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Transcript
00:00Oh, yeah, come on!
00:07Oh, yeah, baby!
00:15Girl, you really got me going
00:18You got me so I don't know what I'm doing
00:21Yeah, you really got me now
00:25You got me so I can't sleep at night
00:28Oh, yeah, you really got me now
00:32You got me so I don't know what I'm doing now
00:36Oh, yeah, you really got me now
00:39You got me so I can't sleep at night
00:42You really got me
00:43You really got me
00:45You really got me
00:47Yeah!
00:49Oh, yeah!
00:50See you, don't ever set me free
00:53I always want to be by your side
00:56Yeah!
00:58I'm gonna have fun in the day
01:02Ba-na-na-na-na-na-na-na
01:04Free with my girl, she's so pretty
01:07Ba-na-na-na-na-na-na-na-na
01:09She looks fine tonight
01:11Oh!
01:11She is!
01:12Yay!
01:13Yay!
01:14It's almost midnight!
01:16Come on, I don't want to miss it!
01:18Oh, my God!
01:19Okay!
01:20Make the fireworks!
01:21Hurry, hurry!
01:22Quickly, quickly!
01:23I need a champagne
01:24One sip, one sip
01:25No, but I, no, I, um...
01:25Marry me
01:26Marry me
01:28Marry me
01:30It's beautiful
01:37And you have such terrible taste
01:40Well, I have help
01:42Five, four, three, two...
01:44How long have you been planning this?
01:46Since I met you
01:47Since I met you
01:59Let's do everything
02:00Five, four, three, four
02:02So, one something
02:04And I have to go
02:05Ooh, noisy
02:06On your booth
02:07And, two, three...
02:08Like that
02:10花, two, three
02:10Six, three, four
02:11And, three, three
02:12Why are you
02:12When you played
02:14The only thing
02:16Besides
02:18Typing
02:19Same as the
02:24플레이
02:25You
02:26It was
02:27You
02:29Oh, my God.
02:59Mind the horses here.
03:21Please allow me to accompany you, Miss Rathbone.
03:24For the umpteenth time, Mr. Winterton, no, I do not need your accompaniment when I am attending to my affairs.
03:30Isn't that precisely why you need the accompaniment of a gentleman? Surely it's not safe for...
03:35Mr. Winterton, I am a woman of independ...
03:39You OK?
03:47Mm-hmm.
03:48I'll have you, no.
03:50I'll have you, no.
03:55I'll have...
03:57Very well, Miss Rathbone. I understand you're feeling poorly. I shall see you anon.
04:08I must go to the, um, to the post office. This way.
04:12Oh, my God. Sharon, I'm so sorry. This kid was eating fried chicken in my face.
04:26Yeah, sorry.
04:30I knew there was something wrong with that takeaway last night.
04:32People were taking photos.
04:34I know. I'm going to mention that when I ring to complain.
04:36This cannot keep happening.
04:38It won't. I'm pretty sure it's out of my system now.
04:41I am very sorry about what you've been through.
04:44Really, I am. But I'm OK now.
04:47Lillian, I have to let you go.
04:51No, come on. Please, Sharon, this job is the only thing that's keeping me sane.
04:56But it's not.
04:57I can fix this. I promise.
05:08All right. Thank you.
05:28Thank you for that.
05:29Thank you for that.
05:31Woo-hoo!
05:32We're up all night to get lucky.
05:35We're up all night to get lucky.
05:38We're up all night to get lucky.
05:40We're up all night to get lucky.
06:10What the fuck?
06:19Mary, where are you?
06:21I'm outside your office. Someone's changed the key code.
06:24Hey, can you let me in?
06:25You need to use the front entrance.
06:27Yeah, I have a woman here in a big dress.
06:31Possibly on methamphetamine.
06:33Sorry, it's Dr. Harvey in the ED office.
06:35Lillian?
06:36What's happened?
06:37I'm sick.
06:38God, did a Clydesdale shit on you?
06:40Can you give me something to stop throwing up?
06:41Miss, I need you to step out into the corridor.
06:43Oh, no, no.
06:44Just move away from the doctor.
06:45No, it's not a situation.
06:47I mean, obviously, it's a situation.
06:50She's my friend.
06:51My hungover friend.
06:53We're fine.
06:55Thanks.
06:56Sorry, I didn't realise you two.
07:03The costume kind of threw me.
