- 1 week ago
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00:00It is so hot tonight. I think I might melt like an ice cream.
00:18Look, I'm sorry about the time, Thomas. I'm finished now.
00:21Sanofarien? I don't chat till 10.30.
00:25I don't mind how long you stay. It's good to know there is someone else.
00:30Rare to stare at. Pardon?
00:33Rare.
00:37She leaves for Paris tomorrow, and I will not be sad to see her go.
00:44Yeah, Hathor's on tour, the goddess of intoxication.
00:49The story goes that the sun god Ra ordered her to destroy all humanity because of their bad behavior.
00:56Oh, my God!
00:57But just at the last minute, Ra changed his mind.
01:01So, he decided to flood a field with beer, and he dyed it red.
01:05So she thought she was gorging on the blood of humankind.
01:09But actually, she was getting very, very drunk.
01:13Humanity was saved by a hangover.
01:16Lavash!
01:16Also, rumour has it that every Hathor statue is cursed.
01:25Oh!
01:26Well, like I said, I will be glad to see her leaving.
01:31It looks like your young man is here for you.
01:40Oh, no, no, he's not my young man.
01:42He's just a really good friend.
01:43Oh, yes, you too.
01:46Yeah, well, thanks, Thomas.
01:47Good night.
01:48Boni, madame.
01:49A bientôt.
02:00Just good friends, huh?
02:02Mm-hmm.
02:03Oh, my God.
02:33Oh, my God.
03:03It's getting exciting, isn't it?
03:17Even then, the ones on the telly.
03:19I wish I'd dressed up a bit now, you know?
03:21What do you mean?
03:23Well, when you see an auction on the telly, the ponters all get dressed up, don't they?
03:26Have their hair done.
03:27Well, you're not on the telly.
03:28It's not about being on the telly, is it?
03:30It's out of respect for all the stars.
03:33I blame you for his recent interest in boxes of rubbish.
03:36Treasure globe, not rubbish.
03:39Thank you so much for this, Jean.
03:41With Jeremy's birthday next week, I just didn't know what to buy him.
03:46Well, when I saw that box of Victorian ephemera, I thought that would be perfect for Jeremy's
03:50phantasmagoria room.
03:52Oh, Gloria, I meant to tell you.
03:54Thank you so much for letting us use your fan.
03:56Oh, you're welcome, love.
03:58Mind you.
03:58I have no idea where I'm going to put that.
04:01Oh, Jean, by the way, when can I pick up my sapphire necklace?
04:05Nancy's daughter is getting married tomorrow.
04:06It's supposed to be her something borrowed.
04:08Anytime, it's at the shop.
04:10Mesdames et messieurs, notre dernier lot.
04:13Oh, Jean, I've always wanted to do this.
04:15Can I do the bidding?
04:16Fill your boots.
04:19Nous commençons à 50.
04:22Oui, 50.
04:2560 au fond.
04:2670.
04:3180.
04:3390.
04:42100 euros.
04:48100 euros.
04:54100 euros.
04:56Oh, terribly rude.
05:02You'd never see that happen on the television.
05:09Merci.
05:10Et voilà.
05:15Oh, my God.
05:20Mum?
05:21Hey, can I help you sort through the treasure?
05:36If you want.
05:37You have found treasure?
05:38Not really.
05:39It's not the best morning we've ever had.
05:41Athenian red figure.
05:42This is not bad at all, Jean.
05:44530 BC.
05:45This is everything.
05:47Just a few more boxes.
05:48It's that exciting, isn't it?
05:55Oh, hello, Simone.
05:57Don't worry, love.
05:57Let's call it even.
05:58I'm not here for you.
06:00But I am parched.
06:01I could murder an espresso.
06:03Oh, I will make some coffee.
06:09I will help you.
06:13Jean!
06:13I need a big favour.
06:15And I think you owe me one after practically accusing me of murder last year.
06:18Okay.
06:19Right.
06:19Remember our mums have round the corner from one another.
06:22Yeah, of course.
06:23Okay, now keep up.
06:24This is the box of Victorian Ephemera that I won at the auction this morning.
06:28So what's that got to do with our mums?
