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00:00Part of Cairo, in the middle of the Arab Spring.
00:03Why does Jonathan Pine, respected Hotelier,
00:05risk his career by snitching on his guests?
00:07If there's a man selling a private arsenal
00:09and those weapons can cause a lot of pain
00:11to a lot of people, then you just do it.
00:14Anyone can do it.
00:16I want to put you inside his operation.
00:23We will give you money, but you have to leave the boy here.
00:25We contact you.
00:28Go!
00:29He saved me.
00:30What's his name?
00:31Thomas Quint.
00:32No, he's bloody not.
00:33You're Pine from Switzerland.
00:36Thank you very much, sir, for rescuing me.
00:39You're very welcome, Danny.
00:40Welcome to the family.
00:43Angela Burr is closer than anyone's ever been
00:45to cracking Richard Roper's offshore operation.
00:47The company is called Trade Pass.
00:50You are my lead actor.
00:52You make the deal.
00:53No one really knows what we're selling.
00:54No one wants to know.
00:56If they did, they wouldn't sleep at night.
00:58This is our little contribution.
01:01Safe haven for the wretched of the earth.
01:03Justifies us being here.
01:06Every soldier fights for money, Andrew.
01:08These men are selling their skills same as anyone else.
01:10Even traitors can be forgiven.
01:11They have to commit.
01:12They have to make a decision.
01:13Jesus.
01:14I want my money back, Mr. Roper.
01:15If you do not pay, there will be consequences.
01:16Why'd you do it, Jonathan?
01:17You have to commit.
01:18You have to make a decision.
01:19Wait a minute!
01:20Wait a minute!
01:21Wait a minute!
01:22Wait a minute!
01:23Wait a minute!
01:24No!
01:25No!
01:26No!
01:27No!
01:28No!
01:29No!
01:30No!
01:31No!
01:32No!
01:33No!
01:34No!
01:35No!
01:36No!
01:37No!
01:38No!
01:39No!
01:40No!
01:41No!
01:42No!
01:43No!
01:44No!
01:45No!
01:46No!
01:47No!
01:48No!
01:49No!
03:36Identify the body, then they'll burn it.
03:38No one gets the ashes.
03:39No one will know, not even his family.
03:41What about Danny?
03:43No, not even Danny.
03:45Richard Roper will remain a missing person.
03:48And you, Jonathan Pine, you never came to this godforsaken place.
03:51You all right?
03:58Yeah, I didn't sleep last night.
04:00Just last night?
04:02Don't worry, you'll sleep well after this.
04:04No.
04:06No.
04:07No.
04:08No.
04:09Just one of you will perform identification.
04:11Who says?
04:12I say.
04:13Now listen here, I've had enough of this.
04:41Shifting bloody sands.
04:42Angela, it's all right.
04:44It's not all right.
04:45None of this is all right.
04:47She'll do it.
04:49We've both waited so long for this.
04:53You've waited longer.
04:56Ella.
04:56Ella.
05:01Ella.
05:12Ready?
05:13No.
05:18Can you confirm?
05:20This is Richard Roper.
05:22Yeah, it's him.
05:23Sure?
05:23Sure.
05:26Yeah.
05:44I hope you're doing okay.
05:45It's Colin and Claire and it's London Central.
05:47And the headline is the Amazon.
05:49The bank is half broke more costs from the UK economy this year.
05:53It's also something in your space.
05:55The bank is half broke.
05:57It's half broke.
06:00The bank is half broke.
06:05Alex?
06:11Alex?
06:11One second.
06:12Teresa, hi.
06:17Hi.
06:19Corky escaped again.
06:20Ah, I'm so sorry.
06:21Did he wake you?
06:23Um, well, no, because it's 4.30 in the afternoon.
06:26Of course it is.
06:26Of course it is.
06:27Sorry.
06:27Yeah.
06:29You, sir, are a flirt.
06:31What are you doing disturbing our neighbour, eh?
06:34Come on.
06:35You work at night, don't you?
06:36I do, yes.
06:38Yeah.
06:38What do you do?
