- 2 weeks ago
- #realitytvdeep
#RealityTVDeep
Category
🎥
Short filmTranscript
00:00Oh, yeah, come on!
00:07Oh, yeah, baby!
00:15Girl, you really got me going
00:18You got me so I don't know what I'm doing
00:21Yeah, you really got me now
00:25You got me so I can't sleep at night
00:28Oh, yeah, you really got me now
00:32You got me so I don't know what I'm doing now
00:36Oh, yeah, you really got me now
00:39You got me so I can't sleep at night
00:42You really got me
00:43You really got me
00:45You really got me
00:47Yeah!
00:49Oh, yeah!
00:50See you, don't ever set me free
00:53I always want to be by your side
00:56Yeah!
00:58I'm gonna have fun in the day
01:02Ba-na-na-na-na-na-na-na
01:04Free with my girl, she's so pretty
01:07Ba-na-na-na-na-na-na-na-na
01:09She looks fine tonight
01:11Oh!
01:11She is!
01:12Yay!
01:13Yay!
01:14It's almost midnight!
01:16Come on, I don't want to miss it!
01:18Oh, my God!
01:19Okay!
01:20Make the fireworks!
01:21Hurry, hurry!
01:22Quickly, quickly!
01:23I need a champagne
01:24One sip, one sip
01:25No, but I, no, I, um...
01:25Marry me
01:26Marry me
01:28Marry me
01:30It's beautiful
01:37And you have such terrible taste
01:40Well, I have help
01:42Five, four, three, two...
01:44How long have you been planning this?
01:46Since I met you
01:47Since I met you
01:59Let's do everything
02:00The theme song
02:02So moved by
02:05No, not the tune
02:06This all happened
02:07which over
02:08This was such the best
02:09wholeAF объ Ting
02:10startup
02:12He soon
02:13Hasn't been
02:13Again
02:14In this
02:15area
02:17it's
02:18That's
02:19What I wanted
02:21Long
02:22Morning
02:23Apart
02:24It's
02:27Tasty
02:28Out
02:29Bravo
02:30Oh, my God.
03:00Mind the horses here.
03:21Please allow me to accompany you, Miss Rathbone.
03:24For the umpteenth time, Mr Winterton.
03:26No, I do not need your accompaniment when I am attending to my affairs.
03:30Isn't that precisely why you need the accompaniment of a gentleman?
03:34Surely it's not safe or...
03:35Mr Winterton, I am a woman of independ...
03:38You OK?
03:47Mm-hmm.
03:48I'll have you, no.
03:50I'll have you, no.
03:55I'll have...
03:56Very well, Miss Rathbone.
04:05I understand you're feeling poorly.
04:07I shall see you anon.
04:08I must go to the, um...
04:10To the post office.
04:11This way.
04:12Oh, my God.
04:22Sharon, I'm so sorry.
04:23This kid was eating fried chicken in my face.
04:26Yeah, sorry.
04:30I knew there was something wrong with that takeaway last night.
04:32People were taking photos.
04:34I know.
04:35I'm going to mention that when I ring to complain.
04:36This cannot keep happening.
04:38It won't.
04:38I'm pretty sure it's out of my system now.
04:41I am very sorry about what you've been through.
04:44Really, I am.
04:45But I'm OK now.
04:47Lillian, I have to let you go.
04:51No, come on.
04:52Please, Sharon, this job is the only thing that's keeping me sane.
04:56But it's not.
04:57I can fix this.
04:59I promise.
05:08All right, thank you.
05:28Thank you for that.
05:29Thank you for that.
05:31Woo-hoo!
05:32We're up all night to get lucky.
05:36We're up all night to get lucky.
05:38We're up all night to get lucky.
05:40We're up all night to get lucky.
06:10What the fuck?
06:19Mary, where are you?
06:21I'm outside your office.
06:22Someone's changed the key code.
06:24Hey, can you let me in?
06:25You need to use the front entrance.
06:27Yeah, I have a woman here in a big dress, possibly on methamphetamine.
06:33Sorry, it's Dr. Harvey in the ED office.
06:35Lillian?
06:36What's happened?
06:37I'm sick.
06:37God, did a Clydesdale shit on you?
06:40Can you give me something to stop throwing up?
06:41Miss, I need you to step out into the corridor.
06:43Oh, no, no.
