- 6 weeks ago
Category
🎥
Short filmTranscript
00:00:00I
00:05:01Goodbye.
00:05:02Bye.
00:05:03Bye.
00:05:04Bye.
00:05:05Bye.
00:05:06Bye.
00:05:07Bye.
00:05:08Bye.
00:05:15Bye.
00:05:22Bye.
00:05:23Bye.
00:05:25Bye.
00:05:26Bye.
00:05:27Bye.
00:05:30Poor Stefano. You didn't have to be quite so rude to him.
00:05:33Oh, he's hounded me for years. I can't shake him off.
00:05:36Just to be near me, he enrolled in the university.
00:05:38Now, summer school. He's crazy.
00:05:40Well, you don't find that kind of devotion very much.
00:05:42Well, I hope so.
00:05:45Flo, are you coming over this evening?
00:05:47I would if I weren't busy.
00:05:49Ah. Then good luck.
00:05:51Bye.
00:05:54Flo!
00:06:00Flo.
00:08:00Sean, what do you think he was?
00:08:02Come back, Sean.
00:08:05Sean, come here.
00:08:06Where are you going?
00:08:30Sean?
00:08:31Sean?
00:08:32Sean?
00:08:33Sean?
00:08:34Sean?
00:08:36Sean?
00:08:37Sean?
00:08:38Sean?
00:08:39Sean?
00:08:40Sean?
00:09:06Sean?
00:09:07Where are you?
00:09:36Sean?
00:09:37Sean?
00:09:38What?
00:09:39He's dead.
00:09:41I'm sorry.
00:09:45I'm sorry.
00:09:55I'm sorry.
00:09:59I'm sorry.
00:10:04Oh, no, no, no, no.
00:10:34Do you want to do another photo?
00:10:46For him it's enough.
00:10:47Go ahead.
00:10:48Take it.
00:10:51Is the prosecutor's office?
00:10:53Yes, we have seen it.
00:10:55But he didn't have seen that machine.
00:10:58But I wasn't here, I wasn't here.
00:11:01Vedi, commissario, qui non abbiamo tutti i servizi igienici.
00:11:05E allora come si dice?
00:11:07Inquiniamo?
00:11:08Do ce capita?
00:11:09Come sarebbe inquiniamo?
00:11:11Come ti posso dire?
00:11:12Con licenza parlando io ci vengo a fare un pochetto...
00:11:15un pochetto di cacca.
00:11:17Però oggi, quando che l'ho visto, mi sono sentito bloccato.
00:11:20Tutto qui, vedi?
00:11:21Qui dentro.
00:11:22Raccolga la deposizione.
00:11:27I'll take it.
00:11:30I'll take it.
00:11:53Are you making a few sales under the counter today?
00:11:56I'm prepared to do a bit of fine, too.
00:11:59That's right.
00:12:00Junk and cast off.
00:12:02They're not in my line.
00:12:06Thank you, and come again.
00:12:08Who is he?
00:12:09He's a doctor.
00:12:10Well, at least he seems to have good taste.
00:12:16Carol!
00:12:17Hi.
00:12:19Ciao, Carol.
00:12:19Ciao.
00:12:21Have you seen the papers?
00:12:22No, why?
00:12:25Wait.
00:12:26You haven't heard?
00:12:27No, what's happened?
00:12:28Can I have your paper on her?
00:12:29Sure, here you are.
00:12:30I must be going.
00:12:31Sorry, I've got to wait for you.
00:12:33Okay, ciao.
00:12:37She was a friend of yours, wasn't she?
00:12:41Dad.
00:12:42No!
00:12:44No!
00:12:44Daniela, passes have been cancelled for the day.
00:12:53I think that painting's one of the most moving things I've ever seen.
00:12:57Are you sure you haven't changed your opinion of Perugino?
00:13:01I'm not prepared to quite yet, I'm afraid.
00:13:03No, my dear, I just dropped in by chance.