06:30I'm coming to that.
06:31Well, everyone knows that I'm the only one who collects the weird stuff round here.
06:34And they've slipped something into the box to send me a message.
06:38What?
06:40Me mum's ring.
06:42What?
06:43That's your mum's actual ring?
06:45Yes, it's a warning.
06:46Someone at home's after me through me mum.
06:48Are you sure it's her ring?
06:50Absolutely.
06:50Look, it's got her initial on the front.
06:52V for Vera.
06:53And get your loop.
06:54Oh.
06:56Go.
06:59Look on the inside of the ring.
07:04Sing as we go?
07:06Is that the Gracie Fields song?
07:08Rochdale's finest and me mum's favourite.
07:10Me dad bought it a year ago.
07:11Oh.
07:13Um, I don't understand.
07:15It's a warning.
07:16And I know exactly who it is.
07:18An old enemy of mine's just got out the clink back in Manchester and it's going to take
07:21me a few days to put him back in his box.
07:24Me cousin's bringing mum out now.
07:25She won't fly so it'll take ages on the ferry.
07:28She needs to be with me till I sort my dear old friend out.
07:32And?
07:32Well, the thing is, she doesn't know about my, um, business interests.
07:40Go on.
07:41She, um, thinks I run an antique shop.
07:44Oh.
07:47Oh, I see.
07:48You want to pretend that you run my antique shop?
07:51Bingo.
07:52Oh.
07:53Is that all?
07:55No protection?
07:56No extortion?
07:57I'm not an animal, Jean.
07:59But if you do this one thing for me, we'll call it even.
08:02Well, that's an offer I can't refuse.
08:05Oh, excuse me.
08:11Hi.
08:13Yeah, yeah, I know it well.
08:16Right, I'll, I'll, I'll be right there.
08:19Okay?
08:20Um.
08:23That was Caron.
08:24There's been an incident at the library.
08:26Can you give me a lift?
08:27Oh, Madeline's at home.
08:28I can drop you off to collector if you like.
08:31Oh, right.
08:32Okay, um, so, um, Mr. John Marsden here.
08:36We'll be doing a bit of work experience today.
08:38So, um, if you could just show him the ropes, ladies, that would be great.
08:44Give my regards to Caron.
08:47It is for Nels, Caron.
08:49I know, sweetheart.
08:50Just having a laugh.
08:54Hmm.
08:56Oh, she's not worked at Tilt since the fir tree pub when she was on salad bar.
09:02I'm sure she'll offer everything.
09:06What on earth is going on?
09:16Someone has attacked you.
09:19No.
09:21Why?
09:21Is he all right?
09:23He's fighting for his life.
09:25Oh, no.
09:26I'm so sorry.
09:29This could ruin St. Victoria's library.
09:33What do you mean?
09:34We have destroyed one of the rarest figures in Egyptology.
09:38We haven't destroyed anything.
09:40That's how they will see it.
09:41Now listen to me, Suzanne.
09:44We're going to find out who's responsible for this horrific act of sabotage.
09:48Do you hear me?
09:48And we're going to find out who hurt Thomas.
09:53Look.
09:55Let's just decide that Thomas is going to be okay.
09:59And in a couple of months' time, he'll be back in here, stinking the place out with his rock fort, as usual.
10:09Thank you, Jean.
10:10I'll come back later and check on you, okay?
10:22I think she's in shock.
10:24What about you?
10:26I think I'm in shock.
10:29Thomas is such a sweetheart.
10:31Which is all the more reason we need to find out who is responsible for this.
10:34Yeah.
10:42John.
10:46Really want to give you a hug.
10:49No.
10:50Nobody's watching.
10:56Yours, I believe?
11:02Er, yes.
11:04Yes, sir.
11:07I love watching you do that.
11:08What?
11:09That twisty thing you do when you pin your hair up in the morning.
11:11It's dead, erm...
11:13Sheik.
11:15That's the first time I've been called Sheik in my entire life.
11:19Well, it will not be the last time, Jean, why?
11:22Jean, we have some information.
11:24Can you come to the station?
11:25Yes.
11:26Yes, of course.
11:27Of course, yes.
