The World After Tomorrow

zay

The World After Tomorrow explores a future shaped by the choices of today. Set in a world transformed by rapid technological change and looming uncertainty, the story follows humanity as it struggles to adapt, survive, and redefine hope beyond the present era. Blending science fiction with drama, the film offers a thought-provoking journey into what awaits after tomorrow arrives.

Transcript

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00:03:55MYSAN

00:03:56MICHAEL

00:04:01DOES THIS MEAN MY

00:04:03FIPE'S GETTING TOO STRONG

00:04:04EH?

00:04:05IT'S NO

00:04:06LILET

00:04:06I'LL BE DONE

00:04:08I SUPPOSE THIS MEANS

00:04:09I'M GETTING DECREPIT

00:04:10NO

00:04:11I TRIED TO FIND A BLACKSNAKE CRIP

00:04:12FOR YOU

00:04:13BUT I HAD TO TAKE THAT INSTEAD

00:04:14WHEN YOU'RE NOT SHAKING THAT

00:04:15OVER OUR HEADS

00:04:16TO MAKE US WORK

00:04:17YOU CAN HOBLE AROUND ON IT

00:04:18AND ENJOY YOUR SCIATICA

00:04:19NOW COME ON BOARS

00:04:20DO ME A FAVOR

00:04:21AND CLEAR UP THIS MESS

00:04:22I'D HATE

00:04:23THE VAN DRIPERS TO KNOW

00:04:24I lived with a couple of heathens who worked on Christmas Eve.

00:04:28That's ripe by Joe.

00:04:29I forgot they were gummy.

00:04:31Often ripers come in here.

00:04:32Yes, and I was lucky to get them, too.

00:04:34They're fascinating people.

00:04:35They're world-traveled.

00:04:36They'll give you all the latest news about India, Chad.

00:04:40So come on.

00:04:41We'd better be getting dressed.

00:04:44Joseph, see that the living room gets cleared up.

00:04:47And mix the tom and cherries.

00:04:48Yes, Mr. Overland.

00:04:54It's a lot of Charlie's nonsense.

00:05:13Oh, yes.

00:05:15And liqueurs?

00:05:17A short dress and cream de mousse.

00:05:21Don't forget Randy for Major Chadwick.

00:05:24Yes, Excellency.

00:05:27Joseph, remember the last Christmas in St. Petersburg, just before the war?

00:05:32Yes, Excellency.

00:05:34Here, Joseph.

00:05:36S Roshnistvom Hristovom.

00:05:38Spasibo, Excellency.

00:05:41The order of Stanislav for me?

00:05:46You were a great friend to follow me to America, Joseph.

00:05:51It was no longer my Russian.

00:05:54Without you, the Excellency.

00:06:01Joseph.

00:06:03When I had jewels and lands and palaces, I was often weedy and discontent.

00:06:12When everything was taken away except my life, I learned that the way to be really happy is to serve others, to be needed.

00:06:24So, don't be sorry for me or for what was lost.

00:06:30Come.

00:06:31The guests will be here, and nothing will be ready.

00:06:36Madam Tanya!

00:06:36Hear me, Sir Brian.

00:06:37Will you please fix my tie?

00:06:39You know, I'm all thumbs when it comes to tying a proper bow.

00:06:44And the table, oh, it's magnificent.

00:06:50Sure, it is magic how you do it.

00:06:52Yes, it really seemed like Christmas in those days.

00:07:10What we should have, George, is a troop of grandchildren.

00:07:14Yeah, blowing horns and beating drums all over the place, not for me.

00:07:19Oh, well, here's a Merry Christmas to you, anyhow.

00:07:21Merry Christmas.

00:07:22Merry Christmas!

00:07:23Good evening, gentlemen.

00:07:25Christos Mascrese.

00:07:27That's for Easter.

00:07:28Oh, Christmas, so it is.

00:07:30Well, a Merry Christmas to you, then.

00:07:32You're looking very festive, Madam Tanya.

00:07:34Thank you, Major Chatterfield.

00:07:36And here is your present.

00:07:38Such a big present.

00:07:40Whatever can it be?

00:07:54I shall have to sit down.

00:07:57Well, we thought it would surprise you, but we didn't think it would knock you down.

00:08:01George, get a domiciliary for the Countess.

00:08:03Come now, you must try it on.

00:08:05Let's see how it looks.

00:08:09Ah.

00:08:11It's beautiful.

00:08:14But it will keep me no warmer than your kindness has all these years.

00:08:25Zdorovia.

00:08:26And don't tell me that doesn't mean your health.

00:08:29It does.

00:08:30Vasa Zdorovia.

00:08:31And Merry Christmas.

00:08:33Merry Christmas.

00:08:33Many of them.

00:08:35And don't you try to duck out and have a tray in your room.

00:08:39You're sitting at the table.

00:08:41I'll be there.

00:08:43And now I must be looking after things.

00:08:46The guests are very distinguished.

00:08:48And as the hostess, I must see that everything is perfect.

00:08:52Hey, tell the ground, sir.

00:09:13Oh, what's wrong now?

00:09:22The Van Riper's, they can't come.

00:09:24Oh?

00:09:26Well, that's odd at the last moment.

00:09:28Can't be helped.

00:09:30Illness in the family.

00:09:31Illness in the family.

00:09:33You shouldn't have let them know I'd be here.

00:09:35Don't be ridiculous, George.

00:09:40You had nothing to do with it.

00:09:41Didn't I?

00:09:43Oh, I can hear them.

00:09:45George Vale Melton.

00:09:47Isn't he the fellow who's mixed up in the Shreve case?

00:09:50Acquitted?

00:09:51Lack of evidence?

00:09:52Oh, for pity's sake, George.

00:09:54Don't be so sensitive.

00:09:56That's all past and forgotten.

00:09:58Sure it is.

00:09:59And don't flatter yourself that anybody remembers.

00:10:03To tell you the truth, I'm relieved that the Van Riper's are not coming.

00:10:08He's telling the same jokes he told 20 years ago.

00:10:12And she dyes her hair.

00:10:13I think it's a shrimp pink now.

00:10:18I don't know why I asked them to come at all at all.

00:10:21The trouble with us is we're in a rut.

00:10:27Too much work, no play.

00:10:30We don't take time to see our old friends.

00:10:33Yes, not so many of our old friends left, Michael.

00:10:37But then we ought to make new ones.

00:10:40What we ought to do is...

00:10:43What we ought to do is...

00:10:45Oh, come on, have a drink.

00:10:51Confusion to our critics, and to us, a Merry Christmas.

00:10:57Merry Christmas.

00:10:58Merry Christmas.

00:10:58There must be some lonely souls out in that crowd.

00:11:19You're a sentimentalist.

00:11:21I have an idea, Chad.

00:11:25Get out your cards, gentlemen.

00:11:27What are you up to now?

00:11:29These are some of the gift wallets that were left over with $10 in each of them.

00:11:33Put your cards in them, gentlemen.

00:11:34We'll throw them out of the window, and maybe they'll bring back somebody to have dinner with us.

00:11:38What, strangers out of the street?

00:11:40Oh, there are no strangers on Christmas Eve.

00:11:43Besides, it's better than sitting around and hooting at each other like three old owls in a barn.

00:11:47But not one of them comes back.

00:11:50I'll take you up on that.

00:11:52Dinner appears for all of us, and the loser pays.

00:11:55You heard, Chad.