00:13:06Sometimes even we professors get bored with books and have to look at the originals to regain our perspective.
00:13:10Anyway, I'm glad I ran into you.
00:13:13Chance is the spice of life, or maybe in my case it's necessity.
00:13:16You're mixing your metaphors.
00:13:18Variety is the spice of life.
00:13:19Necessity is the son of invention.
00:13:21Now you're mixing yours.
00:13:22Necessity is the mother of invention.
00:13:24And we're both becoming pedantic.
00:13:25That's my department.
00:13:28May I offer you a drink or something?
00:13:30Why not?
00:13:32But only on condition we don't discuss art aesthetics or the university.
00:13:36You know you have the nicest eyes when you haven't got your glasses on.
00:13:39No, don't.
00:13:40Please don't make fun of me.
00:13:42I wouldn't dream of it.
00:13:46You really surprised me the other day.
00:13:48I did?
00:13:49How?
00:13:49I would never have imagined that a product of American technology could be so moved by the works of the old master.
00:13:57It's really quite refreshing.
00:14:00I don't know whether or not to take that as a compliment, but I will.
00:14:03That proves that some Americans know how to be less American than other Americans.
00:14:09You didn't come to Italy to buy the Coliseum?
00:14:11No, only to study.
00:14:13I studied painting.
00:14:15Then I taught for two years in the South.
00:14:18Then I decided to specialize.
00:14:20Applied for a scholarship in Italy.
00:14:22Do you like music, too?
00:14:23Of course I do.
00:14:24I thought you might.
00:14:25If I should get a couple of invitation tickets to an Academy concert, you wouldn't mind coming along?
00:14:31I'd love to.
00:14:32In fact, I'll count on it.
00:14:35There's no need to thank me.
00:14:37It's been a pleasure.
00:14:38Goodbye, friend.
00:14:39Goodbye, Jane.
00:14:40I'm sorry, but I don't want to go over all that again.
00:14:59I told you, Carol, I won't be able to see you anymore.
00:15:02Oh, no, you don't.
00:15:03You're not leaving me.
00:15:04I never promised you a thing.
00:15:06I can't face it alone.
00:15:07Friend of yours, Susan.
00:15:08Next time, Hanson.
00:15:17Ciao, Bella.
00:15:38Come on, honey.
00:15:44Take off all the rest.
00:15:45I've got another appointment.
00:15:47What's wrong?
00:15:51Oh, I get it.
00:15:54You want a little persuasion, huh?
00:15:59You're cute.
00:16:00What's the matter?
00:16:10Hmm?
00:16:13If you need something more, I have a mirror and nice movies, Swedish movies.
00:16:21Of course, it'll cost you a little extra if that's what you want.
00:16:23Well, that's a real good start.
00:16:27Why do all hang-ups come my way?
00:16:30Honey, even if you're queer or infant, you're paying the price I charge just the same.
00:16:38Don't kill me.
00:16:39Don't kill me.
00:16:40Say that to me.
00:16:41I'll kill you, you bitch.
00:16:42I'll kill you.
00:16:42I'll kill you.
00:16:43I'll kill you.
00:16:58I'll buy this one.
00:16:59All right.
00:16:59Oh, Carol, where have you been?
00:17:11You've been away?
00:17:13What happened?
00:17:14What's wrong?
00:17:15Can't you tell me?
00:17:15Nothing.
00:17:16Nothing.
00:17:17I have to go.
00:17:18I have an appointment.
00:17:19It's very urgent.
00:17:20It doesn't matter, Carol.
00:17:20I'm sorry.
00:17:21Bye.
00:17:22Watch out!
00:17:28Carol, Danny.
00:17:29Watch out.
00:19:43No.
00:19:43Hey, what's the matter?
00:19:46First, you've got to take your clothes off.
00:19:49Whatever you say.
00:19:57Fuck you!
00:19:58Thank you, man.
00:19:58Take your car.
00:20:21I'll strangle the bitch.
00:20:51Did you hurt?
