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The Night Manager (2016) Season 2 Episode 1
The Night Manager
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The Night Manager
#RealityInsightHub
🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
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FunTranscript
00:00Art of Cairo in the middle of the Arab Spring.
00:03Why does Jonathan Pine, respected Hotelier, risk his career by snitching on his guests?
00:07If there's a man selling a private arsenal, and those weapons can cause a lot of pain to a lot of people,
00:12then you just do it.
00:14Anyone will do it.
00:15I want to put you inside his operation.
00:22We will give you money, but you have to leave the boy here.
00:25We can't take you.
00:27Go!
00:28He saved me.
00:30What's his name?
00:31Thomas Quint.
00:32No, he's bloody not.
00:33You're Pine from Switzerland.
00:35Thank you very much, sir, for rescuing me.
00:39You're very welcome, Danny.
00:40Welcome to the family.
00:43Angela Burr is closer than anyone's ever been to cracking Richard Robbins' offshore operation.
00:47The company is called Trade Pass.
00:50You are my lead actor.
00:52You ever make the deal?
00:53No one really knows what we're selling.
00:54No one wants to know.
00:56If they did, they wouldn't sleep at night.
00:58This is our little contribution.
01:02Safe haven for the wretched of the earth.
01:04Justifies us being here.
01:06Every soldier fights for money, Andrew.
01:08These men are selling their skills same as anyone else.
01:10Even traitors can be forgiven.
01:18They have to commit.
01:19They have to make a decision.
01:21Jesus.
01:22I want my money back, Mr. Roper.
01:29If you do not pay, there will be consequences.
01:32Why'd you do it, Jonathan?
01:33You have to commit.
01:34You have to make a decision.
01:39Wait a minute.
01:40Wait a minute.
01:40No, no!
02:04No!
03:35We'll just identify the body, then they'll burn it.
03:38No one gets the ashes.
03:39No one will know, not even his family.
03:41What about Danny?
03:43No, not even Danny.
03:45Richard Roper will remain a missing person.
03:47And you, Jonathan Pine, you never came to this godforsaken place.
03:55You all right?
03:58Yeah, I didn't sleep last night.
04:00Just last night?
04:01Don't worry, you'll sleep well after this.
04:04Don't worry, you'll sleep well after this.
04:04There's a link.
04:09And again, I found him alive.
04:12Oh, come.
04:13No.
04:14No, just one of you will perform identification.
04:36Who says?
04:38I say.
04:40Now listen here, I've had enough of this. Shifting bloody sounds.
04:42Angela, it's all right.
04:44It's not all right. None of this is all right.
04:47She'll do it.
04:48We've both waited so long for this.
04:53You've waited longer.
04:55Ella.
05:00Ella.
05:12Ready?
05:12No.
05:18I'm going to confirm.
05:20This is Richard Roper.
05:22Yeah, it's him.
05:23Sure.
05:27Yeah.
05:28Good afternoon, hope you're doing okay.
05:44It's Colin and Claire, and it's London Central.
05:47Thanks.
05:47What's the heck?
05:48Oh, I've got you.
05:49I'm so hungry.
05:50Evermine, you're going to be better.
05:53Thanks.
05:53No.
05:54If you're going to go to the top, you're going to go for it.
05:57What's going on?
05:58What's going on?
05:59One second.
06:16Theresa, hi.
06:17Hi.
06:19Corky escaped again.
06:20I'm so sorry.
06:21Did he wake you?
06:23Well, no, because it's 4.30 in the afternoon.
06:26Of course it is.
06:26Of course it is.
06:27Sorry.
06:27Yeah.
06:29You, sir, are a flirt.
06:31What are you doing disturbing our neighbour, eh?
06:34Come on.
06:35You work at night, don't you?
06:36I do, yes.
06:38Yeah.
06:38What do you do?
06:39You're like vampires.
06:42I work in a bank.
06:44So, yes, basically, yeah.
06:46Yeah, I am.
06:47All right.