06:38You're like vampires.
06:39I work in a bank, so yes, basically, yeah, I am.
06:47Yeah, all right.
06:48I'd love to have dinner soon, if you dare to journey across the hall.
06:55Yes, maybe, one day.
06:58Yeah.
06:59Sorry again.
07:00All good.
07:01Come on, you.
07:02Yeah, bye.
07:03Bye.
07:03Bye.
07:07Corky.
07:09Let me get into trouble.
07:13This is the MI6 quarterly evaluation for Alex Goodwin, director of the nighthouse unit.
07:19Shall we begin?
07:21Sure.
07:22So, Alex, is there anything keeping you awake at night?
07:27No.
07:28Uh, no.
07:31And how's your family?
07:33Family's great, yeah.
07:35And romantically, any developments on that front?
07:39Yep.
07:41Actually, I've started going out with my neighbour.
07:45I see you've requested to stay with the nighthouse for another three years.
07:49Yes.
07:49Yep.
07:50How do you feel about that?
07:51I feel good.
07:53Um, I love working for Rex Mayhew.
07:56I love my team.
08:00From a central ops point of view, we've learned more from the nighthouse surveillance unit led
08:06by Alex Goodwin than from a dozen agents in the field.
08:10Nocturnal surveillance of the top hotels has proved pivotal to our cleanup operation in
08:15the city of London.
08:17Where does the lock?
08:20The nighthouse's patience and diligence has allowed us at MI6 to infiltrate hostile networks
08:26and avert terror threats across the city.
08:29The nighthouse, that's a nocturnal surveillance unit.
08:32That's right, yeah.
08:33It's not exactly glamorous.
08:36Does it need to be?
08:38No.
08:38Right.
08:39It's not the most dramatic, but who needs heroes?
09:09Hello, Alex.
09:10Basil.
09:11Just dropping off the new wish list.
09:13Usual rogues gallery.
09:16Don't know how you do it.
09:18Stuck here every night.
09:19Sat in the dark, watching the world through a screen.
09:22I'm worried you'll go blind.
09:25Well, as head of the Riverhouse Supervisory Council,
09:29I am formally sanctioning a further three-year extension for the night owl unit
09:34under the leadership of Alex Goodwin and the continued supervision of Rex Mayhew.
09:39Thank you very much.
09:41Thank you, Myra.
09:42I've taken a look at your file.
09:44Six years.
09:46You refuse all promotions, all offers for posts abroad.
09:51I love being at home.
09:53Sorry to disappoint you.
09:56You don't disappoint me, Alex.
09:59If I'm honest, you frighten me.
10:02Just a reminder.
10:08Nothing above the parapet.
10:11That face is too pretty to lose.
10:12A lot of intelligence officers come through this room.
10:18Some of them shout.
10:19Some of them scream at me.
10:22Some even throw things.
10:23But the ones I really worry about turn up every three months.
10:29They sit there and they smile.
10:31Just like you.
10:32They say nothing, like you.
10:36And then one day,
10:39they explode.
10:43You need to talk to me, Alex.
10:46Tell me who you really are.
10:47I am the man who will not explode.
11:01Hi, Mike.
11:24Hey.
11:25When you're settled,
11:26do a troll on all today's phone calls
11:28through hotel switchboards.
11:30Got the latest list of bad guys.
11:32Basil Carapetti and deliver them personally.
11:35Eat spangs on mum, that man.
11:40Sorry I'm late.
11:43St. Albans traffic is a disgrace.
11:45I'm judging you.
11:46Leave that to my wife.
11:48How's your day, Alex?
11:49Fine, thank you, Alid.
11:52You managed some sleep?
11:53A little.
12:06Oh, Kaderoff's moving again.
12:09Mike, follow him.
12:11For reference, he's number 12 on the list.
12:13Thanks to Bulgarian Mafia
12:14with a bit of child trafficking on the side.
12:17Where are you running to, Mr. Kaderoff?
12:19I'm sorry.
12:20I'm sorry.
12:21I'm sorry.
12:21I worked at the Mumbai Carlton in the 90s.