00:11:56It's a bet.

00:11:57That's all right.

00:11:57I can't lose.

00:11:59How long do we wait?

00:12:00Win or lose.

00:12:01We dine at seven.

00:12:08St. Anthony.

00:12:09Send us back an honest soul.

00:12:14With an appetite.

00:12:22Mine goes first.

00:12:28It's gone.

00:12:30Your turn, Chad.

00:12:36I can't see without my glasses.

00:12:37All right, you're next, George.

00:12:40Come on.

00:12:41Let it go.

00:12:46Well, I doubt if you'll find anybody worth feeding.

00:12:49But if it gets unbearable, George, and I can pop around to the club for a rubble bridge.

00:12:53Don't worry.

00:12:54Nobody will come back with them.

00:12:57You're a man of very little faith, George.

00:13:00Come away from the window before you break the charm.

00:13:02Well, finder's keepers.

00:13:15Any money in it?

00:13:16Ten dollar bill.

00:13:18George Vale Melton.

00:13:20Engraved by, uh, Tiffany.

00:13:22He'll never miss the money.

00:13:23Here you are, Robin.

00:13:25Merry Christmas.

00:13:25Thank you, madam.

00:13:26You have a heart of gold with other people's money.

00:13:30I tell you, England's territorial expansion has quite a different significance.

00:13:35No matter how thin you slice it, a grab is a grab.

00:13:38Grab, boy.

00:13:39That's a specious term.

00:13:41England carried civilization into the wilderness.

00:13:44What was Australia before she redeemed it from the Aborigines?

00:13:47She made it a thriving territory, a ranking continent.

00:13:51For her own special benefit, of course.

00:13:53For the benefit of the whole world.

00:13:55For the benefit of Australia itself, I can't.

00:13:59The proof is there isn't an acre of the empire that isn't proud to fly the British flag.

00:14:09And furthermore, let me...

00:14:10Oh, will you stop that noise?

00:14:13Noise, is it?

00:14:14What do you two think you're making?

00:14:16The next thing you'll be digging trenches in the rung.

00:14:18Yes, but I'm bound to refute his unenlightened bias.

00:14:22Bias, my foot.

00:14:23He always takes the other side of the argument to get your goat.

00:14:26What?

00:14:30Well, it looks like you pay for the dinner, O'Brien.

00:14:36Maybe I do.

00:14:39And then again, maybe I don't.

00:14:45Oh, good evening to you.

00:14:50Good evening, sir.

00:14:51Somebody here lose a wallet?

00:14:53Yes, yes.

00:14:53Come in.

00:14:54Which one did you...

00:14:55I mean, my name is O'Brien.

00:14:57That's the name, all right.

00:14:58There's ten dollars in it.

00:15:00Ten dollars a deal, sir.

00:15:01Here you are, sir.

00:15:03Well, Merry Christmas.

00:15:05Wait, wait.

00:15:06Stay and have a bit of cheer with us.

00:15:08Well, I'll...

00:15:09Oh, come along.

00:15:10Come along.

00:15:11What is your name, lad?

00:15:13James Houston, sir.

00:15:14Houston.

00:15:16This is mighty nice of you.

00:15:17What is nicer of you?

00:15:18Sir.

00:15:19I mean, to bring back my wallet.

00:15:21Come along, come along.

00:15:22Mr. Melton, Mr. Chadwick, this is Mr. Houston.

00:15:25Good evening.

00:15:26Proud to know you, sir.

00:15:27Mr. Houston brought back my wallet.

00:15:29And now he's going to have a drink with us.

00:15:30What'll you have, lad?

00:15:32Oh, whatever you're having, sir.

00:15:34I'm having Tom and Jerry myself.

00:15:36How about you, Chad?

00:15:37Oh, just a spot.

00:15:39And you, George?

00:15:39No, thanks.

00:15:40I've got to watch out for my back.

00:15:43It really feels like Christmas Eve in here.

00:15:46It's a mighty nice bar.

00:15:47Oh, everyone, another log.

00:15:48Let me do that, sir.

00:15:54Nothing like an open bar.

00:15:56We always have them down home.

00:16:01You're from the West.

00:16:03Texas, sir.

00:16:04I'm from Oklahoma myself.

00:16:06Oklahoma?

00:16:07Well, I declare.

00:16:10Howdy, neighbor.

00:16:12That's a small world, isn't it?

00:16:14Here.

00:16:15Sit down.

00:16:16Thank you, sir.

00:16:17Chad?

00:16:17Thank you, Michael.

00:16:18Merry Christmas.

00:16:19Merry Christmas.

00:16:20Been up here long?

00:16:22Oh, since September.

00:16:24I came up with a rodeo to Madison Square Garden.

00:16:28Thought I'd stay around and look the town over.

00:16:31Stayed a little too long, I guess.

00:16:34Now I'm working for a steak to get back to Texas.

00:16:37Were you going someplace?

00:16:39Dinner, perhaps?

00:16:40No.

00:16:41No, sir.

00:16:42No place in particular.

00:16:43Just walking around.

00:16:44I've never been away from home on Christmas before.

00:16:49Well, so long as you're not going anywhere, why not have dinner with us?

00:16:52Well, now that's right kind of you, sir, but I don't...

00:16:54Well, after all, Michael, it's no inducement for a young fellow to dine with three old fogies like us, you know.

00:17:01Well, now, if you put it that way, I...

00:17:05I can't very well refuse.

00:17:08Major Chadwick, this young lady says she found your wallet.

00:17:11Hmm?

00:17:12Oh, yes, of course.

00:17:13Of course.

00:17:16Good evening.

00:17:18Oh, good evening.

00:17:20Are you Mr. Chadwick?

00:17:21Oh, yes.

00:17:23Oh.

00:17:25I believe it's customary to describe lost articles.

00:17:28Oh, yes, that's right.

00:17:29Of course.

00:17:30Of course.

00:17:31Well, it was a sort of a wallet.

00:17:34A square wallet.

00:17:36With my card inside.

00:17:38Any money?

00:17:40Of course.

00:17:41Oh, yes, $10.

00:17:48Here you are.

00:17:48Oh, yes.

00:17:49Yes, thank you.

00:17:50Thank you very much.

00:17:51You're very welcome.

00:17:53Merry Christmas.

00:17:54Wait a minute.

00:17:55Wait a minute.

00:17:55Don't go.

00:17:56Come over to the fire.

00:17:57It's cold outside.

00:17:59Get a tom and jerry for the young lady, George.

00:18:01It'll warm you up.

00:18:02Oh, you didn't...

00:18:03What's your name?

00:18:04Jean Lawrence.

00:18:05My name's James Houston, ma'am.

00:18:06How do you do, Mr. Houston?

00:18:09Yes, yes, Mr. Houston.

00:18:11Miss Lawrence.

00:18:11Put those two places back.

00:18:13I believe Mr. O'Brien will have guests for dinner after all.

00:18:18Yes, Excellency.

00:18:20The last time I had a tom and jerry was back home in New Hampshire.

00:18:23New Hampshire?

00:18:24Then you're not spending Christmas Eve with your family.

00:18:26No.

00:18:27I was just going out to the movies.

00:18:29Why don't you stay and have dinner with us?

00:18:32Oh, well, thank you very much, but I couldn't...

00:18:34Why not?

00:18:35Have you had dinner?

00:18:36No, but I had a late lunch and...

00:18:38Dinner is served.