06:44Just move away from the doctor.
06:45No, it's not a situation.
06:47I mean, obviously, it's a situation.
06:50She's my friend.
06:51My hungover friend.
06:53We're fine.
06:55Thanks.
06:56Sorry, I didn't realise you two.
07:03The costume kind of threw me.
07:05She works at Sovereign Hill.
07:08Is that the theme park?
07:10It's the living museum.
07:12Who's he?
07:14This is Sam, my new registrar.
07:19Sam, this is Lillian.
07:21Hey.
07:25What kind of emergency doctor freaks out so easily?
07:28I don't freak out.
07:30Tell that to the big boys in the uniforms.
07:32I was following procedure.
07:33It's all good, Sam.
07:34She was banging on the glass.
07:35I know.
07:36Can you go and check on the kid in room one for me?
07:38I was not banging on the glass.
07:40See if her x-rays have landed.
07:41You definitely were.
07:42And chase them if they haven't.
07:43And we were told to take extra precautions because the doctor that I replaced was killed
07:47on duty.
07:55Lillian was his fiancée.
08:01Shit.
08:03Can you deal with that for me, please?
08:04Sorry.
08:05I'll chase up those x-rays.
08:06Yeah.
08:07Why would you come here?
08:20I need an injection.
08:21And a mint.
08:23Sharon fired me.
08:25I may have thrown up in front of a school group.
08:29Oh, Lillian.
08:30Then if you give me an injection, I can go back and show her that I'm fine.
08:33And then if you wrote me a doctor's certificate to say that I had food poisoning, then I-
08:37Jesus Christ!
08:39You know what this is, don't you?
08:41Um, why did I know this one?
08:44I'm a cry for help.
08:45Yeah, it's not funny.
08:46You should be seeing a psychologist.
08:48Okay, fine, whatever.
09:00Have a sip.
09:12So, I finished my victim impact statement.
09:16Which was, you know, blech.
09:20But I'm glad it's done.
09:25How are you going with yours?
09:26Have you started?
09:30Because that's where I think the psychologist could help.
09:34You know, because you can't talk about what happened.
09:38He might be able to help you get your thoughts-
09:40Can you just give me a fucking injection?
09:46Sorry.
09:49But actually, can you?
09:52No.
09:54Seriously?
09:55Can you at least write me a doctor's certificate?
09:56I have to get back to work.
09:58Mary!
09:59Go home and sleep it off.
10:01Okay.
10:03Fuck you.
10:04Yeah, fuck you too.
10:05It's up here.
10:27TripAdvisor gave this place 4.75 stars.
10:29It's the best supper in the city.
10:30I just won $50.
10:37I bet, Sarah, that you couldn't make it through the evening without answering an email.
10:40Rupert says he wants to start the harvest Wednesday.
10:44Which would be great if we were making vinegar.
10:46We don't have a wrong way.
10:47This way, mate.
10:48Oh.
10:49Yeah, don't mind me.
10:51Where are the manners?
10:52Come on.
10:53You're just hungry.
10:54Yeah.
10:55Good night.
10:56Why isn't everyone in bed?
10:57Why isn't everyone in bed?
10:57I'm just in the bones.
11:13I'm just in the bones.
11:13I'm just in the bones.
11:18Hey, babe.
11:20I think I fucked up.
11:22Hey, Siri.
11:23Turn it off.
11:26What happened?
11:27Your cousin happened.
11:29What now?
11:30We had a big fight in my office.
11:34Wait.
11:35She came to the hospital?
11:36She lost her job.
11:37Oh, Jesus.
11:39Well, that was probably only a matter of time.
11:42She met Sam.
11:44Oh.
11:45How'd she take it?
11:46She vomited.
11:48Oh, baby, I'm sorry.
11:49It wasn't just Sam.
11:51She was so hungover.
11:52That's why she came here.
11:53She wanted me to give her Maxalon.
11:55Fuck, that's desperate.
11:56Did it help?
11:57I didn't give it to her.
11:58Okay.
11:59All right.
12:00She'll just start drinking again tonight and be just as sick tomorrow.
12:04Okay, it's just you have given her medication before.
12:07Well, this time it was different.
12:09She wasn't listening to anything I was saying.
12:11And were you saying she should be seeing someone?
12:15You didn't see what she was like.