12:27That sort of antic tended to mean
12:28a sexual assignation with the boy on reception.
12:32Or he's just getting a paper.
12:35That's for the white room.
12:36Sally, party in the white room tonight.
12:38Copy that.
12:39On roof.
12:40Here we go.
12:50Oh, busy room for a school night.
12:54Sally, you there yet?
12:55Just arriving.
12:57How do I look?
13:00Impeccable.
13:02Eyes only.
13:03Please?
13:03I promise.
13:05No touching.
13:10You're a little better.
13:11Hi.
13:13Number 12, your 10 o'clock.
13:15Whiskey on the rocks.
13:15Whiskey on the rocks.
13:16Sally, don't win too much.
13:39You're not the show here.
13:40Never am.
13:41Mike, all angles.
13:45I want to see the whole room.
13:52So, who else is on tonight's address?
13:59Something wrong?
14:02Mike, zoom in on that man in the corner.
14:06Who is he?
14:07Just do it now.
14:07No.
14:07No.
14:07No.
14:08No.
14:11What you're looking at here is the real United Nations.
14:20Americans, Russians, Ukrainians, Serbs, Croats, Angolans.
14:25One big happy family.
14:28Jericho looks like a teddy bear.
14:30Don't let him near your neck on a bad day.
14:33I'm sorry.
14:34I'm sorry.
14:35I was hoping to catch Rex before the party.
14:38Is he around?
14:38No.
14:39He's talking to some girl.
14:40He's working on his fucking birthday.
14:40Well, no.
14:41He's far too attractive to boot.
14:42Now, listen, will you do me a thing?
14:43Yes.
14:44Will you do me a thing?
14:45Yes.
14:46Will you go in there and tell those handsome young men in chinos we need more glasses?
15:07Glasses?
15:08Yes.
15:09Okay.
15:11Oh, no.
15:12Sorry.
15:13But that table can't help us.
15:14I'm going to get you to help us.
15:15I'm going to get you to help us.
15:16Okay.
15:17He's waiting.
15:18And I have to go.
15:19Roxana, you hear anything more about this, you call me.
15:21Okay.
15:22Thank you, Rex.
15:23And you tell Noah about this, Claire.
15:25Okay, Alex.
15:26Alex, where are ghosts left?
15:27Alex?
15:28Where are ghosts left?
15:29Alex, where are ghosts left?
15:32Rhyμα's lights?
15:33Alice, go to the building.
15:34Alex?
15:35I'm sorry.
15:36Sir, sorry.
15:37After you hear anything more about this, you call me.
15:39Okay.
15:40Thank you, Rex.
15:41And you tell Noah about this.
15:42Clear?
15:44Alex?
15:45Where are ghosts left?
15:50Alex?
15:51Where are ghosts left?
15:53I got your message. Show me what you've got.
16:11Taken last night. Old Roper field man.
16:14What's he doing coming to London under a false name?
16:16Are you sure I'd say?
16:17Absolutely sure.
16:20You talk to anyone else about this?
16:22How could I? I'm Alex Goodwin now.
16:24And you should stay that way.
16:29Rex, I'd like to talk to Burr.
16:31Absolutely not. Angela's retired, fully detached.
16:35She barely leaves her French retreat
16:37and won't want to be disturbed over some soldier for hire.
16:42Who is your mini-met before the party?
16:49She was a friend.
16:50What kind of friend?
16:51The kind you never saw.
16:53My dear boy, listen to me.
16:55If I'd had my way, you'd be on a beach in Bali now.
16:58You're a state pension in your pocket.
17:01Yoga teacher in your bed.
17:03You chose to stay.
17:06And I gave you one condition.
17:08Jonathan Pine never existed.
17:12Nobody in that garden has any idea who you are.
17:15Alex Goodwin stands before me now, and it so happens I've grown rather fond of him.
17:22Well, he's fond of you too.
17:24Glad to hear it.
17:25Rupa is dead.
17:27The past is the past.
17:29He spent five years creating you anew.
17:34Let's not ruin it for one.
17:35Chance sighting in Mayfair.