07:05She works at Sovereign Hill.
07:08Is that the theme park?
07:10It's the living museum.
07:12Who's he?
07:13This is Sam.
07:16My new registrar.
07:19Sam, this is Lillian.
07:21Hey.
07:25What kind of emergency doctor freaks out so easily?
07:28I don't freak out.
07:30Tell that to the big boys in the uniforms.
07:32I was following procedure.
07:33It's all good, Sam.
07:34She was banging on the glass.
07:35I know.
07:36Can you go and check on the kid in room one for me?
07:38I was not banging on the glass.
07:40See if her x-rays have landed.
07:41You definitely were.
07:42And chase them if they haven't.
07:43And we were told to take extra precautions because the doctor that I replaced was killed on duty.
07:55Lillian was his fiancée.
08:01Shit.
08:03Can you deal with that for me, please?
08:04Sorry.
08:06Chase up those x-rays.
08:06Yeah.
08:18Why would you come here?
08:20I need an injection.
08:21And a mint.
08:23Sharon fired me.
08:25I may have thrown her up in front of a school group.
08:29Oh, Lillian.
08:30If you give me an injection, I can go back and show her that I'm fine.
08:33And then if you wrote me a doctor's certificate to say that I had food poisoning, then I...
08:37Jesus Christ!
08:39You know what this is, don't you?
08:41Um, why would I know this one?
08:44I'm a cry for her.
08:45Yeah, it's not funny.
08:46You should be seeing a psychologist.
08:48Just, okay, fine, whatever.
08:49Yes.
08:49Just, okay, fine, whatever.
09:00Have a sip.
09:01So, I finished my victim impact statement, which was, you know, blech, but I'm glad it's done.
09:21How are you going with yours if you started?
09:30Because that's where I think the psychologist could help.
09:34You know, because you can't talk about what happened.
09:38He might be able to help you get your thoughts...
09:40Can you just give me a fucking injection?
09:46Sorry.
09:46But actually, can you?
09:52No.
09:54Seriously?
09:55Can you at least write me a doctor's certificate?
09:57I have to get back to work.
09:58Mary!
09:59Go home and sleep it off.
10:01Okay.
10:03Fuck you.
10:04Yeah, fuck you too.
10:05It's up here.
10:27TripAdvisor gave this place 4.75 stars.
10:29It's the best supper in the city.
10:30I just won $50.
10:37I bet, Sarah, that you couldn't make it through the evening without answering an email.
10:40Rupert says he wants to start the harvest Wednesday.
10:44Which would be great if we were making vinegar.
10:46We don't have a wrong way this way, mate.
10:48Oh.
10:49Yeah, don't mind me.
10:51Where are the manners?
10:52Come on.
10:53You're just hungry.
10:54Yeah.
10:56All right.
10:56Why isn't everyone in bed?
10:57I think I fucked up.
11:22Hey, Siri.
11:23Turn it off.
11:26What happened?
11:26Your cousin happened.
11:29What now?
11:30We had a big fight in my office.
11:34Wait.
11:35She came to the hospital?
11:36She lost her job.
11:38Oh, Jesus.
11:39Well, that was probably only a matter of time.
11:42She met Sam.
11:44Oh.
11:45How'd she take it?
11:46She vomited.
11:48Oh, baby, I'm sorry.
11:49It wasn't just Sam.
11:51She was so hungover.
11:52That's why she came here.
11:53She wanted me to give her Maxilon.
11:54Fuck, that's desperate.
11:56Did it help?
11:57I didn't give it to her.
11:58Okay.
11:59All right.
12:00She'll just start drinking again tonight and be just as sick tomorrow.
12:04Okay.
12:05It's just you have given her medication before.
12:07Well, this time it was different.
12:09She wasn't listening to anything I was saying.
12:11And were you saying she should be seeing someone?
12:15You didn't see what she was like.
12:17Honey, I don't know why you would bring that up.
12:19She hasn't even started her victim impact statement.
12:23Oh, God, Mary, you can't pass through about that.
12:25But if she can't write it or even talk about it with us, how is she supposed to sit through
12:31everything and call?
12:32Look, I know you're anxious about going.
12:35Uh, no, no, no.
12:36This has nothing to do with me.
12:39Okay.
12:42Can you just call her, please?
12:44She listens to you.
12:45Well, that's bullshit.
12:48Just see if she's all right.