11:28Oh, yes, I'd better get back to work.
11:30I'll speak to you later, Jean, may.
11:32Same.
11:32Yep.
11:35A neighbor was returning from his night shift and saw an orange moped driving away from
11:39the library at midnight last night.
11:41So this is the CCTV?
11:43Not from near the library, but around the corner.
11:46It is registered to a Gaynor Smith, English.
11:49She's 18 years old and lives in university halls.
11:51Right.
11:52So, erm, how can I help?
11:54I need to interview her, but I don't want to bring her in.
11:59I think a less formal approach might be more successful.
12:02Teenage girls have never been my strong point, even when I was a teenage boy.
12:07Oh, you want me to come with you?
12:10Oh, of course.
12:12No problem.
12:13We're back through the mists of time.
12:14I once was a teenage girl myself.
12:17Come on, then.
12:18Hello?
12:31Police.
12:31Oh, you better come in.
12:53Hello.
12:54I am Inspector Caron.
12:55This is my colleague, Jean White.
12:57Can we come in?
12:59Oui.
13:02Nous nous sentons plus fragiles.
13:05They are a bit fragile.
13:07Ooh, no kidding.
13:08We both speak English.
13:10That would be easier for my colleague.
13:13Your names, please?
13:14Nelly O'Kaz.
13:15Gaynor Smith.
13:17A serious crime was committed last night.
13:19And a bike that is registered to you, Gaynor, was seen near the scene at midnight.
13:24Oh, she's gone.
13:28Cindy is gone.
13:29Oh, God.
13:29Who's Cindy?
13:30My bike.
13:31That's her name.
13:32Cindy's been stolen.
13:33So your bike has been stolen?
13:35Clearly, yes.
13:36My mom's going to go mad.
13:37It was parked right out there.
13:38Where were you last night?
13:40We had a date with a couple of bottles of vodka.
13:44A bacon sandwich, white bread, and a pint of tea.
13:48Pardon?
13:49Best tank over cure ever.
13:51I'm a vegetarian.
13:54Can you prove where you are?
14:01Yes.
14:04Yeah.
14:06Looks like you had a good night.
14:07Ah, after midnight.
14:13Hmm.
14:17This is my card.
14:19If you could send me those photos, I will be able to eliminate you from my inquiries.
14:25Okay.
14:26We will see ourselves out.
14:28Thanks for getting us out of there.
14:37Starting to feel a bit queasy myself.
14:40I think not.
14:40I think I'll go and talk to Suzanne, see how she's doing.
14:49Good idea.
14:50I will double-check the CCTV pictures.
14:53Keep me updated.
14:54Oh, could you forward me that picture, please?
14:57Of course.
14:58Thanks.
15:05You're an absolute scream, Charlie.
15:07I was just going to say the same, Monsieur Marsden, not what I expected at all.
15:10Oh, and we have your lovely Simone in common.
15:12Hey, Simone, tell your Charlie about our high-vis vest scam.
15:16I'm not sure I can remember.
15:18Got us in everywhere.
15:19That you porté un gelé fluo, toi?
15:21Non, comme j'ai dit, je me souviens pas vraiment.
15:24She certainly did, because I remember saying,
15:26how do you make neon nylon look so good?
15:29And you said,
15:30Je la porte à l'eau, comment ne pourrais-t-il pas avoir l'échique?
15:35You say that all of the time.
15:37Touché.
15:38Oh, that's what I loved most about Simone, the way she owned it.
15:41Or not, as the case may be.
15:42Ah, bienvenu, Chez Broderie, White.
15:47Merci.
15:49How do you two pop out for a spot of lunch?
15:51I can look after things here.
15:52Oh, that is so kind of you.
15:54Are you sure?
15:54Yeah, of course, I'm sure.
15:55Off you pop.
15:56Okay, I'll grab my bag.
16:02I'm not too sure we should leave the shop.
16:05Now, now, Simone.
16:06You above anyone should know I've looked after bigger business than this.
16:09Have a belter of a lunch and I'll take care of everything here.
16:12Ah, there's just one thing.
16:14These are the returns from the workshop.
16:18This is...
