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The Night Manager (2016) Season 2 Episode 1
The Night Manager
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The Night Manager
#RealityInsightHub
🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
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FunTranscript
00:00Art of Cairo in the middle of the Arab Spring.
00:03Why does Jonathan Pine, respected Hotelier, risk his career by snitching on his guests?
00:07If there's a man selling a private arsenal, and those weapons can cause a lot of pain to a lot of people,
00:12then you just do it.
00:14Anyone will do it.
00:15I want to put you inside his operation.
00:22We will give you money, but you have to leave the boy here.
00:25We can't take you.
00:27Go!
00:28He saved me.
00:30What's his name?
00:31Thomas Quint.
00:32No, he's bloody not.
00:33You're Pine from Switzerland.
00:35Thank you very much, sir, for rescuing me.
00:39You're very welcome, Danny.
00:40Welcome to the family.
00:43Angela Burr is closer than anyone's ever been to cracking Richard Robbins' offshore operation.
00:47The company is called Trade Pass.
00:50You are my lead actor.
00:52You ever make the deal?
00:53No one really knows what we're selling.
00:54No one wants to know.
00:56If they did, they wouldn't sleep at night.
00:58This is our little contribution.
01:02Safe haven for the wretched of the earth.
01:04Justifies us being here.
01:06Every soldier fights for money, Andrew.
01:08These men are selling their skills same as anyone else.
01:10Even traitors can be forgiven.
01:18They have to commit.
01:19They have to make a decision.
01:21Jesus.
01:22I want my money back, Mr. Roper.
01:29If you do not pay, there will be consequences.
01:32Why'd you do it, Jonathan?
01:33You have to commit.
01:34You have to make a decision.
01:39Wait a minute.
01:40Wait a minute.
01:40No.
01:42No.
01:43No.
01:43No.
01:43No.
01:43No.
01:44No.
01:45No.
01:45No.
01:46No.
01:47No.
01:47No.
01:48No.
01:49No.
01:49No.
01:49No.
01:50No.
01:51No.
01:53No.
01:54No.
01:55No.
01:56No.
01:57No.
01:58No.
01:59No.
02:00No.
02:01No.
02:02No.
02:03No.
02:04No.
02:05No.
02:06No.
02:07No.
02:08No.
02:09No.
03:44Thank you, Danny.
03:45Richard Roper will remain a missing person and you, Jonathan Pine, you never came to
03:50this godforsaken place.
03:51You all right?
03:56Yeah, I didn't sleep last night.
04:00Just last night?
04:01Don't worry, you'll sleep well after this.
04:02Don't worry, you'll sleep well after this.
04:09No.
04:10Just one of you will perform identification.
04:11Who says?
04:12Who says?
04:13I say.
04:14Now listen here, I've had enough of this.
04:15Shifting bloody sands.
04:16Angela, it's all right.
04:17It's not all right.
04:18None of this is all right.
04:19She'll do it.
04:20Okay.
04:21We've both waited so long for this.
04:22We've both waited so long for this.
04:23You've waited so long for this.
04:24You've waited longer.
04:25No.
04:26What is it all right?
04:27I guess, you don't have to wait for this?
04:28I'll wait for this.
04:29You both have to wait for this.
04:30Now listen here, I've had enough of this, shifting bloody sands.
04:31Angela, it's all right.
04:32It's just not all right.
04:33None of this is all right.
04:35She'll do it.
04:36I think not.
04:37We've both waited so long for this.
04:38I can't wait for this.
04:39You've waited longer.
04:44No.
04:45She's all right.
04:47She'll do it.
04:49We've both waited so long for this.
04:53You've waited longer.
04:55Ella.
05:11Ready?
05:13No.
05:21Yeah, it's him.
05:23Sure?
05:27Yeah.
05:29Yeah.
05:31Yeah.
05:37Yeah.
05:39Yeah.
05:41Yeah.
05:43Yeah.
05:45Yeah.
05:51Yeah.
05:53Yeah.
05:55Yeah.
05:57Yeah.
05:59Yeah.