12:49No, you're the one who fucked up.
12:51I did not.
12:52You just said you did.
12:53Well, it's different when I say it.
12:55Are you okay?
13:14I will be when we land.
13:19Oh, hang on.
13:21Are we going the right way?
13:22Oh.
13:23Let's just go back to the hotel.
13:25No.
13:26This is our night without children.
13:27I want to go out.
13:28I just want to get some room service.
13:30It's my birthday.
13:31Yeah.
13:32We came here.
13:33We saw your show.
13:35And that's it.
13:36Is it?
13:37That's all I'm allowed.
13:38What?
13:38A plane ride and a musical and then shut up, Kelly.
13:41Time for bed.
13:41Okay, calm down.
13:43Those tickets weren't cheap, by the way.
13:47You know what?
13:49You go back to the hotel.
13:50I'm having supper.
13:52Okay.
13:53Kelly.
13:54OK, there were two rings, which means your phone wasn't off.
14:21You've just hit the piss-off Hamish button,
14:22which shits me because I'm working on this really important Noodle Shop logo,
14:26which, as I say it, I know doesn't sound that important, but it is,
14:30so fucking call me back.
14:33Lillian?
14:39Henry from uni?
14:42Oh, yeah.
14:43You OK?
14:45No.
14:46Same, same.
14:48Deep fryer.
14:49Hey, you coming back to uni?
14:58I'm really sorry about your husband, by the way.
15:04He's messed up.
15:10It happened here, right?
15:13Why don't you go stick your other hand,
15:16and maybe your head, in the deep fryer?
15:18Yeah.
15:34Kelly!
15:36Kelly!
15:37Oi!
15:37Jesus Christ!
15:39Kelly!
15:39Kelly!
15:41I'm sorry.
15:41OK, I'm sorry.
15:43I'm not going back to the hotel.
15:44I know, I know.
15:46Where's your suffer place?
15:51Hiya.
15:54Looks good.
15:55Bakery Hill Medical.
16:03Hi, uh, do you have any doctors available?
16:07Lillian?
16:09Vandenberg?
16:12V-A-N-D?
16:17Roger that.
16:18Rerouting now.
16:20The smoke's too intense.
16:22We'll have to land at Avalon.
16:23It might get a little bumpy.
16:26I think we've botched it.
16:27I'll call Lana.
16:40It's a quarter to twelve.
16:42Who queues up for food at a quarter to twelve?
16:46What is this?
16:47A soup kitchen?
16:49You'll have to excuse my husband.
16:50He hasn't left Adelaide since 1983.
16:53What the fuck?
16:53Come on, let's make a little joke.
16:56Thought Melbourne had a comedy festival.
16:58Huh?
17:01Hey, look at this lot.
17:13Wait.
17:14Yes, I'm still here.
17:15Fuck.
17:21Stop breathing.
17:43Come on.
17:44Come on.
17:45Come on.
17:45Let's go.
17:46I'm still here.
17:49Trauma victim.
17:50Suffering cardiac arrest.
17:51Suspected fracture pulvis and internal bleeding.
17:54CPR on scene.
17:55Brosk, 14 minutes.
17:57Oh, God.
17:59Please hurry.
18:00Please hurry.
18:01Please hurry.
18:15Fee, thank you so much.
18:25She's through here.
18:26I told her not to call you.
18:31Are you all right?
18:32You scared the shit out of us.
18:33I'm sorry.
18:34I shouldn't have pushed you about getting help.
18:36I should have just given you the injection.
18:38Yes, this is your fault, Mary.
18:39This has absolutely nothing to do with me being an arsehole.
18:43You're not an arsehole.
18:45All the time.
18:47Yeah, I am.
18:47Yeah, she is.
18:49Well, of course you are.
18:52The love of your life died.
18:54I'd be an arsehole too.
19:02I shouldn't have been pressing you to talk or write your statement.
19:05Yes, you should have.
19:07Thought you were mad at me.
19:08Well, what's the alternative?
19:11Look at her.
19:13Fuck's sake, Lillian.
19:14Nobody wants to go to court, but at least there'll be some closure.
19:17The whole point of the victim impact.
19:19Jesus Christ, don't you get it?
19:21The whole point is there is no point.
19:22I don't care.
19:23About what?
19:24About anything.
19:25Well, you can't just...
19:26You need to snap out.
19:27Not snap out.