17:39May I keep this?
17:40Oh, I have a new number.
17:46Best to use this from now on.
17:56Memorize and eat.
17:57Alex, you know the drill.
18:12Alex!
18:13What on earth are you doing here?
18:15Myra, hello.
18:16Don't you know it's bad luck to see an owl during the day?
18:19Rex said that this owl needs a bit of vitamin D, so here I am.
18:23Wise man.
18:26You know, I'm so grateful to Rex.
18:29He's made me feel welcome from the moment I took the reins at the river.
18:33He's a good man.
18:34Yeah.
18:34He recruited you, didn't he?
18:36Yes, he did.
18:36Is it Nigeria?
18:38That's right, Port Harcourt's.
18:39Private contractor?
18:41IT, mainly.
18:42Um, we met, he was there and, um, there was an opportunity, I put my hand up and...
18:47Good.
18:48Do you think he's all right?
18:51What?
18:52Why'd you ask?
18:54I'm worried about him.
18:56Well, he didn't mention anything to you?
18:58No.
18:59No.
18:59No, no.
19:00Right, have a lovely time.
19:01Thank you, you too.
19:02SPF.
19:02Okay, yes, okay.
19:03No less than 50.
19:06Cheers.
19:07Happy birthday, dear Rex!
19:12You are in trouble.
19:14Happy birthday to you!
19:18Yes, take cheers.
19:20Okay, thank you.
19:21Thank you for coming to this auspicious occasion.
19:25After this, it's just a funeral, isn't it?
19:26See it?
19:27No, no, I am genuinely grateful to be able to celebrate my 60 years,
19:34surrounded by colleagues, people who have the same love of their country,
19:37and what that country stands for, or should, or should.
19:44You know, a nation's security service is the truest expression of itself.
19:52You know, we are its soldiers and its priests,
19:57and as such we have a choice.
19:58We can serve blindly, whatever the occasion, or we can take a view.
20:07Know thyself.
20:10So, uh, indulge an old trooper when he says the same to you now.
20:16And now, fuck off and get pissed.
20:18I said, have fun.
20:29No, Danny, the hall's in the middle.
20:31You're not watching the cups, Danny.
20:36Thomas is watching the cups, aren't you, Thomas?
20:38Thomas is watching the cups, aren't you, Thomas?
21:01Thomas is watching the cups, aren't you, Thomas?
21:08There's your man.
21:14His name is Jaco Brouwer, 42 years old.
21:18Some African, but he spent the last six years as a fixer for cartels in South America.
21:22He arrived at Heathrow under a Dutch Antilles passport,
21:25named Michel Hebert.
21:28And he's staying at a small hotel in Richmond, the Rogers.
21:31So, how did he end up playing poker at the Mortimer?
21:34I don't know.
21:34My hunch is he was told to keep out of the main London hotels, but went off piece.
21:39Addiction issues.
21:41I want to know what he's doing in London.
21:43How do you know him?
21:46From a previous life.
21:49What previous life?
21:50I can't say, Mike.
21:51I'm not allowed to tell you.
21:53And I have no official authority to follow or trail him.
21:55So, up to you.
22:01I've never been to Richmond.
22:04Guys, cancel your plans.
22:07We're going fishing tomorrow.
22:09It'll be nice to see sunlight.
22:20Our gambler's on the move.
22:23Stay on his tailground.
22:25Copy that.
22:27Travelling east on the tow part.
22:29Saleh, take possession on the bridge.
22:31Here he is.
22:32In position.
22:35Yeah, we see him.
22:42He's heading up towards the cafe.
22:44Eyes on target.
22:53Willie, moving.
22:55Got it.
22:55On my way.
22:56On my way.
22:56On my way.
22:56On my way.
22:58On my way.
22:59On my way.
23:00It looks like he's got a date.
23:16The photo's in common.
23:18Elliot.
23:19The shipment arrives in Katahinyo port in three days.
23:41Once it's through customs, we're ready to press go.
23:44And you'll make the anniversary.
23:47No problem.
23:48We're on schedule.