12:17Honey, I don't know why you would bring that up.
12:19She hasn't even started her victim impact statement.
12:23Oh, God, Mary, you can't pass through about that.
12:25If she can't write it or even talk about it with us,
12:30how is she supposed to sit through everything and call?
12:32Look, I know you're anxious about going.
12:35Uh, no, no, no.
12:36This has nothing to do with me.
12:39Okay.
12:42Can you just call her, please?
12:44She listens to you.
12:45Well, that's bullshit.
12:48Just see if she's all right.
12:49No, you're the one who fucked up.
12:51I did not.
12:52You just said you did.
12:53Well, it's different when I say it.
12:55Are you okay?
13:14I will be when we land.
13:20Oh, hang on.
13:21Are we going the right way?
13:22Oh.
13:24Let's just go back to the hotel.
13:25No.
13:26This is our night without children.
13:27I want to go out.
13:28I just want to get some room service.
13:30It's my birthday.
13:31Yeah.
13:32We came here.
13:33We saw your show.
13:35And that's it.
13:36Is it?
13:37That's all I'm allowed.
13:38What?
13:38A plane ride and a musical and then shut up, Kelly.
13:41Time for bed.
13:41Okay, calm down.
13:43Those tickets weren't cheap, by the way.
13:47You know what?
13:49You go back to the hotel.
13:50I'm having supper.
13:52Okay.
13:52Kelly.
13:54Kelly.
14:17Okay.
14:18There were two rings, which means your phone wasn't off.
14:21You've just hit the piss off Hamish button, which shits me, because I'm working on this
14:25really important Noodle Shop logo, which, as I say, I know it doesn't sound that important,
14:30but it is, so fucking call me back.
14:33Lillian?
14:39Henry from uni?
14:42Oh, yeah.
14:43You okay?
14:45No.
14:46Same, same.
14:48Deep prior.
14:51Hey, you coming back to uni?
14:58I'm really sorry about your husband, by the way.
15:01He's...
15:01He's messed up.
15:10It happened here, right?
15:12Why don't you go stick your other hand, and maybe your head, in the deep fryer?
15:18Yeah.
15:34Kelly!
15:35Mom!
15:36Kelly!
15:37Oi!
15:37Jesus!
15:38What?
15:39Kelly!
15:39Kelly!
15:40I'm sorry.
15:42Okay, I'm sorry.
15:43I'm not going back to the hotel.
15:44I know, I know.
15:47Where's your self-advice?
15:51Hi, yeah.
15:54Looks good.
16:01Bakery Hill Medical.
16:02Hi, uh, do you have any doctors available?
16:07Lillian?
16:10Vandenberg?
16:11V-A-N-D?
16:17Roger that.
16:18Rerouting now.
16:20The smoke's too intense.
16:22We'll have to land at Avalon.
16:23It might get a little bumpy.
16:26I think we've botched it.
16:27I'll call Lana.
16:28I'll call Lana.
16:28I'll call Lana.
16:30It's a quarter to twelve.
16:42Who queues up for food at a quarter to twelve?
16:46What is this?
16:47A soup kitchen?
16:49You'll have to excuse my husband.
16:50He hasn't left Adelaide since 1993.
16:53What?
16:53Ah, come on.
16:54Let's make a little joke.
16:56Thought Melbourne had a comedy festival.
16:59Huh?
16:59Hey, look at this lot.
17:05He's going to be so fast.
17:08Ah!
17:09Oh!
17:13Wait!
17:14Yes, I'm still here.
17:16Fuck!
17:21Stop breathing.
17:22Come on.
17:45Come on.
17:45Let's go.
17:46Trauma victim.
17:50Suffering cardiac arrest.
17:51Suspected fracture pulvis and internal bleeding.
17:54CPR on scene.
17:56Brosk.
17:5614 minutes.
17:57Oh, God.
17:59Please, Harry.
18:00Please, Harry.
18:01Fee, thank you so much.
18:17Fee, thank you so much.
18:17She's through here.
18:29I told her not to call you.
18:31Are you all right?
18:32You scared the shit out of us.
18:33I'm sorry.
18:34I shouldn't have pushed you about getting help.
18:36I should have just given you the injection.
18:38Yes, this is your fault, Mary.
18:40This has absolutely nothing to do with me being an arsehole.
18:43You're not an arsehole.