19:28I know that that's offensive.
19:29I just mean that there is a light at the end of the tunnel.
19:32And yes, you are in the tunnel at the moment.
19:36And it's very dark because there's a curvy bit that's...
19:42What am I trying to say, Mary?
19:45Can I get a lift to my car?
19:46Oh, the car with a gaping hole at its side.
19:49Yeah, no, we're taking you home.
19:50Please, Harry.
19:51Please, Harry.
19:53Please, Harry.
19:54Please, please.
19:55Please, Harry.
19:56His stats have dropped to 85.
20:00I made him go to supper.
20:01Is he going to be okay?
20:03Why didn't I just go with him back to the hotel?
20:06Is he going to be okay?
20:07Is he going to be okay?
20:09Is he okay?
20:10Is he okay?
20:10He isn't.
20:12He's okay.
20:14He's okay.
20:15He's okay.
20:16He's okay.
20:18Please, Harry.
20:45Oh, okay.
20:56Right.
20:57That's it.
20:58Get out of that dress.
20:58You're staying with us.
21:00I'm good.
21:01You can't stay here, Lillian.
21:03It's like a youth hostel and a...
21:06An end of year soccer trip.
21:09Fucked each other.
21:11Jesus Christ.
21:13How's the electricity not being disconnected?
21:15I'll pack a bag.
21:16I'm not coming.
21:17I'll sort the bills into piles.
21:18It's junk.
21:19Tell that to the sheriff.
21:21Are you fucking right?
21:22I don't need you to pack and I don't need you to open a letter from my local MP.
21:28No job too small.
21:29Australian...
21:31Australian what?
21:34Tax office?
21:40And so unfortunately, Andrew has suffered a massive cardiac arrest in the accident and now he is in heart failure.
21:59But it's going now.
22:00He's breathing now.
22:02He is artificially breathing now and we are circulating his blood for him.
22:06So is he going to need a stent?
22:08My father has a stent.
22:09He has too.
22:10I'm so sorry.
22:10This is very different.
22:12We can't undo the damage.
22:21How long since you've lodged a return?
22:27Is it a late phone?
22:29Mary, what is it?
22:32We've got a good accountant.
22:35Dear donor family.
22:37Oh, holy fuck.
22:39Who?
22:39I don't really know how to begin except to say thank you for my new heart.
22:48It's his heart.
22:49Oh.
22:52Ten months ago I had an accident and to cut a long story short, I was put on a waiting list for a new heart.
23:00Three months later on the day you would have endured your loss.
23:05It came.
23:06Okay everyone, we ready?
23:14Hello Andrew.
23:16We made it.
23:18I can't describe the joy and relief my family and I felt on that day.
23:24Or how deeply grateful we are.
23:30The next piece of black down?
23:32It's redacted.
23:33It has to be anonymous.
23:34Oh.
23:36I can only imagine the pain you're going through but I hope it gives you some comfort to know
23:42that your gift saved my life.
23:44I will never take for granted your generosity.
23:51And I will cherish every day with my new heart.
23:55Forever in your debt, recipient.
24:09You should kind of be aligned with me before me.
24:10And I will now know that my heart is still not good.
24:13Yeah.
24:14You're so close to me.
24:15I can only realize that it is something about their change and their home.
24:17I'm sorry to stand up.
24:18I'm sorry to stand up.
24:19I'm sorry to stand up.
24:20Just in front of you now.
24:20I'm sorry to stand up.
24:21I'm sorry to stand up.
24:23I'm sorry to stand up.
24:24I'm sorry to stand up.
24:25I don't know.
24:55I miss him.
25:01Yeah, Kaleel?
25:25I've got...
25:29Forgot what?
25:33The night he died.
25:35He was killed.
25:39It's on a loop in my head.
25:42I can't make it stop.
25:44You calling me, you coming to get me, running through the hospital and my shoes went on properly and the police and then seeing him there and his mum yelling at me.
26:08And he was so mad.
26:10I know.
26:13So I forgot.
26:16That Orthen all totally fucked.
26:18There's someone out there with his heart.
26:30That's what I mean about the tunnel.
26:36That's the light.
26:38Someone got to live.
26:39Please don't do metaphors.
26:56Not just someone.
26:59Lots of someones.
27:00What?
27:12I know.
27:18I know.
27:19¶¶
27:48¶¶
27:58Good morning. Good morning.