23:49But my chief wants the shipment list.
23:52Full spec, government stamped in a diplomatic briefcase.
23:56I'll speak to my client, but they want to keep documentation minimal.
23:59For obvious reasons.
24:00This isn't your average gun run.
24:02Think of it as his insurance policy.
24:06He knows his mind, your chief.
24:07He learned from the best.
24:10Calls himself, if he's true to say.
24:13Mike, Mike, can you just clean that up?
24:15On it.
24:19I'll all be in touch.
24:20Yeah, I know.
24:22Go and feed the ducks.
24:24And no going on the Londoners there's too many eyes.
24:26How are we doing?
24:45Uh, go ahead.
24:48He knows his mind here, Chief.
24:51He learned from the past.
24:53Calls himself Richard Roper's true disciple.
24:58Nothing quite as pretty as Napalm at night.
25:04Mean anything to you?
25:07No.
25:08No.
25:09Calls himself Richard Roper's true disciple.
25:24次回 쟤
25:42All right, Alex.
25:45All right.
25:46All right.
25:48All right.
25:49All right, Alex, I've got Yakko's coffee date.
25:59Okay.
26:00Adam Hollywell is a middleman.
26:02He connects dozens of UK companies with clients abroad,
26:05often in the shadows.
26:07He calls himself the Alternative Foreign Office.
26:10The question is, who's he working for this time?
26:20I'm a straight home park.
26:22Okay.
26:27Just here on MF would be great.
26:49Sally.
26:56Okay, we know who owns the house.
26:58Who?
27:00We do.
27:03I'll call you back.
27:04Rex.
27:33Alex, I'm driving down tomorrow.
27:36We need to talk.
27:37We do.
27:38When you get here, park away from the house.
27:40Use the side entrance library.
27:43I have something to show you.
27:44I have something to show you.
27:46I have something to show you.
28:07Come on.
28:07Okay.
28:30Celia.
28:31Alex!
28:32Something terrible.
28:33Celia, whoa, whoa, whoa, whoa.
28:34Slow down.
28:35Then what's happened?
28:36Rex is dead.
28:37He's dead.
28:38He's dead.
28:39Alec.
28:40Alec, something.
28:41I don't know what the puzzle's here and the police.
28:44You've got to come.
28:46Please.
28:47I can't.
28:52Let's go over the river.
29:05Please.
29:32How did you hear?
29:35Celia called me.
29:38Asked me to come as soon as I could.
29:45Myra wants me to deal with the locals.
29:48Keep the noise down.
29:51It seems Rex had a stash of pills Celia knew nothing about.
29:56Took them in the shed with a bottle of Macallan.
30:00Classy bastard.
30:02Do you have any idea why he would take his own life?
30:06Was there something he wasn't telling us?
30:07Debts?
30:08An affair?
30:09No.
30:10Rex is the most loyal man I know.
30:12To Celia more than anyone.
30:13Then what?
30:14I'll send full cavalry tomorrow to sweep the place.
30:24Anything you can think of, call me.
30:26Call me.
30:41Celia, what happened?
30:43He was agitated.
30:44He said he'd found something.
30:47Wanted to talk to you.
30:48It was about your man.
30:52And then I got a call from the vets saying that the dog's medicines were ready.
30:58When I got back, the shed door was open.
31:02I just need a couple of people.
31:06What have you got involved in?
31:08What?
31:10What?
31:11What?
31:12What?
31:13What?
31:14What?
31:15What?
31:18What?
31:19What?
31:21What?
31:23What?
31:25What?
31:27What?
31:28What?
31:29Memorize and eat.
31:38You know the drill.
31:59You know the drill.
32:29You know the drill.
32:59You know the drill.
33:29You know the drill.
33:59You know the drill.
34:29You know the drill.
34:39Rex, you said you'd call me at six.
34:42Where are you?
34:44Rex?
34:45Rex, hello?
34:47Hello?
35:01Okay, I traced the number you sent me.
35:03Show me.
35:04It belongs to Roxana Belanios.
35:07She's Colombian, but works as a shipping broker out of Miami.