18:45All the time.
18:46Yeah, I am.
18:47Yeah, she is.
18:49Well, of course you are.
18:52The love of your life died.
19:00I'd be an arsehole, too.
19:02I shouldn't have been pressing you to talk or write your statement.
19:05Yes, you should have.
19:07I thought you were mad at me.
19:08What's the alternative?
19:11Look at her.
19:13Fuck's sake, Lillian.
19:14Nobody wants to go to court, but at least there'll be some closure.
19:18The whole point of the victim impact.
19:19Jesus Christ, don't you get it?
19:21The whole point is there is no point.
19:23I don't care.
19:23About what?
19:24About anything.
19:25Well, you can't just...
19:26You need to snap out.
19:27Not snap out.
19:28I know that that's offensive.
19:29I just mean that there is a light at the end of the tunnel,
19:32and, yes, you are in the tunnel at the moment,
19:36and it's very dark because there's a curvy bit that's...
19:41What am I trying to say, Mary?
19:45Can I get a lift to my car?
19:46Oh, the car with a gaping hole in its side.
19:49Yeah, no, we're taking you home.
19:52Please, Harry.
19:53Please, Harry.
19:54Yes, please.
19:55Please, Harry.
19:56Your stats have dropped to 85.
19:57I made him go to supper.
20:01Is he going to be okay?
20:03Why didn't I just go with him back to the hotel?
20:06Is he going to be okay?
20:08Is he going to be okay?
20:09Is he okay?
20:10Please?
20:12He's okay.
20:14He's okay.
20:16He's okay.
20:18Please, Harry.
20:57That's it.
20:58Get out of that dress.
20:59You're staying with us.
21:00I'm good.
21:01You can't stay here, Lillian.
21:03It's like a youth hostel and a...
21:07And an end-of-year soccer trip.
21:09Fucked each other.
21:11Jesus Christ.
21:13How's the electricity not being disconnected?
21:15I'll pack a bag.
21:16I'm not coming.
21:17I'll sort the bills into piles.
21:19It's junk.
21:19Tell that to the sheriff.
21:21Are you fucking right?
21:22I don't need you to pack.
21:24And I don't need you to open a letter from my local MP.
21:28No job too small.
21:29Australian...
21:30Australian what?
21:34Tax office?
21:35And so, unfortunately, Andrew has suffered a massive cardiac arrest in the accident.
21:56And now, he is in heart failure.
21:59But it's going now.
22:00He's breathing now.
22:01He is artificially breathing now.
22:04And we are circulating his blood for him.
22:06So, is he going to need a stent?
22:08My father has a stent.
22:09He has too.
22:10I'm so sorry.
22:10This is very different.
22:12We can't undo the damage.
22:21How long since you've lodged a return?
22:26Is it a late find?
22:29Mary.
22:29What is it?
22:32We've got a good accountant.
22:35Dear donor family.
22:37Oh, holy fuck.
22:39Who?
22:39I don't really know how to begin.
22:42Except to say thank you for my new heart.
22:48It's his heart.
22:49Oh.
22:51Oh.
22:51Ten months ago, I had an accident, and to cut a long story short, I was put on a waiting
22:58list for a new heart.
23:00Three months later, on the day you would have endured your loss, it came.
23:05Okay, everyone, we're ready?
23:14Hello, Andrew.
23:16We made it.
23:17I can't describe the joy and relief my family and I felt on that day.
23:23Oh, how deeply grateful we are.
23:30The next bit's blacked out.
23:32It's redacted.
23:33It has to be anonymous.
23:34I can only imagine the pain you're going through, but I hope it gives you some comfort to know
23:41that your gift saved my life.
23:46I will never take for granted your generosity, and I will cherish every day with my new heart.
23:55Forever in your debt, recipient.
23:57I can't.
23:57I can't.
24:27I can't.
24:43I can't.
24:52What's your name?
24:57I miss him.
25:01I miss him.
25:05Yeah, Kaleel?
25:23Kaleel.
25:28I forgot.
25:31Forgot what?
25:33The night he died.
25:35He was killed.
25:40It's on a loop in my head.
25:42I can't make it stop.
25:45You calling me.
25:47You coming to get me.
25:50Running through the hospital.
25:52His shoes went on properly.
25:55And the police.
25:58And then seeing him there.