28:00Looks like a lovely lollipop.
28:04Good morning, sir.
28:06Ma'am.
28:08Would the young'uns like to meet the horses?
28:12Come along. Come and meet Thursday.
28:15He's the big one on the right.
28:16Can you take a photo?
28:18Lillian, what are you doing?
28:20I just wanted to apologise.
28:22Oh, for heaven's sake, can't this wait?
28:24I really am sorry about how I behaved, but have been behaving.
28:31I know you are.
28:34I totally understand your decision for firing me, but I really need my job back.
28:44Lillian, there are other jobs.
28:46Good morning.
28:47Hi.
28:48I'm not quite so public.
28:50I want this job.
28:52I need this job.
28:54I can't talk about this now.
28:56You shouldn't be in the coach.
28:58Sharon, please, can I just...
29:00Look, I started working here as a bit of a joke.
29:04Not a joke.
29:05Not a joke.
29:06I was the joke.
29:08I was 34 with no idea what I was doing with my life.
29:13What I mean is, I thought it would be fun.
29:16And it was fun.
29:17But it was also great.
29:19And I was good at it.
29:22And then I met Ash.
29:25And I think when he saw me working here with the kids, I think it made him like me more.
29:33And he kept telling me how brilliant I was with them and that I should be a school teacher.
29:40And that's when I enrolled in university.
29:43That was because of him.
29:45So, you see, my whole adult life finally made sense.
29:54Because of this job.
29:58But everything's changed, William.
30:01Not this place.
30:03It's still 1851.
30:08Everywhere I go, everyone just wants to talk about Ash.
30:13Now he died.
30:16And then when I'm here, and I'm in costume, it just feels good to pretend that everything's normal for a little while.
30:27Whoa, first day.
30:30Please, Sharon, I've almost finished my degree and then I can be teaching here properly.
30:43You can come back on strict probation.
31:02Really?
31:06I won't let you down, I promise.
31:08Heard that before.
31:10Hello.
31:17Thank you, everyone.
31:22Thank you, everyone.
31:24Thank you very much.
31:27Anybody really kardeş me?
31:32Thank you so much.
31:34Please?
31:35Thanks, everyone.
32:38Hello. Welcome to Rosalie Estate. I'm Andrew Schneider, third generation winemaker, ninth generation
32:46wine drinker. Hope you're all looking forward to tasting the best wine in the Barossa. Now,
32:51cellar door's right down that way. You'll find my beautiful wife, Kelly, waiting for you
32:55in the gazebo. Enjoy!
32:56Oh! Hello. Are you part of the group?
33:17The tour. Are you here for lunch? Are you okay? My fiancé is... Well, he's... He's...
33:33Oh! Well, if he's caught up with my husband, we'll never get him back. Would you like
33:37to try some of our bubbles?
33:42Andrew sent this to me.
33:45I'm sorry?
33:45Andrew sent this to me. Your fiancé?
33:58He's... Sorry. Um... Oh. Oh. So here we got some big fruit flavours. Maybe some blackberry,
34:13some plum. You might detect a hint of dark chocolate for any of your chocolate lovers
34:17in the house. Excuse me.
34:21What happened? Kelly? Toby, get her a lemonade and keep everyone inside. What's wrong? Where
34:31does it hurt? Did you see it? Did she hit her head?
34:34Maybe. This is... This is... Lillian. I'm Lillian. Her fiancé donated his heart. I don't understand.
34:53I'm sorry. I'm so sorry. I didn't mean to hurt Kelly and I just... I just wanted to see you.
35:06I thought it was anonymous. It is. I googled. Because there was only one heart transplant in Victoria
35:22in that 24 hours and we were in Ballarat. So... And your story was in the news and Kelly had put
35:29everything about the accident on Insta and it just... It wasn't that hard to find you.
35:35I'm sorry. Oh, no. It's alright. Isn't it? It is. We understand. Your letter was so lovely.
35:59It took him two weeks to write that.
36:07He would have been so happy to help you. Ash. His name was Ash. He was a doctor.
36:13Oh, my God. We're just so sorry. Do you want to see your photo?
36:27Oh, oh, oh. Um... Yeah, yeah, of course. nhw v
36:36Ow. Oh... Uh...
36:40Give me photographs.
36:42Hey...
36:43Can you explain yourself?
36:45Oh, my God.