06:05Alex?
06:07Yeah.
06:09Yeah.
06:11Yeah.
06:13Yeah.
06:15Yeah.
06:17Yeah.
06:19Yeah.
06:21Yeah.
06:23Yeah.
06:25Yeah.
06:27Yeah.
06:29Yeah.
06:31Yeah.
06:33Yeah.
06:35Yeah.
06:41Yeah.
06:43Yeah.
06:45Yeah.
06:47Yeah.
06:49Yeah.
06:51Yeah.
06:53Yeah.
06:55Yeah.
06:57Yeah.
06:59Yeah.
07:01Yeah.
07:03Bye.
07:05Bye.
07:07Cocky.
07:09Get me into trouble.
07:11Yeah.
07:13This is the MI6 quarterly evaluation for Alex Goodwin, director of the Night Owls Unit.
07:19Shall we begin?
07:21Sure.
07:22So, Alex, is there anything keeping you awake at night?
07:27No.
07:29No.
07:31And how's your family?
07:33Family's great, yeah.
07:35And romantically, any developments on that front?
07:39Yeah.
07:40Actually, I've started going out with my neighbour.
07:45I see you've requested to stay with the Night Owls for another three years.
07:48Yes.
07:49Yep.
07:50How do you feel about that?
07:51I feel good.
07:52Um...
07:53I love working for Rex Mayhew.
07:55I love my team.
08:00From a central ops point of view, we've learned more from the Night Owls Surveillance Unit,
08:05led by Alex Goodwin, than from a dozen agents in the field.
08:09Nocturnal surveillance of the top hotels has proved pivotal to our clean-up operation in the City of London.
08:16The Night Owls' patience and diligence has allowed us at MI6 to infiltrate hostile networks and avert terror threats across the city.
08:28The Night Owls, that's a nocturnal surveillance unit?
08:31That's right, yeah.
08:32Yeah.
08:33It's not exactly glamorous.
08:36Does it need to be?
08:37No.
08:38I...
08:39It's not.
08:40No.
08:41No.
08:42No.
08:43No.
08:44No.
08:45It's not.
08:46It's correct.
08:47No, no.
08:48No, the person has done.
08:49No.
08:50No.
08:51No.
08:52No.
08:53it's quiet work it's not the most dramatic but who needs heroes
09:05hello alex basil just dropping off the new wish list usual rogues gallery don't know how you do
09:17it stuck here every night sat in the dark watching the world through a screen
09:22i'm worried you'll go blind well as head of the river house supervisory council i am formally
09:30sanctioning a further three-year extension for the night owl unit under the leadership of alex
09:35goodwin and the continued supervision of rex mayhew thank you very much thank you i've taken a look
09:43at your file six years you refuse all promotions all offers for posts abroad
09:50i love being at home sorry to disappoint you you don't disappoint me alex if i'm honest you frighten me
10:02just a reminder nothing above the parapet that face is too pretty to lose
10:13a lot of intelligence officers come through this room some of them shout some of them scream at me
10:21some even throw things but the ones i really worry about turn up every three months
10:28they sit there and they smile just like you they say nothing like you
10:35and then one day
10:38they explode
10:41you need to talk to me alex tell me who you really are
10:48i am the man
10:58hi mike hey when you're settled do a troll on all today's phone calls through
11:28hotel switchboards got the latest list of bad guys
11:31basal carapete and delivered them personally
11:34eat spines on mum that man
11:36sorry i'm late
11:41st alban's traffic is a disgrace
11:45i'm judging you
11:46leave that to my wife
11:47how's your day alex
11:48fine thank you
11:50you manage some sleep
11:53a little
11:54oh
12:07kaderov's moving again
12:08mike for them
12:10the reference is number 12 on the list
12:13thanks to bulgarian mafia with a bit of child trafficking on the side
12:16where are you running to mr kaderov
12:19i worked at the moon bay carlton in the 90s
12:26that sort of antic tended to mean a sexual assignation with the boy on reception
12:31or he's just getting a paper
12:33that's for the white room
12:36sally party in the white room tonight
12:38copy that on roof
12:40here we go
12:45ah busy room for a school night