00:21:01Let's not bother with that hook here.
00:21:06Come on, forget it.
00:21:07Leave her here.
00:21:21I'll start with the other one.
00:21:37I'll start with the other one.
00:25:34And I hope, in a case like this, at least, you will consider the police for what they are,
00:25:36your vigilant defense.
00:25:38After that, you can protest and riot when we're a bit reluctant to let you dismantle the state.
00:25:42Turn on the lights.
00:25:44Turn on the lights.
00:25:46That's all.
00:25:48Let's cooperate this time.
00:26:00Daniella, what's wrong?
00:26:01Jane, I'm frightened.
00:26:24Come on, the inspector's given us all the shot.
00:26:26But you realize I'm the last person who's owe Carol and I.
00:26:29How could that be?
00:26:30Well, I saw her get on a motorcycle with a couple of boys, Peter and George.
00:26:34Oh, she was in a terrible state. It was almost like a kidnapping.
00:26:37It's your imagination. Why would they want to kidnap her?
00:26:39I don't know. Anyway, neither of those boys was wearing a red scarf.
00:26:43You noticed?
00:26:45I don't know how it stayed in my mind.
00:26:47Come on, get in the car.
00:26:48And yet I swear I've seen that scarf from somebody I know.
00:27:00Jane, please take me home.
00:27:07I don't know how I'm out.
00:27:08I don't know how you were going.
00:27:13Yeah.
00:27:14Hey.
00:27:18Hey!
00:27:21THE END
00:27:51THE END
00:28:21If you want to be spared, don't try to recall who you've seen wearing that hula.
00:28:26Or else the colors red and black could mean for you what they meant.
00:28:30Who is this speaking?
00:28:32Hello?
00:28:34Hello?
00:28:35Who's calling?
00:28:37Answer me.
00:28:37I'm a police officer.
00:28:38They're here.
00:28:39I'm a police officer.
00:28:40I'm a police officer.
00:28:41They're here.
00:28:42They're here.
00:28:44They're here.
00:28:45All right.
00:28:46Here we go.
00:28:46Oh, my God.
00:29:16Oh. Oh, thank God. It's you, Uncle Nino. I'm so afraid.
00:29:23Try and control yourself, my dear. Find some way of getting your mind off it all.
00:29:27I'm afraid. Don't leave me alone.
00:29:29Danny, just pack up and go away for a while. To the country house.
00:29:34The air there would be good for your nerves.
00:29:36Alone?
00:29:37I'd go too, but there's this business in Paris. It wouldn't be fair to leave you by yourself.
00:29:40Invite some of your friends to go with you. You'll soon get over your fright.
00:29:44All you need is some good fresh air.
00:29:46Say, you must know about everybody in town, don't you?
00:29:57Oh, no, I don't. I'm sorry, sir. It's like a seaport, this place.
00:30:01Strange spaces here every day. All sorts of colors, all sorts of races.
00:30:06In fact, you close your eyes and don't notice anyone.
00:30:08Oh, no. Believe me, I keep voting. But just how can I help you?
00:30:12Well, for example, do you sell scoffs? Did you sell this one?
00:30:18I handle those. That kind.
00:30:22Japanese silk prints.
00:30:24But, uh, I mean, they're rather ordinary.
00:30:27Have some right over there.
00:30:29Better sell this full eye.
00:30:30I might have sold one, of course. I can't recall them all.
00:30:34But can you remember who might have bought one? It's very important.
00:30:38No, I do a steady business, even if it does look unimportant.
00:30:42Do you believe I can recollect who bought what here?
00:30:45Who bought this? Who bought that?
00:30:46They come in crowds and they go in crowds.
00:30:49If you do remember, call me at headquarters.
00:30:52You got that?
00:30:53That's for Inspector Martino.
00:30:54Uh-huh.
00:30:55Uh-huh.
00:30:55Uh-huh.
00:31:24Bad news.
00:31:41Ah, you know.