36:49Do you want to see your face?
36:51Oh.
36:52Are you okay?
36:58Andrew.
37:00I'm fine. I'm fine.
37:03I just wasn't expecting...
37:06Expecting what?
37:10Maybe we should go into the house.
37:12Hang on.
37:14Expecting what?
37:15He might need some food.
37:19He's probably overdone it.
37:21So I've done it.
37:28Sorry.
37:51It's a fucking thing. It's either freezing or...
37:57It's more freezing.
37:58Oh, come on.
38:00What you get for the cheapest office space in town, I guess?
38:04What you don't have in warmth you make up for in petrol fumes.
38:07Yes. Which really suits half my clientele.
38:10And how many clientele have you got so far?
38:12A few, actually. And some of them even pay me. Fools.
38:16I promise I'll pay you in dinner.
38:18Hiya.
38:20What kind of dinner?
38:21I mean, out or at your place?
38:23We don't go out my house.
38:25Okay.
38:26So that's three dinners.
38:28With meat.
38:33Fine.
38:34Three.
38:35But we want top shelf legal advice.
38:37I don't need advice.
38:39The police have been good, but it's all a bit daunting.
38:43Hamish has been worried about me, Jack.
38:45He forgets I run an emergency department.
38:47You've never been in court before.
38:49I don't have to do anything. He's pleading guilty.
38:51You still have to show up.
38:52But this is great, so you can see Lillian.
38:55She'll be on Lillian time.
39:01Did you read her victim impact statement?
39:03Uh, no. No, I haven't seen it.
39:05She was emailing it.
39:06Oh, okay.
39:09She's really turned a corner.
39:11Has she?
39:13Do you have the internet?
39:15Yes. This is a service station, not a submarine.
39:18Have you read it?
39:19No.
39:20But she definitely said she was doing it.
39:23Okay.
39:25Okay.
39:26Uh, so realistically, that might still be in the wish list column.
39:30Wish list?
39:31Yeah, I mean, she's not legally required to do a statement.
39:34Isn't she?
39:35No.
39:36The hospital said I had to do one.
39:38Yeah, they'll be wanting to maximise the pressure,
39:40but, you know, technically she doesn't even have to go to court.
39:43But that's ridiculous, though.
39:45I'm not the victim in this.
39:47Well, I'm not sure that's true.
39:49Lillian is.
39:50Why am I doing a victim impact statement?
39:52Well, I mean, it's preferable if she does, obviously, you know,
39:55to make the sentence stick.
39:56Right.
39:57Jesus, my fingers are bone white.
40:01Um, why don't we go over your statement while we're waiting?
40:05I know it.
40:06Of course you do.
40:09Um, it's just...
40:11And look, I hate to say these words, but...
40:13Maymush was right.
40:14Um, it is daunting to be in court and to have to face him.
40:19Yes, you run an ED and you're used to trauma,
40:23but, um, this is different.
40:29Ash was our friend.
40:30And it's hard enough for us to deal with it.
40:33Right.
40:35And we weren't there.
40:38I just think, um...
40:40If you don't have been there with him,
40:42it is daunting to be in court and...
40:46You know what? I'm gonna call Lillian.
40:48Actually, let's see how far away she is.
40:52It's ridiculous.
41:15What the fuck was that?
41:16No.
41:22Uh, sorry.
41:23Someone called Lillian Vandenberg is on the phone.
41:26She's super upset.
41:28I told her that you were on a Zoom,
41:30but she's kind of...
41:31freaking out.
41:37Lillian?
41:40Hi.
41:41I'm Susan Sinclair.
41:42I'm the family coordinator.
41:43We met after Ash passed away.
41:46Where are the other letters?
41:48I'm sorry?
41:49You've only sent one letter.
41:50But we donated...
41:52everything.
41:54Okay.
41:55Well, the process can be...
41:57Why hasn't anyone else written?
41:58Are they not grateful?
42:00Oh, Lillian.
42:01It's not that.
42:03Uh, look.
42:05People find it hard to write for a lot of reasons.
42:09They're overwhelmed.
42:11They're scared.
42:12Is there a vetting system?
42:14For the letters?
42:15For the recipients.
42:16Well, they have to be compatible.
42:19Blood group, size, tissue.
42:21But what about a compatible person?
42:25Has something happened?
42:27No.
42:28I just want to know if...