12:52sally you there yet
12:55just arrived
12:56i don't look
12:57impeccable
13:01eyes only
13:03please
13:03i promise
13:05i promise
13:05no touching
13:06i don't think i'm better
13:11hi
13:12number 12
13:13your 10 o'clock
13:14whiskey on the rocks
13:16sally
13:37don't win too much
13:38you're not the show here
13:39never am
13:41mike all angles
13:45i want to see the whole room
13:46so who else is on tonight's list
13:54something wrong
14:00mike
14:02zoom in on that man in the corner
14:04who is he
14:06just do it now
14:07what you're looking at here
14:17is the real united nations
14:19americans
14:21russians
14:22ukrainians
14:23serbs
14:23croats
14:24angolans
14:25one big happy family
14:26yeah
14:27yeah
14:29looks like a teddy bear
14:30don't let him near your neck
14:32on a bad day
14:33thanks
14:48hello celia
14:49hi
14:49i'm sorry i was hoping to catch rex before the party is here on
14:55he's talking to some girl
14:56working on his fucking birthday
14:58well
14:58and she's far too attractive to boot
15:00and it's me doing anything
15:02yes
15:02will you
15:03grab this
15:04and go in there
15:05and tell those handsome young men in chinos we need more glasses
15:07glasses
15:08yes
15:09thank you
15:10oh no sorry
15:12but that takes you to come back
15:14thanks
15:14thanks
15:15thanks
15:16he's waiting
15:22and i have to go
15:24roxana you hear anything more about this
15:27you call me
15:27okay thank you rex
15:29and you tell them now about this
15:30clear
15:31alex
15:39where are you going to start
15:54i got your message show me what you've got
16:07taken last night
16:12old roper field man
16:14what's he doing coming to london under a false name
16:16you sure i'd swim
16:17absolutely sure
16:18you talk to anyone else about this
16:22how could i i'm alex goodwin now
16:24and you should stay that way
16:25and you should stay that way
16:30rex i'd like to talk to burr
16:31absolutely not
16:32and you know angela's retired
16:34and you know angela's retired fully detached she barely leaves her french retreat and won't want to be disturbed
16:39for some soldier for some soldier for some soldier for her
16:42who is it when you met before the party
16:46you
16:47she was a friend
16:50what kind of friend
16:51the kind you never saw my dear boy listen to me
16:54if i'd had my way you'd be on a beach in bali now
16:58you're state pension in your pocket
17:00yoga teacher in your bed
17:02you chose to stay
17:04and i gave you one condition
17:07jonathan pine never existed
17:09nobody in that garden has any idea
17:14who you are
17:15alex goodwin stands before me now
17:18and it so happens i've grown rather fond of him
17:21well he's fond of you too
17:23glad to hear it
17:24roper is dead
17:26the past is the past
17:27you spent five years
17:29creating you anew
17:31let's not ruin it for one
17:35chance
17:37sighting in mayfair
17:38may i may i keep this
17:39oh i have um
17:41i have a new number
17:44best to use this
17:47from now on
17:49memorize and eat
17:56you know the drill
17:58alex
18:12what on earth are you doing here
18:14myra hello
18:15don't you know it's bad luck to see an owl during the day
18:18rex said that this owl needs a bit of vitamin dee so here i am
18:22wise man
18:24you know i'm so grateful for rex
18:28he's made me feel welcome from the moment i took the reins at the river
18:32he's a good man
18:33yeah he recruited you didn't he
18:35yes he did
18:36is it nigeria
18:37that's right
18:38that's right port harcourt's
18:39private contractor
18:40it mainly
18:41um we met he was there and um
18:44there was an opportunity i put my hand up and
18:46good
18:47do you think he's alright
18:48what
18:51why do you ask
18:52i'm worried about him
18:54i'm worried about him
18:56he didn't mention anything to you
18:57no
18:58no no no
18:59all right have a lovely time
19:00thank you you too
19:01spf
19:02okay yes okay
