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  • 9 months ago
Carnival of Souls: Lost Between Worlds is a haunting classic that explores the thin line between life and the unknown. This eerie journey follows a lone soul drifting through strange visions, abandoned places, and unsettling encounters that blur the boundary between reality and the afterlife.

With its atmospheric tension, minimalist storytelling, and timeless horror aesthetic, this film stands as a cult classic of psychological and supernatural cinema. A must-watch for fans of vintage horror, surreal storytelling, and classic black-and-white films.

Step into a world where silence speaks, shadows move, and souls wander between worlds.
Transcript
00:00:00Hey Joe, drag your foot, boy. Look what we got here.
00:00:04Hey, you want to drag, huh?
00:00:06Come on.
00:00:08See that telephone pole? We'll take you to it.
00:00:10Yeah.
00:00:11Yeah, we can take you.
00:00:12I don't know if we've got a first time to do it.
00:00:14Well, I can talk about it and take it.
00:00:16Yeah, come on. You want to try?
00:00:18No.
00:00:23Rev it up.
00:00:24Come on, man. Get ready.
00:00:30I'm sure I'm going to drive it. Watch me.
00:01:00I'm sure I'm going to drive it.
00:01:30I'm sure I'm going to drive it.
00:01:35Oh, my God.
00:02:05Oh, my God.
00:02:35Oh, my God.
00:03:05Oh, my God.
00:03:35Oh, my God.
00:03:37Sure as high as this river is right now, and with all the mud and sand it's carrying, they may never find that car.
00:03:42Oh, my God.
00:03:50Oh, my God.
00:03:58Now, let's hear your story about how it happened.
00:04:00It wasn't our fault.
00:04:02Yeah?
00:04:03We were the first ones on the bridge, and coming along, following the tracks, and they wanted to get around us, I guess, and they lost control when they dropped off.
00:04:12I'm sure you didn't crowd them off.
00:04:14Three hours.
00:04:16Yeah?
00:04:18Not sure I want to find that car now.
00:04:33With this van, and with that current, we may never find it.
00:04:37Well, all I guess we can do is keep trying.
00:04:39Come on, let's get down there.
00:05:08Well, it's Mary Henry.
00:05:31Are you all right?
00:05:33How'd you get out?
00:05:35Yeah, put this on.
00:05:37We'd better get you back to town.
00:05:38What about the other girl?
00:05:44I don't remember.
00:05:49How'd you get out of town?
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00:10:14SHE'S SO QUIET
00:10:15LIGHT
00:10:16SHE FOOLS YOU
00:10:17BUT SHE'S A
00:10:18TOUGH-MINDED
00:10:19LITTLE THING
00:10:20I GUESS
00:10:21THAT'S WHAT IT
00:10:22TAKES TO SURVIVE
00:10:23BUT I STILL SAY
00:10:26SHE'S BEHAVING STRANGELY
00:10:28WELL
00:10:29IF SHE'S GOT A PROBLEM
00:10:30IT'LL GO RIGHT
00:10:31ALONG WITH HER
00:10:32YEP
00:10:34THE END
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00:14:43Can I help you?
00:15:08Fill it up.
00:15:09All right.
00:15:13Anything else, lady?
00:15:37Could you tell me what that big structure is back a few miles by the lake?
00:15:42Oh, you mean the old bathhouse.
00:15:44That used to be a pretty ripsy place in the old days.
00:15:48Then the lake went down and they made a dance hall out of it.
00:15:51Then they put those buildings up out there and made some sort of a carnival there for a while.
00:15:56That's years ago, though.
00:15:58Just stands out there now.
00:16:00I see.
00:16:05I have an address here of a rooming house.
00:16:07Could you direct me?
00:16:10Oh, sure.
00:16:11Well, that's just right over here, little Wade.
00:16:13Been saving it for you since I got your letter.
00:16:29Could have rented it yesterday if it wanted.
00:16:31Oh, it's fine.
00:16:33It's just about what I expected.
00:16:35I knew you'd like it.
00:16:38There's ain't no regular rooming house, you know.
00:16:40I only got you Mr. Linden across the hall.
00:16:50Each room's got its own private bathroom, too.
00:16:53You can take all the bags you want.
00:16:59I'm not one to fuss about things like that.
00:17:02Thank you. I think I'll be quite comfortable.
00:17:05Well, hope you'll stay a while.