35:10Haven't been able to link her to Yakko or Hollywell yet.
35:13All right, we need to talk to her now.
35:25I'm serious.
35:26What are you doing?
35:26What?
35:33We're watchers, Alex.
35:35Eyes and ears.
35:36We're not the show, remember?
35:37What's going on?
35:39Rex Mayhew was murdered.
35:46And the river house are involved, so I need to talk to Roxana Belanios.
35:54So what is your favorite place to live in America?
36:03You like the cinnamon glaze?
36:07There's a gentleman waiting for you at the front desk.
36:10He says he needs to talk to you.
36:14Sorry.
36:15Excuse me, guys.
36:16I'm just going to run to the restroom real quick.
36:18Sorry.
36:19Get me a dessert.
36:20Yes?
36:21Okay.
36:21Excuse me, did you get a name?
36:25No, just this way.
36:30Roxana Belanios?
36:31Yes?
36:32I'm here on Rex Mayhew's behalf.
36:35Oh, yeah, you were at his house, the day of the birthday party.
36:37Yes.
36:38And we need to talk.
36:40Uh, so, where's Rex?
36:43Get your things, make your excuses, I'll tell you everything in the car.
36:47In the car?
36:49Excuse me, sorry.
36:51Um, I'm not going anywhere with you.
36:53I need to talk to Rex.
36:55This is ridiculous.
37:01Trust me.
37:02Rex won't answer.
37:03He's dead.
37:10He left this phone for me.
37:12And you and I are the only two numbers on it, so we need to talk.
37:14Your life could be in danger.
37:16Get your things.
37:17I'll wait for you outside.
37:21Yes.
37:27Room booked to the Brigcott Hotel, Queensway.
37:30I've called in a favour from Tony to keep watch.
37:33That's room 122.
37:35Check out the set of living in tomorrow.
37:37Come in.
37:50Come in.
37:51Drink.
38:02Sure.
38:15Have a seat.
38:21Okay, listen.
38:32All I need is to ask you a few questions.
38:35How do you know Rex?
38:40How did you know him?
38:42Start at the beginning.
38:45Take your time.
38:51I have a small trading outfit in Miami.
38:56I met Rex at one of those City of London dinners, just schmoozing, and we've been in contact ever since.
39:10Why were you there on the day of his birthday party?
39:15Because I've been working on something.
39:17In Colombia?
39:19Yes.
39:20An import company in Cartagena is buying UK machine tools for oil pipelines.
39:26I grew up there.
39:27My family's from there.
39:28They trusted me to broker the deal.
39:29We used to lug an intermediary.
39:32Adam Hollywell.
39:33Name of the import company?
39:36It's a buddy kiddo commerce.
39:37Is that what happened?
39:40Something started to feel wrong.
39:43What do you mean?
39:46Like I wasn't being told the whole story.
39:48About what was in the shipment?
39:50Yes.
39:52So I took it to Rex.
39:55He said that he would look into it, and that's why I was calling him.
39:59Who knows you met him?
40:00No one.
40:01Ever heard of a man called Jakob Rauer?
40:08No.
40:09Why?
40:15What about this man?
40:19No.
40:20No, I don't think so.
40:21Listen, until we know what happened to Rex, you should stay here tonight.
40:35No, I can't.
40:36I have a flight booked to Miami tomorrow.
40:37I have to leave.
40:37No, we'll deal with that.
40:38No, I actually have to go.
40:40This has everything you might need.
40:43Tony will stay with you, and we will need your phone.
40:46It's for your own safety, okay?
40:48I'll be back soon.
40:49Well, how long are you going to be?
40:51I promise you're in safe hands.
40:53Wait, what's your name?
41:03Bingo.
41:04That's our shipment.
41:05The ship is called the Alcestis.
41:17It left Felixstowe a month ago, and it docks in Cartagena, Colombia tomorrow.
41:21We also found out who runs Barquero Commerce.
41:24I'm sending that to you now, Alex.
41:25Okay.
41:27His name is Teddy Dos Santos.
41:30He lives in Medellin.