00:18:39That settles it.

00:18:40Come along.

00:18:41We'll not take no for an answer.

00:18:43Come along.

00:18:45Now, it's all planned.

00:18:46It's a little game we're playing.

00:18:47I'll tell you all about it.

00:18:49You see, there were three of us here and we made a bet.

00:18:52And one of us lost.

00:18:53Let the Christian men be sure, rank or wealth possessing,

00:19:21Ye who would now bless the poor

00:19:25Shall yourselves be blessed

00:19:30Say, boy, you can sing!

00:19:35Hey, fellas, come up!

00:19:37We want some music up here!

00:19:38I dream of Jeannie with a light brown hair

00:19:50Born like a vapor on the summer air

00:19:59I see her tripping where the bright streams play

00:20:08Happy as the daisies that dance on her way

00:20:17Many were the wild notes her merry voice would pour

00:20:24Many were the blithe birds that warbled them o'er

00:20:34I dream of Jeannie with a light brown hair

00:20:47Floating like a vapor

00:20:55On the soft summer air

00:21:04My boy, you have a grand voice.

00:21:10He's a real singer.

00:21:12Oh, it's nothing so much.

00:21:13I used to sing a bit down on the range.

00:21:16Come on, let's all sing.

00:21:17Yeah, it's a good idea.

00:21:19Joseph, Alfonso and Catherine, come here, we're all going to sing.

00:21:23Sure, come on.

00:21:24How about jingle bells?

00:21:25Jingle bells!

00:21:26Oh, jingle bells, jingle bells, jingle bells, jingle bells!

00:21:31Oh, what thunder is to ride in a one-horse open sleigh!

00:21:35Hey!

00:21:36Jingle bells, jingle bells, jingle all the way!

00:21:39Oh, what money is to ride in a one-horse open sleigh!

00:21:43Bubенчики, bubensчики, bubensчики, звенья!

00:21:46Как радостно, как весело, намчата на саня!

00:21:50Ah, Colleen, sure you make me wish I was 22 again.

00:22:16I like you the way you are.

00:22:19Good night.

00:22:19Good night, young lady.

00:22:20Don't forget, we'll have a date tomorrow.

00:22:21Three o'clock at the clinic.

00:22:22Good night, gentlemen.

00:22:23Good night, gentlemen.

00:22:24Good night, Madame Tanya.

00:22:25I had a lovely time.

00:22:26Bless you, child.

00:22:27We'll all stay.

00:22:28Good night, ma'am.

00:22:29Good night, Jimmy.

00:22:30But wait.

00:22:32We are forgetting your overcoat.

00:22:34Oh, I didn't have an overcoat.

00:22:39But that's not my overcoat.

00:22:42Your overcoat.

00:22:49You have a good tailor.

00:22:54You have a good tailor.

00:22:57Good night.

00:22:58Good night, Madame.

00:23:07Good night, Madame Tanya.

00:23:12Good night.

00:23:13Good night.

00:23:14Good night.

00:23:15Good night.

00:23:16Good night.

00:23:17Good night.

00:23:18Good night.

00:23:19Good night.

00:23:20Good night.

00:23:21Good night.

00:23:22Good night.

00:23:23Good night.

00:23:24Good night.

00:23:25Good night.

00:23:26Good night.

00:23:27Good night.

00:23:28Good night.

00:23:29Good night.

00:23:30Good night.

00:23:31Good night.

00:23:32Good night.

00:23:33Good night.

00:23:34I thought you two were going out to the club to play bridge.

00:23:37Now, Michael, don't gloat.

00:23:40Look at the Irish.

00:23:44I'm turning in.

00:23:46Good night.

00:23:47Good night, Doug.

00:23:48Good night.

00:23:52Tough guy.

00:23:53Gave the lad his pet overcoat.

00:24:02Well, here we are.

00:24:05I can hardly believe it's all victory.

00:24:07Neither can I.

00:24:09Maybe we're dreaming.

00:24:14You know, I wouldn't be a bit surprised to see Santa Claus,

00:24:18reindeers and all, sliding right down the sky any minute.

00:24:21But you...

00:24:29His name's Gallagher.

00:24:31He's Officer Johnson Ford.

00:24:32He's not sugar.

00:24:35Well, I declare that's really something.

00:24:38I never expect you to find a girl in New York carried sugar around for a horse.

00:24:42Good evening, Miss Lawrence.

00:24:43Oh, good evening, Officer Johnson.

00:24:44This is Mr. Houston.

00:24:46Oh, so I am.

00:24:47He's just admiring your horse.

00:24:48Yeah, I raise him myself down in Texas.

00:24:51Oh, you do, huh?

00:24:51Sure is.

00:24:52They're pretty cool.

00:24:53What do you feed them?

00:24:54Rolled oats?

00:24:55Yeah?

00:24:55Yeah, sure is.

00:24:57You know, I haven't been on a horse for three months.

00:24:59I used to live on one, practically.

00:25:01I...

00:25:02I sure would like to ride them.

00:25:04Oh, I'm sorry, son.

00:25:06If the sergeant ever caught me letting anybody ride my horse, I'd be found in a beaten flatbush.

00:25:11Sure, I understand.

00:25:13Well, it's mighty fine seeing him, anyway.

00:25:16He sure is pretty.

00:25:17Ssss, ssss, is it all clear?

00:25:33All clear.

00:25:44Hey, the sergeant's coming.

00:25:47Good evening, sergeant.

00:26:02Evening.

00:26:04Anything wrong?

00:26:05Oh, nothing at all.

00:26:06Oh, it's a lovely evening, isn't it?

00:26:08Huh?

00:26:08I mean, after the snow.

00:26:09I love the snow, don't you?

00:26:11It makes everything seem more like Christmas, doesn't it?

00:26:13I was...

00:26:13Yeah, well, good evening.

00:26:15Hey, sergeant, um, would you mind awfully if I ask you a few questions?

00:26:18All right.

00:26:19What is it?

00:26:20Uh, have you ever been to Texas?

00:26:23I have never been south of the battery.

00:26:24Oh, that's too bad.

00:26:25You ought to travel, you know.

00:26:26It's really quite broadening.

00:26:27Yes, well, I'm broad enough now.

00:26:29Oh, sergeant, um, do you like children?

00:26:32Well, I bet I had.

00:26:33I've got six of my own.

00:26:35Oh, you don't say.

00:26:36You know, I've got 20.

00:26:37Yep.

00:26:37What?

00:26:37That isn't the clinic.

00:26:39I work there.

00:26:40Oh.

00:26:42Well, good night, sergeant.

00:26:44It's nice to meet you.

00:26:46Phew, it was that close.

00:26:50Hello, Texas.

00:26:52How'd you like the ride?

00:26:54Oh, I liked it.

00:26:57Fine.

00:26:59And that's for you, Johnson.

00:27:01Yes, sir.

00:27:03Merry Christmas.

00:27:04Well, Merry Christmas to you, sergeant.

00:27:11Merry Christmas.

00:27:12Merry Christmas.

00:27:15What else do you do besides feeding sugar to a horse?

00:27:18Oh, I'm sort of a kindergarten teacher.

00:27:21I keep the children busy and amused while they're calm and let's...

00:27:24You know it helps them get well quicker.

00:27:25Do I have to get sick to join your class?

00:27:27I paid you much too young for that.

00:27:30I hate to let you go.

00:27:32I'll see you tomorrow at three.