19:03no less than 50
19:05jeez
19:06happy birthday dear rex
19:11happy birthday to you
19:15thank you
19:17thank you
19:18cheers
19:19thank you
19:20okay thank you thank you for coming to this auspicious occasion
19:24after this it's just a funeral isn't it so yeah
19:27no no i i am genuinely grateful to be able to celebrate my 60 years
19:33that's uh surrounded by colleagues people who have the same love of their country
19:37and what that country stands for or should or should
19:43you know a nation's security service is the truest expression of itself you know we are its soldiers
19:54and its priests and as such we have a choice we can serve blindly whatever the occasion
20:00or we can take a view
20:03know thyself
20:08so uh indulge an old trooper when he says the same to you now
20:13and now fuck off and get pissed
20:17i said
20:19have fun
20:21thank you
20:25no danny the horse is the ball
20:30you're not watching the cups danny
20:33thomas is watching the cups aren't you thomas
20:37thomas
20:39thomas
20:44the anchor looks like a teddy bear
20:47the bloody door your neck on a bad dead
20:52may i may i keep this
20:53you want to be steering right there
20:57thomas is watching the cups aren't you thomas
21:00thomas
21:02There's your man.
21:14His name is Jaco Brouwer, 42 years old.
21:18South African, but he spent the last six years as a fixer for cartels in South America.
21:22He arrived at Heathrow under a Dutch Antilles passport,
21:26named Michel Hebert.
21:28And he's staying at a small hotel in Richmond, the Rogers.
21:31So, how did he end up playing poker at the Mortimer?
21:34I don't know.
21:35My hunch is he was told to keep out of the main London hotels, but went off piece.
21:39Addiction issues.
21:41I want to know what he's doing in London.
21:43How do you know him?
21:46From a previous life.
21:49What previous life?
21:50I can't say, Mike.
21:51I'm not allowed to tell you.
21:53And I have no official authority to follow or trail him.
21:55So, up to you.
22:01I've never been to Richmond.
22:05Guys, cancel your plans.
22:07We're going fishing tomorrow.
22:09It'll be nice to see some light.
22:20Our gambler's on the move.
22:23Stay on his tailground.
22:25Copy that.
22:27Travelling east on the tow part.
22:29Sally, take possession on the bridge.
22:31Here he is.
22:34In position.
22:35Yeah, we see him.
22:42He's heading up towards the cafe.
22:44Eyes on target.
22:53Willie, move it.
22:55Got it.
22:55On my way.
23:05Looks like he's got a date.
23:16Photo's incoming.
23:18Elliot.
23:28Who's that?
23:29You know him?
23:31No.
23:33Audio coming in.
23:34The shipment arrives in Cartagena port in three days.
23:41Once it's through customs, we're ready to press go.
23:44And you'll make the anniversary.
23:47No problem.
23:48We're on schedule.
23:49But my chief wants the shipment list.
23:52Full spec, government stamped in a diplomatic briefcase.
23:55I'll speak to my client, but they want to keep documentation minimal.
23:59For obvious reasons.
24:01This isn't your average gun run.
24:02Think of it as his insurance policy.
24:06He knows his mind, your chief.
24:08Daddy!
24:08Come back here!
24:09He learned from the best.
24:11Calls himself a...
24:12What the fuck?
24:13Mike, Mike, can you just clean that up?
24:15On it.
24:19Well, I'll be in touch.
24:20You lay low.
24:22Go and feed the ducks.
24:23Go and feed the ducks.
24:46Go ahead.
24:48He knows his mind here, Chief.
24:52He learned from the best.
24:54Calls himself Richard Roper's true disciple.
24:58Nothing quite as pretty as Napalm at night.
25:04Mean anything to you?
25:06No.
25:08No.
25:16Calls himself Richard Roper's true disciple.
25:22Calls himself Richard Roper's true disciple.
25:24Calls himself Richard Roper's true!
25:27Calls himself Richard Roper's true!
25:30Calls himself Richard Roper's true!
25:31All right Alex, I've got Yakko's coffee date.