41:31Now, I can find nothing on him until 2018.
41:34Whoever cleaned his background knows their stuff.
41:37All I've got is a very sudden entry into legitimate business in Colombia about six years ago.
41:43The formation of Barquero Commerce and a charity foundation.
41:48What charity foundation?
41:49It's called the Aurora.
41:52Based in Medellin.
41:53My safe haven project for refugees is the true expression of my belief in a commitment to the wider world.
42:15Because my good fortune means nothing.
42:19Unless it also lifts up my fellow mayor.
42:22My name is Eduardo Dos Santos.
42:24And Aurora, too.
42:24Sally, I need to know what my recabinage is really sending to Colombia when the ship docks.
42:33We need to stop the cargo from leaving Cartagena port.
42:37Find a way.
42:38Bury some time.
42:40And tell Graham to stay on Jakob Rower.
42:42Okay.
42:44And where are you, Alex?
42:45Some of the stuff we started to sell on, five-year rule.
42:57Okay.
42:57So we've got attics, furniture, arts, interior sculptures, documents.
43:03Through there?
43:04Through there.
43:05Richard Roper, terrible man, beautiful taste.
43:09Let me know if you need anything.
43:10I'll be upstairs.
45:10Mr. Roper.
45:11Mr. Roper.
45:12It's, um, well, I've been abroad for a few years.
45:16No running.
45:17I'm his unofficial godfather house, so I thought I'd pop in and say hello.
45:22Well, apart from his mother, nobody else comes to see him, so I'm sure he'll be happy to see you.
45:29Good.
45:32Mr. Roper?
45:33Guest fee.
45:34Hi, Danny.
45:45I'll leave you to it.
45:46I'll be outside if you need anything.
45:47Hello.
46:02I'm sorry.
46:02I'm sorry.
46:05I didn't come before.
46:06There were rules I had to obey for protection.
46:09Mine or yours?
46:10Mine or yours?
46:11Both.
46:12So what's changed?
46:13Because something tells me this isn't just pastoral care.
46:16Okay.
46:17I just need to know, do you know this man?
46:29Why?
46:30Because I think your father knew him.
46:33Why did he have this photograph?
46:35Who is he?
46:36Never seen him.
46:37Danny, please.
46:39Just, just look again.
46:40Sorry.
46:41Just take one more look.
46:42Sorry, sorry.
46:43Michael.
46:44Is it?
46:45Yeah.
46:46You're a fucking liar.
46:47You destroyed my family.
46:49You never once were honest with me.
46:52So, so, why should I give you anything?
46:57Huh?
47:00Okay.
47:01I shouldn't have come.
47:07Sorry.
47:08See you in another ten years.
47:23There's something I haven't told you.
47:30About your father.
47:36He was, uh, executed by his captors.
47:49When?
47:50Six years ago.
47:51That's fucked.
47:52What was it I thought?
47:54What was it I thought?
47:56What was it I thought?!
48:00What was it I thought?!
48:01When?
48:05Six years ago.
48:08That's fucked.
48:11What was it I thought?!
48:31I'm sorry you had to find out like this.
48:37I'm sorry, Danny.
48:53Excuse me, but when is your friend coming back?
48:56He won't be long.
48:58Look, I've got people expecting me in Miami.
49:02I have to get back.
49:03Please.
49:04He's been gone since last night.
49:06Can I at least have my phone?
49:07Look, I'm afraid I can't do that.
49:09Like I said, he's gonna be back soon.
49:11He's just been held up.
49:15I think I'm gonna be sick.
49:17Can I get you anything?
49:18I'm gonna be sick.
49:28Huh?
49:37Jacob Brower just received a delivery to his hotel.
49:39A diplomatic briefcase.
49:41He's booked on a flight to Barcelona tomorrow
49:44at 8am.
49:46Okay tell the team that we're going to Spain.
49:48I'm on in.
49:57I'll cover the entrance.
50:06Graeme says you've asked him to bring firearms.
50:10We're night owls, not operatives.
50:12That's just a precaution.
50:14This previous life of yours you mentioned,
50:22you want to tell me about it?