00:31:42I'm Johnny Tomasso, the scarf seller in the piazza.
00:31:47Because this afternoon the inspector was snooping around.
00:31:50I believe I should sell the business.
00:31:52No, I'm not trying to help a blackmail.
00:31:56You want me to keep a friendly secret.
00:31:59To make sure I can pretend that I never sold you that full eye.
00:32:04Two million liars would be plenty now.
00:32:07Pretty cheap.
00:32:09We ought to pay the initial expenses.
00:32:12How do you mean?
00:32:14Have the money.
00:32:16You're responsible for my complete silence.
00:32:20See you tonight.
00:32:22So let's all meet at the station tomorrow at three o'clock.
00:32:25All right?
00:32:26Look, Ursula's plans on making out tonight.
00:32:29Seeing as we're off for a lean weekend.
00:32:31Ciao.
00:32:31Ciao.
00:32:31Ciao.
00:32:32Ciao.
00:32:34Ciao.
00:32:35Ciao.
00:32:36Ciao.
00:32:37Ciao.
00:32:47Ciao.
00:32:48Ciao.
00:32:48Ciao.
00:32:48Ciao.
00:32:48Ciao.
00:32:48Ciao.
00:32:49Ciao.
00:32:49Ciao.
00:32:49Ciao.
00:32:49Ciao.
00:32:50Ciao.
00:32:50Ciao.
00:32:50Ciao.
00:32:50Ciao.
00:32:50Ciao.
00:32:50Ciao.
00:32:51Ciao.
00:32:51Ciao.
00:32:52Danny.
00:32:53Danny.
00:32:54Danny.
00:32:54Danny.
00:32:54Don't let me go.
00:32:58Danny.
00:32:59I have to talk to you.
00:33:01I must.
00:33:02Why don't you go away?
00:33:05Why don't you leave me alone?
00:33:07I've got to speak to you.
00:33:08You're going to listen.
00:33:12Danny.
00:33:13You have to.
00:33:14I don't.
00:33:18Danny.
00:33:18Danny.
00:33:19Danny.
00:33:19You've got to belong to me and no one else.
00:33:23Classes have been cancelled for today.
00:33:26No.
00:33:27No.
00:33:27Let me go.
00:33:32Let me go.
00:33:36Let me go.
00:33:38Let me go.
00:33:40Daniela.
00:33:41Open this door.
00:33:43I've got to speak to you.
00:33:44What's going on up there?
00:33:46Who's out on the stairs?
00:33:49What are you doing up there?
00:33:50What are you doing up there?
00:34:05Hello?
00:34:06Oh, hello, Jane.
00:34:08Can you come over right away?
00:34:09I must talk to you.
00:34:10Right now?
00:34:11It's urgent.
00:34:14It's Stefano.
00:34:15What Stefano?
00:34:16He was wearing that scarf the day Flo died.
00:34:20Jane, it's terrible.
00:34:22Oh, come on.
00:34:23You need to relax.
00:34:25Let me help you, too.
00:34:29No, Jane.
00:34:30I remember it so well.
00:34:32Stefano was really wearing that scarf and he didn't ever wear it again.
00:34:34What have you got against that boy?
00:34:36He's so strange, so violent.
00:34:40He frightens me.
00:34:42And then...
00:34:43Then what?
00:34:46Jane, you won't tell anyone, will you?
00:34:48Of course I won't.
00:34:51Surely you're not afraid of me, too.
00:34:54Oh, no, Jane.
00:34:55But I received this phone call from the killer.
00:34:58And he threatened to kill me, too, if I told anyone who it was that I'd seen wearing that scarf.
00:35:03Come in.
00:35:07Excuse me.
00:35:08I just wanted to say goodbye.
00:35:11Good evening, Jane.
00:35:12Good evening.
00:35:13I'll have to go now.
00:35:15If not, I'll miss my flight at ten.
00:35:16I'll phone you from Paris when I arrive.
00:35:19Take care of her, Jane.