00:27:37Good night.

00:27:38Good night.

00:27:41Oh, Jimmy!

00:27:43You're cold!

00:27:44Oh!

00:27:47Thanks very much for letting me work.

00:27:48You're sure welcome.

00:27:53Good night, Texas.

00:27:55Good night, teacher.

00:28:00Oh!

00:28:01Oh, here!

00:28:02Oh, here, let's look at that.

00:28:24Oh!

00:28:25Oh!

00:28:26Yeah!

00:28:26How are your children looking proud?

00:28:34They're just fine, but the little one has the measles and the big one has the mums.

00:28:38Oh, I'm sorry to hear that.

00:28:39That's a pity, isn't it?

00:28:41Yes, it is.

00:28:42Do you take sugar?

00:28:43Yes, please.

00:28:44Merry Christmas!

00:28:45Merry Christmas!

00:28:47Merry Christmas, everybody!

00:28:48Merry Christmas, everybody!

00:28:48Merry Christmas, big Chief Freeman, the patient's head.

00:28:51Come on, and join the tribe.

00:28:54Hello!

00:28:55Hello, and who might you be?

00:28:57I'm Hanson, I'm Paul, I'm Irish.

00:28:59Well, I'm Michael, and I'm 64, and I'm Irish, too.

00:29:02I'm Irish, too.

00:29:03Who's an Irish, too?

00:29:04I am.

00:29:07And then the elephant said, through his big, long nose,

00:29:14I want to be the king.

00:29:25I want to be the king.

00:29:50THE END

00:30:20Oh, they all fell down.

00:30:29You bet your life did it.

00:30:31It's a ringer.

00:30:32A ringer.

00:30:34Hey, Madame Sanya, where do you think you're going?

00:30:37Don't I have to pick up the bottles?

00:30:40The violin is back.

00:30:42We have to pick up the bottles.

00:30:44Jeannie, come on, Jeannie, you're next.

00:30:50Here, hold my coat.

00:30:53I'll show you what a whore I am.

00:30:55Never mind, bragging.

00:30:57Right, old fella.

00:30:58Shoot the works.

00:31:02Stand clear.

00:31:04What a champion.

00:31:05One, two, three.

00:31:14Ever so humble, there's no place like home.

00:31:25Oomph.

00:31:30Oomph.

00:31:32Oomph.

00:31:37I've never seen them have such a good time.

00:32:03I'm grateful to you both.

00:32:07Oh, you know, we're going to have a lot of good times together.

00:32:20Goodbye.

00:32:21Goodbye, Jeannie.

00:32:22Goodbye, dear.

00:32:25You're just like the daughter I always wish for.

00:32:27Come on, let's get going.

00:32:28Cheerio, lad.

00:32:28Happy landing, sir.

00:32:29Goodbye, madame.

00:32:31Dasvidani, accountants.

00:32:33And don't be gone too long.

00:32:34We're going to meet you.

00:32:35We'll be back and you take good care of yourself and don't go into those bowling alleys.

00:32:39Mr. O'Brien, can't you gentlemen please take the train?

00:32:44Oh, there she goes.

00:32:46I suppose you'd like to have us take a stagecoach.

00:32:49Now, don't worry.

00:32:51We'll be back before you know it.

00:32:53Goodbye.

00:32:54Bye.

00:32:55Bye.

00:33:11I wish they were taking the train.

00:33:14Oh, don't you worry.

00:33:16They'll be all right.

00:33:17Bye.

00:33:18Bye.

00:33:19Bye.

00:33:20Bye.

00:33:21Bye.

00:33:22Bye.

00:33:23Bye.

00:33:24Bye.

00:33:24Come on, Gallagher.

00:33:44Tea or coffee?

00:33:45Coffee.

00:33:47Dogs?

00:33:50Cats?

00:33:51Sugar and cream?

00:33:56Brussels sprouts?

00:33:58Mm-hmm.

00:33:58Oh, oh, that's bad.

00:34:00But it's the only one you've missed so far.

00:34:02Everything else we like alike.

00:34:07You know, I had a hunch it was something to keep me here in New York.

00:34:10And you're it.

00:34:13Do you have somebody back in Texas?

00:34:15Oh, sure.

00:34:16Do you like her?

00:34:18Oh, crazy, brother.

00:34:19Oh, you must tell me more about her.

00:34:22What's she like?

00:34:24Well, she's, uh, pretty.

00:34:27Uh, uh, about your coloring.

00:34:30Brown eyes.

00:34:31I suppose she's crazy about you, too.

00:34:33Oh, yeah.

00:34:34Every night when I come home, she runs clear to the gate to meet me.

00:34:37Well, what's she going to say about me?

00:34:40Well, I don't know.

00:34:42She'll probably say, uh...

00:34:44You and your old horses.

00:34:50Yeah.

00:34:50How many fellas you got on the street?

00:34:52Oh, not many.

00:34:54Who?

00:34:55Just Mr. Chadwick, Mr. Belkin, Mr. O'Brien.

00:34:59And you.

00:35:02As soon as I'll get a decent job, we can get married.

00:35:06Jimmy!

00:35:07You just proposed to me.

00:35:08What?

00:35:09I did.

00:35:11Well, it's...

00:35:11It's all right, isn't it?

00:35:14Darling.

00:35:19Paper, mister?

00:35:19Not just now, sony.

00:35:23Extra, extra, extra, painful.

00:35:25No, no, no, no, no, no.

00:35:28I'm still pretty worried about those Brussels sprouts.

00:35:30Oh, Lily.

00:35:32Well, is that it for spinach?

00:35:34Okay.

00:35:34Come on, I gotta tell somebody.

00:35:37I'll find you'll be back.

00:35:39Let's go.

00:35:44Hey, come on.

00:35:49We had hope until an hour ago.

00:36:00I knew I would never see them again.

00:36:09Somehow, I knew.

00:36:19I knew I would never see them again.

00:36:49Susan, did you hear?

00:36:55What, excellency?

00:37:19Keep the tobacco jar filled, Joseph.

00:37:36And bring the hot toddies as you usually do.

00:37:48I know you are here.

00:37:52I cannot see you or touch you, but I know you've come home.

00:38:18She didn't see us.

00:38:22I remember now, we were flying.

00:38:30There was a storm.

00:38:34A mountain top.

00:38:36We crashed.

00:38:38Yes, everything went black for a moment.

00:38:43Then, we were here.

00:38:47I seem to feel all right.

00:38:49How are you, Chad?

00:38:51Splendid.

00:38:52Light as air.

00:38:55My glasses, they're gone.

00:39:01I don't seem to need them.

00:39:07So, this is it.

00:39:09Sure, it's no more than walking from one room into the other.

00:39:13How's your back?

00:39:17Oh, look at him.

00:39:20And my feet don't hurt.

00:39:22And I can see right through you, George.

00:39:25You always could.

00:39:27And now, do you believe in the immortal spirit of man?

00:39:32It's just the hammer of being here that brought us back for a while.

00:39:36For a while.

00:39:38And then, what?

00:39:39You're not afraid, Chad.

00:39:41No.

00:39:42Only curious as to what comes next.

00:39:45We'll find that out when the time comes.

00:39:48Oh, are we still in partnership?

00:39:51Looks like we're out of business.

00:39:53And good riddance, too.

00:39:58Oh, Jim, don't be ridiculous.

00:40:00You can't have three best men.