16:21The necklace will be collected by a lady called Judith Lloyd-James.
16:23It is very important to her.
16:25No problem.
16:26Oh, merci.
16:27I'm so relieved I did not forget.
16:29Believe me, she's not somebody you want to be on the wrong side of.
16:32Well, thanks for the heads up.
16:34Yep.
16:44So we're at a dead end unless we find out who stole that moped.
16:49Who'd steal an orange moped?
16:50What?
16:51It's a bit obvious, isn't it?
16:53What do you mean?
16:54Well, if you're going to nick a moped, surely you'd choose one that was a bit less conspicuous.
16:59Hmm?
17:00Get you, Detective Dom?
17:01Been knocking about with you, isn't it?
17:03Had to rub off at some point, wasn't it?
17:04Is that right?
17:07Come on.
17:17Thanks.
17:20How are you doing?
17:26Not good.
17:28I just spoke to Thomas' family.
17:30They are at the hospital now.
17:32I don't know what his wife Maureen would do if he...
17:36Let's think back over the past few weeks.
17:39Now, is there anyone Thomas could have upset?
17:42Well, Thomas could be very verbose, as you know.
17:52And he was a stickler for details.
17:54His visitor's book had to be just so.
17:56Could I have a look at the visitor's book, please?
17:58Yeah, of course.
17:59See?
18:00Black ink only.
18:01Everything in the correct column.
18:14I forgot.
18:15Dr. Alagaia.
18:16He's a renowned Egyptologist at university.
18:18He brought a group of students to look at the statue, and one of them started to shout
18:26about how disgusting it was for the Louvre to steal precious items from Egypt.
18:30So what happened?
18:32Thomas tried to calm him down.
18:34But the student kept shouting at Thomas' face about giving back the stolen goods.
18:38Well, the restitution of artifacts is a very touchy subject.
18:41It got very heated.
18:43And Dr. Alagaia quickly gathered his group up and left.
18:48Hmm.
18:49Have you got his contact details?
18:52He should be at university if you want to ask him about it.
18:55Do you think one of his students could have done such a thing?
18:58I don't know.
18:59But I'm gonna find out.
19:01You've got very good taste.
19:03My nan had one of these.
19:05Now, let's get it wrapped up for you.
19:11A positive plethora of...
19:20Oh, fear behind the counter.
19:22You're in charge.
19:33I see ya.
19:41I'll wait out of here for you.
19:42You sure?
19:43Yeah, I want to give Claudia a ring.
19:44The time difference is about right.
19:45Plus, universities always make me feel a bit less than, you know?
19:47How do you mean?
19:48Yeah.
19:49Full of posh people, aren't they?
19:50Don't be daft.
19:51Don't be daft.
19:52I went to one.
19:53And you know all that stuff about astronomy and every lyric of every song that's ever been written.
19:56Yeah, but that's not clever clever, is it?
19:57That's just because I had a karaoke comparing job when I was younger.
19:58It leaves an indelible mark on the subconscious.
19:59See?
20:00I think you're dead clever.
20:01Yeah.
20:02Uh-huh.
20:03Thanks.
20:04Thanks.
20:05See you later.
20:06Bye bye.
20:07Bye bye.
20:08Bye bye.
20:09Bye bye bye.
20:11See you later.
20:16Bye bye bye.
20:31Gotcha.
20:42Thank you for seeing me, Dr Alagaya.
20:44Oh, you caught me between lectures.
20:46Oh, so you lecture in Egyptology?
20:49Yes, specifically on the importance of deities.
20:52Sorry, I'm Jean White.
20:53I'm a specialist in antiques,
20:55and sometimes I help the police out with their inquiries.
20:58Police?
21:00Yeah, um...
21:01Do you remember the security guard at the library
21:04when you took your students to see the Hathor statue on tour last week?
21:09How can I forget it?
21:11The students had been told to keep the politics neutral for the day
21:15and concentrate on the history.
21:17It was so embarrassing.
21:19But surely the police do not need to get involved.
21:23I'm sorry to have to tell you this,
21:25but last night that security guard was found unconscious
21:29after a vicious attack.
21:31What?