26:04And his mum yelling at me.
26:08She was so mad.
26:10I know.
26:13So I forgot.
26:14They're all and all totally fucked.
26:20And there's someone out there with his heart.
26:30That's what I mean about the tunnel.
26:36That's the light.
26:38Someone got to live.
26:46Please don't do metaphors.
26:52Not just someone.
26:58Lots of someones.
27:00But I'm not sure.
27:02I'm going to get you serious.
27:03And I'll get you serious.
27:04I'm not sure.
27:05But I'm not sure.
27:06You can find her.
27:07I'm not sure.
27:08I'm not sure.
27:09But I'm not sure.
27:10I'm not sure.
27:11I can't be honest.
27:42Good morning. Good morning. You look like a lovely lollipop. Good morning, sir. Ma'am. Would the young'uns like to meet the horses?
28:13Come along. Come and meet Thursday. He's the big one on the right.
28:16Can you take a photo?
28:19What are you doing?
28:21I just wanted to apologise.
28:22Oh, for heaven's sake, can't this wait?
28:24I really am sorry about how I behaved, but have been behaving. I know you are.
28:33I totally understand your decision for firing me, but I really need my job back.
28:45Lillian, there are other jobs. Good morning.
28:48Hi.
28:49Not quite so public. I want this job. I need this job. I can't talk about this now. We shouldn't be in the coach.
28:57Sharon, please, can I just... Look, I started working here as a bit of a joke.
29:05Not a joke. I was the joke. I was 34 with no idea what I was doing with my life.
29:13What I mean is, I thought it would be fun. And it was fun. But it was also great. And I was good at it. And then I met Ash. And I think when he saw me working here with the kids, I think it made him like me more.
29:32And he kept telling me how brilliant I was with them and that I should be a schoolteacher. And that's when I enrolled in university. That was because of him.
29:46So, you see, my whole adult life finally made sense because of this job.
29:56But everything's changed, Lillian. Not this place. It's still 1851.
30:08Everywhere I go, everyone just wants to talk about Ash. Now he died. And then when I'm here and I'm in costume, it just feels good to pretend that everything's normal for a little while.
30:26Whoa, Thursday.
30:30Please, Sharon. I've almost finished my degree. And then I can be teaching here properly.
30:34You can come back on strict probation.
31:03Really? Thank you. I won't let you down, I promise.
31:09Heard that before.
32:49I hope you're all looking forward to tasting the best wine in the Barossa.
32:50Now, cellar door's right down that way.
32:52You'll find my beautiful wife Kelly waiting for you in the gazebo.
32:55Enjoy.
32:56Okay, let's go.
32:57Okay.
32:58Let's go.
32:59Let's see.
33:01Oh.
33:02Hello.
33:03Are you part of the group?
33:05Oh.
33:06Hello.
33:07Are you part of the group?
33:12The tour?
33:13Are you here for lunch?
33:14Are you okay?
33:15Are you okay?
33:16Are you part of the group?
33:17The tour?
33:18Are you here for lunch?
33:19Are you okay?
33:20My fiancee is...
33:21Well, is he...
33:22He's...
33:23He's...
33:24Oh.
33:25Well, if he's caught up with my husband, we'll never get him back.
33:26Would you like to try some of our bubbles?
33:28Andrew sent this to me.
33:29I'm sorry?
33:30He wrote to me.
33:31Your fiancee?
33:32No.
33:33No.
33:34No.
33:35No.
33:36No.
33:37No.
33:38No.
33:39No.
33:40No.
33:41No.
33:42No.
33:43No.
33:44No.
33:45No.
33:46No.
33:47No.
33:48No.
33:49No.
33:51No.
33:52No.
33:53No.
33:54No.
33:55No.
33:56No.
33:57No.
33:58It's...
34:02It's...
34:03Sorry.
34:05Um...
34:06Oh.
34:08Oh.
34:09So here we've got some big fruit flavors.
34:12Maybe some blackberry, some plum.
34:14It might detect a hint of dark chocolate for any of you chocolate lovers in the house.
34:18Excuse me.
34:21What happened? Kelly? Toby, get her a lemonade and keep everyone inside. What's wrong? Where does it hurt? Did you see it? Did she hit her head?
34:34Baby, this is... this is... Lillian. I'm Lillian. Her fiancé donated his heart.
34:51I don't understand.