06:48I'd love to have dinner soon, if you dare to journey across the hall.
06:55Yes, maybe, one day.
06:57Yeah.
06:59Sorry again.
07:00Oh, good.
07:01Okay, come on, you.
07:02Yeah, bye.
07:03Bye, bye.
07:07Corky.
07:10Get me into trouble.
07:11This is the MI6 quarterly evaluation for Alex Goodwin, director of the Night Owls Unit.
07:19Shall we begin?
07:21Sure.
07:22So, Alex, is there anything keeping you awake at night?
07:27No.
07:28And how's your family?
07:33Family's great, yeah.
07:35And romantically, any developments on that front?
07:39Yeah.
07:41Actually, I've started going out with my neighbour.
07:43I see you've requested to stay with the Night Owls for another three years.
07:49Yes.
07:49Yep.
07:50How do you feel about that?
07:52I feel good.
07:53Um, I love working for Rex Mayhew.
07:56I love my team.
07:57From a central ops point of view, we've learned more from the Night Owl surveillance unit led
08:06by Alex Goodwin than from a dozen agents in the field.
08:10Nocturnal surveillance of the top hotels has proved pivotal to our clean-up operation in
08:15the City of London.
08:20The Night Owl's patience and diligence has allowed us at MI6 to infiltrate hostile networks
08:26and avert terror threats across the city.
08:29The Night Owl, that's a nocturnal surveillance unit?
08:32That's right, yeah.
08:33It's not exactly glamorous.
08:36Does it need to be?
08:38No.
08:38Right.
08:45It's quite work.
09:00It's, uh, not the most dramatic.
09:03But who needs heroes?
09:09Hello, Alex.
09:10Basil.
09:11Just dropping off the new wish list.
09:13Usual rogues gallery.
09:16Don't know how you do it.
09:18Stuck here every night.
09:19Sat in the dark, watching the world through a screen.
09:22Worried you'll go blind.
09:25Well, as head of the Riverhouse Supervisory Council,
09:29I am formally sanctioning a further three-year extension for the Night Owl unit
09:34under the leadership of Alex Goodwin and the continued supervision of Rex Mayhew.
09:40Thank you very much.
09:41Thank you, Myra.
09:41I've taken a look at your file.
09:44Six years.
09:46You refuse all promotions, all offers for posts abroad.
09:50I love being at home.
09:53Sorry to disappoint you.
09:56You don't disappoint me, Alex.
09:58If I'm honest, you frighten me.
10:06Just a reminder.
10:08Nothing above the parapet.
10:11That face is too pretty to lose.
10:13A lot of intelligence officers come through this room.
10:18Some of them shout.
10:19Some of them scream at me.
10:22Some even throw things.
10:23But the ones I really worry about turn up every three months.
10:28They sit there and they smile.
10:31Just like you.
10:33They say nothing like you.
10:35And then one day, they explode.
10:43You need to talk to me, Alex.
10:46Tell me who you really are.
10:47I am the man who will not explode.
11:01I am the man who will not explode.
11:19Hi, Mike.
11:24Hey.
11:25When you're settled, do a troll on all today's phone calls through hotel switchboards.
11:30I've got the latest list of bad guys.
11:32Bazal Carapetti and deliver them personally.
11:35Eat spanks on mum, that man.
11:40Sorry I'm late.
11:43St. Albans traffic is a disgrace.
11:45I'm judging you.
11:46Leave that to my wife.
11:48I'll do it to Alex.
11:49Fine.
11:49Thank you, Elid.
11:52You manage some sleep?
11:54A little.
12:06Oh, Kadarov's moving again.
12:09Mike for them.
12:11The reference is number 12 on the list.
12:13Next to Bulgarian Mafia with a bit of child trafficking on the side.
12:17Where are you running to, Mr. Kadarov?
12:19I worked at the Mumbai Carlton in the 90s.
12:27That sort of antic tended to mean a sexual assignation with the boy on reception.
12:32Oh, he's just getting a paper.
12:35That's for the white room.
