Shetland - Season 10 Episode 04
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00:00There's been a report of a domestic disturbance at this address.
00:02We've nothing to hide.
00:03So she gave Amy the happily ever after and put Stevie on the mainland ferry?
00:07It was an impossible call.
00:09Morag, did the Shannon sisters know that you were involved in their case?
00:12Did you set us up?
00:13I thought the stuff was on that boat.
00:15So that means they still need to land the gear, right?
00:17If it's not on the boat, then they're going to know someone talk.
00:20Jesus Christ!
00:22What did I tell you, sir?
00:23There is a couple of missing paper statements. I will try and find them.
00:30This is a police officer we're talking about.
00:32Don't do the word of this to Billy.
00:35That's how you lot operate, isn't it?
00:37Something like this happens and you go looking for a scapegoat.
00:40The one I saw in the dead woman's garden, it was her.
00:42Seems there were some disturbing reports that came from the children's homes where Stevie was placed.
00:47I don't trust her, Amy.
00:50We're a family after all.
00:51You, your mum, me.
01:09I'm going to win this time.
01:10No, you're not.
01:11Yes, I am.
01:13Snap!
01:15I win.
01:15Stephen!
01:20Stephen!
01:36Mum! Mum! Mum!
01:38Wake up, Mum!
01:45Hello.
01:56I'm Edie Tulloch.
01:58I'm a social worker.
02:00I need to have a wee word with your mum.
02:03Is she here?
02:15I do notенс учed for her, too.
02:17I don't think I amivos who can pick up a big deal.
02:21I love her.
02:22Fine.
02:25Hello.
02:26No!
02:27No.
02:28I don't know.
02:30I...
02:30I don't know.
02:31I don't know.
02:32I don't know.
02:33I don't know.
02:34I don't know.
02:35I don't know.
02:36I don't know.
02:37I can be gay.
02:38I don't know that.
02:40Holy crap.
02:40I don't know what that happened here.
02:42I'm sorry.
02:42I don't know.
02:43I can be a bit.
02:44I don't know.
03:14He needs us to get dragged into any more shit.
03:17Hooray!
03:18And here he is.
03:20You're up early.
03:22I've got a wee favour to ask you.
03:27Stuart, will you give us a minute please?
03:31Cheers.
03:37I don't think your mum likes me very much.
03:39Don't!
03:41Stuart's my best pal and I've known him since I was seven.
03:46Don't.
03:51What do you want?
03:52Well, we arrested a couple of couriers who were bringing drugs in for the Callaghan's.
03:57Long story short, they've got a man here in Shetland who they're working with.
04:04And?
04:05And I want you to get me the name.
04:08How am I supposed to do that?
04:11You work at the harbour.
04:13You see things.
04:16Then you know exactly who can get me that name.
04:19What if I don't want to?
04:21Well, we'll just have to call you a parole officer, won't we?
04:24In fact, should we, should we do that now?
04:29Do it.
04:31Do it!
04:34Would you rather go back inside and be your lackey for the rest of my life?
04:36But you listen here.
04:38I have been working on this case for more than six months and I am this close to getting a result.
04:43If you get me that name, I'll drop me a charge.
04:48How about that?
04:57Call me when you've got something.
05:01Give him plenty of water and tell your mum no more bloody cake.
05:08Call you later.
05:10Everything okay?
05:11Uh, Aidan was sick last night and Luke can't seem to calm him down.
05:18Well, I guess it's good that Luke's mum's there.
05:22She can look after him.
05:25So, I was thinking, since it's just us, we should do something.
05:33You know, maybe we could go to the beach or I could go and get stuff for a picnic.
05:38Don't you think it would be better going to the police station?
05:41Why?
05:42To tell them about you being at Edie Tulloch's house.
05:46Stevie, this is why I stayed.
05:48You asked me to help you.
05:49Aye, but I didn't think that we'd just stroll in and confess.
05:53Well, it's better that you come forward with the truth than then find out your lies.
05:58Look, I'll come with you.
06:00Okay? We'll explain that you made a mistake and we'll just get it all sorted out.
06:04Amy, it doesn't work like that.
06:07What?
06:11Look, I'm...
06:13There's Calpo in the bag.
06:15I'm going to go to the shops.
06:17What?
06:18Stevie!
06:19Good morning, Stevie.
06:27Good morning, Stevie.
06:29I'm afraid we're going to need you to come back down to the station.
06:32Sorry, I don't have time.
06:33Well, you're going to have to make time.
06:35Or we could do it here, at your flat.
06:39Right.
07:03Oh, man.
07:16Decent prices today.
07:18What?
07:20I was looking for some work.
07:21I wondered if maybe you could help me out.
07:23I've got other crew I need, son.
