.
00:56:05So let's just keep it to your office.
00:56:08There's no emergency here.
00:56:11Well, if you ever feel there is...
00:56:14There never will be.
00:56:48How do you feel?
00:56:49You're lying.
00:56:50Hello, my God.
00:56:51You're lying.
00:56:51You're lying.
00:56:59You're lying.
00:57:03I'm lying.
00:57:03You're lying.
00:57:05What's going on?
00:57:08You're lying.
00:57:53All right, Tommy. What are you doing here?
00:57:55Nothing. Chill out, okay?
00:57:57I said, what are you doing here?
00:58:00Like I said, nothing.
00:58:01Nothing? Oh, nothing? You can do a lot better than that.
00:58:04Hey, really.
00:58:05Oh, don't hey, really me. I don't like the way you're always creeping around.
00:58:08I don't like the way you treat me.
00:58:10I don't like the way you talk to me or even look at me.
00:58:14Now, you better start thinking about cleaning up your act
00:58:16or somebody else might just do it for you.
00:58:27Go on. Take off.
00:58:39What was that all about?
00:58:44He's not a bad kid.
00:58:45He is definitely a bad kid.
00:58:49Liz.
00:58:50Yes, he is.
00:59:42Where is my other shoe?
00:59:45Here.
00:59:47We're saving it for you.
00:59:50Give me the shoe.
00:59:51No, no, no, no.
00:59:56Oh, I have to go to work.
01:00:08Tell me about my cone.
01:00:23He was investigating a drug ring.
01:00:26He gave it 110%.
01:00:28The 10% got him killed.
01:00:31He was a lot like you.
01:00:33Only nicer.
01:00:39I had to ask.
01:00:41No, you didn't.
01:00:45You know both are victims.
01:00:48And I find out that some...
01:00:50That was years ago.
01:00:54I thought it might help our investigation.
01:00:57Looks like it's become your investigation.
01:01:08You know, a lot of things are floating around me in all of this.
01:01:12And you think you're the guy that's gonna tie it all together, don't you?
01:01:16One more notch in your typewriter.
01:01:18Well, go ahead.
01:01:19Put it all together.
01:01:20Give me a great story.
01:01:21But sell me on it.
01:01:23I'm still your editor, remember?
01:01:27Oh, and next time you feel like quitting.
01:01:31Don't talk to me about it.
01:01:32Just go.
01:01:33Get out.
01:01:57How have you been, Dan?
01:01:59Fabulous, John. How about you?
01:02:01Fine.
01:02:17What were you doing in Faircrest?
01:02:19Faircrest, California?
01:02:21No, Faircrest, Spain.
01:02:24I own a home there.
01:02:25I go there whenever I can.
01:02:28What were you doing there?
01:02:30I worked there.
01:02:33How long have you owned the house?
01:02:35Years.
01:02:37This distresses you?
01:02:38I think we could chalk it up to the small world department.
01:02:42Real small.
01:02:44I go to a place that most maps don't even deal with,
01:02:47and who shows up in Nowheresville but my shrink.
01:02:51Small world.
01:02:52I don't know.
01:02:55What's wrong with Liz Barlin?
01:03:02This is our last session.
01:03:03You make it a good one.
01:03:07You know what's going on in Faircrest.
01:03:12Does Liz have anything to do with it?
01:03:14I have absolutely nothing to say to you.
01:03:34I'll sort it out.
01:03:35I always do.
01:03:38Let's go.
01:04:00Excuse me.
01:04:03Who's coming?
01:04:05Who?
01:04:05Who's coming to the newspaper offices?
01:04:07Down to the corner.
01:04:09Turn right.
01:04:13What's it like living in 1954?
01:04:15I'm the mayor.
01:04:16My condolences.
01:04:22That's more than you'd want to know.
01:04:25Excuse me.
01:04:27This is an old friend.
01:04:29Vince Messina.
01:04:29This is Elizabeth Barton.
01:04:31Just passing through town saying hi to an old buddy.
01:04:35I'll talk to you later.
01:04:37Sure.
01:04:53Let me save you skim time.
01:04:56Your girlfriend's been down some rough road.
01:04:59She was in a hospital for six months.
01:05:01I know that.
01:05:02When?
01:05:03She was just a kid.
01:05:0416.
01:05:04Your usual, uh, pharmacopoeia.
01:05:08How can you live in a place like this?
01:05:10This is a dump.