12:36Sally, party in the white room tonight.
12:38Copy that.
12:39En route.
12:39Here we go.
12:45Oh, busy room for a school night.
12:54Sally, you there yet?
12:55Just arriving.
12:57I don't look.
12:57No.
12:58Oh.
13:04Impeccable.
13:05Eyes only.
13:05Please.
13:10I promise.
13:12Number 12 here, 10 o'clock. Whiskey on the rocks.
13:36Sally, don't win too much. You're not the show here.
13:39Never am.
13:44Mike, all angles. I want to see the whole room.
13:52So, who else is on tonight's address?
13:59Something wrong?
14:01Mike, zoom in on that man in the corner.
14:05Who is he? Just do it now.
14:09What you're looking at here is the real United Nations.
14:19Americans, Russians, Ukrainians, Serbs, Croats, Angolans.
14:25One big happy family.
14:26Yeah!
14:28Yakko looks like a teddy bear, but don't let him near your neck on a bad day.
14:32Alex!
14:33Hello, Celia. Hi.
14:34I'm sorry. I was hoping to catch Rex before the party.
14:39Is he around?
14:40No?
14:41No?
14:42He's talking to some girl.
14:43Oh.
14:44He's working on his fucking birthday.
14:45Well...
14:46She's far too attractive to boot.
14:47Now, listen, will you do anything with me?
14:48Yes.
14:49Will you grab this and go in there and tell those handsome young men in Chino's we need more glasses?
14:53Glasses?
14:54Yes.
14:55Okay.
14:56Glasses?
14:57Glasses?
14:58Yes.
14:59Okay.
15:01Oh, no.
15:02Oh, no.
15:03Sorry.
15:04But that table came with me.
15:05Oh, no.
15:06Oh, no.
15:07Oh, no.
15:08He's waiting.
15:09And I have to go.
15:10Roxanna, you hear anything more about this, you call me.
15:12Okay.
15:13Thank you, Rex.
15:14And you tell them now about this, okay?
15:16Oh, no.
15:17Oh, no.
15:18Oh, no.
15:19Oh, no.
15:20Oh, no.
15:21Oh, no.
15:22Oh, no.
15:23Oh, no.
15:24Oh, no.
15:25Oh, no.
15:26Oh, no.
15:27Oh, no.
15:28Oh, no.
15:29Oh, no.
15:30Claire?
15:38All right.
15:52Alex!
15:53Where are those dogs?
16:00I got your message.
16:07Show me what you've got.
16:11Taken last night.
16:13Old Roper Fieldman.
16:14What's he doing coming to London under a false name?
16:16You sure it's him?
16:17Absolutely sure.
16:20You talk to anyone else about this?
16:22How could I?
16:23I'm Alex Goodwin now.
16:24And you should stay that way.
16:26Rex, I'd like to talk to Burr.
16:31Absolutely not.
16:33Angela's retired, fully detached.
16:35She barely leaves her French retreat
16:37and won't want to be disturbed over some soldier for hire.
16:42Who is it when we met before the party?
16:46She was a friend.
16:50What kind of friend?
16:51The kind you never saw.
16:53My dear boy, listen to me.
16:54If I'd had my way, you'd be on a beach in Bali now.
16:58You're state pension in your pocket.
17:01Yoga teacher in your bed.
17:03You chose to stay.
17:06And I gave you one condition.
17:08Jonathan Pine never existed.
17:12Nobody in that garden has any idea who you are.
17:17Alex Goodwin stands before me now.
17:19And it so happens I've grown rather fond of him.
17:22Well, he's fond of you too.
17:24Glad to hear it.
17:25Rupi is dead.
17:27The past is the past.
17:29We spent five years creating you anew.
17:34Let's not ruin it for one chance sighting in Mayfair.
17:39May I keep this?
17:40Oh, I have a new number.
17:46Best to use this from now on.
17:49Memorise and eat.
17:53Memorise and eat.
17:57You know the drill.
17:58You know the drill.
17:58Alex, what on earth are you doing here?