42:31if there's a caveat for who gets it.
42:35No.
42:36There are no caveats.
42:38Ash had no caveats when he chose to be an organ donor.
42:42But I can assure you his generosity and yours has saved many different lives.
42:51Lillian?
42:55I'd really like another letter.
42:56Andrew, dinner!
43:12Mathilde, can you tell the boys if they don't come inside now?
43:14There's no dessert.
43:16Oliver! James!
43:17Not like that!
43:19You just yelled for Dad.
43:20Well, he's in the next room.
43:22I think he has his door closed.
43:27While only designed in 1940, the North American P-51 Mustang quickly became known as the Pilot's Plane.
43:35It's that Doc I Gavin recommended about the P-51 Mustang.
43:39Mmm. One of my favourites.
43:41Dinner's ready.
43:43I might have mine in here.
43:45Are you okay?
43:47Why do you keep asking me that?
43:49Because you want to eat dinner on your own.
43:53Oh, I'm just a bit tired.
43:57Is it about yesterday?
43:58No, Kelly, it's not.
44:00I told you.
44:01I know.
44:03But...
44:04such a shock.
44:06I'm not the one who fainted.
44:08Oh, okay.
44:10Look, I just mean...
44:12I'm alright.
44:14But I'm wondering if Lillian is.
44:25What's that supposed to mean?
44:27She was upset.
44:28I didn't ask her to come here.
44:30I know, but...
44:31She's lost her fiancé. Of course she's upset.
44:33You upset her.
44:35The way that you reacted when you saw the photograph, it looked like you didn't like what you saw.
44:41I beg your pardon?
44:43Because he was...
44:46I mean, did you ever consider that he might not be white?
44:52I can't even...
44:55I don't...
45:01Jesus Kelly, I cannot believe you would say that.
45:05That's what it looked like.
45:07That's why she left so abruptly.
45:08I think you need to say sorry.
45:11I need to say sorry.
45:12I was ambushed.
45:14What she did is illegal.
45:15But that doesn't change the way that you reacted.
45:17But why did she go to Adelaide?
45:18She said she needed to clear her head.
45:23Who goes to Adelaide to clear their head?
45:24Mummy!
45:25I've got earrings!
45:26I love them.
45:27When's she coming back?
45:28I don't know.
45:29Well, how am I supposed to make another appointment with Jack?
45:30I don't know.
45:31I'm not going again.
45:32But we didn't go through the statements.
45:33Can I have some earrings too?
45:34Of course.
45:35Babe.
45:36Babe.
45:37We need to see him again.
45:38We see him.
45:39I don't know.
45:40I don't know.
45:41I don't know.
45:42I'm not going again.
45:43But we didn't go through the statements.
45:44I don't know.
45:45I don't know.
45:46Oh my God, Hamish.
45:47Did you hear what I said?
45:49I deal with this stuff.
45:50Who goes to Adelaide to clear their head?
45:51I don't know.
45:52Who goes to Adelaide to clear their head?
45:54Mummy, I've got earrings!
45:55I love them.
45:56When's she coming back?
45:57I don't know.
45:58How am I supposed to make another appointment with Jack?
45:59I don't know.
46:00I'm not going again.
46:01But we didn't go through the statements.
46:03Can I have some earrings too?
46:04Of course.
46:05Babe.
46:06We need to see him again.
46:07We see him all the time!
46:08I'm serious.
46:09You heard what he said about-
46:10Oh my God, Hamish.
46:11Did you hear what I said?
46:13I deal with this stuff every day, okay? I'm fine.
46:16Well, you're not.
46:17Well, I have to be, don't I?
46:20Unlike Lillian, I don't have a choice.
46:22I don't get to go off on a fucking road trip
46:24or not show up to court if I don't feel like it.
46:28I'm going to get changed.
46:32Fantastic.
46:42What are you doing here?
47:02How did you find me?
47:04You said Ballarat.
47:05And, uh, I wasn't the only story in the paper.
47:10Your landlord said you'd be back soon.
47:16Flew my plane over, actually.
47:19Sounds grander than it is, this little four-seater.
47:22Still sounds pretty grand.
47:26Yeah.
47:29Beautiful spot you got here.
47:32You a rower?
47:33No.
47:35Ash was.
47:36Oh.
47:37What kind of rower was he?
47:38I don't know.
47:40I used to rower from the University of Men's 8.