34:55Sorry, I'm sorry. I didn't mean to hurt Kelly and I just wanted to see you.
35:10I thought it was anonymous. It is. I googled.
35:18Because there was only one heart transplant in Victoria in that 24 hours and we were in Ballarat so...
35:25And your story was in the news and Kelly had put everything about the accident on Insta and...
35:32It had just... it wasn't that hard to find you.
35:42I'm sorry.
35:43Oh, no. It's alright. Isn't it? It is. We understand.
35:55Your letter was so lovely.
35:59It took him two weeks to write that.
36:09He would have been so happy to help you. Ash. His name was Ash. He was a doctor.
36:17Oh, my God. We're just so sorry.
36:24Do you want to see your photo?
36:26Oh. Oh. Um. Yeah, yeah, of course.
36:31Whoa. Oh. Oh. Oh. Oh.
36:54Are you okay?
36:58I'm fine. I'm fine. I just wasn't expecting.
37:08Expecting what?
37:10Maybe we should go into the house.
37:12Hang on. Expecting what?
37:15He might need some food.
37:19He's probably overdone it. He's overdone it.
37:28Sorry.
37:54Sorry. It's a fucking thing. It's all the phrasing law.
37:58It's more freezing.
38:00Oh, come on.
38:02What did you get for the cheapest office space in town, I guess?
38:04What you don't have in warmth you make up for in petrol fumes.
38:07Yes, which really suits half my clientele.
38:10And how many clientele have you got so far?
38:13A few, actually. And some of them even pay me. Fools.
38:17I promise I'll pay you in dinner.
38:18Oh, yeah? What kind of dinner?
38:21I mean, out or at your place?
38:23We don't go out my house.
38:25Okay.
38:26So that's three dinners.
38:28With meat.
38:33Fine.
38:34Three.
38:35But we want top shelf legal advice.
38:37I don't need advice.
38:39The police have been good, but it's all a bit daunting.
38:43Hamish has been worried about me, Jack.
38:45He forgets I run an emergency department.
38:47You've never been in court before.
38:49I don't have to do anything. He's pleading guilty.
38:51You still have to show up.
38:52But this is great so you can see Lillian.
38:59She'll be on Lillian time.
39:01Did you read her victim impact statement?
39:03Uh, no. No, I haven't seen it.
39:05She was emailing it.
39:06Oh, okay.
39:09She's really turned a corner.
39:11Has she?
39:13Do you have the internet?
39:15Yes. This is a service station, not a submarine.
39:18Have you read it?
39:19No.
39:20But she definitely said she was doing it.
39:24Okay.
39:25Okay.
39:26Uh, so realistically, that might still be in the wish list column.
39:30Wish list?
39:31Yeah, I mean, she's not legally required to do a statement.
39:34Isn't she?
39:35No.
39:36The hospital said I had to do one.
39:38Yeah, they'll be wanting to maximise the pressure,
39:40but, you know, technically she doesn't even have to go to court.
39:43But that's ridiculous, though.
39:45I'm not the victim in this.
39:47Well, I'm not sure that's true.
39:49Lillian is.
39:50Why am I doing a victim impact statement?
39:52Well, I mean, it's preferable if she does, obviously,
39:54you know, to make the sentence stick.
39:56Right.
39:58Jesus, my fingers are bone white.
40:01Um, why don't we go over your statement while we're waiting?
40:05I know it.
40:06Of course you do.
40:07Um, it's just...
40:08And look, I hate to say these words, but...
40:09No, I'm just right.
40:10Um, it is daunting to be in court and to have to face him.
40:15Yes, you run an ED and you're used to trauma, but, um, this is different.
40:26Ash was our friend.
40:28And it's hard enough for us to deal with it.
40:29Right.
40:30And we weren't there.
40:31I just think, um...
40:32If you don't have been there with him, it is daunting to be in court and...
40:33Where?
40:34You know what?
40:35I'm going to call Lillian.
40:36Actually, let's see how far away she is.
40:38This is ridiculous.
40:39What?
40:40Is there any fear and fear?
40:41Is there any fear?
40:42Is there any fear, acutely?
40:43Yeah.
40:44If you don't have been there with him, it is daunting to be in court and...
40:46Where...
40:47You know what?
40:48I'm going to call Lillian.
40:49Actually, let's see how far away she is.