18:15Myra, hello.
18:16Don't you know it's bad luck to see an owl during the day?
18:19Rex said that this owl needs a bit of vitamin D, so here I am.
18:23Wise man.
18:24You know, I'm so grateful for Rex.
18:29He's made me feel welcome from the moment I took the reins at the river.
18:33He's a good man.
18:34Yeah.
18:34He recruited you, didn't he?
18:36Yes, he did.
18:36Is it Nigeria?
18:38That's right.
18:38Port Harcourt.
18:39Private contractor.
18:41IT mainly.
18:42We met, he was there and there was an opportunity.
18:46I put my hand up and...
18:47Good.
18:48Do you think he's all right?
18:51What?
18:52Why'd you ask?
18:54I'm worried about him.
18:56He didn't mention anything to you?
18:58No.
18:59No, no.
19:00Right, have a lovely time.
19:01Thank you, you too.
19:02SPF.
19:02Okay, yes, okay.
19:03No less than 50.
19:06Jeez.
19:06Happy birthday, dear Rex.
19:12Happy birthday to you.
19:18Yes, take cheers.
19:20Okay, thank you.
19:21Thank you for coming to this auspicious occasion.
19:25After this, it's just a funeral, isn't it?
19:27No, no.
19:28I am genuinely grateful to be able to celebrate my 60 years
19:34surrounded by colleagues.
19:36People who have the same love of their country
19:37and what that country stands for
19:41or should, or should.
19:44You know, a nation's security service
19:48is the truest expression of itself.
19:52You know, we are its soldiers and its priests
19:56and as such we have a choice.
19:58We can serve blindly, whatever the occasion,
20:00or we can take a view.
20:07Know thyself.
20:10So indulge an old trooper
20:12when he says the same to you now.
20:14And now, fuck off and get pissed.
20:20Have fun.
20:22No, Danny, the horse in the middle.
20:31You're not watching the Cups, Danny.
20:36Thomas is watching the Cups, aren't you, Thomas?
20:38Thomas is watching the Cups, aren't you, Thomas?
20:59You're not watching the Cups, aren't you, Thomas?
21:01No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
21:05There's your man.
21:14His name is Jaco Brouwer, 42 years old.
21:18South African, but he spent the last six years
21:20as a fixer for cartels in South America.
21:22He arrived at Heathrow under a Dutch Antilles passport
21:25named Michel Hebert.
21:28And he's staying at a small hotel in Richmond, the Rogers.
21:31So how did he end up playing poker at the Mortimer?
21:34I don't know.
21:35My hunch is he was told to keep out
21:37of the mainland in hotels, but went off piece.
21:39Addiction issues.
21:41I want to know what he's doing in London.
21:43How do you know him?
21:46From a previous life.
21:49What previous life?
21:50I can't say, Mike.
21:51I'm not allowed to tell you.
21:53And I have no official authority to follow or trail him.
21:55So, up to you.
22:01I've never been to Richmond.
22:05Guys, cancel your plans.
22:07We're going fishing tomorrow.
22:09It'll be nice to see sunlight.
22:20Our gambler's on the move.
22:23Stay on his tailground.
22:25Copy that.
22:27Traveling east on the tow part.
22:29Sally, take possession on the bridge.
22:31Here he is.
22:32In position.
22:35Yeah, we see him.
22:42He's heading up towards the cafe.
22:44Eyes on target.
22:53Willie, moving.
22:55Got it.
22:55On my way.
22:56Looks like he's got a date.
23:15Photo's incoming.
23:18Elliot.
23:19Elliot.
23:19Who's that?
23:29You know him?
23:31No.
23:33Audio coming in.
23:38The shipment arrives in Katahinyo Port in three days.
23:41Once it's through customs, we're ready to press go.
23:44And you'll make the anniversary.
23:46No problem.
23:48We're on schedule.
23:49But my chief wants the shipment list.
23:52Full spec.
23:53Government stamped in a diplomatic briefcase.
23:56I'll speak to my client.