00:35:21All right, till tomorrow morning.
00:35:23I can't go up to the villa till later.
00:35:24I have a few things to do in town.
00:35:26You didn't tell me.
00:35:27No, but I told Ursula and Katya.
00:35:28I'm sorry.
00:35:29Oh, you'll be all right.
00:35:30You'll have the others with you.
00:35:32You'd better dry off.
00:35:35I have to go.
00:35:36Have a good trip.
00:35:39But you promised.
00:35:40Yes, but I want to talk to Stefano first.
00:35:43He may be a strange boy, as you say, but that doesn't mean the killer's Stefano.
00:35:47I'll drive up later.
00:35:49Don't worry.
00:35:50Don't worry.
00:36:12Don't worry.
00:37:43He's on the third floor, apartment eight, signorina.
00:37:46Gracias.
00:38:16Hello?
00:38:17Hello?
00:38:18Hello?
00:38:22Hello?
00:38:23Hello?
00:38:29Hello?
00:38:31Hello?
00:38:32Hello?
00:38:39Anyone home?
00:38:41Anyone home?
00:38:45Is anybody there?
00:38:52Stefano?
00:38:53Stefano?
00:39:05Stefano?
00:39:09Stefano?
00:39:10Stefano?
00:39:14Stefano?
00:39:16You know?
00:39:17Hello?
00:39:23Let's go.
00:39:53I was looking for Stefano Vancey. Excuse me.
00:39:58Signor Vancey's bed was unoccupied last night.
00:40:00I don't know if he's in town.
00:40:01Have you?
00:40:23I don't know.
00:40:53I don't know.
00:41:23Look at all those mockers.
00:41:36Brother, up here you can see the sauce of the Nile.
00:41:40Where's she from?
00:41:41You mean the one with the suntan makeup?
00:41:42She didn't buy it.
00:41:43Oh, with those legs, she could outrun a rabbit.
00:41:44I'm a rabbit.
00:41:45Hey, what do you think I'm here for?
00:41:47Make eyes at me.
00:41:50Come on, let's go.
00:41:52We still have a lot of shopping to do.
00:42:02Oh!
00:42:04Bring the bread and the milk every morning.
00:42:06Please don't forget.
00:42:07I'll remember, signorina.
00:42:09Every morning.
00:42:10Pretty girl, isn't it, Ballack?
00:42:35If you could only speak to them how they'd love it.
00:42:38The way they looked at you, you saw.
00:42:40Say, why don't you go up to the villa and pay them a visit?
00:42:42They're expecting you.
00:42:43Yeah.
00:42:43Sure.
00:42:44No kidding, Ballack.
00:42:45You can measure them for shoes.
00:42:46What they came here for is a strong man like you.
00:42:50They love leather.
00:42:52Don't miss your chance, Ballack.
00:42:54Save one for me.
00:42:55Yeah.
00:42:55Ha, ha, ha, ha, ha, ha!
00:43:25Ha, ha, ha!
00:43:55Oh, with all the windows barred, it seems like a prison.
00:44:05There's no one here most of the year.
00:44:07It was a paradise for thieves, so we put up the bars to discourage them.
00:44:10God, where's Jane?
00:44:11She must have found the roads full of traffic.
00:44:13Or she couldn't leave.
00:44:15Why not telephone?
00:44:16There we are.
00:44:17That's it.
00:44:18Ciao.
00:44:19Ciao.
00:44:25Yes, Llorina?
00:44:29Excuse me.
00:44:31Can you show me the road to Villa Santa Alba?
00:44:33Oh, yes.
00:44:34It's just up the hill, but slow down.
00:44:36It's bumpy.
00:44:37Well, I better have you check the car.
00:44:38I think there's a spring broken.
00:44:40It's impossible to check that until morning.
00:44:42But tonight, if you like, I'll go with you.
00:44:45Yes, if you please.
00:44:45You'll have to walk up the hill, though.
00:44:49I'm sorry.