25:59Okay, Adam Hollywell is a middleman.
26:02He connects dozens of UK companies with clients abroad, often in the shadows.
26:06He calls himself the Alternative Foreign Office.
26:10The question is, who's he working for this time?
26:20I'm a straight home park.
26:22Okay.
26:23Just here on MF would be great.
26:30Sally.
26:31Okay, we know who owns the house.
26:45Who?
26:46We do.
26:47I'll call you back.
26:48I'll call you back.
26:49I'll call you back.
26:51I'll call you back.
26:52I'll call you back.
26:55What?
26:56I'll call you back.
26:57I'll call you back.
26:58Sally.
26:59Sally.
27:00Okay, we know who owns the house.
27:01Who?
27:02We do.
27:03I'll call you back.
27:04I'll call you back.
27:33i'm driving down tomorrow we need to talk we do when you get here park away from the house
27:40use the side entrance library i have something to show you
28:03see you
28:30i don't know what the puzzle's here and the police and you've got to come please i can't
28:48let's go to the river
29:00so
29:07so
29:12How did you hear?
29:36Cedar called me.
29:38Asked me to come as soon as I could.
29:42Myra wants me to deal with the locals.
29:49Keep the noise down.
29:52It seems Rex had a stash of pills Celia knew nothing about.
29:57Took them in the shed with a bottle of Macallan.
30:01Classy bastard.
30:03Do you have any idea why he would take his own life?
30:06Was it something he wasn't telling us?
30:08Debts?
30:09An affair?
30:10No.
30:10Rex is the most loyal man I know.
30:13To Celia more than anyone.
30:14Then what?
30:22I'll send full cavalry tomorrow to sweep the place.
30:25Anything you can think of, call me.
30:27Celia, what happened?
30:43Oh no.
30:44He was agitated.
30:45He said he'd found something.
30:47Wanted to talk to you.
30:48It was about your man.
30:49Um, and then I got a call from the vets saying that the dog's medicines were ready.
30:59When I got back, the shed door was open.
31:03I just knew how to heal.
31:06What have you got involved in?
31:09What?
31:10What?
31:11I don't know.
31:12Memorize and eat.
31:37You know the drill.
31:39You know the drill.
32:07I don't know.
32:10I don't know.
32:15Goodbye.
32:20Hmm.
32:21Hmm.
32:21Hmm.
32:22Hmm.
32:22Hmm.
32:25Hmm.
32:29Hmm.
32:30Hmm.
33:01It's about five years, creating UNU.
33:24That's not proving it for one chance sighting in Mayfield.
33:31That's not proving it for one chance sighting in Mayfield.
34:01That's not proving it for one chance sighting in Mayfield.
34:31Rex, you said you'd call me at 6.
34:42Where are you?
34:44Rex?
34:47Hello?
35:01Okay, I traced the number you sent me.
35:03Show me.
35:05It belongs to Roxana Belanos.
35:07She's Colombian, but works as a shipping broker out of Miami.
35:10Haven't been able to link her to Yakko or Hollywell yet.
35:14All right.
35:15We need to talk to her, now.
35:25I have a service to go into it.
35:32What?
35:33We're watchers, Alex.
35:35Eyes and ears were not the show, remember?
35:38What's going on?
35:43Rex Mayhew was murdered.
35:48And the Riverhouse are involved.
35:51So I need to talk to Roxana Belanos.
35:54There's a gentleman waiting for you at the front desk.
36:10He says he needs to talk to you.
36:14Sorry.
36:15Excuse me, guys.
36:16I'm just going to run to the restroom real quick.
36:18Sorry.
36:19Get me a dessert.
36:20Yes?
36:21Okay.
36:21Excuse me, did you get a name?
36:25No.
36:26Just this way.
36:30Roxana Belanos?
36:31Yes?
36:32I'm here on Rex Mayhew's behalf.
36:35Oh, yeah.
36:35You were at his house the day of the birthday party.
36:37Yes.
36:38And we need to talk.
36:40Uh, so...