23:57But they want to keep documentation minimal.
23:59For obvious reasons.
24:00This isn't your average gun run.
24:02Think of it as his insurance policy.
24:06He knows his mind, your chief.
24:09He learned from the best.
24:11Calls himself average gun run for the site.
24:13Mike, Mike, can you just clean that up?
24:15On in.
24:19Well, I'll be in touch.
24:20Yeah, I know.
24:22Go and feed the ducks.
24:24And no going into London.
24:25There's too many eyes.
24:26How are we doing?
24:44Uh...
24:44Go ahead.
24:48He knows his mind here, chief.
24:50He learned from the best
24:53Calls himself Richard Roper's true disciple
24:56Nothing quite as pretty as Napalm at night
25:01Do you mean anything to you?
25:07No
25:07No
25:20Calls himself Richard Roper's true disciple
25:50All right Alex, I've got Yakko's coffee date
25:55Okay
26:00Adam Hollywell is a middleman
26:02He connects dozens of UK companies with clients abroad
26:05Often in the shadows
26:06He calls himself the alternative foreign office
26:09The question is
26:12Who's he working for this time?
26:20I'm a straight home park
26:22Okay
26:22Just here on MF would be great
26:29Thank you
26:50Sally
26:55Okay, we know who owns the house
26:58Who?
27:00We do
27:01I'll call you back
27:20Rex
27:33Alex
27:33I'm driving down tomorrow
27:35We need to talk
27:36We do
27:38When you get here, park away from the house
27:40Use the side entrance to the library
27:42I have something to show you
27:50Meeting
28:02Bye
28:03quasig
28:05NHK
28:05CJ
28:07CJ
28:08CJ
28:08CJ
28:09CJ
28:10CJ
28:11CJ
28:12CJ
28:13CJ
28:14CJ
28:15CJ
28:16CJ
28:18CJ
28:19CJ
28:20Cillia.
28:30Alex, Alex, something terrible has happened.
28:33Cillia, whoa, whoa, whoa, whoa, slow down.
28:35Tell me what's happened.
28:36Rex is dead.
28:38He's dead.
28:40Alex, Alex, I don't know what the puzzle's here and the police.
28:45You've got to come, please.
28:47I can't.
28:50Let's go into the river.
28:54Let's go into the river.
29:20Let's go into the river.
29:24How did you hear?
29:36Cedar called me.
29:38Asked me to come as soon as I could.
29:45Myra wants me to deal with the locals.
29:49Keep the noise down.
29:50It seems Rex had a stash of pills Celia knew nothing about.
29:57Took them in the shed with a bottle of Macallan.
30:01Classy bastard.
30:03Do you have any idea why he would take his own life?
30:06Was it something he wasn't telling us?
30:08Debts? An affair?
30:10No. Rex is the most loyal man I know.
30:13To Celia more than anyone.
30:14Then what?
30:20I'll send full cavalry tomorrow to sweep the place.
30:25Anything you can think of, call me.
30:41Celia, what happened?
30:42He was agitated.
30:45He said he'd found something.
30:47Wanted to talk to you.
30:48It was about your man.
30:52And then I got a call from the vets saying that the dog's medicines were ready.
30:59When I got back, the shed door was open.
31:02I just knew.
31:04I was a man.
31:05What if you're going to call me?
31:08What if you're going to call me?
31:10I don't know.
31:12Memorize and eat.
31:37You know the drill.
31:42You know the drill.
32:12You know the drill.
32:42You know the drill.
33:12You know the drill.
33:14You know the drill.
33:16You know the drill.
33:18You know the drill.
33:19It's been five years creating you anew.
33:24Yeah, that's not ruin it for one chance sighting in Mayfield.
33:30You know the drill.
33:36You know the drill.
33:38You know the drill.
33:40You know the drill.
33:46You know the drill.
33:48You know the drill.
33:50I don't know.
34:20He knows his mind, your chief.
34:26Calls himself Richard Roper's true disciple.
34:40Rex, you said you'd call me at six.