00:45:01They told me she left three hours ago.
00:45:03Ah, then she's found interesting company, I guess.
00:45:06Stop joking.
00:45:07I'm afraid.
00:45:08I'm worried to...
00:45:09Hey, girls, you can open this door or not.
00:45:21It's Jane.
00:45:26Oh, it's loud.
00:45:28Wow, what a climb.
00:45:31I had trouble with my car and I had to leave it in the village.
00:45:34Hi, Hal.
00:45:36Hi, Ursula.
00:45:36Danny was worried about you.
00:45:39Well, she was right.
00:45:40It's the fault of my driving, I suppose.
00:45:43Look, I've cleared the whole thing up.
00:45:45Stefano has nothing to do with it.
00:45:48Of course.
00:45:49Stefano's scarf was different.
00:45:51This had a red design on a black background.
00:45:53The one the inspector showed us was just the opposite.
00:45:56I'm so confused.
00:45:59If Stefano wasn't wearing that scarf...
00:46:03Then who...
00:46:05I know he saw it on somebody.
00:46:07Look, forget about the scarf.
00:46:09I won't hear any more about it.
00:46:12Now, I could do with a drink.
00:46:13I think I've caught a cold.
00:46:15Oh, what a terrible day.
00:46:17Forget it, boys.
00:46:18Those three birds aren't for the likes of us.
00:46:20Forbidden fruits, the best there is.
00:46:22There's some grapes.
00:46:23Well, that niece of the owner is really ripe.
00:46:25I wouldn't mind spoiling her a little bit more.
00:46:27She looks willing enough to me.
00:46:28Let's go up there and give him a try.
00:46:29Yeah, we'll be wasting our time.
00:46:30Let's play bocce ball.
00:46:31Listen to Castanova.
00:46:33That's how you get to leave so much.
00:46:34I'd go for that exotic meal.
00:46:36The one with the long legs.
00:46:37Oh, yeah.
00:46:37Wow, what a grip she must have.
00:46:38She looks like a man-eater.
00:46:40I'd feel safe with one of the others.
00:46:41They're all the same in the dark.
00:46:42Well, maybe, but I'd like to start with that little boy.
00:46:44Of course, that's worse my way out.
00:46:45You got it all worked out, huh?
00:46:47Well, I'm off to bed.
00:46:56Good night, Danny.
00:46:57Good night.
00:47:17Good night.
00:47:47Good night.
00:48:17Good night.
00:48:47Good night.
00:49:17Good night.
00:49:19Good night.
00:49:47Good night.
00:49:49Good night.
00:50:17Good night.
00:50:19Good night.
00:50:21Good night.
00:50:23Oh, my God.
00:50:53Oh, my God.
00:51:23Oh, my God.
00:51:53Oh, my God.
00:52:23Oh, my God.
00:52:53Oh, my God.
00:52:57Ah, it's about time.
00:53:00Come on, you lizards.
00:53:02Breakfast is here.
00:53:04Come on.
00:53:05He's charged.
00:53:06So is he.
00:53:17Look, James.
00:53:18Oh, no.
00:53:20I twist my ankle.
00:53:22How awful.
00:53:23My mouth won't be so clumsy.
00:53:26Milk, bread, and eggs.
00:53:29And things.
00:53:31Hurt.
00:53:33Don't worry.
00:53:34It'll be all right.
00:53:35It's not broken.
00:53:38Why the hell are you standing there?
00:53:41Go get a doctor.
00:53:42Quickly.
00:53:42Yeah, sure.
00:54:04I don't think it's anything serious.
00:54:19But if the swelling hasn't gone down by tomorrow, call me and we'll have it x-rayed.
00:54:22In case you don't sleep tonight, young lady, because of the pain, I'll leave you these.
00:54:29But don't take more than two.
00:54:32Some vacation.
00:54:34Haven't I seen you somewhere before?
00:54:36You might have.
00:54:39On the train.
00:54:40I remember now.