36:41Where's Rex?
36:43Get your things.
36:44Make your excuses.
36:45I'll tell you everything in the car.
36:47In the car?
36:48Excuse me.
36:50Sorry.
36:51Um, I'm not going anywhere with you.
36:53I need to talk to Rex.
36:55This is ridiculous.
37:01Trust me.
37:02Rex won't answer.
37:03He's dead.
37:10He left this phone for me.
37:12And you and I, there are only two numbers on it, so we need to talk.
37:15Your life could be in danger.
37:16Get your things.
37:17I'll wait for you outside.
37:27Room booked to the Brickcott Hotel, Queensway.
37:30I've called in a favour from Tony to keep watch.
37:33That's room 122.
37:35Check out Saturday 11th tomorrow.
37:47Come in.
38:00Drink.
38:02Sure.
38:02Have a seat.
38:29Okay, listen.
38:30Listen.
38:32All I need is to ask you a few questions.
38:35How do you know Rex?
38:40How did you know him?
38:42Start at the beginning.
38:45Take your time.
38:54I have a small trading outfit in Miami.
38:55I met Rex at one of those City of London dinners, just schmoozing, and we've been in contact ever since.
39:10Why were you there on the day of his birthday party?
39:12Because I've been working on something.
39:18In Colombia?
39:18Yes.
39:19An import company in Cartagena is buying UK machine tools for oil pipelines.
39:26I grew up there.
39:27My family's from there.
39:28They trusted me to broker the deal.
39:30We used to love an intermediary.
39:32Adam Hollywell.
39:33Name of the import company?
39:36It's a buddy kiddo commerce.
39:38So what happened?
39:40Something started to feel wrong.
39:43What do you mean?
39:46Like I wasn't being told the whole story.
39:49About what was in the shipment?
39:50Yes.
39:52So I took it to Rex.
39:55He said that he would look into it, and that's why I was calling him.
39:59Kudos.
40:00Because you met him?
40:00No one.
40:04Ever heard of a man called Jaco Brower?
40:08No.
40:09Why?
40:15What about this man?
40:20No.
40:20No, I don't think so.
40:30Listen.
40:32Until we know what happened to Rex, you should stay here tonight.
40:35No, I can't.
40:36I have a flight booked in Miami tomorrow.
40:37I have to leave.
40:37No, we'll deal with that.
40:38No, I actually have to go.
40:41This has everything you might need.
40:43Tony will stay with you, and we will need your phone.
40:46It's for your own safety, okay?
40:48I'll be back soon.
40:49Well, how long are you going to be?
40:51I promise you're in safe hands.
40:53Wait, what's your name?
40:54Bingo.
41:04That's our shipment.
41:05The ship is called the Alcestis.
41:17It left Felixstowe a month ago, and it docks in Cartagena, Colombia tomorrow.
41:21We also found out who runs Barquero Commerce, so I'm sending that to you now, Alex.
41:25His name is Teddy DeSantos.
41:30He lives in Medellin.
41:31Now, I can find nothing on him until 2018.
41:34Whoever cleaned his background knows their stuff.
41:37All I've got is a very sudden entry into legitimate business in Colombia about six years ago.
41:43The formation of Barquero Commerce and a charity foundation.
41:48What charity foundation?
41:49It's called the Aurora, based in Medellin.
41:55In Aurora, we want to bring joy and hope to the hundreds of young people who have been
42:03marked by the decades of violence in our country.
42:07The same comes from that same place.
42:08My safe haven project for refugees is the true expression of my belief in a commitment to
42:14the wider world.
42:16Because my good fortune means nothing unless it also lifts up my fellow man.
42:22My name is Eduardo Dos Santos, and Aurora, I need you.
42:28Sally, I need to know what Myra Cavendish is really sending to Colombia, and the ship docks.
42:33We need to stop the cargo from leaving Cartagena port.
42:37Find a way.
42:38Bary some time.
42:40And tell Graham to stay on Jakob Rower.
42:42Okay.
42:44And where are you, Alex?
42:45Alex?
42:45Alex?