34:42Where are you?
34:44Rex?
34:47Hello?
34:50Okay, I traced the number you sent me.
35:03Show me.
35:05It belongs to Roxana Bolaños.
35:07She's Colombian, but works as a shipping broker out of Miami.
35:10Haven't been able to link her to Yakko or Hollywell yet.
35:13All right.
35:15We need to talk to her now.
35:25I'm seriously going to...
35:26All right.
35:32What?
35:33We're watchers, Alex.
35:35Eyes and ears.
35:36We're not the show, remember?
35:37What's going on?
35:43Rex Mayhew was murdered.
35:48And the River House are involved.
35:51So I need to talk to Roxana Bolaños.
35:54So what is your favorite place to be in America and you have to be in Arizona when you're getting one?
36:06You like to say in English?
36:07There's a gentleman waiting for you at the front desk.
36:10He says he needs to talk to you.
36:14Sorry.
36:15Excuse me, guys.
36:16I'm just going to run to the restroom real quick.
36:18Sorry.
36:19Get me a dessert.
36:20Yes?
36:21Okay.
36:24Excuse me.
36:24Did you get a name?
36:25No.
36:26Just a sweet.
36:30Roxana Bolaños?
36:31Yes?
36:32I'm here on Rex Mayhew's behalf.
36:35Oh, yeah.
36:35You were at his house the day of the birthday party.
36:37Yes.
36:38And we need to talk.
36:40Uh, so...
36:41Where's Rex?
36:43Get your things.
36:44Make your excuses.
36:45I'll tell you everything in the car.
36:47In the car.
36:49Excuse me.
36:50Sorry.
36:51Um, I'm not going anywhere with you.
36:53I need to talk to Rex.
36:55This is...
36:56Ridiculous.
37:01Trust me.
37:02Rex won't answer.
37:03He's dead.
37:10He left this phone for me.
37:12And you and I, there are only two numbers on it.
37:13So we need to talk.
37:15Your life could be in danger.
37:16Get your things.
37:17I'll wait for you outside.
37:19Come on.
37:27Room booked to the Brickcott Hotel, Queensway.
37:30I've called in a favour from Tony to keep watch.
37:33That's room 122.
37:35Check out 711 tomorrow.
37:37Come on.
37:37Come on.
37:47Come in.
38:00Drink.
38:00Sure.
38:02Have a seat.
38:16Have a seat.
38:16Okay, listen.
38:32All I need is to ask you a few questions.
38:35How do you know Rex?
38:36How did you know him?
38:42Start at the beginning.
38:45Take your time.
38:45I have a small trading outfit in Miami.
38:56I met Rex at one of those City of London dinners just schmoozing and we've been in contact ever since.
39:09Why were you there on the day of his birthday party?
39:15Because I've been working on something.
39:17In Colombia?
39:19Yes.
39:20An import company in Cartagena is buying UK machine tools for oil pipelines.
39:26I grew up there.
39:27My family's from there.
39:28They trusted me to broker the deal.
39:29We used to lug an intermediary.
39:32Adam Hollywell.
39:33Name of the import company?
39:36It's a buddy kiddo commerce.
39:38So what happened?
39:40Something started to feel wrong.
39:43What do you mean?
39:46Like I wasn't being told the whole story.
39:49About what was in the shipment?
39:50Yes.
39:52So I took it to Rex.
39:55He said that he would look into it and that's why I was calling him.
39:59Kudos.
40:00You met him.
40:00No one.
40:03Ever heard of a man called Jaco Brouwer?
40:08No.
40:09Why?
40:15What about this man?
40:19No.
40:20No, I don't think so.
40:21Listen, until we know what happened to Rex, you should stay here tonight.
40:35No, I can't.
40:36I have a flight booked to Miami tomorrow.
40:37I have to leave.
40:37No, we'll deal with that.
40:38No, I actually have to go.
40:40This has everything you might need.
40:43Tony will stay with you and we will need your phone.
40:46It's for your own safety, okay?