00:54:41You were in the same compartment.
00:54:43Yes, that's right.
00:54:46You weren't with your friends.
00:54:47I came later by car.
00:54:49If necessary, I can bring you into town tomorrow.
00:54:51Oh, my ankle isn't broken.
00:54:53I can drive myself tomorrow.
00:54:54Well, I'll be off.
00:54:56And if you want to reach me, you know where to find me.
00:54:59I'll see you till the door.
00:55:00Goodbye.
00:55:01Goodbye, doctor.
00:55:02Doctor's all right, huh?
00:55:06Not bad.
00:55:10You know, you should have something done about that road.
00:55:13It's not easy getting up here.
00:55:15Oh, excuse me.
00:55:20Hello?
00:55:22Oh, it's you, uncle.
00:55:23How are you?
00:55:25You were right.
00:55:26I'm okay.
00:55:27But where are you?
00:55:29Paris.
00:55:30It sounds as if you were calling from the next room.
00:55:34Uh-huh.
00:55:36Oh, yes.
00:55:37The weather's marvelous here.
00:55:38Oh, yes.
00:55:38The weather's marvelous here.
00:56:00I told you, sir.
00:56:12At least it's warm in the sun.
00:56:14Oh, thank goodness.
00:56:15Oh, thank goodness.
00:56:15Step-and-seam.
00:56:32Step-and-seam.
00:56:34Step-and-seam.
00:56:34Come out.
00:56:35What are you doing there?
00:56:36Danny.
00:56:43But I don't see anyone.
00:56:45I'm sure I saw someone a moment ago.
00:56:46It looked like Stefano.
00:56:48But Danny, you were frightened, that's all.
00:56:52It was Stefano.
00:56:55Let's go home now.
00:56:58If it was Stefano, you would have answered, no?
00:57:02Hey!
00:57:06Come on, Jane, this'll fix you up.
00:57:09The James ankle.
00:57:11Bottoms up.
00:57:14Oh, boy.
00:57:15Nisa didn't need champagne.
00:57:17She won't wake us up in the morning.
00:57:20Let's not excite the patient.
00:57:21She's full of goofballs now.
00:57:23She needs some rest.
00:57:24I think the piano will tune.
00:57:26Shall we serenade her?
00:57:27Yes.
00:57:28How about a lullaby?
00:57:29Come on, then.
00:57:31Good night.
00:57:32Good night, everybody.
00:57:33Good night.
00:57:35Good night, Jane.
00:57:36Went the lights off?
00:57:37You can turn the big one off.
00:57:38I'm going out like a light, too.
00:57:41Night.
00:57:41Night.
00:57:42Good night.
00:57:46Good night.
00:58:06You two make wonderful company.
00:58:17What are you doing?
00:58:19Do you ever call boys?
00:58:20Wish I had.
00:58:21No, I'm going to call Stefano, see if it's home.
00:58:23Oh, forget Stefano.
00:58:25Besides, Danny, it's late.
00:58:26If he answers, I'll hang out.
00:58:30Hell, it's out of order.
00:58:31Somebody's here.
00:58:36Somebody's here.
00:58:37Maybe it's the doctor paying your late call.
00:58:55Who's there?
00:58:56Come on.
00:58:58Come on.
00:58:58You might as well open the door.
00:59:06Stefano!
00:59:06I'm so nervous.
00:59:12Come on.
00:59:15I've had to go.
00:59:16I'm so nervous.
00:59:16I'm so nervous.
00:59:17I so nervous.
00:59:18Come on.
00:59:19He's here for toi.
00:59:19Who's there?
00:59:20Oh, my God.
00:59:50Oh, my God.
01:00:20Oh, my God.
01:00:50Did I sleep so late?
01:01:00Hey!
01:01:01I'm hungry.
01:01:03Aren't patients supposed to have their breakfast in bed?
01:01:20Ursula?
01:01:30Katya?
01:01:35Danny?
01:01:38Ursula?
01:01:42Ursula?