07:25Well, it's not for fishing work.
07:27It's for the other sort of work.
07:29Callahan's sort of work.
07:32I think you've got the wrong guy.
07:35Well, maybe you know the right guy, though.
07:38Like, can you point me in the right direction or can you give me a phone number or something?
07:42Move!
07:43Chris Burnett is positive he saw Stevie in Edie Tulloch's garden on the day we think she was killed.
08:01And then there's the taxi driver who picked up a woman who looked like Stevie and drove her to Lunaswick.
08:07And her motive is what? Revenge?
08:08Well, essentially, yes. Stevie blamed Edie for putting her into care.
08:13Because anyone that's been through the care system is a criminal?
08:16No. That's not what we're saying.
08:19You just said she killed Edie because Edie put her into care.
08:22It's a potential motive.
08:25I spent a year in care.
08:27And overall, for me, it was a positive experience.
08:30In fact, if it wasn't for the people who took care of me and my family, I wouldn't be here today.
08:34And we're very grateful that you are here. But Stevie Shannon did not have a positive time in care.
08:41Her case files prove that. And if she did resent Edie, maybe she used that resentment to take it out on her.
08:48Yeah, plus, Amy and Stevie's mum died after Edie removed them from their home and they blame her for that.
08:54Chris Burnett's statement won't stand up in court. And just because Stevie took a taxi to Lunaswick doesn't mean she killed Edie.
09:02But there's the unidentified print.
09:05Okay. And if they're a match to Stevie Shannon, you're on your way to building a case.
09:09But she's under no obligation to give you her prints. Frankly, given what you have, I'm so surprised you even brought her in.
09:17He's right. We don't have enough.
09:27But if we can get her prints...
09:29There's no way she's going to let us take her fingerprints. We'll be lucky if we even get her to talk in there.
09:35So what are we going to do?
09:39I've got an idea.
09:40Sorry to keep you waiting.
09:48Right.
09:49Okay.
09:56Okay.
09:58Just so you know, Stevie, we have a witness who gave a fairly accurate description of the person that was in Edie Tullock's garden.
10:08Now, we can't say for sure, but we think that person might have been Amy.
10:18Look, we know this is difficult.
10:20Amy's your sister.
10:22But we wanted to ask whether you might be able to give us some insight into her state of mind.
10:28What?
10:30Well, because you've been around her recently.
10:33Yeah, and you said yourself, Amy blames Edie over the death of your mum.
10:39No, I didn't.
10:41Oh.
10:43I'm pretty sure you did.
10:45Hang on.
10:47You said, Amy's never come to terms with what happened to mum.
10:52She wants someone to blame and Edie's convenient.
10:55I mean, Amy had issues with Edie, didn't she?
11:02She was suing social services.
11:05Maybe the case was taking too long.
11:08She got frustrated.
11:09I've used to lost your minds.
11:12You think that Amy killed Edie Tullock.
11:18It's a pretty compelling motive.
11:20And given recent events, I mean, it's pretty clear that something's not right in that flat.
11:26What events?
11:27Someone called the police to report that Aidan was in danger.
11:32Yeah, it was just a prank call.
11:34How can you be so sure?
11:37Because Amy isn't violent, I know her.
11:40But do you?
11:42I mean, you two only got back in touch, what was it, a year ago?
11:47That's practically strangers.
11:49You don't know what you're talking about.
11:51You've got no idea what me and Amy are.
11:53You'd never understand.
11:55And see this, what you two are trying to do.
11:58Get between us.
11:59They've been trying to do it for years.
12:00The social work, the courts, the police.
12:02You've all tried to keep us apart, so it won't work.
12:08See the shit that we went through when we were kids?
12:11It bonds you for life.
12:16Sounds to me like you didn't get anything from her.
12:18She said she knew it was a prank call.
12:21What?
12:23Alex, the domestic at Amy Shan is the other night.
12:25Do we know who reported it?
12:27Still saying it's anonymous.
12:28Yeah, but there'll be a recording of it somewhere, yeah?
12:30Do you think I could get a copy of it?
12:31Mm-hmm.
12:32Now? Today?
12:35You think Stevie made that call?
12:36Well, maybe, yes.
12:38Why on earth would she report her own sister to social services?
12:41Well, because Stevie thinks the whole world is trying to get in between her and her sister
12:45and maybe, maybe, that includes Luke and Aidan too.
12:53Yes, Alan, what?
12:54Sorry to catch you at work, but I think you're going to need to come up to the clerk.
12:59This might be important.
13:04Okay.
13:05All right.
13:15I've been through everything.
13:19Twice.
13:21I still can't explain where the Tulloch money came from.
13:25Unless...
13:27We entertain the idea that Robert Tulloch was taking bribes.