40:48I'll be back soon.
40:49Well, how long are you going to be?
40:51I promise you're in safe hands.
40:53Wait, what's your name?
40:54Bingo.
41:04That's our shipment.
41:05The ship is called the Alcestis.
41:17It left Felixstowe a month ago and it docks in Cartagena, Colombia tomorrow.
41:21We also found out who runs Barquero Commerce.
41:24I'm sending that to you now, Alex.
41:25Okay.
41:28His name is Teddy Dos Santos.
41:30He lives in Medellin.
41:31Now I can find nothing on him until 2018.
41:34Whoever cleaned his background knows their stuff.
41:37All I've got is a very sudden entry into legitimate business in Colombia about six years ago.
41:42The formation of Barquero Commerce and a charity foundation.
41:48What charity foundation?
41:49It's called the Aurora, based in Medellin.
41:53In Aurora queremos brindar alegría y esperanza a los cientos de jóvenes que han sido marcados
42:03por las décadas de violencia en nuestro país.
42:07Lo mismo vengo de ese mismo.
42:08My safe haven project for refugees is the true expression of my belief in a commitment to
42:14the wider world.
42:16Because my good fortune means nothing unless it also lifts up my fellow man.
42:22My name is Eduardo Dos Santos.
42:24And Aurora te necesito.
42:28Sally.
42:29I need to know what my recauders is really sending to Colombia.
42:32And the ship docks.
42:33We need to stop the cargo from leaving Cartagena port.
42:37Find a way.
42:38Bary some time.
42:40And tell Graham to stay on Jakob Rower.
42:42Okay.
42:44And where are you, Alex?
42:45Some of the stuff we started to sell on, five-year rule.
42:57Okay.
42:57So we've got attics, furniture, arts, interior sculptures, documents.
43:03Through there?
43:04Through there.
43:05Richard Roper, terrible man, beautiful taste.
43:09Let me know if you need anything.
43:10I'll be upstairs.
45:28Mr.
45:31Mr. Roper. Guest fee.
45:36Hi, Danny.
45:40Michael Oakes.
45:43Remember me?
45:45I'll leave you to it. I'll be outside if you need anything.
46:01No. I'm sorry, I didn't come before.
46:07There were rules I had to obey for protection.
46:09Mine or yours?
46:11Both.
46:11So what's changed?
46:13Because something tells me this isn't just pastoral care.
46:19Okay.
46:23I just need to know.
46:28Do you know this man?
46:29Why?
46:31Because I think your father knew him.
46:33Why did he have this photograph?
46:35Who is he?
46:36Never seen him.
46:38Danny, please. Just look again.
46:40Just take one more look.
46:43Michael. Is it?
46:45Yeah.
46:46You're a fucking liar.
46:47You destroyed my family.
46:50You never once were honest with me.
46:53So why should I give you anything?
46:57Huh?
47:00Okay.
47:08I shouldn't have come.
47:15Sorry.
47:16See you in another ten years.
47:22See you in another ten years.
47:40There's something I haven't told you.
47:42About your father.
47:52He was, uh,
47:53executed by his captors.
48:04When?
48:04Six years ago.
48:08That's fucked.
48:11What was it?
48:12I thought!
48:13I'm sorry you had to find out like this.
48:37I'm sorry, Danny.
48:38I'm sorry, Danny.
48:38Excuse me, but when is your friend coming back?
48:56He won't be long.
48:58Look,
48:59I've got people expecting me in Miami.
49:02I have to get back.
49:03Please.
49:05He's been gone since last night.
49:06Can I at least have my phone?
49:08Look,
49:08I'm afraid I can't do that.
49:10Like I said,
49:10he's going to be back soon.
49:12He's just been held up.
49:15I think I'm going to be sick.
49:17Can I get you anything?
49:18I'm going to be sick.
49:19I'm going to be sick.
49:19I'm going to be sick.
49:19Jacko Brouwer just received a delivery to his hotel.
49:40A diplomatic briefcase.