01:05:11It's cheap.
01:05:13What was she in for?
01:05:16Clinical depression.
01:05:18That's what they call it when a person's weird and just sits there and they don't know what the hell
01:05:22else to call it.
01:05:25Sorry.
01:05:27Danny, there was something else going on.
01:05:29A few, well, her doctors called them uncontrollable rages.
01:05:37Then there's, uh, there's this, Dan.
01:05:40Her father, Peter Bartlett, he was stabbed to death around the time she was doing this hospital thing.
01:05:46As a matter of fact, just before she went in.
01:05:52And they never caught anybody?
01:05:55No, never.
01:05:59She was the only one in the house at the time.
01:06:02Her mother was out of town someplace.
01:06:04But Liz wasn't even aware an intruder was killing her father.
01:06:15Mutilated?
01:06:16I couldn't find out.
01:06:19As far as a boyfriend goes, I'd give it a yeah.
01:06:22A guy at the Boca Morgue said he was carved up real bad.
01:06:26Danny.
01:06:28There's a bunch of strange phone calls flying all around this colon guy at the time.
01:06:36Okay.
01:06:37Now this is a friend of the old lady's.
01:06:40Helped out with Liz after her father died.
01:06:43Six years ago, this guy, this guy gets into trouble for taking a, uh,
01:06:49a too serious interest in a female patient of his.
01:06:52Your usual, uh, rich guy punishment.
01:06:55Go be a jerk in some other state.
01:06:59Do you know him?
01:07:03Small world.
01:07:08I'm with a patient.
01:07:10This guy's a hell of a lot sicker than you could ever hope to be.
01:07:12Let me talk to him for a while.
01:07:14I'll see you next week.
01:07:19You seem stressed.
01:07:21I like you do.
01:07:24How does he meet Liz's mother?
01:07:28Well, I, I don't remember the exact circumstances, but, uh,
01:07:32we've been friends for many years now.
01:07:34Oh, yes.
01:07:36The Florida years.
01:07:38What do you want?
01:07:40I just want to chat for a while.
01:07:51How did you and Liz get together?
01:07:54Uh, I was a close friend of the family at the time of her father's death.
01:08:00She moved away and I didn't see her again until I ran into her in Faircrest.
01:08:03And, yes, it was a coincidence that she happened to buy a newspaper
01:08:07in the same town where I own a home.
01:08:09I'm here. I'm still listening. Tell me.
01:08:14Last week she called and wanted to start therapy.
01:08:17Again, I, I had treated her once before many years ago,
01:08:20and I had practice in Boca Raton.
01:08:22Um, Elizabeth has had, uh, several problems to work through since childhood.
01:08:31What's she telling you?
01:08:33Comes under the heading of patient confidentiality.
01:08:35Her head spooks. What are they? Where did they come from?
01:08:38I won't comment.
01:08:39I don't want your comment. I want your answer.
01:08:41And I want it right now.
01:08:44Uh, Winnie thought that, uh, Liz's father might have...
01:08:55He was messing with her?
01:08:57I don't know.
01:09:06Is Liz capable of murder?
01:09:08Mm-hmm.
01:09:11I don't know.
01:09:14That wasn't a no.
01:09:19About you.
01:09:29I'm going out for a while. Can I get you anything?
01:09:32No. I'm just fine.
01:09:46That's true.
01:09:53Falcon.
01:09:54Who the hell do you think you are?
01:09:59I think you want Dan Walker.
01:10:01I want you, Ines.
01:10:04You're a crazy sicko.
01:10:06I'm gonna kill you.
01:10:07And all your ancestors are slime.
01:10:09I cut you up with a big, ugly knife.
01:10:12And everybody you ever knew is slime.
01:10:14Tonight.
01:10:15Look, look, I am not a part of this.
01:10:17You are now.
01:10:29Danny?
01:10:30Yeah, Vince, it's me.
01:10:31Open up.
01:10:32Yeah.
01:10:40I got a call.
01:10:44I'm not going to let anything happen to you.
01:10:57Oxford's going to go after Vince.
01:10:59He knows where to find him.
01:11:01It makes sense, maybe.
01:11:04But why come back to town?
01:11:06I'm finished business.
01:11:08Vince, then me.
01:11:11He'll say he's here because Liz needs him to stay close by.
01:11:15You'd better be right.
01:11:16I'm right.
01:11:18What if you're not?