13:33What about the missing bank statement? Did you find it?
13:39No.
13:40I contacted the bank and they're sending a copy over to you today.
13:43But even without that, there's a clear pattern of what was going on.
13:50Look, maybe we should talk to Billy.
13:53He worked with Robert.
13:54Robert might be able to throw some light on all of this.
13:57I would like us to have a little more evidence before we go accusing his dead friend of corruption.
14:04So how do we move forward?
14:09Ray Powell.
14:11Gina Powell's husband.
14:13Ray was one of Robert Tulloch's old cases.
14:16Gina doesn't trust the police.
14:19Said they ruined our family.
14:22Maybe she knows something about Robert.
14:24I can pull that case for.
14:26Yeah, okay, great.
14:28And, Sandy.
14:31We keep this between you and me for now, okay?
14:35Of course.
14:44An assault.
14:45A violent, unprovoked assault on a defenceless boy.
14:51Him a grown man too.
14:53And Tom Jameson did this to you?
14:57Why did he do it?
14:59What does that matter?
15:01Fact is, he committed a crime.
15:02You need to go over there and arrest the man.
15:04Margaret, do you think-
15:05All due respect, Minister.
15:06I'm talking with your sister now.
15:10Ethan.
15:12Was this about Jess being pregnant?
15:15Yeah.
15:16And her dad, not happy about it.
15:19He banned me from seeing her.
15:21You were with her yesterday, though.
15:23Are you trying to justify this?
15:25I'm just trying to understand it.
15:28Well, understand this.
15:30None of us are happy about this baby.
15:34Ethan's too young to be a parent.
15:37We try to speak to them.
15:40Try to persuade them that Jess should-
15:42Make an arrangement, but they wouldn't hear of it.
15:48Isabelle, of course, digging her heels in.
15:52I've never met a woman so keen to become a gran.
15:55So, here we are.
15:57Two kids.
15:59Their whole lives ruined.
16:01Jess wants to get the baby adopted.
16:03You never told me that.
16:06She was talking to Edie about it.
16:09Edie Tillich?
16:11Edie said she'd look into it.
16:15That was before she, you know, died.
16:19Who else knew about this?
16:42What's your name?
16:44Will Loudon.
16:45Give me your phone.
16:47What?
16:48Your phone.
16:55Go here.
16:57Say Jacob sent you.
16:59Cute kid, by the way.
17:07Gina.
17:10Can I have a word?
17:15I've been going over your late husband's case file.
17:21Why?
17:23We've had cause to look into Robert Tulloch's time in the police.
17:28Robert arrested Ray in connection with the robbery of a goods container at Lairwick Docks.
17:34According to the transcript of his first interview, Ray said that he was with you and David at the time that the robbery happened.
17:41So?
17:43So?
17:45There's no mention of the alibi in his second interview.
17:48He just submitted a signed confession.
17:52I don't understand the problem.
17:56Was Ray with you that night?
17:58Well, it doesn't matter now.
18:00Gina, if he didn't do it, he shouldn't have gone to prison.
18:05Back then.
18:07All this.
18:08Here.
18:09Lun is weak.
18:11This was Robert's kingdom.
18:14Hymenides.
18:16But bloody Ray couldn't resist it.
18:18Pulling off jobs right underneath Robert's nose.
18:21Way too big a temptation.
18:23He made an enemy of Robert Tulloch.
18:25Sorry, are you telling me that Robert framed Ray because Ray was goading him?
18:35You don't get it.
18:36I'm telling you that Ray wasn't with us the night of the robbery.
18:42Just like he said in his confession.
18:44A fish supper, please.
19:09I'm Will.
19:12Sheila.
19:15Jacob sent me.
19:20Jacob from the Harbour.
19:23Does Jacob want chips?
19:25No, he told me to come here to see about some work.
19:28You want to work here?
19:33Maybe I can speak to the boss?
19:35I'm the boss.
19:37Salt and vinegar?
19:40No.
19:41No.
19:44That's 15.
19:49Here.
19:58Thanks.
19:59What the hell's that about?
20:11I don't know.
20:17I'm going to take my break, Sheila.
20:20I'll be back to know her.
20:22Make sure you are.
20:23Aye, all right.
20:24I don't know her.
20:42Stevie, where the hell have you been?
20:44Hi Amy.
20:45How are you doing?
20:46How are you doing?
20:50It's just a routine follow-up.
20:53Routine?
20:55You're here because you think I'm an unfit mother.
20:58Nobody thinks that, Amy.
21:00And it's for your protection too.
21:02It means if we get any more of these anonymous reports, we can take them with a pinch of salt.
21:08Where is the wee one anyway?
21:11It's with Luke.