00:17:08I'm downstairs in the back part of the house, though.
00:17:12If there's anything else you need, I guess I'll have to wait for morning.
00:17:20Night.
00:17:21Good night, Mrs. Talbot.
00:17:22Good night, Mrs. Talbot.
00:17:51Good night.
00:17:52Good night, Mrs. Talbot.
00:17:53Thanks for joining us.
00:18:08Good night, Mrs. Talbot.
00:18:10And this is all the desoled homopage.
00:18:12With hisREDos is absolutely cartridge entry image.
00:18:15With yourнизony and��ur starring David Galvin,
00:18:18And this, Miss Henry, is our pride and joy.
00:18:46You know this was made in the same town where I've been studying.
00:18:49Of course.
00:18:50That's where we heard about you.
00:18:52Oh, by the way, you have found a place to stay.
00:18:54Yes, I have a room.
00:18:56Good.
00:18:57Well, we hope you're going to like it here.
00:19:00We're not the largest church in this area, of course, but we have a nice congregation.
00:19:06We'll have to have some sort of a section.
00:19:09They'll want to meet you.
00:19:10Couldn't we just skip that?
00:19:12Skip that?
00:19:13I don't suppose it's an absolute necessity.
00:19:17I don't know what some of the ladies will say.
00:19:20If they say I'm a fine organist, that should be enough, shouldn't it?
00:19:23Well, yes, of course.
00:19:26We'll let it go at that for the time being.
00:19:29But, my dear, you cannot live in isolation from the human race, you know.
00:19:37Mind if I try this now?
00:19:38I want you to.
00:19:39I'll be next door tonight.
00:20:04We have an organist capable of turning to the human race.
00:20:07We have an organist capable of turning to the human race.
00:20:09We have an organist capable of turning to the human race.
00:20:35We have an organist��- whole human race.
00:20:36We have an organistством to do that.
00:20:41We love to see each other in the human race.
00:20:55We have an organist capable of turning to the human race.
00:20:58Some sort of type of animal race even doesn't happen ontomенно.
00:21:02THE END
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00:22:04Nothing, nothing at all
00:22:06I practiced all afternoon and got me in the mood
00:22:09You need some fresh air
00:22:10I've got to make a call out past the lake
00:22:13Would you like to come along for the ride?
00:22:16You know that old pavilion out there?
00:22:17Mm-hmm
00:22:18Will we pass it?
00:22:20Go right by it
00:22:21Stop and look at it if you like
00:22:22I would, with you along
00:22:24Good
00:22:24Thank you
00:22:36This used to be quite a place.
00:23:03It's been deserted for a long time now.
00:23:06Will you take me in?
00:23:07My goodness, no.
00:23:09It isn't safe out there anymore.
00:23:11That's why they put up this barrier.
00:23:13It'd be very easy to step around it.
00:23:16What attraction could there be for you out there?
00:23:20I'm not sure.
00:23:22I'm a reasonable person, I don't know.
00:23:25Maybe I want to satisfy myself that the place is nothing more than it appears to be.
00:23:30Would you take me out there?
00:23:32No.
00:23:33The law has placed it off limits.
00:23:35It wouldn't be very seemly for a minister to break the law, would it?
00:23:39No.
00:23:40Maybe I can come back some other time.
00:23:44Shall we go along now?
00:23:46I thought that would be you.
00:24:15It was big.
00:24:17That's all been playing.
00:24:18It must take a long time.
00:24:19You've been gone almost a whole day.
00:24:21I went for a long drive in the country with my new boss.
00:24:25An elderly minister.
00:24:27Oh.
00:24:28That must have been a kick in my head.
00:24:32I learned that from my other boarder, Mr. Linden.
00:24:36Did you get your supper?
00:24:39Oh, I forgot.
00:24:41Well, there ain't no boarding house, but I got some coffee and the sandwich makings left.
00:24:47I've been bringing you some up after a while.
00:24:50Good.
00:24:51I'll be taking one of those bottles you're so generous with.
00:24:54Well, take as many as you want.
00:24:55I ain't one to make a fuss about a thing like that.
00:24:58Oh.
00:24:58I ain't one to make a fuss about a thing like that.
00:24:59Oh.
00:26:10I thought you were going to stop it.
00:26:14Yeah, I was when you asked me.
00:26:17I'm John Linden, I'm your neighbor right across the hall.
00:26:19Oh, nice to meet you.