21:32And, um, in the attack,
21:34the Hathor statue was found irreversibly damaged.
21:38Hathor?
21:39This is...
21:40This is tragic.
21:42Are both of these things utterly tragic?
21:44Um, do you have a list of the students that attended the library last week?
21:52Well, like the subject I teach,
21:54I am also a little historic.
21:56I keep paper copies of everything.
21:59Uh, here we are.
22:01A list of the students who attended.
22:04Oh, great.
22:06Can I keep this?
22:07Of course.
22:08Right.
22:12Is that your son?
22:13Oh, yes.
22:15Matteo.
22:16Very proud he's doing his PhD on Egypt and their stolen treasures.
22:19He was with me the day at the library.
22:24He did get quite passionate.
22:27But he'd never do anything like this.
22:29Mm.
22:30And is that your daughter?
22:32No, she's his girlfriend.
22:33She, too, is studying at university.
22:39Oh, well, thank you.
22:41You're welcome.
22:50A beer, please.
22:51Listen, right, I've got to go, Claudie.
23:10I'll speak to you in a bit.
23:11All right, bye.
23:11Love you, bye.
23:14A girl who lives at the university halls
23:16who was being sassy with Caron this morning
23:18and Dr Allagai's son are in a relationship.
23:21What?
23:22Yeah, I just saw a picture of him together on his desk.
23:24Well, the girl's hair's a bit longer now,
23:26but it's definitely her.
23:27Now, she's got a bedroom next door to Nellie and Gaynor,
23:29the girls who had the moped nicked.
23:31So the girls with the moped, the stolen one?
23:33Yeah, just drive.
23:35I'll break it down on the way.
23:36But what are you doing there, behind?
23:53Hello, darlings.
23:57Slight hiccup.
23:58Some cheeky monkeys swiped Mrs. Lloyd-James's sapphire necklace
24:01from under my nose.
24:03But don't worry, I'm just about to get it back.
24:06Stall your friend for me.
24:07I won't be a tick.
24:08Oh, mon dieu.
24:10C'est Judith.
24:10Now, remember, Marsden, don't go mad.
24:22You've just had this cleaned.
24:33I think you have something that I like, dear.
24:40And then, what are you going to do?
25:02I'm John Marsden.
25:04I will not repeat it twice.
25:08I'm a terrible man confused.
25:09I didn't realize that you're John Marsden.
25:12I'm really sorry.
25:27Hello again.
25:29We were just wondering, do you know where your neighbor is?
25:32Lily.
25:33She's probably at her boyfriend's.
25:36Mateo.
25:36Um, well, actually, it was Mateo we wanted to talk to
25:40concerning the theft of Gaynor's moped.
25:43What?
25:44Really?
25:45So, um, do you know where he lives?
25:47Yeah, I'll go write it down for you now.
25:49Just give me one moment.
25:52What is that smell?
25:56Students.
25:56Oh.
26:02Merci.
26:03Okay.
26:04Bye.
26:12Carol?
26:13Yeah, I've got Mateo's address.
26:14How much longer, Charlie?
26:17It's nearly 4 p.m.
26:19I wanted to drop it into her before the rehearsal dinner.
26:23She's marrying an American, so I've no idea what that is, but I know it begins soon.
26:27Maybe you'd like some more coffee?
26:29Ah, here is Jean's associate now.
26:31Oh, you must be Judith.
26:34Amazing cheekbones.
26:37Sorry about the delays, sweetie, but I didn't think they'd done a good enough job for one
26:40of Jean's favourite customers.
26:42Here you go.
26:43Oh, how thoughtful.
26:45Thank you so much.
26:46Pleasure.
26:48Hang on.
26:48Weren't you the chap that pipped me to the post this morning at the auction, denying
26:55my husband his birthday present, that box of Victorian ephemera...
26:59Sorry about that, my love, but let me put that right.
27:06Are you sure?
27:08Absolutely.
27:09I've got similar ones already.
27:11Well, thank you so much.
27:13My husband will be thrilled.
27:15You must let me pay you something.
27:17Sorry, I didn't catch your name.
27:21Oh, I'm John Marsden.
27:22Well, thank you very much, Mr. Marsden.