01:11:21I don't have this whole thing figured out yet,
01:11:23but it's got to be Oxford.
01:11:27It's got to be him.
01:11:57She's leaving the newspaper.
01:11:59Stay right on her.
01:12:01I told you it's not Liz.
01:12:03And I'm telling you, I'm covering everything.
01:12:18Hold on.
01:12:21It's going to be here, then you'll be in the air.
01:12:27I love you.
01:12:31We'll be in the air saucepan.
01:12:35I need her.
01:12:56Lost her behind the hardware store.
01:12:59Well, find her.
01:13:09The cops are supposed to be watching the back door. He's with Liz?
01:13:12Yeah.
01:13:14I'll watch the back.
01:13:26Guess who? Nice try, Block.
01:13:31Jim, get behind the hardware store right away.
01:13:36On my way.
01:13:40Where you going?
01:13:42You'll be fine. Just lock the door.
01:14:03What the hell is going on here?
01:14:08Come on, back to the Miramar.
01:14:10Oh, God, Vince.
01:14:14Go!
01:14:37Vince!
01:14:39Vince!
01:14:40Vince!
01:14:44Is that blood?
01:14:59Wine, guys.
01:15:05Oh, you'll be all right now.
01:15:06Let me tell you, San Francisco is the place I want to be tonight.
01:15:09Yeah, don't blame me.
01:15:12Listen, thanks a lot, all right? I appreciate it.
01:15:15Hey, look.
01:15:16All right.
01:15:16You know how when you do a guy a favor, he says, I owe you one?
01:15:21Yeah.
01:15:21Well, you owe me 20.
01:15:2440. You owe me 60. Just be careful, okay?
01:15:27Listen, I'll call you, okay?
01:15:29Yeah.
01:15:29Drive safe, all right?
01:15:30Yeah, I'll see you back there.
01:15:31All right.
01:15:57All right.
01:16:47Oxford left Tom right after our circus tonight.
01:16:50My man followed him all the way back to San Francisco.
01:16:54But nobody was watching Liz.
01:17:00It doesn't mean anything.
01:17:02It might mean everything.
01:17:13Hey.
01:17:15What's up, man?
01:17:17Rick.
01:17:19Anna, keep any money in there?
01:17:20Yeah, what's going on?
01:17:21All right, good job.
01:17:24What are you doing?
01:17:30Tonight's your night, kid.
01:17:31You're leaving town.
01:17:33Pam?
01:17:34Yeah.
01:17:34Look, I want you to do this for me, all right, Tommy?
01:17:38Just leave?
01:17:39Yeah.
01:17:40Look, I know you got a great future in this town, okay?
01:17:43But I want you just to leave, you hear me?
01:17:47Hey, hey.
01:17:49Don't you dream of busting out of this town someday, huh?
01:17:52Don't you?
01:17:52Yeah.
01:17:53You do, don't you?
01:17:54All right.
01:17:54Okay.
01:17:56I got some money here.
01:17:57$300.
01:17:58I want you to take it, okay?
01:18:00How?
01:18:02All right.
01:18:03Here.
01:18:04Here's the car keys to my car.
01:18:06It's across the street from the hotel, all right?
01:18:08Where should I go?
01:18:09I don't care where you go.
01:18:11You just go far, you hear me?
01:18:13And you don't do anything stupid.
01:18:15You don't do anything stupid that could get you caught, all right?
01:18:18Low profile it, huh?
01:18:19That's it.
01:18:21Okay.
01:18:21Wait, I'll take care of this.
01:18:25Low profile.
01:18:26Two days, that's all.
01:18:27You hear me?
01:18:28Yeah.
01:18:30Hey.
01:18:33Great knowing you, man.
01:18:38You too, kid.
01:18:40All right.
01:18:49I know who did it.
01:18:52Tommy.
01:18:53Tommy Winston?
01:18:54Yeah.
01:18:54Are you convinced of that?
01:18:56I'm positive.
01:19:02Tommy?
01:19:03You talked to him?
01:19:04Yeah, it was late.
01:19:06Said he was in a lot of trouble and he had to leave town.
01:19:10I didn't know he was going to take my car, though.
01:19:12You see him in your car?
01:19:14I talked to Tommy's mother last night.
01:19:16She said he stopped home to get some clothes and to say goodbye to her.
01:19:19He was in Dan's car.
01:19:20What else?