00:26:20Excuse me.
00:26:21Hey, yeah, yeah.
00:26:22I was wondering if you're not doing it.
00:26:23Stand right there.
00:26:25I forgot to introduce myself.
00:26:37I forgot to introduce myself.
00:26:53I'm married, hadn't you?
00:26:54Yeah, I know.
00:26:55I heard you tell Mrs. Tom that you haven't ate anything yet.
00:26:59I just thought, being able in all this, I haven't eaten anything either.
00:27:04I just thought we had to ask you out for dinner.
00:27:07That's very thoughtful of you, but I can't accept it.
00:27:09I know, I know.
00:27:10We haven't met her or anything yet, but I just thought...
00:27:12I'm sorry.
00:27:13Excuse me.
00:27:14Look, there's a nice restaurant, you know, right down the street.
00:27:17Nice spot.
00:27:18What kind of guy doesn't like to eat by himself?
00:27:21I've made arrangements to eat in my room tonight.
00:27:24I guess, uh, if you can't do mind, you saw him.
00:27:32So it's kind of old for me.
00:27:34Good night, Mr. Lillian.
00:27:51Good night.
00:28:16The End
00:28:46Ms. Henry, it's Ms. Palmer.
00:29:16Who's the man in the hall?
00:29:26Oh, you must mean Mr. Linden.
00:29:32He has a room across the hall.
00:29:35No, I mean the other one.
00:29:38There is no other.
00:29:40Me and you and Mr. Linden.
00:29:44Us three is all there is in this house.
00:29:47But you might have asked him out there.
00:29:50You're needing this food.
00:29:53Well, that eating makes you jumpy sometimes.
00:29:57Maybe you heard the boards pop or something.
00:30:00These old houses creaked worse than my knees.
00:30:03I didn't hear him, Mrs. Thomas.
00:30:05I saw him.
00:30:06Now, don't talk that way.
00:30:13I don't think so good as it is.
00:30:17These old houses, they're big enough so that you could hide a man in every corner.
00:30:26You've just got to not let your imagination run away.
00:30:30Are you going out there?
00:30:31Well, of course.
00:30:31There's nobody there.
00:30:55Now, you just go and eat that sandwich I made for you.
00:31:03Don't drink the coffee if coffee keeps you awake.
00:31:07It won't.
00:31:11Coffee never keeps me awake.
00:31:13Coffee never keeps me awake.
00:31:19Coffee never keeps me awake.
00:31:34Coffee never keeps me awake.
00:31:38THE END
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00:34:32let's have no more nights or let's make them more interesting
00:34:40hey uh how'd you get to be at church all the time i studied in college
00:34:47i could have gone to college yeah i used to play pretty good football but they wanted me to take
00:34:53a lot of classes and things you know well they're that way well i'm just as smart as the next guy
00:34:58yeah but i just didn't dig what they were teaching in school you know and the thing i hated most was
00:35:05principal product principal product you know you're like uh the principal product of brazil uh
00:35:12coffee beans a snake oil you know like that yeah i was at school i couldn't care less
00:35:21now you what i cared about was girls didn't they offer a course in that
00:35:25would have done that i would have graduated
00:35:28what's the matter can you still taste the coffee
00:35:33come on what do you think i'm an alcoholic look i just like to start the day off in a good mood
00:35:39that's all you must be hilarious by noon look i'm just the kind of a guy employers want you know
00:35:45the happy worker come on come on night make your morning happy this morning you're exactly what i
00:35:52need you're gonna need you're gonna need me in the evening too you just don't know it yet
00:35:56i'll rinse off these cups oh no no no just spoiled the flavor for tomorrow
00:36:02and thank you for the coffee it was unsanitary but delicious
00:36:07well uh should have put some of the germ killer inside
00:36:12well i uh take leaves early i think you can get through the door
00:36:18you know you got the wrong impression of me well i meant because you have so many things to carry
00:36:23oh like i said i have to leave well it's been a pleasure mr linden but i'm sure you have to get to work
00:36:31well don't you no i have the whole day free for shopping
00:36:35does the hem hang right in back we might change the hemline a little the drape is just fine
00:36:53otherwise it looks very nice i'm sure it isn't very chic to take the second dress
00:36:59but i like it we offer a little here to make it straight all the way around
00:37:03there do you want to go back to your dressing room
00:37:06do you want to go back to your dressing room
00:37:13okay
00:37:15okay
00:37:18please
00:37:20please
00:37:21please
00:37:22please
00:37:23please
00:37:25please
00:37:27please
00:37:29please
00:37:30please
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00:37:33please
00:37:34please
00:41:35If you would like my assistance, I'll be glad to offer it.