01:01:42Daddy!
01:02:02Danny!
01:02:25Danny!
01:02:37Oh!
01:02:42Oh!
01:02:46Oh!
01:02:49Daddy?
01:03:08Daddy?
01:03:12Daddy?
01:03:14Daddy?
01:03:15Daddy?
01:03:16Mm-mm-mm.
01:03:46Mm-mm-mm.
01:04:16Mm-mm-mm.
01:04:46I have to pick up the empties.
01:04:52Anyone home?
01:05:08Mm-mm.
01:05:09Well?
01:05:11Mm-mm.
01:05:17Mm-mm.
01:05:23Mm-mm.
01:05:29Mm-mm.
01:05:31Mm-mm.
01:05:37Mm-mm.
01:05:43Mm-mm.
01:05:45Mm-mm.
01:05:50Mm-mm.
01:05:52Mm-mm.
01:05:54Mm-mm.
01:06:00Mm-mm.
01:06:02Mm-mm.
01:06:04Mm-mm.
01:06:08Mm-mm.
01:06:10Mm-mm.
01:06:12Mm-mm.
01:06:16Mm-mm.
01:06:18Mm-mm.
01:06:20Mm-mm.
01:06:22Mm-mm.
01:06:26Mm-mm.
01:06:28Mm-mm.
01:06:30Mm-mm.
01:06:32Mm-mm.
01:06:38Mm-mm.
01:06:40Mm-mm.
01:06:42Mm-mm.
01:06:44Mm-mm.
01:06:46Mm-mm.
01:06:48Mm-mm.
01:06:50Mm-mm.
01:06:52Mm-mm.
01:06:53Mm-mm.
01:06:55Mm-mm.
01:06:57Mm-mm.
01:06:59Mm-mm.
01:07:01Mm-mm.
01:07:03Mm-mm.
01:07:05Mm-mm.
01:07:07Mm-mm.
01:07:09Mm-mm.
01:07:11Mm-mm.
01:07:13Come on.
01:07:43Come on.
01:08:13Come on.
01:08:43Come on.
01:09:13Come on.
01:09:43Come on.
01:09:49I don't think those girls are politically aware.
01:09:52Who cares?
01:09:52I'd like to have a whole spirit.
01:09:54Oh, on a desert island.
01:09:56Naked.
01:09:56In a storm.
01:09:57In a storm?
01:09:58Why?
01:09:59It's more emotional.
01:10:00You need an assist?
01:10:01You need an eye on a storm.
01:10:03I'm going to go.
01:10:11You need an assist.
01:10:13I need an assist.
01:10:13You need an assist.
01:10:15Oh, my God.
01:10:45Oh, my God.
01:11:15Oh, no.
01:11:27Oh, no.
01:11:29Oh, my God.
01:11:59Oh, my God.
01:12:29Oh, my God.
01:12:59Oh, my God.
01:13:28Oh, my God.
01:13:58Oh, my God.
01:14:28Oh, my God.
01:14:58Oh, my God.
01:15:28Oh, my God.
01:15:58Oh, my God.
01:16:28Oh, my God.
01:16:58Oh, my God.
01:17:28Oh, my God.
01:17:58Oh, my God.
01:18:28Oh, my God.
01:18:58Oh, my God.
01:19:28Oh, my God.
01:19:58Oh, my God.
01:20:28Oh, my God.
01:20:58Oh, my God.
01:21:28Oh, my God.
01:21:58Oh, my God.
01:22:28Oh, my God.
01:22:58Oh, my God.
01:23:28Oh, my God.
01:23:58Oh, my God.
01:24:28Oh, my God.
01:24:58Oh, my God.
01:25:28Oh, my God.
01:25:58Oh, my God.
01:26:28Oh, my God.
01:26:58Oh, my God.
01:27:28Oh, my God.
01:27:58Oh, my God.
01:28:28Oh, my God.
01:28:58Oh, my God.
01:29:28Oh, my God.
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