49:42He's booked on a flight to Barcelona tomorrow at 8am.
49:45Okay.
49:47Tell the team we're going to Spain.
49:50I'm on in.
49:57I'll cover the entrance.
50:06Graham says you've asked him to bring firearms.
50:08We're night owls.
50:11Not operatives.
50:13It's just a precaution.
50:18This previous life of yours you mentioned,
50:22you want to tell me about it?
50:27I was someone else once.
50:30He had to go away.
50:31Who was he?
50:32I'll tell you when this is over.
50:37I might just hold you to that.
50:42That's him.
50:43Taxi!
50:43Can you hold that...
50:45Taxi!
50:46Excuse me!
50:48Oh, shit!
50:50No.
50:52Bloody terminal.
50:53Yes, fine.
50:54Thanks.
50:55Taxi!
50:56Taxi!
51:02Let's go.
51:19He's taking the N2 North,
51:21heading towards Girona.
51:23Copy that.
51:24We're on it.
51:25Turning left into the Hotel Rossignol.
51:34See if our car has a room yet.
51:35Yeah, check it now.
51:52See you in there.
51:55Hello, buenas.
52:08Algo está pasando fuera.
52:10Creo que es bueno oír.
52:12Vale.
52:12Gracias.
52:18Yep.
52:19Yakko's booked into room 249.
52:21Got it.
52:24Thanks.
52:27Master key, room 249.
52:28I'm sorry.
52:29I'm sorry.
52:30I'm sorry.
52:31Ah, okay.
52:58Price.
53:01Gracias.
53:02Un gusto verlo de nuevo, eh.
53:05Señor Ramarón.
53:07Teatriz.
53:08Qué gusto de ir.
53:10Qué gusto.
53:13¿Cómo estás de tal?
53:14Muy bien.
53:15Todo bien.
53:16Todo bien.
53:17Tenemos habitación habitual de la cuarta plana.
53:20No.
53:21Bien.
53:22Vamos para entrar.
53:24Jacob, Teddy, be your friend.
53:31Come here, it's so nice to see you.
53:34Tell me everything. How was longer?
53:37Good.
53:39You look tired.
53:43Did you stay out of trouble?
53:45I did my best.
53:46I know. You always do the right thing.
53:51So, you have something for me?
53:53Yes.
53:54The shipment lives where the government's stamp has requested.
53:57But they're insisting on no more contact until the anniversary.
54:02The British always have arms length.
54:06Let's go check the documents in the room.
54:08Then get some rest.
54:10It's a long flight back to Colombia tomorrow.
54:11Teddy Dos Santos is here, and they're on their way home.
54:25We got him.
54:26Keep him in the room.
54:28I want to talk to him.
54:29You are in room 249, correct?
54:38You are in room 249, correct?
54:39Yeah.
54:39I'll check the floor.
54:53You are a good man, Jacob.
54:56Robert knew a soldier when he saw one.
54:58Show me.
55:11Show me.
55:19Really?
55:20Teddy, I had no idea.
55:32I swear.
55:34Let's go.
55:35I'm on this, sir.
55:45You still got him?
55:46No, listen.
55:46We've lost him.
55:47We've lost the signal.
55:48They must be on to us.
55:50Clear the system and move Roxanna.
55:52Mike, delete everything off the system.
55:54What?
55:55Delete everything off the system.
55:56Do it now.
55:59They're still not here.
56:00What is?
56:01Get out of there, now.
56:10Who's yours?
56:15Once you find Tony.
56:17Who is it?
56:31No.
56:40Great, great, great.
56:42No.
56:44What is?
56:46What is?
56:46No, no, no, no.
56:53No, no, no, no, no.
56:54Hey, what is?
56:55Wait.
56:55Hello.
57:23Hello, I'm a old friend of Mr. Maradon.
57:27I think he has a house in the fourth floor.
57:30I'll leave him there, but...
57:32Can I remind him?
57:53Who are you?
58:23Hi, this is Alex Goodwin. Please leave a message.
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