00:40:01Who says I can?

00:40:03Why can't I have three best...

00:40:04Joseph?

00:40:05Joseph, do you see why I can't have three best men if...

00:40:09What's the matter, Joseph?

00:40:11You have not heard.

00:40:23Oh, Jimmy.

00:40:37It can't be, Jim.

00:40:39It can't be.

00:40:48Evening, ma'am.

00:40:51Madame Tanya.

00:40:57They loved you both very much.

00:41:04You were good to her.

00:41:08They were friends.

00:41:11They brought us together.

00:41:17We came to tell them.

00:41:22Oh, Tim.

00:41:26Janie.

00:41:29Ah, poor kids.

00:41:31They've come to tell us their good news.

00:41:33Strange seeing it from this side.

00:41:36There's no pain for us.

00:41:38Except our grief.

00:41:41Everything seems faint and far away.

00:41:45Except loving people.

00:41:49Madame Tanya.

00:41:51Madame Tanya.

00:41:54In the library.

00:42:11The desk.

00:42:13The desk.

00:42:17The desk.

00:42:18The desk.

00:42:32What's going on?

00:42:58I left them a couple of bonds. Enough to get married on.

00:43:03Shouldn't have done it. Money's bad for kids.

00:43:08Don't forget, you still owe us a dinner from the last time you were wrong.

00:43:14Dear Jimmy and Jean, accept this gift for the happy day.

00:43:19I can see their eyes is not far off.

00:43:23You have a blessing.

00:43:34Just like him to do this for a couple of strangers.

00:43:40You are not strangers. You feel the very lonely place in his heart.

00:43:50But won't you need these?

00:43:53No, Jimmy, I think I am well provided for.

00:44:00Is there anything I can do?

00:44:05Perhaps, Jimmy, you would come and live here for a while.

00:44:11So, Joseph and I would have someone to look after.

00:44:17Oh, I'd be glad to, ma'am.

00:44:21Go now. You have a blood to talk over.

00:44:26I could swear I see them up there.

00:44:49So could I.

00:44:51I beg your pardon, are you related to the men who lived here?

00:44:57They were our friends.

00:44:59Could you give me some idea what they were like?

00:45:01The report is that they were eccentric old hermits.

00:45:03That's not true.

00:45:04I should say not. They were swell.

00:45:06Well, I'm on the daily press.

00:45:08My paper wants human interest.

00:45:10Won't you come along and talk it over?

00:45:12This is Station WRC National Network, New York City.

00:45:20You've just heard your radio reporter giving you the latest news flash from the WRC Tower.

00:45:25The time is 15 minutes after 10.

00:45:27Want me?

00:45:28Here's a story for our next week's personalities on the news program.

00:45:31I'll get those kids.

00:45:33Every Wednesday evening at 7.30 p.m.

00:45:35Which brings to the air people who have a...

00:45:37I think he should, Madame Tanya, don't you?

00:45:51Jim, they might give you a chance to sing.

00:45:54And all you need is a chance.

00:45:56That's right, Jimmy.

00:45:59Opportunities don't come every day.

00:46:01What about Jean?

00:46:03Says in the telegram they want her, too.

00:46:05Oh, I couldn't.

00:46:06I'd be too scared.

00:46:07Go ahead and see what they say.

00:46:09Darling, if they let you sing, I know you'll be a hit.

00:46:12You'll be famous.

00:46:13We'll be rich.

00:46:14You'll be able to buy that big ranch with a million horses.

00:46:17Madame Tanya can come stay with us.

00:46:18Yeah, we can all live happily ever after.

00:46:21I still say he'd be better off back in Texas on the ranch where he belongs.

00:46:25Well, I agree with Michael.

00:46:27The boy's got talent.

00:46:28Why shouldn't he do something with his voice?

00:46:31Sure, and why not?

00:46:33What's wrong with him being a singer?

00:46:35The world needs music just as much as it does buildings and bridges.

00:46:38Well, I'd have it your way.

00:46:40And I'm not in favor of it.

00:46:44Uh, my name's James Houston.

00:46:46I received this telegram from Mr. Barrett.

00:46:49I'll tell him you'll hear it.

00:46:55Mr. Barrett, Mr. Houston's here.

00:47:00Mr. Houston, you may go right in.

00:47:03Uh, thank you very much.

00:47:05Oh!

00:47:06Oh, I'm...

00:47:09Oh, aren't you going to pick it up?

00:47:14I sure hope I didn't do any damage, Miss Terry.

00:47:18Oh, that's all right.

00:47:20Where have I seen you before?

00:47:22Oh, probably in the paper.

00:47:25Mm-hmm.

00:47:28Well, Texas, are you going to sing on the air?

00:47:31Oh, I hope so.

00:47:32Well, let me know when you go on.

00:47:34I'd like to hear you.

00:47:36My telephone number's on there.

00:47:38Good luck.

00:47:41Why, thank you, ma'am.

00:47:57Oh, where can I phone?

00:47:58Right here.

00:47:59I'll use this one.

00:48:01Oh, Jimmy, really?

00:48:02Yeah, they're going to put me on the broadcast tonight.

00:48:03Yeah, I'm going to sing.

00:48:04Oh, darling, I know you'll be good.

00:48:05Would you call Madam Tanya and tell her?

00:48:06I've got to go practice.

00:48:07I mean, rehearse.

00:48:08Yeah, I'll come by and pick you up after it's over, and we'll go celebrate.

00:48:13Bye, honey.

00:48:14I'll...

00:48:15I'll be singing to you.

00:48:16Goodbye and good luck, darling.

00:48:17Churchill!

00:48:18He's going to sing!

00:48:19Sing!

00:48:20No, not him.

00:48:21I mean Jimmy.

00:48:22He's singing tonight at 7.30.

00:48:23WRC.

00:48:24Oh, I'm not.

00:48:25I'm not.

00:48:26You're not.

00:48:27I'm not.

00:48:28I'm not.

00:48:29I'm not.

00:48:30I'm not.

00:48:31I'm not.

00:48:32You're not.

00:48:33I'm not.

00:48:34I'm not.

00:48:35I'm not.

00:48:36I'm not.

00:48:37I'm not.

00:48:38I'm not.

00:48:39I'm not.

00:48:40I'm not.

00:48:41I'm not.

00:48:42I'm not.

00:48:43I'm not.

00:48:44I'm not.

00:48:45I'm not.

00:48:46I'm not.

00:48:47I'm not.

00:48:48I'm not.

00:48:49I am.

00:48:50I'm not.

00:48:51I'm not.

00:48:52It's 7.30.

00:48:53WRC!

00:48:54I've got to tell all the nurses.

00:48:55Is my wife here?

00:48:57No, she's over nine years old.

00:48:58This is the children's hospital.

00:49:00Hello, Mom.

00:49:01Mom, I...

00:49:02Ya.

00:49:03Mom?

00:49:04What I called you about is a surprise.

00:49:07Yeah, I want you to tune in on WRC

00:49:10at 7.30 New York Time tonight.

00:49:13Yeah, I...

00:49:15What?

00:49:16Oh, no, Mom, I don't need them.

00:49:20No, but, Mom, it's not cold enough for them.

00:49:25But, Mom, people don't wear them in New York.

00:49:29Yeah.

00:49:30Now, don't forget, Mom, 7.30 tonight.

00:49:34Yeah.

00:49:35Goodbye, Mom.