21:13It's Luke's mum's. The whole family's up there this week.
21:16You didn't want to go?
21:17I was planning to, but I had to stay here. Stevie needed me for...
21:22And how is Stevie?
21:25Aye, she's fine.
21:32I admit I was in the wrong eye.
21:35I should never raise my hands to Ethan.
21:37You make it sound like you give him a clip around the ear.
21:40Right.
21:42This is what Ethan's mum woke up to this morning.
21:45Jesus.
21:47I'm sorry.
21:49That was...
21:51Yesterday was a tough day.
21:53Was it?
21:55It's not an excuse. I'm just saying that isn't something that I would normally do.
21:59Ethan says you've banned him from seeing Jess. Is that right?
22:03That your thing, is it?
22:05Deciding who your daughter gets to spend time with?
22:07No.
22:09I never said they couldn't speak to each other ever again.
22:11This baby has caused a lot of grief between us and Ethan's family,
22:13so I thought it best if they kept away from each other until after the baby was born.
22:17Yeah, Margaret Stone doesn't seem too happy about Jess being pregnant.
22:20Margaret's never happy.
22:21What about you and Isabel?
22:23How do you feel about Jess becoming a mum?
22:26It's what she wants, so...
22:28we're behind her.
22:30Is it? Is it what she wants?
22:31Did you know that Jess had gone to Edie Tulloch about putting the baby up for adoption?
22:40No, I didn't.
22:42You don't seem too surprised by it.
22:45Jess is alone to herself. She stopped surprising me years ago.
22:48Did Edie speak to you about it?
22:54No, I barely spoke.
22:56Apart from a grudging hello now and again.
22:58You never discussed it with her?
22:59No.
23:01So why do you think Jess went to Edie?
23:04Like I say, Jess is unpredictable.
23:07So how do you feel about it now?
23:11Knowing what they were planning.
23:13Luke, you brought me in here because of what happened with Ethan, right?
23:16Now, I've admitted to the assault.
23:18So let me just sign whatever it is I have to sign so that I can go.
23:24I need to get home.
23:25Is Ethan okay?
23:38Well, he's got a sore face, but I think he'll live.
23:42Poor kid.
23:44Still, at least now we know Tom Jameson's got a violent streak.
23:48Well, yes and no.
23:50I mean, to be fair, the man's had a tough time.
23:51He's lost his job, he's got health issues and now his daughter's gone and got herself up the duff.
23:56That doesn't excuse beating up a kid.
23:59No, it does not.
24:01Alex, could we charge Tom Jameson in bailing for now and get someone to drop him off back home?
24:07Sure.
24:08Anyway, we're going to have to find some time to talk to Jess.
24:12See when she last saw Edie.
24:14According to Ethan, Jess went to see Edie a couple of weeks ago about finding a family to adopt the baby.
24:19Well, it makes sense, doesn't it, given Edie's history and family services.
24:23Did the Jameson's know that Jess has given up the baby?
24:26Tom Jameson didn't, was this?
24:29Oh, I've got to go and see Loudon.
24:32I'll catch you later.
24:34Okay.
24:35Can I get you some tea?
24:37No, I'm good.
24:40Ever than all right?
24:41Actually, I went out to Lynneswick to see Gina Powell.
24:50I think we need to have a chat about Robert Tulloch.
24:53Robert? Why?
24:55Some things have come to light, Billy.
24:59Things I can't explain.
25:02You know what?
25:04I'll wait.
25:06Thanks.
25:24Aw.
25:26He's a handsome boy.
25:28Amy, it's me!
25:29Good to see you, Stevie.
25:38Ah, Morag's just checking in after the police visit the other day.
25:42Nothing to worry about.
25:43Like I said to Amy, just an informal visit to see how everybody's doing.
25:49You have to give notice.
25:52Well, that's not strictly true.
25:54I'm pretty sure you can't show up on an ounce like.
25:57Stevie, will you leave it?
25:59Amy, listen to me. There's rules and procedures that she's not following.
26:02It's fine, okay?
26:04It's not fine.
26:06This is my family.
26:10Now, go in the other room and let me and Morag finish up here.
26:18I'm sorry about that.
26:37No, you're fine.
26:39She's just looking out for you, like a sister should.
26:41Look, I'll need to drop by again when Aidan's here, but as far as I'm concerned, there's nothing to worry about.
26:49Except what you have with Aidan and Luke.
26:53That's what's important.
26:55Don't let anyone get in the way of that, Amy.
26:57No matter who they are.
27:11What do you mean, you can't do it?
27:14It's only been a morning.
27:16It's just too dangerous.
27:18It's just a name loading.
27:20I think they're onto me.
27:21Who?
27:22The people who work for the Callaghan's.