01:19:21Well, she said he was leaving town and he said he wouldn't be back for a while.
01:19:24Maybe never.
01:19:25He tell her he robbed the diner.
01:19:26I, uh, I saw the back door open.
01:19:29And, uh, we got a hold of Anna.
01:19:31Yeah, she came down to verify she'd been robbed.
01:19:33She said Tommy knew where she kept the money.
01:19:35You know, he's always been in trouble for one thing or another.
01:19:38You stand by this story?
01:19:42We stand behind the story.
01:19:44Better get a bulletin out on the kid right away.
01:19:59I'm sorry.
01:19:59I, I must be going.
01:20:00Did you suspect Liz of killing your husband, her own father?
01:20:03Did you?
01:20:03You must be joking.
01:20:05Don't you wish.
01:20:09I didn't want to believe it could be true.
01:20:11Yes, you did.
01:20:12I didn't want it to be true.
01:20:15So you sent her away for a while.
01:20:19You made sure she got all the right drugs.
01:20:21You paid her shrink bills.
01:20:23Because it wouldn't do for dear damn Winnie's daughter to be a murderer, would it?
01:20:26I got her help.
01:20:28Yeah, but you didn't give her enough.
01:20:34Oh.
01:20:38Oh.
01:20:52Are you in love with Elizabeth?
01:20:55I mean, do you truly, truly love her?
01:20:58Yes, I do.
01:21:01Because if you do, then you have to help her.
01:21:06I don't know if I can.
01:21:10I don't know if I can.
01:21:37Uh, Irish whiskey.
01:21:39Bring the bottle for her.
01:21:50You can't eat it, Mark.
01:21:51You don't want me to say anything.
01:21:54No, we'll go.
01:22:10All for you.
01:22:23Walker.
01:22:24Dan.
01:22:28I'm in your room.
01:22:37Highway Patrol picked up Tommy Winston in San Diego.
01:22:42Good for you. You got your man.
01:22:45It's not a man I'm looking for. She's not in her apartment. Where is she?
01:22:52All right.
01:22:54I can't see you.
01:22:56I can't see you.
01:22:56Goodbye.
01:23:25Maroon to Las Vegas.
01:23:26Slowллив?
01:23:44It's time for you, Dan.
01:23:49Tonight.
01:24:07Dan.
01:24:09Dan.
01:24:12Dan.
01:24:19Dan.
01:24:22Dan.
01:24:25Dan.
01:24:33Dan.
01:24:41Dan.
01:24:42Dan.
01:24:43Dan.
01:24:43Dan.
01:24:47Dan.
01:24:58Dan.
01:25:00Dan.
01:25:01Dan.
01:25:01Dan.
01:25:02Dan.
01:25:04Dan.
01:25:08She's got to make it.
01:25:30How long would it take to put out a paper?
01:25:33You asking me my regular schedule of it?
01:25:36You ever hear of a bulldog edition?
01:25:38Before you heard of newspapers.
01:25:57You know, Martin, they got these companies that would sell you a printing press,
01:26:01brand new equipment.
01:26:03If it breaks, they come out and fix it.
01:26:05All right, buy something.
01:26:06I've just been a print on you.
01:26:09Well, you know, they got these guys with tool kits and cute little uniforms.
01:26:13You got a problem, all you do is call them.
01:26:15You ever think of that?
01:26:16Wouldn't want anybody fooling with my press.
01:26:18Here, give me that part.
01:26:19All right.
01:26:20I should do it.
01:26:21Now, don't drop me, Arch.
01:26:31Yeah.
01:26:32Four weeks.
01:26:33Never missed an issue.
01:26:34Go.
01:26:35Huh?
01:26:36Se better see that.
01:26:37All right.
01:26:58I can't tell you how strong I am.
01:27:00I can't tell you how strong I am.
01:27:07I can't tell you how strong I am.
01:27:15I'm leaving.
01:27:15I got a...
01:27:16I got a job offer.
01:27:21You just get fired.
01:27:24Maybe I quit.
01:27:28And come back.
01:27:47¶¶
01:28:26¶¶
01:28:41¶¶
01:28:44¶¶
01:28:46¶¶
01:28:46¶¶
01:28:49¶¶
01:28:53¶¶
01:28:55¶¶
01:28:55¶¶
01:28:57¶¶
01:28:58¶¶
01:29:03¶¶
01:29:20Oh, oh, oh, oh.
Comments