00:49:43Uh, do you mind?

00:49:45No, it's quite all right.

00:49:51Miss Terry's apartment.

00:49:52Who's calling?

00:49:53No, she isn't in right now.

00:49:55I don't know when she'll be back.

00:49:57I'll tell her you call, Mr. Houston.

00:50:00Hello.

00:50:02Hello, Miss Terry.

00:50:04This is Jimmy Houston.

00:50:06Yeah, I met you at the radio station, you remember?

00:50:10Yeah, well, I'm calling you like you said

00:50:12because I'm going to be on the air tonight at 7.30.

00:50:15You are?

00:50:16Yeah, singing.

00:50:17Oh, you must be swell because Barrett's tough.

00:50:20Sure, I'll be listening in.

00:50:22Thanks for letting me know.

00:50:24Goodbye, Mr. Houston.

00:50:39Sounds pretty good.

00:50:41Pretty good.

00:50:41It's a hit.

00:50:43We can go into a fast rehearsal

00:50:45just as soon as Tony Marshall returns from Florida.

00:50:47Oh, poor old Tony.

00:50:49He'll be making his entrances in a wheelchair pretty soon.

00:50:52Don't worry.

00:50:53He's had his face lifted.

00:50:54Besides, he still brings them in.

00:50:56What about some dinner?

00:50:58Oh, it's quarter to eight.

00:50:59Quarter to eight?

00:51:00Wait a minute.

00:51:01There's something I want to hear.

00:51:03I haven't missed it.

00:51:04So why should we run?

00:51:13Let's get drenched in moonbeams

00:51:18The blossoms of romance

00:51:22Need showers to start

00:51:26Don't shelter your heart

00:51:28Don't shelter your heart

00:51:29It's raining dreams

00:51:32I heard the thunder crash

00:51:37The moment we kissed

00:51:41And now that we've kissed

00:51:44It's raining dreams

00:51:46It's raining dreams

00:51:48I saw the lightning flash

00:51:52And light up the skies

00:51:56Or was it your eyes

00:51:58It's raining dreams

00:52:03We're caught in a moon shower

00:52:07With no place to run

00:52:11So why should we run?

00:52:14Let's get drenched in moonbeams

00:52:19The blossoms of romance

00:52:22Need showers to start

00:52:26Don't shelter your heart

00:52:30It's raining dreams

00:52:36That is worse than heading off a stampede.

00:52:51How was I?

00:52:52All right.

00:52:55Here they come.

00:52:57Hello?

00:52:58Oh, yes, Miss Terry

00:53:00Yes

00:53:02Easier

00:53:03You're doing fine

00:53:06Hello

00:53:08Oh, thank you

00:53:12Well, it's nice of you to say so

00:53:15Oh, I mean it

00:53:16Really

00:53:16Well, just a minute

00:53:18My producer, Phil Hubert

00:53:19Wants to talk to you

00:53:20Hello, Mr. Houston

00:53:23Yes, this is Phil Hubert

00:53:25Well, you're very good

00:53:28Thank you very much

00:53:30Well, I'd be glad to, sir

00:53:34Yes, I have the address

00:53:36I'll be up there directly

00:53:37Goodbye

00:53:39Well, we can't go very far wrong

00:53:42With a voice like that

00:53:43Let's see

00:53:44We could build him up on the radio

00:53:45And then I'd get Kelly busy

00:53:46On the publicity

00:53:47And if he looks like you say he does

00:53:50I think maybe we've got something

00:53:52I think we've got something

00:53:55Jimmy

00:54:00Darling

00:54:01You're marvelous

00:54:03Oh, thanks, honey

00:54:03But you don't know the half of it

00:54:05I'm on my way now

00:54:06To see a fellow about my singing

00:54:07Yeah, I just came by to tell you

00:54:09I can't stay

00:54:09I've got to go right away

00:54:10Goodbye

00:54:11I'll phone you later

00:54:13Goodbye

00:54:13I'll be waiting

00:54:15Well, hello

00:54:21Evening, ma'am

00:54:22This is Mr. Hubert, Mr. Houston

00:54:24Proud to meet you, sir

00:54:25Hello

00:54:25Congratulations

00:54:26You stopped the show

00:54:27Oh, no, ma'am

00:54:28I reckon it was fixing to stop anyway

00:54:30I came on at the end

00:54:32Well, how did you like the applause?

00:54:34Oh, fine, sir

00:54:35I figured half of it was good manners

00:54:38And the rest was on the station payroll

00:54:40It's a crime to spoil modesty like that

00:54:43Boy, you are a natural

00:54:44Miss Terry and I are going over the book of our new show

00:54:47Our old leading man is beginning to creak a little

00:54:50We thought perhaps you might fit in with our plans

00:54:52Well, I declare you

00:54:54You mean on the stage, sir?

00:54:56Yes

00:54:57Oh, no, I don't think that I...

00:54:59Oh, come on

00:54:59Have a drink

00:55:00Have something to eat

00:55:01Let's get better acquainted

00:55:02I feel lucky tonight

00:55:04To success

00:55:05Hello?

00:55:17Oh, I'm sorry

00:55:20Dr. Brown is on day, Duke

00:55:21Sweet Louisiana lady

00:55:45Joseph, I'm a success

00:55:53I'm going to sing in a show

00:55:54Lovely music

00:55:55Yes, sir

00:56:01You better go to bed

00:56:03It's after three

00:56:04I'm all right, Joseph

00:56:05I'm all right

00:56:05Good night, Joseph

00:56:14Good night

00:56:15Oh, well, why not?

00:56:23Who wouldn't celebrate?

00:56:25He's getting his chance

00:56:27Yeah

00:56:28Chance to get mixed up with a lot of cheap people

00:56:31He'll turn his head and make a fool of him

00:56:33He'll drink too much

00:56:35And he'll laugh too much

00:56:36He'll lose his way

00:56:38There are two sides to it, George

00:56:40The way I see it

00:56:42He'll give people a lot of pleasure

00:56:43Ah, he's a good lad

00:56:46And he's in love with the fine girl

00:56:49She'll keep him steady

00:56:50To be born innocent is natural

00:56:52But to die pure of heart

00:56:55That's a gift

00:56:56Well, stick to your faith, Michael

00:57:00You may need it before you're through

00:57:02Ah, you're always looking at the black side of things

00:57:26Elliot

00:57:46I'mい omm

00:57:49Thank you

00:57:49Lord, thank you

00:57:51I said

00:57:52I said

00:57:53I was or

00:57:54I said

00:57:54George, no matter what you did, if you're sorry for it, no power of darkness can touch you.

00:58:05If you'll only say you're sorry, George.

00:58:10But I did need a doing.

00:58:13I have no remorse.

00:58:15I never did have.

00:58:17I'd be a hypocrite to say I'm sorry now.

00:58:24I don't know.

00:58:54I don't know.

00:59:24I don't know.

00:59:25I don't know.

00:59:26I don't know.

00:59:27Come in.

00:59:57Come in.

01:00:27There haven't been so many nice things in my life.

01:00:30My parents were divorced.

01:00:32I was on the stage when I was 14.

01:00:35Then a bad marriage.

01:00:38A tough struggle.

01:00:43Success and applause isn't everything, Jimmy.

01:00:48Sit down, Jimmy.

01:00:53Sometimes I get homesick too.

01:00:55For someone of my own.

01:00:59Someone who really loves me.

01:01:01The way a woman wants to be loved.