40:51This is ridiculous.
40:53и и и и и и и и и и и и
40:55What the fuck was that?
41:16Sorry, someone called Lillian Vandenberg is on the phone.
41:27She's super upset.
41:28I told her that you were on a Zoom, but she's kind of freaking out.
41:37Lillian?
41:41Hi, I'm Susan Sinclair.
41:43I'm the family coordinator.
41:44We met after Ash passed away.
41:46Where are the other letters?
41:48I'm sorry?
41:49You've only sent one letter, but we donated everything.
41:54Okay, well, the process can be...
41:57Why hasn't anyone else written?
41:58Are they not grateful?
42:00Oh, Lillian, it's not that.
42:03Ah, look.
42:05People find it hard to write for a lot of reasons.
42:09They're overwhelmed, they're scared.
42:12Is there a vetting system?
42:14For the letters?
42:15For the recipients.
42:16Well, they have to be compatible.
42:19Blood group, size, tissue.
42:21What about a compatible person?
42:25Has something happened?
42:27No.
42:27I just want to know if...
42:30If there's a caveat for who gets it.
42:34No, there are no caveats.
42:38Ash had no caveats when he chose to be an organ donor.
42:42But I can assure you his generosity and yours has saved many different lives.
42:48Lillian?
42:48I'd really like another letter.
42:56Andrew, dinner.
42:57Andrew, dinner.
42:57Matilde, can you tell the boys if they don't come inside now?
43:15There's no dessert.
43:15Oliver, James!
43:16Oliver, James!
43:18Not like that.
43:18You just yelled for Dad.
43:20Well, he's in the next room.
43:22I think he has his door closed.
43:27While only designed in 1940, the North American P-51 Mustang quickly became known as the pilot's plane.
43:35It's that doctor Gavin recommended.
43:37About the P-51 Mustang.
43:39Mmm.
43:40One of my favourites.
43:41Dinner's ready.
43:43I might have mine in here.
43:45Are you okay?
43:48Why do you keep asking me that?
43:50Because you want to eat dinner on your own.
43:53Oh, I'm just a bit tired.
43:57Is it about yesterday?
43:59No, Kelly, it's not.
44:00I told you.
44:01I know.
44:02But...
44:03It's such a shock.
44:05I'm not the one who fainted.
44:07Oh.
44:08Okay.
44:09Look, I just mean, I'm all right.
44:17But I'm wondering if Lillian is.
44:25What's that supposed to mean?
44:27She was upset.
44:29I didn't ask her to come here.
44:30I know, but...
44:31She's lost her fiancé.
44:32Of course she's upset.
44:33You upset her.
44:34The way that you reacted.
44:37When you saw the photograph, it looked like you didn't like what you saw.
44:42I beg your pardon?
44:43Because he was...
44:45I mean, did you ever consider that he might not be white?
44:49I can't even...
44:53I don't...
44:56Jesus, Kelly.
45:03I cannot believe you would say that.
45:05That's what it looked like.
45:07That's why she left so abruptly.
45:09I think you need to say sorry.
45:11I need to say sorry.
45:13I was ambushed.
45:14What she did is illegal.
45:15But that doesn't change the way that you reacted.
45:17But why did she go to Adelaide?
45:41She said she needed to clear her head.
45:44Who goes to Adelaide to clear their head?
45:47Mummy!
45:48I've got earrings!
45:49I love them.
45:51When's she coming back?
45:52I don't know.
45:53Well, how am I supposed to make another appointment with Jack?
45:55I don't know.
45:56I'm not going again.
45:57But we didn't go through the statements.
45:59Can I have some earrings too?
46:01Of course.
46:03Babe.
46:04We need to see him again.
46:06We see him all the time.
46:07I'm serious.
46:08You heard what he said about...
46:10Oh my God, Hamish.
46:11Did you hear what I said?
46:13I deal with this stuff every day.
46:15Okay?
46:16I'm fine.
46:16Well, you're not.
46:17Well, I have to be, don't I?
46:20Unlike Lillian, I don't have a choice.
46:22I don't get to go off on a fucking road trip.
46:25Or not show up to court if I don't feel like it.
46:27I'm going to get changed.
46:32Fantastic.
46:54Hello?
46:57What are you doing here?
47:02How did you find me?
47:04You said Ballarat.