27:25Or can I call you John?
27:27You can, yeah, John.
27:29John Marsden.
27:32Thanks.
27:33Thanks.
27:47Bye-bye.
28:09Jeans!
28:28Ah, vous allez où jeune homme?
28:39Where were you last night?
28:40I was with my girlfriend Lily at the University Halls until about midnight.
28:44And she can verify that?
28:46Yes, of course. This is not the first time I have borrowed enough scooter to get home.
28:52I've done it lots of times.
28:53If you borrow something without asking the owner, it is technically stealing her.
28:58Okay, I'm very sorry.
29:05Richard!
29:07Your father says that you're very passionate about the restitution of artifacts.
29:12You've spoken to my father?
29:22Who did this?
29:23You were seen getting very upset in the library that day.
29:26What?
29:27I think you smashed the statue to sabotage the French ownership of it.
29:31That is not true.
29:33But you didn't expect a night watchman and defended yourself by nearly murdering him with the paperweight.
29:38No, no, no, no.
29:40You're wrong. I would never destroy something so precious.
29:43I need to talk to you about something.
29:45What now?
29:46It's very important.
29:48Richard, stop taking your statements, please.
29:51This is a fake.
30:00Look, it's just two pieces stuck together. It's hollow.
30:04What do you mean, hollow?
30:06In ancient Egypt, sacred statues were always made in solid bronze.
30:19The hollow casting technique, it didn't come until years later.
30:22I didn't question it before because I just saw the head had fallen off and that can happen to a solid figure.
30:27So, where on earth is the real one?
30:31I can hold Matteo on theft of a bike.
30:35We need a search warrant for his flat and now I think his father's house.
30:38Maybe they were in it together for the money?
30:41I can believe passionate sabotage from academics, but not blatant theft.
30:46I just don't think it's about the money for them.
30:48Oh, excuse me.
30:50Oh, I'm so sorry. I'm gonna have to go. Keep me updated, eh?
30:56Good day today.
30:57Of course.
31:10Quite clever when you think about it, isn't it?
31:12How do you mean?
31:13Well, while you lot were concentrating on the sabotage, the real statue was long gone.
31:20Probably been turned into an ashtray for some dodgy billionaire.
31:24Oh, the horror. Don't even joke about that.
31:28Gee, my sapphire looks wonderful. John Marsden went above and beyond.
31:34And he gave me a gift for Jeremy. It's the box from the auction this morning.
31:40Wow. This is your lucky day, Judith.
31:44Actually, what is it?
31:46Ah, well, this is a box of memento mori.
31:53Ooh, what's memento mori?
31:56Well, in Victorian times, it was considered a loving tribute when someone passed away that they were photographed with the living.
32:08Hmm. I mean, one of the people in this photograph is dead.
32:15Yeah. They would open up their eyes, prop them up on cushions.
32:20So, I just bid good money on pictures of dead people.
32:25Hmm. Good grief.
32:27If you see this deceased lady here, she's less blurry because she's, um, completely still.
32:36Hmm? Oh, no, no, no, no, no.
32:41Hang on.
32:43Sorry.
32:53Helen.
32:55Helen.
33:00Do you mind if we pay someone a visit?
33:02Hmm?
33:07Oh, hello. It's me again.
33:09I wondered if I could have a quick word.
33:11This is my partner, Dom.
33:12I mean, my, um, work partner, Dominic.
33:17Yeah, come in.
33:21How's your head?
33:22Uh, a bit better.
33:24I heard about Matteo and the statue.
33:26His girlfriend lives next door, you know.
33:28Hmm.
33:29Is, um, is Nellie around?
33:31Uh, she nipped to the shops for some hangover munchies.
33:33Right.
33:34Um...
33:35Do you remember this picture being taken?
33:46I can't really remember much, I'm being totally honest.
33:48It turned into a bit of a big night in.
33:50Right.
33:52Hmm.
33:53So you're left-handed?
33:59Yeah, why?
34:01Well, it's just on this photo.
34:05You're holding your drink in your right hand.
34:09Would you do that often?
34:10God, no.
34:12Even drunk.
34:13Well, especially when I'm drunk, I would never use my right hand.