50:27I was someone else once,
50:29but he had to go away.
50:31Who was he?
50:34I'll tell you when this is over.
50:37I might just hold you to that.
50:42That's him.
50:43Taxi!
50:44Can you hold that...
50:45Taxi!
50:47Excuse me!
50:48Oh, shit!
50:50No.
50:52Bloody terminal.
50:53Yeah, fine, thank you.
50:54Thanks.
50:55Taxi!
51:04Let's go.
51:14He's taking the N2 North, heading towards Girona.
51:23Copy that.
51:24We're on it.
51:30Turning left into the Hotel Rossinau.
51:34See if our car has a room there.
51:35Yeah, checking out.
51:36Yeah, checking out.
51:52See you in there.
51:53Hello.
51:54Hello.
51:55Good morning.
51:56Something is happening out there.
51:57I think I can go.
52:06Hello.
52:07Hello.
52:08Good morning.
52:09Something is happening out there.
52:10I think I can go.
52:15Yep.
52:16Yep.
52:17Yako's booked into room 249.
52:18Got it.
52:21Okay, thanks.
52:22I love it.
52:23Master key, room 249.
52:24I love it.
52:25I love it.
52:26I love it.
52:27I love it.
52:28Master key, room 249.
52:29I love it.
52:30I love it.
52:31I love it.
52:46I love it.
52:52Let's go.
52:53Thank you very much, I have a pleasure to see you again.
53:14Mr. Valarón. Beatriz.
53:15What a pleasure of you.
53:16What a pleasure.
53:18How are you doing?
53:19Very good.
53:20We have a habitable habit.
53:22We have a habitable habit on the fourth floor.
53:27Jacob.
53:28Teddy.
53:29Dear friend.
53:30Come here, it's so nice to see you.
53:33Tell me everything. How was London?
53:36Good.
53:39You look tired.
53:42Did you stay out of trouble?
53:44I did my best.
53:45I know.
53:46You always do the right thing.
53:50So, you have something for me?
53:52Yes.
53:53The shipment lives where the government's stamp has requested.
53:56But they're insisting on no more contact until the anniversary.
54:01The British always have arms length.
54:04Let's go check the documents in the room.
54:06Then get some rest.
54:08It's a long flight back to Colombia tomorrow.
54:11With you.
54:22Teddy dos Santos is here, and they're on the way up.
54:24We got him.
54:26Keep him in the room.
54:28I want to talk to him.
54:29You are in room 249, correct?
54:39Yeah, I said it's all.
54:53You are a good man, Jacob.
54:56Robert knew a soldier when he saw one.
54:59Show me.
55:19Really?
55:19Daddy, I had no idea.
55:32I swear.
55:34Let's go.
55:44I'm on this air.
55:45No, listen.
55:46We've lost him.
55:47We've lost the signal.
55:48They must be on to us.
55:50Clear the system and move Roxanna.
55:52Mike, delete everything off the system.
55:54What?
55:55Delete everything off the system.
55:56Do it now.
55:59You're still not here.
56:01What is?
56:01Get out of there.
56:02Now.
56:10Who's yours?
56:15Aren't you fine, Tony?
56:17Who is it?
56:17What is it?
56:43Please.
56:44Hands.
56:46Please.
56:52No, no, no, no.
56:54No, no, no, no, no, no.
56:55Hey, buddy, buddy.
57:16Hello.
57:17Hello.
57:18I'm a old friend of Mr. Maradona.
57:20I think he has a room in the fourth floor.
57:23I'll leave with him there, but...
57:25Can I remember the name, please?
57:27No.
57:28No.
57:29No.
57:30No.
57:31No.
57:32No.
57:33No.
57:34No.
57:35No.
57:36No.
57:37No.
57:38No.
57:39No.
57:40No.
57:41No.
57:42No.
57:43No.
57:44No.
57:45No.
57:48No.
57:50No.
57:51No.
58:02Who are you?
58:15I don't know.
58:45Hi, this is Alex Goodwin.
58:48Please leave a message.
59:15I don't know.
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