47:06And, uh...
47:07I wasn't the only story in the paper.
47:11Your landlord said you'd be back soon.
47:13Flew my plane over, actually.
47:19Sounds grander than it is, just a little four-seater.
47:22Still sounds pretty grand.
47:26Yeah.
47:29Beautiful spot you got here.
47:30You're a rower?
47:33No.
47:35Ash was.
47:36Oh.
47:37What kind of rower was he?
47:38I don't know.
47:41I used to row from the University of Men's 8.
47:44Best success, actually.
47:44Look, I don't know what you're doing here, but I've got some cold stuff that I need to put away.
47:48Oh.
47:48Give me your hand.
47:49No.
47:52Okay.
47:55Look, I don't know if you, um...
47:57You left this behind.
48:01My letter.
48:02Also, I, uh...
48:06I wanted to apologise.
48:09But not asking you to stay for lunch.
48:12Should have stopped you from leaving.
48:17You sure I can't help with one of those?
48:19I know you were disappointed.
48:22What?
48:22You wrote all those beautiful things when you didn't know what Ash looked like,
48:25but when you saw his photo, you were disappointed.
48:28No.
48:29No, that's not true.
48:30You literally reeled.
48:33No.
48:34No.
48:35Gosh, I'm so sorry you thought that.
48:37I didn't think it.
48:38I saw it.
48:39Okay.
48:40Well, I don't know what you think you saw, but, um, I wasn't disappointed.
48:47I was...
48:48Um...
48:50Yeah, I don't know.
48:53I was...
48:54I, um, felt like I had the flu or I was sick or something.
48:57You were sick.
48:59No.
48:59No, I wasn't.
49:00I was...
49:01I was just in shock because I was seeing the person whose heart I have.
49:10Because it's one thing to know that you have someone's...
49:14But to actually see who he was, I just, I wasn't ready for, for that.
49:21And after you left, since then, I've read all these stories about him and, you know, seeing
49:30what a good guy he was and how involved in the community he was, it's incredible.
49:36Boy, you thought only white people could be good citizens?
49:40No, no, of course not.
49:44He was the absolute best person and you don't get to be disappointed, okay?
49:49I miss him.
49:49I miss him.
49:50Don't!
49:50I miss him so much.
50:05I miss him so much.
50:07I miss him.
50:10I miss him.
50:13I miss him.
50:15I can't actually believe that part of him is in you.
50:20It's just fucking crazy.
50:31I feel terrible about what happened to him.
50:37What I read about that night was just so...
50:43Actually, I can't stop thinking about it.
50:45I can't stop thinking about it.
50:50Me either.
50:56I keep thinking about it and hoping that he wasn't looking.
51:00Because he was facing the girl on the gurney.
51:05There were two of them.
51:07They were both juiced up on ice.
51:08And she'd smashed her hand through a window.
51:11But, yeah, Ash had calmed her down a bit.
51:13But the boyfriend was still freaking out.
51:15And he went and had another snort.
51:16And then when he came back, he thought that Ash was hurting her.
51:20And he came up from behind and punched.
51:23And Ash fell...
51:25Back in Edie's head.
51:34I'm so sorry.
51:38Did you get to...
51:39Did you regain consciousness at all?
51:42He was on life when I got there.
51:49He was on life when I got there.
51:49He was on life when I got there.
51:50You guy.
51:53Right here.
52:05No one knows.
52:09um hi shit you scared me this is fun mm-hmm are you okay
52:39because it looks like you're drinking with the chickens well you know I just did a double
52:48and the kids are annoying and Amish is annoying lucky I'm not annoying
52:56yeah for dinner don't know what's he cooking careful big fat one's a bolter
53:03so I wrote the victim impact statement fuck really well great
53:18I'm sorry for being such a shit head
53:24I do know how hard this has been for you I'm fine I love you love you too
53:37so I met the guy who has Ash's heart
53:43he might be a bit of a dick but he and his wife are coming here next Thursday for dinner
53:50I wonder if he likes chicken
53:56how can you mend a broken heart
54:02how can you stop the rain from falling down
54:08how can you stop the sun from shining
54:16what makes the world go round
54:22how can you mend this broken man
54:28and let me live again
54:34and let me live again
54:35La la-ra-ra-ra-ra-ra-ra-ra-ra
Be the first to comment