34:16How weird.
34:17Hmm.
34:21See, I'm starting to think that you never used your hand at all.
34:25Pardon?
34:26I think you were drugged asleep and propped up in a photograph
34:30to provide someone with an alibi.
34:35What?
34:36So, is this, is this Nellie's side of the room?
34:39Yeah.
34:49Oh.
34:55Well, that's how she picked the lock.
34:58So that wasn't your hairpin, I found it.
35:01Yours, I believe.
35:02Eh, no, love.
35:03But you were so chuffed that you found it
35:05that I didn't have the heart to tell you that I only used blonde ones.
35:13Gaina, can you tell me as much as you can remember about last night?
35:18Uh, well, after about 9.45, not a lot, really.
35:22Why specifically 9.45?
35:24Well, our takeout arrived at 9.30.
35:26It showed up on my app.
35:27Then we ate and drank more vodka, but we had loads before.
35:31I honestly can't remember much.
35:33Do you mind if we, um, take a quick look around?
35:36Yeah, hop ourselves.
35:37Great.
35:38Done.
35:39Game.
35:52Game.
36:06Right.
36:07I need you to text Nelly. Tell her the police called about Matteo and she needs to get to the police station straight away to help Jean and Caron with their inquiries. Okay? Thank you.
36:37Follow me. You can leave it there. Come in, please. There's something to do with me.
36:54Take a seat.
36:56How did you know?
37:07It was some pictures of deceased Victorians that gave me the clue.
37:13I realized that your alibi photo was fake. You'd put Gaynor's glass in the wrong hand.
37:20And your name was on the visitors list when you did your little recce.
37:23I missed it first time round because you used your official name, Helen, and not your everyday name, Nelly.
37:29I had an Auntie Nelly, you see, and we only ever called her Helen when she'd been badly behaved.
37:35You must have thanked the heavens when Matteo stole Gaynor's scooter.
37:42The heat was off you, wasn't it?
37:45This is how I think you did it.
37:47You got your flatmate drunk on vodka. Well, I assume you drank water.
37:57And then when your food arrived, you slipped her sleeping draught while she would never have tasted it eating a curry.
38:09And when she was dead asleep around 9.45, you stole the scooter and you went to the library knowing full well that Thomas never locked up before 10.30pm.
38:21So you snuck in and opened the glass box with a hairpin.
38:30Then stole the statue and intended to replace it with a broken fake one, suggesting sabotage.
38:37What are you doing? Stop! Stop! Stop!
38:44The Thomas called you.
38:46So in a panic, you attacked him.
38:51I didn't mean that it was an accident.
38:54An accident that has left a man fighting for his life.
38:57You then rode back to the dorm and faked the photo, implying that you'd been there all night.
39:11But why?
39:16We are not going anywhere, Nelly.
39:18Nelly.
39:25Just...
39:30Money.
39:32Simple.
39:34I am on my own in the world.
39:38And even with the cheapest accommodation, I still struggle to make ends meet.
39:44Most students work a part-time job to pay their way.
39:46Most students have other people helping them.
39:50Like I said, I have no one.
40:01I saw the exhibit on the tours in the library every couple of months.
40:07And I thought how easy it would be to steal one.
40:13So I came up with a plan.
40:16I knew this one was coming from the Louvre.
40:20So I did my research.
40:24And I found a buyer in Paris.
40:27It was very easy to find a copy online.
40:29And you thought no one in this backwater town would ever know the difference.
40:38I never meant to hurt Thomas.
40:43I am truly sorry for that.
40:45I am truly sorry for that.
40:48Not as sorry as his wife, Maureen.
40:50And the dog says...
40:53I found a double.
40:54And the dog says,
41:18I found a doodle!
41:19Right, you sit there, ladies, I'm going to get some drinks in.
41:27Only champagne's good enough for my mum.
41:31Have you got any more?
41:32Yeah.
41:34Couple of bottles of your finest bubbles, please.
41:43I'm armed.
41:45Put all the money in this bag and you won't come back.
41:50Hiya!
41:53Not your lucky day, is it, sweetheart?
42:01Thank you!
42:03What a day!
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