27:23Right, and what makes you think that?
27:27I got a tip off this morning and it turned out to be bullshit.
27:30Why do you know?
27:31Because why would they piss me about like that?
27:33What if they know that I'm working for you lot?
27:36I think you've been paranoid, Mick.
27:37I'd rather be paranoid than dead.
27:42I'm done.
27:44Sorry, I'm done.
27:49Alright.
27:50Hey.
27:53What if I did something for you?
27:56Like what?
27:57I don't fucking know. What do you want?
28:01I want to see my daughter.
28:03What?
28:04Erin. I want more access to Erin.
28:05Oh, come on.
28:06Please.
28:07Loudon, you know I can't do something like that.
28:12Oh, gee.
28:19Alright.
28:20Alright.
28:21Okay.
28:23I'll make a phone call.
28:27It's me.
28:29From the grass.
28:30Well, she said she had no concern so maybe that'll be the end of it.
28:40Look, I'll call you back.
28:43What are you doing?
28:46I...
28:47I think it's better if I go.
28:49What?
28:50Go?
28:51Go where?
28:52Back to Aberdeen.
28:55Why?
28:57I'm obviously in the way.
28:59That's not true.
29:01Amy.
29:03I heard you at the door.
29:04You and my Gabe talking about getting out of me.
29:08I mean, she made it perfectly clear that I shouldn't be around you or Eden.
29:13That's not what she meant.
29:14It's exactly what she meant.
29:18Look, she was just talking, okay?
29:19And it's not...
29:21It's not like I agree with her.
29:23Didn't disagree with her though.
29:25Didn't stand up for me, did you?
29:28Stevie, stop.
29:32I'm sorry, okay?
29:35Just this stuff like Eden, it's freaking me out.
29:39I don't want you to leave.
29:41I need you.
29:44Especially now.
29:49Why don't we do that picnic?
29:54Here, just you and me.
29:57Be like the old days, back in the house.
30:01Except this time we'll actually have something to eat.
30:06Tell you what, why don't you, um...
30:08You take the car.
30:10Go to the supermarket and get some food.
30:13Nothing healthy, mine.
30:14Just junk food and wine.
30:16I'll get everything sorted here.
30:18Please.
30:21Stay.
30:24Just at least for one more night.
30:28Fine.
30:46You were right.
30:48I'm always right.
30:49But remind me again what it is I'm right about this time.
30:52Alex got the recording of the 999 report made about Amy Shannon.
30:56Stevie Shannon made the call.
30:58So she did report her own sister?
30:59Let's go.
31:01What? Now?
31:02Tell me the malicious report.
31:03We have grounds to her ether.
31:05And then we'll have her prints.
31:06Mmm.
31:17Your sister's been lying to us.
31:20About what?
31:21About being in Edie Tulloch's house.
31:27On the day she died.
31:29Okay.
31:30She...
31:31She went up there, yes.
31:32But she didn't see or talk to Edie.
31:35So you knew about this?
31:37You were gonna come by the station today to explain.
31:41She's already been at the station.
31:43Yeah.
31:44This morning.
31:45And do you know what?
31:47She never said anything about being at Edie Tulloch's house.
31:50Okay.
31:51Well, like I said, she's worried about how it looks.
31:55But even if she went up there, she didn't do anything to Edie.
31:59How can you be sure?
32:00Because she would have told me.
32:01Did she tell you about the phone call?
32:05What phone call?
32:16Well, isn't the couple always arguing?
32:18And there's a wee boy in there.
32:19I'm just...
32:21I'm worried that he might be in danger.
32:22Are you okay?
32:24Why would she do that?
32:25If that's Stevie, can I talk to her?
32:26I didn't know if you wanted red or white.
32:27So I just got both.
32:28How could you, Stevie?
32:29After everything I've done for you.
32:30I didn't know if you wanted red or white.
32:31So I just got both.
32:32How could you, Stevie?
32:33After everything I've done for you.
32:34Why would she do that?
32:45If that's Stevie, can I talk to her?
32:47I didn't know if you wanted red or white, so I just got both.
32:52How could you, Stevie?
32:55After everything I've done for you.
32:58Aidan's my son, your nephew.
33:04And you told them he was in danger.
33:06No, they're lying.
33:09That's not true.
33:10I heard the recording, Stevie.
33:12Let me talk to her.
33:13That's not me.
33:15They've made it up.
33:16They're faking it so it sounds like me.
33:19No, no.
33:20There is no they.
33:21There is no big conspiracy working against us.
33:24There is only you.
33:26And I'm done with you.
33:36Amy.
33:37I think you should come with us to this station.
33:45Fuck!
33:56If Jess and Ethan hadn't called the ambulance, who knows what would have happened.