47:44Best success, actually.
47:44Look, I don't know what you're doing here,
47:45but I've got some cold stuff that I need to put away.
47:48Oh, give me a hand.
47:49No.
47:52Okay.
47:55Look, I don't know if you, um...
47:57You left this behind.
48:01My letter.
48:02Also, I, uh, I wanted to apologise.
48:09But not asking you to stay for lunch.
48:11Should have stopped you from leaving.
48:17You sure I can't help with one of those?
48:18I know you were disappointed.
48:22What?
48:22You wrote all those beautiful things when you didn't know what Ash looked like,
48:25but when you saw his photo, you were disappointed.
48:28No.
48:29No, that's not true.
48:30You literally reeled.
48:33No.
48:33No, gosh.
48:35I'm so sorry you thought that.
48:37I didn't think it.
48:38I saw it.
48:39Okay.
48:40Well, I don't know what you think you saw,
48:44but, um, I wasn't disappointed.
48:46I was, um...
48:49Yeah, I don't know.
48:53I was, I, um, felt like I had the flu or I was sick or something.
48:57You were sick.
48:59No.
48:59No, I wasn't.
49:00I was...
49:01I was just in shock.
49:04Because I was seeing the person whose heart I have.
49:10Because it's one thing to know that you have someone's...
49:14But to actually see who he was,
49:17I just, I wasn't ready for, for that.
49:24And after you left,
49:26since then I've read all these stories about him
49:29and, you know, seen what a good guy he was
49:32and how involved in the community he was.
49:35It's incredible.
49:37Boy, you thought only white people could be good citizens?
49:41No.
49:41No, of course not.
49:43He was the absolute best person
49:46and you don't get to be disappointed, okay?
49:49No, I'm...
49:49You just don't!
49:50I miss him so much.
50:05I can't actually believe that part of him is in you.
50:20It's just fucking crazy.
50:22I feel terrible about what happened to him.
50:37What I read about that night was just so, um...
50:42Actually, I can't stop thinking about it.
50:45I keep thinking about it and hoping that he wasn't looking
50:59because he was facing the girl on the gurney.
51:05There were two of them both juiced up on ice
51:08and she'd smashed her hand through a window,
51:10but, yeah, Ash had calmed her down a bit
51:13but the boyfriend was still freaking out
51:15and he went and had another snort
51:16and then when he came back,
51:17he thought that Ash was hurting her
51:20and he came up from behind and punched
51:23and Ash fell...
51:26...back and hit his head.
51:29I'm so sorry.
51:37Did you get to...
51:40Did you regain consciousness at all?
51:46He was on life's when I got there.
51:49He's on life's when he got there.
51:49He's on life's when he came back.
51:51He's on life's when he was sick.
51:51He's on life's when he's back.
51:53I was so scared.
51:54That was the time in the city of the city
51:56and I was like,
51:56Oh, my God!
51:58Ha, ha, ha, ha.
52:29Um, hi.
52:31Shit, you scared me.
52:34This is fun.
52:36Mm-hmm.
52:38Are you okay?
52:41Because it looks like you're drinking with the chickens.
52:45Well, you know.
52:47I just did a double.
52:49And the kids are annoying.
52:52And Hamish is annoying.
52:54Lucky I'm not annoying.
52:58Are you here for dinner?
53:00Dunno, what's he cooking?
53:01Careful.
53:02Big fat one's a bolter.
53:07So, I wrote the victim impact statement.
53:11Fuck.
53:13Really?
53:16Well, great.
53:22I'm sorry for being such a shithead.
53:24I do know how hard this has been for you.
53:30I'm fine.
53:33I love you.
53:35Love you too.
53:36Love you too.
53:41So, I met the guy who has Ash's heart.
53:45He might be a bit of a dick, but he and his wife are coming here next Thursday for dinner.
53:50I wonder if he likes chicken.
53:51How can you mend a broken heart?
53:53How can you stop the rain from falling down?
53:55How can you stop the sun from shining?
53:56What makes the world go round?
53:57Ed?
53:58How can you mend a broken heart?
54:00How can you mend a broken heart?
54:02How can you stop the rain from falling down?
54:04How can you stop the sun from shining?
54:08How can you stop the sun from shining?
54:11How can you stop the sun from shining?
54:15What makes the world go round?
54:21Ed?
54:23How can you mend this broken man
54:29And let me live again
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