01:01:07Oh, she's the smooth one.

01:01:10Smooth as silk that one is.

01:01:12Every move.

01:01:14Every word is figured.

01:01:16I want someone who really loves me the way a woman wants to be loved.

01:01:22And him taking it hook, line and sinker.

01:01:27Oh, I've made an awful mess of it.

01:01:30You've got to help me, Chad.

01:01:32You've got to help me bring the boy back.

01:01:35Chad.

01:01:37I heard something.

01:01:40Sure you heard something.

01:01:42I've been talking to you right now.

01:01:44It's the old bugle call.

01:01:50The last first.

01:01:53It's for me, Michael.

01:01:59Dad.

01:02:00Dad.

01:02:01Dad.

01:02:02David.

01:02:05Dad.

01:02:07David.

01:02:08David.

01:02:10David.

01:02:14This is my boy, Michael.

01:02:16My boy, David.

01:02:18I thought I'd never see you again.

01:02:22We all think that.

01:02:24I've come for you, Dad.

01:02:26Where now?

01:02:27What's it like?

01:02:29What do you want it to be like?

01:02:31I remember the old army post at Simla.

01:02:36Without the reins, of course.

01:02:39Ah, we were happy there.

01:02:43Great country.

01:02:45Splendid regiment.

01:02:47Good horses.

01:02:48Good sport.

01:02:49Keen men.

01:02:50Then that's it.

01:02:51Every man gets his dream.

01:02:52It's gone.

01:02:53Mother's waiting.

01:02:54Molly.

01:02:55Good luck, Michael.

01:02:56Goodbye, Alan.

01:02:57No, no, no.

01:02:58Not goodbye, old fellow.

01:02:59We'll be seeing you.

01:03:00Won't we, David?

01:03:01That's right, Dad.

01:03:02Good luck, my son.

01:03:03Good luck, all the way.

01:03:04Good luck, Michael.

01:03:05Good luck, Alan.

01:03:06No, no, no.

01:03:07Not goodbye, old fellow.

01:03:08We'll be seeing you.

01:03:09Won't we, David?

01:03:10That's right, Dad.

01:03:11Good luck, Michael.

01:03:12Good luck, Alan.

01:03:13Good luck, Alan.

01:03:14No, no, no.

01:03:15Not goodbye, old fellow.

01:03:16We'll be seeing you.

01:03:17Won't we, David?

01:03:19Goodbye, Alan.

01:03:21No, no.

01:03:21Not goodbye, old fellow.

01:03:24We'll be seeing you.

01:03:27Won't we, David?

01:03:28That's right, Dad.

01:03:31Good luck, Michael.

01:03:33Good luck.

01:03:48Good luck.

01:04:18Good luck.

01:04:21Ah, don't cry, Jeannie.

01:04:25Don't cry, Colleen.

01:04:27That does no good.

01:04:29Get your Irish up.

01:04:33You're prettier than she is.

01:04:36And sweeter, too.

01:04:38And younger.

01:04:41Are you going to sit back and let her run off?

01:04:45Not if you're the girl I think you are.

01:04:48Sure, and if he's worth love and a doll, a doll he's worth fighting for.

01:04:56Now go to him.

01:04:59And when he sees you, his heart will remember.

01:05:04Pretend you're pretty things and go to him.

01:05:07Go now, Jeannie, girl.

01:05:09And good luck.

01:05:15Good luck.

01:05:16Good luck.

01:05:16Sometimes I get homesick for the prairie.

01:05:26Stars and quiet.

01:05:29Sound of a dog barking way off in the distance.

01:05:34Say, do you like horses?

01:05:35My father used to practically live at the tracks.

01:05:39I went with him a lot.

01:05:41Before I was ten, I knew every racehorse in the country by his first name.

01:05:45No fooling.

01:05:48Say, you know, you're a pretty wonderful girl.

01:05:51Am I?

01:05:56I'm just a hick.

01:05:58I don't know why you've been so nice to me.

01:06:01I think a lot of you.

01:06:03You know that, don't you?

01:06:09Don't answer.

01:06:10Colleen.

01:06:12My ex-husband, drunk as usual.

01:06:14Colleen.

01:06:15Let me in.

01:06:18No, you'd better go out the back way.

01:06:20But I can't sneak out.

01:06:21We don't want to go out.

01:06:23Pleasant things have a way of getting into the papers.

01:06:25Think of the show.

01:06:26But I can't leave you here with me.

01:06:28I can handle him better alone.

01:06:29Please.

01:06:33You're sure you'll be all right?

01:06:36Oh, Jimmy.

01:06:38Let's go away for a few days to the country.

01:06:41I need a rest, and you do too, before we start rehearsal.

01:06:45Well, what about Mr. Hubert?

01:06:48Oh, I'll talk to him and make all the arrangements.

01:06:50You go home and pack a bag,

01:06:51and I'll telephone you when I'm ready to leave.

01:06:56Open the door!

01:07:09I thought so.

01:07:15You're Houston, aren't you?

01:07:18That's right.

01:07:21Well, you don't look like you've been sneaking out of back doors very long.

01:07:27She doesn't want to see you.

01:07:32Get going.

01:07:36Okay.

01:07:36You'll find out.

01:07:54Hello, Jimmy.

01:07:56Hello, Jeannie.

01:07:57I was worried about you.

01:08:01I just wanted to make sure you were all right.

01:08:03Oh, I'm fine.

01:08:06I've been awful busy.

01:08:08I wanted to talk to you, but it seems like I haven't had a minute.

01:08:13You're looking mighty fine, Jeannie.

01:08:27You're looking well, too.

01:08:29I'm sorry about not seeing you, Jeannie.

01:08:32I understand.

01:08:35Oh, Jimmy.

01:08:36I'm so glad about your success.

01:08:39It's just what I wanted for you.

01:08:42Thanks.

01:08:49Everything happened so suddenly, Jeannie.

01:08:53Maybe later on, when things quiet down and I sort of get my breath again, I...

01:08:58I guess I'd better go now.

01:09:13Goodbye, Jim.

01:09:14Good luck.

01:09:20Jimmy, if things ever go wrong for you or people don't treat you right or you'll get sick or something,

01:09:25don't forget my friend.

01:09:26Well, let me know if you need me, won't you?

01:09:46You fool.

01:09:47Go after her.

01:09:48Don't let her get away, Jimmy.

01:09:56Hello.

01:10:05Oh, hello.

01:10:07I talked to Hubert.

01:10:08Everything's all set.

01:10:09We can stay until Tuesday.

01:10:10Isn't that wonderful?

01:10:11It gives us three days.

01:10:13I'll pick you up in about 20 minutes.

01:10:14Will you be ready?

01:10:15You bet I will.

01:10:18Goodbye.

01:10:20Goodbye.

01:10:22Goodbye.

01:10:26Goodbye.

01:10:32If there's anything important, you can reach me at the Pinewood Inn.

01:10:47But I mean important.