34:11You know, I do owe you my life, Jess.
34:14What happened?
34:23Just took my prints, asked me a few questions.
34:26Did they charge you?
34:29So you're gonna go to prison?
34:31Sergeant Wright, if he does go.
34:33Jess.
34:34What?
34:35He attacked Ethan.
34:37And I said I was sorry.
34:39So?
34:41That doesn't change anything.
34:44I never thought you were capable of doing something like that.
34:47We've all got our secrets.
34:49What?
34:54Jess.
34:55I'll deal with her.
35:14Make yourself comfortable.
35:19I'll get you some water.
35:20Thanks.
35:35What is it?
35:36You don't know them like I do.
35:37What are you talking about?
35:40You don't know how they work.
35:42They twist things.
35:44Stevie, you made that call.
35:45You sent the police to my house.
35:47I know.
35:49And I'm sorry.
35:52But don't worry.
35:53I'm gonna put everything right.
35:57I promise.
35:59And...
36:01I'm gonna make sure she can't take Aidan off you.
36:03I love you.
36:33I love you.
36:34I love you.
36:36I love you.
36:41Do you believe you're a woman?
36:43Maggie!
36:46Maggie!
36:48Maggie!
36:50Maggie!
36:51I'll fade away
36:59And did she say where she was?
37:05No, but she sounded weird, like she was going to do something.
37:09Like what?
37:10She said she was going to make sure she didn't take Aidan away.
37:14Is she? Sorry, who is she?
37:16Stevie was there this afternoon when she came round to visit.
37:19When who came round to visit, Amy?
37:20Oh, Christ.
37:27Billy.
37:28Morag, where are you?
37:30I'm back at the house.
37:32I need you to get in the car and come into the station.
37:35What?
37:37Just do as I ask, Morag.
37:41Morag?
37:42Yeah, no, no, I'm here, I'm here.
37:44What's going on?
37:46We can't find Stevie Shannon.
37:47I think she might head to the house.
37:50I think she's here.
38:00Morag!
38:01Stevie, do you want to come out, pet?
38:11If you want to talk, I'm here.
38:24Stevie?
38:24Okay, Sandy, find out if there's anyone near the house and get them over there.
38:37Morag!
38:37No, no, no, no, no, no, no, no, no, Billy, you need to stay here.
38:40The hell with that.
38:41I know you're here.
38:42I know you're here.
38:43I know you're here.
38:44I know you're here.
38:45I know you've had it tough, Stevie, and I'm sorry.
38:46You've got a bad deal and you've every right to blame us, but we were just doing our jobs.
38:51You took her from me.
38:53You stole her, you and Tulloch.
38:58We had kissed Stevie.
38:59We had kissed Stevie.
39:00Your mum was a good person, but she couldn't cope.
39:02My mum.
39:03You think I give a shit about that useless junkie?
39:06You took Amy from me.
39:10I remember everything.
39:13You and Tulloch took us outside.
39:16I saw the looks between yous.
39:19I remember you grabbing me while she threw Amy in the car.
39:26I can still smell your perfume.
39:30You're wearing it now, aren't you?
39:33It fucking stinks.
39:37You took my sister from me.
39:44You've still got Amy.
39:45It is not the same.
39:47She is different.
39:49She has Aidan and Luke and her work in a flat with fucking tea towels.
39:54I want the old Amy.
39:56You know, just me and her.
39:57Nobody else.
39:58Just like it was in the flat.
40:01You can't have that.
40:04I know.
40:05You can't have it, Stevie.
40:07Have it!
40:08I know.
40:12You can't.
40:13You can't have it, Ben.
40:16You can't.
40:18You can't have it.
40:21I'm sorry.
40:22I'm so sorry.
40:24I'm so sorry.
40:28Morag?
40:33Morag?
40:38Morag?
40:39Oh.
40:40Oh.
40:42Hawaii.
40:43Oh.
40:48Oh?
40:49Oh.
40:50What's wrong with that?
40:52Oh, oh.
40:53Oh, oh.
40:54Oh, oh.
40:55Oh, oh, oh, oh.
40:56Oh, oh, oh, oh, oh.
40:58Oh, oh.
40:59Oh.
41:00Oh, oh, oh.
41:04Oh, oh.
41:05Oh.
41:06I don't want a charge, Sandy.
41:14As far as I'm concerned, there was no crime here.
41:17Did she say anything, Warag?
41:19About what?
41:22Edie.
41:23No, no, she was speaking about the day we took her and Amy away.
41:29Maybe me and Edie wished to handle things better.
41:33You did what you could, love.
41:34Oh, yeah, love a lot of good that did.
41:44She's had a shock.
41:46Hi, her and me both.
41:49I'll leave you to it.