42:45Alex?
42:45Alex?
42:45Alex?
42:45Alex?
42:45Alex?
42:45Alex?
42:46Alex?
42:46Alex?
42:46Alex?
42:46Alex?
42:46Alex?
42:47Alex?
42:47Alex?
42:48Alex?
42:48Alex?
42:49Alex?
42:49Alex?
42:50Alex?
42:50Alex?
42:51Alex?
42:54Alex?
42:54So of the stuff we started to sell off by your rule, so we've got attics, furniture,
43:00arts», interior sculptures, documents...
43:03Through there?
43:04Through there.
43:05Richard Roper, terrible man, beautiful taste.
43:09Let me know if you need anything, I'll be upstairs.
43:15PHONE RINGS
43:45PHONE RINGS
44:15PHONE RINGS
44:45PHONE RINGS
44:47PHONE RINGS
44:49PHONE RINGS
44:53PHONE RINGS
44:55PHONE RINGS
44:59PHONE RINGS
45:05PHONE RINGS
45:09PHONE RINGS
45:11PHONE RINGS
45:13PHONE RINGS
45:15PHONE RINGS
45:17PHONE RINGS
45:21PHONE RINGS
45:23PHONE RINGS
45:25PHONE RINGS
45:27PHONE RINGS
45:29PHONE RINGS
45:31PHONE RINGS
45:33PHONE RINGS
45:35PHONE RINGS
45:37PHONE RINGS
45:39PHONE RINGS
45:41Remember me?
45:45I'll leave you to it.
45:46I'll be outside if you need anything.
46:02Hello.
46:04I'm sorry I didn't come before.
46:07There were rules I had to obey for protection.
46:09Mine or yours?
46:11Both.
46:11So what's changed?
46:13Because something tells me this isn't just pastoral care.
46:19Okay.
46:23I just need to know.
46:28Do you know this man?
46:29Why?
46:31Because I think your father knew him.
46:33Why did he have this photograph?
46:35Who is he?
46:36Never seen him.
46:38Danny, please.
46:39Just look again.
46:40Just take one more then.
46:41Sorry, sorry.
46:43Michael.
46:44Is it?
46:45Yeah.
46:46You're a fucking liar.
46:47You destroyed my family.
46:50You never once were honest with me.
46:52So, so, why should I give you anything?
46:57Huh?
47:01Okay.
47:01I shouldn't have come.
47:09I shouldn't have come.
47:15Sorry.
47:16See you in another ten years.
47:21See you in another ten years.
47:26There's something I haven't told you.
47:42There's something I haven't told you about your father about your father.
47:52He was, uh, executed by his captors.
47:57When?
48:04Six years ago.
48:08That's fucked.
48:11What was it I thought?
48:12I'm sorry you had to find out like this.
48:37I'm sorry, Danny.
48:38I'm sorry.
48:38Excuse me, but when is your friend coming back?
48:56He won't be long.
48:58Look, I've got people expecting me in Miami.
49:02I have to get back.
49:03Please.
49:05He's been gone since last night.
49:06Can I at least have my phone?
49:08Look, I'm afraid I can't do that.
49:10Like I said, he's going to be back soon.
49:12He's just been held up.
49:16I think I'm going to be sick.
49:17Can I get you anything?
49:18I'm going to be sick.
49:19I'm going to be sick.
49:36Jakob Brouwer just received a delivery to his hotel.
49:40A diplomatic briefcase.
49:42He's booked on a flight to Barcelona tomorrow at 8am.
49:46Okay.
49:47Tell the team we're going to Spain.
49:50I'm on in.
49:57I'll cover the entrance.
49:58Graham says you've asked him to bring firearms.
50:10We're night owls, not operatives.
50:13That's just a precaution.
50:17This previous life of yours you mentioned,
50:22you want to tell me about it?
50:23I was someone else once.
50:29He had to go away.
50:31Who was he?
50:34I'll tell you when this is over.
50:37I might just hold you to that.
50:42That's him.
50:43Taxi!
50:44Can you hold that...