01:10:48if you don't stop annoying me i'll have you put away where you belong

01:10:55harleen i've been trying to see you to tell you i got a chance of a comeback

01:10:58miller's got a show he's he's going to give me the lead if i can get on my feet again

01:11:04and well i can't do it alone miller's going to give you a lead yes what are you trying to do

01:11:10kid me look at you i knew you wouldn't care

01:11:14i know there's someone else now there's always been someone else

01:11:21but no one loves you the way i do arlene

01:11:29arlene i'll take your hands off me but arlene please

01:11:34madam tanya i'm worried about jimmy it's not right for him to go away with that terry woman

01:11:48no good will come of it nothing but trouble do everything you can to stop him

01:11:54i'm arlene terry is mr houston ready i shall see

01:12:19so long madam tanya jimmy please don't go

01:12:29what's the matter you look worried i am that girl those stories in the paper

01:12:36oh that's nothing but publicity it don't mean anything jimmy a man can spoil his life for a woman

01:12:43i know our friends wouldn't like you to go away with that girl

01:12:47she's fine she she gave me a part in her show and

01:12:52and we both want to get away to the country for a few days before rehearsals begin

01:12:56jimmy mr melton lost everything home family reputation over such a woman

01:13:04oh now you're making it sound much more serious than it really is

01:13:08now don't you worry i'll be all right i'll be back by tuesday

01:13:12goodbye

01:13:13what was that just the luggage what's the matter you seem nervous i do

01:13:35say do you believe in hunches

01:13:38sometimes why i got a funny feeling we're going in the wrong direction

01:13:43on the trail when i feel like that i usually turn back

01:13:47oh i can see you were cut out for the stage jimmy superstitions and everything

01:13:52do they have superstitions on the stage heavens yes hundreds of them

01:13:57madam tanya's the one that has hunches and she's not usually wrong

01:14:01is she the disagreeable old lady who answered the door

01:14:05oh she's not disagreeable she's just been through a lot

01:14:07you know i don't think i should have run off and left her the way i did

01:14:11oh nonsense jimmy you shouldn't be living in that musty old house with a couple of musty old servants

01:14:17you should have an apartment of your own where you can do as you please

01:14:20i'll find you one

01:14:22well that wind too much for you

01:14:27snuggle down

01:14:28oh you're so nice jimmy

01:14:31maybe you won't think that after you know me better

01:14:33why not

01:14:34oh i've got a lot of old-fashioned backwoods ideas

01:14:38oh we'll soon get rid of those

01:14:40we'll have a lovely time in pinewood

01:14:42we'll walk and ride horseback and roast chestnuts by the fire

01:14:46no crowds no autograph hounds there aren't many people up here this time of year

01:14:51i'll have you all to myself

01:14:54a part of pinewood in about five miles

01:15:03where can i get a drink right around the corner

01:15:05fill it up i'll be right back

01:15:08yes

01:15:08feeling any better

01:15:32a little

01:15:33i don't know what's wrong with me tonight

01:15:36i'm a little sort of strange

01:15:38oh come on cheer up

01:15:40we're on a holiday

01:15:41your dinner is ready to serve this time

01:15:45good

01:15:46food is what you need and plenty of it

01:16:06michael

01:16:13michael o'briand

01:16:16i'm here

01:16:20it's time michael

01:16:26right now

01:16:29yes

01:16:32now

01:16:33i can't go now

01:16:36you're called only once

01:16:41but i can't leave jimmy

01:16:44he needs me

01:16:45there's trouble coming

01:16:48i got him into this

01:16:51i must get him out

01:16:53it means

01:16:56it means

01:16:56you will linger in the shadows of earth

01:16:58for all time

01:16:59i can't go now

01:17:03i can't

01:17:06so be it

01:17:10michael

01:17:11it gives me great pleasure to announce ladies and gentlemen

01:17:39that we have with us this evening

01:17:41two very distinguished broadway personalities

01:17:43miss arlene terry

01:17:45and mr james houston

01:17:46you're not going to take a bow

01:17:54go on

01:17:55it'll be good for the show

01:17:57if we try hard enough

01:18:03we may get mr houston to give us a song

01:18:05oh jimmy

01:18:31jimmy

01:18:32the doctor

01:18:36an ambulance

01:18:36quick

01:18:37sponge

01:18:40quit the heart

01:18:44let's try and suit you

01:18:46one chance in a thousand

01:18:47take his blood pressure nurse

01:18:51keep the blood pressure

01:19:05in a while

01:19:06please

01:19:07keep him

01:19:07in a thousand

01:19:08two

01:19:09two

01:19:10in a thousand

01:19:11three

01:19:12in a thousand

01:19:13four

01:19:13and

01:19:14two

01:19:15and

01:19:15but

01:19:16you

01:19:16Oh, Jimmy, why didn't you listen?

01:19:25I tried to warn you.

01:19:28Jeannie.

01:19:35Jeannie.

01:19:46She shouldn't cry like that for me.

01:20:00She loves her, Jeannie.

01:20:04Whatever happened to me anyway?

01:20:08You were too young and thoughtless.

01:20:12And success came too sudden.

01:20:13And that woman, she, she's gone.

01:20:20She had no soul at all to go on with.

01:20:30Jeannie.

01:20:33I'm sorry.

01:20:38If I could only tell her.

01:20:40We make mistakes sometimes that can never be remedied.

01:20:47It's myself I'm blaming, Jimmy.

01:20:50Not you.

01:20:51Michael.

01:20:52Michael O'Brien.

01:21:01You've come back.

01:21:08Your mother would give us no peace until we came back for you.

01:21:14If it isn't asking too much, could you be doing me a favor before we go?

01:21:21Could you give the boy another chance?

01:21:22He's a good lad.

01:21:22And he's learned his lesson.

01:21:23Give him a chance to live.

01:21:24So be it.

01:21:25Let him go back.

01:21:26Come along, O'Brien.

01:21:27You're the stubbornest soul we ever loved.

01:21:28I'll be back for you.

01:21:29I'll be back for you.

01:21:30If it isn't asking too much, could you be doing me a favor before we go?

01:21:32Could you give the boy another chance?

01:21:35I'll be back for you.

01:21:36I'll be back.

01:21:38I'll be back for you.

01:21:39I'll be back for you.

01:21:40I'll be back for you.

01:21:41I'll be back for you.

01:21:42All you need to give the girl a chance.

01:21:43He's a good lad.

01:21:44And he's learned his lesson.

01:21:45Give him a chance to live.

01:21:46So be it.

01:21:47Let him go back.

01:21:48Come along, O'Brien.

01:21:50Come along, O'Brien.

01:21:53You're the stubbornest soul we ever loved.

01:22:20Michael.

01:22:29It's George.

01:22:33George, I'm glad to see you.

01:22:37What happened? How did you get here?

01:22:40I've come a long way out of darkness.

01:22:44Darkness is a terrible thing, Michael.

01:22:47I thought of you and Chad.

01:22:49I thought of you and your faith and loyalty and friendship.

01:22:53And then the bitterness began melting out of my heart.

01:22:58And I saw a light.

01:23:01And I followed it.

01:23:02And it brought me here.

01:23:05Sometimes we have to go to the darkness alone

01:23:08before we can see the light.

01:23:13There's more rejoicing in heaven

01:23:15over one single repentance.

01:23:19It's my mother.

01:23:33It's my mother.

01:23:34It's my mother.

01:23:35It's my mother.

01:23:36It's my mother.

01:23:37It's my mother.

01:23:38It's my mother.

01:23:39It's my mother.

01:23:40It's my mother.

01:23:41It's my mother.

01:23:42It's my mother.

01:23:43It's my mother.

01:23:44It's my mother.

01:23:45It's my mother.

01:23:46It's my mother.

01:23:47It's my mother.

01:23:48It's my mother.

01:23:49It's my mother.

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