41:51Let me know if you need anything.
41:53Sandy, Elliot, I thought she was asking about Robert.
41:58Any idea why?
42:00No.
42:02I'm sure it'll keep her.
42:04Just take care of him, Warag.
42:17Hello?
42:18Is that Loudon?
42:21Yeah.
42:22Are you looking for a job?
42:25Right, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
42:27Hey, how did you get this number, though?
42:30Look, if you're not interested.
42:32Well, no, I am, yeah, 100%.
42:34Good.
42:35Because I might have someone on tonight.
42:36Nothing too big, but I need an extra pair of hands.
42:39Yeah, okay.
42:40Right.
42:42Well, keep your phone on, yeah?
42:43And I'll let you know when and where later.
42:45I didn't get your name, though.
42:47Ach, we'll do the proper introductions tonight.
42:49I'll be in touch.
42:50She was strangled, tied to a post.
43:01And left to rot in her garden.
43:12Edie Tulloch.
43:14Your social worker.
43:15And then there's Morag McCabe.
43:19Another social worker.
43:21Who you attacked in her own home this afternoon.
43:28I didn't do this.
43:30But you were in Luniswick.
43:33You were in Edie Tulloch's house.
43:36No, I was in her garden.
43:37Why were you in her garden?
43:41I don't know, I just...
43:43I wanted to see her.
43:45Right, so you spoke to her?
43:48No, no.
43:50I mean...
43:51I wanted to look at her.
43:54Why?
43:57I just...
43:58I wanted to look at her.
44:03You know, see if she still looked the way that she did when...
44:08she came to the house that day.
44:11And did she?
44:13No.
44:15She looked like a wee old woman.
44:17Wait, let me get this straight.
44:19You, er...
44:20You didn't go into the house.
44:22You didn't talk to Edie Tulloch.
44:24And you didn't attack her like you tried to attack Morag.
44:28I just watched her through the window.
44:29And then I went back to Amy's.
44:31Okay.
44:33Was she with anyone else?
44:40The thing is, Stevie, it's really hard for us to believe you.
44:46You say one thing, and then you go and do something that completely contradicts that.
44:51This morning, you told us you and Amy were bonded, that you would do anything for each other.
45:00And then we find out that you reported her to children's services.
45:05No, I didn't...
45:07I didn't mean that.
45:09So why did you do it?
45:11I think I wanted us to have that feeling again.
45:15What do you mean?
45:17What feeling?
45:20Like...
45:21Chaos.
45:23When everything's out of control and you're falling.
45:25When I was 13, I spent a year in a children's home in Bantford.
45:38Well, again, I don't remember.
45:41Anyway, the kids there, they would...
45:44They'd play this game where they'd imagine the families that would adopt them.
45:51It's bullshit.
45:52Nobody fucking wanted us.
46:00I never fantasized about a new family.
46:04I just wanted to be at home with Amy.
46:08With the chaos.
46:10And the falling feeling.
46:14I was happy.
46:17There.
46:19With Amy.
46:22I think Amy's the only person that's ever loved me.
46:40I didn't do this.
46:41So, what are your thoughts?
46:46It sounded like the truth to me.
46:48But we've been here before.
46:50Oh, come on.
46:52Even you can't think that children's home story was a lie.
46:55Maybe it was, maybe it wasn't.
46:58Jesus, you are cynical.
47:00What?
47:01I'm not going to form an opinion on someone just because they've given me the little orphan Annie shtick.
47:05D.I.
47:07I called her.
47:09Ah.
47:11All right.
47:13Right, thanks.
47:15So...
47:16Stevie's prints are not a match for the set that were found at the Tullock house.
47:22So, where does that leave us?
47:24With no suspect and no motive.
47:28Okay, well, look, it's not a total washout.
47:30We can still charge Stevie for making a false report.
47:33And that's before the assault on Morag.
47:35Yeah, except Morag's already said she doesn't want to press charges.
47:39That's not her choice to make.
47:41Um, I'll take a view over it.
47:43We should, um, probably release Stevie for now.
47:47I'll go and sort her.
47:49Shit.
47:49I'm supposed to be going out.
47:51Er, I'm meeting a friend.
48:19I'll leave you to it.
48:34You...
48:34I'm sorry.
48:51I'm sorry.
48:51I'm sorry.
49:04I'm sorry.
49:34You made it then.
49:45Sorry, sorry, sorry.
49:46Eh, look who I ran into.
49:49It's Ed.
49:50You remember Ed, don't you, Ruth?
49:52Yes, I do.
49:53How are you doing, Ed?
49:55I'm fine.
49:57I thought we could all eat together.
49:59Sit down, both of you.
50:01I'll go to the bar, get us a nice bottle of wine.