50:45Taxi!
50:47Excuse me!
50:48Oh, shit!
50:49No!
50:52Bloody terminal.
50:53Yeah, fine.
50:54Thanks.
50:55Taxi!
51:04Let's go.
51:04He's taking the N2 North, heading towards Girona.
51:23Copy that.
51:24We're on it.
51:30Turning left into the Hotel Rossana.
51:33See if your car has a room, yeah.
51:35Yeah, checking out.
51:52See you in there.
51:53See you in there.
51:57See you in there.
51:58See you in there.
52:02See you in there.
52:03See you in there.
52:03See you in there.
52:04See you in there.
52:05See you in there.
52:06See you in there.
52:07Hello, buenas.
52:07Ah, algo está pasando fuera.
52:09Creo que es bueno oír.
52:10Vale.
52:11Gracias.
52:12Vale.
52:13Gracias.
52:13Yako's booked into room 249.
52:15Got it.
52:18Master key, room 249.
52:19Yako's booked into room 249.
52:20Got it.
52:24Okay, thanks.
52:25Yeah.
52:26Master key, room 249.
52:28No part of this, you just passed away.
52:29Ah, okay.
52:30See you in there, you just have to hit it.
52:32Sea of course.
52:33哎, okay.
52:38Batterbooks are about one more one more.
52:40Gotta lie to the thermometer, dude.
52:41I don't know.
53:06I'm glad to see you.
53:11I'm a teacher.
53:13How are you?
53:15How are you?
53:17How are you?
53:19Very good.
53:21We have a virtual room.
53:23I'm on the fourth floor.
53:27Jacob, Danny.
53:29Your friend.
53:31Coming here is so nice to see.
53:33Tell me everything.
53:35How was Longo?
53:37Good.
53:39They look tired.
53:41Did you stay out of trouble?
53:43I did my best.
53:45I know.
53:47You always do the right thing.
53:49So.
53:51Have something for me?
53:53Yes. The shipment lives where the government's stamp has requested.
53:57But they're insisting on no more contact until the anniversary.
54:01The British always have arms length.
54:05Let's go check the documents in the room.
54:07Then get some rest.
54:09It's a long flight back to Colombia tomorrow.
54:21Teddy Dos Santos is here.
54:23And they're on the way up.
54:25We got him.
54:27I want to talk to him.
54:35You are in room 249.
54:37Correct?
54:38Yeah.
54:39Second floor.
54:41You are a good man, Jacob.
54:55Robert knew a soldier when he saw one.
54:57And he's open.
54:59Because of that.
55:05To me.
55:13And I'm not a believer.
55:15And I'm not a believer.
55:17I'm not a believer.
55:19We are a believer.
55:21And I'm not a believer.
55:23I'm not a believer.
55:24You are not a believer.
55:25Teddy, I had no idea.
55:32I swear.
55:34Let's go.
55:44I'm almost there.
55:45Still got him?
55:46No, listen.
55:46We've lost him.
55:47We've lost the signal.
55:48They must be on to us.
55:50Clear the system and move Roxanna.
55:52Mike, delete everything off the system.
55:54What?
55:54Delete everything off the system.
55:56Do it now.
55:59They're still not here.
56:01What is?
56:01Get out of there.
56:02Now.
56:10Who's there?
56:15Aren't you fine, Tony?
56:17Who is it?
56:24No.
56:38Great, great, great, great.
56:42No.
56:42What do you think?
56:45Please.
56:46Please.
56:46No, no, no, no, no.
56:54Hey, wait.
56:55Wait.
56:55Wait.
56:55Hello.
57:23Hello.
57:24I'm a former colleague of Mr. Maradona.
57:27I think he has a house in the fourth floor.
57:29I'll leave him there.
57:31But can I remember the name, please?
57:54Who are you?
58:03Who are you?
58:10Who am I?
58:11Who are you?
58:12Who are you?
58:13Who are you?
58:14Who are you?
58:15I don't know.
58:45Hi, this is Alex Goodwin. Please leave a message.
59:15I don't know.
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