00:41:39Could I come with you now?
00:41:41Certainly.
00:41:42I'll take her over to my office.
00:41:44We'll see that she's all right.
00:41:45It was more than just being able to hear anything, it was as though for a time I didn't exist.
00:42:15It was as though I had no place in the world, just as though I had no place in the world, no part of the life around me.
00:42:21And then you saw this man, you'll excuse my back, but you'll excuse my back, but I wanted to get some of that written down.
00:42:34I must have been talking about it.
00:43:04It was less than a week since you were in a car, but it was less than a week since you were in a car that crashed into the river.
00:43:06How you got out of that, no one seems to know.
00:43:09But that experience must have been a serious emotional shock.
00:43:13You think I imagined all of it, don't you?
00:43:15You think I'm insane?
00:43:16I didn't say that.
00:43:17I don't mean that.
00:43:18I'm a competent person.
00:43:20If anything, I'm a realist.
00:43:22I'm not given to imagining anything.
00:43:24Hardwashed.
00:43:26All of us imagine things.
00:43:28Have you never heard two men talking behind your back and imagined they were talking about you?
00:43:32Have you never imagined you saw someone you knew and walked up to them and found they were a perfect stranger?
00:43:39I don't see what this has to do with it.
00:43:41The point is this.
00:43:42Our imaginations play tricks on it.
00:43:45They often misinterpret what we see and hear.
00:43:47Do you agree?
00:43:48I suppose so.
00:43:50If that can happen in ordinary times, go a step further.
00:43:54Look what can happen in a high fever or following a serious emotional shock.
00:43:59It doesn't seem possible that I could have imagined all of it.
00:44:02Does this man, this figure, resemble anyone you've ever known?
00:44:06An acquaintance?
00:44:07Or your father?
00:44:08No.
00:44:09You have a boyfriend here or back home?
00:44:11No, and I have no desire for one.
00:44:13Never?
00:44:14No.
00:44:16I'm surprised to find myself saying that.
00:44:19But it's true.
00:44:21I have no desire for this close company of other people.
00:44:25Have you always felt this way?
00:44:29I don't know.
00:44:30Don't you want to join in the things that other people do?
00:44:33Share the experiences of other people?
00:44:35I don't think capable of being very close to people.
00:44:39I do fear that perhaps I am trying to reach out for those other things.
00:44:43Do you feel guilty wanting them?
00:44:44I don't understand you.
00:44:48I'm not a psychiatrist, and perhaps I'm being clumsy at all this.
00:44:52But I am suggesting that perhaps this figure represents a guilt feeling.
00:44:56Oh, that's ridiculous.
00:44:58Maybe.
00:44:59Frankly, I don't know.
00:45:02Well, I know one thing.
00:45:04My imagination is playing tricks on me.
00:45:07I'm going to put a stop to it.
00:45:08You are a very strong-willed person, aren't you?
00:45:12I survived, if that's what you mean.
00:45:14That old pavilion out by the lake.
00:45:18Somehow you associate it with all this, don't you?
00:45:21I could go out there.
00:45:22I could put an end to that, too.
00:45:26I could go out there.
00:45:27Now, don't be hasty.
00:45:30If it is all my imagination, I could put a stop to it.
00:45:34Maybe, but at least someone should be with you.
00:45:36Now, I can't possibly get away now.
00:45:38As you say, Doctor, I'm a person of strong will.
00:45:41And the time to go out there is now.
00:45:43And if I have to, I can go alone.
00:45:52And if I have to, I can go alone.
00:46:22And if I have to, I can go alone.
00:46:52And if I have to, I can go alone.
00:50:56This morning when I brought you the coffee, friendly...
00:51:00This morning I needed company.
00:51:03Well, maybe you'll need company tonight.
00:51:06Better than walking home alone.
00:51:08Yes.
00:51:09Yes.
00:51:10It is.
00:51:12I should be finished around nine.
00:51:16Will that be all right?
00:51:17That's okay by me.
00:51:19Say, I'll see you in church.
00:51:23Thanks for the night.
01:10:04I want to get you.
01:11:34Don't close.
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