50:03Eh, no, I'm fine.
50:05No wine for me first.
50:05Yeah, nor me.
50:11We didn't bump into each other.
50:13He called me, invited me for dinner.
50:15It's all right.
50:16I didn't know you were coming.
50:18I don't know what he's playing at.
50:19Well, I think it's pretty obvious.
50:23Look, I'll get out of your way.
50:25No, no, it's fine.
50:26Just stay, it's okay.
50:28To be honest, I'm short-staffed at the pub.
50:30I could do with being there.
50:31Tell James I'll get my revenge.
50:36You know, it's not that I don't want to.
50:39At dinner, I meet you.
50:40It's just, you know.
50:42Yeah, yeah, I know, I know.
50:43It's fine.
50:44Catch you later.
50:45Yes, go on, go.
50:51Where is he going?
50:53Did you scare him away?
50:55You scared him away.
50:57You bloody Scylla Black impression.
51:06T.I. Calder, leave a message.
51:09Hi, it's Will.
51:10I've got some information for you, right?
51:12So just meet me at the fish market in an hour
51:15and don't be late, please.
51:16T.I. Calder, leave a message.
51:46How can I help you?
52:05Hello, I was wondering if I could speak to D.I. McIntosh, please.
52:08Ray was with me the night the robbery at the docks took place.
52:25Robert arrested him at the house the next morning.
52:29At first, I wasn't worried.
52:30I knew Ray hadn't done it.
52:32I figured he'd be at the station a couple of hours
52:34and then he'd come home.
52:36But the day dragged on and he didn't come back.
52:40And then about ten o'clock,
52:44Robert came to see me.
52:47He said they were keeping him in overnight.
52:50Holes in his story they needed to check.
52:57I told him you've got it wrong.
53:00He was with me.
53:02What did Robert say?
53:03He said it would be better if Ray wasn't at home.
53:13That I should lie and say he'd been out all night.
53:21Robert was tired of him.
53:23Wanted him off the aisles.
53:25He made it quite clear that I was to help him do that.
53:28But you refused.
53:31Yes, of course I did.
53:34But then, Robert reminded me
53:38that Edie was the head of family services.
53:44And one word from him,
53:47and she would start investigating us.
53:51Kids get taken from their mums all the time, Gina.
53:54Gina.
53:54You can either
54:05stand by Ray
54:08or
54:11you can lose David.
54:15Did Edie know about this?
54:18I don't know, but I couldn't take the chance.
54:20I did what he said.
54:21I betrayed Ray.
54:22I mean, to be fair to him,
54:26he understood why I had to do it.
54:27He never blamed me for it.
54:29Why didn't you report this, Gina?
54:32Who to?
54:34To another police officer.
54:36Sergeant McCabe was here at that time.
54:40Sergeant McCabe?
54:43You mean Robert Tulloch's pal?
54:45No.
54:45You mean Robert Tulloch's pal?
54:46You mean Robert Tulloch's pal?
54:47You mean Robert Tulloch's pal?
54:48You mean Robert Tulloch's pal?
54:49You mean Robert Tulloch's pal?
54:50You mean Robert Tulloch's pal?
54:51You mean Robert Tulloch's pal?
54:52You mean Robert Tulloch's pal?
54:53You mean Robert Tulloch's pal?
54:54You mean Robert Tulloch's pal?
54:55You mean Robert Tulloch's pal?
54:56You mean Robert Tulloch's pal?
54:57You mean Robert Tulloch's pal?
54:58You mean Robert Tulloch's pal?
54:59You mean Robert Tulloch's pal?
55:00You mean Robert Tulloch's pal?
55:01You mean Robert Tulloch's pal?
55:02You mean Robert Tulloch's pal?
55:03You mean Robert Tulloch's pal?
55:04You mean Robert Tulloch's pal?
55:05OK, thank you very much.
55:28Here we go.
55:30I'm just saying you've got a type.
55:33I don't have a type.
55:34You do.
55:35You're like the charming losers and the useless arty ones.
55:40You want to be someone's muse.
55:42Shit.
55:43Don't be too hard on yourself.
55:46The heart wants what the heart wants.
55:48Yeah, I'm sorry, James.
55:50I've got to go.
55:53I'll see you later.
56:04I'm sorry.
56:11I'm sorry.
56:14Lydon?
56:31You there?
56:35Let's see if there's a fucking wind-up.
56:44Hi, it's Will. Sorry I can't come to the phone right now. Read my message.
57:08Lydon?
57:14Oh.
57:22Oh.
57:24Oh.
57:31Oh.
57:33Oh.
57:36Oh.
57:38Oh.
57:39Oh.
57:41Oh.
57:43Oh.
57:46Oh.
57:48Oh.
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